Search results for ""author christo"

A portrait of visionary leadership, this study of the Bafokeng people describes how they acquired their land and protected their customs during 150 years of political upheaval in South Africa. In addition, the book provides a look at the current state of affairs in Royal Bafokeng Nation: the community has plenty of wealth from platinum—and it is the only rural community ever to host world cup soccer in the history of FIFA. Fully illustrated, book introduces the Bafokeng community, both past and present, as well as those who played a major role in shaping Bafokeng society, including Paul Kruger, Hans Merensky, and Christoph Penzhorn from the German Hermannsburg Lutheran Mission.

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This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.

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Classic hardback edition of the second volume of The Lord of the Rings, featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text, with fold-out map. Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included is the original red and black map of the Shire as a foldout sheet.

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Berlín, 1922. Reina la confusión en la capital alemana tras la victoria aliada. Recorren las calles, con banderas rojas, las víctimas de la más impresionante inflación de todos los tiempos. Y, tras ellos, las bandas incontroladas de ex-combatientes nacionalistas, que siguen las consignas de un oscuro militar austríaco, Adolf Hitler. Indiferentes al barullo callejero, conservan aún sus privilegios unas pocas familias aristocráticas, en su mayoría judíos, de gran tradición en el mundo de las finanzas.En este escenario irrumpen el americano Peter Ellis y el alemán Christoph. Peter vive una doble vida : frecuenta, por un lado, los elegantes salones de nobles y banqueros y, por otro, los tugurios bohemios de los artistas. Para su desgracia, se enamora de la hija de la familia Waldstein, a la vez que se ve involucrado sin querer en un asesinato político, que presagia ya los horrores del Tercer Reich. Poco a poco, todos se ven arrastrados en el torbellino de desatinos

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Das Johannesevangelium ist durch die häufige Erwähnung von Zeugen, Anklagen, verhörartigen Befragungen und anderen Bestandteilen eines Gerichtsprozesses stark von forensischen Termini und Motiven des Rechtsstreites geprägt. Doch weshalb fehlt gerade in diesem Evangelium ein formeller Prozess vor dem jüdischen Synedrium? Durch eine detaillierte narrative Untersuchung zeigt Benjamin Lange, dass bereits die erste Hälfte des Evangeliums einen metaphorischen Prozess entfaltet. Dieser enthält nicht nur alle Bestandteile eines Gerichtsprozesses, sondern findet auch auf einer doppelten Ebene statt, bei der einerseits Jesus, andererseits die Welt vor Gericht stehen. Die damit verbundenen konfliktären Rollenbelegungen spitzen sich auf das Paradoxon des angeklagten Richters zu und sind fest in der christologischen Zielsetzung des Evangeliums verankert, indem sie den Lesenden zum Glauben an Jesus als Christus und Sohn Gottes führen.

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In der Auseinandersetzung um die christologische Aussage des Konzils von Chalcedon (451) ist in der Mitte des 6. Jh. die Einheit der "Reichskirche" zerbrochen. Nur dem Kaiser Heraclius und seinem Patriarchen Sergius von Constantinopel gelang es in den Jahren 628 bis 633 noch ein letztes Mal, die Befürworter wie Gegner der umstrittenen Synode zur Kircheneinheit zu bewegen. Die theologische Grundlage für die Einigung stellte dabei die Aussage von der "Mia Energeia", der einen (gott-menschlichen) "Wirkweise" des Fleisch gewordenen Gott-Logos dar. Christian Lange untersucht diese kirchenhistorisch wie dogmengeschichtlich spannende Epoche an Hand von teilweise erstmals ins Deutsche übersetzten Quellentexten. Abschließend schlägt der Autor einen neuen Fachbegriff vor: Er verwendet "Miaenergetismus" als Bezeichnung für die Einigungsbestrebungen des Kaisers Heraclius und des Patriarchen Sergius zu Beginn des siebten Jahrhunderts.

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'A valuable book and a necessary one. One of the funniest and cleverest voyages on record.' Christopher Hitchens, New Statesman 'The finest writer afloat since Conrad.' Geoffrey Moorhouse, The Guardian 'Unfailingly witty and entertaining.' Salman RushdieCoasting round Britain single-handed in an antique two-masted sailing boat, Jonathan Raban conducts a masterly exploration of England and the English at the time of Margaret Thatcher and the Falklands War. He moves seamlessly between awkward memories of childhood as the son of a vicar, a vivid chronicle of the shape-shifting sea and incisive descriptions of the people and communities he encounters. As he faces his terror of racing water, eddies, offshore sandbars and ferries on a collision course, so he navigates the complex and turbulent waters of his own middle age. Coasting is a fearless attempt to discover the meaning of belonging and of his English homeland.

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Christopher Watkin provides the first comprehensive introduction to Serres' thought from The System of Leibniz (1968) through to his final publications in 2019. Working from the original French, he engages with both translated and major untranslated texts, providing a true overview of Serres' thinking.Using diagrams to explain Serres' thought, the first half of the book carefully explores Serres' 'global intuition' how he understands and engages with the world and his 'figures of thought', the repeated intellectual moves that characterise his unique approach. The second half explores in detail Serres' revolutionary contributions to the areas of language, objects and ecology.Watkin shows that Michel Serres has produced a cross-disciplinary body of work that provides a crucial and as yet under-exploited reference for current debates in post-humanism, object oriented ontology, ecological thought and the environmental humanities.

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Believers is a scientist’s answer to attacks on faith by some well-meaning scientists and philosophers—a firm rebuke of the “Four Horsemen”: Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens. Melvin Konner, who was raised as an Orthodox Jew but has lived his adult life without such faith, explores the psychology, development, brain science, evolution and genetics of the religious impulses we experience. He views religious people with a sympathetic eye; his own upbringing, his apprenticeship in the trance dance religion of the African Bushmen and his friends in Christian, Buddhist, Hindu, Muslim and other faiths have all shaped his perspective. He concludes that religion does much good as well as undoubted harm and that for at least a large minority of humanity, the belief in things unseen neither can nor should go away.

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Through 100 groundbreaking dresses, The Dress traces the past and present influences and reinterpretations in clothing design. From the Victorian crinoline to Vivienne Westwood's mini-crini of 1985, from Herve Leger's 1985 bandage dress to Christopher Kane's 2006 neon version, each landmark dress gives examples of how fashion ideas have been reborn and referenced throughout time by designers.By making connections between designers and across decades, the book allows the reader to discover the breadth of influence in this field, the magic of inspired originality from fashion designers and an overview of fashion history. From beaded and bias-cut to frou-frou to corseted, Chanel to Yves Saint Laurent, laced to bustled, each dress tells a fashion story through anecdotes and analysis, with historic and cross-cultural references, beautiful imagery, and immaculate referencing.

