Search results for ""author jim"

You see it everywhere: on bumper stickers, tee shirts, lapel pins, in shop windows, and in front of nearly every school or government building. Yet while the American flag is ubiquitous, as a symbol it is both heavily freighted and misunderstood. Now an acclaimed European professor of American history brings a fresh perspective to the American flag, exploring its political, social, and cultural significance across the broad swath of its history. Mining a rich vein of materials from history, literature, music, and popular culture, Arnaldo Testi analyzes the symbolic importance of the flag to the national consciousness of this “nation of immigrants” and sees in it the very contradictions that make up our history: secularism and sacredness, freedom and empire, inclusiveness and aggressive self-confidence. Using sources as diverse as Walt Whitman and Jimi Hendrix, and events as divergent as the American Revolution, the moon landing, and the terrorist attacks of September 11th, Testi reveals the central importance of the flag to the creation of our nation, the evolution of our national character, and the spread of American culture and power across the globe, while illustrating the varied and often conflicting meanings different Americans ascribe to it. Whether you worship the flag or revile it, respect it or ignore it, Capture the Flag offers the reader a colorful and compelling exploration of the sway it holds on the American imagination.

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A collection of essays by American art critic Dave Hickey, nicknamed “The Bad Boy of Art Criticism.” When Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out—he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him. Hickey went on to develop a career as one of America’s foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned conclusion to his surfing career—Perfect Wave is a welcome addition to the Hickey canon.

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Real heroes never die. But they do get grouchy in middle age. The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik’s beautiful long-lost daughter. With the land’s heroic hunks busy drooling all over themselves, there’s only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude. Normally politics are the least of his concerns, but after everyone in the neighboring kingdom of Farrawee comes down with a severe case of being dead, Dungar learns that the masquerading princess not only is behind the carnage but also has similar plans for his own hometown. Together with the only person senseless enough to tag along, an eccentric and arguably insane hobo named Jimminy, he journeys out into the world he’s so pointedly tried to avoid as the only hope of defeating the most powerful person in it. That is, if he can survive the pirates, cultists, radical Amazonians, and assorted other dangers lying in wait along the way. Logan J. Hunder’s hilarious debut blows up the fantasy genre with its wry juxtaposition of the fantastic and the mundane, proving that the best and brightest heroes aren’t always the best for the job.

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In Fat Time and Other Stories, Jimi Hendrix, Francis Bacon, the boxer Jack Johnson, Miles Davis, and a space-age Muhammad Ali find themselves in the otherworldly hands of Jeffery Renard Allen, reimagined and transformed to bring us news of America in the twentieth and twenty-first centuries. Along with them are characters of Allen’s invention: two teenagers in an unnamed big city who stumble through a down-low relationship; an African preacher visits a Christian religious retreat to speak on the evils of fornication in an Italian villa imported to America by Abraham Lincoln; and an albino revolutionary who struggles with leading his people into conflict. The two strands in this brilliant story collection—speculative history and tender, painful depictions of Black life in urban America—are joined by African notions of circular time in which past, present, and future exist all at once. Here the natural and supernatural, the sacred and the profane, the real and fantastical, destruction and creation are held in delicate and tense balance. Allen’s work has been said to extend the tradition of Ralph Ellison, William Faulkner, Henry Roth, and Ishmael Reed, but he is blazing his own path through American literature. Fat Time and Other Stories brilliantly shows the range and depth of his imagination.

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Microgrids are the most innovative area in the electric power industry today. Future microgrids could exist as energy-balanced cells within existing power distribution grids or stand-alone power networks within small communities. A definitive presentation on all aspects of microgrids, this text examines the operation of microgrids – their control concepts and advanced architectures including multi-microgrids. It takes a logical approach to overview the purpose and the technical aspects of microgrids, discussing the social, economic and environmental benefits to power system operation. The book also presents microgrid design and control issues, including protection and explaining how to implement centralized and decentralized control strategies. Key features: original, state-of-the-art research material written by internationally respected contributors unique case studies demonstrating success stories from real-world pilot sites from Europe, the Americas, Japan and China examines market and regulatory settings for microgrids, and provides evaluation results under standard test conditions a look to the future – technical solutions to maximize the value of distributed energy along with the principles and criteria for developing commercial and regulatory frameworks for microgrids Offering broad yet balanced coverage, this volume is an entry point to this very topical area of power delivery for electric power engineers familiar with medium and low voltage distribution systems, utility operators in microgrids, power systems researchers and academics. It is also a useful reference for system planners and operators, manufacturers and network operators, government regulators, and postgraduate power systems students. CONTRIBUTORS Thomas Degner Aris Dimeas Alfred Engler Nuno Gil Asier Gil de Muro Guillermo Jiménez-Estévez George Kariniotakis George Korres André Madureira Meiqin Mao Chris Marnay Jose Miguel Yarza Satoshi Morozumi Alexander Oudalov Frank van Overbeeke Rodrigo Palma Behnke Joao Abel Pecas Lopes Fernanda Resende John Romankiewicz Christine Schwaegerl Nikos Soultanis Liang Tao Antonis Tsikalakis

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In 2012, President Obama announced that the United States would spend the next thirteen years - through November 11, 2025 - commemorating the 50th Anniversary of the Vietnam War, and the American soldiers, "more than 58,000 patriots," who died in Vietnam. The fact that at least 2.1 million Vietnamese - soldiers, parents, grandparents, children - also died in that war will be largely unknown and entirely uncommemorated. And U.S. history barely stops to record the millions of Vietnamese who lived on after being displaced, tortured, maimed, raped, or born with birth defects, the result of devastating chemicals wreaked on the land by the U.S. military. The reason for this appalling disconnect of consciousness lies in an unremitting public relations campaign waged by top American politicians, military leaders, business people, and scholars who have spent the last sixty years justifying the U.S. presence in Vietnam. It is a campaign of patriotic conceit superbly chronicled by John Marciano in The American War in Vietnam: Crime or Commemoration?A devastating follow-up to Marciano's 1979 classic Teaching the Vietnam War (written with William L. Griffen), Marciano's book seeks not to commemorate the Vietnam War, but to stop the ongoing U.S. war on actual history. Marciano reveals the grandiose flag-waving that stems from the "Noble Cause principle," the notion that America is "chosen by God" to bring democracy to the world. Marciano writes of the Noble Cause being invoked unsparingly by presidents - from Jimmy Carter, in his observation that, regarding Vietnam, "the destruction was mutual," to Barack Obama, who continues the flow of romantic media propaganda: "The United States of America ...will remain the greatest force for freedom the world has ever known."The result is critical writing and teaching at its best. This book will find a home in classrooms where teachers seek to do more than repeat the trite glorifications of U.S. empire. It will provide students everywhere with insights that can prepare them to change the world.

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'An absolute joy from the first page to the last' Jen DeLucaOne of Bustle's Best Books of 2020Marcus has a secret. While he may be the star of the biggest show on TV, he's also a prolific fan fiction writer. Through his stories, Marcus releases his frustrations with the show, but if anyone ever found out about his online persona, he'd be fired. Immediately.April has secrets of her own. A hardcore fan of Marcus's show, she's long hidden her fanfic and cosplay hobby from her 'real life' - but not anymore. When she dares to post her latest costume creation on Twitter, her plus-size take goes viral. And when Marcus asks her out to spite her critics, truth officially becomes stranger than (fan) fiction . . .On their date, Marcus quickly realises that he wants much more from April than a one-time publicity stunt. But with so many secrets between them, can they ever stop hiding, or will a match made in fandom never make it in real life?With romance, amazing chemistry, fandom, and body positivity, Spoiler Alert is perfect for fans of Talia Hibbert and Abby Jimenez.Praise for Olivia Dade:'Spoiler Alert is a delight. April and Marcus will melt your heart' Jenny Holiday'A gentle, funny, and sexy romance that captivated me from the first page and kept me enthralled to the very (happy) end' Mia Sosa'Olivia Dade's warm and witty voice makes this book an absolute joy to read . . . I'm very much looking forward to whatever Dade writes next' Lucy Parker'With richly drawn characters you'll love to root for, Olivia Dade's books are a gem of the genre - full of humour, heart and heat' Kate Clayborn'Olivia Dade perfectly captures fandom, love, and acceptance in this incredible, delightful novel. I loved every page!' Jessie Mihalik'Romance gold . . . a sparkling jolt of fangirling, body-positive swoons' Entertainment Weekly

