Search results for ""author jim"

Riverdance exploded across the stage at Dublin’s Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton’s Wing, Noel Pearson, Seán Ó Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan’s self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the ‘Best Musical Show Album.’ Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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The year 1998 represents the hundredth anniversary of the U.S. invasion of Puerto Rico. Since that time, the “Puerto Rican archipelago” has come to extend from the island itself, up the Eastern seaboard, and as far west as California and Hawai’i. Puerto Rican Jam considers the issues unique to Puerto Rican culture and politics, issues often encapsulated in concerns about ethnicity, race, gender, and language. Discussions of Puerto Rican cultural politics usually fall into one of two categories, nationalist or colonialist. Puerto Rican Jam moves beyond this narrow dichotomy, elaborating alternatives to dominant postcolonial theories, and includes essays written from the perspectives of groups that are not usually represented, such as gays and lesbians, youth, blacks, and women. The essays propose different ways of conceptualizing the U.S.-Puerto Rican colonial relationship, thus opening new spaces for political, social, economic, and cultural agency for Puerto Ricans on both the island and the continent. Among the topics discussed are the limitations of nationalism as a transformative and democratizing political discourse, the contradictory impact of American colonialism, language politics, and the 1928 U.S. congressional hearings on women’s suffrage in Puerto Rico.A groundbreaking contribution to the study of colonialism, Puerto Rican Jam represents an important engagement with issues raised by American expansionism in the Caribbean. Contributors: Jaime E. Benson-Arias, U of Puerto Rico, Mayagüez; Arlene Dávila, Syracuse U; Chloé S. Georas, SUNY, Binghamton; Manuel Guzmán, CUNY Graduate Center; Gladys M. Jiménez-Muñoz, SUNY, Oneonta; Agustín Lao, SUNY, Binghamton; Yolanda Martínez-San Miguel, U of Puerto Rico; Mariano Négron-Portillo, U of Puerto Rico; José Quiroga, George Washington U; Raquel Z. Rivera, CUNY Graduate Center; Alberto Sandoval Sánchez, Mount Holyoke College; Kelvin A. Santiago-Valles, SUNY, Binghamton. Frances Negrón-Muntaner is a doctoral candidate in comparative literature at Rutgers University, as well as a poet and filmmaker. Ramón Grosfoguel is assistant professor of sociology at the State University of New York, Binghamton.

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Book Two of the Riftwar Legacy Continuing on from Feist’s bestselling Riftwar Saga comes a spellbinding adventure. Now in a brilliant new livery. ‘Feist writes fantasy of epic scope, fast-moving action and vivid – imagination’ Washington Post Fresh back from the front, another foe defeated, Prince Arutha arrives to find all is not well in Krondor. A series of apparently random murders has brought an eerie quiet to the city. Where normally the streets are bustling with merchants and tricksters, good life and night life, now there seems to be a self-imposed curfew at sundown. Mutilated bodies have been turning up in the sewers, the Mocker’ demense. The Thieves’ Guild has been decimated – men, women, children, it matters not. The head of the Mockers is missing, presumed dead. Those few who survived the terrible attacks are lying low. Very low. The Crawler, it seems, is back in town. And he’s being helped by others, more ruthless than he. Can it be the Nighthawks again? The Prince enlists his loyal Squire James to find out. If anyone can unravel what’s happening in the bowels of Krondor, he can. He knows the sewers like the back of his hand. After all, as Jimmy the Hand, he grew up there. Meanwhile, the retinue of the Duke of Olasko has arrived suddenly at the palace, a week ahead of schedule but with no apologies and many demands. They say they are here to hunt. But to hunt what? Pug’s son William, on his first posting as a knight-lieutenant, must escort them into the wilds. It should have been a straightforward mission…

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In June 1994 the United States went to the brink of war with North Korea. With economic sanctions impending, President Bill Clinton approved the dispatch of substantial reinforcements to Korea, and plans were prepared for attacking the North's nuclear weapons complex. The turning point came in an extraordinary private diplomatic initiative by former President Jimmy Carter and others to reverse the dangerous American course and open the way to a diplomatic settlement of the nuclear crisis. Few Americans know the full details behind this story or perhaps realize the devastating impact it could have had on the nation's post-Cold War foreign policy. In this lively and authoritative book, Leon Sigal offers an inside look at how the Korean nuclear crisis originated, escalated, and was ultimately defused. He begins by exploring a web of intelligence failures by the United States and intransigence within South Korea and the International Atomic Energy Agency. Sigal pays particular attention to an American mindset that prefers coercion to cooperation in dealing with aggressive nations. Drawing upon in-depth interviews with policymakers from the countries involved, he discloses the details of the buildup to confrontation, American refusal to engage in diplomatic give-and-take, the Carter mission, and the diplomatic deal of October 1994. In the post-Cold War era, the United States is less willing and able than before to expend unlimited resources abroad; as a result it will need to act less unilaterally and more in concert with other nations. What will become of an American foreign policy that prefers coercion when conciliation is more likely to serve its national interests? Using the events that nearly led the United States into a second Korean War, Sigal explores the need for policy change when it comes to addressing the challenge of nuclear proliferation and avoiding conflict with nations like Russia, Iran, and Iraq. What the Cuban missile crisis was to fifty years of superpower conflict, the North Korean nuclear crisis is to the coming era.

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A PITCHFORK MUSIC BOOK OF THE YEARA radical, literary and intimate insight into one of the twentieth century's most vital vocalists. 'Tongson serves up a number of astute observations about fantasy, projection, longing, normalcy, and aberrance.' MAGGIE NELSON'Deftly weaves memoir, history, and cultural criticism to highlight the dynamic relationship between artists and listeners.'PITCHFORKIn the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy - the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder.In Why Karen Carpenter Matters, Karen Tongson (whose parents named her after the pop icon) interweaves the story of the singer's rise to fame in the 1960s and '70s with her own trans-Pacific journey between the Philippines - where imitations of American pop styles flourished - and Karen Carpenter's home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly white-washed musical fantasies of 'normal love' have profound significance for her - as well as for other people of colour, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter's legacy.This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters' sound, while finding the beauty in the singer's all-too-brief life.'Engrossing . . . a triumphant delight.' 4COLUMNS'Heartfelt . . . excellent . . . breathtaking.' EXCLAIM!'Will resonate with readers who have never even heard of Carpenter.' LITERARY HUBMUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE- Why Solange Matters by Stephanie Phillips- Why Marianne Faithfull Matters by Tanya Pearson- Why Karen Carpenter Matters by Karen Tongson

