Search results for ""author jim"

The daring James Bond is back in a definitive bumper edition collecting the first period of Jim Lawrence's celebrated run in comic strip form! Includes seven of Bond's most thrilling and dangerous missions: The Harpies, River of Death, The Golden Ghost, Fear Face, Double Jeopardy, Starfire and Kingley Amis' controversial post-Fleming story, Colonel Sun.

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As one of the first great wicketkeeper-batsmen Jim played 46 times for England in a career that earned him widespread respect throughout the game of cricket.

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Jim the crocodile finds the courage to face his fear of swimming in this funny and charming debut picture book from Theodor Seuss Geisel Honor–winning author-illustrator Kaz Windness.Jim the crocodile is scared of swimming—or rather, of sinking. His family’s swamp is just too deep, too dark, and too big. But maybe he could swim, if only there were a smaller swamp where he could try it on his own terms. Jim wiggle-waggles far and wide until he finds the perfect place. With the help of some floaties and his sisters, Jim just might find the courage to face his fear and show everyone—including himself—that Jim can swim!

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Award-winning illustrator Mini Grey turns her inimitable hand to Hilaire Belloc's classic cautionary tale of Jim: who ran away from his Nurse and was eaten by a Lion!First published in 1907, Belloc's wickedly funny poem describing the sad end of Jim is fabulously illustrated in a magical picture book edition. This is darkly comic, word of warning about the dangers of being spoiled is the perfect tongue-in-cheek corrective for little ones who have been a little overindulged!

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The incredible rags-to-riches story of one of the world's greatest motorcycle racers. From humble beginnings in 1930s London, to winning six world titles, Jim Redman MBE is one of GPs most extraordinary characters, and a true legend of motorcycle racing. After migrating to South Africa, he started his racing career in the mid-fifties, and was awarded an MBE in 1964 - a year that also saw him win three World Championships in a single day, a feat, to this day, matched only by Mike Hailwood.During the mid-60s, Jim was THE man to beat on track, but a bad crash at the '66 Belgian GP ended his racing career. Following this, Jim was involved in a number of business ventures - including helping his two sons with their own successful sports careers, and owning a champion sire race horse - until, in 1995, he once again took up a career in racing as a Classic Racer and Demonstration Rider.

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One of Joseph Conrad’s greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as ‘Tuan Jim.’ Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized.This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad’s source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

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The first in-depth survey of the life and work of Jim Hodges, one of America's most celebrated contemporary artistsJim Hodges is an artist who addresses issues such as memory, love, and existential struggles through a multifaceted practice that includes photography, screen printing, and sculpture. His use of found materials including rocks and denim, coupled with the adoption of transitory shapes like spiderwebs, speaks of a personal experience that resonates on a collective level filtered through elements available in nature. Mysterious, beautiful, poetic, and conceptually deep, Hodges's work has the rare quality of being simultaneously thought-provoking and visually beautiful.

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Jim Dixon se encuentra en una situación delicada. No sabe si va a poder conservar su puesto de profesor de Historia Medieval en la universidad, ya que para ello tendría que publicar un artículo que le granjeara la admiración de la academia. Y no solo eso:también ha de mantener una buena relación con el profesor Welch, el jefe de su departamento, un hombre pedante y despistado que probablemente no olvide con facilidad que Jim proviene de una familia de clase media baja y que las altas esferas académicas no son precisamente su fuerte. Y todo esto mientras intenta conquistar a Margaret, una de sus compañeras de trabajo que se está recuperando de un intento de suicidio a causa de la ruptura con su exnovio. Le acompañará a Jim la suerte para conseguir sus propósitos?Una nueva traducción de la primera y aclamada novela de Kingsley Amis, que le valió el prestigioso Premio Somerset Maugham. Una sátira de la vida universitaria británica que, aderezada con una deliciosa y mordiente misantropí

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It takes a lot of effort for Jimmy Crocker to become Piccadilly Jim - nights on the town roistering, headlines in the gossip columns, a string of broken hearts and breaches of promise. Eventually he bacomes rather good at it and manages to go to pieces with his eyes open. But no sooner has Jimmy cut wild swathe through fashionable London than his terrifying Aunt Nesta decides he must mend his ways. He then falls in love with the girl he has hurt most of all, and after that things get complicated.In a dizzying plot, impersonations pile on impersonations so that (for reasons that will become clear, we promise) Jimmy ends up having to pretend he's himself. Piccadilly Jim is one of P.G. Wodehouse's most renowned early comic novels, and has been filmed three times.