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Frame by glorious frame, this beautiful graphic novel captures the essence of the Tour de France – the grit and the glory. Since Maurice Garin's inugural victory in 1903, hundreds of thousands of kilometers have been covered in pursuit of the yellow jersey and few of them have been without incident or drama. Here are the Tour's legends: Eugene Christophe welding his bicycle back together at the foot of the Pyrenees in 1913; Bartali V Coppi, 1949; Poulidor shoulder-to-shoulder with Anquetil on the Puy de Dome, 1964; Tommy Simpson's death on Ventoux, 1967; Lance Armstrong's domination and disgrace; finishing with Bradley Wiggins' and Chris Froome's victories back-to-back victories for Britain in 2012 and 2013. 'Oh what a fantastic book this is. Not only is it a wonderfully concise history of the Tour, it is quite ravishing to behold. I adored it.' Observer.

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Erak's Ransom is the seventh thrilling book in John Flanagan’s Ranger’s Apprentice series – over eight million sold worldwide.In the wake of Araluen's uneasy truce with the raiding Skandians comes word that the Skandian leader has been captured by a dangerous desert tribe. The Rangers – and Will – are sent to free him. But the desert is like nothing these warriors have seen before. Strangers in a strange land, they are brutalized by sandstorms, beaten by the unrelenting heat, tricked by one tribe that plays by its own rules, and surprisingly befriended by another. Like a desert mirage, nothing is as it seems. Yet one thing is constant: the bravery of the Rangers.Perfect for fans of J.R.R. Tolkien’s Lord of the Rings, T.H. White’s The Sword in the Stone, Christopher Paolini’s Eragon series and Rick Riordan’s Percy Jackson series.

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***SHORTLISTED FOR THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2022******SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2022***'Fascinating... timely, understandable and informative' Forbes Ours is the age of global warming. Rising sea levels, extreme weather, forest fires. Dire warnings are everywhere, so why has it taken so long for the crisis to be recognised?Here, for the first time, climate scientist Peter Stott reveals the bitter fight to get international recognition for what, among scientists, has been known for decades: human activity causes climate change. Across continents and against the efforts of sceptical governments, prominent climate change deniers and shadowy lobbyists, Hot Air is the urgent story of how the science was developed, how it has been repeatedly sabotaged and why humanity hasn't a second to spare in the fight to halt climate change.

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In blood-soaked lore handed down the centuries, the vampire is a monster of endless fascination: from Bram Stoker's "Dracula" to "Buffy the Vampire Slayer", this seductive lover of blood haunts popular culture and inhabits our darkest imaginings. The history of the vampire is a compelling tale that is now documented in "From Demons to Dracula", which reveals why the vampire myth and this creature of the undead fascinates us. Beresford's chronicle roams from the mountains of Eastern Europe, to the foggy streets of Victorian England, to Hollywood film, as he investigates the portrayal of the vampire in history, literature and art. Investigating the historical "Dracula", "Vlad the Impaler", and his status as a national hero in Romania, Beresford endeavours to winnow out truths from the complex legend and folklore. "From Demons to Dracula" tracks the evolution of the vampire, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature and even contemporary works such as Anne Rice's Interview with the Vampire and Elizabeth Kostova's "The Historian". Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as "Underworld" and "Blade". Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as a powerful symbolic figure for human concerns with life, death and the afterlife. Wide-ranging and engrossing, "From Demons to Dracula" casts this bloodthirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.

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Labor Day, 1969. Two recent college graduates move to New York to edit a new magazine called The National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists including Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted. Its excursions into live shows, records, and radio helped shape the anarchic earthiness of John Belushi, the suave slapstick of Chevy Chase, and the deadpan wit of Bill Murray, and brought them together with other talents such as Harold Ramis, Christopher Guest, and Gilda Radner. A new generation of humorists emerged from the crucible of the Lampoon to help create Saturday Night Live and the influential film Animal House, among many other notable comedy landmarks. Journalist Ellin Stein, an observer of the scene since the early 1970s, draws on a wealth of revealing, firsthand interviews with the architects and impresarios of this comedy explosion to offer crucial insight into a cultural transformation that still echoes today. Brimming with insider stories and set against the roiling political and cultural landscape of the 1970s, That’s Not Funny, That’s Sick goes behind the jokes to witness the fights, the parties, the collaborations—and the competition—among this fraternity of the self-consciously disenchanted. Decades later, their brand of subversive humor that provokes, offends, and often illuminates is as relevant and necessary as ever.

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Acclaimed by critics as a second F. Scott Fitzgerald, Billy Lee Brammer was once one of the most engaging young novelists in America. “Brammer’s is a new and major talent, big in scope, big in its promise of even better things to come,” wrote A. C. Spectorsky, a former staffer at the New Yorker. When he published his first and only novel, The Gay Place, in 1961, literary luminaries such as David Halberstam, Willie Morris, and Gore Vidal hailed his debut. Morris deemed it “the best novel about American politics in our time.” Halberstam called it “a classic . . . [a] stunning, original, intensely human novel inspired by Lyndon Johnson. . . . It will be read a hundred years from now.” More recently, James Fallows, Gary Fisketjon, and Christopher Lehmann have affirmed The Gay Place’s continuing relevance, with Lehmann asserting that it is “the one truly great modern American political novel.”Leaving the Gay Place tells a sweeping story of American popular culture and politics through the life and work of a writer who tragically exemplifies the highs and lows of the country at mid-century. Tracy Daugherty follows Brammer from the halls of power in Washington, DC, where he worked for Senate majority leader Johnson, to rock-and-roll venues where he tripped out with Janis Joplin, and ultimately to back alleys of self-indulgence and self-destruction. Constantly driven to experiment with new ways of being and creating—often fueled by psychedelics—Brammer became a cult figure for an America on the cusp of monumental change, as the counterculture percolated through the Eisenhower years and burst out in the sixties. In Daugherty’s masterful recounting, Brammer’s story is a quintessential American story, and Billy Lee is our wayward American son.

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What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers? To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay. Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema.