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When Ronald Reagan became president in 1981, immigration and refugee policy was among the unresolved matters that he inherited from his predecessor, Jimmy Carter. Over three decades later, it remains largely unresolved, due not only to the men who would inhabit the White House, but to interest groups and members of Congress, many of them Catholic, on all sides of the issue.Carter appointed a Catholic priest, University of Notre Dame President Rev. Theodore Hesburgh, to chair the Select Commission on Immigration and Refugee Policy. The commission’s report, released in the early days of the Reagan Administration, helped produce the Immigration Reform and Control Act, signed by Reagan in 1986. Since it offered amnesty to those who were in the country illegally, Catholic immigration advocates, led by the American bishops, applauded the law as consistent with the church’s sacred mission and proud history of compassion toward strangers.These Catholics were also on the same side as the White House when George H. W. Bush signed the Immigration Act of 1990, which raised the ceiling for legal immigration; when George W. Bush in 2006 and BarackObama in 2013 supported comprehensive immigration bills which passed the Senate; and when Obama granted temporary residence to the foreign-born children of undocumented immigrants in 2012. But they challenged the restrictive 1996 Illegal Immigration Reform and Immigrant Responsibility Act signed by Bill Clinton; the interior enforcement efforts of George W. Bush and Barack Obama; and the border control and refugee policies undertaken by all presidents from Reagan to Obama.Rather than helping to overcome the growing political divide over immigration in the country and the church, Catholics on the outer edges of the issue contributed to it. By eschewing compromise in favor of confrontation, Catholic legislators from both parties too often helped prevent Congress from giving the presidents, and the public, most of what they wanted on immigration reform. By forsaking political reality in the name of religious purity, Catholic immigration advocates frequently antagonized the presidents whose goals they largely shared, and ultimately disappointed the immigrants they so badly wanted to help.

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'A lyrical and lovely novel that takes Burke back to the top of the crimewriting tree where he richly belongs' Independent On SundayIt is a rainy late-summer's night in New Orleans. Detective Dave Robicheaux is about to confront the man who may have savagely assaulted his friend, Father Jimmie Dolan, a Catholic priest who's always at the centre of controversy. But things are never as they seem and soon Robicheaux is back in New Iberia, probing a car crash that killed three teenage girls. A grief-crazed father and a maniacal, complex assassin are just a few of the characters Robicheaux meets as he is drawn deeper into a web of sordid secrets and escalating violence.A masterful exploration of the troubled side of human nature and the dark corners of the heart, peopled by familiar characters such as P.I. Clete Purcel and Robicheaux's old flame Theodosia LeJeune, LAST CAR TO ELYSIAN FIELDS is vintage Burke - moody, hard-hitting, with his trademark blend of human drama and relentless noir suspense.Praise for one of the great American crime writers, James Lee Burke:'James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.' Michael Connelly'A gorgeous prose stylist.' Stephen King'Richly deserves to be described now as one of the finest crime writers America has ever produced.' Daily MailFans of Dennis Lehane, Michael Connelly and Don Winslow will love James Lee Burke: Dave Robicheaux Series1. The Neon Rain 2. Heaven's Prisoners 3. Black Cherry Blues 4. A Morning for Flamingos 5. A Stained White Radiance 6. In the Electric Mist with Confederate Dead 7. Dixie City Jam 8. Burning Angel 9. Cadillac Jukebox 10. Sunset Limited 11. Purple Cane Road 12. Jolie Blon's Bounce 13. Last Car to Elysian Fields 14. Crusader's Cross 15. Pegasus Descending 16. The Tin Roof Blowdown 17. Swan Peak 18. The Glass Rainbow 19. Creole Belle 20. Light of the World 21. Robicheaux Hackberry Holland Series1. Lay Down My Sword and Shield 2. Rain Gods 3. Feast Day of Fools 4. House of the Rising SunBilly Bob Holland Series1. Cimarron Rose 2. Heartwood 3. Bitterroot 4. In The Moon of Red Ponies * Each James Lee Burke novel can be read as a standalone or in series order *

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Camp David is American diplomacy's secret weapon. The home of the 2015 GCC and 2012 G8 summits, the 2000 Peace Summit, and the 1978 Peace Accords, the camp has played a vital role in American history over the past century, inviting Presidents and international leaders alike to converge, converse, and, perhaps most importantly, relax. A peaceful mountaintop setting, crucially removed from the constant scrutiny of the press, Camp David has served as both a site of critical diplomacy and unparalleled tranquility. It is where President and Mrs. Reagan rode horses through the mountains, where Gerald Ford could take a moment to jump on a trampoline with his daughter, where Nixon rode shotgun with Soviet President Leonid Brezhnev, and where Jimmy Carter could find the ultimate flight-sledding-only to break his clavicle two weeks before the end of his tenure. Under the pressure and stress, it is easy to forget that those occupying the highest seat in the land are, at the end of the day, human but at Camp David, we finally get to see these leaders at their most vulnerable, their most unguarded, and as their most true selves.

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Thirty years ago five L.A. punks unleashed their debut album upon the atrophied and decadent rock charts of Reagan's America. Within weeks ÊAppetite for DestructionÊ ascended to number one on the U.S. charts; to date ÊAppetiteÊ has sold more than thirty million copies making it the bestselling U.S. debut album of all time. To say that Guns N' Roses redefined rock 'n' roll is akin to asserting that Jimi Hendrix revolutionized surf music ä a statement that while technically true does more to conceal the truth than elucidate it. GN'R turned back the tide of MTV-spawned New Wave/synth pop by infusing the blistering hard rock of Led Zeppelin and Aerosmith with a punk sensibility that hearkened back to the onstage anarchy of the Stooges New York Dolls and Sex Pistols. In ÊGuns N' Roses FAQ: All That's Left to Know About the Bad Boys of Sunset StripÊ Rich Weidman charts the amazing journey of this seminal record and the band behind it. From the gutters of West Hollywood to the Rock and Roll Hall of Fame from ÊAppetiteÊ to ÊThe Spaghetti Incident?Ê these 400 pages of hedonistic nihilism salacious debauchery and raw unadulterated rock are guaranteed to turn your head blow out your eardrums obliterate your comfort zone and leave you begging for more.ÞWritten in Backbeat's popular FAQ format ÊGuns N' Roses FAQÊ breaks the band's story into a series of chapters equally suitable for a straight-through read or piecemeal consumption. Weidman's treasure trove of facts trivia stories and photographs touch on every topic imaginable. Subjects explored include the band's earliest influences and venues most notorious concerts and opening acts highlights from their seemingly endless ÊAppetite for DestructionÊ and ÊUse Your IllusionÊ tours bizarre TV appearances (like the time they destroyed the set of MTV's ÊHeadbangers Ball!Ê) public and private feuds music videos best and worst covers (Pat Boone anyone?) and much more. From the golden years of the late eighties and early nineties to the outrageous antics and self-destructive tendencies that to irreconcilable inner turmoil from the band's West Hollywood club days to the reunion of three of the five classic band members during the 2016 Not in This Lifetime Tour ÊGuns N' Roses FAQÊ paints a portrait replete with sheer talent raw power dangerous rivalries rock excess and sudden reconciliation that's simply unrivaled by anything else on the market.