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A new look at the drama that lay behind the end of the war in the Pacific Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender that formally ended the war in the Pacific brought to a close one of the most cataclysmic engagements in history. Behind it lay a debate that had been raging for some weeks prior among American military and political leaders. The surrender fulfilled the commitment that Franklin Roosevelt had made in 1943 at the Casablanca conference that it be "unconditional." Though readily accepted as policy at the time, after Roosevelt's death in April 1945 support for unconditional surrender wavered, particularly among Republicans in Congress, when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. Germany's unconditional surrender in May 1945 had been one thing; the war in the pacific was another. Many conservatives favored a negotiated surrender. Though this was the last time American forces would impose surrender unconditionally, questions surrounding it continued through the 1950s and 1960s--with the Korean and Vietnam Wars--when liberal and conservative views reversed, including over the definition of "peace with honor." The subject was revived during the ceremonies surrounding the 50th anniversary in 1995, and the Gulf and Iraq Wars, when the subjects of exit strategies and "accomplished missions" were debated. Marc Gallicchio reveals how and why the surrender in Tokyo Bay unfolded as it did and the principle figures behind it, including George C. Marshall and Douglas MacArthur. The latter would effectively become the leader of Japan and his tenure, and indeed the very nature of the American occupation, was shaped by the nature of the surrender. Most importantly, Gallicchio reveals how the policy of unconditional surrender has shaped our memory and our understanding of World War II.

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Jeff Buckley made only one album, but the one he made has proved to be seminal. Grace emerged at a time when grunge gripped the charts. Buckley s refined melodies and wide vocal range made him stand apart from his contemporaries. His rendition of Leonard Cohen s Hallelujah is arguably the most memorable version ever recorded. His talent awed industry giants and moved the hearts of fans spanning generations. Grace made clear a remarkably talented force had come upon the world, and it promised a wellspring of astonishing music for years to come. But Buckley s untimely death in 1997 left his fans to wonder about all the sonic magic that could have been and to hold dear the few but brilliant songs he left behind. In the wake of his passing, Buckley has continued to garner new fans and influence countless artists. And while a number of posthumous releases of unpolished, deep cuts have helped satiate listeners over the years, it is his official studio album Grace that reverberates with timelessness: at its release in 1994, the album sounded like nothing that had come before and no album has repeated its essence since. Photographer Merri Cyr was there along the way. She has documented Buckley s career from his days at the East Village coffee shop Sin-e to his iconic Grace cover shoot to his rigorous tour around the world as he promoted his unprecedented debut. In 25 Years of Grace, Cyr joins forces with Jeff Buckley biographer Jeff Apter (A Pure Drop: The Life of Jeff Buckley) to produce an illustrated tribute to this classic album in celebration of its twenty-fifth anniversary. The book features brand new interviews with Buckley insiders Matt Johnson, Mick Grondahl, Michael Tighe, Gary Lucas, Karl Berger, Andy Wallace, George Stein, Steve Berkowitz, and others revealing the details about Buckley s signing to a major label, the role of the band in creating arrangements, finding the right creative direction for the multifaceted songsmith, the songwriting process and final song selections, key meetings and collaborations, recording techniques, memorable moments in the studio, and more. The book also includes reflections about Buckley and Grace from an array of music artists Butch Walker, Pete Yorn, Jimmy Gnecco, Glen Hansard, Holly Miranda, and Lenny Kaye, to name a few. Lavishly illustrated with many never-before-seen photographs, 25 Years of Grace takes a fresh look at the making and legacy of this classic album.

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Michel Paradis’s Last Mission to Tokyo, a “superb” (The Wall Street Journal) and “engrossing...richly researched” (The New York Times Book Review) account of a key but underreported moment in World War II: The Doolittle Raids and the international war crimes trial in 1945 that defined the Japanese-American relations and changed legal history.In 1942, freshly humiliated from the attack on Pearl Harbor, the United States was in search of a plan. President Roosevelt, determined to show the world that our nation would not be intimidated or defeated by enemy powers, demanded recommendations for a show of strength. Jimmy Doolittle, a stunt pilot with a doctorate from MIT, came forward and led eighty young men, gathered together from the far-flung corners of Depression-era America, on a seemingly impossible mission across the Pacific. Sixteen planes in all, they only had enough fuel for a one-way trip. Together, the Raiders, as they were called, did what no one had successfully done for more than a thousand years. They struck the mainland of Japan and permanently turned the tide of the war in the Pacific. Almost immediately, The Doolittle Raid captured the public imagination, and has remained a seminal moment in World War II history, but the heroism and bravery of the mission is only half the story. In Last Mission to Tokyo, Michel Paradis reveals the dramatic aftermath of the mission, which involved two lost crews captured, tried, and tortured at the hands of the Japanese, a dramatic rescue of the survivors in the last weeks of World War II, and an international manhunt and trial led by two dynamic and opposing young lawyers—in which both the United States and Japan accused the other of war crimes—that would change the face of our legal and military history. Perfect for fans of Lucky 666 and Nuremberg: Infamy on Trial, Last Mission to Tokyo is an unforgettable war story-meets-courtroom-drama that “captures the reader with the first sentence and never lets go” (John Grisham).

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Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender formally ended the war in the Pacific and brought to a close one of the most cataclysmic engagements in history, one that had cost the lives of millions. VJ--Victory over Japan--Day had taken place two weeks or so earlier, in the wake of the dropping of the atomic bombs on Hiroshima and Nagasaki and the entrance of the Soviet Union into the war. In the end, the surrender itself fulfilled the commitment that Franklin Roosevelt had made that it be "unconditional," as had been the case with Nazi Germany in May, 1945. Though readily accepted as war policy at the time, after Roosevelt's death in April 1945, popular support for unconditional surrender wavered, particularly when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. The ending of the war in Europe spurred calls in Congress, particularly among anti-New Deal Republicans, to shift the American economy to peacetime and bring home troops. Even after the atomic bombs had been dropped, Japan continued to seek a negotiated surrender, further complicating the debate. Though this was the last time Americans would impose surrender unconditionally, questions surrounding it continued at home through the 1950s and 1960s, when liberal and conservative views reversed, and particularly in Vietnam and the definition of "peace with honor." It remained controversial through the ceremonies surrounding the 50th anniversary and the Gulf War, when the subject revived. In Unconditional, which publishes in time for the 75th anniversary of the surrender, Bancroft Prize co-winner Marc Gallicchio offers a narrative of the surrender in its historical moment, revealing how and why the event unfolded as it did and the principle figures behind it, including George C. Marshall and Douglas MacArthur, who would effectively become the leader of Japan during the American occupation. It also reveals how the policy underlying it remained controversial at the time and in the decades following, shaping our understanding of World War II.

