Search results for ""author manus"

'Fresh, gripping and vivid' Simon Sebag Montefiore 'Majestically narrated' Dan Jones 'A portrait that chills you to the bone' Leanda de Lisle, The TimesA dedicated brother and loyal stalwart to the Yorkist dynasty for most of his early life, Richard's personality was forged in the tribulation of exile and the brutality of combat. An ambitious nobleman and successful general with a loyal following, he could claim to have achieved every ambition in life except one: the crown.By stripping back the legends that surround England's most controversial king and returning to original manuscript evidence, Chris Skidmore's compelling biography reveals Richard III as contemporaries saw him.

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The year is 1506, and the streets of Lisbon are seething with fear and suspicion when Abraham Zarco is found dead, a naked girl at his side. Abraham was a renowned kabbalist, a practitioner of the arcane mysteries of the Jewish tradition at a time when the Jews of Portugal were forced to convert to Christianity. Berekiah, a talented young manuscript illuminator, investigates his uncle's murder, and discovers in the kabbalah clues that lead him into the labyrinth of secrets in which the Jews sought to hide from their persecutors. A challenging mystery and a powerful indictment of the evils of intolerance, The Last Kabbalist of Lisbon is an extraordinary and spellbinding historical thriller.

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The romans d’antiquité, medieval re-makings in French of the stories of Troy, Thebes, Greece, and Rome, first appeared in the reign of Henry II and Eleanor of Aquitaine in the twelfth century and continued to be read in England throughout the Middle Ages. Among them, the Romance of Thebes medievalizes the stories of Oedipus and Jocasta; Polynices and Etiocles; Antigone, Creon, and Theseus; and the Siege of Thebes. The medieval French re-working also complicates Trojan-based accounts of European identity by adding African and Muslim allies for Thebes to the narrative’s classical source in Statius’ Thebaid, thus suggesting that Europe is not forged simply in opposition to Islam. This new translation and introduction by two distinguished scholars of comparative literature is the first in English for thirty years. It is based on the late fourteenth-century manuscript text owned by ‘battling’ Bishop Henry Despenser, notorious for his harsh suppression of the 1381 rebels in Norwich and for his failed continental crusade. The translation can be read both for itself and to facilitate study of the original poem by scholars and students of the literary culture of England and North West Europe. Volume 11 in The French of England Translation Series (FRETS)

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In 1969 and 1970, Louis I. Kahn (1901–1974)—one of America’s greatest 20th-century architects—participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating interviews, which provide remarkable insights into Kahn’s philosophy of architecture. The conversations touch on many of his iconic works, including the unbuilt City Tower Project for Philadelphia, the Yale University Art Gallery, the First Unitarian Church in Rochester, and major international projects then under construction, as well as the Yale Center for British Art, Kahn’s final building, on which he was beginning work at the time. Illustrated with dozens of plans, drawings, and photographs, the book also features an introduction by Jules David Prown, the first director of the Yale Center for British Art, who recommended Kahn as its architect. Distributed for the Yale Center for British Art, in association with Manuscripts and Archives, Sterling Memorial Library, Yale University and the Architectural Archives of the University of Pennsylvania

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For the second catalogue of materials from the John Milton and Ruth Neils Ward Collection of the Harvard Theatre Collection, Professor John Milton Ward has selected over 2,100 items relating to Italian ballet from the seventeenth through the twentieth century. Italian Ballet, 1637–1977 includes published materials (printed scores, librettos, treatises on ballet) as well as hundreds of manuscript scores (many autograph), letters, contracts, choreographic notes, and costume and set designs. Like its predecessor The King’s Theatre Collection, Italian Ballet, 1637–1977 was designed to be a useful scholarly resource, with descriptive citations for each ballet and detailed indexes for titles, choreographers, composers, and theaters. Arranged chronologically, Italian Ballet, 1637–1977 allows the researcher to follow the development of Italian ballet from unnamed comic dances performed between the acts of eighteenth-century opera to the large-scale nineteenth-century ballets choreographed by Antonio Pallerini and Luigi Manzotti. The catalogue is meant not only as a reference to the collection at Harvard, but also as an entryway for scholars to delve into this unexplored area of musicology and dance history.

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The year is 323 bce. King Alexander of Macedonia--Alexander the Great--lies paralyzed by poison in his palace in Babylon. He is thirty-two years old, had Aristotle as a mentor, and is the greatest military commander the world has ever seen. At the other end of the palace, Phyllis, a cook for Alexander's army, sits locked in a room, arrested on suspicion of being the poisoner. All of her adult life she has lived in the field--and for a long period of time was Alexander's lover. Who has poisoned the king? Phyllis is allowed to live as long as she writes down everything she knows about Alexander. She tells a brutal story of the violent daily life in the war, about the planning of the expansion into the Arabian Peninsula, about an invisible library containing marvelous manuscripts and discoveries, and about the passion between a cook and a king. With The Invisible Library, Thorvald Steen interweaves known and unknown, relying on facts until they run out, then building his story on what is probable, to tell the story of a little-known period in the life of one of the most renowned figures in history. The result is an existential and inspired novel that goes to the heart of the human experience--who are we in war, in love, during the final days of life?

