Search results for ""author christo"

'This exciting, science-packed novel is a cracking read and bursts with action, warmth and humour' - BookTrust Great Books Guide 2021 'This is great fun; an energetic middle-grade debut with a fresh contemporary feel and a good dash of Stranger Things' - The Bookseller Alfie has noticed a few things since his family moved to Folding Ford. He really misses life in the city. He and his sister don't exactly fit in here. But the most interesting one is that the weather is BONKERS. One frost-covered branch on one tree in the middle of June? A tiny whirlwind in a bucket in the garden? Only in Folding Ford. Armed with his bike, a notepad and his new best mate Sam, Alfie is going to investigate. His best clue is Nathaniel Clemm … the only thing in town weirder than the weather. When Alfie ‘investigates’ Mr Clemm’s garden, only SLIGHTLY illegally, he finds a strange box that freezes his trainers and makes his teeth tingle. And when he opens it, only SLIGHTLY deliberately, SOMETHING gets out. Something fast, fizzing and sparking with electricity and very, very much alive. But the creature from the box brings trouble of its own, and as barometers and tempers go haywire in Folding Ford, Alfie finds himself at the centre of a perfect storm. Skellig meets Stranger Things in this funny, heartfelt adventure story perfect for fans of Ross Welford, Christopher Edge and Frank Cottrell Boyce.

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From Farinelli, the eighteenth century castrato who brought down opera houses with his high C, to the recording of "Johnny B. Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.

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The first in the Echoes of the Fall series, The Tiger and the Wolf is an epic fantasy novel by Adrian Tchaikovsky, winner of the Arthur C. Clarke Award and British Fantasy Award for Best Novel.‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher PaoliniIn the bleak northern crown of the world, war is coming . . .Maniye’s father is the Wolf clan’s chieftain, but she’s an outcast. Her mother was queen of the Tiger and these tribes have been enemies for generations. Maniye also hides a deadly secret. All can shift into their clan’s animal form, but Maniye can take on tiger and wolf shapes. She refuses to disown half her soul so escapes, rescuing a prisoner of the Wolf clan in the process. The killer Broken Axe is set on their trail to drag them back for retribution.The Wolf chieftain plots to rule the north, and controlling his daughter is crucial to his schemes. However, other tribes also prepare for strife. Strangers from the far south appear too, seeking allies in their own conflict. It’s a season for omens as priests foresee danger and a darkness falling across the land. Some say a great war is coming, overshadowing even Wolf ambitions. A time of testing and broken laws is near – but what spark will set the world ablaze?Continue this sweeping coming-of-age fantasy with The Bear and the Serpent.

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The first thorough exploration of musical life in nineteenth-century New York City, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti. The musical scene in mid-nineteenth century New York City, contrary to common belief, was exceptionally vibrant. Thanks to several opera companies, no fewer than two orchestras, public chamber music and solo concerts, and numerouschoirs, New Yorkers were regularly exposed to "new" music of Verdi, Meyerbeer, Schumann, Berlioz, Liszt, and Wagner. In European Music and Musicians in New York City, 1840-1900, the first thorough exploration of musical life in New York City during this period, editor John Graziano and a number of other distinguished essayists assert that the richness of the artistic life of the city, particularly at this time, has been vastly underrated and undervalued. This marvelous new collection of essays, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti, establishes that this musical scene was one of quantity and quality, lively and multifaceted -- in many ways equal to the scene in the largest of the Old World's Cities. Contributors: Adrienne Fried Block, Christopher Bruhn, Raoul F. Camus, Frank J. Cipolla, John Graziano, Ruth Henderson, John Koegel, R. Allen Lott, Rena C. Mueller, Hilary Poriss, Katherine K. Preston, Nancy B. Reich, Ora Frishberg Saloman, Wayne Shirley. John Graziano is Professor of Music, The City College and Graduate Center,CUNY, and co-Director of the Music in Gotham research project.

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The French sociologist Pierre Bourdieu had a broader theoretical agenda than is generally acknowledged. Introducing this innovative collection of essays, Philip S. Gorski argues that Bourdieu's reputation as a theorist of social reproduction is the misleading result of his work's initial reception among Anglophone readers, who focused primarily on his mid-career thought. A broader view of his entire body of work reveals Bourdieu as a theorist of social transformation as well. Gorski maintains that Bourdieu was initially engaged with the question of social transformation and that the question of historical change not only never disappeared from his view, but re-emerged with great force at the end of his career.The contributors to Bourdieu and Historical Analysis explore this expanded understanding of Bourdieu's thought and its potential contributions to analyses of large-scale social change and historical crisis. Their essays offer a primer on his concepts and methods and relate them to alternative approaches, including rational choice, Lacanian psychoanalysis, pragmatism, Latour's actor-network theory, and the "new" sociology of ideas. Several contributors examine Bourdieu's work on literature and sports. Others extend his thinking in new directions, applying it to nationalism and social policy. Taken together, the essays initiate an important conversation about Bourdieu's approach to sociohistorical change.Contributors. Craig Calhoun, Charles Camic, Christophe Charle, Jacques Defrance, Mustafa Emirbayer, Ivan Ermakoff, Gil Eyal, Chad Alan Goldberg, Philip S. Gorski, Robert A. Nye, Erik Schneiderhan, Gisele Shapiro, George Steinmetz, David Swartz

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The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.

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Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other. Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.