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Riverdance exploded across the stage at Dublin's Point Theatre one spring evening in 1994 during a seven-minute interval of the Eurovision Song Contest hosted by Ireland. It was a watershed moment in the cultural history of a country embracing the future, a confident leap into world music grounded in the footfall of the choreographed kick-line. It was a moment forty-five years in the making for its composer. In this tenderly unfurled memoir Bill Whelan rehearses a lifetime of unconscious preparation as step by step he revisits his past, from with his Barrington Street home in 1950s Limerick, to the forcing ground of University College Dublin and the Law Library during the 1960s, to his attic studio in Ranelagh. Along the way the reader is introduced to people and places in the immersive world of fellow musicians, artists and producers, friends and collaborators, embracing the spectrum of Irish music as it broke boundaries, entering the global slipstream of the 1980s and 1990s. As art and commerce fused, dramas and contending personalities come to view behind the arras of stage, screen and recording desk. Whelan pays tribute to a parade of those who formed his world. He describes the warmth and sustenance of his Limerick childhood, his parents and Denise Quinn, won through assiduous courtship; the McCourts and Jesuit fathers of his early days, the breakthrough with a tempestuous Richard Harris who summoned him to London; Danny Doyle, Shay Healy, Dickie Rock, Planxty, The Dubliners and Stockton's Wing, Noel Pearson, Sean O Riada; working with Jimmy Webb, Leon Uris, The Corrs, Paul McGuinness, Moya Doherty, John McColgan, Jean Butler and Michael Flatley. Written with wry, inimitable Irish humour and insight, Bill Whelan's self deprecation allows us to to see the players in all their glory, vulnerability and idiosyncracy. This fascinating work reveals the nuts, bolts, sheer effort and serendipities that formed the road to Riverdance in his reinvention of the Irish tradition for a modern age. As the show went on to perform to millions worldwide, Whelan was honoured with a 1997 Grammy Award when Riverdance was named the 'Best Musical Show Album.' Richly detailed and illustrated, The Road to Riverdance forms an enduring repository of memory for all concerned with the performing arts.

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“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).

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'Without a doubt the most important artist the blues has ever produced' Eric Clapton'No one did more to spread the gospel of the blues' President Barack Obama'One part of me says, "Yes, of course I can play." But the other part of me says, "Well, I wish I could just do it like B.B. King."' John LennonRiley 'Blues Boy' King (1925-2015) was born into deep poverty in Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister's guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge.King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (more than fifteen thousand concerts in ninety countries over nearly sixty years) - in some real way his means of escaping his past. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of colour.Daniel de Visé has interviewed almost every surviving member of B.B. King's inner circle - family, band members, retainers, managers and more - and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby 'Blue' Bland simply called 'the man.'

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As a musician and fine arts photographer Diane Asseo Griliches has observed the many distinctive and dynamic ways in which music teachers interact with their students. These 60 black and white photographs capture unique moments in the lively teaching sessions, and the viewer sees great musician/teachers (YoYo Ma, Jimmy Heath, Roman Totenberg, Bobbie McFerrin, and Ravi Shankar, to name but a few) photographed in the act! We are led into a world few have been privileged to share, where one sees the passion, devotion, joy and agony of hard work, the concentration and approval in the faces and body language of students and teachers, and through it all, the pleasures of shared music making. This book involves classical, jazz and ethnic areas of music. Each image is accompanied by a short biography of the teacher as well as a quotation from the teacher or student. All will respond to the very human emotions and the fine photography. This is a book for music lovers and lovers of photography. When one hears the names Yo-Yo Ma, Paula Robison, Bobbie McFerrin, and Ravi Shankar, great musicians immediately spring to mind. What most people do not know is that these dedicated people are also passionate teachers. From intimate one-on-one lessons to larger classroom sessions, these tireless musician/teachers are passing along the secrets of their art to the next generation. In Teaching Musicians, musician and fine arts photographer Diane Asseo Griliches leads us into a world few have been privileged to enter. The students are sensitive, vulnerable, reaching for confidence and achievement, and the teachers are encouraging with humor, critical commentary, generous guidance, or excited demonstration. The dynamic exchanges between student and teacher are observed through body language, facial expressions, and commentary. These convey much in attitude and approach, and through these intense photographic images one can experience the importance of the making of a musician. The photographer has entered into the other life of these fine musicians -- the life as a teacher -- and captured these moments for posterity. We also learn something of the life of these teachers, and relish what they or their students have to say.

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The first major biography of Little Richard, a rollicking, nuanced celebration of the late singer/songwriter’s life and his role in the history of American music—gospel, soul, rock, and more “Tutti Frutti” • “Rip It Up” • “Good Golly Miss Molly” • “Lucille” • “Long Tall Sally” • “You Keep A-Knockin’” Little Richard blazed the trail for generations of musicians—The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was “The Originator,” “The Innovator,” and the self-anointed “King and Queen of Rock ’n’ Roll.” When he died on May 9, 2020, The Big Life of Little Richard—a nearly-completed book—was immediately updated to cover the international response to his death. It is the first major biography of Macon, Georgia’s Richard Wayne Penniman, who was, until his passing, the last rock god standing. Mark Ribowsky, acclaimed biographer of musical icons—the Supremes, the Temptations, Stevie Wonder, Otis Redding—takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality. The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade, the neon-lit duds and piano pyrotechnics, along with a full-body dive into the waters of sexual fluidity. By 2020, eighty-seven-year-old Little Richard’s electrifying smile was still intact, as were his bona fides as rock’s kingly architect: the ’50s defined his reign, and he extended elder statesmanship ever since. His biggest smash, “Tutti Frutti,” is one of history’s most covered songs—a staple of the pre-Invasion Beatles—and Elvis pivoted from country to blues rock after Little Richard made R&B’s sexual overtones a fundament of the new musical order. Even Hendrix, the greatest instrumentalist in rock history, toured with him before launching a meteoric solo career. Whenever someone pushes the music and culture of rock to its outer borders, one should turn to Little Richard for assurance that anything is possible.

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"... a gorgeous compilation of interiors from the homes of famous artists past and present as a way of exhibiting each creator's 'power and legacy' - Publishers Weekly An inspiring collection of the extraordinary private spaces of 250 of the world's most creative people, past and present Life Meets Art presents an unparalleled, global, behind-the-scenes tour through 250 beautiful interiors from the homes of the most creative people in art, architecture, design, fashion, literature, music, film and theatre. These inspiring, unique spaces show us the spaces where the greatest creatives in history lived their lives, honed their crafts and, in many cases, produced some of the world's most celebrated masterpieces - providing an intimate and insightful perspective on the masters that define artistic history. Organized alphabetically by artist, each interior features a color photograph and a short descriptive text, including details on whether the house is open to the public or private. This book will inspire everyone fascinated by stylish living, creative interior design, and the myriad possibilities for home décor, as well as those fascinated by the personal and professional lives of their cultural heroes. Life Meets Art includes homes from creative masters of past centuries such as artists da Vinci, Raphael and Rubens, composers Handel, Lizst, and Verdi and writers Dickens, Byron, and Coleridge. The book also showcases the extraordinary interiors of many twentieth century stars and epoch-defining talents such as architects Frank Lloyd Wright, Eileen Gray, Le Corbusier, and Walter Gropius, artists Pablo Picasso, Marc Chagall, and Henry Moore, writers Ernest Hemingway, William Faulkner, and Agatha Christie and musicians Louis Armstrong, Frank Sinatra, and Elvis Presley. Homes from some of the most celebrated talents of today are also featured, including artists Francisco Clemente, Cornelia Parker, and Gilbert and George, fashion designers Alexander McQueen, Marc Jacobs, and Diane von Furstenberg, designers Marc Newson and Es Devlin and musicians Moby, Jimmy Page, and David Bowie.