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The old dog now floats in the earth's crust, turning over as I walk by working a dog of different breeding. "Tricks of the Light" explores the often-fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946-2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer and sometimes-controversial animal advocate. This definitive collection of Hearne's poetry spans the entirety of her illustrious career, from her first book, "Nervous Horses" (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and longtime friend John Hollander, whose introduction provides both critical and personal insight into the poet's magnum opus. "Tricks of the Light" - acute, vibrant, and deeply informed - is a sensuous reckoning with the connection between humans and the natural world.

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The classic study of the English-language writing of Wales in the first half of the twentieth century by Glyn Jones, drawing on his personal acquaintance with writers like Dylan Thomas, Idris Davies and Caradoc Evans. Tony Brown had the opportunity to discuss the book with Glyn Jones before his death in 1995 and has had access to Glyn Jones's own proposed revisions and to manuscript drafts. This first paperback edition therefore includes some up-dating of the text and a new bibliography. Glyn Jones's first-hand knowledge of the writers, coupled with his shrewdness of critical comments, established the book as an invaluable study of this generation of Welsh writers. At the same time the autobiographical, first chapter in which Glyn Jones examines his own life and literary career - the boy who goes from a Welsh-speaking home in Merthyr, loses his Welsh as a result of his English-language education and cultural changes in industrial Merthyr, takes a job teaching in the slums of Cardiff, re-discovers as an adult the Welsh language and its rich literary tradition and becomes, in a full awareness of that tradition, one of Wales's major English-language writers of fiction and poetry - provides a "case study" of the cultural shifts which resulted in the emergence of a distinctive English-language literature in Wales in the early decades of the twentieth century.

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Nikos Kazantzakis is no stranger to the heroes of Greek antiquity. In this historical novel based on the life of Alexander the Great, Kazantzakis has drawn on both the rich tradition of Greek legend and the documented manuscripts from the archives of history to recreate an Alexander in all his many-faceted images—Alexander the god; Alexander the descendant of Heracles performing the twelve labors; Alexander the mystic, the daring visionary destined to carry out a divine mission; Alexander the flesh-and-blood mortal who, on occasion, is not above the common soldier’s brawling and drinking. The novel, which resists the temptation to portray Alexander in the mantle of purely romantic legend, covers his life from age fifteen to his death at age thirty-two. It opens with Alexander’s first exploit, the taming of the horse, Bucephalas, and is seen in great part through the eyes of his young neighbor who eventually becomes an officer in his army and follows him on his campaign to conquer the world. The book, which was written primarily as an educational adjunct for young readers, is intended for the adult mind as well, and like the legends of old, is entertaining as well as instructive for readers of all ages. It was originally published in Greece in serial form in 1940, and was republished in a complete volume in 1979.

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This follow-up to the smash hit Cats Galore dives deeper into the world of Susan Herbert, whose delightful re-imaginings of some of the best-known and best-loved works of art have won her a devoted international following. Herbert’s first book, The Cats Gallery of Art, was published in 1990, and since then her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from opera, Shakespearean plays and the movies – all with her trademark blend of humour and ability to capture those essential feline characteristics so instantly recognizable to cat lovers everywhere. In this new compilation, furry felines take over yet more of the world’s most famous masterpieces. They crowd into the pages of the 15th-century Très Riches Heures, zoom through the air as cherubic blindfolded Cupids in Renaissance masterworks, and pose stiffly in royal portraits, before loosening things up in the 19th century as artists take paint and palette out into the countryside. Ranging from medieval illuminated manuscripts to Old Master stalwarts such as Rembrandt and Vermeer, through to the likes of Monet and Rossetti, this second helping of cats in art will delight fans everywhere of a beloved artist.With 140 illustrations in colour

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The abbey was part of a network of Cistercian houses that played a key part in safeguarding manuscripts of old Welsh literature. This book tells the story of that venture with examples of the work of poets and poems about the abbey. It also provides an overview of the continuity of the tradition in the modern world in the works of local and national bards in English and Welsh.

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The poem, which survives only in the Auchinleck Manuscript, deals with the later years of Guy's life, beginning with his return to Warwick after having established himself on the Continent as a pre-eminent model of knighthood. After his marriage, however, he is stricken by remorse for the very actions that have brought him fame, and he sets out anonymously on a series of pilgrimages of atonement.

