Search results for ""author christo"

Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city’s best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on “Characters’’ offers a bouquet of indelible profiles. The section on “Places” takes us on journeys to some of the city’s quintessential locales. “Rituals, Rhythms, and Ruminations” seeks to capture the city’s peculiar texture, and the section called “Excavating the Past” offers slices of the city’s endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.

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This bestselling undergraduate level book is an ideal resource for student paramedics looking for an excellent introduction to the main theoretical subjects studied in paramedic courses, and links practice issues to the all-important theory base.The chapters bring to life a wide variety of academic subjects, making complex subjects easily readable and encouraging reflection on how theory fits with practice. This third edition has been expanded throughout and includes five new chapters on research and evidence-based practice, human factors affecting paramedic practice, developing resilience, caring for people with dementia, and public health perspectives. This new edition also covers:• Ethics and law for the paramedic• Reflective practice and communication• Professional issues, including clinical audit and governance and anti-discriminatory practice• Psychological perspectives on health and ill health• Social factors• Care of vulnerable adults and end of life care• Safeguarding children• Managing change, decision making and leadership theoryWritten by a team of experienced paramedics, specialist health care professionals and doctors from across the UK, the book includes numerous links to practice, a wide selection of case studies and examples which encourage you to ‘stop and think’ and reflect upon your practice experience.Blaber’s Foundations for Paramedic Practice: A Theoretical Perspective, Third Edition is a core text for student paramedics and a valuable resource for students of all allied health professions.'This book should be considered essential reading material for student paramedics endeavouring to understand the vital core concepts that underpin paramedic science. This clear, concise and user-friendly text is also invaluable for newly qualified paramedics, experienced paramedics looking to continue their own professional development and those acting as Practice Educators'.Sarah Christopher, PGC LTHE, BSc (Hons), MA Ed, FHEA, MC Para, Programme Lead for Paramedic Science, The University of Lincoln, UK

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'A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet's insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.' John Banville, Guardian'An epistolary cornucopia. . . contains an abundance of insight and illumination, literary gossip and appraisal, playfulness and cogency, all bound up with a steadfast attention to the feelings and expectations of each correspondent.' Patricia Craig, TLS Books of the YearEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .For all his public eminence, Seamus Heaney seems never to have lost the compelling need to write personal letters. In this ample but discriminating selection from fifty years of his correspondence, we are given access as never before to the life and poetic development of a literary titan - from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.Editor Christopher Reid draws from both public and private archives to reveal this story in the poet's own words. Generous, funny, exuberant, confiding, irreverent, empathetic and deeply thoughtful, the letters encompass decades-long relationships with friends and colleagues, as well as showing an unstinted responsiveness to passing acquaintances. Moreover, Heaney's joyous mastery of language is as evident here as it is in any of his writing for a literary readership.Listening to Heaney's voice, we find ourselves in the same room as a man whose presence, when he lived, enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.

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SURVIVOR STORIES FROM DUNKIRK, NOW THE SUBJECT OF A MAJOR FILM FROM CHRISTOPHER NOLANWhen Britain declared war against Germany in September 1939, thousands of young men sailed across the English Channel to fight for their country. Among them were the seven soldiers who share their stories in this book. Some joined up out of patriotism, others for adventure or the prospect of a secure wage. They were fit, trained and proud to wear the armband of the British Expeditionary Forces. For many, the first months were strangely peaceful, but when the Germans invaded in May 1940 they advanced with shocking speed. The German armoured columns sliced through neutral Holland and Belgium. The French Army collapsed and within a week the soldiers of the BEF were forced to retreat. Fighting tough and bloody rearguard actions, they endured relentless shelling and fearsome dive-bomb attacks. Constantly on the move, and facing a German onslaught on three fronts, they were soon exhausted, hungry and low on ammunition. They headed finally to their one chance of salvation: the beaches of Dunkirk. Mike Rossiter tells the stories of seven veterans who went through a hellish baptism of fire in the first battles on the front line, and fought in the last-ditch defence of Dunkirk. They saw their comrades bombed and drowned off the beaches. Their accounts give us a fascinating and privileged insight into the reality of the war and what it was really like to face the German Blitzkrieg in 1940. They take us from the confident, idyllic days of the phoney war in the French countryside to the sudden shock of battle, from the fear and confusion of retreat to the wait for an uncertain rescue. These are the compelling stories of seven men who are proud to say I Fought at Dunkirk.

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Theology Needs Philosophy brings together essays by leading theologians and philosophers on the fundamental importance of human reason and philosophy for Catholic theology and human cultures generally. This edited collection studies the contributions of reason, with its acquired wisdom, science, and scholarship, in five sections. Those sections are: (1) the inevitable presence and service of philosophy in theology; (2) the metaphysics of creation, nature, and the natural knowledge of God; (3) the history of Logos as reason in the fathers, in St. Thomas Aquinas, and Medieval Biblical commentaries; (4) the role of reason in Trinitarian theology, Christology, and Mariology; and finally (5) reason in the theology of Aquinas. The general reader, as well as students and faculty, will be introduced to a constant, but sometimes neglected, element of Catholic intellectual traditions. Pope Francis follows Popes Benedict XVI and John Paul II in emphasizing the light of faith in his first encyclical Lumen Fidei, showing how human reason is healed and elevated by faith. Not to act according to reason is contrary to the nature of God, as Pope Benedict’s Regensburg Lecture reminded the world. An abandonment of Catholic faith, and its incorporation of the ancient discoveries of reason, has led to a darkening of reason in secularist modernity. The light of reason is from the Word (Logos) who is God (John 1:9), calling everyone to live attentive to the cultivation of reason. Modern popes have therefore called for a recovery of reason since faith in Jesus Christ heals and intensifies the light of reason so fundamental to the God-given dignity of every human being.

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Archaeological Oceanography is the definitive book on the newly emerging field of deep-sea archaeology. Marine archaeologists have been finding and excavating underwater shipwrecks since at least the early 1950s, but until recently their explorations have been restricted to depths considered shallow by oceanographic standards. This book describes the latest advances that enable researchers to probe the secrets of the deep ocean, and the vital contributions these advances offer to archaeology and fields like maritime history and anthropology. Renowned oceanographer Robert Ballard--who stunned the world with his discovery of the Titanic deep in the North Atlantic--has gathered together the pioneers of archaeological oceanography, a cross-disciplinary group of archaeologists, oceanographers, ocean engineers, and anthropologists who have undertaken ambitious expeditions into the deep sea. In this book, they discuss the history of archaeological oceanography and the evolution and use of advanced deep-submergence technology to locate and excavate ancient and modern shipwrecks and cultural and other sites deep under water. They offer examples from their own expeditions and explain the challenges future programs face in obtaining access to the resources needed to carry out this important and exciting research. The contributors are Robert D. Ballard, Ali Can, Dwight F. Coleman, Mike J. Durbin, Ryan Eustace, Brendan Foley, Cathy Giangrande, Todd S. Gregory, Rachel L. Horlings, Jonathan Howland, Kevin McBride, James B. Newman, Dennis Piechota, Oscar Pizarro, Christopher Roman, Hanumant Singh, Cheryl Ward, and Sarah Webster.

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This illuminating study explores African theologian Mercy Amba Oduyoye’s constructive initiative to include African women’s experiences and voices within Christian theological discourse. Mercy Amba Oduyoye, a renowned Ghanaian Methodist theologian, has worked for decades to address issues of poverty, women’s rights, and global unrest. She is one of the founders of the Circle of Concerned African Women Theologians, a pan-African ecumenical organization that mentors the next generation of African women theologians to counter the dearth of academic theological literature written by African women. This book offers an in-depth analysis of Oduyoye’s life and work, providing a much-needed corrective to Eurocentric, colonial, and patriarchal theologies by centering the experiences of African women as a starting point from which theological reflection might begin. Oluwatomisin Olayinka Oredein’s study begins by narrating the story of Mercy Oduyoye’s life, focusing on her early years, which led to her eventual interest in women’s equality and African women’s theology. At the heart of the book is a close analysis of Oduyoye’s theological thought, exploring her unique approach to four issues: the doctrine of God, Christology, theological anthropology, and ecclesiology. Through the course of these examinations, Oredein shows how Oduyoye’s life story and theological output are intimately intertwined. Stories of gender formation, racial ideas, and cultural foundations teem throughout Oduyoye’s construction of a Christian theological story. Oduyoye shows that one’s theology does not leave particularity behind but rather becomes the locus in which the fullness of divinity might be known.