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Japan's World Heritage Sites presents the exquisite temples, shrines, gardens, castles and natural wonders found throughout Japan which have now been declared UNESCO World Heritage Sites. This new edition has more convenient size and includes many newly-designated UNESCO sites including: Christian Sites in Nagasaki that tell the extraordinary story of Japan's Christians who continued to practice their faith in secret under penalty of death during Japan's feudal era Meiji Industrial Sites which tell of the nation's rapid modernization during the Meiji period The Munakata Shrine to seafaring deities on a forbidding island The Tomioka Silk Mill which became a leader in Japan's export drive The National Museum of Western Art, an architectural gem designed by Le Corbusier Japan expert John Dougill personally traveled to each of these sites to research this book. He tells how his journey led him from the sub-Arctic island of Hokkaido to the sub-tropical islands of the Okinawan archipelago and beyond. Tag along as he describes each place in loving detail and talks about its special historical and cultural features, including: Mount Fuji, Japan's tallest and most sacred volcano. Located on Honshu Island near Tokyo, Mt. Fuji is considered the sacred center of Japan. Himeji Castle, a monument from Japan's long feudal history. Also known as Egret Castle, because it looks like a bird taking off in flight. Horu-ji Temple, the world's oldest surviving wooden structure—a center of Buddhist learning that still serves as a seminary and monastery The Hiroshima Peace Memorial or Atomic-Bomb Dome—one of the few structures to partially survive the atomic blast in 1945 The Ogasawara Islands, a remote archipelago of over 30 islands including Iwo Jima, that is home to rare wildlife and spectacular scenery. Readers will learn how Japan became involved with the World Heritage Sites program back in 1993, the importance of these designations, and their popularity in Japan and abroad today. Whether you are planning to travel to Japan or just enjoy learning more about this history of this unique land, Japan's World Heritage Sites is sure to inspire.

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The King of Nashville, Tony Brown, offers a rare photographic journey through his 40-year career--including historical pictures and contemporary portraits of rock, country, and gospel music legends--in which he produced hundreds of #1 country songs that are beloved by millions.From a child pianist banging out hymns in his family's gospel band, to playing keys for Elvis Presley, to producing a string of million-selling hits for artists like George Strait, Reba McEntire, and Trisha Yearwood, Tony Brown's storied career has left a singular impression on American music.Known as the King of Nashville, Tony is adored by the mega-artists whose sounds he was instrumental to crafting, the city he's proud to call home, the millions of fans of of his over 100 number 1 singles, and the aspiring musicians he continues to inspire.The President of MCA Records for nearly two decades and co-founder of Universal South Records, Tony is also referred to as the founder of Americana music, who shook the scene with his edgy signing choices of Steve Earle and Lyle Lovett, before producing a Golden Era of country music from the eighties to the two-thousands, achieving over 100 million in sales.His life, musical legacy, and friendships are celebrated in this keepsake coffee table book, including rare behind-the-scenes images. It also includes contemporary, artful shots of 40 musical greats beloved to Tony, all featured in a French Renaissance chair that has been traveled countrywide for them to pose in, bringing out each of these legends' unique personalities.Included are historical or contemporary photos of artists such as Elvis, Lisa Marie Presley, George Strait, Reba McEntire, Cyndi Lauper, Steve Earle, Lyle Lovett, Trisha Yearwood, Lionel Richie, Jimmy Buffet, and many more.

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Mediation has become a common technique for terminating violent conflicts both within and between states; while mediation has a strong record in reducing hostilities, it is not without its own problems. In The Mediation Dilemma, Kyle Beardsley highlights its long-term limitations. The result of this oft-superficial approach to peacemaking, immediate and reassuring as it may be, is often a fragile peace. With the intervention of a third-party mediator, warring parties may formally agree to concessions that are insupportable in the long term and soon enough find themselves at odds again. Beardsley examines his argument empirically using two data sets and traces it through several historical cases: Henry Kissinger’s and Jimmy Carter’s initiatives in the Middle East, 1973–1979; Theodore Roosevelt’s 1905 mediation in the Russo-Japanese War; and Carter’s attempt to mediate in the 1994 North Korean nuclear crisis. He also draws upon the lessons of the 1993 Arusha Accords, the 1993 Oslo Accords, Haiti in 1994, the 2002 Ceasefire Agreement in Sri Lanka, and the 2005 Memorandum of Understanding in Aceh. Beardsley concludes that a reliance on mediation risks a greater chance of conflict relapse in the future, whereas the rejection of mediation risks ongoing bloodshed as war continues. The trade-off between mediation’s short-term and long-term effects is stark when the third-party mediator adopts heavy-handed forms of leverage, and, Beardsley finds, multiple mediators and intergovernmental organizations also do relatively poorly in securing long-term peace. He finds that mediation has the greatest opportunity to foster both short-term and long-term peace when a single third party mediates among belligerents that can afford to wait for a self-enforcing arrangement to be reached.

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In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

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What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life, philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually is: a work in progress, a journey and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Heidegger, he shows us where to find the significance of our lives: in the way we live them. May starts by looking at the fundamental fact that life unfolds over time, and as it does so, it begins to develop certain qualities, certain themes. Our lives can be marked by intensity, curiosity, perseverance, or many other qualities that become guiding narrative values. These values lend meanings to our lives that are distinct from but also interact with the universal values we are taught to cultivate, such as goodness or happiness. Offering a fascinating examination of a broad range of figures from music icon Jimi Hendrix to civil rights leader Fannie Lou Hamer, from cyclist Lance Armstrong to The Portrait of a Lady's Ralph Touchett to Claus von Stauffenberg, a German officer who tried to assassinate Hitler May shows that narrative values offer a rich variety of criteria by which to assess a life, specific to each of us and yet widely available. They offer us a way of reading ourselves, who we are, and who we might like to be. Clearly and eloquently written, A Significant Life is a recognition and a comfort, a celebration of the deeply human narrative impulse by which we make even if we don't realize it meaning for ourselves. It offers a refreshing way to think of an age-old question, of quite simply, what makes a life worth living.

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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On the afternoon of August 15, 1969, Richie Havens took the stage at the Woodstock Music and Art Fair, welcoming a crowd of several hundred thousand to the green fields of Max Yasgur's farm. Havens was the first act - the legendary festival, years in the making, was finally beginning. Nothing would be the same after. But the story of the legendary festival begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz and who eventually found his way to Florida, where he opened a head shop and produced his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others. In the late '60s, after settling in Woodstock, he began to envision a music and arts festival where folks could come and stay for a few days amid the rural beauty of upstate New York. The idea crystallized when Lang talked it over with Artie Kornfeld, a songwriter and A and R man, and with two other young men they formed Woodstock Ventures. They booked talent, from Janis Joplin and the Who to the virtually unknown Santana and Crosby, Stills and Nash; won over agents and promoters; brought in the Hog Farm commune to set up campgrounds; hired a peacekeeping force; took on fleets of volunteers; appeased the Yippies; and, were run out of one town and found another site weeks before the festival. On the ground with the talent, the townspeople, and his handpicked crew, Lang had a unique and panoramic perspective of the festival. Enhanced by interviews with others who were central to the making of the festival, "The Road to Woodstock" tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.

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'If you were expecting to read Razor's views on politics then you're going to be disappointed. Anybody who wants to read that needs help! This is yours truly talking about some of the experiences that have helped to create the absolute legend that is moi. Some of the tales involve a bit of mischief and most involve a drink or two. Most importantly, though, they're all a bit of a laugh so I'd settle down and have yourself a nice little read'The two things Razor Ruddock can't resist in life are a pint and a dare. That and seventeen years as a professional footballer under his belt means he's got a story or two to tell. Chickening out of a fight with Eric Cantona, robbing Alan Shearer's minibar, cinema trips with Gazza, becoming mates with Ian Wright - Razor has seen and done it all.Packed full of hilarious anecdotes, Razor gives us his take on the beautiful game, sharing his tactics (good banter is a defender's duty), red mist (and red cards) on the pitch, run-ins with the FA and his theory as to why Ingerland never do as well as we'd like, as well as his best ever goal and the greatest night of his sporting life.Razor also lifts the lid on his bad reputation and reveals his regrets, his heroes, his greatest fears (notably upsetting the missus) and what it takes to make Britain's hardest footballer cry. Poignantly, he shares his views on the importance of family and his concerns over footballers' mental health. And the biggest surprise of all: that he was a shy and retiring young lad (and that his love of swearing comes from his mum).Cameo appearances include: Bobby Robson, Diego Maradona, Eric Cantona, Dennis Bergkamp, Harry Redknapp, David Beckham, Alan Shearer, Gazza, Jimmy Case, Phil 'The Power' Taylor, Robbie Williams and Nelson Mandela ('Nelse').With his trademark sense of humour and foot-in-mouth disease, The World According to Razor is like having a pint down the pub with Razor himself.