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A cherished erotic play by Federico García Lorca, illustrated by a major Spanish artist. Painting, poetry, and music come together in Zóbel Reads Lorca, as Fernando Zóbel, a Harvard student who would become one of Spain’s most famous painters, translates and illustrates Federico García Lorca’s haunting play about the wounds of love. The premiere of Amor de Don Perlimplín con Belisa en su jardín, an “erotic allelujia” which Lorca once called his most cherished play, was shut down in 1928 by Spanish government censors who confiscated the manuscript and locked it away in the pornography section of a state archive. Lorca rewrote the work in New York, and an amateur theater group brought it to the Spanish stage a few years later. Since his death, the play has also been transformed into ballet and opera. Zóbel Reads Lorca presents Zóbel’s previously unpublished translation and features contextual essays from several scholars. Art historian Felipe Pereda studies Lorca in the context of Zóbel’s development as a painter, Luis Fernández Cifuentes describes the precarious and much-debated state of the humanities in Zóbel’s Harvard and throughout the United States in the 1940s, and Christopher Maurer delves into musical and visual aspects of the play’s American productions.

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Through the well-known first theme of its opening Prelude, Marc-Antoine Charpentier's spectacular Te Deum has become the best-known of all French baroque grands motets. Prepared by the distinguished French baroque scholar Lionel Sawkins from the composer's original manuscript, this vocal score is the first authoritative performing edition of the work, arranged for an unaccompanied SATB chorus and STB soli with a piano reduction.

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A unique and entertaining look at the ethical issues in the computer science profession, this book tells the fictional story of a robot programmed to automate an assembly line that ended up taking the life of a worker. Using a variety of materials, from newspaper clippings, interviews, and the trial manuscript, the book explores the full complexity of the topic and the need to take into account the "human factor."

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An authoritative edition of George Eliot's elegant translation of Spinoza's greatest philosophical workIn 1856, Marian Evans completed her translation of Benedict de Spinoza's Ethics while living in Berlin with the philosopher and critic George Henry Lewes. This would have become the first edition of Spinoza's controversial masterpiece in English, but the translation remained unpublished because of a disagreement between Lewes and the publisher. Later that year, Evans turned to fiction writing, and by 1859 she had published her first novel under the pseudonym George Eliot. This splendid edition makes Eliot's translation of the Ethics available to today's readers while also tracing Eliot's deep engagement with Spinoza both before and after she wrote the novels that established her as one of English literature's greatest writers.Clare Carlisle's introduction places the Ethics in its seventeenth-century context and explains its key philosophical claims. She discusses George Eliot's intellectual formation, her interest in Spinoza, the circumstances of her translation of the Ethics, and the influence of Spinoza's ideas on her literary work. Carlisle shows how Eliot drew on Spinoza's radical insights on religion, ethics, and human emotions, and brings to light surprising affinities between Spinoza's austere philosophy and the rich fictional worlds of Eliot's novels.This authoritative edition demonstrates why George Eliot's translation remains one of the most compelling and philosophically astute renderings of Spinoza's Latin text. It includes notes that indicate Eliot's amendments to her manuscript and that discuss her translation decisions alongside more recent English editions.

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Y es que, desde el principio de los tiempos, existe un mineral capaz de otorgar al ser humano los poderes de un dios.En un mundo asolado por el recuerdo de una guerra que duró cincuenta años, solo un libro podrá cambiar su destino.Jota, el misterioso autor de este manuscrito, relata todo lo acontecido hasta que acabó en prisión. En su infancia conoció al extraño Ben Miller, lo que dio un giro a su vida hasta el punto de verse involucrado en conflictos del futuro.Por alguna razón, Jota sigue escribiendo desde su celda. Tiene la asombrosa certeza de que podrá cambiarlo todo si no deja de escribir.

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Nach Lieutenant Gustl (2011) erscheint mit Anatol der zweite Band der historisch-kritischen Ausgabe von Arthur Schnitzlers Frühwerk. Er enthält die Faksimiles der Manuskripte zu den sieben Einaktern in der Reihenfolge ihres Entstehens. Diese frühen Fassungen unterscheiden sich zum Teil noch beträchtlich von der späteren Textgestalt im Zyklus. Das Gegenüber von Original und präziser Transkription macht die Entzifferung von Schnitzlers berüchtigt schwer lesbarer Handschrift nachprüfbar. Der Lesetext folgt der Erstausgabe des Zyklus. Darüber hinaus enthält der Band zum Teil erstmals publizierte Texte ‑ Einakter, Prosatexte und Gedichte ‑ aus dem Umfeld des Entstehungsprozesses, die über die Anatol-Figur oder durch thematische Bezüge mit dem Zyklus verbunden sind. Der Band wird erschlossen durch editorische Apparate, einen literaturwissenschaftlichen Kommentar sowie einen ausführlichen Editionsbericht. Die Ausgabe erlaubt damit erstmals Einblicke in die komplexe Werkgenese dieses Einakterzyklus, der Arthur Schnitzlers Ruhm begründete.