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Winnie-the-Pooh can travel with you wherever you go with this mini pocket library containing six sweet books! The Winnie-the-Pooh Little Learners Pocket Library is the perfect way to introduce toddlers to early learning concepts. Young Pooh fans will love learning with Winnie-the-Pooh. This little slipcase contains six sturdy board books each based on a different early learning theme: ColoursWordsNumbersEmotionsShapesOpposites The Little Learners Pocket Library has bright appealing images of Pooh and friends with simple text. Young children will enjoy holding the books, turning the pages and pointing to the images. The small size of the slipcase and board books means it’s perfect for carrying in a bag or buggy, so it can be enjoyed by children wherever they go. This Pocket Library is eco-friendly as it doesn’t have plastic shrinkwrap on it. Instead, the cardboard slipcase has a flap that goes around the book spines and is held closed by a small sticker. The Little Learners Pocket Library helps the youngest Pooh fans learn about early concepts. Also collect the Winnie-the-Pooh Pocket Library that features books about Pooh and his friends, the perfect companion title for toddlers.ISBN 978 1 4052 8909 2 A.A.Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child’s imagination like no other story before or since. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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A HISTORY OF THE MEDICINES WE TAKE gives a lively account of the development of medicines from traces of herbs found with the remains of Neanderthal man, to prescriptions written on clay tablets from Mesopotamia in the third millennium BC, to pure drugs extracted from plants in the nineteenth century to the latest biotechnology antibody products. The first ten chapters of the book in PART ONE give an account of the development of the active drugs from herbs used in early medicine, many of which are still in use, to the synthetic chemical drugs and modern biotechnology products. The remaining eight chapters in PART TWO tell the story of the developments in the preparations that patients take and their inventors, such as Christopher Wren, who gave the first intravenous injection in 1656, and William Brockedon who invented the tablet in 1843\. The book traces the changes in patterns of prescribing from simple dosage forms, such as liquid mixtures, pills, ointments, lotions, poultices, powders for treating wounds, inhalations, eye drops, enemas, pessaries and suppositories mentioned in the Egyptian Ebers papyrus of 1550 BCE to the complex tablets, injections and inhalers in current use. Today nearly three-quarters of medicines dispensed to patients are tablets and capsules. A typical pharmacy now dispenses about as many prescriptions in a working day as a mid-nineteenth- century chemist did in a whole year.

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This study explores ways in which Dante presents liturgy as enabling humans to encounter God. In Liturgical Song and Practice in Dante’s “Commedia,” Helena Phillips-Robins explores for the first time the ways in which the relationship between humanity and divinity is shaped through the performance of liturgy in the Commedia. The study draws on largely untapped thirteenth-century sources to reconstruct how the songs and prayers performed in the Commedia were experienced and used in late medieval Tuscany. Phillips-Robins shows how in the Commedia Dante refashions religious practices that shaped daily life in the Middle Ages and how Dante presents such practices as transforming and sustaining relationships between humans and the divine. The study focuses on the types of engagement that Dante’s depictions of liturgical performance invite from the reader. Based on historically attentive analysis of liturgical practice and on analysis of the experiential and communal nature of liturgy, Phillips-Robins argues that Dante invites readers themselves to perform the poem’s liturgical songs and, by doing so, to enter into relationship with the divine. Dante calls not only for readers’ interpretative response to the Commedia but also for their performative and spiritual activity. Focusing on Purgatorio and Paradiso, Phillips-Robins investigates the particular ways in which relationships both between humans and between humans and God can unfold through liturgy. Her book includes explorations of liturgy as a means of enacting communal relationships that stretch across time and space; the Christological implications of participating in liturgy; the interplay of the personal and the shared enabled by the language of liturgy; and liturgy as a living out of the theological virtues of faith, hope, and love. The book will interest students and scholars of Dante studies, medieval Italian literature, and medieval theology.

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In the sixteenth-century Atlantic world, nature and culture swirled in people's minds to produce fantastic images. In the South of France, a cloister's painted wooden panels greeted parishioners with vivid depictions of unicorns, dragons, and centaurs, while Mayans in the Yucatan created openings to buildings that resembled a fierce animal's jaws, known to archaeologists as serpent-column portals. In Nature and Culture in the Early Modern Atlantic, historian Peter C. Mancall reveals how Europeans and Native Americans thought about a natural world undergoing rapid change in the century following the historic voyages of Christopher Columbus. Through innovative use of oral history and folklore maintained for centuries by Native Americans, as well as original use of spectacular manuscript atlases, paintings that depict on-the-spot European representations of nature, and texts that circulated imperfectly across the ocean, he reveals how the encounter between the old world and the new changed the fate of millions of individuals. This inspired work of Atlantic, European, and American history begins with medieval concepts of nature and ends in an age when the printed book became the primary avenue for the dissemination of scientific information. Throughout the sixteenth century, the borders between the natural world and the supernatural were more porous than modern readers might realize. Native Americans and Europeans alike thought about monsters, spirits, and insects in considerable depth. In Mancall's vivid narrative, the modern world emerged as a result of the myriad encounters between peoples who inhabited the Atlantic basin in this period. The centuries that followed can be comprehended only by exploring how culture in its many forms—stories, paintings, books—shaped human understanding of the natural world.

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This theological study examines how Pope Francis lives out mercy in his own Petrine ministry and calls for it to be lived out by the people of God. The centerpiece of Pope Francis’s pontificate from the very first days has been his proclamation of the importance of the mercy of God. While facing global problems of climate change, terror, political destabilization, refugees, and dire poverty, the Holy Father has articulated the mission of the Church through mercy, love, and forgiveness to reveal the compassion of God for all and particularly for those most vulnerable existing on the margins of society. In this compelling study, Gill Goulding, CJ, examines for the first time the critical and determinative role of mercy in Francis’s papacy using his homilies, allocutions, encyclicals, and addresses as primary sources. Goulding traces the theme of mercy in Francis’s thought, attending to its Ignatian foundations and its Christological, Trinitarian, and ecclesiological significance for the Church today, particularly the impact of his reappropriation and elevation of the discourse of mercy on the work of the Curia in Rome. Goulding enters into dialogue with other theologians, including Romano Guardini, Walter Kasper, and Hans Urs von Balthasar, to demonstrate a continuity between Francis and his predecessors, especially Benedict XVI, in this area of mercy. In addition, Goulding argues that the influence of St. Ignatius Loyola, in particular his Spiritual Exercises, needs to be taken into account, paying special attention to Francis’s call for the practice of discernment. Throughout Pope Francis and Mercy, Goulding lays the groundwork for future research and suggests a wider appreciation of the necessary tools to enable an engagement with mercy in our contemporary world.

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Both a frightening apocalyptic story set in the southern United States and a character-focused, deeply moving literary thriller.What would happen if technology all over the world suddenly stopped working? When a strange new star appears in the sky, human life instantly grinds to a halt. Across the world, anything and everything electronic stops working completely. At first, the event seems like a bizarre miracle to Seth Black—it interrupts his suicide attempt and erases gambling debt that threatened to destroy his family. But when Seth and his wife, Natalie, realize the electricity isn't coming back on, that their food supplies won't last, they begin to wonder how they and their two sons will survive. Meanwhile, screenwriter Thomas Phillips—an old friend of Natalie’s—has just picked up Skylar Stover, star of his new movie, at the airport when his phone goes dead and planes begin to fall from the sky. Thomas has just completed a script about a similar electromagnetic event that ended the world. Now, he's one of the few who recognizes what's happening and where it will lead. When Thomas and Skylar decide to rescue Natalie and Seth, the unwilling group must attempt to survive together as the world falls apart. They try to hide in Thomas's home and avoid desperate neighbors, but fear they’ll soon be roaming the streets with starving refugees and angry vigilantes intent on forming new governments. It’s all they can do to hold on to each other and their humanity. Yet all the while, unbeknownst to them, Aiden Christopher—a bitter and malignant man leveraging a crumbling society to live out his darkest, most amoral fantasies—is fighting to survive as well. And he's on a collision course with Thomas, Skylar, and the Black family…