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An exciting full-color storybook based on the animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!Thomas the Tank Engine's newest adventures take him to places he never dreamed of! Train-loving boys and girls ages 2 to 5 will love this adorable Little Golden Book based on the Thomas & Friends animated series Thomas & Friends: All Engines Go™ on Netflix and Cartoon Network!As the hero of his own adventure in the Thomas & Friends: All Engines Go™ series, Thomas will be center stage and we will see the world through his young eyes. More playful and relatable than ever before, his competitive spirit will be readily apparent as he strives to be the Number One Tank Engine on Sodor through play, trial and error, and just enjoying being a kid.In the early 1940s, a loving father crafted a small blue wooden train engine for his son, Christopher. The stories that this father, the Reverend W Awdry, made up to accompany the wonderful toy were first published in 1945 and became the basis for the Railway Series, a collection of books about Thomas the Tank Engine and his friends--and the rest is history.The Thomas & Friends characters are now a big extended family of engines and others on the Island of Sodor. They appear not only in books but also in television shows and movies, and as a wide variety of beautifully made toys. The adventures of Thomas and his friends, which are always, ultimately, about friendship, have delighted generations of train-loving boys and girls for more than 70 years and will continue to do so for generations to come.

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Christopher Hitchens was for many years considered one of the fiercest and most eloquent left-wing polemicists in the world. But on much of today’s left, he’s remembered as a defector, a warmonger, and a sellout—a supporter of the wars in Afghanistan and Iraq who traded his left-wing principles for neoconservatism after the September 11 attacks. In How Hitchens Can Save the Left, Matt Johnson argues that this easy narrative gets Hitchens exactly wrong. Hitchens was a lifelong champion of free inquiry, humanism, and universal liberal values. He was an internationalist who believed all people should have the liberty to speak and write openly, to be free of authoritarian domination, and to escape the arbitrary constraints of tribe, faith, and nation. He was a figure of the Enlightenment and a man of the left until the very end, and his example has never been more important. Over the past several years, the liberal foundations of democratic societies have been showing signs of structural decay. On the right, nationalism and authoritarianism have been revived on both sides of the Atlantic. On the left, many activists and intellectuals have become obsessed with a reductive and censorious brand of identity politics, as well as the conviction that their own liberal democratic societies are institutionally racist, exploitative, and imperialistic. Across the democratic world, free speech, individual rights, and other basic liberal values are losing their power to inspire. Hitchens’s case for universal Enlightenment principles won’t just help genuine liberals mount a resistance to the emerging illiberal orthodoxies on the left and the right. It will also remind us how to think and speak fearlessly in defense of those principles.

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Superheroes! is the ultimate reference book about the men and women in tights who fight for what’s right and the comic book phenomenon that conquered the world. From their origins in stories created by barely grown men during an era of global war and printed on cheap paper for consumption by children, superheroes have grown into a popular culture whirlwind that has attracted millions of fans and crossed over into every form of media.Encompassing early coming books, indie outliers, and the mammoth fictional universes managed by DC and Marvel, Superheroes! chronicles the rise of a distinctly American invention, the modern-day evolution of the myths and legends of old. Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Flash, Captain America, X-Men, the Justice League and the Avengers—they all represent our greatest hopes, and sometimes our darkest fantasies. Pop culture expert Brian Solomon tells a story that goes from the Golden, Silver and Bronze Ages of comic book history right up to the Modern Age of multimillion-dollar Hollywood movies, and beyond. Perhaps no fictional genre has endured and blossomed over the past eighty years the way superheroes have. Learn all about the creators who have brought them to life: artists like Jack Kirby and Jim Lee, writers like Stan Lee and Alan Moore, actors like Christopher Reeve and Robert Downey Jr., and directors like Tim Burton and Joss Whedon. They’re all here, in all their high-flying, eye-zapping, goon-punching glory. Up, up and away!

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The first thorough exploration of musical life in nineteenth-century New York City, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti. The musical scene in mid-nineteenth century New York City, contrary to common belief, was exceptionally vibrant. Thanks to several opera companies, no fewer than two orchestras, public chamber music and solo concerts, and numerouschoirs, New Yorkers were regularly exposed to "new" music of Verdi, Meyerbeer, Schumann, Berlioz, Liszt, and Wagner. In European Music and Musicians in New York City, 1840-1900, the first thorough exploration of musical life in New York City during this period, editor John Graziano and a number of other distinguished essayists assert that the richness of the artistic life of the city, particularly at this time, has been vastly underrated and undervalued. This marvelous new collection of essays, with topics ranging from military bands and immigrant impresarios to visits from operatic diva Adelina Patti, establishes that this musical scene was one of quantity and quality, lively and multifaceted -- in many ways equal to the scene in the largest of the Old World's Cities. Contributors: Adrienne Fried Block, Christopher Bruhn, Raoul F. Camus, Frank J. Cipolla, John Graziano, Ruth Henderson, John Koegel, R. Allen Lott, Rena C. Mueller, Hilary Poriss, Katherine K. Preston, Nancy B. Reich, Ora Frishberg Saloman, Wayne Shirley. John Graziano is Professor of Music, The City College and Graduate Center,CUNY, and co-Director of the Music in Gotham research project.

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The French sociologist Pierre Bourdieu had a broader theoretical agenda than is generally acknowledged. Introducing this innovative collection of essays, Philip S. Gorski argues that Bourdieu's reputation as a theorist of social reproduction is the misleading result of his work's initial reception among Anglophone readers, who focused primarily on his mid-career thought. A broader view of his entire body of work reveals Bourdieu as a theorist of social transformation as well. Gorski maintains that Bourdieu was initially engaged with the question of social transformation and that the question of historical change not only never disappeared from his view, but re-emerged with great force at the end of his career.The contributors to Bourdieu and Historical Analysis explore this expanded understanding of Bourdieu's thought and its potential contributions to analyses of large-scale social change and historical crisis. Their essays offer a primer on his concepts and methods and relate them to alternative approaches, including rational choice, Lacanian psychoanalysis, pragmatism, Latour's actor-network theory, and the "new" sociology of ideas. Several contributors examine Bourdieu's work on literature and sports. Others extend his thinking in new directions, applying it to nationalism and social policy. Taken together, the essays initiate an important conversation about Bourdieu's approach to sociohistorical change.Contributors. Craig Calhoun, Charles Camic, Christophe Charle, Jacques Defrance, Mustafa Emirbayer, Ivan Ermakoff, Gil Eyal, Chad Alan Goldberg, Philip S. Gorski, Robert A. Nye, Erik Schneiderhan, Gisele Shapiro, George Steinmetz, David Swartz

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The specter of Spain rarely figures in our discussions of the drama that is often regarded as the crowning achievement of the English literary Renaissance. Yet dramatists such as Thomas Kyd, Christopher Marlowe, and William Shakespeare are exactly contemporary with England's protracted conflict with the Spanish Empire, a traditional ally turned archetypical adversary. Were these playwrights really so mute with respect to their nation's Spanish troubles? Or have we failed—for reasons cultural and institutional—to hear the Hispanophobic crosstalk that permeated the drama no less than England's other public discourses? Imagining an early modern public sphere in which dramatists cross pens with proto-imperialists, Protestant polemicists, recusant apologists, and a Machiavellian network of propagandists that included high government officials as well as journeyman printers, Eric Griffin uncovers the rhetorical strategies through which the Hispanophobic perspectives that shaped the so-called Black Legend of Spanish Cruelty were written into English cultural memory. At the same time, he demonstrates that the English were as ready to invoke Spain in the spirit of envious emulation as to demonize the Spanish other as an ethnic agent of intolerance and oppression. Interrogating the Whiggish orientation that has continued to view the English Renaissance through a haze of Anglo-American triumphalism, English Renaissance Drama and the Specter of Spain recovers the voices of key Spanish participants and the "Hispanized" Catholic resistance, revealing how England and Spain continued to draw upon shared traditions and cultural resources, even during the moments of their most storied confrontation.