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The essential text for ornithology courses, this book will leave students with a lifelong understanding and appreciation of the biology and ecology of birds.Aves, the birds, is the wildlife group that people most frequently encounter. With over 10,000 species worldwide, these animals are part of our everyday experience. They are also the focus of intense research, and their management and conservation is a subject of considerable effort throughout the world. But what are the defining attributes that make a bird a bird?Aimed at undergraduate and graduate students, Ornithology provides a solid modern foundation for understanding the life and development of birds. Written by renowned experts from around the globe, this comprehensive textbook draws on the latest research to create an innovative learning experience. Moving beyond bones, muscle, and feathers, it provides the core information needed to “build” the bird, linking anatomy and physiology with ecology and behavior.As it reviews the major orders of birds, the book highlights their wide diversity and critically evaluates ornithological concepts and theories. Incorporating brief biographies of leaders in the field, the text describes their contributions in the context of key historical events in bird science. Each chapter ends with a summary of the material covered, a discussion of potential management and conservation applications, and suggested study questions that will stimulate thought and discussion. Contributors: Peter Arcese, George E. Bentley, Lori A. Blanc, William M. Block, Alice Boyle, Leonard A. Brennan, Luke K. Butler, Zac Cheviron, Luis M. Chiappe, Melanie R. Colón, Caren B. Cooper, Robert J. Cooper, Jamie M. Cornelius, Carlos Martinez Del Rio, John Dumbacher, Shannon Farrell, Maureen Flannery, Geoffrey Geupel, Patricia Adair Gowaty, Thomas P. Hahn, Ashley M. Heers, Fritz Hertel, Geoffrey E. Hill, Matthew Johnson, Lukas F. Keller, Dylan C. Kesler, Pablo Sabat Kirkwood, John Klicka, Christopher A. Lepczyk, Ashley M. Long, Scott R. Loss, Graham R. Martin, John M. Marzluff, Susan B. McRae, Michael L. Morrison, Timothy J. O’Connell, Jen C. Owen, Marco Pavia, Jeffrey Podos, Lars Pomara, Jonathan F. Prather, Marco Restani, Alejandro Rico-Guevara, Amanda D. Rodewald, Vanya G. Rohwer, Matthias Starck, Michael W. Strohbach, S. Mažeika P. Sullivan, Diego Sustaita, Kerri T. Vierling, Gary Voelker, Margaret A. Voss, Jeff R. Walters, Paige S. Warren, Elisabeth B. Webb, Michael S. Webster, Eric M. Wood, Robert M. Zink, Benjamin Zuckerberg

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Collector’s slipcased edition of the first ever standalone presentation of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, and is immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem survives only as a 325-line fragment, but its value to today is incalculable. J.R.R. Tolkien considered The Battle of Maldon ‘the last surviving fragment of ancient English heroic minstrelsy’. It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body. Leading Tolkien scholar, Peter Grybauskas, presents for the first time Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is the lecture, ‘The Tradition of Versification in Old English’. Illuminated with insightful notes and commentary, he offers a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been ‘the Old English poem that most influenced Tolkien’s fiction’, most dramatically within the pages of The Lord of the Rings. This slipcased edition includes a colour frontispiece reproducing a page of Tolkien’s original manuscript of The Homecoming, and is printed on acid-free paper with a ribbon marker. It is quarterbound with a unique illustration by Bill Sanderson gold-foiled on grey boards and is housed in a custom-built slipcase. It also includes a digitally remastered recording of The Homecoming of Beorhtnoth read by J.R.R. Tolkien & Christopher Tolkien, which is available on CD for the first time.

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Aamer Hussein takes love to its logical conclusion, Robert Irwin traces the origins of the ghazal (love lyric ), Christopher Shackle recites epic Panjabi poems of sacred love and lyrical death, Imranali Panjwani mourns the massacre of Karbala, Martin Rose is taken hostage by Saddam Hussain, Jalees Rahman reflects on Nazi doctors who took delight in deathly experiments, Ramin Jehanbegloo is incarcerated in the notorious Evin prison, Hamza Elahi visits England's Muslim graveyards, Shanon Shah receives valuable guidance on love and sex from the 'Obedient Wives Club', Samia Rahman sets out in search of love, Khola Hasan has mixed feelings about her hijab, Sabita Manian promotes love between India and Pakistan, Boyd Tonkin discovers that dead outrank the living in Jerusalem , Alev Adil takes 'a night journey through a veiled self' and Irna Qureshi's mother finally makes a decision on her final resting place. Also in this issue: Parvez Manzoor throws scorn on a nihilistic, revisionist history of Islam, Naomi Foyle reads the first novel of a British Palestinian, Ahmad Khan explores the colonial history of The Aborigines' Protection Society, a short story by the famous Fahmida Riaz, Syrian scenarios by Manhal al-Sarraj, poems by Sabrina Mahfouz and Michael Wolf, Rachel Dwyer's list of Top Ten Muslim Characters in Bollywood and Merryl Wyn Davies's 'last word' on love and death at the movies.