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Exploring the broad implications of evolutionary theorist Lynn Margulis’s work, this collection brings together specialists across a range of disciplines, from paleontology, molecular biology, evolutionary theory, and geobiology to developmental systems theory, archaeology, history of science, cultural science studies, and literature and science. Addressing the multiple themes that animated Margulis’s science, the essays within take up, variously, astrobiology and the origin of life, ecology and symbiosis from the microbial to the planetary scale, the coupled interactions of earthly environments and evolving life in Gaia theory and earth system science, and the connections of these newer scientific ideas to cultural and creative productions. Dorion Sagan acquaints the reader with salient issues in Lynn Margulis’s scientific work, the controversies they raised, and the vocabulary necessary to follow the arguments. Sankar Chatterjee synthesizes several strands of current theory for the origin of life on earth. James Strick tells the intertwined origin stories of James Lovelock’s Gaia hypothesis and Margulis’s serial endosymbiosis theory. Jan Sapp explores the distinct phylogenetic visions of Margulis and Carl Woese. Susan Squier examines the epigenetics of embryologist and developmental biologist C. H. Waddington. Bruce Clarke studies the convergence of ecosystem ecology, systems theory, and science fiction between the 1960s and the 1980s. James Shapiro discusses the genome evolution that results not from random changes but rather from active cell processes. Susan Oyama shows how the concept of development balances an over-emphasis on genetic coding and other deterministic schemas. Christopher Witmore studies the ways in which a concentrated animal feeding operation, or CAFO, mixes up natural resources, animal lives, and human appetites. And Peter Westbroek brings the insights of earth system science toward a new worldview essential for a proper response to global change.

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‘A gripping and compelling account…. The peaceful ending of the Cold War between West and East remains one of the greatest achievements of modern statecraft’ CHRISTOPHER ANDREW, Literary Review This landmark global study makes us rethink what happened when the Cold War ended and our present era was born. The world changed dramatically as the Berlin Wall fell and protest turned to massacre in Tiananmen Square. Now, with deft analysis and a wealth of newly declassified archival sources, historian Kristina Spohr offers a bold and novel interpretation of the revolutionary upheaval of 1989 and, how in its aftermath, a new world order was forged without major conflict. The Post-Wall world, Spohr argues, was brought about in significant measure through the determined diplomacy of a small cohort of international leaders. They engaged in tough but cooperative negotiation and worked together to reinvent the institutions of the Cold War. Exploring this extraordinary historical moment, Spohr offers a major reappraisal of US President George H. W. Bush and innovative assessments of Soviet leader Mikhail Gorbachev, British Prime Minister Margaret Thatcher, German Chancellor Helmut Kohl, and President François Mitterrand of France. But the transformation of Europe must be understood in global context. Spohr elegantly weaves together the Western and Asian timelines to revelatory effect, by contrasting events in Berlin and Moscow with the story in Beijing, where the pro-democracy movement was brutally suppressed by Deng Xiaoping. Post Square, he pushed through China’s very different Communist reinvention. Meticulously researched and brilliantly original, Post Wall, Post Square provides an authoritative contemporary history of those crucial hinge years of 1989-1992 and their implications for our times. The world of Putin, Trump and Xi, with a fractious European Union, rogue states and the crisis of mass migration has its roots in the global exit from the Cold War.

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Edited by Peter Worley with chapters by: Harry Adamson, Peter Adamson, Alfred Archer, Saray Ayala, Grant Bartley, David Birch, Peter Cave, Miriam Cohen Christofidis, Philip Cowell, James Davy, Andrew Day, Georgina Donati, Claire Field, Berys Gaut, Morag Gaut, Philip Gaydon, Nolen Gertz, A. C. Grayling, Michael Hand, Angie Hobbs, David Jenkins, Milosh Jeremic, Lisa McNulty, Sofia Nikolidaki, Martin Pallister, Andrew Routledge, Anja Steinbauer, Dan Sumners, Roger Sutcliffe, John L. Taylor, Amie L. Thomasson, Robert Torrington, Andy West, Guy J. Williams, Emma Williams, Emma Worley, Peter Worley. The Philosophy Shop is a veritable emporium of philosophical puzzles and challenges to develop thinking in and out of the classroom. Imagine a one-stop shop stacked to the rafters with everything you could ever want, to enable you to tap into young people's natural curiosity and get them thinking deeply. Well, this is it! Edited by philosophy in schools expert, Peter Worley and with contributions from philosophers from around the world, The Philosophy Shop is jam-packed with ideas to get anyone thinking philosophically from children and young people to adults. For use in the classroom, at after school clubs, in philosophy departments and philosophy groups or even for the lone reader, this book will appeal to anyone who likes to think. Take it on journeys and dip in; use it as a classroom starter activity, or for a full philosophical enquiry - it could even be used to steer pub, dinner party or family discussions away from the same old topics. The proceeds of the book are going towards The Philosophy Foundation, a charity bringing philosophy to schools and communities. This book is also available in paperback edition, ISBN 9781781352649. Winner of the Education Resources Awards 2013, Educational Book Award category Foreword Reviews Book of the Year Winner, Philosophy (Adult Nonfiction)

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This book is also available as an ebook: buy it from Amazon here.Byrne's poetry sparkles with wit and irony, and Blood / Sugar is his long-awaited first collection. The editor of a highly-regarded poetry magazine, Byrne maintains great technical proficiency in his structuring of verse, moving effortlessly between the traditional and the innovative to shape poems that brim with lyricism and confidence."James Byrneís second collection, Blood / Sugar is packed, ambitious and absorbing... The comparison that comes to mind is with Christopher Middleton, with whom Byrne shares a restless hunger."Sean O'Brien, Poetry Review"His poetry is clean, clear and contemporary; it cuts to the bone of the beast every time."Keith Richmond, Tribune"In Blood Sugar James Byrne's fine poems explore a variety of themes, combining light and shadow, tenderness and wit."Wayfarers "The way the Peruvian avant-gardist poet Cesar Vallejo described language as being the ëdark nebulae of life that dwells on the turn of a sentence...í can be applied here to the irrefutable poetics of James Byrne. For he has constructed a collection of poems of considerable imaginative pressure, a vice-like poetical ethos... poems of such exactitude and accuracy that it is almost as if Byrne is attempting to replicate and reconstruct his own jaw at the potterís wheel of his imagining... According to Geoffrey Hill, 'difficult poetry is the most democratic, because you are doing your audience the honour of supposing that they are intelligent human beings', and this can most definitely be said of the requirements of the reader facing these innovative poems."Paul StubbsJames Byrne was born in 1977 and is the editor and co-founder of The Wolf poetry magazine. His debut collection, Passages of Time, was published in 2003. In 2008 he won the prestigious Treci Trg poetry prize in Serbia. Since 2006 James has taught Wolf Workshops, which have helped many students with first book and pamphlet publications.

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Sanjay Patils tryst with architecture began in his early childhood as he soaked up the environs that surrounded him in his birthplace, Nashik. Moving on to formal education in architecture at the Sir JJ College of Architecture in Mumbai, Sanjay returned to his hometown in 1981 to immerse himself into a meaningful and sensitive architectural practice. Over the years, Sanjay Patil has received many honours from the industry and his projects have been widely published in architectural journals. His greatest reward however continues to be the appreciation and support of his numerous clients who have played a vital role in his approach to architecture. His Workspace 'Environ Planners' has also evolved into a centre for learning; inspiring, training and providing roots and wings to budding architects from various parts of the country. 'Knowledge sharing is integral to me and has always given me great pleasure and satisfaction. I have always made a conscious effort to share with others the little bit that I have learnt through my work, travel and other hobbies. This book is just an extension of this love for sharing; a humble effort to document some of my works across the last three decades and present it to a wider audience. It is an honest endeavour to make the reader a part of the design process and my passion for my work that is so much a part of my being.' The book is an attempt to chronicle the architects journey and delve deeper into his philosophy towards architecture and life, his love for nature and his commitment to architecture. Our journey thus encompasses influences from vernacular architecture, his leaning towards sustainable design, response to nature and his diverse use of courtyards in varying building typologies. It showcases 19 noteworthy projects, which include private residences, restoration projects, educational institutions, resorts and retreats, office spaces including his own workspace and farmhouse. It also includes essays by Christopher Benninger, Anand Mahindra (chairman and managing director, Mahindra Group) and Anu-rag Kashyap (principal, BNCA College of Architecture, Pune) providing valuable insights and perceptions about Sanjay Patils work.