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Encuadernación: RústicaColección: Biblioteca de autorEscrita en 1900, Lord Jim es la gran novela que aborda el tenue filo que separa las dos caras de una misma moneda: la cobardía y el valor. Marcado por un trágico incidente en el que se ve envuelto en una de sus travesías como piloto, Jim arrastra como una losa, mas con la dignidad de que sólo son capaces los personajes trazados por Joseph Conrad (1857-1924), el juicio que tanto la sociedad como él mismo formulan sobre su comportamiento en aquella ocasión. El destino, sin embargo, pondrá inesperadamente a su alcance la oportunidad de alcanzar la redención personal.

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'To the white men in the waterside business and to the captain of ships he was just Jim - nothing more. He had, of course, another name, but he was anxious that it should not be pronounced.' Lord Jim tells the story of a young, idealistic Englishman - 'as unflinching as a hero in a book' - who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life is blighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to establish him in Patusan, a remote Malay settlement. There he achieves a kind of peace, but his courage is put to the test once more. Lord Jim is one of the most profound and rewarding psychological novels in English. Set in the context of social change and colonial expansion in late Victorian England, it embodies in Jim the values and the turmoil of a fading empire. In his introduction and notes to this new edition Jacques Berthoud explores the social and cultural dynamics that inform the novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Author Rudy Rucker brings his unmistakable style to the afterlife in this mind-blowingly gnarly science fiction surfer novel. A quantum experiment by disaffected bioengineer-turned-mailman Jim Oster has gone wrong, accidentally rupturing the membrane between our world and an afterworld called Flimsy—creating a two-way tunnel that kills his pregnant wife. Jim thinks life couldn’t get worse. Until, that is, he realizes that he’s now facing an invasion of the Flims—subdimensional creatures who resemble blue baboons and flying beets—and that he may be the only one who can do anything about it. Aided by a posse of Santa Cruz surf-punks—one of whom keeps an Egyptian mummy in his basement, and may also be a serial killer—Jim plunges into a mad series of adventures in the afterworld—where he just might be able to find his wife and bring her back to life. . . . Night Shade Books’ ten-volume series with Rudy Rucker collects nine of the brilliantly weird novels for which the mathematician-turned-author is known, as well as a tenth, never-before-published book, Million Mile Road Trip. We’re proud to collect in one place so much of the work of this influential figure in the early cyberpunk scene, and to share Rucker’s fascinating, unique worldview with an entirely new generation of readers.

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The first major English-language study of JarmuschAt a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train. Jarmusch's films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors like Sofia Coppola, Hal Hartley, Richard Linklater, and Tsai Ming-liang. Juan A. Suárez identifies and describes an abundance of aesthetic influences on Jarmusch, delving into the director's links to punk, Structural film, classic street photography, hip-hop, beat literature and art, and the New York pop vanguard of the late 1970s. At the same time, he analyzes Jarmusch's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.A volume in the series Contemporary Film Directors, edited by James R. Naremore

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Blending the reflected cultural climate of his adopted home, Los Angeles, with the multi-layered world of American popular culture, Jim Shaw (b.1952) creates rich, dream-like worlds within distinct bodies of work. Addressing, for the first time, how the artist's oeuvre inter-relates, this substantial monograph argues that the artist's seemingly disparate series actually function together to present a lucid and insightful portrait of America today.Emerging out of the long West-Coast shadows of California Assemblage by way of LA Pop and Conceptualism, Shaw’s narrative-driven art marries art history and contemporary existence, as well as literature and comic books, ancient myths and modern movies, science and its variations in popular psychology — not only blurring the boundaries between art and life, but cultivating that confusion to consider the relationship between fact and fiction that seems to define so much of the world we inhabit today.Giving contemporary viewers an effective way to think about art, this publication is an invaluable resource for those interested in painting today and its interaction with modern life.