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Swiss theologian Hans Urs von Balthasar (1905–1988) originated much of twentieth- and twenty-first-century theology's renewed interest in aesthetics. Von Balthasar's theology is both poetic and philosophical, and while this combination is often recognized, it calls for an explanation. In Theo-Poetics: Hans Urs von Balthasar and the Risk of Art and Being, Anne M. Carpenter explores von Balthasar's use of poetry and poetic language, and she offers a detailed analysis of his philosophical presuppositions. Carpenter argues that von Balthasar uses poets and poetic language to make theological arguments because this poetic way of speaking expresses metaphysical truth without reducing one to the other. Carpenter begins with von Balthasar's very early interests in music, literature, and philosophy, in particular his work, Apocalypse of the German Soul. She explores Glory of the Lord and the trilogy, moving through his despair over the possibility of reconciling art and theology. She uncovers the major characteristics of von Balthasar's metaphysical thinking, discussing his interactions with Thomas Aquinas, Karl Barth, and Martin Heidegger to firmly link Christology, metaphysics, and the expressiveness of language. The book concludes by marshaling its themes into a focused evaluation of von Balthasar's "redeemed" theo-poetic as it comes to expression in the poetry of G. M. Hopkins. Carpenter resituates and reevaluates Hopkins's poetry in a new context, placing him in the school of Aquinas rather than Scotus, and shows us how metaphysics is necessary for a vigorous understanding of language.

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Seit einem halben Jahrhundert unterstützt PIN. Freunde der Pinakothek der Moderne e.V. großzügig die Staatliche Graphische Sammlung München. Dies trug wesentlich dazu bei, dass die Sammlung den Rang eines der führenden Museen im Bereich der graphischen Künste des 20. und 21. Jahrhunderts erlangte. Zum Jubiläum gratuliert die Graphische Sammlung mit einem Bestandskatalog sämtlicher Erwerbungen der letzten 25 Jahre. Im Katalogteil des Buches werden alle Erwerbungen mit jeweils einer Abbildung aufgeführt. Nach den Vorworten von Katharina von Perfall, Vorstandsvorsitzende von PIN. Freunde der Pinakothek der Moderne e.V., und Michael Semff, Direktor der Staatlichen Graphischen Sammlung München von 2000–2015, folgt ein Beitrag von Birgitta Heid über »Serien, Folgen und Ensembles«, in dem eine Auswahl der Erwerbungen besprochen wird (Werke von Fred Sandback, Joseph Beuys, Olaf Metzel, Silvia Bächli, Imi Knoebel, Robert Ryman, Alighiero e Boetti, Donald Judd, Neo Rauch, Thomas Schütte, Thomas Demand, Charline von Heyl und Christopher Wool). Der Bestandskatalog erscheint anlässlich der Ausstellung 50 Jahre PIN. Freunde der Pinakothek der Moderne. Eine Auswahl aus der Staatlichen Graphischen Sammlung München vom 29. Oktober 2015 bis 10. Januar 2016.

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New perspectives on and interpretations of the popular medieval genre of the universal chronicle. Found in pre-modern cultures of every era and across the world, from the ancient Near East to medieval Latin Christendom, the universal chronicle is simultaneously one of the most ubiquitous pre-modern cultural forms and one of the most overlooked. Universal chronicles narrate the history of the whole world from the time of its creation up to the then present day, treating the world's affairs as though they were part of a single organic reality, and uniting various strands of history into a unifed, coherent story. They reveal a great deal about how the societies that produced them understood their world and how historical narrative itself can work to produce that understanding. The essays here offer new perspectives on the genre, from a number of different disciplines, demonstrating their vitality, flexibility and cultural importance, They reveal them to be deeply political texts, which allowed history-writers and their audiences to locate themselves in space, time and in the created universe. Several chapters address the manuscript context, looking at the innovative techniques of compilation, structure and layout that placed them at the cutting edge of medieval book technology. Others analyse the background of universal chronicles, and identify their circulation amongst different social groups; there are also investigations into their literary discourse, patronage, authorship and diffusion. Michele Campopiano is Senior Lecturer in Medieval Latin Literature at the University of York; Henry Bainton is Lecturer in High Medieval Literature at the University of York. Contributors:Tobias Andersson, Michele Campopiano, Cornelia Dreer, Catherine Gaullier-Bougassas, Elena Koroleva, Keith Lilley, Andrew Marsham, Rosa M. Rodriguez Porto, Christophe Thierry, Elizabeth M. Tyler, Steven Vanderputten, Bjorn Weiler, Claudia Wittig.

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A very special story which at last provides a heroic exit for Colin Baker's much-loved Time Lord. Four hour-long episodes, connected by the presence of the Valeyard, the entity that exists between the Doctor's twelfth and final incarnations. THE END OF THE LINE - The Doctor and his latest companion Constance investigate a commuter train that has lost its way...THE RED HOUSE - The Doctor and Charlotte Pollard arrive on a world that is populated by werewolves. STAGE FRIGHT - The Doctor and Flip visit Victorian London, where investigators Jago and Litefoot explore theatrical performances that have echoes of the Doctor's past lives...THE BRINK OF DEATH - The Doctor and Mel face the final confrontation with the Valeyard - and the Doctor must make the ultimate sacrifice. Denied a proper farewell from the Doctor Who TV show, Colin Baker here takes the role anew to show how the Sixth Doctor met his end...New companion Constance Clarke is played by Miranda Raison, a familiar face from British stage and screen including Spooks, Poirot, Merlin, Doctor Who and 24: Live Another Day...India Fisher (Charlie Pollard) is the narrator for BBC's popular Masterchef program. The four stories are from four different periods of the Sixth Doctor's life, each bringing back a popular companion and other friends of the Time Lord...CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Anthony Howell (Tim Hope), India Fisher (Charlotte Pollard), Michael Jayston (The Valeyard), Lisa Greenwood (Flip), Christopher Benjamin (Henry Jago), Trevor Baxter (George Litefoot), Lisa Bowerman (Ellie Higson), Bonnie Langford (Melanie Bush).