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'David Esterly's handsome book on Gibbons has been republished by the V&A with sumptuous pictures' Laura Freeman, The Times, 14th August 2021 Reissued to mark 300 years since the death of Grinling Gibbons (1648-1721), this study views the work of the greatest of decorative woodcarvers from the perspective of a fellow carver, the late David Esterly. Grinling Gibbons is famous for giving wood "the loose and airy lightness of flowers." His flamboyant cascades of lifelike blossoms, fruits, foliage, birds and fish dominate English interiors of the late seventeenth century. They are among the glories of Windsor Castle, Hampton Court Palace, and St. Paul's Cathedral, as well as Badminton, Burghley, Petworth, and other great country houses. A contemporary of Christopher Wren and of the diarists Samuel Pepys and John Evelyn, Gibbons was part of the colourful world of Restoration England. His discovery by Evelyn in a tumble-down cottage near the River Thames was followed by a presentation to King Charles II, who rejected his early sculptural work. Gibbons responded by inventing his spectacular style of decorative carving. He was then rediscovered, reintroduced to the king, and launched into a triumphant career. After setting Gibbons in historical context, David Esterly's ground-breaking approach allows us to understand the process by which these exuberant carvings were created and how their forms reflect the organization of Gibbon's workshop. Esterly, a professional woodcarver who restored some of Gibbons' most important carvings, shares his unique knowledge of the layering process by which Gibbons built up such masterpieces as the Cosimo panel or the elaborate overmantels at Hampton Court Palace. Specially commissioned photographs show these carvings in a disassembled state, revealing the secrets of their construction. Esterly also discusses Gibbons' formidable carving techniques, and his tools, workshop practice, materials, and finishing are described in detail. This generously illustrated volume will have a special appeal for carvers as well as for those interested in seventeenth-century interiors and the decorative arts.

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The book behind Anton Corbijn’s film Squaring the Circle (the story of Hipgnosis)Founded in 1968 by Aubrey “Po” Powell, Storm Thorgerson and Peter Christopherson, graphic design firm Hipgnosis gained a legendary status by transforming the look of album art through their designs for AC/DC, Black Sabbath, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Syd Barrett, and The Who. In this lively volume, Powell presents brutally honest, entertaining and revealing insider stories from the world of rock, featuring an eclectic cast of pop stars, comedians, actors, managers, gangsters, and inspirational world figures from 1966 on. His thrilling narrative is packed with anecdotes - from the founding of Hipgnosis to surviving drugs busts, and from the creative process behind the most iconic album artworks of all time to mounting the Pink Floyd exhibition, Their Mortal Remains - and is richly illustrated with Hipgnosis artwork and Powell’s own photographs. Drama and creativity are the common threads throughout these amazing stories. With candor and insightful reflection, Powell reveals how he and Storm became an effective creative partnership despite their volatile relationship; how the final colour artwork for Led Zeppelin’s Houses Of The Holy was created; how the most iconic album cover of all time – The Dark Side Of The Moon – came about; and how the 2017 Pink Floyd retrospective became the largest and most successful music exhibition ever mounted by the Victoria and Albert Museum – despite the deeply antagonistic and dysfunctional relationship between Roger Waters and David Gilmour. Throughout, Powell exposes how the trappings of fame and glory upset the balance of everyday life, bringing creativity and destruction in equal measure. Packed with exciting insider stories and anecdotes featuring famous musicians, managers, and actors, Through the Prism is a must-have for music and pop-culture fans.With 253 illustrations

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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The Sunday Times Gardening Book of the Year Described by Vogue as 'the revelatory garden book for our age' and a 'splendid new book' (Sebastian Shakespeare, Daily Mail), The Private Gardens of England is a glorious celebration of the art of gardening through some of the country's hidden horticultural jewels. Thirty-five English private gardens, thoughtfully selected by the writer and designer Tania Compton, are vividly described in the words of their owners, who bring an astonishing sense of intimacy to their own creations as well as their collaborations with some of the leading garden designers of today. From the Bannermans' romantic Cornish castle to the windswept shores of Howick in Northumberland via Jasper Conran in Somerset and Tom Stuart-Smith in Hertfordshire, an eclectic range of gardens is revealed. The traditional English garden is seen through the fresh eyes of plantswomen such as Mary-Anne Robb at Cothay Manor and Arabella Lennox-Boyd at Gresgarth Hall, alongside Hilborough House in Norfolk and Ferne Park in Dorset that recently only existed as fields. The historic landscape gardens of Boughton House and St Paul's Walden Bury are explored alongside the contemporary and conceptual at Plaz Metaxu in Devon. From the private walled garden at Petworth to the wildflower-strewn meadows of Spye Park, each garden is a testament to the thriving art of English gardening. With contributions from the country's best garden photographers, The Private Gardens of England reveals gardening at its highest level. It will inform and inspire anyone with a love of gardening, beauty and excellence. 'The photographs are take-your-breath-away spellbinding ...The minute level of detail here will satisfy real gardeners, elevating this book far above its competition.' Sarah Feeley, English Garden 'Captures a brilliant moment in our history, where plantsmanship, good design and love of plants have all come together ...compelling format ...the photography and production are superb.' Kathryn Bradley-Hole, Country Life One of Christopher Woodward's Books of the Year in the Evening Standard

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While derivatives continue to play an increasingly vital role in driving today's global financial markets, they also continue to be one of the most complicated and often misunderstood financial instruments in the marketplace. In Derivatives Handbook: Risk Management and Control, two of the field's leading experts bring together the best, current cutting-edge thinking on derivatives to provide a comprehensive and accessible resource on risk management. Derivatives Handbook presents a cogent, clear-eyed, and fresh perspective with an all-star roster of leading practitioners, academics, attorneys, accountants, consultants, and professionals who share their invaluable insights. These seasoned players provide incisive discussions on a wide range of topics, including Risk and Regulation in Derivatives Markets, Credit Derivatives, and Minimizing Operations Risk. Plus, there are comprehensive sections dedicated to case law and legal risk, risk measurement, risk oversight, regulation, and transparency and disclosure. For further guidance, Derivatives Handbook provides a concise survey of literature on some of the most significant scholarship in recent years. This book contains a wealth of probing, informative articles for not only finance professionals, but also for senior managers, corporate boards, lawyers, students, and anyone with an interest in the financial markets. Derivatives-the latest thinking, the top minds in the field, the newest applications Derivatives Handbook: Risk Management and Control brings together the latest and best thinking on derivatives and risk management from some of the world's leading practitioners, academics, attorneys, accountants, consultants, and professionals all in one acclaimed book. Robert Schwartz and Clifford Smith have created a solid resource for derivatives use. Sections include: * Risk and Regulation in Derivatives Markets * Credit Derivatives Report Card on VAR * Hedge Accounting * Minimizing Operations Risk The Board of Directors' Role * Firm-wide Risk Management An entire section of derivative case studies * Plus, a complete review of case law affecting swaps and related derivative instruments "Derivatives Handbook: Risk Management and Control covers a wide range of subjects related to risk management-including legal risks, accounting issues, the current global regulatory debate and an explanation of how to manage and measure risk. The editors have formed a truly impressive group of contributors. This book strikes a good balance throughout to focus on the significant issues in the industry and provide a broad perspective on risk management."- Gay H. Evans, Senior Managing Director, Bankers Trust International, PLC and Chairman of the International Swaps and Derivatives Association Derivatives Handbook: Risk Management and Control provides the most reliable, current information and authoritative guidance for anyone with an interest in the derivatives markets. The Contributors Brandon Becker, Tanya Styblo Beder, Harold Bierman, Jr., Wendy H. Brewer, Michael S. Canter, Andrew J. C. Clark, Christopher L. Culp, Daniel P. Cunningham, Franklin R. Edwards, Gerald D. Gay, Anthony C. Gooch, Wendy Lee Gramm, Alan Greenspan, Margaret E. Grottenthaler, Douglas E. Harris, Ludger Hentschel, Jamie Hutchinson, Frank Iacono, James V. Jordan, Linda B. Klein, Anatoli Kuprianov, James C. Lam, Robert J. Mackay, Robert M. Mark, Francois-Ihor Mazur, Joanne T. Medero, Antonio S. Mello, Merton H. Miller, John E. Parsons, Jeffrey L. Seltzer, Charles W. Smithson, and Thomas J. Werlen.

