Search results for ""author manus"

The romans d’antiquité, medieval re-makings in French of the stories of Troy, Thebes, Greece, and Rome, first appeared in the reign of Henry II and Eleanor of Aquitaine in the twelfth century and continued to be read in England throughout the Middle Ages. Among them, the Romance of Thebes medievalizes the stories of Oedipus and Jocasta; Polynices and Etiocles; Antigone, Creon, and Theseus; and the Siege of Thebes. The medieval French re-working also complicates Trojan-based accounts of European identity by adding African and Muslim allies for Thebes to the narrative’s classical source in Statius’ Thebaid, thus suggesting that Europe is not forged simply in opposition to Islam. This new translation and introduction by two distinguished scholars of comparative literature is the first in English for thirty years. It is based on the late fourteenth-century manuscript text owned by ‘battling’ Bishop Henry Despenser, notorious for his harsh suppression of the 1381 rebels in Norwich and for his failed continental crusade. The translation can be read both for itself and to facilitate study of the original poem by scholars and students of the literary culture of England and North West Europe. Volume 11 in The French of England Translation Series (FRETS)

Read more less

In 1969 and 1970, Louis I. Kahn (1901–1974)—one of America’s greatest 20th-century architects—participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating interviews, which provide remarkable insights into Kahn’s philosophy of architecture. The conversations touch on many of his iconic works, including the unbuilt City Tower Project for Philadelphia, the Yale University Art Gallery, the First Unitarian Church in Rochester, and major international projects then under construction, as well as the Yale Center for British Art, Kahn’s final building, on which he was beginning work at the time. Illustrated with dozens of plans, drawings, and photographs, the book also features an introduction by Jules David Prown, the first director of the Yale Center for British Art, who recommended Kahn as its architect. Distributed for the Yale Center for British Art, in association with Manuscripts and Archives, Sterling Memorial Library, Yale University and the Architectural Archives of the University of Pennsylvania

Read more less

For the second catalogue of materials from the John Milton and Ruth Neils Ward Collection of the Harvard Theatre Collection, Professor John Milton Ward has selected over 2,100 items relating to Italian ballet from the seventeenth through the twentieth century. Italian Ballet, 1637–1977 includes published materials (printed scores, librettos, treatises on ballet) as well as hundreds of manuscript scores (many autograph), letters, contracts, choreographic notes, and costume and set designs. Like its predecessor The King’s Theatre Collection, Italian Ballet, 1637–1977 was designed to be a useful scholarly resource, with descriptive citations for each ballet and detailed indexes for titles, choreographers, composers, and theaters. Arranged chronologically, Italian Ballet, 1637–1977 allows the researcher to follow the development of Italian ballet from unnamed comic dances performed between the acts of eighteenth-century opera to the large-scale nineteenth-century ballets choreographed by Antonio Pallerini and Luigi Manzotti. The catalogue is meant not only as a reference to the collection at Harvard, but also as an entryway for scholars to delve into this unexplored area of musicology and dance history.

Read more less

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW The essays here provide a series of unusual, varying and complex perspectives on late-medieval society, with a particular focus on the European context. They show how in the north of England the Cliffords and tenants of the honourof Pontefract were forced to weigh up the advantages and disadvantages of their conflicting loyalties to local lords and distant kings; how in East Anglia the growing cult of St Margaret was reinforced by dissemination of her life-story [published here from a manuscript in the British Library]; how at Westminster the court of Henry IV was enhanced by his purchase of luxury items, and how the inept rule of his grandson Henry VI led to the "de-skilling" ofhitherto competent bureaucracies in the exchequer and chancery; how in Normandy a fine line was drawn between brigandage and movements for independence; how in Burgundy the classic ideals of chivalry, as presented in the duchy's literature, contrasted with the grim reality of military and political confrontations; and how in Florence infants were nurtured. Contributors: Frederik Buylaert, Christine Carpenter, Vincent Challet, Juliana Dresvina, Jan Dumolyn, Andy King, Jessica Lutkin, Alessia Meneghin, Sarah Rose

Read more less

Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works. Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world. Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization.

Read more less

In the summer of 1855, when the nineteen-year-old Sam Clements traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow. About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens' irregularities, inconsistencies, errors, and cancellations unchanged. Clemens' cancellations are included in the text enclosed in angle brackets, thus ; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word. The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant.