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The Times Best Literary Non-fiction Books 2021 - 'a super yarn''Rick Gekoski's encyclopaedic knowledge of rare books is matched only by the enthusiasm and brio with which he writes about them' Ian RankinRick Gekoski has been traversing the rocky terrain of the rare book trade for over fifty years. The treasure he seeks is scarce, carefully buried and often jealously guarded, knowledge of its hiding place shared through word of mouth like the myths of old.In Guarded by Dragons, Gekoski invites readers into this enchanted world as he reflects on the gems he has unearthed throughout his career. He takes us back to where his love of collecting began - perusing D.H. Lawrence first editions in a slightly suspect Birmingham carpark. What follows are dizzying encounters with literary giants as Gekoski publishes William Golding, plays ping-pong with Salman Rushdie and lunches with Graham Greene. A brilliant stroke of luck sees Sylvia Plath's personal copy of The Great Gatsby fall into Gekoski's lap, only for him to discover the perils of upsetting a Poet Laureate when Ted Hughes demands its return.Hunting for literary treasure is not without its battles and Gekoski boldly breaks the cardinal rule never to engage in a lawsuit with someone much richer than yourself, while also guarding his bookshop from the most unlikely of thieves. The result is an unparalleled insight into an almost mythical world where priceless first editions of Ulysses can vanish, and billionaires will spend as much gold as it takes to own the manuscript of J.K. Rowling's Tales of Beedle the Bard.Engaging, funny and shrewd, Guarded by Dragons is a fascinating discussion on value and worth. At the same time, Gekoski artfully reveals how a manuscript can tell a thousand stories.

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This memoir is by and about George Taylor: the manuscript was handed down through generations of his family. It recalls the varied and interesting life of a man who, at the age of 50, moved his family from Kelso in the Scottish Borders to Kalamazoo, Michigan, in the mid-nineteenth century. George Taylor was a gardener and nurseryman and, when settled in Kalamazoo, he soon established a successful business supplying plants and hedging. He was an award-winning horticulturalist and was responsible for the introduction of the cultivation of celery to the USA. In the course of hearing about George Taylor's life - including the death of three of his four wives in childbirth - we encounter people such as the widow of the man who supposedly served as the inspiration for Robert Burns' "Tam o' Shanter", and events such as the Great Fire of Chicago. From Kelso to Kalamazoo is all too rare a primary source testament to the realities of emigration from the lowlands of Scotland to the USA.

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The origins of the game of rugby and the codification of the rules which defined the game have been glorified in numerous legends, some of which are little more than sporting hagiography. Following on from the success of The Rules of Association Football 1863 and in time for the Rugby World Cup in September – October 2007, this book investigates the origins of the game of rugby and reproduces for the first time in a single book both the first rules of the game, drawn up at Rugby School in 1845 and the first rules of the Rugby Football Union, published in 1871. The introduction by Jed Smith, the curator of the Rugby Football Museum in Twickenham, will provide the first systematic exploration of the origin of the rules of the game and their development. Includes images from the unique manuscript held at the Rugby Football Union as well as nineteenth-century illustrations of the game as it was first played, capturing its early spirit and enthusiasm.

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Essays centred round the representation of weaving, both real and imagined, in the early middle ages. The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead. Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

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First full-length collection on one of the most significant and influential historians of the medieval period. The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings. CHARLES C. ROZIER gained hisPhD from the University of Durham; DANIEL ROACH gained his PhD from the University of Exeter; GILES E.M. GASPER is Senior Lecturer in History, University of Durham; ELIZABETH VAN HOUTS is Honorary Professor of Medieval European History, University of Cambridge. Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

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Jennifer Clarvoe’s Invisible Tender is the first winner of the annual Poets Out Loud Prize for a book of poetry published each year by Fordham University Press in coordination with Fordham’s Poets Out Loud program. Poet J.D. McClatchy, the judge for the 1999 Prize, chose Invisible Tender from among nearly 500 manuscripts entered by poets from around the world. His introduction is included in the volume. The poems collected in Invisible Tender chart the terrains of childhood recollection and adult loss, of meditation and celebration. Intensely lyrical, both employing and altering traditional poetic meters and forms, Clarvoe’s poems are rich in philosophical reflection in subjects ranging from art and, popular culture to the elusive languages of the natural world.