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From contributors to The Conversation, a look at gender diversity in the twenty-first century and the intricate and intersecting challenges faced by trans and nonbinary people.With media amplifying the voices of anti-trans legislators and critics, it is important to turn to the stories, research, and expertise of trans and nonbinary people in order to understand the reality of their experiences. In The Conversation on Gender Diversity, editor Jules Gill-Peterson assembles essential essays from The Conversation U.S. by experts on gender diversity. The essays guide readers through seldom-covered aspects of transgender history and present an overview of the social and political barriers that disenfranchise trans people and attempt to remove them from public life. As these essays collectively show, trans and nonbinary people may be forced to be the face of gender and its diversity, but the cultural, political, and social realities of gender connect—and subject—everyone. Despite these challenges, there is an immense culture of love and support across the queer community that is bolstered by activists and allies working against transphobic attacks. Trans and gender-diverse youth are growing up in a world filled with ever-increasing hurdles and rising danger, even with the contemporary public recognition of trans life in culture and media. But they are not facing these challenges alone.The Critical Conversations series collects relevant essays from top scholars on timely topics, including water, biotechnology, gender diversity, gun culture, and more, originally published on the independent news site The Conversation U.S. Contributors: Robert L. Abreu, Catherine Armstrong, Stacy Branham, Christopher Carpenter, L. F. Carver, Mandy Coles, Arin Collin, George B. Cunningham, Avery Dame-Griff, Jules Gill-Peterson, Abbie Goldberg, Gilbert Gonzales, Frances Grimstad, Foad Hamidi, Elizabeth Heineman, Glen Hosking, Bethany Grace Howe, Jay A. Irwin, Shanna K. Kattari, Kacie Kidd, Terry Kogan, Vanessa LoBue, Gabriel Lockett, Megan K. Maas, Julie Manning Magid, Em Matsuno, Tey Meadow, Kyl Myers, Madeleine Pape, Ruth Pearce, Jae A. Puckett, Samantha G. Rosenthal, Morgan Klaus Scheuerman, Elizabeth A. Sharrow, Carl Sheperis, Donna Sheperis, stef m. shuster, Jules Sostre, Ryan Storr, Carl Streed, Diana M. Tordoff, Travers

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In this excellent, thoroughly-researched and thoughtful study, J. aims to steer a path between these divergent views, and to provide a way out of what has become a scholarly impasse. […] J.'s study is a model of sober scholarship. […] this is a fine study that will undoubtedly become the standard discussion of Antipas for some time to come."Helen Bond in Theologische Literaturzeitung 133 (2008), pp. 379-381"Jensen has written a persuasive and comprehensive study on Antipas and his impact on Galilee. He has given us significant background information to our understanding of the Gospels and the historical Jesus."Christoph Stenschke in Religion and Theology 16 (2009), pp.111-115"We recommend the book to every scholarly or seminary library, and to all individuals interested in the origins of Christianity."Zdzislaw J. Kapera in The Polish Journal of Biblical Research 6 (2007), pp.193-194"His bibliography is a goldmine for those interested in Galilean archaeology, and a set of helpful illustrations, maps, and charts enhances the work. This book is a must read for anyone interested in historical Jesus; indeed, it undermines so much current scholarship on Christian origins that it (and Galilee generally) is a good place to begin."Jonathan L. Reed in Bulletin of the Institute for Antiquity and Christianity 35 (2007), S. 10-11"This is an important study, one that no scholar writing on the cultural climate of first-century Galilee or the historical Jesus can afford to ignore. It is a fine exemplar of thoroughness and nuance and will quickly become the standard reference work on Herod Antipas's impact on the region."Die ungekürzte Rezension von Mark A. Chancey finden Sie auf www.bookreviews.org"This seems to be a model historical study."L.L. Grabbe in Journal for the Study of the Old Testament - Book List 31.5 (2007), S. 48-49"This work is a major up-to-date contribution on the life and reign of Herod Antipas. Jensen is to be commenended for his research and insight. Although he deals with complex and detailed issues, the book is easy to read and follow because it is so well organized and well written. For anyone who wants to learn about Herod Antipas and first-century Galilee, this book is a must."Harold W. Hoehner in Journal of the Evangelical Theological Society 50 (2007), S. 833-835

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Run or Die by Kilian Jornet - the autobiography of the world's most dominating athlete in ultra runningShortlisted for the 2014 William Hill Sports Book of the Year AwardNational Geographic Adventurer of the Year 2014Marca Legend Award 2014 'This man can run 100 miles. Up and down mountains. Without stopping. After skipping breakfast. Meet Kilian Jornet, the world's greatest ultra-runner' The TimesAt 18 months he went on his first hike. At 3, he climbed his first mountain. At 10, he entered his first mountain race. At 26, he plans to run up Everest - without an oxygen mask.Kilian Jornet has conquered some of the toughest physical tests on the planet. He has run up and down Mt. Kilimanjaro faster than any other human being, and struck down world records in every challenge that has been proposed - all before the age of 25. Dominating ultra marathons and races at altitude, he has redefined what is possible in running, astonishing competitors with his near-superhuman fitness and ability.In Run or Die Kilian shares his passion, inviting readers into a fascinating world rich with the beauty of rugged trails and mountain vistas, the pulse-pounding drama of racing, and an intense love for sport and the landscapes that surround him. In turns inspiring, insightful, candid, and deeply personal, this is a book written from the heart of the world's greatest endurance runner, for whom life presents one simple choice: Run. Or die.This is the next must-have read for those who enjoyed the endurance books Born to Run by Christopher McDougall and Ultramarathon Man by Dean Karnazes.'Fascinating insight into the gruelling world of the ultimate ultra-runner' Daily MailKilian Jornet is a world champion ultra-runner, climber and ski mountaineer (a combination of skiing and mountaineering).He was voted the presitigious 'Adventurer of the Year 2014' award by National Geographic magazine, in honour of his latest project to break speed records up and down the world's 7 tallest mountains. The 4-year-project finishes with a running attempt up Everest in 2016.

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Pope John Paul II is the second-longest serving pope in history and the longest serving pope of the last century. His presence has thrown a long shadow across our time, and his influence on Catholics and non-Catholics throughout the world cannot be denied. Much has been written about this pope, but until now, no one has provided a systematic and thorough analysis of the moral theology that underlies his moral teachings and its astonishing influence. And no one is better positioned to do this than Charles E. Curran, widely recognized as the leading American Catholic moral theologian. Curran focuses on the authoritative statements, specifically the fourteen papal encyclicals the pope has written over the past twenty-five years, to examine how well the pope has addressed the broad issues and problems in the Church today. Curran begins with a discussion of the theological presuppositions of John Paul II's moral teaching and moral theology. Subsequent chapters address his theological methodology, his ethical methodology, and his fundamental moral theology together with his understanding of human life. Finally, Curran deals with the specific issues of globalization, marriage, conscience, human acts, and the many issues involved in social and sexual ethics. While finding much to admire, Curran is nonetheless fiercely precise in his analysis and rigorously thoughtful in his criticism of much of the methodological aspects of the pope's moral theology - in his use of scripture, tradition, and previous hierarchical teaching; in theological aspects including Christology, eschatology, and the validity of human sources of moral wisdom and knowledge; and in anthropology, the ethical model, and natural law. Brilliantly constructed and fearlessly argued, this will be the definitive measure of Pope John Paul II's moral theology for years to come.

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Spiraling into God: Bonaventure on Grace, Hierarchy, and Holiness offers a systematic account of the Seraphic Doctor's doctrine of grace across his speculative-academic, mystical, hagiographical, and pastoral texts. It does so by arguing that an account of this kind can only be provided by also attending to his theology of hierarchy, a methodology derived from Bonaventure's claim in the Major Legend of St. Francis that Francis of Assisi was a "vir hierarchicus," or hierarchical man. As the book explores in great depth, this appellation relies upon Bonaventure's reading of a Victorine Dionysian interpreter by the name of Thomas Gallus, whose "angelic anthropology"—or notion of the hierarchical soul—becomes a crucial component within the Seraphic Doctor's teaching on grace as he interprets the sanctity of St. Francis. Throughout the course of his career, Bonaventure will define sanctifying grace as a created "inflowing" (influential) that "hierarchizes" human beings by purifying, illuminating, and perfecting them from within, thus causing them to become a similitude of the Trinity. This book explains what this means and why it matters.Most existing scholarship on this subject in Bonaventure's thought interprets it as a subtopic with respect to other themes—for example, with respect to his Christology or his Trinitarian theology—rather than taking the time to understand his doctrine of grace in its own right. Alternatively, scholarly treatments of his doctrine of grace will treat it at length, but will only examine the topic as it appears in his more speculative-academic texts—most especially his Commentary on the Sentences or his famous Itinerarium Mentis in Deum—without bringing these into conversation with his pastoral works, sermon literature, or hagiographical texts. Spiraling Into God provides the first unified treatment of Bonaventure's doctrine of grace across all these different genres of his known corpus, and in so doing, fills a massive lacuna in both Bonaventurean scholarship and in the field of medieval historical theology.