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When Jim wakes up one Tuesday morning, he doesn't feel like eating his pancakes. In fact, Jim doesn't feel like Jim. He feels rather, well, beastly. But he is hungry. Very hungry....This clever and relatable tale of moods from Laurel Snyder and Chuck Groenink offers a lighthearted depiction of the beastliness that lives inside all of us—and the power we have to put it in its place. Surprising yet satisfying, this richly illustrated book brims with humor that readers of all ages will be roaring to devour.

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Lowly office clerk Jim, has been press-ganged into a clandestine organisation of assassins, who control the population by secretly culling them in a variety of bizarrely ridiculous ways. If you thought your day job was bad, just wait until you see Jim's "To Do" list!

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First published in 1923, Jim Hanvey, Detective is a collection of seven stories that originally appeared in The Saturday Evening Post and features private eye Jim Hanvey in classic whodunit style mysteries. Described as the "backwoods Nero Wolfe," the genial Hanvey befriends "good guys" and criminals alike to get the job done.Bank robberies, jewel heists, and all-purposes cons—none are a match for Octavus Roy Cohen's waddling sleuth.

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'A brilliantly and preposterously funny book' Guardian'A flawless comic novel ... I loved it then, as I do now. It has always made me laugh out loud' Helen Dunmore, The TimesJim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons - as long as Jim can stave off the unwelcome advances of fellow lecturer Margaret, survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand. Inspired by Amis's friend, the poet Philip Larkin, Jim Dixon is a timeless comic character, adrift in a hopelessly gauche and pretentious world, in a witty campus novel that skewers the hypocrisies and vanities of 1950s academic life.With an introduction by David Lodge

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Based on a real-life love triangle and later made into François Truffaut's famous New Wave film, Henri-Pierre Roché's Jules et Jim is a paean to youth set in free-spirited Paris before the First World War. Jules and Jim live a carefree, bohemian existence: they write in cafés, travel when the mood takes them, and share the women they love without jealousy. Like Lucie, flawless, an abbess, and Odile, impulsive, mischievous, almost feral. But it is Kate - with a smile the two friends have determined to follow always, but capricious enough to jump in the Seine from spite - who steals their hearts most thoroughly. Henri-Pierre Roché was in his mid-seventies when he wrote this, his autobiographical debut novel. The inspiration for the legendary film directed by François Truffaut, it captures perfectly with excitement and great humour the tenderness of three people in love with each other and with life.This Penguin Modern Classics edition is translated by Patrick Evans with an introduction by Agnès C. Poirier and an afterword by François Truffaut.Henri-Pierre Roché (1879-1959) was born in Paris. After studying art at the Academie Julian, he became a journalist and art dealer, mixing with the avant-garde artistic set; his friends and acquaintances included the artists Michel Duchamp and Francis Picabia, and in 1905 he introduced Gertrude Stein to Pablo Picasso. In 1916, following his discharge from the French army, Roché went to New York and set up a Dadaist magazine, The Blind Man, with Duchamp and the artist Beatrice Wood. It wasn't until his seventies that he wrote the semi-autobiographical Jules et Jim (1953); his second novel, Les deux anglaises et le continent, was published in 1956.If you enjoyed Jules et Jim, you might like Raymond Radiguet's The Devil in the Flesh, also available in Penguin Modern Classics.'A perfect hymn to love and perhaps to life'François Truffaut, director of Jules et Jim and The 400 Blows

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Since the early 1980s, Jim Grimsley has received increasing acclaim for his achievements in a variety of dramatic and literary genres. Through his novels, plays, and short stories, Grimsley portrays an unrelenting search for happiness and interrogates themes of corruption, technology, poverty, domestic abuse, sexuality, and faith in the contemporary United States. Through unique characters and a multitude of forms, the award-winning author explores the complexities of southern culture, his own troubled childhood, and larger pieces of the human experience.In Understanding Jim Grimsley, David Deutsch offers the first book-length study of Grimsley’s diverse work and argues for his vital role in shaping the contemporary queer American literary scene. Deutsch helps readers navigate the intricacies of Grimsley’s influential drama, fiction, and fantasy science fiction— including his most popular novel, Dream Boy—by weaving together discussions of common themes. Placing Grimsley’s plays, novels, and short stories in conversation with one another, Deutsch reveals Grimsley’s development throughout a career in which he has investigated hope and hardship, youth and maturity, experimentation and convention. Deutsch also provides vital historical and cultural contexts for understanding how Grimsley engages, expands, and challenges literary and theatrical traditions.Deutsch demonstrates a deep, critical understanding of Grimsley’s hard-earned, pragmatic optimism. Intertwining Grimsley’s major fiction and plays and contextualizing these within a broader American landscape, this volume brings his work more completely into the conversation on southern queer literature.