Read more less

“The classic of all Europe.” —T. S. EliotVirgil (Publius Vergilius Maro) was born in 70 BC near Mantua and was educated at Cremona, Milan, and Rome. Slow in speech, shy in manner, thoughtful in mind, weak in health, he went back north for a quiet life. Influenced by the group of poets there, he may have written some of the doubtful poems included in our Virgilian manuscripts. All his undoubted extant work is written in his perfect hexameters. Earliest comes the collection of ten pleasingly artificial bucolic poems, the Eclogues, which imitated freely Theocritus’ idylls. They deal with pastoral life and love. Before 29 BC came one of the best of all didactic works, the four books of Georgics on tillage, trees, cattle, and bees. Virgil’s remaining years were spent in composing his great, not wholly finished, epic the Aeneid, on the traditional theme of Rome’s origins through Aeneas of Troy. Inspired by the Emperor Augustus’ rule, the poem is Homeric in metre and method but influenced also by later Greek and Roman literature, philosophy, and learning, and deeply Roman in spirit. Virgil died in 19 BC at Brundisium on his way home from Greece, where he had intended to round off the Aeneid. He had left in Rome a request that all its twelve books should be destroyed if he were to die then, but they were published by the executors of his will. The Loeb Classical Library edition of Virgil is in two volumes.

Read more less

The Book of John Mandeville has tended to be neglected by modern teachers and scholars, yet this intriguing and copious work has much to offer the student of medieval literature, history, and culture. [It] was a contemporary bestseller, providing readers with exotic information about locales from Constantinople to China and about the social and religious practices of peoples such as the Greeks, Muslims, and Brahmins. The Book first appeared in the middle of the fourteenth century and by the next century could be found in an extraordinary range of European languages: not only Latin, French, German, English, and Italian, but also Czech, Danish, and Irish. Its wide readership is also attested by the two hundred fifty to three hundred medieval manuscripts that still survive today. Chaucer borrowed from it, as did the Gawain-poet in the Middle English Cleanness, and its popularity continued long after the Middle Ages.

Read more less

The abbey was part of a network of Cistercian houses that played a key part in safeguarding manuscripts of old Welsh literature. This book tells the story of that venture with examples of the work of poets and poems about the abbey. It also provides an overview of the continuity of the tradition in the modern world in the works of local and national bards in English and Welsh.

Read more less

The poem, which survives only in the Auchinleck Manuscript, deals with the later years of Guy's life, beginning with his return to Warwick after having established himself on the Continent as a pre-eminent model of knighthood. After his marriage, however, he is stricken by remorse for the very actions that have brought him fame, and he sets out anonymously on a series of pilgrimages of atonement.

Read more less

In the first modern edition of the poem since 1863, James H. Morey presents The Prik of Conscience to a new audience of students of the Middle Ages. The famous fourteenth century poem leads its audience on a path of penance. Attributed to the mystic Richard Rolle, it became one of the most popular poems in medieval England and appears in about 130 manuscripts, more than any other Middle English poem. This edition is the first to offer extensive annotations and a gloss, making it accessible to students at all levels of proficiency in Middle English.

Read more less

Introduces Skelton and his work to readers unfamiliar with the poet, gathers together the vibrant strands of existing research, and opens up new avenues for future studies. John Skelton is a central literary figure and the leading poet during the first thirty years of Tudor rule. Nevertheless, he remains challenging and even contradictory for modern audiences. This book aims to provide an authoritative guide to this complex poet and his works, setting him in his historical, religious, and social contexts. Beginning with an exploration of his life and career, it goes on to cover all the major aspects of his poetry, from the literary traditions in which he wrote and the form of his compositions to the manuscript contexts and later reception. SEBASTIAN SOBECKI is Professor of Medieval English Literature and Culture at the University of Groningen; JOHN SCATTERGOOD is Professor (Emeritus) of Medieval and Renaissance English at Trinity College, Dublin. Contributors: Tom Betteridge, Julia Boffey, John Burrow, David Carlson, Helen Cooper, Elisabeth Dutton,A.S.G. Edwards, Jane Griffiths, Nadine Kuipers, Carol Meale, John Scattergood, Sebastian Sobecki, Greg Waite

Read more less

Vienna, 1714: Late in life, Gottfried Wilhelm Leibniz, the universal genius of his time, puts down his pen and declares his description of the universe to be complete. In the evening, he sits in his study room among letters, books, and manuscripts as his young friend Theodor comes for a visit. Theodor is bothered by one question: Why is there evil? And why do people commit crimes? With an example from ancient Greek mythology, Leibniz develops his theory about the best of all possible worlds. With this vivid “story within a story” Jean Paul Mongin successfully imparts the complex philosophical ideas of Leibniz to young readers. At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s “big questions,” however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.