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Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere.With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.

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Philadelphia was essentially the birthplace of boxing in America, the city where matches first took shape in the back of bars. Jack Johnson, the first black heavyweight champ, fought more times in Philly than any other city besides his hometown; Sugar Ray Robinson, perhaps the best boxer ever, fought under his first promotional contract in Philadelphia, appearing there twenty times; and Joe Louis, one of the greatest heavyweights of all time, was trained by a Philadelphia fighter. In Boxing in Philadelphia, Gabe Oppenheim examines the rise and fall of boxing in Philadelphia, and how it often mirrored the city’s own narrative arc. Originating from the tales told to Oppenheim by a retired Philadelphia trainer, this history of boxing is drawn from personal interviews with current and former fighters and managers, from attending the fights in local arenas, and from watching the boxers train in their gyms. In this book, Oppenheim opens a window into the lives of such fighters as Jimmy Young, Meldrick “The Kid” Taylor, Teon Kennedy, and Mike Jones, telling with remarkable detail their struggles, triumphs, and defeats. Throughout, Oppenheim weaves together cultural history, urban studies, and biographical sketches of past boxers to create this comprehensive account of Philadelphia and its fighters. Featuring an array of photographs and exclusive interviews, this book captures the unique history of Philadelphia boxing. It will interest boxing fans, those who enjoy sports and cultural histories, and of course, native Philadelphians who want to discover more about their city and their fighters.

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Emoticons matter. Equal signs do, too. This book takes them seriously and shows how and why they matter. Digital Shift explores the increasingly ubiquitous presence of punctuation and typographical marks in our lives⎯using them as reading lenses to consider a broad range of textual objects and practices across the digital age. Jeff Scheible argues that pronounced shifts in textual practices have occurred with the growing overlap of crucial spheres of language and visual culture, that is, as screen technologies have proliferated and come to form the interface of our everyday existence. Specifically, he demonstrates that punctuation and typographical marks have provided us with a rare opportunity to harness these shifts and make sense of our new media environments. He does so through key films and media phenomena of the twenty-first century, from the popular and familiar to the avant-garde and the obscure: the mass profile-picture change on Facebook to equal signs (by 2.7 million users on a single day in 2013, signaling support for gay marriage); the widely viewed hashtag skit in Jimmy Fallon’s Late Night show; Spike Jonze’s Adaptation; Miranda July’s Me and You and Everyone We Know; Ryan Trecartin’s Comma Boat; and more. Extending the dialogue about media and culture in the digital age in original directions, Digital Shift is a uniquely cross-disciplinary work that reveals the impact of punctuation on the politics of visual culture and everyday life in the digital age.

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American social critics in the 1970s, convinced that their nation was in decline, turned to psychoanalysis for answers and seized on narcissism as the sickness of the age. Books indicting Americans as greedy, shallow, and self-indulgent appeared, none more influential than Christopher Lasch’s famous 1978 jeremiad The Culture of Narcissism. This line of critique reached a crescendo the following year in Jimmy Carter’s “malaise speech” and has endured to this day.But as Elizabeth Lunbeck reveals, the American critics missed altogether the breakthrough in psychoanalytic thinking that was championing narcissism’s positive aspects. Psychoanalysts had clashed over narcissism from the moment Freud introduced it in 1914, and they had long been split on its defining aspects: How much self-love, self-esteem, and self-indulgence was normal and desirable? While Freud’s orthodox followers sided with asceticism, analytic dissenters argued for gratification. Fifty years later, the Viennese émigré Heinz Kohut led a psychoanalytic revolution centered on a “normal narcissism” that he claimed was the wellspring of human ambition, creativity, and empathy. But critics saw only pathology in narcissism. The result was the loss of a vital way to understand ourselves, our needs, and our desires.Narcissism’s rich and complex history is also the history of the shifting fortunes and powerful influence of psychoanalysis in American thought and culture. Telling this story, The Americanization of Narcissism ultimately opens a new view on the central questions faced by the self struggling amid the tumultuous crosscurrents of modernity.

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Welcome to Overland! Where the California sun shines down on synthetic grass and plastic oranges bedeck the trees all year round. Steam billows gently from the chimney tops and the blue tarpaulin lake is open for fishing… Hollywood set-designer George Godfrey has been called on to do his patriotic duty and he doesn’t believe in half-measures. If he is going to hide an American aircraft plant from the threat of Japanese aerial spies he has an almighty job on his hands. He will need an army of props and actors to make the Lockheed factory vanish behind the semblance of a suburban town. Every day, his “Residents” climb through a trapdoor in the factory roof to shift model cars, shop for imaginary groceries and rotate fake sheep in felt-green meadows. Overland is a beacon for the young women labouring below it: Queenie, dreaming of movie stardom while welding sheet metal; Kay, who must seek refuge from the order to intern “All Persons of Japanese Ancestry”. Meanwhile, George’s right-hand Resident, Jimmy, knows that High Command aren’t at all happy with the camouflage project...With George so bewitched by his own illusion, might it risk confusing everybody – not just the enemy?Overland is a book like no other -- to be read in landscape format. Based on true events, it is a novel where characters' dreams and desires come down to earth with more than a bump, confronting the hardships of life during wartime. As surreal and playful as it is affecting and unsettling, no-one other than Graham Rawle could have created it.

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Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2012 Liz Carpenter Award for Research in the History of Women, Texas State Historical Association, 2012When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President George H. W. Bush—“Poor George, he can’t help it. He was born with a silver foot in his mouth”—she instantly became a media celebrity and triggered a rivalry that would alter the course of American history. In 1990, Richards won the governorship of Texas, upsetting the GOP’s colorful rancher and oilman Clayton Williams. The first ardent feminist elected to high office in America, she opened up public service to women, blacks, Hispanics, Asian Americans, gays, and the disabled. Her progressive achievements and the force of her personality created a lasting legacy that far transcends her rise and fall as governor of Texas.In Let the People In, Jan Reid draws on his long friendship with Richards, interviews with her family and many of her closest associates, her unpublished correspondence with longtime companion Bud Shrake, and extensive research to tell a very personal, human story of Ann Richards’s remarkable rise to power as a liberal Democrat in a conservative Republican state. Reid traces the whole arc of Richards’s life, beginning with her youth in Waco, her marriage to attorney David Richards, her frustration and boredom with being a young housewife and mother in Dallas, and her shocking encounters with Lyndon Johnson and Jimmy Carter. He follows Richards to Austin and the wild 1970s scene and describes her painful but successful struggle against alcoholism. He tells the full, inside story of Richards’s rise from county office and the state treasurer’s office to the governorship, where she championed gun control, prison reform, environmental protection, and school finance reform, and he explains why she lost her reelection bid to George W. Bush, which evened his family’s score and launched him toward the presidency. Reid describes Richards’s final years as a world traveler, lobbyist, public speaker, and mentor and inspiration to office holders, including Hillary Clinton. His nuanced portrait reveals a complex woman who battled her own frailties and a good-old-boy establishment to claim a place on the national political stage and prove “what can happen in government if we simply open the doors and let the people in.”