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During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors' embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science's threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers. Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.

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Plants and architecture: two seemingly opposite elements. How can we combine them to plan future cities that are closer to nature? What synergies can we explore? Hortitecture seeks to discover the creative and construction potentials of vital plant material, and explores its applications in ecosystem services and urban food production.Through research at the intersections of architecture, biology, and technology, IDAS (Institute for Design and Architectural Strategies) explores this topic with the aim of transferring the knowledge gained to the design of buildings. This book documents the projects, ideas, and experiences shared by thirty-three international experts at symposia held at TU Braunschweig. Their critical reflections advance the awareness and expertise needed to develop a nature-based urban architecture. With contributions by Stefano Boeri, Thomas Corbasson, Richard Hassell and Wong Mun Summ, Christoph Ingenhoven, Vo Trong Nghia, Elisabeth Kather, Klaus K. Loenhart, Ferdinand Ludwig and Daniel Schönle, Fuensanta Nieto, Chris Precht, Jacob van Rijs, Tomás Saraceno, Diana Scherer, Dan Wood, Ken Yeang, and others

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Premier recueil de législation ecclésiastique, la Collection canonique d'Antioche a surgi au IVe siècle au temps des premières controverses christologiques. Son auteur présumé, Euzoïos d'Antioche, fut la figure de proue de l'Église «semi-arienne», plus précisément homéenne, et bénéficia du soutien de l'empereur Valens. Composée en 370 dans le contexte brûlant de la querelle arienne qui déchire la chrétienté durant tout le IVe siècle, cette collection constitue à double titre un corpus de combat. Au plan politique, chacun des cinq groupes canoniques qui le composent est destiné à lutter et à condamner un ou plusieurs des courants doctrinaux opposés à l'Église homéenne. Au plan juridique, la législation de la Collection canonique d'Antioche s'organise autour de deux grands thèmes: le contrôle de la hiérarchie ecclésiastique et la lutte contre les mouvements rigoristes. Le présent ouvrage analyse cette oeuvre originelle qui consacra le long travail d'innovation dans le domaine du droit ecclésiastique, entamé par les ariens au lendemain du concile de Nicée (325). Ceux-ci souhaitaient promouvoir la législation conciliaire naissante qu'ils considéraient comme plus opérante pour uniformiser le droit ecclésiastique de la pars Orientis, et lutter contre leurs adversaires nicéens. Mais, après leur victoire en 379 due à l'avènement de Théodose, les nicéens furent amenés à reprendre à leur compte ce corpus: ne pas se l'approprier aurait contribué à la survivance des théories des homéens, laissant la possibilité d'une contre-offensive de leur part. Afin de neutraliser une telle arme, il convenait de se l'attribuer. Euzoïos d'Antioche et son Église étaient, certes, des vaincus de l'histoire, mais en créant la Collection canonique d'Antioche, ils avaient légué un héritage à l'ensemble de la chrétienté: la racine d'où allait croître, au-delà des controverses théologiques, le droit de l'Église.

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Drawing on rich insights from the early Church Fathers, Discerning Persons addresses the neglected issue of disablism and how discriminatory attitudes fail to treat people with profound disabilities as persons. This discrimination can be found in the field of bioethics, where the stakes are often high and a matter of life or death. Whereas views that give priority to human beings whatever their capacities are seen as speciesist and so discriminatory, bioethical approaches that are disablist are rarely acknowledged as prejudiced. Many bioethicists do not even realize there is an issue. Current bioethical thinking appears uncritical and unreflective in the way it accepts a separation of the human being from the person and downgrades certain individuals who do not fulfill arbitrarily defined and insubstantial criteria for being persons. Using neglected Patristic thinking and its analogies with the human person, abled and disabled, found in reflection on the image of God and in the Trinitarian and Christological disputes of the early centuries where person language originated, the book makes patristic thinking do important work. It establishes that there are no early historical, philosophical, or theological grounds for calling or treating human beings as anything less than persons. Nor is there foundation for defining the person purely in terms of individuality, rationality, autonomy, or self-consciousness. Patristic insights conclusively call us to be discerning persons: to realize that persons are not so much defined as discerned, and to discern that all human beings, whatever their situations or capacities, are unique and unrepeatable persons.

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A family story of blood and memory and the haunting power of the past. 2018 WINNER OF THE CHRISTOPHER EWART-BIGGS MEMORIAL PRIZE 2017 WINNER OF THE NON-FICTION IRISH BOOK OF THE YEAR AWARD A SUNDAY TIMES BESTSELLER After nearly three decades reporting conflict from all over the world for the BBC, Fergal Keane has gone home to Ireland to tell a story that lies at the root of his fascination with war. It is a family story of war and love, and how the ghosts of the past return to shape the present. Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922. It is the story of Keane’s grandmother Hannah Purtill, her brother Mick and his friend Con Brosnan, and how they and their neighbours took up guns to fight the British Empire and create an independent Ireland. And it is the story of another Irishman, Tobias O’Sullivan, who fought against them as a policeman because he believed it was his duty to uphold the law of his country. Many thousands of people took part in the War of Independence and the Civil War that followed. Whatever side they chose, all were changed in some way by the costs of violence. Keane uses the experiences of his ancestral homeland in north Kerry to examine why people will kill for a cause and how the act of killing reverberates through the generations.

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In July 2010, Terry Jones, the pastor of a small fundamentalist church in Florida, announced plans to burn two hundred Qur'ans on the anniversary of the September 11 attacks. Though he ended up canceling the stunt in the face of widespread public backlash, his threat sparked violent protests across the Muslim world that left at least twenty people dead. In Terrified, Christopher Bail demonstrates how the beliefs of fanatics like Jones are inspired by a rapidly expanding network of anti-Muslim organizations that exert profound influence on American understanding of Islam. Bail traces how the anti-Muslim narrative of the political fringe has captivated large segments of the American media, government, and general public, validating the views of extremists who argue that the United States is at war with Islam and marginalizing mainstream Muslim-Americans who are uniquely positioned to discredit such claims. Drawing on cultural sociology, social network theory, and social psychology, he shows how anti-Muslim organizations gained visibility in the public sphere, commandeered a sense of legitimacy, and redefined the contours of contemporary debate, shifting it ever outward toward the fringe. Bail illustrates his pioneering theoretical argument through a big-data analysis of more than one hundred organizations struggling to shape public discourse about Islam, tracing their impact on hundreds of thousands of newspaper articles, television transcripts, legislative debates, and social media messages produced since the September 11 attacks. The book also features in-depth interviews with the leaders of these organizations, providing a rare look at how anti-Muslim organizations entered the American mainstream.

