Search results for ""author jim"

Salford Red Devils are one of Rugby League's most celebrated clubs, claiming a history going back to 1873. During the 150 years since, it has claimed numerous honours including six championship successes and eight Challenge Cup final appearances, four of them at Wembley. In 1934, the team achieved legendary status when touring France, their adventurous attacking play earning the accolade Les Diables Rouges – the Red Devils, a sobriquet officially appended in 2014. Some of rugby's most most revered names have worn the famed red jersey including Harry Eagles, who played in every match of the inaugural British rugby tour to Australasia in 1888; Welsh greats Gus Risman and David Watkins, both of whom are included in Rugby League's Hall of Fame; and Jimmy Lomas and Chris Hesketh who – along with Risman – share the honour of captaining a Great Britain touring side. The club continues to produce exciting, entertaining rugby, evidenced by recent prestigious Man of Steel awards to half-backs Jackson Hastings and Brodie Croft. Rugby League historian Graham Morris pays due homage to all of Salford's heroes, past and present, via a comprehensive and wide-reaching set of facts and figures covering every match and every player known to have represented the club since its formation. Backed by over 80 superb photographs and images, several in colour, this is the perfect reference book for Salford Red Devils supporters and Rugby League fans in general.

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For fans of books by Jimmy Bullard, Paul Merson, The Sidemen and the F2 FreestylersMessi might be the most skilful, Ronaldo might have the best shot, but according to FIFA it's 16-stone Adebayo Akinfenwa who's the strongest footballer in the world. With a larger-than-life personality to match, it's no wonder 'The Beast' has become an icon, attracting millions of social media followers, launching his own clothing label, and still banging in the goals for Wycombe Wanderers. With such fame and adoration, it's easy to forget that Bayo is one of the hardest-working footballers around. His mental strength has had to be equal to his physical. Told by English clubs he was 'too big' to play football, he joined Lithuanian team FK Atlantas as a teenager where he faced widespread racial abuse. A career of grafting in the lower leagues of English and Welsh football followed, with spells at Barry Town, Torquay, Swansea, Gillingham, Northampton and AFC Wimbledon. Bayo's charisma and knack of scoring vital goals made him a fan favourite at each. His last ever kick for the Dons was a penalty at Wembley to help win the club promotion. 'I think I'm technically unemployed,' he told an interviewer after the final whistle. 'So any managers hit me up on the WhatsApp and get me a job!'Inspiring, entertaining and full of character, this is the story of how Akinfenwa became a true cult hero and the never-give-up attitude that made him the biggest footballer on the planet.

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Over 65 recipes and ways to enjoy chickpeas, the most deliciously versatile staple in vegetarian and vegan cookery.A prince among pulses, the humble chickpea (also known as the garbanzo bean) is an essential ingredient for anyone who is embracing more vegan and vegetarian foods in their daily diet. This book provides all the inspiration you need to take full advantage of this versatile legume and its endless culinary possibilities. Chickpeas are packed with protein and are, of course, the key ingredients behind popular snacks like falafel and hummus, but also form the basis for so many other dishes, both savory and sweet. Here you will find over 65 delicious ways to enjoy them, from dips and small bites, to soups, stews, salads, bakes, and desserts. For lighter meals, try fool-proof recipes for Creamy Hummus, Falafel, and Chana Masala. For more explorative and exciting uses of the mighty chickpea, discover Chickpea ‘Chuna’ Quesadillas with Jimaca Slaw, Chickp

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In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.

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People associate the South Bronx with gangs, violence, drugs, crime, burned-out buildings, and poverty. This is the message that has been driven into their heads over the years by the media. As Howard Cosell famously said during the 1977 World’s Series at Yankee Stadium, “There it is, ladies and gentlemen, the Bronx is burning.” In this new book, Naison and Gumbs provide a completely different picture of the South Bronx through interviews with residents who lived here from the 1930s to the 1960s. In the early 1930s, word began to spread among economically secure black families in Harlem that there were spacious apartments for rent in the Morrisania section of the Bronx. Landlords in that community, desperate to fill their rent rolls and avoid foreclosure, began putting up signs in their windows and in advertisements in New York’s black newspapers that said, “We rent to select colored families,” by which they meant families with a securely employed wage earner and light complexions. Black families who fit these criteria began renting apartments by the score. Thus began a period of about twenty years during which the Bronx served as a borough of hope and unlimited possibilities for upwardly mobile black families. Chronicling a time when African Americans were suspended between the best and worst possibilities of New York City, Before the Fires tells the personal stories of seventeen men and women who lived in the South Bronx before the social and economic decline of the area that began in the late 1960s. Located on a hill hovering over one of the borough’s largest industrial districts, Morrisania offered black migrants from Harlem, the South, and the Caribbean an opportunity to raise children in a neighborhood that had better schools, strong churches, better shopping, less crime, and clean air. This culturally rich neighborhood also boasted some of the most vibrant music venues in all of New York City, giving rise to such music titans as Lou Donaldson, Valerie Capers, Herbie Hancock, Eddie Palmieri, Donald Byrd, Elmo Hope, Henry “Red” Allen, Bobby Sanabria, Valerie Simpson, Maxine Sullivan, the Chantels, the Chords, and Jimmy Owens. Alternately analytical and poetic, but all rich in detail, these inspiring interviews describe growing up and living in vibrant black and multiracial Bronx communities whose contours have rarely graced the pages of histories of the Bronx or black New York City. Capturing the excitement of growing up in this stimulating and culturally diverse environment, Before the Fires is filled with the optimism of the period and the heartache of what was shattered in the urban crisis and the burning of the Bronx.