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'HOW CAN ANYONE LEAVE SOMEONE THEY LOVE?'Martin Berg is falling into crisis. Decades ago, he was an aspiring writer, his girlfriend was the wildly intelligent Cecilia Wickner, and his best friend was the hellraising artist Gustav Becker. But Martin's manuscript is now languishing in a drawer, Gustav has stopped answering his calls, and Cecilia has vanished - leaving him to raise their children alone. Cecilia: an eccentric wife and absent mother, a woman who was perhaps only true to herself. When Rakel stumbles across a clue as to why her mother left, she sets out to fill the gaps in her family's story and discovers that some questions have no clear answers...

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Old English Tradition contains eighteen new essays by leading scholars in the field of Old English literary studies. The collection is centered around five key areas of research—Old English poetics, Anglo-Saxon Christianity, Beowulf, codicology, and early Anglo-Saxon studies—on which the work of scholar J. R. Hall, the volume’s honorand, has been influential over the course of his career. The volume’s contents range from fresh insights on individual Old English poems such as The Wife’s Lament and Beowulf; new studies in Old English metrics and linguistics; codicological examinations of individual manuscripts; fresh editions of understudied texts; and innovative examinations of the role of early antiquarians in shaping the field of Old English literary studies as we know it today.

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Tong Jun was an outstanding architect and architectural educator in contemporary China. He was widely considered an all-round talent in theory, creation, writing and painting in Chinese architecture. He had a deep foundation in ancient Chinese literature, and studied Chinese classical poetry since childhood. While studying at the University of Pennsylvania, he won many awards in the national architectural student design competition. He has left behind many works and manuscripts on landscape, architecture, and architecture history, sculpture history, and painting history that have enlightened and educated many generations. However, there are few records about him. This book recollects the last 20 years of his life, and introduces the reader to the very real and vivid practitioner that was Tong Jun.

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It is a generally accepted truth that the flute was unknown in Scotland prior to 1725, and that it was played exclusively by wealthy men. Upon examination, these beliefs are demonstrably false. This book explores the role of the flute in Scottish musical life, primarily in the long eighteenth century, including players, repertoire, manuscripts, and instruments. Evidence for ladies having played the flute is also examined, as are possible connections between flute playing and bagpipe playing. Reasons for the flute’s disappearance from the pantheon of Scottish instruments are considered, and interviews with contemporary flute players in Scotland depict flute playing in contemporary Scotland. This work fills a major gap in knowledge of Scottish musical life and flute history.

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The renowned scholar-poet John of Garland wrote the Integumenta Ovidii (“Allegories on Ovid”) in early thirteenth-century Paris at a time of renewed interest in Classical Latin literature. In this short poem, John offers a series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses. The text is here edited and translated for the first time in 90 years, drawing on the evidence of over two dozen manuscripts. The edition presents the original Latin text with facing-page modern English translation. Comprehensive explanatory notes help readers to understand John’s condensed allegories in their medieval context. Textual notes discuss the various difficulties in the transmitted text of the poem, and offer several improvements on the texts of the older editions.

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Discover a world of decorative ideas with this compendium of history’s most elegant patterns and ornamental designs.The World of Ornament brings together the two greatest encyclopedic collections of ornament of the 19th century: Auguste Racinet’s L’Ornement polychrome Volumes I and II (1875–1888) and Auguste Dupont-Auberville’s L’Ornement des tissus (1877) to provide one lavish source book spanning jewelry, tile, stained glass, illuminated manuscript, textile, and ceramic ornament. Encompassing classical, Egyptian, Greek, Roman, Etruscan, Asian and Middle Eastern, as well as European designs from medieval times through the 19th century, this compilation of cultures and aesthetics offers a primary reference for artists, historians, designers, and patternmakers, and anyone engaged in decorative design and impact.

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Dazzling, daring and full of original insight and wit, Henry Green offers a unique view of a class-ridden Britain enduring both war and its aftermath. In the apocalyptic atmosphere of the Blitz, so brilliantly evoked in Caught, gossip spreads like wildfire and the lives of two men are torn apart. In Back, Charley, an amputee, returns from a prison camp to his village and the grave of the woman he loved. Concluding was Green's own favourite of his novels and tells the story of a summer's day and a schoolgirl's disappearance.The text of Caught used in this edition is based on Green's original manuscript, which was censored by the publisher on first publication, but can be read now for the first time in unexpurgated form.

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An eminent, ageing Australian writer is invited to contribute to a book entitled Strong Opinions. For him, troubled by Australia's complicity in the wars in the Middle East,it is a chance to air some urgent concerns: how should a citizen of a modern democracy react to their state's involvement in an immoral war on terror, a war that involves the use of torture?Then in the laundry room of his apartment block he encounters an alluring young woman. He offers her work typing up his manuscript. Anya is not interested in politics, but the job will be a welcome distraction, as will the writer's evident attraction towards her. Her boyfriend, Alan, is an investment consultant who understands the world in harsh economic terms. Suspicious of his trophy girlfriend's new pastime, Alan begins to formulate a plan...