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For the most part, democracy is simply presumed to exist in the United States. It is viewed as a completed project rather than as a goal to be achieved. Fifteen leading scholars challenge that stasis in Materializing Democracy. They aim to reinvigorate the idea of democracy by placing it in the midst of a contentious political and cultural fray, which, the volume’s editors argue, is exactly where it belongs. Drawing on literary criticism, cultural studies, history, legal studies, and political theory, the essays collected here highlight competing definitions and practices of democracy—in politics, society, and, indeed, academia.Covering topics ranging from rights discourse to Native American performance, from identity politics to gay marriage, and from rituals of public mourning to the Clinton-Lewinsky affair, the contributors seek to understand the practices, ideas, and material conditions that enable or foreclose democracy’s possibilities. Through readings of subjects as diverse as Will Rogers, Alexis de Tocqueville, slave narratives, interactions along the Texas-Mexico border, and liberal arts education, the contributors also explore ways of making democracy available for analysis. Materializing Democracy suggests that attention to disparate narratives is integral to the development of more complex, vibrant versions of democracy. Contributors. Lauren Berlant, Wendy Brown, Chris Castiglia, Russ Castronovo, Joan Dayan, Wai Chee Dimock, Lisa Duggan, Richard R. Flores, Kevin Gaines, Jeffrey C. Goldfarb, Michael Moon, Dana D. Nelson, Christopher Newfield, Donald E. Pease

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Ovid transformed English Renaissance literary ideas about love, erotic desire, embodiment, and gender more than any other classical poet. Ovidian concepts of femininity have been well served by modern criticism, but Ovid's impact on masculinity in Renaissance literature remains underexamined. This volume explores how English Renaissance writers shifted away from Virgilian heroic figures to embrace romantic ideals of courtship, civility, and friendship. Ovid's writing about masculinity, love, and desire shaped discourses of masculinity across a wide range of literary texts of the sixteenth and seventeenth centuries, including poetry, prose fiction, and drama. The book covers all major works by Ovid, in addition to Italian humanists Angelo Poliziano and Natale Conti, canonical writers such as William Shakespeare, Christopher Marlowe, Ben Jonson, Edmund Spenser, Philip Sidney, and John Milton, and lesser-known writers such as Wynkyn de Worde, Michael Drayton, Thomas Lodge, Richard Johnson, Robert Greene, John Marston, Thomas Heywood, and Francis Beaumont. Individual essays examine emasculation, abjection, pacifism, female masculinity, boys' masculinity, parody, hospitality, and protean Jewish masculinity. Ovid and Masculinity in English Renaissance Literature demonstrates how Ovid's poetry gave vigour and vitality to male voices in English literature - how his works inspired English writers to reimagine the male authorial voice, the male body, desire, and love in fresh terms.

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Este libro nos muestra por qué la autocompasión se encuentra en el núcleo de la sanación terapéutica, y nos enseña también el modo de integrar la formación de la compasión en la práctica clínica. Tim Desmond ofrece una orientación excepcionalmente clara, accesible e intuitiva.Doctora Tara BrachDesmond lleva a los lectores a un viaje fascinante al núcleo de la conciencia plena y la psicoterapia. Ofrece principios claros y ejemplos prácticos sobre la manera de integrar la autocompasión en una terapia individual basada en las relaciones. Muy recomendable para los profesionales clínicos que deseen integrar de manera más profunda la conciencia plena y la psicoterapia.Doctor Christopher GermerLos investigadores comprenden ahora que la autocompasión es una habilidad que puede fortalecerse a través de la práctica, y que mejora la salud mental y el bienestar. Al cultivar la habilidad de la autocompasión en sus clientes, los profesionales de la salud mental pueden ayudarles a man

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Die neutestamentlichen Debatten der zurückliegenden 125 Jahre umfassen drei Themenschwerpunkte: Sie diskutieren das Verhältnis zwischen dem antiken Weltbild und der aufgeklärten Weltsicht der Gegenwart; sie behandeln die Beziehung zwischen Jesus als historischer Persönlichkeit und der auf ihn bezogenen Christologie; und sie ringen um die Relation zwischen Judentum und Christentum.Angesichts der Vielfalt exegetischer Detailforschung zeichnet Paul-Gerhard Klumbies die übergreifenden Gesprächsfäden in der neutestamentlichen Wissenschaft seit dem Jahr 1900 nach. Seine Rückschau zeigt, wie Denkbewegungen unter veränderten zeitgeschichtlichen Umständen fortentwickelt und in Neuformulierungen alte Themen weitergeführt worden sind. Die Auswahl der Stimmen orientiert sich daran, inwieweit die Beiträge unter theologischem Gesichtspunkt Bedeutung für die Wissenschaft vom Neuen Testament besitzen.

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Nightmare Abbey is a novella by Thomas Love Peacock, first published in 1818, widely considered to be Peacock’s most enduringly popular work. The narrative centres on Christopher Glowry, a miserly widower, his son Scythrop and a host of dismal-sounding servants in his family pile, Nightmare Abbey. Recovering from an ill-fated love affair, Scythrop dreams up various schemes to reform and regenerate the human species, but misanthropy lurks around every corner, and everything changes when a mermaid is spotted and a strange woman appears in his chamber. Although fundamentally a Gothic novel, and rich in allusion – from Pope to Dante, Rossini to Mozart – Nightmare Abbey is, at heart, a satire, as Peacock makes clear in the preface to a later edition, in which he describes the characters – allusions to his friends – as ‘status-quo-ites’, ‘morbid visionaries’, ‘romantic enthusiasts’ and ‘lovers of good dinners’.

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This volume is published for a new site-specific installation that incorporates several films by Italian artist Adelita Husni Bey (born 1985), including the premiere of a major new work. Chiron continues Husni Bey’s explorations of the complexity of collectivity and the human and social consequences of imperialism. The introductory text to the catalog, “On exercise and outcome,” by New Museum Associate Curator Helga Christoffersen, features a survey of Husni Bey’s work from the past decade. Two new texts and an interview were written specifically for this catalog: “Who determines if something is habitable?” by Fred Moten and Stefano Harney, “Referred pain: On the work of Adelita Husni Bey” by Johanna Burton, and “There is water in among the Stones: A Conversation between Adelita Husni Bey and Hannah Black.”