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A Champion State of Grind"To all the young athletes out there looking for motivation check out Trust The Grind." ―Jason Kidd, Member of the Naismith Memorial Basketball Hall of Fame#1 Best Seller in Teen & Young Adult Fitness & Exercise, Baseball & Softball, and SportsExclusive interviews with top athletes in sports today. Trust the Grind reveals how these men and women reached the height of their profession.Sixteen athletes from eleven sports. Each chapter tells a different story, as each superstar shares the habit that helped them accomplish their goals and reach the pinnacle of their profession.Sports fanatic or not. Guaranteed to tap into your athletic edge, Trust the Grind, is made for sports fans and nonfans alike. Fans of professional athletes get an in-depth look at their heroes’ climb to the top; those less passionate about sports have the chance to read the secrets of success from some of the most talented people in the world. Both learn pivotal life lessons and can immediately instill these traits and habits into their lifestyle.A ‘success habit’ point of view. Learn the secrets behind success, and what it takes to remain on top. With Trust The Grind, you learn about the value that comes with becoming disciplined, staying driven, setting goals, identifying your “why”, staying active and eating right, making sacrifices, obsessing over your passion, and more. Rather than harping on remarkable accolades and astonishing statistics, this story is formulated to teach you what it takes to be great in any desired field.Trust The Grind includes interviews with: Jason Kidd, Chipper Jones,Terrell Owens, Paige VanZant, Manny Pacquiao, Mike Modano, Jimmie Johnson, Gary Player, Deena Kastor, Ryan Sheckler, Georges St-Pierre, Ryan Lochte, Devin Hester, Andruw Jones, Luis Gonzalez, and Tim Hudson.Fans of books like Relentless, Shoot your Shot, Think Like a Warrior, The Cost of These Dreams, or Shaken, will love Trust the Grind.

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Learn to play the harmonica with this all-in-one kit! Harmonica: Learn to Play in Just Minutes a Day comes with step-by-step lessons and your own harmonica. Did you know that former President Jimmy Carter once shared the stage with Willie Nelson and B.B. King to showcase his harmonica skills? Mainstream acts like Bruce Springsteen, Steven Tyler, Alanis Morissette, Mick Jagger, Bob Dylan, John Popper, and Shakira have also displayed their harmonica handiness on stage (to name just a few). Here’s your chance to join their ranks and play harmonica with local musicians, by yourself for the love of music, or join the next World Record attempt for largest harmonica ensemble (that would be 6,132—including you). Harmonica: Learn to Play in Just Minutes a Day gives you everything you need to learn to play this fantastic wind instrument, and learn quickly. The photographs, illustrations, and diagrams make the learning process simple and fun for beginners. This all-inclusive instructional kit come with: 10-hole diatonic harmonica 32-page lesson booklet Carrying case Cleaning cloth Designed for the beginning harmonica player, the easy-to-follow lessons start by teaching proper hand position, mouth position, breathing (blowing and drawing), and how to read music (tablature). You will quickly progress to learn more advanced concepts like scales, chords, train sounds, tongue blocking, tremolo, and the one-note blues jam. Each section features clear instruction to playing songs and licks that you will enjoy working on, such as: Timeless folk songs including “Amazing Grace,” “You Are My Sunshine,” “Love Me Tender,” “Scarborough Fair,” and “Happy Birthday” Familiar classical tunes like “Minuet in G” and “Beethoven’s Ninth” Favorite Christmas classics Having fun is the best way to learn, and the included book is sure to make the process as fun as it is engaging! With this kit, you can start playing the harmonica with confidence in just a few minutes a day.

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William H. Foege, one of the most respected leaders in global public health, takes readers on a tour of his time at the CDC.In its seventy years, the Centers for Disease Control and Prevention (CDC) has evolved from a malaria control program to an institution dedicated to improving health for all people across the world. The Fears of the Rich, The Needs of the Poor is a revealing account of the CDC’s development by its former director, public health luminary William H. Foege.Dr. Foege tells the stories of pivotal moments in public health, including the eradication of smallpox (made possible due in part to Foege’s research) and the discovery of Legionnaires’ disease, Reye syndrome, toxic shock syndrome, and HIV/AIDS. With good humor and optimism, he recounts the various crises he surmounted, from threats of terrorist attacks to contentious congressional hearings and funding cuts. Highlighting the people who made possible some of public health’s biggest successes, Foege outlines the work required behind the scenes and describes the occasional tensions between professionals in the field and the politicians in charge of oversight. In recent years, global public health initiatives have come from unanticipated sources. Giants in the field now include President Jimmy Carter and his wife, Rosalynn, who promote programs aimed at neglected diseases. Melinda and Bill Gates have invigorated the field through research and direct program support, especially in the area of vaccine-preventable diseases. And the Merck Mectizan program has dramatically reduced river blindness in Africa. Foege has been involved in all of these efforts, among others, and he brings to this book the knowledge and wisdom derived from a long and accomplished career. The Fears of the Rich, The Needs of the Poor is an inviting but unvarnished account of that career and offers a plethora of lessons for those interested in public health.

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In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know." Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other well-known groups (and hundreds of unknown ones) across the country cut records and performed until about 1960. Record companies initially marketed this music as rhythm & blues; today, group harmony continues to resonate for some as "doo-wop." Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period. Group harmony also became a significant resource for the popular music industry. Goosman interviews dozens of performers, deejays, and industry professionals to examine the entrepreneurial promise of midcentury popular music and chronicle the convergence of music, place, and business, including the business of records, radio, promotion, and song writing. Featured in the book's account of the black urban roots of rhythm & blues are the recollections of singers from groups such as the Cardinals, Clovers, Dunbar Four, Four Bars of Rhythm, Five Blue Notes, Hi Fis, Plants, Swallows, and many others, including Jimmy McPhail, a well-known Washington vocalist; Deborah Chessler, the manager and songwriter for the original Orioles; Jesse Stone, the writer and arranger from Atlantic Records; Washington radio personality Jackson Lowe; and seminal black deejays Al ("Big Boy") Jefferson, Maurice ("Hot Rod") Hulbert, and Tex Gathings.