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L’÷uvre de Jean Potocki traduit un conflit entre deux perspectives du monde, lesquelles, à un niveau esthétique et métaphorique, répondent à deux formes de mouvement: errare et iterare, l’errance sinueuse et sans but, et la quête de sens, interminable et utopique. Les motifs d’errance du Manuscrit trouvé à Saragosse rejoignent sa forme narrative, remarquablement complexe et «errante», pour ensemble créer l’image d’un monde fondamentalement instable. Utilisant l’errance comme clef d’interprétation, ce livre montre comment l’autoréflexivité du roman potockien, loin de tourner à vide, est le point de départ d’une fine réflexion anthropologique: le texte romanesque est traité de machine discursive permettant de penser certaines questions philosophiques, comme le rôle joué par la narration et par la fiction dans la construction de l’identité, et les impasses herméneutiques vécues par l’homme dans un monde où le sens se déplace sans cesse. L’÷uvre de Jean Potocki traduit un conflit entre deux perspectives du monde, lesquelles, à un niveau esthétique et métaphorique, répondent à deux formes de mouvement: errare et iterare, l’errance sinueuse et sans but, et la quête de sens, interminable et utopique. Les motifs d’errance du Manuscrit trouvé à Saragosse rejoignent sa forme narrative, remarquablement complexe et «errante», pour ensemble créer l’image d’un monde fondamentalement instable. Utilisant l’errance comme clef d’interprétation, ce livre montre comment l’autoréflexivité du roman potockien, loin de tourner à vide, est le point de départ d’une fine réflexion anthropologique: le texte romanesque est traité de machine discursive permettant de penser certaines questions philosophiques, comme le rôle joué par la narration et par la fiction dans la construction de l’identité, et les impasses herméneutiques vécues par l’homme dans un monde où le sens se déplace sans cesse.

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The capture of the French king John II at Poitiers in 1356 marked the end of royal taxation as a temporary, wartime expedient and its beginning as an annual assessment. John Henneman's detailed treatment of war financing in the period immediately preceding, from 1322 to 1356, is the first volume in a proposed study of royal finances in France during the fourteenth century. Mr. Henneman has chosen a chronological approach to his subject in order to show how the evolving theory and practice of taxation were affected by these turbulent years of war and negotiation, political faction and dynastic feuds, social and economic change. Mr. Henneman discusses the king's requirements for money over and above his normal revenues, the methods he used to raise the funds, the responses of his subjects, and the changes these procedures made in the development of French institutions. His study is based largely on unpublished sources, especially the manuscripts found in French provincial archives. As the royal financial records in Paris have been dispersed or destroyed, these manuscripts arc of particular importance. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Past and present meet on mysterious Montague Island. In this, the fourth book of the popular Montague Island Mysteries series of logic puzzle books (over 56,000 copies sold), Gordon Montague is working on his memoirs, which are filled with reminiscences (and puzzles) of his younger days, and his earliest experiences on Montague Island. Helping Gordon review the manuscript is Taylor, who by now is a lifelong friend-but then something happens that gives Taylor's presence on the island another urgent purpose. From Taylor's perspective, solvers will study maps and blueprints, attend parties, meet dogs, plan a wedding, and more.

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For centuries, biblical prologues introduced readers to the themes and problems of the Latin Bible. Paul's profile has undoubtedly been shaped by this genre: Paul the new Moses, Paul the theologian, Paul the arbitrator between Jews and gentiles. Despite fine critical editions, the texts and historical situations of these prologues still lack scholarly attention. The present monograph examines one such introduction known as the Benedictine Prologue, acknowledged for its relationship to the Muratorian Fragment but excluded from all indices of biblical paratexts. Prompted by a new manuscript discovery, Jeremy C. Thompson and Clare K. Rothschild treat the prologue in its own right with a new edition and commentary covering all known sources and analogues. Ultimately, they propose to ground this rare text in the book practices, theological polemics, and intellectual exchange between Greek and Latin writers of the early fifth century and beyond.