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Hours after the collapse of the Twin Towers, the idea that the September 11 attacks had “changed everything” permeated American popular and political discussion. In the period since then, the events of September 11 have been used to justify profound changes in U.S. public policy and foreign relations. Bringing together leading scholars of history, law, literature, and Islam, September 11 in History asks whether the attacks and their aftermath truly marked a transition in U.S. and world history or whether they are best understood in the context of pre-existing historical trajectories. From a variety of perspectives, the contributors to this collection scrutinize claims about September 11, in terms of both their historical validity and their consequences. Essays range from an analysis of terms like “ground zero,” “homeland,” and “the axis of evil” to an argument that the U.S. naval base at Guantánamo Bay has become a site for acting out a repressed imperial history. Examining the effect of the attacks on Islamic self-identity, one contributor argues that Osama bin Laden enacted an interpretation of Islam on September 11 and asserts that progressive Muslims must respond to it. Other essays focus on the deployment of Orientalist tropes in categorizations of those who “look Middle Eastern,” the blurring of domestic and international law evident in a number of legal developments including the use of military tribunals to prosecute suspected terrorists, and the justifications for and consequences of American unilateralism. This collection ultimately reveals that everything did not change on September 11, 2001, but that some foundations of democratic legitimacy have been significantly eroded by claims that it did.ContributorsKhaled Abou el FadlMary L. DudziakChristopher L. EisgruberLaurence R. HelferSherman A. JacksonAmy B. KaplanElaine Tyler MayLawrence G. SagerRuti G. TeitelLeti VolppMarilyn B. Young

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In the sixteenth-century Atlantic world, nature and culture swirled in people's minds to produce fantastic images. In the South of France, a cloister's painted wooden panels greeted parishioners with vivid depictions of unicorns, dragons, and centaurs, while Mayans in the Yucatan created openings to buildings that resembled a fierce animal's jaws, known to archaeologists as serpent-column portals. In Nature and Culture in the Early Modern Atlantic, historian Peter C. Mancall reveals how Europeans and Native Americans thought about a natural world undergoing rapid change in the century following the historic voyages of Christopher Columbus. Through innovative use of oral history and folklore maintained for centuries by Native Americans, as well as original use of spectacular manuscript atlases, paintings that depict on-the-spot European representations of nature, and texts that circulated imperfectly across the ocean, he reveals how the encounter between the old world and the new changed the fate of millions of individuals. This inspired work of Atlantic, European, and American history begins with medieval concepts of nature and ends in an age when the printed book became the primary avenue for the dissemination of scientific information. Throughout the sixteenth century, the borders between the natural world and the supernatural were more porous than modern readers might realize. Native Americans and Europeans alike thought about monsters, spirits, and insects in considerable depth. In Mancall's vivid narrative, the modern world emerged as a result of the myriad encounters between peoples who inhabited the Atlantic basin in this period. The centuries that followed can be comprehended only by exploring how culture in its many forms—stories, paintings, books—shaped human understanding of the natural world.

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This monograph considers not so much the moments, thoughts, speculations with which the so-called 'Cappadocian Fathers' agreed and proposed a unified doctrine, but the points and moments, the doctrines in which they disagreed. Thus, it is not a new book on the Cappadocian Fathers considered as a unity, which surely would have come to a huge dimension, but asks the question: Is it possible to speak of agreement and, at the same time, of differentiation between these Fathers? Is it useful to change, at least in part, an established opinion, that of the 'Cappadocian theology'? The examination of the various problems leads to an affirmative answer. Concordia discors might be the true sense. So far, studies have mostly focused on the religious aspects and have shown little or no interest in the Cappadocians’ output as literature. Cultivated people with a background in paideia, which was the same as for non-Christian writers, these Fathers wished to have access to the literary forms that were most useful for their didactic activities (homilies), or also rhetorical use (epistolography or poetry): thus, literary activity should not be considered as extraneous to their speculative thought. Their interest in philosophy can be traced to their openness to pagan paideia, which had a long tradition in Christianity. Another question that arises is the need to clarify who exactly the ‘Cappadocian Fathers’ were. Naturally, Amphilochius, due to his relations with Basil and Gregory of Nazianzus, but as it is justified by the similarities of many doctrines and by his biography, also Evagrius Ponticus, even though his personal affairs and the end of his life place him more within Egyptian rather than Cappadocian monasticism. A sketch of the Cappadocian’s Nachleben in the West, with a provisional edition of a Latin translation (6th century) of some Gregory of Nazianzus’ homilies and Christological epistles concludes the volume.

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'A masterful storyteller with an intricate knowledge of his subject.' The Daily Telegraph 'Alan Judd knows more about the secret world than any other writer living. To have him turn his expert eye on the world of Christopher Marlowe – and on Francis Walsingham, the Elizabethan George Smiley – is a special kind of literary treat.' Mick Herron‘Absolutely spellbinding. I gobbled it up in two days and could not stop' Miranda Seymour Danger and dissent stalk the streets and taverns of Elizabethan England. The Queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and the ever-present threat of invasion. One operative in particular - a young Cambridge undergraduate of humble origins, controversial beliefs and literary genius who goes by the name of Kit Marlowe - is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumours and suspicion that are never satisfactorily resolved. Years later, Thomas Phelippes, a former colleague of Marlowe’s and a man once much valued by Walsingham, finds himself imprisoned in the Tower. When he is visited by an emissary of the new king, however, it becomes clear that his long fall from favour may be reversed if he will furnish his monarch with every detail he is able to recall about his murdered friend’s life and death. But just what is it that so fascinates King James about the famously mercurial playwright-spy, and does Phelippes know enough to secure his own redemption? Virtuosic, gripping and meticulously researched, award-winning writer Alan Judd turns is at the peak of his powers in this remarkable novel about a literary genius whose short-life and violent death composed one of the most fascinating unresolved mysteries of all time.

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Traditional jazz studies have tended to see jazz in purely musical terms, as a series of changes in rhythm, tonality, and harmony, or as a parade of great players. But jazz has also entered the cultural mix through its significant impact on novelists, filmmakers, dancers, painters, biographers, and photographers. Representing Jazz explores the "other" history of jazz created by these artists, a history that tells us as much about the meaning of the music as do the many books that narrate the lives of musicians or describe their recordings. Krin Gabbard has gathered essays by distinguished writers from a variety of fields. They provide engaging analyses of films such as Round Midnight, Bird, Mo’ Better Blues, Cabin in the Sky, and Jammin’ the Blues; the writings of Eudora Welty and Dorothy Baker; the careers of the great lindy hoppers of the 1930s and 1940s; Mura Dehn’s extraordinary documentary on jazz dance; the jazz photography of William Claxton; painters of the New York School; the traditions of jazz autobiography; and the art of "vocalese." The contributors to this volume assess the influence of extramusical sources on our knowledge of jazz and suggest that the living contexts of the music must be considered if a more sophisticated jazz scholarship is ever to evolve. Transcending the familiar patterns of jazz history and criticism, Representing Jazz looks at how the music actually has been heard and felt at different levels of American culture. With its companion anthology, Jazz Among the Discourses, this volume will enrich and transform the literature of jazz studies. Its provocative essays will interest both aficionados and potential jazz fans.Contributors. Karen Backstein, Leland H. Chambers, Robert P. Crease, Krin Gabbard, Frederick Garber, Barry K. Grant, Mona Hadler, Christopher Harlos, Michael Jarrett, Adam Knee, Arthur Knight, James Naremore

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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogues between 1992 and 2010. Far from your ordinary dealer catalog, Leiber's catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman's Semina journal and the exhibition catalog for Documenta V (1972). Leiber's reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more. Across 252 pages, this book documents the full set of 52 dealer catalogs produced by Steven Leiber between 1992 and 2010. Inspired by Leiber's often humorous borrowing for his catalog designs, the book's format references Sol Lewitt's Autobiography and includes an essay and contextual notes by SFMOMA Head Librarian David Senior. Additional contributors include Ann Butler, Christophe Cherix, Marc Fischer, Tom Patchett, David Platzker, Marcia Reed, Lawrence Rinder and Robin Wright. Steven Leiber (1957 2012) began to buy and sell ephemera while working as a private dealer selling prints, drawings and multiples in the early 1980s. Scrupulously organized and cataloged, Leiber's collection housed in his grandmother's basement became an important resource for scholars, curators and other enthusiasts. The collection included the work of some 1,000 artists and represented basically every major movement within late 20th-century avant-garde practice, including Fluxus, conceptual art, land art, mail art, performance and video.