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The real story, unvarnished and uncensored, of the Mob's rise to power during Prohibition. ON THE 100TH ANNIVERSARY OF PROHIBITION, LEARN WHAT REALLY HAPPENED. In 1919, the National Prohibition Act was passed, making it illegal across America to produce, distribute, or sell liquor. With this act, the U.S. Congress also created organized crime as we know it. Italian, Jewish, and Irish mobs sprang up to supply the suddenly illegal commodity to the millions of people still eager to drink it. Men like Lucky Luciano and Meyer Lansky, Dutch Schultz and Bugsy Siegel, Al Capone in Chicago and Nucky Johnson in Atlantic City, waged a brutal war for power in the streets and on the waterfronts. But if you think you already know this story...think again, since you've never seen it through the eyes of one of the mobsters who lived it. Called "one of the most significant organized crime figures in the United States" by the U.S. District Attorney, Vincent "Jimmy Blue Eyes" Alo was just 15 years old when Prohibition became law. Over the next decade, Alo would work side by side with Lansky and Luciano as they navigated the brutal underworld of bootlegging, thievery and murder. Alo's later career included prison time and the ultimate Mob tribute: being immortalized as "Johnny Ola" in The Godfather, Part II. Introduced to the 91-year-old Alo living in retirement in Florida, Dylan Struzan based this book on more than 50 hours of recorded testimony-stories Alo had never shared, and that he forbid her to publish until "after I'm gone." Alo died, peacefully, two months short of his 97th birthday. And now his stories-bracing and violent, full of intrigue and betrayal, hunger and hubris-can finally be told. "Dylan Struzan has delivered a soaring treat for those of us who love mobster history, a sprawling saga drawn not from rumor or recycled myth, but directly from the horse's mouth. Her exploration of mob life and the shadow empires the bootleggers built is an exhilarating rush, a must-read." - FRANK DARABONT, director of THE GREEN MILE and THE SHAWSHANK REDEMPTION

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On 1 April 1942, less than four months after the world had been stunned by the attack upon Pearl Harbor, sixteen US aircraft took to the skies to exact retribution. Their objective was not merely to attack Japan, but to bomb its capital. The people of Tokyo, who had been told that their city was invulnerable' from the air, would be bombed and strafed - and the shock waves from the raid would extend far beyond the explosions of the bombs. The raid had first been suggested in January 1942 as the US was still reeling from Japan's pre-emptive strike against the US Pacific Fleet at Pearl Harbor. The Americans were determined to fight back and fight back as quickly as possible. The 17th Bomb Group (Medium) was chosen to provide the volunteers who would crew the sixteen specially-modified North American B-25 bombers. As it was not possible to reach Tokyo from any US land bases, the bombers would have to fly from aircraft carriers, but it was impossible for such large aircraft to land on a carrier; the men had to volunteer for a one-way ticket. Led by Lieutenant Colonel Jimmy' Doolittle, the seventy-one officers and 130 enlisted men embarked on the USS Hornet which was shielded by a large naval task force. However, the ships were spotted by a Japanese ship. The decision was therefore made to take-off before word of the task force's approach reached Tokyo, even though the carrier was 170 miles further away from Japan than planned and in the knowledge that the B-25s would not have enough fuel to reach their intended landing places in China. The raid was successful, and the Japanese were savagely jolted out of their complacency. Fifteen of the aircraft crash-landed in, or their crews baled-out over, China; the sixteenth managed to reach the Soviet Union. Only three men were killed on the raid, with a further eight being taken prisoner by the Japanese, three of whom were executed and one died of disease. The full story of this remarkable operation, of the men and machines involved, is explored through this fascinating collection of images.

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In 1958, an African-American handyman named Jimmy Wilson was sentenced to die in Alabama for stealing two dollars. Shocking as this sentence was, it was overturned only after intense international attention and the interference of an embarrassed John Foster Dulles. Soon after the United States' segregated military defeated a racist regime in World War II, American racism was a major concern of U.S. allies, a chief Soviet propaganda theme, and an obstacle to American Cold War goals throughout Africa, Asia, and Latin America. Each lynching harmed foreign relations, and "the Negro problem" became a central issue in every administration from Truman to Johnson. In what may be the best analysis of how international relations affected any domestic issue, Mary Dudziak interprets postwar civil rights as a Cold War feature. She argues that the Cold War helped facilitate key social reforms, including desegregation. Civil rights activists gained tremendous advantage as the government sought to polish its international image. But improving the nation's reputation did not always require real change. This focus on image rather than substance--combined with constraints on McCarthy-era political activism and the triumph of law-and-order rhetoric--limited the nature and extent of progress. Archival information, much of it newly available, supports Dudziak's argument that civil rights was Cold War policy. But the story is also one of people: an African-American veteran of World War II lynched in Georgia; an attorney general flooded by civil rights petitions from abroad; the teenagers who desegregated Little Rock's Central High; African diplomats denied restaurant service; black artists living in Europe and supporting the civil rights movement from overseas; conservative politicians viewing desegregation as a communist plot; and civil rights leaders who saw their struggle eclipsed by Vietnam. Never before has any scholar so directly connected civil rights and the Cold War. Contributing mightily to our understanding of both, Dudziak advances--in clear and lively prose--a new wave of scholarship that corrects isolationist tendencies in American history by applying an international perspective to domestic affairs. In her new preface, Dudziak discusses the way the Cold War figures into civil rights history, and details this book's origins, as one question about civil rights could not be answered without broadening her research from domestic to international influences on American history.

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Henry M. Jackson ranks as one of the great legislators in American history. With a Congressional career spanning the tenure of nine Presidents, Jackson had an enormous impact on the most crucial foreign policy and defense issues of the Cold War era, as well as a marked impact on energy policy, civil rights, and other watershed issues in domestic politics. Jackson first arrived in Washington, D.C., in January 1941 as the Democratic representative of the Second District of Washington State, at the age of 28 the youngest member of Congress. “Scoop” Jackson won reelection time and again by wide margins, moving to the Senate in 1953 and serving there until his death in 1983. He became a powerful voice in U.S. foreign policy and a leading influence in major domestic legislation, especially concerning natural resources, energy, and the environment, working effectively with Senator Warren Magnuson to bring considerable federal investment to Washington State. A standard bearer for the New Deal-Fair Deal tradition of Roosevelt and Truman, Jackson advocated a strong role for the federal government in the economy, health care, and civil rights. He was a firm believer in public control of electric and nuclear power, and leveled stern criticism at the oil industry’s “obscene profits” during the energy crisis of the 1970s. He ran for the presidency twice, in 1972 and 1976, but was defeated for the nomination first by George McGovern and then by Jimmy Carter, marking the beginning of a split between dovish and hawkish liberal Democrats that would not be mended until the ascendance of Bill Clinton. Jackson’s vision concerning America’s Cold War objectives owed much to Harry Truman’s approach to world affairs but, ironically, found its best manifestation in the actions taken by the Republican administration of Ronald Reagan. An early and strong supporter of Israel and of Soviet dissidents, he strongly opposed the Nixon/Kissinger policy of detente as well as many of Carter’s methods of dealing with the Soviet Union. Robert Kaufman has immersed himself in the life and times of Jackson, poring over the more than 1,500 boxes of written materials and tapes that make up the Jackson Papers housed at the University of Washington, as well as the collections of every presidential library from Kennedy through Reagan. He interviewed many people who knew Jackson, both friends and rivals, and consulted other archival materials and published sources dealing with Jackson, relevant U.S. political history and commentary, arms negotiation documents, and congressional reports. He uses this wealth of material to present a thoughtful and encompassing picture of the ideas and policies that shaped America’s Cold War philosophy and actions.