Read more less

The essays in this book, first published in 1860, were developed from a series of lectures on "The Conduct of Life" delivered by Emerson during the early 1850s. Some of the original lectures were dropped and the rest were considerably revised, with new topics introduced. The published essays, on "Fate," "Power," "Wealth," "Culture," "Behavior," "Worship," "Considerations by the Way," "Beauty," and "Illusions," show Emerson's interest in many practical aspects of human life, and reflect his increasing involvement in politics--chiefly in the antislavery movement--during the decade before the Civil War.This edition is based on Emerson's holograph manuscripts and published sources. The text incorporates Emerson's later corrections and revisions, and shows us what he actually wrote (or, perhaps in some cases, intended to write).The historical introduction traces the book's development and its relation to Emerson's own personal growth and political awareness. Joseph Slater's explanatory notes help the modern reader to understand many of Emerson's references and allusions that may not be readily apparent. Historical Introduction by Barbara L. PackerNotes by Joseph SlaterText Established and Textual Introduction and Apparatus by Douglas Emory Wilson

Read more less

Y es que, desde el principio de los tiempos, existe un mineral capaz de otorgar al ser humano los poderes de un dios.En un mundo asolado por el recuerdo de una guerra que duró cincuenta años, solo un libro podrá cambiar su destino.Jota, el misterioso autor de este manuscrito, relata todo lo acontecido hasta que acabó en prisión. En su infancia conoció al extraño Ben Miller, lo que dio un giro a su vida hasta el punto de verse involucrado en conflictos del futuro.Por alguna razón, Jota sigue escribiendo desde su celda. Tiene la asombrosa certeza de que podrá cambiarlo todo si no deja de escribir.

Read more less

Turín, 1957. Adelina tiene catorce años y vive con su tía Amalia. Entre los pupitres del colegio, la muchacha es el hazmerreír de la clase: a su edad no parece capaz de recordar las lecciones. Su severo profesor no le da tregua y decide que la ayude en el estudio Luisella, su brillante compañera.Si Adelina empieza a ir mejor en el colegio no será gracias a la ayuda de su amiga, sino a un don extraordinario del que parece estar dotada:la capacidad de leer con el olfato. Este talento representa, no obstante, una amenaza: el padre de Luisella, un notario implicado en negocios nodel todo claros, intentará utilizarla para descifrar el célebre manuscrito Voynich, el códice más misterioso del mundo.

Read more less

Tras el gran éxito de Las divertidas aventuras de las letras llegan Más divertidas aventuras de las letras, 29 NUEVOS cuentos de la A a la Z, uno por cada sonido del abecedario.Estos sonidos, personalizados en simpáticos dibujos, son protagonistas de sus propia historias, y así, la A aventurera irá a divertirse al parque de atracciones con su amiga Ardilla; la B, que tiene un poco de barriga, preparará bombones para sus amigos; la C cuentacuentos nos contará otra simpática historia., y así hasta la Z zapatera, que esta vez le hará unas zapatillas al mago de Oz!Textos adaptados a la edad prelectora, en letra manuscrita y con el sonido protagonista de cada cuento destacado en color a lo largo de sus páginas.

Read more less

The Arthur of the North is the first book-length study of the Arthurian literature that was translated from French and Latin into Old Norse-Icelandic in the thirteenth century, which has been preserved mostly in Icelandic manuscripts, and which in early modern times inspired the composition of narrative poems and chapbooks in Denmark, Iceland and Norway, chiefly of the Tristan legend. The importation of Arthurian literature in the North, primarily French romances and lais, is indebted largely to the efforts of King Hákon Hákonarson (r. 1217–63) of Norway, who commissioned the translation of Thomas de Bretagne’s Tristan in 1226, and subsequently several Arthurian romances by Chrétien de Troyes and a number of Breton lais. The translations are unique in that the French metrical narratives were rendered in prose, the traditional form of narrative in the North. The book concludes with a chapter on Arthurian literature in the Rus’ area, precisely East Slavic, with a focus on the Belarusian Trysčan. Contents 1. The Introduction of the Arthurian Legend in Scandinavia, Marianne E. Kalinke 2. Sources, Translations, Redactions, Manuscript Transmission, Marianne E. Kalinke 3. Breta sögur and Merlínússpá, Stefanie Gropper 4 The Tristan Legend, Geraldine Barnes 5. The Translated Lais, Carolyne Larrington 6 The Old Norse-Icelandic Transmission of Chrétien de Troyes’s Romances: Ívens saga, Erex saga, Parcevals saga with Valvens þáttr, Claudia Bornholdt 7. The Old Swedish Hærra Ivan Leons riddare, William Layher 8. Arthurian Echoes in Indigenous Icelandic Sagas, Marianne E. Kalinke 9. Arthurian Ballads, rímur, Chapbooks and Folktales, M. J. Driscoll 10. Arthurian Literature in East Slavic, Susana Torres Prieto

Read more less

Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.

Read more less

Anantadas is the first 'biographer' who, around 1600, wrote about the most popular bhakti poets of the 15th and 16th centuries in Northern India. This critical study of these manuscripts yields a broad spectrum of the linguistic and morphological variants. It also reveals the processes of oral and scribal transmission during this time when sectarian interests appropriated certain poets and changed their 'biographies' accordingly.