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Riverdance exploded across the stage at Dublin’s Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton’s Wing, Noel Pearson, Seán Ó Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan’s self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the ‘Best Musical Show Album.’ Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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The year 1998 represents the hundredth anniversary of the U.S. invasion of Puerto Rico. Since that time, the “Puerto Rican archipelago” has come to extend from the island itself, up the Eastern seaboard, and as far west as California and Hawai’i. Puerto Rican Jam considers the issues unique to Puerto Rican culture and politics, issues often encapsulated in concerns about ethnicity, race, gender, and language. Discussions of Puerto Rican cultural politics usually fall into one of two categories, nationalist or colonialist. Puerto Rican Jam moves beyond this narrow dichotomy, elaborating alternatives to dominant postcolonial theories, and includes essays written from the perspectives of groups that are not usually represented, such as gays and lesbians, youth, blacks, and women. The essays propose different ways of conceptualizing the U.S.-Puerto Rican colonial relationship, thus opening new spaces for political, social, economic, and cultural agency for Puerto Ricans on both the island and the continent. Among the topics discussed are the limitations of nationalism as a transformative and democratizing political discourse, the contradictory impact of American colonialism, language politics, and the 1928 U.S. congressional hearings on women’s suffrage in Puerto Rico.A groundbreaking contribution to the study of colonialism, Puerto Rican Jam represents an important engagement with issues raised by American expansionism in the Caribbean. Contributors: Jaime E. Benson-Arias, U of Puerto Rico, Mayagüez; Arlene Dávila, Syracuse U; Chloé S. Georas, SUNY, Binghamton; Manuel Guzmán, CUNY Graduate Center; Gladys M. Jiménez-Muñoz, SUNY, Oneonta; Agustín Lao, SUNY, Binghamton; Yolanda Martínez-San Miguel, U of Puerto Rico; Mariano Négron-Portillo, U of Puerto Rico; José Quiroga, George Washington U; Raquel Z. Rivera, CUNY Graduate Center; Alberto Sandoval Sánchez, Mount Holyoke College; Kelvin A. Santiago-Valles, SUNY, Binghamton. Frances Negrón-Muntaner is a doctoral candidate in comparative literature at Rutgers University, as well as a poet and filmmaker. Ramón Grosfoguel is assistant professor of sociology at the State University of New York, Binghamton.

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A female professor, a super maximum security prisoner, and how Shakespeare saved them bothShakespeare professor and prison volunteer Laura Bates thought she had seen it all. That is, until she decided to teach Shakespeare in a place the bard had never been before—supermax solitary confinement.In this unwelcoming place, surrounded by inmates known as the worst of the worst, is Larry Newton. A convicted murderer with several escape attempts under his belt and a brilliantly agile mind on his shoulders, Larry was trying to break out of prison at the same time Laura was fighting to get her program started behind bars.A testament to the power of literature, Shakespeare Saved My Life is a remarkable memoir. Fans of Orange is the New Black (Piper Kerman), A Place to Stand (Jimmy Baca) and I Couldn't Help Myself (Wally Lamb) will be be inspired by the story of the most unlikely friendship, one bonded by Shakespeare and lasting years—a friendship that would, in the end, save more than one life.What readers are saying about Shakespeare Saved My Life:"I was tremendously moved by both the potential impact of Shakespeare and learning on human beings and the story of this one man.""This is one of the most extraordinary books I've ever read.""I have never read a book that touched me as much as this memoir.""It is a challenging and remarkable story.""I loved this book so much. It changed my life." What reviewers are saying about Shakespeare Saved My Life:"You don't have to be a William Shakespeare fan, a prisoner, or a prison reformer to appreciate this uplifting book. "Shakespeare Saved My Life" also reveals many important truths ... about the meaning of empathy in our dealings with others"—Finger Lake Times"Shakespeare Saved My Life touches on the search for meaning in life, the struggles that complicate the path to triumph and the salvation that can be found in literature's great works ... An inspiring account."—Shelf Awareness"Opening the mind's prison proves enormously gratifying, not to mention effective ... brave, groundbreaking work"—Publishers Weekly"An eye-opening study reiterating the perennial power of books, self-discipline, and the Bard of Avon."—Kirkus"A powerful testament to how Shakespeare continues to speak to contemporary readers in all sorts of circumstances."—Booklist

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Even in Chicago, a city steeped in mob history and legend, the Family Secrets case was a true spectacle when it made it to court in 2007. A top mob boss, a reputed consigliere, and other high-profile members of the Chicago Outfit were accused in a total of eighteen gangland killings, revealing organized crime’s ruthless grip on the city throughout the 1960s, 1970s, and 1980s. Painting a vivid picture of murder, courtroom drama, family loyalties and disloyalties, journalist Jeff Coen accurately portrays the Chicago Outfit’s cold-blooded--and sometimes incompetent--killers and their crimes in the case that brought them down. In 1998 Frank Calabrese Jr. volunteered to wear a wire to gather evidence against his father, a vicious loan shark who strangled most of his victims with a rope before slitting their throats to ensure they were dead. Frank Jr. went after his uncle Nick as well, a calculating but sometimes bumbling hit man who would become one of the highest-ranking turncoats in mob history, admitting he helped strangle, stab, shoot, and bomb victims who got in the mob’s way, and turning evidence against his brother Frank. The Chicago courtroom took on the look and feel of a movie set as Chicago’s most colorful mobsters and their equally flamboyant attorneys paraded through and performed: James “Jimmy Light” Marcello, the acting head of the Chicago mob; Joey “the Clown” Lombardo, one of Chicago’s most eccentric mobsters; Paul “the Indian” Schiro; and a former Chicago police officer, Anthony “Twan” Doyle, among others. Re-creating events from court transcripts, police records, interviews, and notes taken day after day as the story unfolded in court, Coen provides a riveting wide-angle view and one of the best accounts on record of the inner workings of the Chicago syndicate and its control over the city’s streets.

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The gripping, forgotten tale of Ira Hayes-a Native American icon and World War II legend that spent the latter half of his life haunted by being a war hero. IRA HAYES tells the story of Ira Hamilton Hayes from the perspective of a Native American combat veteran of the Vietnam generation. Hayes, along with five other Marines, was captured in Joe Rosenthal's iconic photograph of raising the stars and stripes on Mount Suribachi during the battle for the Japanese Island of Iwo Jima. The photograph was the inspiration and model for the U.S. Marine Corps War Memorial in Arlington. Between the time he helped raise that flag and his death-and beyond-he was the subject of more newspaper columns than any other Native person. He was hailed as a hero and maligned as a chronic alcoholic unable to take care of himself. IRA HAYES will explore these fluctuating views of Ira Hayes. It will reveal that they were primarily the product of American misconceptions about Native people, the nature of combat, and even alcoholism. Like most surviving veterans of combat, Ira did not think of himself as a heroic figure. There can be no doubt that Ira suffered from PTSD, which is a compound of survivor's guilt, the shock of seeing death, especially of one's friends, and the isolation brought on by feeling that no one could understand what he had been through. Ira's life has been a subject of two motion pictures and a television drama. All these dramas sympathize with him, but ultimately fail to see his binge drinking as his way of temporarily escaping the melancholy, the rage he felt, his sense of betrayal, and the sheer boredom of peacetime. IRA HAYES breaks apart the complexities of Ira's short life in honor of all Native veterans who have been to war in the service of the United States. This is equally their story.

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NATIONAL BESTSELLERAN NPR BEST BOOK OF THE YEAR“Ozzi’s reporting is strong, balanced and well told...a worthy successor to its obvious inspiration, Michael Azerrad’s 2001 examination of the ’80s indie underground, Our Band Could Be Your Life.”—New York Times Book ReviewA raucous history of punk, emo, and hardcore’s growing pains during the commercial boom of the early 90s and mid-aughts, following eleven bands as they “sell out” and find mainstream fame, or break beneath the weight of it all.Punk rock found itself at a crossroads in the mid-90’s. After indie favorite Nirvana catapulted into the mainstream with its unexpected phenomenon, Nevermind, rebellion was suddenly en vogue. Looking to replicate the band’s success, major record labels set their sights on the underground, and began courting punk’s rising stars. But the DIY punk scene, which had long prided itself on its trademark authenticity and anti-establishment ethos, wasn’t quite ready to let their homegrown acts go without a fight. The result was a schism: those who accepted the cash flow of the majors, and those who defiantly clung to their indie cred.In Sellout, seasoned music writer Dan Ozzi chronicles this embattled era in punk. Focusing on eleven prominent bands who made the jump from indie to major, Sellout charts the twists and turns of the last “gold rush” of the music industry, where some groups “sold out” and rose to surprise super stardom, while others buckled under mounting pressures. Sellout is both a gripping history of the music industry’s evolution, and a punk rock lover’s guide to the chaotic darlings of the post-grunge era, featuring original interviews and personal stories from members of modern punk’s most (in)famous bands: Green Day Jawbreaker Jimmy Eat World Blink-182 At the Drive-In The Donnas Thursday The Distillers My Chemical Romance Rise Against Against Me!