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In this book Claudia Frank discusses how Melanie Klein began to develop her psychoanalysis of children. Melanie Klein in Berlin: Her First Psychoanalyses of Children offers a detailed comparative analysis of both published and unpublished material from the Melanie Klein Archives.By using previously unpublished studies, Frank demonstrates how Klein enriched the concept of negative transference and laid the basis for the innovations on both technique and theory that eventually led not only to changes in child analysis, but also to changes in the analysis of adults. Frank also uncovers the influence that this had on Klein's later theories of the paranoid-schizoid and depressive positions, and on her understanding of psychotic anxieties.The first seven chapters in the book provide an explanation of the essence of Klein's approach to child psychoanalysis covering topics including: the inevitability and usefulness of negative transference development of play early conscious and unconscious phantasies. Part two provides a translation of Klein's unpublished notes on the treatments of four of the children she analysed in Berlin: 7-year-old Grete, 2-year-old Rita, 7-year-old Inge and 6-year-old Erna.Melanie Klein in Berlin is the first text to make extensive use of Klein's unpublished papers, clinical notes, diaries and manuscripts. It will appeal to anyone involved in child psychoanalysis and the development of Melanie Klein's thinking.

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The surviving sermons of Samuel Johnson, presented in a scholarly edition for the first time It has been known since the publication of pre-Boswellian biographies that Samuel Johnson wrote sermons that were preached by others. The twenty-eight that have survived are presented here in their first scholarly edition, with full explanations and textual notes. They include a hitherto unpublished manuscript sermon and the celebrated Convict’s Address to His Unhappy Brethren, written for the notorious forger Dr. William Dodd for delivery to his fellow prisoners on the eve of his execution at Newgate. In the sermons one finds the famous Johnsonian rhetoric and logic applied to such subjects as marriage and friendship, the meaning of moral and physical evil, the need to adjust punishment so that it fits the crime, and the desirability of tradition in religion. Equally eloquent are Johnson’s indignant and fiery attacks on intellectual pride, “the vanity of human wishes,” perjury, defamation, fraud, skepticism, and infidelity. In their introduction, the editors discuss the circumstances surrounding the composition, preaching, and publication of the sermons. Certain to interest students of Johnson’s thought, this volume should also appeal to those concerned with the development of English style and with the venerable and once admired English homiletical tradition.

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Francis Daniel Pastorius was one of the first German settlers to Pennsylvania and a touchstone figure of German-American cultural heritage. This monumental anthology presents a selection of his many writings in one volume.Pastorius sailed to North America as a Pietist but found a unique home among the Quakers in Pennsylvania. Within this early modern religious context, he was a lawyer, educator, and community leader; a polymath; and a prolific writer and collector of knowledge. At the turn of the eighteenth century, Pastorius held one of the largest manuscript collections in North America and wrote voluminously in multiple languages. His collecting, curation, and dissemination represents a unique look at the ways information was stored, processed, and utilized during the seventeenth and eighteenth centuries in both North America and Europe. This rich selection of Pastorius’s writings on religion, education, gardening, law and community, and the colony of Pennsylvania—as well as letters, poems, and numerous encyclopedic and bibliographic works—shows the mind of a true humanist in action.Pastorius’s works have long been important to the archival study of early German settlement and the Atlantic world. Now available together, transcribed, translated, and annotated, his writings will have widespread significance to the study of early American literature and history.

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Death in the present re-awakens a dark time in Blake's past. 1919. Colonel Lawrence - Lawrence of Arabia - has an unpleasant meeting with an MI5 agent who confiscates his manuscript of The Seven Pillars of Wisdom. 35 years later, Oxford is shaken by a series of burglaries at the Ashmolean Museum, at the same time as Blake learns of the death of an old friend. The captain begins an investigation, while Mortimer looks into the thefts...But what dark connection does all of this have with Lawrence or Blake's own past?

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Turín, 1957. Adelina tiene catorce años y vive con su tía Amalia. Entre los pupitres del colegio, la muchacha es el hazmerreír de la clase: a su edad no parece capaz de recordar las lecciones. Su severo profesor no le da tregua y decide que la ayude en el estudio Luisella, su brillante compañera.Si Adelina empieza a ir mejor en el colegio no será gracias a la ayuda de su amiga, sino a un don extraordinario del que parece estar dotada:la capacidad de leer con el olfato. Este talento representa, no obstante, una amenaza: el padre de Luisella, un notario implicado en negocios nodel todo claros, intentará utilizarla para descifrar el célebre manuscrito Voynich, el códice más misterioso del mundo.

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Tras el gran éxito de Las divertidas aventuras de las letras llegan Más divertidas aventuras de las letras, 29 NUEVOS cuentos de la A a la Z, uno por cada sonido del abecedario.Estos sonidos, personalizados en simpáticos dibujos, son protagonistas de sus propia historias, y así, la A aventurera irá a divertirse al parque de atracciones con su amiga Ardilla; la B, que tiene un poco de barriga, preparará bombones para sus amigos; la C cuentacuentos nos contará otra simpática historia., y así hasta la Z zapatera, que esta vez le hará unas zapatillas al mago de Oz!Textos adaptados a la edad prelectora, en letra manuscrita y con el sonido protagonista de cada cuento destacado en color a lo largo de sus páginas.