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Though little known, the name of the judge Roland Freisler is inextricably linked to the judiciary in Nazi Germany. As well as serving as the State Secretary of the Reich Ministry of Justice, he was the notorious president of the People s Court , a man directly responsible for more than 2,200 death sentences; with almost no exceptions, cases in the People s Court had predetermined guilty verdicts. It was Freisler, for example, who tried three activists of the White Rose resistance movement in February 1943\. Along with Christoph Probst, Sophie and Hans Scholl were arrested for their part in an anonymous leaflet and graffiti campaign which called for active opposition against the Nazi regime. Found guilty of treason, Freisler sentenced the trio to death by beheading; a sentence carried out the same day by guillotine. In August 1944, Freisler played a central role in the show trials that followed the failed attempt to assassinate Adolf Hitler on 20 July that year a plot known more commonly as Operation Valkyrie. Many of the ringleaders were tried by Freisler in the People s Court . The proceedings were filmed, the intention being to use the images as propaganda in newsreels. Freisler could be seen alternating between clinical interrogations of the defendants through to his yelling of personalized and theatrically enraged abuse at them from the bench. Nearly all of those found guilty were sentenced to death by hanging, the sentences being carried out within two hours of the verdicts being passed. Roland Freisler s mastery of legal texts and dramatic court-room verbal dexterity made him the most feared judge in the Third Reich. In this in-depth examination, Helmut Ortner not only investigates the development and judgments of the Nazi tribunal, but the career of Freisler, a man who was killed in February 1945 during an Allied air raid.

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LONGLISTED FOR THE ORWELL PRIZE 2018 NEW STATESMAN BOOKS OF THE YEAR 2017'The kind of vision the world needs right now...Pankaj Mishra shouldn't stop thinking' Christopher de Bellaigue, Financial Times'This is the most astonishing, convincing, and disturbing book I've read in years' Joe Sacco'Urgent, profound and extraordinarily timely' John BanvilleHow can we explain the origins of the great wave of paranoid hatreds that seem inescapable in our close-knit world - from American 'shooters' and ISIS to Trump, from a rise in vengeful nationalism across the world to racism and misogyny on social media? In Age of Anger, Pankaj Mishra answers our bewilderment by casting his gaze back to the eighteenth century, before leading us to the present.He shows that as the world became modern those who were unable to fulfil its promises - freedom, stability and prosperity - were increasingly susceptible to demagogues. The many who came late to this new world or were left, or pushed, behind, reacted in horrifyingly similar ways: intense hatred of invented enemies, attempts to re-create an imaginary golden age, and self-empowerment through spectacular violence. It was from among the ranks of the disaffected that the militants of the 19th century arose - angry young men who became cultural nationalists in Germany, messianic revolutionaries in Russia, bellicose chauvinists in Italy, and anarchist terrorists internationally.Today, just as then, the wider embrace of mass politics, technology, and the pursuit of wealth and individualism has cast many more millions adrift in a literally demoralized world, uprooted from tradition but still far from modernity - with the same terrible resultsMaking startling connections and comparisons, Age of Anger is a book of immense urgency and profound argument. It is a history of our present predicament unlike any other.

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Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring. After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre. Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

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Winner of the Newfoundland and Labrador Writers' Association Prize for Non-FictionMary Pratt is famous throughout Canada for her luminous paintings and prints. Her 1995 exhibition, The Art of Mary Pratt: The Substance of Light, drew record-breaking crowds on its tour of Canada. It also resulted in an unprecedented amount of press coverage on the biographical content of her work. The accompanying book by Tom Smart sold more than 6,000 copies and made almost every "best book of the year" list in Canada.Mary Pratt: A Personal Calligraphy features Mary's own writings, drawn and adapted from her personal journals, the essays that she has written for numerous publications ranging from The Globe and Mail to The Glass Gazette, and the lectures that she has given at many public events. For the first time, Mary has written her own book in her own words, rather than rely on others to write about her. Treating both public and private issues, she writes of her childhood in Fredericton — her connection to her family, life in Salmonier as a young mother, her decision to pursue her own career as an artist, and her complicated relationship with her husband, Christopher. She writes about public issues — the death of Joey Smallwood, the 50th anniversary of Newfoundland's entry into Confederation, and the cod fishery. She writes about the images that interest her and influence her art, and the process of painting. Like her paintings, Pratt's writing packs a sucker punch. At first it appears to be a paean to the pleasures of house and home, until the more disturbing aspects subtly reveal themselves. Ironing shirts become an erotic act; a memory of visiting the local market with her grandmother conjures images of violence; dead chickens, meticulously plucked, and carcasses of cattle, meticulously flayed, suggest rituals of sacrifice.In Spring of 2001, Mary Pratt was awarded the Newfoundland and Labrador Writers' Association prize for Non-fiction for A Personal Calligraphy.

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*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

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*SHORTLISTED FOR THE RSL CHRISTOPHER BLAND PRIZE 2023**SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE 2023*'I read the book in one go. I laughed and cried like a baby, and was transported back to a time of innocence, clouded by the enormity of the harsh reality . . . Just amazing' CATHERINE ZETA JONES'As it happens, I was also a Jill in the eighties - but not half as good a Jill as real Jill' DAWN FRENCH'Jill met the crisis head on . . . She held the hands of so many men. She lost them, and remembered them, and somehow kept going' RUSSELL T DAVIESA heartbreaking, life-affirming memoir of love, loss and cabaret through the AIDS crisis, from IT'S A SIN's Jill NalderWhen Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get.But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat.In this moving memoir, IT'S A SIN's Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis -- juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.'Thank God for people like [Jill] . . . I cannot recommend this book highly enough' MICHAEL BALL'An engaging, moving account' TIMES SATURDAY REVIEW'Simultaneously devastating and uplifting' GRAZIA'Engrossing, heart-breaking and inspiring' MATT CAIN

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'D'Ancona makes his case well... The book is well written and thoughtful' -- The Times'A heartfelt attempt to renew liberal ideals for the coming decades... How sorely our public debate needs others to express themselves similarly.' -- Henry Mance, Financial Times'An urgent and exhilarating account of how populism, prejudice & polarisation have corrupted objective truth and public discourse. D'Ancona's sparkling prose provides an explanation of how we got here and, crucially, how we might get out.' -- James O'Brien'A book so rich in thought, wisdom and persuasion I find myself sharing the ideas within it with everyone I meet... In the much-mourned absence of Christopher Hitchens, d'Ancona is fast becoming the voice of enlightenment for our bewildered age.' -- Emily Maitlis'A tonic for our times that blows open any complacency following Trump's defeat that the demise of populism and nativism is inevitable. In beautifully written prose, D'Ancona puts forward hopeful ideas and timely inspiration for a progressive politics to replace it.' -- David Lammy'A brilliant, lucid, fearless tract, just what the historical moment ordered.' -- Andrew O'Hagan'D'Ancona's regular practical suggestions help to take it beyond mere theory and into the real world... Decision-makers would do well to read it.' -- Charlotte Henry, TLS***This is a call to arms. The old tools of political analysis are obsolete - they have rusted and are no longer fit for purpose. We've grown lazy, wedded to the assumption that, after ruptures such as Brexit, the pandemic, and the rise of the populist Right, things will eventually go 'back to normal'.Award-winning political writer Matthew d'Ancona invites you to think afresh: to seek new ways of challenging political extremism, bombastic populism and democratic torpor on both Left and Right. In this ground-breaking book, he proposes a new way of understanding our era and plots a way forward. With rigorous analysis, he argues that we need to understand the world in a new way, with a framework built from the three I's: Identity, Ignorance and Innovation.