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Early on Sunday, 7 December 1941, Japanese carrier-borne aircraft launched a surprise attack against the US Pacific Fleet based at Pearl Harbor. It was a date that President Roosevelt declared will live in infamy . During the strike, Japanese planes attacked the seven US battleships lined up in Battleship Row - and the flag battleship USS Pennsylvania, in drydock for overhaul. The battleship USS Arizona exploded from a bomb hit at the forward magazine killing 1,177 officers and men. On USS Oklahoma, 429 men were killed - many trapped inside as the great battleship capsized after aerial torpedo strikes. USS West Virginia, meanwhile, was hit by at least seven torpedoes and several bombs, and engulfed in flames; she settled onto the bottom on an even keel. USS California was hit by a pair of torpedoes and a bomb, flooding slowly, she too settled on the bottom. The other four battleships present were more lightly damaged, with the crippled Nevada, the only battleship to get underway during the attack, being successfully beached. By the time the assault was over, eight battleships, three light cruisers, three destroyers, a training ship and other smaller vessels had been sunk or damaged. Hundreds of US aircraft had been damaged or destroyed, whilst 2,403 Americans had been killed. Within a week of the Japanese attack, a great salvage organisation had been formed. Very quickly the lightly damaged battleships Pennsylvania, Maryland and Tennessee had been repaired in naval yards and put back into service to protect the west coast of the USA. Of the eight battleships attacked, all but Arizona were raised, temporarily patched-up and sent back to naval yards on the west coast of America for final repair and modernisation. Main battery guns and ordnance were recovered from the wrecked Arizona, which would then be left to rest on the bottom of the harbour for eternity - as a memorial to the events of that fateful December day. USS Nevada was lifted off the bottom in February 1942, California in March 1942 and West Virginia in June 1942. The capsized Oklahoma, whilst eventually parbuckled and raised, was found to be too badly damaged to be fully rebuilt. Six of the eight battleships would thus return to service, with improved protection against bombs and torpedoes and being fitted with the latest anti-aircraft and gunnery systems. They would re-enter to the war to wreak a terrible revenge - making their presence felt during the reconquest of the Aleutian Islands and the Philippines, and the great battles of Leyte Gulf, Iwo Jima and Okinawa. Nevada would go on Atlantic convoy duty before bombarding German positions off Utah beach as the D-Day Normandy landings began. This is the story of those six.

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'Powerful, vital and visionary' - Jimmy McGovern SOMETHING unusual happened in Britain during the spring of 2020. As the nation went into lockdown to fight a killer pandemic our view of what constituted a hero changed. Suddenly celebrity businessmen, actors, sports stars, singers, even royals seemed irrelevant. The people we were truly in awe of were the low-paid lifesavers, so much so that we stood outside our homes every Thursday to applaud them. As spring turned to summer and the Black Lives Matter movement gathered momentum, action was taken against those from past generations who had been feted, such as Bristol slave trader Edward Colston whose statue was hauled down. It felt as though the country was re-evaluating the notion of heroism. But how did we arrive at such a skewed version of it? 'Diamonds in the Mud' asks why the British have traditionally been taught to venerate kings and queens, generals and Eton-educated Prime Ministers, while, a few notable exceptions aside, those who changed history from below rarely got a look-in. It does so by telling the stories of a selection of working-class heroes the award-winning writer has met through life and journalism. Men and women who rose from humble backgrounds to change the world. Some in a huge way, others in a smaller way, but all made the people they came from immensely proud. From relentless matriarchs like Doreen Lawrence and the Hillsborough mothers to Omagh bomb victim Donna Marie McGillion whose stoicism told the men of terror they wouldn't win; from football men like Bill Shankly and Bob Paisley who brought their people joy to the Fans Supporting Foodbanks group and Marcus Rashford who fed the poor; from class warriors like Dennis Skinner to glass-ceiling breakers like Barbara Castle; from trade union leader Jack Jones who fought fascists in Spain to Muhammad Ali who inspired a generation of British black people to stand tall; from sacked dockers who opened a social justice hub for all-comers to NHS nurses who lost their lives on the Covid frontline as they battled to save others. The book argues that these are the type of heroes we should be teaching future generations about. That, perhaps, if children in state schools were taught about the achievements of those from the same class as them they would have a fraction of the confidence enjoyed by public school pupils and realise that they too have the capability to change the world. And maybe Britain would become less of a cap-doffing nation that teaches ordinary people the main thing they need to know is their place.

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In 1940, Japan was into its third year of war with China, and relations with the United States were deteriorating, but it was a heady time for the Japanese nonetheless. That year, the Japanese commemorated the 2,600th anniversary of the founding of the Empire of Japan. According to the imperial myth-history, Emperor Jimmu, descended from the Sun Goddess Amaterasu, established the "unbroken imperial line" in 660 BCE. In carefully choreographed ceremonies throughout the empire, through new public monuments, with visual culture, and through heritage tourism, the Japanese celebrated the extension of imperial rule under the 124th emperor, Hirohito. These celebrations, the climactic moment for the ideology that was central to modern Japan's identity until the imperial cult's legitimacy was bruised by defeat in 1945, are little known outside Japan. Imperial Japan at Its Zenith, the first book in English about the 2,600th anniversary, examines the themes of the celebration and what they tell us about Japan at mid-century. Kenneth J. Ruoff emphasizes that wartime Japan did not reject modernity in favor of nativist traditionalism. Instead, like Nazi Germany and Fascist Italy, it embraced reactionary modernism. Ruoff also highlights the role played by the Japanese people in endorsing and promoting imperial ideology and expansion, documenting the significant grassroots support for the cult of the emperor and for militarism. Ruoff uses the anniversary celebrations to examine Japan's invention of a national history; the complex relationship between the homeland and the colonies; the significance of Imperial Japan's challenge to Euro-American claims of racial and cultural superiority; the role of heritage tourism in inspiring national pride; Japan's wartime fascist modernity; and, with a chapter about overseas Japanese, the boundaries of the Japanese nation. Packed with intriguing anecdotes, incisive analysis, and revelatory illustrations, Imperial Japan at Its Zenith is a major contribution to our understanding of wartime Japan.

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Almost five months after the Civil War’s deadliest clash, President Abraham Lincoln and other Union leaders gathered to dedicate the Soldiers’ National Cemetery in Gettysburg, Pennsylvania. The program for the occasion featured music, prayer, orations, and benedictions. In the middle of it all, the president gave a few commemorative remarks, speaking for just two minutes, delivering what we now know as the Gettysburg Address. Challenged to mark the enormity of the battle—which had turned the tide of the war, though neither side realized it yet—Lincoln used 272 words in ten sentences to rededicate the Union to the preservation of freedom. It remains the most important statement of our nation’s commitment to personal liberty since the Revolutionary War and has become one of the most important speeches in American history, a cornerstone of who we are as a country. A century and a half later, we still hold Lincoln’s message in our hearts. For Gettysburg Replies, the Abraham Lincoln Presidential Library and Museum challenged presidents, judges, historians, filmmakers, poets, actors, and others to craft 272 words of their own to celebrate Lincoln, the Gettysburg Address, or a related topic that stirs their passions. President Jimmy Carter reveals how the Gettysburg Address helped bring Egypt and Israel closer at the Camp David Peace Accords. Supreme Court Justice Sandra Day O’Connor reflects on Lincoln’s dedication to the importance of civic education. General Colin Powell explains how Martin Luther King Jr. took up Lincoln’s mantle and carried it forward. Filmmaker Steven Spielberg touches on the benefits and perils of hero worship. Poet Laureate Billy Collins explores the dichotomy between the private man who wrote poetry (“My Childhood Home I See Again”) and the president who stood before all. Attorney Alan Dershowitz echoes Lincoln’s words to rally us to the freedom from weapons of mass destruction. Gettysburg Replies features images of important Lincoln documents and artifacts, including the first copy of the address that Lincoln wrote out after delivering it, the program from the cemetery dedication, Lincoln’s presidential seal, and more. Together, these words and images create a lasting tribute not only to Lincoln himself but also the power of his devotion to freedom.