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In June 1994 the United States went to the brink of war with North Korea. With economic sanctions impending, President Bill Clinton approved the dispatch of substantial reinforcements to Korea, and plans were prepared for attacking the North's nuclear weapons complex. The turning point came in an extraordinary private diplomatic initiative by former President Jimmy Carter and others to reverse the dangerous American course and open the way to a diplomatic settlement of the nuclear crisis. Few Americans know the full details behind this story or perhaps realize the devastating impact it could have had on the nation's post-Cold War foreign policy. In this lively and authoritative book, Leon Sigal offers an inside look at how the Korean nuclear crisis originated, escalated, and was ultimately defused. He begins by exploring a web of intelligence failures by the United States and intransigence within South Korea and the International Atomic Energy Agency. Sigal pays particular attention to an American mindset that prefers coercion to cooperation in dealing with aggressive nations. Drawing upon in-depth interviews with policymakers from the countries involved, he discloses the details of the buildup to confrontation, American refusal to engage in diplomatic give-and-take, the Carter mission, and the diplomatic deal of October 1994. In the post-Cold War era, the United States is less willing and able than before to expend unlimited resources abroad; as a result it will need to act less unilaterally and more in concert with other nations. What will become of an American foreign policy that prefers coercion when conciliation is more likely to serve its national interests? Using the events that nearly led the United States into a second Korean War, Sigal explores the need for policy change when it comes to addressing the challenge of nuclear proliferation and avoiding conflict with nations like Russia, Iran, and Iraq. What the Cuban missile crisis was to fifty years of superpower conflict, the North Korean nuclear crisis is to the coming era.

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This Handbook presents state-of-the-art methodological guidance and discussion of international practice related to the integration of biodiversity and ecosystem services in impact assessment, featuring contributions from leading researchers and practitioners the world over. Its multidisciplinary approach covers contributions across five continents to broaden the scope of the field both thematically and geographically. A multifaceted variety of case studies provide examples of the use of information on biodiversity and ecosystem services in different types of impact assessment to improve decisions at all levels, from strategic choices to individual projects. In addition to its discussion of how biodiversity and ecosystem services can improve the salience and effectiveness of impact assessment, this Handbook presents a range of applications and possible solutions to challenges in key policy and planning sectors, including urban development, land use, energy, marine areas, infrastructure, agriculture, forestry, health and tourism. This Handbook's combination of cutting-edge literature and methodological guidance supports researchers, practitioners and students in developing and implementing biodiversity and ecosystem services-inclusive impact assessment processes, which can contribute to better decisions about the use of our lands and waters. As such it will appeal not only to scholars of impact assessment but of environmental sciences, environmental engineering, natural sciences, planning and economics as well.Contributors include: C. Albert, A. Antón, M. Ashley, J. Azcarate, B. Balfors, S. Brownlie, L. Bulling, C. Cortinovis, R.T.T. Forman, S. Frank, C. Fürst, D. Geneletti, J. Goldstein, T. Hooper, P. Horwitz, M. Hughes, P. Itkonen, M. Jimenez, M. Karlson, L. Karrasch, C.M. Kennedy, J.M. Kiesecker, J. Köppel, L. Kopperoinen, O. Langmead, D. Maia de Souza, L. Mandle, L. Milà i Canals, U. Mörtberg, D. Newsome, S. Odelius Gordon, M.W. Parkes, K. Pietzsch, F. Pietzsch, A. Rajvanshi, D. Roe, D.A. Rozas Vásquez, M. Ruckelshaus, H. Tallis, L. Tardieu, F. Teillard, J. Treweek, J. Wu, L. Zardo

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Tyler Merritt's video "Before You Call the Cops" has been viewed millions of times. He's appeared on Jimmy Kimmel and Sports Illustrated and has been profiled in the New York Times. The viral video's main point-the more you know someone, the more empathy, understanding, and compassion you have for that person-is the springboard for this book. By sharing his highs and exposing his lows, Tyler welcomes us into his world in order to help bridge the divides that seem to grow wider every day. In I Take My Coffee Black, Tyler tells hilarious stories from his own life as a black man in America. He talks about growing up in a multi-cultural community and realizing that he wasn't always welcome, how he quit sports for musical theater (that's where the girls were) to how Jesus barged in uninvited and changed his life forever (it all started with a Triple F.A.T. Goose jacket) to how he ended up at a small Bible college in Santa Cruz because he thought they had a great theater program (they didn't). Throughout his stories, he also seamlessly weaves in lessons about privilege, the legacy of lynching and sharecropping and why you don't cross black mamas. He teaches readers about the history of encoded racism that still undergirds our society today. By turns witty, insightful, touching, and laugh-out-loud funny, I Take My Coffee Black paints a portrait of black manhood in America and enlightens, illuminates, and entertains-ultimately building the kind of empathy that might just be the antidote against the racial injustice in our society.

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On the fortieth anniversary of the Camp David Accords, a groundbreaking new history that shows how Egyptian-Israeli peace ensured lasting Palestinian statelessnessFor seventy years Israel has existed as a state, and for forty years it has honored a peace treaty with Egypt that is widely viewed as a triumph of U.S. diplomacy in the Middle East. Yet the Palestinians—the would-be beneficiaries of a vision for a comprehensive regional settlement that led to the Camp David Accords in 1978—remain stateless to this day. How and why Palestinian statelessness persists are the central questions of Seth Anziska’s groundbreaking book, which explores the complex legacy of the agreement brokered by President Jimmy Carter.Based on newly declassified international sources, Preventing Palestine charts the emergence of the Middle East peace process, including the establishment of a separate track to deal with the issue of Palestine. At the very start of this process, Anziska argues, Egyptian-Israeli peace came at the expense of the sovereignty of the Palestinians, whose aspirations for a homeland alongside Israel faced crippling challenges. With the introduction of the idea of restrictive autonomy, Israeli settlement expansion, and Israel’s 1982 invasion of Lebanon, the chances for Palestinian statehood narrowed even further. The first Intifada in 1987 and the end of the Cold War brought new opportunities for a Palestinian state, but many players, refusing to see Palestinians as a nation or a people, continued to steer international diplomacy away from their cause.Combining astute political analysis, extensive original research, and interviews with diplomats, military veterans, and communal leaders, Preventing Palestine offers a bold new interpretation of a highly charged struggle for self-determination.

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Explores how American Indian artists have responded to the pervasive misunderstanding of indigenous peoples as cultural minorities in the United States and Canada Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization. Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production. It then explores the responses of indigenous artists who take advantage of the ongoing popular interest in Native American culture and art while offering narratives of the political histories of their nations in order to resist multicultural incorporation. Each chapter of Indians Playing Indian showcases a different medium of contemporary indigenous art—museum exhibition, cinema, digital fine art, sculpture, multimedia installation, and literary fiction—and explores specific rhetorical strategies artists deploy to forestall multicultural misrecognition and recover political meanings of indigeneity. The sites and artists discussed include the National Museum of the American Indian in Washington, DC; filmmakers at Inuit Isuma Productions; digital artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.