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Raised by Wolves is a unique and vibrant gathering of poems from Graywolf Press's fifty years. The anthology is conceived as a community document: fifty Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future. Included here are established and emerging poets, international poets and poets in translation, and many of the most significant poets of our time. There are extraordinary pairings: Tracy K. Smith on Linda Gregg; Vijay Seshadri on Tomas Tranströmer, translated by Robert Bly; Natalie Diaz on Mary Szybist; Diane Seuss on D. A. Powell; Elizabeth Alexander on Christopher Gilbert; Ilya Kaminsky on Vénus Khoury-Ghata, translated by Marilyn Hacker; Mai Der Vang on Larry Levis; Layli Long Soldier on Solmaz Sharif; Solmaz Sharif on Claudia Rankine. In these poets' championing of others, fascinating threads emerge: Stephanie Burt writes on Monica Youn, who selects Harryette Mullen, who writes on Liu Xiaobo, translated by Jeffrey Yang, who chooses Fanny Howe, who writes on Carl Phillips, who selects Danez Smith, who chooses Donika Kelly, who writes on Natasha Trethewey. With an introduction by Graywolf publisher Carmen Giménez, Raised by Wolves is an echoing outward of poetry's possibilities.

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One of early Christianity's most carefully crafted sermons, Epistle to the Hebrews addresses listeners who have experienced the elation of conversion and the heat of hostility, but who now must confront the formidable task of remaining faithful in a society that rejects their commitments. The letter probes into the one of most profound questions of faith: If it is God's will that believers be crowned with glory and honor, why are the faithful subject to suffering and shame? Through the stories of Abraham and Sarah, Moses, and Rahab, whose faith enabled them to overcome severe trials and conflicts, and through the story of Jesus himself, whose sufferings opened the way to God's presence for all, the sermon confirms the foundations of the Christian faith.In a magisterial introduction, Koester presents a compelling portrait of the early Christian community and examines the debates that have surrounded Epistle to the Hebrews for two millennia. Drawing on his knowledge of classical rhetoric, he clarifies the book's arguments and discusses the use of evocative language and imagery to appeal to its audience's minds, emotions, and will. Providing an authoritative, accessible discussion of the book's high priestly Christology, this landmark commentary charts new directions for the interpretation of Epistle to the Hebrews and its influence on Christian theology and worship.

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The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matter of course in the phantasmic realm of radio. In this original work of cultural criticism, Allen S. Weiss explores the meaning of radio to the modern imagination. Weaving together cultural and technological history, aesthetic analysis, and epistemological reflection, his investigation reveals how radiophony transforms expression and, in doing so, calls into question assumptions about language and being, body and voice.Phantasmic Radio presents a new perspective on the avant-garde radio experiments of Antonin Artaud and John Cage, and brings to light fascinating, lesser-known work by, among others, Valère Novarina, Gregory Whitehead, and Christof Migone. Weiss shows how Artaud’s "body without organs" establishes the closure of the flesh after the death of God; how Cage’s "imaginary landscapes" proffer the indissociability of techne and psyche; how Novarina reinvents the body through the word in his "theater of the ears." Going beyond the art historical context of these experiments, Weiss describes how, with their emphasis on montage and networks of transmission, they marked out the coordinates of modernism and prefigured what we now recognize as the postmodern.

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The multi-million-copy bestseller WONDER showed how choosing kindness and empathy can change the lives of those around you.Now, in AUGGIE & ME, you can discover a new side to the WONDER story in three new chapters from three different characters:Julian: Auggie's classroom bullyChristopher: Auggie's oldest friendCharlotte: Auggie's classmateThese three stories are heartbreaking, surprising, funny and hopeful. Just like WONDER, AUGGIE & ME will make you laugh, cry and try to choose kind.Praise for WONDER:"Remarkable . . . It has the power to move hearts and change minds" (Guardian)"Incredibly charming, brutal and brilliant" (Observer)"It wreaks emotional havoc . . . To finish it with a firm resolve to be a better person - well, you can't ask much more of any book than that" (Independent)"When the kids have finished with this, the adults will want to read it. Everybody should" (Financial Times)"Awesome . . . So authentic you'll swear a kid wrote the book. And yes, that's a good thing" (Glamour)Discover more from the World of Wonder:WonderWhite Bird, a graphic novel *Soon to be a motion picture!*365 Days of WonderWe're All Wonders And read more from R. J. Palacio with Pony, an unforgettable new story!

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'With A Delicate Truth, le Carré has in a sense come home. And it's a splendid homecoming . . . the novel is the most satisfying, subtle and compelling of his recent oeuvre' The TimesA counter-terror operation, codenamed Wildlife, is being mounted in Britain's most precious colony, Gibraltar. Its purpose: to capture and abduct a high-value jihadist arms-buyer. So delicate is the operation that even the Minister's Private Secretary, Toby Bell, is not cleared for it.Suspecting a disastrous conspiracy, Toby attempts to forestall it, but is promptly posted overseas. Three years on, summoned by Sir Christopher Probyn, retired British diplomat, to his decaying Cornish manor house, and closely watched by Probyn's daughter Emily, Toby must choose between his conscience and his duty to the Service.If the only thing necessary for the triumph of evil is that good men do nothing, how can he keep silent?__________________'No other writer has charted - pitilessly for politicians but thrillingly for readers - the public and secret histories of his times, from the Second World War to the 'War on Terror'' Guardian'The master of the modern spy novel returns . . . John le Carré was never a spy-turned-writer, he was a writer who found his canvas in espionage' Daily Mail 'A brilliant climax, with sinister deaths, casual torture, wrecked lives and shameful compromises' Observer