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In this startling, intensively researched book, bestselling historian Paul Kengor shines light on a deeply troubling aspect of American history: the prominent role of the “dupe.” From the Bolshevik Revolution through the Cold War and right up to the present, many progressives have unwittingly aided some of America’s most dangerous opponents.Based on never-before-published FBI files, Soviet archives, and other primary sources, Dupes exposes the legions of liberals who have furthered the objectives of America’s adversaries. Kengor shows not only how such dupes contributed to history’s most destructive ideology—Communism, which claimed at least 100 million lives—but also why they are so relevant to today’s politics.Dupes reveals: Shocking reports on how Senator Ted Kennedy secretly approached the Soviet leadership to undermine not one but two American presidents. Stunning new evidence that Frank Marshall Davis—mentor to a young Barack Obama—had extensive Communist ties and demonized Democrats. Jimmy Carter’s woeful record dealing with America’s two chief foes of the past century, Communism and Islamism. Today’s dupes, including the congressmen whose overseas anti-American propaganda trip was allegedly financed by foreign intelligence. How ’60s Marxist radicals—Tom Hayden, Mark Rudd, Jane Fonda, Jeff Jones, Bill Ayers, and more—have suddenly reemerged as “progressives for Obama.'' How Franklin Roosevelt was duped by “Uncle Joe” Stalin—and by a top adviser who may have been a Soviet agent—despite clear warnings from fellow Democrats. How John Kerry’s accusations that American soldiers committed war crimes in Vietnam may have been the product of Soviet disinformation. The many Hollywood stars who were duped, including Humphrey Bogart, Lauren Bacall, Katharine Hepburn, Gene Kelly—and even Ronald Reagan. Soviet records that demonstrate beyond doubt the Communists’ expansionist aims and their targeting of American liberals, especially academics and the Religious Left. How liberals still defend the same Communists who trashed Democratic icons like Woodrow Wilson, FDR, Harry Truman, and JFK—and still attack the anti-Communists who tried to spare them from manipulation. Details on many other dupes (and dupers), including Arthur Miller, Dr. Benjamin Spock, John Dewey, H. G. Wells, George Bernard Shaw, Lillian Hellman, Howard Zinn, Walter Cronkite, and Helen Thomas. Packed with stunning revelations, Dupes shows in frightening detail how U.S. adversaries exploit the American home front.

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Two stranded strangers agree to travel together in order to return home, but when a slew of misadventures derail their plans, it might mean a chance to fall in love . . . A sexy, opposites attract romance, ideal for fans of Emily Henry, Beth O'Leary and Christina Lauren.'A steamy, sweet, rummy bear-fueled comedy of errors' Abby Jimenez'Lauren weaves a beautiful story of self-discovery, loss and love in Wish Lists and Road Trips. My heart is so full. All the stars and more for this stunning, emotional romance' Helena Hunting.........................................Two stranded travellers. One unexpected journey.Makeup artist Brit Donovan wants one thing: to prove to her overbearing family that she can be independent. After breaking off her engagement to her cheating ex, she sets off on her honeymoon cruise alone to recharge before opening her own studio.Nick Callaway isn't on a pleasure trip. Armed with his brother's ashes and a list of places, he's on a mission to fulfill a dying wish. Burdened with survivor's guilt and on a countdown to get home in time to help his family's company, the only thing he wants is to get this trip over with.When they're both stranded in Costa Rica after missing their cruise ship, Nick and Brit team up to make their way back to the US. Complete opposites, their initial frustration - heightened by the obstacles of grounded flights and delayed trains - gives way to a searing attraction, and the feeling this may be a journey that neither will want to end.Readers are loving Wish Lists and Road Trips:'I read this while I was on a mini holiday with my best friend - with whom we used to go on cruise ship vacations - and this book found me at the right time, in the best of moods. . . Cute, funny, sunny and emotional.' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Let me start by saying I LOVED THIS BOOK SO FREAKING MUCH!! . . . The characters growth was beautiful to watch, and their journey together was so much fun. I loved this opposites attract and strangers to lovers story.' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'This was a big hug in a book - romantic, relatable, and wonderful reminder that being exactly who you are is enough.' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'My heart was so warmed and charmed by this pair of misfits. . . loved their journey from start to finish.' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'Cute, humorous and heartfelt. I loved Brit's seemingly endless positivity and Nick's patience, the banter between them was great and there was plenty of steam between them. I loved everything about it.' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'The writing is so good. The chemistry is top notch. The cuteness is just too much. I swooned the entire time. If you love opposites attract, forced proximity road trips, and two imperfect but real characters - check this one out.' ⭐ ⭐ ⭐ ⭐ ⭐ reader review

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Once every decade, it is "decline time" in America. In recent years, it has been the unstoppable rise of China that has spelled "finis America." What the Chinese juggernaut is today, the Soviet Union ("We shall bury you") was in the 1950s. The Vietnam decade of the 1960s was described as America's "collective suicide attempt," while in the 1970s, the United States succumbed to Jimmy Carter's famous "malaise," as the dollar dangerously plummeted. The 1980s unquestionably belonged to a resurgent Japan, the "Rising Sun," whereas in the 1990s, Europe shone forth as an "empire by example." In the naughts, it was "Asia Rising" that became the flavor of the decade. Despite a litany of prognostications, these contenders have all fallen back, one by one. While it may be catnip for the media to play up America as a has-been, Josef Joffe, a leading German commentator and Stanford University academic, compellingly shows that Declinism is not a cold-eyed diagnosis but a device in the style of the ancient prophets: "Thou shalt perish, unless..." Gloom is a prophecy that must be believed so that it will turn out wrong. Joffe repeatedly demonstrates how the "economic miracles" that propelled the rising tide of challengers flounder against their own limits. Hardly confined to Europe alone, Declinism has also been an especially nifty career builder for American politicians, among them Kennedy, Nixon, and Reagan, who all rode into the White House by hawking "the end is near." Buttressing his argument with facts, Joffe demonstrates that America's future is sanguine. In contrast to the Carter years, the economic woes of the Obama era look more like a nasty migraine. By historical standards, the U.S. defense burden today is extraordinarily low, hence sustainable over the long haul. Immigration (plus a healthy birth rate) will not only keep the nation younger than China, Japan, Europe, and Russia but will continue to bring in the world's best and brightest. Indeed, America is the "world's Ph.D. factory" both in science and engineering, while its R&D spending dwarfs the "rising rest." Its uniquely deep and wide capital market encourages innovations and continues to turn dreams into vibrant companies. Joffe argues that it is only if America "freezes up" by enshrining privilege, closing its doors, and withdrawing from the world that it will succumb to the rigor mortis that has overwhelmed previous empires. Effortlessly mixing keen historical insights with brilliant diplomatic and economic analysis, The Myth of America's Decline becomes a remarkable reflection on our nation's standing in the world and an eye-opening account that challenges the pervasive and now tired notion that America is on the decline.