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Introduction and Notes by Susan Jones, St Hilda's College, Oxford. First published in 1900, Lord Jim established Conrad as one of the great storytellers of the twentieth century. Set in the Malay Archipelago, the novel not only provides a gripping account of maritime adventure and romance, but also an exotic tale of the East. Its themes also challenge the conventions of nineteenth-century adventure fiction, confirming Conrad's place in literature as one of the first 'modernists' of English letters. Lord Jim explores the dilemmas of conscience, of moral isolation, of loyalty and betrayal confronting a sensitive individual whose romantic quest for an honourable ideal are tested to the limit. In this novel, Conrad draws on his background as Polish emigré, as well as his first-hand experience as a seaman, to experiment radically with the presentation of human frailty and doubt in the modern world.

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While lunching one day in Paris, long-time friends and collaborators John Armstrong and Paul Collins drew up a list of 49 random words that would become the subjects of a series of photographs. Armstrong shot in their native Canada, and Collins in France, where he has been living these past 20 years. When the 98 images are paired - which photographer took each one is never identified - they explore the blurred edges of North American and European culture, of the familiar and the exotic, of shared and individual experiences. The pairs of photos are augmented by a series of textual responses - some in English, some in French - to the 49 words. The passages act more as complements to the photos than as captions, providing an anecdotal context for the photographers and their project. The photographs were exhibited at Toronto's Robert Birch Gallery and the Art Gallery of Sudbury, Ontario, in summer 2002, and in Caen, France, and Erfurt, Germany, in 2003.

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Cuando la riquísima Eugenia Van Brunt se casó con Bingley Crocker, un actor de quinta fila, Jimmy, el hijo de Crocker, más conocido como Piccadilly Jim, se despidió de su trabajo. Por qué habría de malgastar la vida trabajando? Y ahora todos viven en Londres, donde Eugenia se ha empeñado en conseguir un título nobiliario para Bingley. Jimmy es un auténtico señorito, dedicado a la buena vida, y sus hazañas son material de los periódicos sensacionalistas. Estas noticias llegan a Nueva York, a oídos de Nesta Pett, la hermana de Eugenia, escritora de novelas muy intensas que toma cartas en el asunto. O sea, que se entromete en la buena vida del alegre Piccadilly Jim.

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While most athletes excel in just one sport, Jim Thorpe was different. Born in Oklahoma in 1887, he played both professional football and baseball, and ran track and field. Jim was not only a sports icon but also a trailblazer. Raised as part of the Sac and Fox tribal nation, he was the first Native American person to win an Olympic gold medal for the United States. And although his personal life was not always as successful as his career, Jim remains one of the greatest athletes in American history.

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"Tanguy Viel's parody/pastiche of the American novel is subtle and experimental; it tells a story at the same time as it implicitly poses questions about the narrative structure it is deploying." —The French Review In The Disappearance of Jim Sullivan, disappearance is both a theme and a stylistic device. Indeed, this publication narrates the disappearance of Dwayne Koster, who, fascinated by the story of Jim Sullivan, commits suicide in the New Mexico desert which was the setting of the rocker’s disappearance in 1975. But this novel is for the most part set in the metanarrative tale of its own genesis, and, as a result, is partially eclipsed: its -fictitious- author doesn’t relate it in its entirety and keeps adding bits and pieces of first drafts and preliminary sketches to his text, thus blurring its boundaries. Tanguy Viel’s work can therefore be perceived as a double response, existential and aesthetic, to the question of the end.