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Der vorliegende Band widmet sich einer umstrittenen Frage der Theologie des ersten Evangeliums. Ausgangspunkt ist der zentrale Text Mt 5,17-20, der nicht ohne die dazugehörenden Verse 13-16 verstanden werden kann. In ihm stellt der Evangelist programmatisch sein Verständnis der Tora in der Zeit der Erfüllung dar, die mit dem Wirken Jesu begonnen hat. Als Sohn Davids ist Jesus derjenige, der die biblischen Erwartungen und Hoffnungen auf eine eschatologische Gerechtigkeit "erfüllt". Wenn aber der Messias den Weg der Gerechtigkeit eröffnet hat, dann ist die Frage zu klären, welche Funktion der Tora in dieser heilsgeschichtlich neuen Epoche zukommt. Matthäus stellt sich dieser Aufgabe, indem er das Verhältnis von Gerechtigkeit, Tora und Messias aufgrund seiner biblisch-theologischen Reflexion des Christusereignisses neu bestimmt, wobei dem Messias als Sohn Davids die entscheidende Funktion zur Heraufführung der Gerechtigkeit zugeschrieben wird. Die Tora wird in die "Gebote Jesu" transformiert und behält ihre Relevanz für die christliche Gemeinde einzig in dieser Gestalt und aufgrund seiner Autorität.Das Ziel der neuen eschatologischen Gerechtigkeit ist das Hineinbringen aller Völker in das Reich Gottes. So kann die Bergpredigt in Übereinstimmung mit dem Gesamtkontext des ersten Evangeliums als Anleitung zu einer missionarischen Jüngerexistenz gelesen werden. Damit eröffnen sich zahlreiche neue Verständnismöglichkeiten, die es erlauben, Matthäus als dezidiert christologisch argumentierenden und heilsgeschichtlich orientierten Theologen wiederzuentdecken.

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Explores how contemporary novels dealing with flight and expulsion after the Second World War unsettle traditional notions of Heimat without abandoning place-based notions of belonging. At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwar and contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-82 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlierapproaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging. Friederike Eigler is Professor of German at Georgetown University.

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"The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller’s stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller’s marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.

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American literary studies has undergone a series of field redefinitions over the past two decades that have been consistently described as "turns," whether transnational, hemispheric, postnational, spatial, temporal, postsecular, aesthetic, or affective. In Turns of Event, Hester Blum and a splendid roster of contributors explore the conditions that have produced such movements. Offering an overview of the state of the study of nineteenth-century American literature, Blum contends that the field's propensity to turn, to reinvent itself constantly without dissolution, is one of its greatest strengths. The essays in the volume's first half, "Provocations," trace the theoretical and methodological development and institutional emergence of certain turns, as well as providing calls to arms. The geopolitically oriented turns toward the transnational, hemispheric, and oceanic (whether Atlantic, Caribbean, Pacific, or archipelagic in focus) have held a certain prevalence in American studies in recent years, and the second half of this volume presents a series of scholarly essays that exemplify these subfields. Taken together, these essays survey the field of American literary studies as it moves beyond new historicism as its primary methodology and evolves in light of ideological, conceptual, and material considerations. There is much at stake in these movements: the consequences and opportunities range from citational and evidentiary practices to canon expansion, resource allocation, and institutional futurity. Contributors: Monique Allewaert, Ralph Bauer, Hester Blum, Martin Brückner, Michelle Burnham, Christopher Castiglia, Sean X. Goudie, Meredith L. McGill, Geoffrey Sanborn.

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In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In Hogarth's Harlot, Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English antipopery and anti-Jacobitism, as well as the ideas of the English Enlightenment. Offering imaginative and deeply informed readings of a wide range of artistic works-engravings by Hogarth; poems by Milton, Pope, Christopher Smart, and Blake; plays by Nicholas Rowe and George Lillo; paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis-Francois Roubiliac; and oratorios by George Frederic Handel-Paulson explores the significance of the medium in which artists produced "sacred parody" and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence.

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Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects. Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.

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Growing up, Kate Fagan and her father forged their relationship on the basketball court. They were an inseparable pair, two kindred spirits bonded together by sweaty high fives, and an unflappable dedication to the New York Knicks. But as Kate grew older and life added complications to both her love of sport and her role as a daughter, they drifted apart -relying on a yearly pair of matching sneakers to remind each other of their connection.When Christopher, Kate's 6'5" athletic father, was diagnosed with ALS they embarked on a new, entirely uncharted chapter of their relationship. Kate took on the role of full-time caregiver, watching over her father like he had done for her, until his eventual assisted death. And yet while enduring the painful experience of witnessing her idol's rapid deterioration, Kate reconnected with her father to find an even deeper, more meaningful relationship. At its heart, this is a love story between Kate and her dad, the lessons learned, and, ultimately, how his debilitating disease made her reconsider their powerful relationship, along with her own life choices. A perfect meeting of TUESDAYS WITH MORRIE and RUNNING HOME, UNTITLED MEMOIR is written for the women who found their dad on the court, track, pitch, or field. It is an ode to the unbreakable bond between father and daughter and the invaluable understanding they share.