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Legendary Guitars guides you through the electric guitars of the 1950s and ’60s and the culture, styles, and music that shaped them. “Finding ways to use the same guitar people have been using for 50 years, to make sounds no one has heard before, is truly what gets me off.” —Jeff BeckLegendary Guitars: An Illustrated Guide recaps how the great instruments created and produced between 1950 and 1969 went on to define the design, looks, and playability of today’s electric guitars.Legendary Guitars draws direct lines between the mid-century originals and many of today’s most highly-prized instruments. Alongside classic originals, you’ll see great examples of more recent instruments, showing how today’s guitar makers have produced fresh interpretations that draw on the venerable ’50s and ’60s templates. The guide details everything from highly accurate (and highly priced) vintage remakes and artist models to the broader influences and mashup qualities of modern retro creations. The 1950s marked the birth of so many now-classic electric guitars: from the Gibson Les Paul and the Fender Telecaster (as seen with Bill Haley & His Comets and with Little Richard’s band) to the Gretsch 6120 and the Gibson Flying V (twanged by Duane Eddy and touted by Albert King). In the 1960s, players pushed the sound of the electric guitar—bending, distorting, and overloading the instrument to within an inch of its life—all to fire some of the most extraordinary music ever created, not least by Jimi Hendrix with an upside-down Fender Stratocaster, Eric Clapton with a psychedelic Gibson SG, and George Harrison with a 12-string Rickenbacker. The work of more than 50 guitar brands—past and present—is highlighted, including Airline, Ampeg, Antoria, Aria, Baldwin, Bigsby, Burns, Coral, Danelectro, Eko, Epiphone, Fender, Framus, Futurama, Gibson, Goya, Gretsch, Grimshaw, Guild, Guyatone, Hagstrom, Harmony, Hofner, Hopf, Ibanez, Kawai, Kay, Kent, Kustom, La Baye, Magnatone, Messenger, Micro-Frets, Mosrite, National, Rickenbacker, Silvertone, Stratosphere, Supro, Teisco Del Rey, Tokai, Vega, Vox, Wandre, Watkins, and Yamaha. Alongside the eye-popping guitar photographs is a unique collection of classic advertisements, period catalogs, and other rare memorabilia. Legendary Guitars: An Illustrated Guide also contains a chronological narrative of world events that places these remarkable instruments in the context of two decades of mesmerizing contrasts and revolutionary invention.Legendary Guitars takes you on an illustrated journey through the guitars and culture that drove the sound of rock ‘n’ roll, blues, and country, from 1950 to present day.

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Boston writer Michael Connolly captures the magic of American’s return to normalcy after World War II in this intimate portrait of a city and the baseball team it loves. Fenway 1946 celebrates the city and the team and the spirit of that wonderful 1946 season in Boston—a season, as usual the broke fans’ hearts—as America returned to return to peacetime pastimes. And none was more American than baseball. Along the way he brings out the stories and personalities that made that year so special in the Hub. From returning veterans like Ted Williams and young Congressman John F. Kennedy and thousands of others and their families who worried while they were in Europe or the Pacific, the 1946 Red Sox season was a celebration. It was catharsis. It was what made American great. Husbands and sons were coming home to the open arms of a grateful nation. This included five hundred major leaguers who fought in World War II. The homecoming of America’s best sparked a spirit of collective pride from coast to coast—and New England was not exempt. For the previous five years, America sat around its radio listening to war reports. Now they would gather in the parlors to enjoy baseball once again. Baseball had always been a thread that connected the country--a sport that linked generations. Opening Day 1946 was a tangible reminder that the country was at peace – back to the way things were. Nowhere was this more relevant than in Boston. From Scollay Square to South Boston to the North End, veterans in their uniforms, kids with bats over their shoulder and housewives were talking about the return of Ted Williams and a roster that was considered the best in the league. Expectations were high – as always, at Fenway Park. Fans somehow knew this would be their year. The 1946 Boston Red Sox finished first in the American League with a record of 104 wins and 50 losses. And they wouldn’t disappoint (until October). ***** * In January of 1946, Ted Williams, Dom DiMaggio, John Pesky and Bobby Doerr are released from the military and vow to come back as good as ever. * American and especially Boston are desperate for real baseball. In 1945, the Red Sox averaged only 7,814 fans a game at Fenway. In 1946, with Williams and the team back home, they played in front of over 33,000 in their last scrimmage game at Fenway Park before the season started. * Opening Day for the league was in Washington D.C. between the Senators and the Red Sox. President Harry Truman threw out the first pitch. Ted Williams went 6-12 in the series and was mobbed by Senator fans who rip his shirt off while he leaves the field. As he approached the dugout, Williams tossed his hat to a GI sitting in the lower box * The home Opening Day for the Red Sox at Fenway Park was an event for the ages. Before the game Marines re-enacted the flag-raising at Iowa Jima in center field. The first pitch was thrown out by Governor Tobin. Standing by his side was a local war hero, John Murdoch, who got a bigger ovation than Ted Williams. Murdoch was part of the team that saved boxing world champion Barney Ross, whose bravery at Guadalcanal was unparalleled. * Red Sox won an amazing 41 of their first 50 games. Ted Williams hits eleven home runs in just June. A spirit of euphoria overtakes Boston as the always hopeful fans pray for the Red Sox to break their 28-year curse. * All Star game is played at Fenway where Ted Williams and voted MVP after going 4 for 4 with 2 home runs including a grand slam. * In September, the Red Sox win a matinee game 1-0 in Cleveland on a Ted Williams inside the park home run. Later that day the Tigers lose giving Boston the pennant. Red Sox owner, Tom Yawkey throws a party in his hotel room. No one can find Ted Williams. Not telling anyone, Williams went to the local veterans’ hospital in Cleveland and spent the night with a dying veteran. * Red Sox clinch the pennant. In one year their win total improved by 33 games (71-83 in 1945 to 104-50 in 1946). America is returning to the ballpark. At Fenway alone attendance went from 603,794 in 1945 to 1,416,944 in 1946. * In the National League, the Brooklyn Dodgers and the St. Louis Cardinals tie for the pennant. While Boston awaits the National League playoff to conclude, Tom Yawkey invites American League All Stars to come to Fenway Park and scrimmage his Red Sox to keep them sharp. Hall of Famers, DiMaggio, Greenberg and Appling all sacrifice the first week of their offseason in loyalty to the American League. DiMaggio forgets his uniform and has to wear a Red Sox uniform for the game. A game in which Williams is hit on the elbow with a pitch and never fully recovers in the World Series. * In anticipation of Game Seven of the World Series in St. Louis, newspapers across the country split the front page with previews of the big game and the expected execution that day of Herman Goering (he would avoid that by killing himself) and ten other high-ranking Nazi’s in Nuremberg, providing Americans further validation that the war was behind them. * President Harry Truman’s team beats the Red Sox in the penultimate game when Johnny Pesky holds the relay throw from the outfield allowing Enos Slaughter to score from first on a single.

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