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Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror.Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust?Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman’s evocative meditation on memory.These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.

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Grit and Hope tells the story of five inner-city Hispanic students who start their college applications in the midst of the country's worst recession and of Reality Changers, the program that aims to help them become the first in their families to go college. This year they must keep up their grades in AP courses, write compelling essays for their applications, and find scholarships to fund their dreams. One lives in a garage and struggles to get enough to eat. Two are academic standouts, but are undocumented, ineligible for state and federal financial assistance. One tries to keep his balance as his mother gets a life-threatening diagnosis; another bonds with her sister when their parents are sidelined by substance abuse. The book also follows Christopher Yanov, the program's youthful, charismatic founder in a year that's as critical for Reality Changers' future as it is for the seniors. Yanov wants to grow Reality Changers into national visibility. He's doubled the program's size, and hired new employees, but he hasn't anticipated that growing means he'll have to surrender some control, and trust his new staff. It's the story of a highly successful, yet flawed organization that must change in order to grow. Told with deep affection and without sentimentality, the students stories show that although poverty and cultural deprivation seriously complicate youths' efforts to launch into young adulthood, the support of a strong program makes a critical difference.

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Traditionally, Christian martyrdom is a repetition of the story of Christ’s suffering and death: the more closely the victim replicates the Christological model, the more legible the martyrdom. But if the textual construction of martyrdom depends on the rehearsal of a paradigmatic story, how do we reconcile the broad range of individuals, beliefs, and persecutions seeking justification by claims of martyrdom? Observing how martyrdom is constituted through the interplay of historical event and literary form, Alice Dailey explores the development of English martyr literature through the period of intense religious controversy from the heresy executions of Queen Mary to the regicide of 1649. Through close study of texts ranging from late medieval passion drama and hagiography to John Foxe’s Acts and Monuments, martyrologies of the Counter-Reformation, Charles I’s Eikon Basilike, and John Milton’s Eikonoklastes, The English Martyr from Reformation to Revolution traces the shifting constructions of the martyr figure across Reformation England. By putting history and literary form in dialogue, Dailey describes not only the reformation of one of the oldest, most influential genres of the Christian West but a revolution in the very concept of martyrdom. In late sixteenth- and early seventeenth-century England, she argues, martyrdom develops from medieval notions of strict typological repetition into Charles I’s defense of individual conscience—an abstract, figurative form of martyrdom that survives into modernity. Far from static or purely formulaic, martyrology emerges in Dailey’s study as a deeply nuanced genre that discloses the mutually constitutive relationship between the lives we live and the stories we tell.

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Abstract art was never dead. Since its revolutionary beginnings at the dawn of the 20th century, it has repeatedly flourished and survived all animosities, even bans. And more than that: today in particular, artists and museums are increasingly devoting themselves to this theme, in the world’s most important art metropolises and in unprecedented diversity. Aspects of contemporary abstract art, coupled with historical reminiscences, are the focus of the publication on the occasion of the third exhibition, showcasing works from the Deutsche Bank Collection at the PalaisPopulaire. The selection includes works from 1959 to 2021. Included are not only drawings and photographs but also, for the first time, significant paintings and prints. Artists: Markus Amm, Rana Begum, Otto Boll, Kerstin Brätsch, Cabrita, Ernst Caramelle, Carlos Cruz-Diez, Adriana Czernin, Helmut Federle, Günther Förg, Günter Fruhtrunk, Franziska Furter, Rupprecht Geiger, Katharina Grosse, João Maria Gusmão + Pedro Paiva, Erwin Heerich, Bernhard Härtter, Daniel Hunziker, ShŌichi Ida, Jürgen Jansen, Olav Christopher Jenssen, Jennie C. Jones, Kapwani Kiwanga, Imi Knoebel, Norbert Kricke, Tadaaki Kuwayama, Thomas Locher, Fabian Marti, Bernd Minnich, Wilhelm Müller, Nima Nabavi, Albert Oehlen, Susanne Paesler, Blinky Palermo, Jorge Pardo, Georg Karl Pfahler, Charlotte Posenenske, Lothar Quinte, Gerhard Richter, Peter Roehr, Ulrich Rückriem, Fred Sandback, Karin Sander, Kai Schiemenz, Richard Serra, Dieuwke Spaans, Ulrich Wendland, Claudia Wieser, Beat Zoderer Text in English and German.

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Natural Designs chronicles the life and work of the earliest and most influential Spanish historian of the New World, Gonzalo Fernández de Oviedo (1478–1557). Through a combination of biography and visual and textual analysis, Elizabeth Gansen explores how Oviedo, in his writings, brought the European Renaissance to bear on his understanding of New World nature. Oviedo learned much from the humanists with whom he came into contact in the courtly circles of Spain and Italy, including Giovanni Battista Ramusio and Pietro Bembo, and witnessed Christopher Columbus regaling Queen Isabel and King Ferdinand with news from his inaugural voyage to the Indies. Fascinated by the Caribbean flora and fauna Oviedo encountered on his arrival to the Caribbean in 1514, he made them the protagonists of his writings on the Indies. From his consumption of the prickly pear cactus, which led him to believe his death was imminent, to the behavior of the iguana, which defied his efforts to determine if the lizard was fish or flesh, his works reveal the challenges at the heart of Spain’s encounter with the biological wonders of the Americas. Natural Designs foregrounds Oviedo’s role as a writer, illustrator, and editor of New World nature. As much as Oviedo is credited as a pioneer in the literary genre of American natural history, his contributions to early modern conceptions of the flora and fauna of the Indies are still not widely understood and appreciated. Gansen situates us in the early sixteenth century to reappraise the works of the Spanish historian who first shaped these realities.

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Camille Saint-Saens--perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music--is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saens and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saens, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saens and His World restores the composer to his vital role as innovator and curator of Western music. The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gerard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Leo Houziaux, Florence Launay, Stephane Leteure, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.