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"A 'must have' in the design arsenal."—Cat Normoyle, Professor of Graphic Design, East Carolina University "Provides enough thinking techniques to break out of even the worst creative rut."—Creative Woman's Circle Legendary designer Ellen Lupton demystifies the creative process in another essential graphic design book. Graphic Design Thinking explores a variety of techniques to stimulate fresh thinking to arrive at compelling and viable solutions. Each approach is explained with a brief narrative text followed by a variety of visual demonstrations and case studies. Lupton's hands-on, close-up approach, made famous with Thinking with Type, makes the creative process accessible to anyone and removes the myth that creativity is an in-born talent. Presents a wide range of methods applicable to any brainstorming scenario. • Techniques are grouped around the three basic phases of the design process: defining the problem, inventing ideas, and creating form • From informal strategies that are ideal for quick, seat-of-the-pants thinking, to formal research methods • Learn to approach problems through focus groups, interviewing, brand mapping, and co-design Includes discussions with leading professional designers. Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Abbott Miller, Christoph Niemann, Paula Scher, and Martin Venezk reveal how they get ideas and overcome blocks to creativity. Graphic Design Thinking is directed at working designers, design students, and anyone who wants to apply inventive thought patterns to everyday creative challenges in the design process.

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Uncomplicating the Complicated Ways We Talk about Faith.You're not alone. Many people think of theology—the study of the nature of God and His truth—as a subject for scholars and people with seminary degrees. It seems irrelevant to those of us with jobs and lives that aren't wrapped up in highbrow academia.But the fact is that theology has everything to do with us. It's essential to how we wrestle with our inner doubts and how we talk to others about what we believe. Its current runs through every political debate, moral judgement, and new idea.This companion workbook to Phylicia Masonheimer's book Every Woman a Theologian brings the fundamentals of Christian theology down to earth in a straightforward, relatable way so that you can: Identify your existing beliefs about God, salvation, and the Christian life. Understand the vocabulary of theology without feeling overwhelmed. Develop a stronger faith and a better sense of what it means and why it matters. Feel more confident about sharing your faith with others. Grow into a woman able to discern truth and bring God’s wisdom and love to difficult moments. It’s time to become comfortable with the word "theology."Lessons: Bibliology (Scripture) Theology (God) Cosmology (Creation, Humanity, Sin) Christology (Jesus) Soteriology (Salvation) Pneumatology (Holy Spirit) Ecclesiology (Church) Eschatology (Last Things) Includes access to videos from Phylicia summarizing each lesson.

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In 1995, a group of writers, directors and actors gathered on Manhattan's Lower East Side for what was supposed to be a one-time-only event: write, direct, produce and perform new plays within the span of 24 hours. More than a decade and just over 300 plays later, The 24 Hour Plays have been produced on Broadway, in London, Los Angeles, Chicago and across the globe. 24 by 24 features the work of today's most celebrated theatrical voices, including Tony Award winner Terrence McNally, Adam Rapp, Tina Howe, Will Eno, David Ives, Theresa Rebeck, Pulitzer Prize winner David Lindsay-Abaire, and many more! Includes the plays Sleeping City by John Belluso, Three Guys and a Brenda by Adam Bock, Another Beautiful Story by John Clancy, Ray Slape is Dead by Mike Doughty, Vaudeville, Population Two by Will Eno, The Harbingers of Turpitude by Robin Goldwasser, Toccata and Fugue by Tina Howe, The Blizzard by David Ives, Space by Laura Jacqmin, The Freelancers by Lucy Kirkwood, The Rumor by Dan Kois, Recess by Richard LaGravenese, Mars Has Never Been This Close by Warren Leight, That Other Person by David Lindsay-Abaire, The Sunday Times by Terrence McNally, Poor Bob by Elizabeth Meriwether, The Master of the World Versus the Dude by Raven Metzner, Jack on Film by Adam Rapp, Open House by Theresa Rebeck, I'm All About Lesbians by Mac Rogers, Two Worlds by Christopher Shinn, Liberal Arts College by Lucy Thurber, K, X, Z and V by Ian Williams, Be Still by Stephen Winter. With a foreword by Kevin Spacey.

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Acclaimed and internationally bestselling crime novelist Caz Frear returns with her third superb novel featuring Cat Kinsella, a cop “on par with Susie Steiner’s and Tana French’s female detectives” (Kirkus Reviews).Four victims. Killer caught. Case closed . . .  or is it? Growing up in a London family with ties to organized crime, Detective Constable Cat Kinsella knows the criminal world better than most cops do. As a member of the city’s Metropolitan Police, she’s made efforts to distinguish herself from her relatives. But leading an upstanding life isn’t always easy, and Cat has come close to crossing the line, a fact she keeps well hidden from her superiors.Working their latest case, Cat and her partner Luigi Parnell discover a connection to a notorious criminal: serial killer Christopher Masters, who abducted and killed several women in 2012. Though the cops eventually apprehen

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This volume brings together twenty-two essays on the Gospel and the Epistles of John, published in the period 1980-2014. They are the fruit of a lifelong fascination with the Johannine literature, first with the Gospel, later also with the Epistles. The first twelve chapters concern themes from Johannine literature: translation, theological issues, use and significance of the Old Testament and of Jewish tradition, and introductory questions concerning John’s Epistles. The next ten chapters are studies of individual passages from Gospel and Epistles, with a special interest in passages in which interpretation of Scripture figures prominently. Together, the chapters show that a Christology centring on the human being Jesus as the only revealer of God is the heart of Johannine theology, that the Jewish Scriptures are used in John’s Gospel to legitimate Jesus as God’s revealer, and that this Gospel is a writing that claims to constitute a new Holy Scripture.