Read more less

Complete Poems brings together the published and unpublished work of one of the most significant poets of the late twentieth century, founding editor of Stand and of the Northern House imprint. As well as reprinting all the poems included in Silkin's books (from The Portrait and Other Poems in 1950 to Making a Republic in 2002), it includes significant poems previously unpublished or published only in a wide variety of journals, and work transcribed from manuscripts. Complete Poems demands a new perception of Silkin's language and his concerns, the breadth of his passionately humane response to war and the Holocaust, and his scrutiny of humanity alongside nature.

Read more less

Blanchardyn and Eglantine and Paris and Vienne were last edited in 1890 and 1957, respectively. The proposed edition incorporates recent scholarship and criticism, including new critical editions of French texts closely related to Caxton’s sources for both romances. Other relevant scholarly traditions include: studies of the two romances and late medieval romance in England and France; gender studies, especially the role of women in these narratives; scholarship relating to the owners and readers of Caxton’s romances and associated manuscripts; studies of courtesy literature and its relationship to romance; and scholarship on Caxton, his career, publications, prose style, and language.

Read more less

Jennifer Clarvoe’s Invisible Tender is the first winner of the annual Poets Out Loud Prize for a book of poetry published each year by Fordham University Press in coordination with Fordham’s Poets Out Loud program. Poet J.D. McClatchy, the judge for the 1999 Prize, chose Invisible Tender from among nearly 500 manuscripts entered by poets from around the world. His introduction is included in the volume. The poems collected in Invisible Tender chart the terrains of childhood recollection and adult loss, of meditation and celebration. Intensely lyrical, both employing and altering traditional poetic meters and forms, Clarvoe’s poems are rich in philosophical reflection in subjects ranging from art and, popular culture to the elusive languages of the natural world.

Read more less

'HOW CAN ANYONE LEAVE SOMEONE THEY LOVE?'Martin Berg is falling into crisis. Decades ago, he was an aspiring writer, his girlfriend was the wildly intelligent Cecilia Wickner, and his best friend was the hellraising artist Gustav Becker. But Martin's manuscript is now languishing in a drawer, Gustav has stopped answering his calls, and Cecilia has vanished - leaving him to raise their children alone. Cecilia: an eccentric wife and absent mother, a woman who was perhaps only true to herself. When Rakel stumbles across a clue as to why her mother left, she sets out to fill the gaps in her family's story and discovers that some questions have no clear answers...

Read more less

Old English Tradition contains eighteen new essays by leading scholars in the field of Old English literary studies. The collection is centered around five key areas of research—Old English poetics, Anglo-Saxon Christianity, Beowulf, codicology, and early Anglo-Saxon studies—on which the work of scholar J. R. Hall, the volume’s honorand, has been influential over the course of his career. The volume’s contents range from fresh insights on individual Old English poems such as The Wife’s Lament and Beowulf; new studies in Old English metrics and linguistics; codicological examinations of individual manuscripts; fresh editions of understudied texts; and innovative examinations of the role of early antiquarians in shaping the field of Old English literary studies as we know it today.

Read more less

Tong Jun was an outstanding architect and architectural educator in contemporary China. He was widely considered an all-round talent in theory, creation, writing and painting in Chinese architecture. He had a deep foundation in ancient Chinese literature, and studied Chinese classical poetry since childhood. While studying at the University of Pennsylvania, he won many awards in the national architectural student design competition. He has left behind many works and manuscripts on landscape, architecture, and architecture history, sculpture history, and painting history that have enlightened and educated many generations. However, there are few records about him. This book recollects the last 20 years of his life, and introduces the reader to the very real and vivid practitioner that was Tong Jun.

Read more less

It is a generally accepted truth that the flute was unknown in Scotland prior to 1725, and that it was played exclusively by wealthy men. Upon examination, these beliefs are demonstrably false. This book explores the role of the flute in Scottish musical life, primarily in the long eighteenth century, including players, repertoire, manuscripts, and instruments. Evidence for ladies having played the flute is also examined, as are possible connections between flute playing and bagpipe playing. Reasons for the flute’s disappearance from the pantheon of Scottish instruments are considered, and interviews with contemporary flute players in Scotland depict flute playing in contemporary Scotland. This work fills a major gap in knowledge of Scottish musical life and flute history.

Read more less

The renowned scholar-poet John of Garland wrote the Integumenta Ovidii (“Allegories on Ovid”) in early thirteenth-century Paris at a time of renewed interest in Classical Latin literature. In this short poem, John offers a series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses. The text is here edited and translated for the first time in 90 years, drawing on the evidence of over two dozen manuscripts. The edition presents the original Latin text with facing-page modern English translation. Comprehensive explanatory notes help readers to understand John’s condensed allegories in their medieval context. Textual notes discuss the various difficulties in the transmitted text of the poem, and offer several improvements on the texts of the older editions.