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“What a treat. An all-star cast with one thing in common: they worked with David Wood. And just for us he’s brought them to life again – and so vividly – in this irresistible memoir of his ‘brushes with Hollywood'." Gyles Brandreth In this memoir, actor and writer David Wood recalls his ‘brushes with Hollywood’, notably being kissed on the lips by Elizabeth Taylor as midnight struck on his 22nd birthday; playing Richard Burton’s servant on stage in Dr Faustus; being seduced by Shelley Winters in The Vamp, a television two-hander play; hanging upside down from a chandelier and being rescued by David Hemmings in the West End musical Jeeves; singing songs and being shot down in flames as a Royal Flying Corps officer in the film Aces High, in which he was reunited with Malcolm McDowell (his fellow rebel schoolboy in the film If….) and acted alongside Christopher Plummer and Simon Ward; sharing the screen at sea in an oil rig supply vessel with Roger Moore, Anthony Perkins and James Mason in North Sea Hijack; penning the daytime Emmy-nominated Back Home, starring Hayley Mills, thereby becoming a Disney-approved writer; and writing The Queen’s Handbag to celebrate the Queen’s 80th birthday, performed in Buckingham Palace Gardens and seen live by 8,000,000 BBC TV viewers. "I couldn’t put it down. It has all the charm and warmth and wit that is David Wood and his lifelong passion for the theatre is inspiring. I loved it." Hayley Mills

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Richard Sennett's The Fall of Public Man examines the growing imbalance between private and public experience, and asks what can bring us to reconnect with our communities. Are we now so self-absorbed that we take little interest in the world beyond our own lives? Or has public life left no place for individuals to participate? Tracing the changing nature of urban society from the eighteenth century to the world we now live in, and the decline of involvement in political life in recent decades, Richard Sennett discusses the causes of our social withdrawal. His landmark study of the imbalance of modern civilization provides a fascinating perspective on the relationship between public life and the cult of the individual. 'Brilliant ... One admires the breadth of Professor Sennett's erudition, the reach of his historical imagination, the doggedness of his analysis ... Buy this book and read it. Ironically, it may provide a key to happiness' Christopher Lehmann-Haupt, The New York Times 'A powerful argument for a more formal public culture and a swipe against the rise of a self-indulgent counter-culture' Melissa Benn, Guardian 'A provocative book ... Sennett brings us to an undeniably recognizable place, the contemporary urban scene' Richard Todd, Atlantic Monthly Richard Sennett's previous books include The Fall of Public Man, The Corrosion of Character, Flesh and Stone and Respect. He was founder director of the New York Institute for the Humanities, and is now University Professor at New York University and Academic Governor and Professor of Sociology at the London School of Economics.

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A vital text for understanding the twenty-first-century battlefield and the shifting force structure, this book prepares students to think critically about the rapidly changing world they'll inherit.American Defense Policy, first published in 1965 under the leadership of Brent Scowcroft, has been a mainstay in courses on political science, international relations, military affairs, and American national security for more than 50 years. This updated and thoroughly revised ninth edition, which contains about 30% all-new content, considers questions of continuity and change in America's defense policy in the face of a global climate beset by geopolitical tensions, rapid technological change, and terrorist violence.The book is organized into three parts. Part I examines the theories and strategies that shape America's approach to security policy. Part II dives inside the defense policy process, exploring the evolution of contemporary civil-military relations, the changing character of the profession of arms, and the issues and debates in the budgeting, organizing, and equipping process. Part III examines how purpose and process translate into American defense policy. This invaluable and prudent text remains a classic introduction to the vital security issues the United States has faced throughout its history. It breaks new ground as a thoughtful and comprehensive starting point to understand American defense policy and its role in the world today.Contributors: Gordon Adams, John R. Allen, Will Atkins, Deborah D. Avant, Michael Barnett, Sally Baron, Jeff J.S. Black, Jessica Blankshain, Hal Brands, Ben Buchanan, Dale C. Copeland, Everett Carl Dolman, Jeffrey Donnithorne, Daniel W. Drezner, Colin Dueck, Eric Edelman, Martha Finnemore, Lawrence Freedman, Francis Fukuyama, Michael D. Gambone, Lynne Chandler Garcia, Bishop Garrison, Erik Gartzke, Mauro Gilli, Robert Gilpin, T.X. Hammes, Michael C. Horowitz, G. John Ikenberry, Bruce D. Jones, Tim Kane, Cheryl A. Kearney, David Kilcullen, Michael P. Kreuzer, Miriam Krieger, Seth Lazar, Keir A. Lieber, Conway Lin, Jon R. Lindsay, Austin Long, Joseph S. Lupa Jr., Megan H. MacKenzie, Mike J. Mazarr, Senator John McCain, Daniel H. McCauley, Michael E. McInerney, Christopher D. Miller, James N. Miller, John A. Nagl, Henry R. Nau, Renée de Nevers, Joseph S. Nye Jr., Michael E. O'Hanlon, Mancur Olson Jr., Sue Payton, Daryl G. Press, Thomas Rid, John Riley, David Sacko, Brandon D. Smith, James M. Smith, Don M. Snider, Sir Hew Strachan, Michael Wesley, Richard Zeckhauser

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In 2020, for the first time in centuries, heavy red curtains swept closed on stages across the West End; all theatres were closed. Two actors, keenly feeling the loss of their theatre homes, turned to a form of art that could still thrive over the following months, and set about photographing the stage doors of the deserted city. An extraordinary collaborative project almost two years in the making, Exeunt - The Stage Door Project collects together these moving images, alongside anecdotes from some of the world's leading luminaries who have trodden the boards of the pictured theatres. A tribute to the magical nature of the stage door and the tales lurking behind it, Exeunt is a celebration of the legendary theatres of the city, the extraordinary figures behind the curtain - and the faithful audiences who have flocked back after the storm. Proceeds from sales of this book go to the Actors' Benevolent Fund, ArtsMinds and Theatre Artists Fund Featuring the words of Dame Judi Dench, Emma Rice, Ned Seago, Simon Callow, John McCrea, Diane Page, Reece Shearsmith, Anita Dobson, Macy Nyman, David Bedella, Kwong Loke, Luke Giles, Stephanie Street, Dame Harriet Walter, Rebecca Frecknall, David Jonsson, Jackie Clune, Ben Cracknell, Richard Sutton, Adeyinka Akinrinade, Le Gateau Chocolat, Paule Constable, Lucian Msamati, Adrian Scarborough, David Acton, Natalie Law, Gordon Millar, Leanne Robinson, Thomas Aldridge, Katrina Lindsay, Eben Figueiredo, Andy Taylor, Aimie Atkinson, Jack Holden, Laura Donnelly, Laurie Kynaston, Abraham Popoola, Oengus MacNamara, Louis Maskell, Valda Aviks, Garry Cooper, Mark Dugdale, Lyn Paul, James Graham, Emma Sheppard, Paul Bazely, Preston Nyman, Lauren Ward, Jessica Hung Han Yun, Natalie McQueen, Gavin Spokes, Niamh Cusack, Paterson Joseph, Anna Fleischle, Daniel Monks, Michael Sheen, Lia Williams, Ruthie Henshall, Simon Lipkin, Tom Brooke, Ian Rickson, Rufus Hound, Zoe Tapper, Patsy Ferran, Joshua McGuire, Sharon D Clarke, Mark Gatiss, Taz Skylar, Marianne Benedict, Ferdinand Kingsley, Lez Brotherston, Tamsin Withers, Hadley Fraser, Karl Queensborough, Neil Salvage, Jessie Hart, Kathy Peacock, Howard Hudson, Jonathan Andrew Hume, Andy Nyman, Andrew McDonald, Claire Roberts, Michael Jibson, Jason Pennycooke, Christopher Tendai, Laura Baldwin, Matt Henry, Robert Lindsay, Simon Evans, Fisayo Akinade, Irvine Iqbal and Zoe Wanamaker.