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Early one morning, Jim woke up and saw a massive plant growing outside his window . . .In this re-telling of the classic children's story by author of The Snowman Raymond Briggs, a little boy called Jim finds a beanstalk outside his window one morning. Like his predecessor Jack, he decides to climb it - and at the top, he finds a huge castle and a rather grumpy giant. But this giant isn't at all what Jim expected . . .This funny and yet heartwarming story showcases the importance of friendship, problem-solving, and above all - kindness.More classic stories from Raymond Briggs:The Snowman - the wordless picture bookFather ChristmasUG: Boy Genius of the Stone AgeThe Elephant and the Bad Baby

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The story of Jim Larkin and the lockout of Dublin workers in 1913 led by William Martin Murphy, told in graphic novel form. On August 26th 1913, the trams of Dublin stopped. The Great Dublin Lockout had begun. Over the next four months, James Larkin would lead the workers of Dublin against William Martin Murphy and the Employers Federation in a conflict that would change the face of Irish industrial relations. Dublin was brought to its knees by the food shortages and the aftermath of Bloody Sunday. As winter approached, Larkin lead his Firey Cross campaign to England, hoping to rally the entire United Kingdom to strike in support of the Irish workers.

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Cuando muchos otros sucumben a los cantos de sirena de la gran industria, Jim Jarmusch se mantiene fiel a su independencia, lo que le propicia una libertad creativa total, así como un amplio control sobre su trabajo, desde la escritura del guión hasta la propia exhibición, convirtiéndose en una de las miradas más personales y críticas contra el sueño americano y la sociedad moderna dentro del cine actual. Sus películas son sutiles radiografías sobre la cotidianidad, la incomunicación y la soledad, agridulces crónicas de viajes de unos seres inadaptados en un mundo demasiado inmerso en su autocomplacencia, lo que les impulsa por elección propia a un sempiterno vagabundeo dictado al mismo tiempo por las circunstancias del azar. Porque el itinerario, al igual que en las " bildungsroman " o novelas de formación, conlleva múltiples significados como evasión, transformación, experiencia, conocimiento, búsqueda interior e incluso, según Jung, el anhelo de lo nunca colmado.

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Even among the mighty mountain men, Jim Bridger was a towering figure. He was one of the greatest explorers and pathfinders in American history. He couldn't write his name, but at eighteen he had braved the fury of the Missouri, ascending it in a keelboat flotilla commanded by that stalwart Mike Fink. By 1824, when he was only twenty, he had discovered the Great Salt Lake. Later he was to open the Overland Route, which was the path of the Overland Stage, the Pony Express, and the Union Pacific. One of the foremost trappers in the Rocky Mountain Fur Company, he was a legend in his own time as well as ours. He remains one of the most important scouts and guides in the history of the West.The Christian Science Monitor has called this biography "probably the fairest portrait of Jim Bridger in existence." The New York Times has praise for a "painstaking job of research among the usual Bridger sources and among some others which have been neglected. . . . [The author] has adequately set the scene for his hero's adventures and has honestly appraised the great guide's historical stature."Other Bison Books by Stanley Vestal: Dodge City: Queen of Cowtowns, Joe Meek: The Merry MOuntain Man; The Missouri, The Old Santa Fe Trail, and Warpath: The True Story of the Fighting Sioux Told in a Biography of Chief White Bull

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Jim en el espejo es la historia de un adolescente que, poco a poco, va descubriendo que él no es como los demás chicos. A los quince años se da cuenta de lo que le pasa: Las chicas lo dejan indiferente. Pero es al conocer a Mats, cuando comienza el enfrentamiento con sus padres, con la sociedad. Jim comprende y asimila que el amor entre dos hombres no es algo despreciable ni sucio.?Libro valiente en el tratamiento del tema: homosexualidad. Experiencias amargas de un niño que se sabe especial y no es comprendido por nadie, por lo que sufre y se rebela? (Información, de Elche).

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The official novelization of Jim Henson’s cult classic film along with a behind-the-scenes look at the film’s conception from the Jim Henson Archives.Sarah has thirteen hours to save her brother from a land where everything seems possible and nothing is what it seems.  Experience the beloved fantasy classic Labyrinth adapted by A.C.H. Smith and personally overseen by Jim Henson. Featuring twenty previously unpublished illustrations by legendary illustrator and concept artist Brian Froud and an exclusive peek into Jim Henson’s creative process with fifty never-before-seen pages from his personal journal, detailing the initial conception of his ideas for Labyrinth.