Read more less

Discover a world of decorative ideas with this compendium of history’s most elegant patterns and ornamental designs.The World of Ornament brings together the two greatest encyclopedic collections of ornament of the 19th century: Auguste Racinet’s L’Ornement polychrome Volumes I and II (1875–1888) and Auguste Dupont-Auberville’s L’Ornement des tissus (1877) to provide one lavish source book spanning jewelry, tile, stained glass, illuminated manuscript, textile, and ceramic ornament. Encompassing classical, Egyptian, Greek, Roman, Etruscan, Asian and Middle Eastern, as well as European designs from medieval times through the 19th century, this compilation of cultures and aesthetics offers a primary reference for artists, historians, designers, and patternmakers, and anyone engaged in decorative design and impact.

Read more less

Dazzling, daring and full of original insight and wit, Henry Green offers a unique view of a class-ridden Britain enduring both war and its aftermath. In the apocalyptic atmosphere of the Blitz, so brilliantly evoked in Caught, gossip spreads like wildfire and the lives of two men are torn apart. In Back, Charley, an amputee, returns from a prison camp to his village and the grave of the woman he loved. Concluding was Green's own favourite of his novels and tells the story of a summer's day and a schoolgirl's disappearance.The text of Caught used in this edition is based on Green's original manuscript, which was censored by the publisher on first publication, but can be read now for the first time in unexpurgated form.

Read more less

An eminent, ageing Australian writer is invited to contribute to a book entitled Strong Opinions. For him, troubled by Australia's complicity in the wars in the Middle East,it is a chance to air some urgent concerns: how should a citizen of a modern democracy react to their state's involvement in an immoral war on terror, a war that involves the use of torture?Then in the laundry room of his apartment block he encounters an alluring young woman. He offers her work typing up his manuscript. Anya is not interested in politics, but the job will be a welcome distraction, as will the writer's evident attraction towards her. Her boyfriend, Alan, is an investment consultant who understands the world in harsh economic terms. Suspicious of his trophy girlfriend's new pastime, Alan begins to formulate a plan...

Read more less

Past and present meet on mysterious Montague Island. In this, the fourth book of the popular Montague Island Mysteries series of logic puzzle books (over 56,000 copies sold), Gordon Montague is working on his memoirs, which are filled with reminiscences (and puzzles) of his younger days, and his earliest experiences on Montague Island. Helping Gordon review the manuscript is Taylor, who by now is a lifelong friend-but then something happens that gives Taylor's presence on the island another urgent purpose. From Taylor's perspective, solvers will study maps and blueprints, attend parties, meet dogs, plan a wedding, and more.

Read more less

“Each of us has his tastes inscribed in his brain and heart; whether he fulfills his urges with regret or with joy, he must fulfill them. He should let others act according to their own nature. It’s fate that creates us and guides us throughout our lives: to fight against it would be little more than fruitless, foolish, and reckless!”In the late 1880s, a dashing young Italian aristocrat made an astonishing confession to the novelist Émile Zola. In a series of revealing letters, he frankly described his sexual experiences with other men—including his seduction as a teenager by one of his father’s friends and his first love affair, with a sergeant during his military service—as well as his “extraordinary” personality. Judging it too controversial, Zola gave it to a young doctor, who in 1896 published a censored version in a medical study on sexual inversion, as homosexuality was then known. When the Italian came across this book, he was shocked to discover how his life story had been distorted. In protest, he wrote a long, daring, and unapologetic letter to the doctor defending his right to love and to live as he wished.This book is the first complete, unexpurgated version in English of this remarkable queer autobiography. Its text is based on the recently discovered manuscript of the Italian’s letter to the doctor. It also features an introduction tracing the textual history of the documents, analytical essays, and additional materials that help place the work in its historical context. Offering a striking glimpse of gay life in Europe in the late nineteenth century, The Italian Invert brings to light the powerful voice of a young man who forthrightly expressed his desires and eloquently affirmed his right to pleasure.

Read more less

Translation is at the centre of Christianity, scripturally, as reflected in the biblical stories of the tower of Babel, or of the apostles’ speaking in tongues after the Ascension, and historically, where arguments about it were dominant in Councils, such as those of Trent or the Second Vatican Council of 1962–64, which, it should be recalled, privileged the use of the vernacular in liturgy. The four texts edited here discuss the legitimacy of using the vernacular language for scriptural citation. This question in England became central to the perception of the followers of John Wyclif (sometimes known as Lollards): between 1409 and 1530 the use of English scriptures was severely impeded by the established church, and an episcopal licence was required for its possession or dissemination. The issue evidently aroused academic interest, especially in Oxford, where the first complete English translation seems to have originated. The three Latin works here survive complete each in a single manuscript: of these texts two, written by a Franciscan, William Butler, and by a Dominican, Thomas Palmer, are wholly hostile to translation. The third, the longest and most perceptive, edited here for the first time, emerges as written by a secular priest of impressive learning, Richard Ullerston; his other writings display his radical, but not unorthodox opinions. The only English work here is a Wycliffite adaptation of Ullerston’s Latin. The volume provides editions and modern translations of these four texts, together with a substantial introduction explaining their context and the implications of their arguments, and encouraging further exploration of the perceptions of the nature of language that are displayed there, many of which, and notably of Ullerston, are in advance of those of his contemporaries.