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**FEATURED ON COMEDY CENTRAL'S "TALES FROM THE TRIP" YOUTUBE SERIES** The Wild Kindness: A Psilocybin Odyssey is the lyrical, unforgettable memoir of Bett Williams's relationship with psilocybin mushrooms, otherwise known as magic mushrooms. In pursuit of self-healing, she begins experimenting with mushrooms in solitary ceremonies by the fire. Word soon gets out about her New Mexican desert mushroom farm, though, and people arrive in droves. Not long after, the police read her her Miranda Rights, her relationships fall out of whack, and her dog Rosie just might be CIA. On a quest to find help through the psychedelic community, Bett is led to Cleveland to meet Kai Wingo, an African American leader within a high-dose psilocybin community, and to Huautla de Jiménez, home of well-known, well-respected curandera María Sabina. Back home, Bett begins a solid ritual practice with the help of her partner and friends, bearing in mind the medicine's indigenous roots and power to transform one's life. Amidst the mainstream flood of New Age practices and products, The Wild Kindness: A Psilocybin Odyssey is a dreamlike reminder that psilocybin mushrooms are a medicine of the people, not to be neatly packaged, marketed, or appropriated. Bett Williams brings to the table one of the best overviews of contemporary psychedelic culture in a long time. —THE EROWID REVIEW In general, this is a balm. It is the polar opposite of that Michael Pollan book. —GOSSAMER Like any good memoirist, Williams performs surgery on herself and holds up each organ for inspection...This is a book that requires you to “go with the flow,” but the flow is awfully inviting. —MOLLY YOUNG, Vulture

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Jesse Dayton's story reads like a who's who of American music. In his debut memoir Beaumonster, Dayton reveals the stranger-than-fiction encounters and outlandish experiences that have ensued across his wide-ranging career. After sneaking into night clubs to play gigs in his youth, eighteen-year-old Dayton and his trio began packing clubs and theaters across Houston, Dallas, and Austin. His first solo record which featured great luminaries like Doug Sahm, Flaco Jiménez, and Johnny Gimble, hit number one on the Americana radio charts and then he was off to the races- touring the world solo and with punk legends Social Distortion and the Supersuckers. While doing press in Nashville, he caught the attention of Waylon Jennings and was whisked off to Woodland Studios, where he was greeted by none other than Johnny Cash, who told Dayton, "We've been waiting for you."Since then, Dayton's ride across the entertainment industry, traversing genres and formats, has only gotten wilder. Whether it's playing guitar on records and film with the likes of Cash, Ray Price, Willie Nelson, Johnny Bush, Glen Campbell and Duff McKagan; writing and recording soundtracks for horror director/rockstar Rob Zombie; directing Malcolm McDowell and Sid Haig in his own horror movie; filling in for the iconic punk band X's guitarist; joining Ryan Bingham on tour; or the many solo and guest projects he continues to work on, Dayton is down to leave his mark, making Beaumonster a uniquely entertaining tale that will impress new and old fans alike.

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Everyone from Sir Paul McCartney and Jimmy Page to Queens of the Stone Age now relishes the chance to share a stage with Dave Grohl and his legendary Foo Fighters. The question is: why? Musical depth? Not really. Major success? Well, yes. Despite no longer shifting albums in the same quantity as they did twenty years ago, this band can still fill stadiums the world over (when Dave's not breaking his leg, of course).Long before Kurt Cobain blew his brains out in 1994, Dave Grohl was planning for a life after Nirvana. The unflinching bright sunlight to Cobain's permanent midnight darkness, Grohl had come from a similar broken home to his erstwhile band leader, but came out of the experience differently - brimming with positivity and a shrewd grasp of opportunities in the music industry.Did Grohl merely take the sonic blueprint of Nirvana and embellish it with a more life-affirming pop sheen? Of course he did. Every band in America that sold over a million records in the post-grunge 90s did the same. The difference was that Grohl had real credibility. And he knew it.With exclusive testimony from true insiders (including Krist Novoselic, Grohl's bass-playing partner in Nirvana, ex-girlfirends, record company executives, tour photographers and confidantes), this book is an exploration of the real story behind Grohl and the Foo Fighters - the only serious literary biography of the group and its leader, one of the most famous and critically bulletproof rock figures of the 21st century.

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When Ronald Reagan became president in 1981, immigration and refugee policy was among the unresolved matters that he inherited from his predecessor, Jimmy Carter. Over three decades later, it remains largely unresolved, due not only to the men who would inhabit the White House, but to interest groups and members of Congress, many of them Catholic, on all sides of the issue.Carter appointed a Catholic priest, University of Notre Dame President Rev. Theodore Hesburgh, to chair the Select Commission on Immigration and Refugee Policy. The commission’s report, released in the early days of the Reagan Administration, helped produce the Immigration Reform and Control Act, signed by Reagan in 1986. Since it offered amnesty to those who were in the country illegally, Catholic immigration advocates, led by the American bishops, applauded the law as consistent with the church’s sacred mission and proud history of compassion toward strangers.These Catholics were also on the same side as the White House when George H. W. Bush signed the Immigration Act of 1990, which raised the ceiling for legal immigration; when George W. Bush in 2006 and BarackObama in 2013 supported comprehensive immigration bills which passed the Senate; and when Obama granted temporary residence to the foreign-born children of undocumented immigrants in 2012. But they challenged the restrictive 1996 Illegal Immigration Reform and Immigrant Responsibility Act signed by Bill Clinton; the interior enforcement efforts of George W. Bush and Barack Obama; and the border control and refugee policies undertaken by all presidents from Reagan to Obama.Rather than helping to overcome the growing political divide over immigration in the country and the church, Catholics on the outer edges of the issue contributed to it. By eschewing compromise in favor of confrontation, Catholic legislators from both parties too often helped prevent Congress from giving the presidents, and the public, most of what they wanted on immigration reform. By forsaking political reality in the name of religious purity, Catholic immigration advocates frequently antagonized the presidents whose goals they largely shared, and ultimately disappointed the immigrants they so badly wanted to help.

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'A lyrical and lovely novel that takes Burke back to the top of the crimewriting tree where he richly belongs' Independent On SundayIt is a rainy late-summer's night in New Orleans. Detective Dave Robicheaux is about to confront the man who may have savagely assaulted his friend, Father Jimmie Dolan, a Catholic priest who's always at the centre of controversy. But things are never as they seem and soon Robicheaux is back in New Iberia, probing a car crash that killed three teenage girls. A grief-crazed father and a maniacal, complex assassin are just a few of the characters Robicheaux meets as he is drawn deeper into a web of sordid secrets and escalating violence.A masterful exploration of the troubled side of human nature and the dark corners of the heart, peopled by familiar characters such as P.I. Clete Purcel and Robicheaux's old flame Theodosia LeJeune, LAST CAR TO ELYSIAN FIELDS is vintage Burke - moody, hard-hitting, with his trademark blend of human drama and relentless noir suspense.Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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Thirty years ago five L.A. punks unleashed their debut album upon the atrophied and decadent rock charts of Reagan's America. Within weeks ÊAppetite for DestructionÊ ascended to number one on the U.S. charts; to date ÊAppetiteÊ has sold more than thirty million copies making it the bestselling U.S. debut album of all time. To say that Guns N' Roses redefined rock 'n' roll is akin to asserting that Jimi Hendrix revolutionized surf music ä a statement that while technically true does more to conceal the truth than elucidate it. GN'R turned back the tide of MTV-spawned New Wave/synth pop by infusing the blistering hard rock of Led Zeppelin and Aerosmith with a punk sensibility that hearkened back to the onstage anarchy of the Stooges New York Dolls and Sex Pistols. In ÊGuns N' Roses FAQ: All That's Left to Know About the Bad Boys of Sunset StripÊ Rich Weidman charts the amazing journey of this seminal record and the band behind it. From the gutters of West Hollywood to the Rock and Roll Hall of Fame from ÊAppetiteÊ to ÊThe Spaghetti Incident?Ê these 400 pages of hedonistic nihilism salacious debauchery and raw unadulterated rock are guaranteed to turn your head blow out your eardrums obliterate your comfort zone and leave you begging for more.ÞWritten in Backbeat's popular FAQ format ÊGuns N' Roses FAQÊ breaks the band's story into a series of chapters equally suitable for a straight-through read or piecemeal consumption. Weidman's treasure trove of facts trivia stories and photographs touch on every topic imaginable. Subjects explored include the band's earliest influences and venues most notorious concerts and opening acts highlights from their seemingly endless ÊAppetite for DestructionÊ and ÊUse Your IllusionÊ tours bizarre TV appearances (like the time they destroyed the set of MTV's ÊHeadbangers Ball!Ê) public and private feuds music videos best and worst covers (Pat Boone anyone?) and much more. From the golden years of the late eighties and early nineties to the outrageous antics and self-destructive tendencies that to irreconcilable inner turmoil from the band's West Hollywood club days to the reunion of three of the five classic band members during the 2016 Not in This Lifetime Tour ÊGuns N' Roses FAQÊ paints a portrait replete with sheer talent raw power dangerous rivalries rock excess and sudden reconciliation that's simply unrivaled by anything else on the market.