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How do the most resilient companies survive—and even thrive—during a slowdown?If you read nothing else on surviving a tough economy and coming back stronger, read these 15 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help your company persevere through economic challenges and continue to grow while your competitors stumble.This book will inspire you to: Harness your resources to pull through a pandemic Learn the right lessons from previous recessions Minimize pain while cutting costs and managing risk Foster a healthy culture during anxious times Make smart moves to protect your own job Seize the opportunity to innovate and reinvent your business This collection of articles includes "Seize Advantage in a Downturn" by David Rhodes and Daniel Stelter; "How to Survive a Recession and Thrive Afterward: A Research Roundup" by Walter Frick; "How to Bounce Back from Adversity" by Joshua D. Margolis and Paul G. Stoltz; "Rohm and Haas's Former CEO on Pulling off a Sweet Deal in a Down Market" by Raj Gupta; "How to Be a Good Boss in a Bad Economy" by Robert I. Sutton; "Layoffs That Don't Break Your Company" by Sandra J. Sucher and Shalene Gupta; "Getting Reorgs Right" by Stephen Heidari-Robinson and Suzanne Heywood; "Reigniting Growth" by Chris Zook and James Allen; "Reinvent Your Business Model Before It's Too Late" by Paul Nunes and Tim Breene; "How to Protect Your Job in a Recession" by Janet Banks and Diane Coutu; "Learning from the Future" by J. Peter Scoblic; "5 Ways to Stimulate Cash Flow in a Downturn" by Eddie Yoon and Christopher Lochhead; "The Case for M&A in a Downturn" by Brian Salsberg; "Include Your Employees in Cost-Cutting Decisions" by Patrick Daoust and Paul Simon; and "Preparing Your Business for a Post-Pandemic World" by Carsten Lund Pedersen and Thomas Ritter.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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Collector’s slipcased edition of the first ever standalone presentation of one of J.R.R. Tolkien’s most important poetic dramas, that explores timely themes such as the nature of heroism and chivalry during war, and which features unpublished and never-before-seen texts and drafts. In 991 AD, vikings attacked an Anglo-Saxon defence-force led by their duke, Beorhtnoth, resulting in brutal fighting along the river Blackwater, near Maldon in Essex. The attack is widely considered one of the defining conflicts of tenth-century England, and is immortalised in the poem, The Battle of Maldon. Written shortly after the battle, the poem survives only as a 325-line fragment, but its value to today is incalculable. J.R.R. Tolkien considered The Battle of Maldon ‘the last surviving fragment of ancient English heroic minstrelsy’. It would inspire him to compose, during the 1930s, his own dramatic verse-dialogue, The Homecoming of Beorhtnoth Beorhthelm’s Son, which imagines the aftermath of the great battle when two of Beorhtnoth’s retainers come to retrieve their duke’s body. Leading Tolkien scholar, Peter Grybauskas, presents for the first time Tolkien’s own prose translation of The Battle of Maldon together with the definitive treatment of The Homecoming of Beorhtnoth and its accompanying essays; also included and never before published is the lecture, ‘The Tradition of Versification in Old English’. Illuminated with insightful notes and commentary, he offers a definitive critical edition of these works, and argues compellingly that, Beowulf excepted, The Battle of Maldon may well have been ‘the Old English poem that most influenced Tolkien’s fiction’, most dramatically within the pages of The Lord of the Rings. This slipcased edition includes a colour frontispiece reproducing a page of Tolkien’s original manuscript of The Homecoming, and is printed on acid-free paper with a ribbon marker. It is quarterbound with a unique illustration by Bill Sanderson gold-foiled on grey boards and is housed in a custom-built slipcase. It also includes a digitally remastered recording of The Homecoming of Beorhtnoth read by J.R.R. Tolkien & Christopher Tolkien, which is available on CD for the first time.

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Der vorliegende Band widmet sich einer umstrittenen Frage der Theologie des ersten Evangeliums. Ausgangspunkt ist der zentrale Text Mt 5,17-20, der nicht ohne die dazugehörenden Verse 13-16 verstanden werden kann. In ihm stellt der Evangelist programmatisch sein Verständnis der Tora in der Zeit der Erfüllung dar, die mit dem Wirken Jesu begonnen hat. Als Sohn Davids ist Jesus derjenige, der die biblischen Erwartungen und Hoffnungen auf eine eschatologische Gerechtigkeit "erfüllt". Wenn aber der Messias den Weg der Gerechtigkeit eröffnet hat, dann ist die Frage zu klären, welche Funktion der Tora in dieser heilsgeschichtlich neuen Epoche zukommt. Matthäus stellt sich dieser Aufgabe, indem er das Verhältnis von Gerechtigkeit, Tora und Messias aufgrund seiner biblisch-theologischen Reflexion des Christusereignisses neu bestimmt, wobei dem Messias als Sohn Davids die entscheidende Funktion zur Heraufführung der Gerechtigkeit zugeschrieben wird. Die Tora wird in die "Gebote Jesu" transformiert und behält ihre Relevanz für die christliche Gemeinde einzig in dieser Gestalt und aufgrund seiner Autorität.Das Ziel der neuen eschatologischen Gerechtigkeit ist das Hineinbringen aller Völker in das Reich Gottes. So kann die Bergpredigt in Übereinstimmung mit dem Gesamtkontext des ersten Evangeliums als Anleitung zu einer missionarischen Jüngerexistenz gelesen werden. Damit eröffnen sich zahlreiche neue Verständnismöglichkeiten, die es erlauben, Matthäus als dezidiert christologisch argumentierenden und heilsgeschichtlich orientierten Theologen wiederzuentdecken.

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Explores how contemporary novels dealing with flight and expulsion after the Second World War unsettle traditional notions of Heimat without abandoning place-based notions of belonging. At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwar and contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-82 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlierapproaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging. Friederike Eigler is Professor of German at Georgetown University.

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"The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller’s stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller’s marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.

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