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When William Blackwood, George Eliot’s publisher, first saw the manuscript of Felix Holt in 1866 he could not contain his enthusiasm; in a letter to a friend he described the novel as “a perfect marvel. The time is 1832 just after the passing of the Reform Bill, and surely such a...series of pictures of English Life, manners, and conversation never was drawn. You see and hear the people speaking. Every individual character stands out a distinct figure.”A political radical and a child of the working class, Felix has lost faith in a political system in which candidates never represent the interests of the working class. Harold Transome, the cynical son of wealthy Tory landowners, embraces radical politics for very different reasons. Both Harold and Felix vie for the affections of Esther Lyon, and she must weigh her feelings for them with the social and material goals she has set for herself. Their personal drama unfolds against the broad canvas of social and political upheaval of 1830s England.This edition is based on the text of the first edition of the novel published in three volumes in 1866, and includes a full introduction, a wide range of appendices including reviews, as well as Eliot’s “Address to Working Men, by Felix Holt”; “The Legal Plot of Felix Holt”; and a chronology of Eliot’s life and career.

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'Whoever wishes to hear about, and to know about, kings and heirs, about who first ruled England and which kings it had, Master Wace, who is telling the truth about this, has translated this.' Wace's Roman de Brut (1155) can be seen as the gateway to the history of the Britons for both French and English speakers of the time, and thus to Arthurian history, as the first complete Old French adaptation of Geoffrey of Monmouth's Latin History of the Kings of Britain (late 1130s), in which Arthur appears for the first time as king of the Britons. The Roman de Brut was a foundational work, an inspiration for a series of anonymous verse Bruts of the late twelfth and thirteenth centuries and for the Anglo-Norman Prose Brut -- the most widely read French vernacular text on this material in medieval England -- as well as a forerunner of the Middle English Brut tradition, including Layamon's Brut (c. 1200). Wace's poem thus inaugurates and shapes Brut traditions, including Arthurian tales, in verse and in prose, in historiography and in literature, including Wace's innovation of King Arthur's Round Table. This volume contains an English prose translation of Wace's Roman de Brut, accompanied by an introduction and notes, a select bibliography, a summary of the text, a list of manuscripts, and indexes of personal and geographical names.

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Invectives against Antony.Cicero (Marcus Tullius, 106–43 BC), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero’s political speeches and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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An exquisite appreciation of the distinctive rewards of historical research and a classic guide to the personal yet disciplined craft of discovery, now in its first English translation. Arlette Farge’s Le Goût de l’archive is widely regarded as a historiographical classic. While combing through two-hundred-year-old judicial records from the Archives of the Bastille, historian Farge was struck by the extraordinarily intimate portrayal they provided of the lives of the poor in pre-Revolutionary France, especially women. She was seduced by the sensuality of old manuscripts and by the revelatory power of voices otherwise lost. In The Allure of the Archives, she conveys the exhilaration of uncovering hidden secrets and the thrill of venturing into new dimensions of the past. Originally published in 1989, Farge’s classic work communicates the tactile, interpretive, and emotional experience of archival research while sharing astonishing details about life under the Old Regime in France. At once a practical guide to research methodology and an elegant literary reflection on the challenges of writing history, this uniquely rich volume demonstrates how surrendering to the archive’s allure can forever change how we understand the past.

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A contemporary Bible in the Kiswahili language that is ideal for outreach or personal use.This contemporary Kiswahili Bible is available in a quality hardcover binding with a readable 8-point type size. It features the clear and accurate Kiswahili Contemporary Version, which translates the original biblical manuscripts into language that helps the ancient words of Scripture speak to the hearts of readers today.Features include: Complete text of the clear and accurate Kiswahili Contemporary Version Plan of Salvation article that explains how to become a Christian and what it means to follow Jesus Readable 8-point type size

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The most basic unit of the physical book is the page. It has determined the historical evolution of the book, the types of information communicated, and how the audience accesses that information. Unique and rewarding in both its scope and approach, The Future of the Page is a collection of essays that presents the best of recent critical theory on the history and future of the page and its enormous influence on Western thought and culture. Spanning the centuries between the earliest record of the page and current computerized conceptions of page-like entities, the essays examine the size of the page, its relative dimensions, materials, design, and display of information. The page is broadly defined, allowing the volume to explore topics ranging from medieval manuscripts to non-European alternatives to the page, Algonquin symbolic literacy, and hypertext. This thought-provoking collection will appeal to literary scholars, book historians, graphic designers, and those interested in the impact of evolving print technologies on intellectual and cultural life.

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