Read more less

An examination of the ideas of space and place as manifested in medieval texts, art, and architecture. This interdisciplinary collection of sixteen essays explores the significance of space and place in Late Antique and medieval culture, as well as modern reimaginings of medieval topographies. Its case studies draw on a wide variety of critical approaches and cover architecture, the visual arts (painting and manuscript illumination), epic, romance, historiography, hagiography, cartography, travel writing, as well as modern English poetry. Challenging simplistic binaries of East and West, self and other, Muslim and Christian, the volume addresses the often unexpected roles played by space and place in the construction of individual and collective identities in religious and secular domains. The essays move through world spaces (mappaemundi, the exotic and the mundane East, the Mediterranean); empires, nations, and frontier zones; cities (Avignon, Jerusalem, and Reval); and courts, castles and the architectureof subjectivity, closing with modern visions of the medieval world. They explore human movement in space and the construction of time and place in memory. Taking up pressing contemporary issues such as nationalism, multilingualism, multiculturalism and confessional relations, they find that medieval material provides narratives that we can use today in our negotiations with the past. Julian Weiss is Professor of Medieval and Early Modern Hispanic Studies, Sarah Salih Senior Lecturer in English, at King's College London. Contributors: Richard Talbert, Paul Freedman, Sharon Kinoshita, Luke Sunderland, Julian Weiss, Sarah Salih, Konstantin Klein, Katie Clark, Elizabeth Monti, Elina Gertsman, Elina Räsänen, Geoff Rector, Nicolay Ostrau, Andrew Cowell, Joshua Davies, Chris Jones, Matthew Francis

Read more less

This memoir is by and about George Taylor: the manuscript was handed down through generations of his family. It recalls the varied and interesting life of a man who, at the age of 50, moved his family from Kelso in the Scottish Borders to Kalamazoo, Michigan, in the mid-nineteenth century. George Taylor was a gardener and nurseryman and, when settled in Kalamazoo, he soon established a successful business supplying plants and hedging. He was an award-winning horticulturalist and was responsible for the introduction of the cultivation of celery to the USA. In the course of hearing about George Taylor's life - including the death of three of his four wives in childbirth - we encounter people such as the widow of the man who supposedly served as the inspiration for Robert Burns' "Tam o' Shanter", and events such as the Great Fire of Chicago. From Kelso to Kalamazoo is all too rare a primary source testament to the realities of emigration from the lowlands of Scotland to the USA.

Read more less

The origins of the game of rugby and the codification of the rules which defined the game have been glorified in numerous legends, some of which are little more than sporting hagiography. Following on from the success of The Rules of Association Football 1863 and in time for the Rugby World Cup in September – October 2007, this book investigates the origins of the game of rugby and reproduces for the first time in a single book both the first rules of the game, drawn up at Rugby School in 1845 and the first rules of the Rugby Football Union, published in 1871. The introduction by Jed Smith, the curator of the Rugby Football Museum in Twickenham, will provide the first systematic exploration of the origin of the rules of the game and their development. Includes images from the unique manuscript held at the Rugby Football Union as well as nineteenth-century illustrations of the game as it was first played, capturing its early spirit and enthusiasm.

Read more less

The oldest extant Marathi work, a medieval chronicle of Chakradhar’s divine life on earth, in a new English translation.God at Play, or Līḷācaritra, is a remarkable biography of the medieval religious figure Chakradhar Svami. His followers, called Mahanubhavs, understand him to be a divine incarnation of Parameshvar. Mhaimbhat, a Brahmin goldsmith who became one of Chakradhar’s most important followers, compiled this astonishingly down-to-earth religious text around 1278. It records not only Chakradhar’s ethical and theological teachings, but also his everyday activities, including the foods he ate and the people he met. This rich, detailed account provides insights into economic conditions, political history, and society in medieval India. Manuscripts of the work were carefully preserved within the Mahanubhav community and were not known to outsiders until the early twentieth century.The first volume of God at Play describes Chakradhar’s early life, his wanderings as a lone ascetic, and the gathering of the disciples who later accompany him on his travels.This new English translation of Līḷācaritra is accompanied by an emended Marathi text, based on Hari Narayan Nene’s edition, in the Devanagari script.