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" ... Ebenso wie zu den beiden vorangegangenen Bänden darf auch zu diesem die nachdrückliche Empfehlung ausgesprochen werden, sich durch eigene Lektüre in die Werkstatt gelehrter Arbeit zu begeben und vom reichen Angebot, das hier ausgebreitet wird, gründlich Gebrauch zu machen."Eduard Lohse in Theologische Literaturzeitung 129 (2004) 277-280" ... In seinen Beiträgen zu Paulus gelingt es dem weltweit angesehenen emeritierten Tübinger Neutestamentler zu zeigen, wie tief der frühe Paulus und seine Christologie im Judentum verwurzelt sind. ..."Heinz Giesen in Theologie der Gegenwart 46 /3 (2003) 229-232" ... Insgesamt handelt es sich bei diesen und den hier nicht besprochenen Beiträgen um gründliche Auseinandersetzung, die den jeweiligen Standpunkt ausgiebig zu untermauern sucht und die kritisierten Thesen in ihrer Fadenscheinigkeit aufzeigt. In vielem handelt es sich um Pionierarbeit, für die andere dem Verfasser zu Dank verpflichtet sind."A. Fuchs in Studien zum Neuen Testament und seiner Umwelt 28 (2003) 274f.

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Tales of Forgotten Kent is a collection of twenty-two essays about the people and events that have largely been neglected by historians, but remain an integral part of Kent's rich tapestry, featuring the eccentric, unusual and often overlooked tales buried within the garden of England.Who would have thought that the cradle of British aviation was the unfashionable Isle of Sheppey, home to Britain's first licensed pilots and the world's first aircraft manufacturers; or that the greatest technological change in printing computer typesetting occurred in the small town of Westerham; and that the poet who wrote the first sonnet was not actually Shakespeare but Sir Thomas Wyatt of Allington Castle, lover of Anne Boleyn; or that Britain's oldest school is The King's School, Canterbury, whose alumni includes the controversial playwright Christopher Marlowe, and still plays host to ghostly legends.Read on to unearth more of Kent's best kept secrets a

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How is the future changing? Is there a single determinant future or a plethora of alternative futures? How do we actually study futures and can we trust anything anyone says about 'the future'? Are Muslim societies prepared for the coming tsunami of change? This issue of Critical Muslim takes a searching look at all things 'futures', from trends to scenarios, from Sofia the Robot to weaponised code, and from Afrofuturism to climate change. It explores what images and metaphors of the future say about the present. With contributions from a string of noted futurists including Sohail Inayatullah, Wendy Schultz, Christopher Jones, Jordi Serra and others. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

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This special issue of the Journal of Human Rights and the Environment revisits Professor Christopher D. Stone's iconic 1972 article, and features an introduction by Professor Philippe Sands QC, a set of elegant and thought-provoking reflections on the original article by Baroness Mary Warnock, Professor Ngaire Naffine and Professor Lorraine Code, and an equally elegant and thought-provoking response to their reflections from Professor Stone himself. This thoughtful collection of essays will be a valuable addition to contemporary debates concerning the crucial search for new relationships between humanity and the living world and between human rights and the environment. The renowned contributors offer rich reflections on questions of legal standing, legal subjectivity and epistemology raised by Stone's article, and which have greater salience than ever as we face the environmental and human challenges of the 21st century. Contributors: L. Code, A. Grear, N. Naffine, P. Sands, C.D. Stone, M. Warnock

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'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil GaimanFor fans of Inside Number 9 and The League of Gentlemen -- with an introduction by Reece ShearsmithAickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream. Cold Hand in Mine, first published in 1975, stands as one of Aickman's finest collections and contains eight tales including 'Pages from a Young Girl's Journal' which won the World Fantasy Award. 'He had the ability to invest the daylight world with all the terrors of the night, and specialised in subverting notions of safety and sunshine into something sinister and unforgiving.' Christopher Fowler, Independent

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For over 800 years Newgate was the grimy axle around which British society slowly twisted. This is where such legendary outlaws as Robin Hood and Captain Kidd met their fates, where the rapier-wielding playwrights Ben Jonson and Christopher Marlowe sharpened their quills, and where flamboyant highwaymen like Claude Duval and James Maclaine made legions of women swoon. While London's theatres came and went, the gaol endured as Londons unofficial stage. From the Peasants Revolt to the Great Fire, it was at Newgate that England's greatest dramas unfolded. By piecing together the lives of forgotten figures as well as re-examining the prison's links with more famous individuals, from Dick Whittington to Charles Dickens, this thrilling history goes in search of a ghostly place, erased by time, which has inspired more poems and plays, paintings and novels, than any other structure in British history.

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Simultaneous Soloists is an artist's book emerging from British installation Anthony McCall's (born1946) exhibition Solid Light Works, and is based on the accompanying performance series Four Simultaneous Soloists, organized by David Grubbs, which took place within the exhibition. The title refers to four soloist performers experienced individually or as an ensemble, alongside McCall's sculptural volumes of light. Simultaneous Soloists recounts these events through a dialogue between McCall and Grubbs discussing a decade of working together.Also included are interviews with the 16 musicians, writings by art historians Branden W. Joseph and Swagato Chakravorty, and images ranging from McCall's drawings and archival materials to photographs of the exhibition. It features interviews with Susan Alcorn, MV Carbon, Maria Chavez, Che Chen, Jules Gimbrone, David Grubbs, Sarah Hennies, Eli Keszler, Okkyung Lee, Miya Masaoka, Christopher McIntyre, Tomeka Reid, Ben Vida, Yoshi Wada, Nate Wooley and C. Spencer Yeh.

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This book offers a fascinating insight into ideas in the making - a glimpse into some of the early debates inside the History Group of the Communist Party of Great Britain, whose members included Christopher Hill, Rodney Hilton and Eric Hobsbawm. The outstanding contribution to historical studies of these and other members of the group is now almost universally recognised. The debates they initiated formed the ground for academic research that is still continuing, in particular their work on the nature of English civil war and revolution in the seventeenth century, and on the development of capitalism in Britain. This book focuses on the debates of the sixteenth- and seventeenth-century section of the group and their work on ideology and absolutism. It reproduces original documentary material - single contributions, reports and minutes - from the debates, and also includes an informative introductory essay as well as useful notes and appendices.