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The first full-length narrative biography of Led Zeppelin's John Bonham, considered by many to be one of the greatest drummers in rock history, and a genuine wild man of epic (and sadly fatal) proportions. Beast: John Bonham and the Rise of Led Zeppelin is the first-ever biography of the iconic John Bonham, considered by many to be one of the greatest (if not THE greatest) rock drummer of all time. Bonham first learned to play the drums at the age of five, and despite never taking formal lessons, began drumming for local bands immediately upon graduating from secondary school. By the late 1960s, Bonham was looking for a more solid gig in order to provide his growing family with a more regular income. Meanwhile, following the dissolution of the popular blues rock band The Yardbirds, lead guitarist Jimmy Page sought the company of new bandmates to help him record an album and tour Scandinavia as the New Yardbirds. A few months later, Bonham was recruited to join the band who would eventually become known as Led Zeppelin-and before the year was out, Bonham and his three bandmates would become the richest rock band in the world.In their first year, Led Zeppelin released two albums and completed four US and four UK concert tours. As their popularity exploded, they moved from ballrooms and smaller clubs to larger auditoriums, and eventually started selling out full arenas. Throughout the 1970s, Led Zeppelin reached new heights of commercial and critical success, making them one of the most influential groups of the era, both in musical style and in their approach towards the workings of the entertainment industry. They added extravagant lasers, light shows, and mirror balls to their performances; wore flamboyant and often glittering outfits; traveled in a private jet airliner and rented out entire sections of hotels; and soon become the subject of frequently repeated stories of debauchery and destruction while on tour. In 1977, the group performed what would be their final live appearance in the US, following months of rising fervor and rioting from their fandom. And in September of 1980, Bonham-plagued by alcoholism, anxiety, and the after-effects of years of excess-was found dead by his bandmates.To this day, Bonham is posthumously described as one of the most important, well-known, and influential drummers in rock, topping best of lists describing him as an inimitable, all-time great. As Adam Budofsky, managing editor of Modern Drummer, explained, "If the king of rock 'n' roll was Elvis Presley, then the king of rock drumming was certainly John Bonham."

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Graham Bonnet was born in Skegness in 1947 and had his first hit single with The Marbles in 1968, "Only One Woman" which reached Number 5 in the UK Singles Chart.....So runs Graham Bonnet's wikipedia entry. Of The Skyliners, The Peter Tomlinson Band, The Jimmy Aldred Band, The Jan Ramsden Band, The Missing Links, The Blueset, The Bluesect and The Graham Bonnet Set not a word. This new biography of the much travelled rock singer more than fills the missing gaps. After his work with The Marbles, Bonnet delivered a well-regarded solo album in 1977 which was the spring-board for his rock career, with Ritchie Blackmore's Rainbow the first to call. After the chart album Down To Earth, Rainbow suddenly found themselves with well-crafted AOR hits in the shape of "Since You Been Gone" and "All Night Long". The band headlined the first Donnington Monsters Of Rock festival in 1980, but Bonnet quit to record a star-studded solo album and top ten single Night Games. Bonnet was then quickly snapped up by ex-UFO guitarist Michael Schenker in the Michael Schenker Group (MSG) for the powerful Assault Attack album. Bonnet's most consistent rock project came in 1983 when he decided to put his own band together; Alcatrazz became a huge draw on the rock circuit for the next four years, with a number of albums to their name. They became particularly successful in Japan (where Bonnet remains very successful.) Now based in LA, the ever adaptable Bonnet continues to record and tour on a regular basis, with a new album issued just a few months ago. Watching Rainbow live in 1980, no lesser person than Ozzy Osbourne described Graham's performance as the best by a rock vocalist he had ever witnessed.

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Drugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a “war on drugs” that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.

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From the veteran New York Times bestselling biographer comes a major, in-depth look at one of the most enduring American icons of all time, "the Duke," John Wayne. As he did in his bestselling biographies of Jimmy Stewart and Clint Eastwood, acclaimed Hollywood biographer Marc Eliot digs deep beneath the myth in this revealing look at the most legendary Western film hero of all time; the man with the distinctive voice, walk, and demeanor who was an inspiration to many and a symbol of American masculinity, power, and patriotism. Eliot pays tribute to the man and the myth, identifying and analyzing the many interesting contradictions that made John Wayne who he was: an Academy Award-winning actor associated with cowboys and soldiers who didn't like horses and never served in a war; a Republican icon who voted for Democrats Roosevelt and Truman; a white man often accused of racism who married three Mexican wives. Here are stories of the movies he made famous as well as numerous friends and legendary colleagues such as John Ford, Maureen O'Hara, Natalie Wood, and Dean Martin. A top box-office draw for more than three decades-starring in 142 films from Stagecoach and True Grit, for which he won the Oscar to The Quiet Man and The Green Berets-John Wayne's life and career paralleled nearly the entire twentieth century, from the Depression through World War II to the upheavals of the 1960s. Setting his life within the sweeping political and social transformations that defined the nation, Eliot's masterful portrait of the man they called Duke is a remarkable in depth look at a life and the "American Century" itself.