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A darkly comic debut play about confession and the gravity of young love. Ramona is sixteen, hates bananas, and she's totally cool. Honestly. She's completely cool. It's 1998, and Ramona, of Englandshire, is on a wet, midge-riddled geography field trip, deep in the Scottish Highlands. There she meets Jim, a local laddie obsessed with hermit crabs, rock erosion and spider plants. When Ramona falls for Jim's awkward charm, she gets caught in a scandal that will haunt her for years to come. Sophie Wu's Ramona Tells Jim was commissioned by and first performed at the Bush Theatre, London, in September 2017.

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Invents the context for a new melody for the art of Jim Dine. In this title, Dine has reflected authentically on his own identity and through it the identity of reality, nature, art, thoughts, feelings in an extraordinary poetic way: We see a 'POEM', we read an 'IMAGE'. It may be read and regarded as a summary of an unusual life.

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Jim Baxter - the legendary 'Slim Jim' - was arguably Scotland's greatest-ever footballer, a left-footed genius who became a Rangers icon and helped Scotland humiliate world champions England at Wembley in 1967 - with some famous keepie-uppie along the way. And although much has been written about Slim Jim over the years, the real story behind his life is now revealed for the first time. When Jim Baxter joined Rangers in 1960 for a record fee of £17,500, he quickly proved his worth, helping the team to ten trophies over the next five years. It was the start of a glittering career and a hard-drinking, hard-living lifestyle in the big city, where he fully enjoyed the fruits of his success. But behind the glamour on and off the park, Jim Baxter hid a secret that would torment him for most of his life, a secret he only discovered the full truth about when he was fifty years old. What is beyond doubt is that Slim Jim Baxter will forever be revered for his unbelievable footballing talent. He will also be remembered for his ability to live life to the full and beyond. But had he uncovered the truth earlier about the family secret that left him shattered, the life of this footballing genius might have been very different both on and off the pitch.

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When Mum asks Jim to rid their garden of snails, he has an idea. Using the white glove from Dad's study, Jim is going to give each snail a swift and painless death. But can he go through with it? When Mr Darcy the cat gets involved, Jim loses the glove and trouble breaks loose. The third story in the deadly funny JIM REAPER series, perfect for fans of Dahl, Walliams and Lemony Snicket.

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The first posthumous survey of Ojibwe artist Jim Denomie’s paintings, which invite further conversation about American history, memory, and place A prolific artist, Jim Denomie (La Courte Oreilles Band, Ojibwe, 1955–2022) did not begin his art career until the age of 35. Over the course of three decades, his award-winning work has been featured in national and international exhibitions and found in notable private and public collections. The Lyrical Artwork of Jim Denomie explores themes in the artist’s work, such as the legacies of colonization, reconsideration of American history, and what he saw as the absurdity of our current zeitgeist. His paintings are satirical and surreal, displaying a vibrant palette, along with dark humor and pointed references to historical and contemporary issues and injustices. Denomie drew upon lived experiences, pop culture, Ojibwe beliefs and traditions, and American history to tell stories with universal lessons. Alongside his satirical, history paintings, Denomie created a deeply personal body of work that depicts his spirituality, memories, and relationship to place. In addition to its incisive essays, the book includes forewords by Denomie’s friend and gallerist, Todd Bockley, and the artist’s wife, the author Diane Wilson, as well as a transcript of one of his final interviews. In its totality, this catalogue begins the conversation around the lasting impact of Denomie’s work and life. Distributed for the Minneapolis Institute of Art Exhibition Schedule: Minneapolis Institute of Art (July 8, 2023–March 24, 2024)

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To help her granddaughter accept the risks of loving, Sadie Watson mines her memory for the tale of the unquenchable love of her life, Jim. Sadie’s Jim was an ambitious young slave and seer who, when faced with the prospect of being sold, escaped down the Mississippi with a white boy named Huck Finn. Sadie is suddenly left alone, worried about her children, reviled as a witch, punished for Jim’s escape, and convinced her husband is dead. But Sadie’s will and her love for Jim animate her life and see her through.Told with spare eloquence and mirroring the true stories of countless slave women, My Jim recreates one of the most controversial characters in American literature. A nuanced critique of the great American novel, My Jim is a haunting and inspiring story about freedom, longing, and the remarkable endurance of love.Look for the Reader’s Group Guide at the back of this book.

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