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On 13 December 1776, the Rev. William Turner preached the first avowedly anti-slavery sermon in the North of England. Copies of his sermon were distributed far and wide -in so doing, he had fired the first shot in the battle to end slavery had begun. Four years later, Rev. Turner, members of his congregation and the Rev. Christopher Wyvill founded The Yorkshire Association' to agitate for political and social reform. The Association sought universal suffrage, annual parliaments and the abolition of slavery. In the West Riding, despite furious opposition, by 1783 nearly 10,000 signatures were collected in support of the aims of the Association. Slavery, or rather its abolition, was now on the political agenda. _The Battle Against Slavery_ charts the story of a group of West Riding radicals in their bid to abolish slavery both in the United Kingdom and abroad. Such became the influence of this group, whose Unitarian beliefs were illegal in Britain, that the general election of 1806 in Yorkshire was fought on an abolitionist platform. At a time when the rest of the world engaged in slavery, this small body was fighting almost single-handedly to end such practices. Gradually, their beliefs began to spread across the country and across the Channel to France, the principles of which found resonance during the French Revolution and even across the Atlantic to America. At a time, today, when the history of slavery is the subject of considerable debate worldwide, this revealing insight into the abolitionist movement, which demonstrates how ordinary men and women battled against governments and the establishment, needs to be told. _The Battle Against Slavery_ adds an important dimension to the continuing debate over Britain's, and other nations', involvement in the slave trade and demonstrates how the determination of just a few right-minded people can change world opinion forever.

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Mindfulness finds its origins in Buddhist meditation techniques. Instead of trying to achieve goals that lie far ahead in the future, mindfulness teaches you to be present in the moment, with a compassionate and open mind. This book, consisting of short and airy texts, follows the eight weeks of the traditional stress reduction programme as it was developed by dr. Jon Kabat-Zinn, the founder of the mindfulness movement. Based on his many years of experience as a psychiatrist, Edel Maex has written a clear, concise and heartfelt guide to mindfulness, that will help you to deal differently with the unavoidable agitations of life. With a preface by Jon Kabat-Zinn. "I bow to Edel Maex for writing this lovely book, and for all his efforts to bring mindfulness in an authentic and universal articulation, based on his own years of meditation practice and study, more and more into the mainstream of medicine, psychiatry, and Western culture." Jon Kabat-Zinn, Professor of Medicine Emeritus and founding director of the Stress Reduction Clinic and the Center for Mindfulness in Medicine, Health Care, and Society at the University of Massachusetts Medical School. "What a delight! This book is like a peaceful conversation, rich and dense. The mix of personal meditation experience, his professional experience as a psychotherapist, counselling techniques and zen wisdom transforms reading this book into an immediate Mindfulness exercise: while reading, you take the time to pause and reflect. The journey has already begun..." Christophe André, psychiatrist at the Saint-Anne Hospital in Paris. "This book invites the reader to make an appointment with himself, in an open and welcoming spirit. It seems so simple... In reality, this requires, as any other form of training, the daily discipline to perform mindful exercises and meditations. Edel Maex gives us different keys to sit, to maintain and to develop our mindfulness practice, with an exceptional clarity and a lot of wisdom. An admirably clear, didactic book. I would recommend it to all participants of our MBCT-courses and their instructors." Lucio Bizzini, Ph.D, Department of Psychiatry, University Hospital of Geneva. "Writing about Mindfulness is a delicate exercise. Edel Maex has found the words to convey the deeper sense of meditation in a remarkably simple way. The secret of his limpid and captivating style undoubtedly lies in his experience in the field, as a psychiatrist and mindfulness trainer. This book is a fantastic invitation to discover, maintain and develop our practice." Guido Bondolfi, M.D., Department of Psychiatry, University Hospital of Geneva.

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The long-awaited sequel to Andrew Ashbee's pioneering study of the life and music of John Jenkins (1592-1678). The primary focus of this second volume is Jenkins' huge output of fantasia-suites, but his vocal music also comes under examination, and a complete source-list of Jenkins' music is provided. John Jenkins (1592-1678) was both the most prolific and the most esteemed of English composers in the fifty years or so between the death of William Byrd and the rise of Henry Purcell. After his apprenticeship Jenkins became renowned as a skilled performer on lute and viol, once playing to Charles I 'as one that performed somewhat extraordinary'. Throughout his long life he was employed as a resident musician in East Anglia in households of the nobility, where, as well as playing, teaching and directing the music-making, his duties would include the composing and copying of music. At the restoration of Charles II Jenkins became a court musician, although, in view of his advanced age, he spent little time there. He died on 27 October 1678 at Kimberley, Norfolk, where he is buried. As a composer, Jenkins' preferred medium was instrumental music, and he wrote little else. He came to maturity in the 1620s,when the consort fantasia for viols was in its prime. In later years he turned to the newer music then in vogue, such as the fantasia-suite and suites of dances, contributing significantly to their development. This book is the second in a two-volume study of Jenkins and his music. Volume I contains a full biographical introduction before concerning itself exclusively with the superb consorts for viols which dominate the early part of the composer's career. This second volume surveys the rest of his output, setting each group of pieces in context, beginning with his innovative series of fantasia-suites. Although often unpretentious and geared to amateur performance, his 'horsloads' of airs maintain a lively and varied character. More than fifty works for bass viol(s) are among the best of their kind, as are the pieces featuring the lyra viol in both solo and consort works. The book ends by examining Jenkins' vocal music. Whatever medium he chose, Jenkins was able to add important pieces to the repertory. An growing list of recordings endorses Christopher Simpson's view that he was 'the ever Famous and most Excellent Composer,in all sorts of Modern Musick'.

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"A fascinating and indispensable book."—Christopher Knight, Los Angeles TimesBest Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2018 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, later signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

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What happens if you discover you've been lied to by your own family for twenty-five years? 'In his latest page-turner, Veste deftly explores the violence and heartbreak that erupt when long-buried secrets bubble to the surface' LINWOOD BARCLAY'Local Woman Missing meets The Fugitive, You Never Said Goodbye breathes new life into the psychological thriller genre with a captivating and gripping storyline that is part missing person mystery, part all out action thriller. I couldn't put it down' C.L. TAYLORA DEVOTED MOTHERSam Cooper has a happy life: a good job, a blossoming relationship. Yet, there's something he can never forget - the image seared into his mind of his mother, Laurie, dying when he was a child. His father allowed his grief to tear them apart and Sam hasn't seen him in years.A LOVING WIFEUntil an unexpected call from Firwood hospital, asking Sam to come home, puts in motion a chain of devastating events. On his deathbed, Sam's father makes a shocking confession.A LIAR?Who was Laurie Cooper? It's clear that everything Sam thought he knew about his mother was wrong. And now he's determined to find out exactly what she did and why - whatever the cost. 'This is a rip-roaring and, at times, a touching thriller from a writer who has been favourably compared to Harlan Coben and Linwood Barclay ... and rightly so. Heart pumping action ... thoroughly recommended and a must for everyone who enjoys high octane thrills' BELFAST TELEGRAPH'Action packed suspense' SUNDAY TIMES CRIME CLUB'Grips from the first page to the last. A UK thriller writer that gives giants like Linwood Barclay and Harlan Coben a run for their money' MARK BILLINGHAM'Heart-pounding thrills from start to finish' IRISH INDEPENDENT'Explosive ... this is an electrifying-edge-of-the-seat thriller, a must-read for fans of Harlan Coben' CANDIS MAGAZINE'A truly pulse-pounding thriller. The relentless tension is leavened only by its heart-rending emotion' CHRISTOPHER BROOKMYRE'A barnstorming, rocket-paced thriller about an ordinary man thrown into an extraordinary situation. Fans of John Connolly and Linwood Barclay will love it' MARK EDWARDS'An absolutely gripping and immersive thrill ride from start to finish. A white-knuckle rollercoaster that's also full of heart and soul' DOUG JOHNSTONE'There are many gasp-inducing revelations before skilful writer Veste produces a gripping and surprise climax' PETERBOROUGH TELEGRAPH

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How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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