Read more less

L’÷uvre de Jean Potocki traduit un conflit entre deux perspectives du monde, lesquelles, à un niveau esthétique et métaphorique, répondent à deux formes de mouvement: errare et iterare, l’errance sinueuse et sans but, et la quête de sens, interminable et utopique. Les motifs d’errance du Manuscrit trouvé à Saragosse rejoignent sa forme narrative, remarquablement complexe et «errante», pour ensemble créer l’image d’un monde fondamentalement instable. Utilisant l’errance comme clef d’interprétation, ce livre montre comment l’autoréflexivité du roman potockien, loin de tourner à vide, est le point de départ d’une fine réflexion anthropologique: le texte romanesque est traité de machine discursive permettant de penser certaines questions philosophiques, comme le rôle joué par la narration et par la fiction dans la construction de l’identité, et les impasses herméneutiques vécues par l’homme dans un monde où le sens se déplace sans cesse. L’÷uvre de Jean Potocki traduit un conflit entre deux perspectives du monde, lesquelles, à un niveau esthétique et métaphorique, répondent à deux formes de mouvement: errare et iterare, l’errance sinueuse et sans but, et la quête de sens, interminable et utopique. Les motifs d’errance du Manuscrit trouvé à Saragosse rejoignent sa forme narrative, remarquablement complexe et «errante», pour ensemble créer l’image d’un monde fondamentalement instable. Utilisant l’errance comme clef d’interprétation, ce livre montre comment l’autoréflexivité du roman potockien, loin de tourner à vide, est le point de départ d’une fine réflexion anthropologique: le texte romanesque est traité de machine discursive permettant de penser certaines questions philosophiques, comme le rôle joué par la narration et par la fiction dans la construction de l’identité, et les impasses herméneutiques vécues par l’homme dans un monde où le sens se déplace sans cesse.

Read more less

The capture of the French king John II at Poitiers in 1356 marked the end of royal taxation as a temporary, wartime expedient and its beginning as an annual assessment. John Henneman's detailed treatment of war financing in the period immediately preceding, from 1322 to 1356, is the first volume in a proposed study of royal finances in France during the fourteenth century. Mr. Henneman has chosen a chronological approach to his subject in order to show how the evolving theory and practice of taxation were affected by these turbulent years of war and negotiation, political faction and dynastic feuds, social and economic change. Mr. Henneman discusses the king's requirements for money over and above his normal revenues, the methods he used to raise the funds, the responses of his subjects, and the changes these procedures made in the development of French institutions. His study is based largely on unpublished sources, especially the manuscripts found in French provincial archives. As the royal financial records in Paris have been dispersed or destroyed, these manuscripts arc of particular importance. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Read more less

Ce commentaire du Livre IV, qui fait le point sur l'état actuel de la recherche dans les études propertiennes, offre un texte original et un apparat critique, accompagnés d'une traduction en prose. Le texte retenu, qui se fonde sur les travaux de Marc Dominicy, attribue au manuscrit T une place importante, mais secondaire par rapport à N, à la différence des éditions récentes qui favorisent l'hypothèse d'un stemma à trois branches. La première partie fournit, pour chaque élégie, une synthèse qui la replace dans son contexte et fait le point sur ses enjeux littéraires, historiques et sociologiques. Les commentaires ad uerbum, qui proposent une analyse fouillée de chacune des élégies, s'inscrivent dans cette perspective. Properce ne se borne pas, en effet, à refaçonner la fiction élégiaque de la puella et ses modèles, comme dans les trois premiers Livres. Il accorde une place majeure aux realia, à commencer par les monumenta de Rome, en articulant le réel contemporain et l'imaginaire à travers le prisme du mythe et de l'idéologie. Le poète élégiaque se démarque de la nouvelle conception du pouvoir politique, adossée à la tradition romaine, et qui s'incarne dans le mythe de la fondation chanté par Virgile et Horace. This commentary on Book IV, while describing the current state of the art in Propertian studies, provides an original text as well as a critical apparatus, together with a translation in prose. Unlike recent editions that favoured the hypothesis of a third branch, the text edited here, based on Marc Dominicy's works, attributes to Manuscript T an important yet secondary role, as opposed to N. In the first part, a critical synthesis places each elegy into context and reviews the literary, historical and sociological issues it may raise. This general perspective paves the way for the detailed ad uerbum analyses that follow. Indeed, Propertius does not only reshape the elegiac fiction of the puella and its models, as happened in the first three Books. He also focuses on realia, such as Rome's monumenta in the opening poem. His writing strategy consists in using the prism of myth and ideology in order to bridge the gap between contemporary reality and imagination. The elegiac poet takes a critical view on the emergence and development of a new conception of political power based on the revival of Roman tradition and the foundation myth sung by Virgil and Horace.