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"Cartoon History of the Modern World" is a wickedly funny take on modern history. In two volumes of engaging and witty graphics, Larry Gonick covers the history, personalities, and big topics that have shaped our universe over the past five centuries. Volume I of the "Carton History of the Modern World" picks up where Gonick's bestselling "Cartoon History of the Universe" left off with Christopher Columbus about to set sail on his fateful voyage to the New World. The book also opens with the history of Aztec and Inca, the empires in Asia, and the formation of the first fully global system of trade and ideas. Next comes the Protestant Reformation, the reorientation of Europe and the birth of modern political philosophy and science. The final section covers the competition between France and Britain in North America and culminates with the American Revolution and U.S. Constitution.

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'The perfect guide to the hidden history of London's streets.' BBC History MagazineIn Cruickshank's London, Britain's favourite architectural historian describes thirteen walks through one of the greatest cities on earth. From the mysterious Anglo-Saxon origins of Hampstead Heath, via Christopher Wren's magisterial City churches, to the industrial bustle of Victorian Bermondsey, each walk explores a crucial moment in our history - and reveals how it helped forge the modern city. Along the way, Cruickshank peppers the book with vivid photographs, sketches and maps, so you can immediately follow in his footsteps.Every street in London contains a story. This book invites you to hear them.___'An inspiringly illustrated guide to walks across London . . . It proves how much we can miss if we don't pay close attention to our surroundings.' Country Life'All power to Cruickshank and his intrepid and knowledgeable kind. We need them.' Times Literary Supplement

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I Am Not A Serial Killer is now a major film starring Christopher Lloyd and Max Records. This is the first title in the thrillingly dark John Wayne Carver series.John works in his family's mortuary and has an obsession with serial killers. He wants to be a good person, but fears he is a sociopath, and for years he has suppressed his dark side through a strict system of rules designed to mimic 'normal' behavior. Then a demon begins stalking his small town and killing people one by one, and John is forced to give in to his darker nature in order to save them. As he struggles to understand the demon and find a way to kill it, his own mind begins to unravel until he fears he may never regain control. Faced with the reality that he is, perhaps, more monstrous than the monster he is fighting, John must make a final stand against the horrors of both the demon and himself.

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This seventh volume in the Documenta Q series is concerned with the reconstruction of the Q text behind Luke 7:1-10 par. Matt 7:28a, 8:5-13. The Centurion's Faith has always been a key passage for theories of the development and transmission of gospel sayings traditions. The International Q Project's presentation of the critical text of Q 7:1-10, together with the exhaustive history of research on which it is based, will considerably enhance research in the Sayings Gospel Q, the historical Jesus, and New Testament christology. The database and evaluations are a fully expanded and revised version of those presented and discussed at the meeting of the International Q Project in Claremont, CA 1994. Just prior to the bibliography, at the conclusion of the volume, the resultant critical text of Q 7:1-10 is printed. This Greek text is followed by English, German, and French translations. (Lukan chapter and verse numeration is used only for convenience.)

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Scholars continue to dispute the foundations of Quakerism. James Nayler, his prophetic Bristol 'sign' of 1656, and George Fox's relation to him have been of especial interest in defining the movement's identity. Conventionally, historians and theologians have taken either a 'traditional' approach, which assesses Nayler by the standards of orthodoxy, or a 'revisionist' one, which absolves him by the standards of early Quaker relativism and Christology. This study by Euan David McArthur mediates between these positions, finding that Nayler and Fox developed an ambiguous theology, but adopted a consistent approach to Quaker performances. The latter dissuaded against performances such as Nayler's 'sign'; Nayler is argued, instead, to have diverged from other Quaker leaders following disputations between 1655 and 1656. The lessons his person and actions hold for us are concluded to be complex, but worthy of study for a wide range of historians and thinkers.

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El kick Boxing es una forma moderna de lucha deportiva desarrollada en la década de los años setenta y que cada vez cuenta con más adeptos, en el que los contrincantes emplean técnicas del boxeo y espectaculares golpes con las piernas. Además se entrena en las disciplinas de semi contact, ligth contact y full contact, y también existen formas con y sin armas, así como el kick boxing practicado para mantener la forma física y para la autodefensa. El autor y kickboxer Christoph Delp, junto a una serie de destacados deportistas y entrenadores, nos ilustran en este libro sobre:La historia, los fundamentos y el equipamiento del kick boxing.El espíritu combativo, la autodisciplina y el comportamiento durante el entrenamiento.Técnicas de golpes con las manos y con las piernas así como sus combinaciones.Técnicas de defensa y contraataque.Organización y planificación del entrenamiento.Todas las técnicas están explicadas de modo claro y con ilustrativas y detalladas imágenes, l

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Stephen Spender, the son of a journalist, was born in London in 1909. He was educated at University College, Oxford, where he met, among others, W. H. Auden, Christopher Isherwood and Louis MacNeice, with whom he was to develop a poetics of engagement, writing powerfully of the confusion and alarm of 1930s Europe. He visited Spain during the Civil War, in 1937, where he assisted the Republican cause with propaganda activity. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism. His poetry has been praised for its exploratory candour, its personal approach to the stresses of modernity, and its exact portraiture of social and political upheaval. Grey Gowrie's new selection offers a timely and incisive revaluation of Spender's substantial poetic corpus.

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