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Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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When Hazel Wolf died, at the age of 101, more than nine hundred of her friends -- from the governor of Washington to union organizers, from birdwatchers to hunters -- crowded Town Hall in Seattle to honor the feisty activist and tell the often outrageous "Hazel stories" that were their common currency. In this book, Hazel herself tells the stories. From twenty years of taped conversations, Susan Starbuck has fashioned both a biography and a historical document, the tale of a century’s forces and events as played out in one woman's extraordinary life. Hazel Wolf earned a national reputation as an environmentalist and was awarded the National Audubon Society's Medal of Excellence, an honor she shared with Rachel Carson and Jimmy Carter. She laid the groundwork for a unique coalition of Native Americans and environmentalists who are now working together on issues related to nuclear energy, fisheries, and oil pipelines. She lectured and taught at schools and universities all over the United States. She lobbied Congress on irrigration, labor rights, nuclear energy, and peace, and she corresponded with a global network of environmental leaders. But for all her influence, she never held a political post higher than precinct committee officer in Seattle’s 43rd legislative district, and her highest office in the environmental movement was that of secretary in the Seattle Audubon Society, where she served for thirty-five years. This book follows Hazel Wolf from childhood to old age, a lifetime of burning with a fierce desire for justice. She saw the quest for justice as a collective responsibility. Time and again, she met that challenge head on. Whether organizing for labor rights or founding chapters of the Audubon Society, battling to save old-growth forests or fighting deportation to her native Canada as a communist, over and over she put herself in the line of fire. "I was just there," she said, "powerless and strong, someone who wouldn’t chicken out."

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"Ed's photos take us behind the scenes and in the middle of the action. I always felt like I was being transported to the location of the shot, and was experiencing it all first hand. The Stooges Funhouse sessions are my favorite rock photos of all time. I wanted to be those guys. Those images have stayed with me my entire life and continue to inspire me to this day !!!!!" - John Varvatos In May 1970, The Stooges were in the middle of recording their celebrated album, Fun House at Elektra Records Recording Studio in Los Angeles. That same month, they appeared at the Whisky a Go-Go on Sunset Boulevard for two incredible nights. Ed Caraeff, a new rock photographer who had burst onto the scene three years prior with his now-iconic image of Jimi Hendrix burning his guitar onstage at Monterey, happened to be in that crowd, and took a plethora of wonderful pictures. Only a few stills from that phenomenal gig were ever reproduced. Most famously, one was used on the cover of Fun House. The rest were filed away. Until now. Ed Caraeff's coverage of this monumental moment is reprinted here for the first time in book form. He not only captures the energy, madness and raw power of Iggy Pop's performance, but also the preceding minutes before the band stepped onto stage and made history. Along with images and contact sheets, original interviews shed new light on that unforgettable night. Interviewed by pop-culture historian Jennifer Otter Bickerdike, names include Jac Holzman, Head of Elektra Records during the recording of Fun House; Mikael Maglieri, son of Mario Maglieri, owner of the Whisky a Go-Go when The Stooges played in 1970; Danny Fields, a DJ/publicist credited for signing MC5 and The Stooges; and Jeff Gold, music historian and noted Iggy Pop biographer. A tribute to the band that rocked the world, Iggy & The Stooges: One Night at the Whisky, 1970 will revolutionise your view of music.

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Social misfit Mari Caldwell desperately wants to get on with her life. If only she could get there faster―specifically to Yale―and leave behind all the things that make her anxious: driving a car, crossing bridges, her peers, her parents’ divorce. Mari only feels at ease behind the lens of her vintage Leica. Her camera keeps the world―and the people in it―at a safe distance.When Mari comes across an old scrapbook of her mother’s, she discovers her white collar parents were once blue denim hippies. She ends up fighting with her mother and storming out. She pedals her bicycle into a downpour, swerves to avoid an oncoming jeep, and flies smack into a tree. Mari climbs into an abandoned VW van bearing the ghost of a psychedelic paint job, and passes out.The next morning, Mari wakes up to the sound of music. A young couple wander through the glen like hippie gypsies, playing recorder and tambourine. Mari accepts their offer of a ride into San Francisco. But something is wrong; Mari can’t quite figure out what. The skyline, her father’s address, the music on the radio. Everything is slightly off. Except Jimmy, the driver of the van. There’s something about him that calms her inner chatter. Only after she says good-bye to the merry band and runs headlong into a war protest does Mari being to realize: it is June, 1967.In the epicenter of the Summer of Love, Mari makes friends with the would-be rock band, meets the grandfather she never knew, and falls in love. In spite of herself, Mari discovers that love changes everything. It even changes her.A fun and touching novel about the people who raise us, the times that define us, and the stumbling blocks on our way to being a grown-up, Shine Until Tomorrow tells the story of a girl obsessed with the future who must visit the past to learn to live in the present.

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Bobby Womack was born on 4 March 1944, and died on 27 June 2014, aged 70. In a career that spanned two centuries and seven decades, the soul singer, songwriter and guitarist carved a niche for himself that has rarely been equalled, and never surpassed. He is, quite simply, irreplaceable. A phenomenally gifted musician, his incredible talent helped him to escape the ghetto and become a star, with 30 million record sales to his name. Yet behind his beautiful music lay a life scorched by tragedy. Having trod the harsh edge of the music business for decades, he finally told his explosive story in Midnight Mover. From finding success with his family gospel group The Valentinos and being whipped into shape by James Brown and Jimi Hendrix on the chitlin circuit , to recording with Wilson Pickett, Eric Clapton and Elvis Presley, Womack s stellar career wove a colourful path through the history of soul, rock and R&B music. His collaborations with other musicians read like a roll of honour, from Aretha Franklin and Ray Charles to The Rolling Stones and Damon Albarn. Success came at a price, however. Womack lost his friend and mentor Sam Cooke when the soul star was gunned down in a motel. A doomed marriage to Cooke s widow followed, which severely damaged his reputation in the music business. Tragically, he lost two sons, one to suicide, as well as his brother Harry to a brutal murder. His escape was to turn to drugs. Years of riotous abuse took their toll on Womack and those closest to him including Janis Joplin, who spent her last night drinking with the singer. But Womack s talent, searing guitar and soulful voice always survived. Cited as an influence by myriad musicians, even in death he remains the epitome of cool. Honest, insightful and unflinching, this is the authentic voice of the Midnight Mover, a supremely talented legend of music whose every day was lived to the full.

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The Continental Congress, meeting in Philadelphia in the winter of 1776, received an urgent message. Please fix upon some particular color for a flag. It was from an understandably exasperated George Washington. The Continental Armies had taken the field under a babble of emblems and devices. Even the Grand Union flag that flew over naval vessels confused the issue with its display of the crosses of the British flag in its canton. So, at Washington's request, Congress wrestled with the design, and on June 14, 1777, almost a year after the signing of Declaration of Independence, on the date still celebrated as Flag Day, the United States finally had a flag all its own. Every era has a flag story to tell. Suffragettes, Know-Nothings, babies, Boy Scouts, and the Ku Klux Klan have all claimed it as their own. It flies in moments of victory, on Iwo Jima during World War II, and in moments of profound sorrow, when America grieved for the victims of 9/11. Old Glory: Unfurling History describes the histories and myths surrounding the flag of the United States of America from its revolutionary birth to the present day, and is lavishly illustrated from the collections of the Library of Congress. Karal Ann Marling is professor of Art History and American Studies at the University of Minnesota. She has published extensively, and her recent books include: George Washington Slept Here, Graceland: Going Home with Elvis, and Illusions of Eden: Visions of the American Heartland.

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