Read more less

The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton. The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years? This book is the first full-length study of the tradition. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason.

Read more less

This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.

Read more less

First full-length study in English of the Middle Dutch Lancelot-Compilation, of great significance for Arthurian studies. The Book of Lancelot is a study of the highly intriguing Middle Dutch Lancelot Compilation, a collection of ten Arthurian verse romances, compiled around 1320. Although the compilation is one of the most important Middle Dutch works, and has important implications for Arthurian studies, it is not well-known outside the Low Countries. This monograph, the first full-length English study of the compilation, aims to bring it to a wider audience,analysing the Middle Dutch work and comparing it to French narrative cycles, Thomas Malory's Morte Darthur, and Ulrich Füetrer's Buch der Abenteuer. The book consists of five chapters. The introductory chapter deals with the study of cyclicity, the literary context of the Lancelot Compilation, and the manuscript tradition. In the following three chapters the ten romances are studied one by one. Each analysis consists of two parts:a description of the compiler's source and a survey of his interventions. In the fifth and last chapter the Lancelot Compilation is characterized as a narrative cycle and compared with French, English and German cycles. The monograph concludes with an attempt to describe the essence of the compilation. BART BESAMUSCA is Associate Professor in the Department of Dutch at Utrecht University.

Read more less

He wrote under at least eight pseudonyms, published hundreds of short stories and novellas in pulp magazines, and lived a life at times as outrageous as his fiction. Pulp Writer tells of Paul S. Powers’s travels from serious literary ambitions to the pages of Wild West Weekly, of his seeking his fortune (or material, at any rate) in the ghost towns and mining camps of Colorado, and of his life in Arizona and California as he reaped the rewards of his wildly successful Wild West Weekly characters such as Sonny Tabor and Kid Wolf. Extending from the Great Depression to the golden age of the pulps, Powers’s career, chronicled here in often laugh-out-loud style, is an American success story of true grit and commercial savvy and of a larger-than-life character with questionable but endlessly entertaining Western lore to spare. In the process, he provides a valuable and rarely-chronicled look at the business of writing and publishing pulp fiction during its golden years. Powers’s granddaughter Laurie never knew her grandfather and lost touch with his side of the family. In her biographical essays, she finds her lost family and discovers the Pulp Writer manuscript. Her essays also provide a valuable historical context for pulp publications such as Wild West Weekly and their importance during the Great Depression.

Read more less

When William Blackwood, George Eliot’s publisher, first saw the manuscript of Felix Holt in 1866 he could not contain his enthusiasm; in a letter to a friend he described the novel as “a perfect marvel. The time is 1832 just after the passing of the Reform Bill, and surely such a...series of pictures of English Life, manners, and conversation never was drawn. You see and hear the people speaking. Every individual character stands out a distinct figure.”A political radical and a child of the working class, Felix has lost faith in a political system in which candidates never represent the interests of the working class. Harold Transome, the cynical son of wealthy Tory landowners, embraces radical politics for very different reasons. Both Harold and Felix vie for the affections of Esther Lyon, and she must weigh her feelings for them with the social and material goals she has set for herself. Their personal drama unfolds against the broad canvas of social and political upheaval of 1830s England.This edition is based on the text of the first edition of the novel published in three volumes in 1866, and includes a full introduction, a wide range of appendices including reviews, as well as Eliot’s “Address to Working Men, by Felix Holt”; “The Legal Plot of Felix Holt”; and a chronology of Eliot’s life and career.

Read more less

'Whoever wishes to hear about, and to know about, kings and heirs, about who first ruled England and which kings it had, Master Wace, who is telling the truth about this, has translated this.' Wace's Roman de Brut (1155) can be seen as the gateway to the history of the Britons for both French and English speakers of the time, and thus to Arthurian history, as the first complete Old French adaptation of Geoffrey of Monmouth's Latin History of the Kings of Britain (late 1130s), in which Arthur appears for the first time as king of the Britons. The Roman de Brut was a foundational work, an inspiration for a series of anonymous verse Bruts of the late twelfth and thirteenth centuries and for the Anglo-Norman Prose Brut -- the most widely read French vernacular text on this material in medieval England -- as well as a forerunner of the Middle English Brut tradition, including Layamon's Brut (c. 1200). Wace's poem thus inaugurates and shapes Brut traditions, including Arthurian tales, in verse and in prose, in historiography and in literature, including Wace's innovation of King Arthur's Round Table. This volume contains an English prose translation of Wace's Roman de Brut, accompanied by an introduction and notes, a select bibliography, a summary of the text, a list of manuscripts, and indexes of personal and geographical names.

Read more less

Invectives against Antony.Cicero (Marcus Tullius, 106–43 BC), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero’s political speeches and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

Read more less