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The definitive history of American war reporting in the Pacific theater of World War II, from the attack on Pearl Harbor to the atomic bombings of Hiroshima and Nagasaki. After almost two years slogging with infantrymen through North Africa, Italy, and France, Ernie Pyle immediately realized he was ill prepared for covering the Pacific War. As Pyle and other war correspondents discovered, the climate, the logistics, and the sheer scope of the Pacific theater had no parallel in the war America was fighting in Europe. From Pearl Harbor to Hiroshima and Nagasaki, The War Beat, Pacific provides the first comprehensive account of how a group of highly courageous correspondents covered America's war against Japan, what they witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American military history. In a dramatic and fast-paced narrative based on a wealth of previously untapped primary sources, Casey takes us from MacArthur's doomed defense on the Philippines and the navy's overly strict censorship policy at the time of Midway, through the bloody battles on Guadalcanal, New Guinea, Tarawa, Saipan, Leyte and Luzon, Iwo Jima and Okinawa, detailing the cooperation, as well as conflict, between the media and the military, as they grappled with the enduring problem of limiting a free press during a period of extreme crisis. The War Beat, Pacific shows how foreign correspondents ran up against practical challenges and risked their lives to get stories in a theater that was far more challenging than the war against Nazi Germany, while the US government blocked news of the war against Japan and tried to focus the home front on Hitler and his atrocities.

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In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

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Celtic’s greatest side became European champions in 1967, but if you think you know their history – think again. This is their tale as never told before. The remarkable story of how Jock Stein brought together a group of local lads, engaging on their first European Cup campaign, and led them all the way to the top will never be repeated. As they progressed, they continued to challenge on four fronts, giving new pride to the city of Glasgow, and creating a legend that resonates still, fifty years on.A Year and a Day provides unprecedented detail on the twelve months that brought such unique success. Discover which Clyde player almost became a Lisbon Lion and who he would have replaced. Learn how Jock Stein got his prediction for the final horribly wrong and even what the Lions had for breakfast on the great day. Find out who spirited away the match ball – and keeps it to this day – at the end of Celtic’s tumultuous quarter-final with Vojvodina. The book includes an excruciatingly honest interview with Jimmy Johnstone, Celtic’s greatest player, previously unpublished in full. The other Lisbon Lions also have their say, and here too, for the first time, are extensive interviews with representatives of all of the opponents that Celtic faced on the way to Lisbon, providing frank and shocking insights. Teeming with fresh material, this book scrutinises every step Celtic took on the way to winning the European Cup. Even the players who won the great trophy will discover in these pages new revelations about how they emerged triumphant.It is the last word on their magnificent achievement.

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From much-loved documentary maker Louis Theroux comes a funny, heartfelt and entertaining account of his life and weird times in TV.The Sunday Times Bestseller.'Honest and soul-searching' - Sunday Express______________In 1994 fledgling journalist Louis Theroux was given a one-off gig on Michael Moore’s TV Nation, presenting a segment on apocalyptic religious sects. Gawky, socially awkward and totally unqualified, his first reaction to this exciting opportunity was panic. But he’d always been drawn to off-beat characters, so maybe his enthusiasm would carry the day. Or, you know, maybe it wouldn’t . . .In Gotta Get Theroux This, Louis takes the reader on a joyous journey from his anxiety-prone childhood to his unexpectedly successful career. Nervously accepting the BBC’s offer of his own series, he went on to create an award-winning documentary style that has seen him immersed in the weird worlds of paranoid US militias and secretive pro-wrestlers, get under the skin of celebrities like Max Clifford and Chris Eubank and tackle gang culture in San Quentin prison, all the time wondering whether the same qualities that make him good at documentaries might also make him bad at life.As Louis woos his beautiful wife Nancy and learns how to be a father, he also dares to take on the powerful Church of Scientology. Just as challenging is the revelation that one of his old subjects, Jimmy Savile, was a secret sexual predator, prompting him to question our understanding of how evil takes place. Filled with wry observation and self-deprecating humour, this is Louis at his most insightful and honest best.______________'Funny, engaging' - Sunday Times'Gripping' - Daily Mail'Absorbing and surprisingly candid' - Telegraph Magazine

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Since joining Deep Purple in 1973, David Coverdale has enjoyed a hugely successful career. Having been plucked from semi-professional obscurity by Deep Purple, within months he was cavorting around the globe with one of the biggest rock bands in the world and fronting Purple on its 1974 US tour which included performing in front of one of the biggest audiences ever for a one day concert at the California Jam in front of hundreds of thousands. After three albums the band finally succumbed to the internal frictions and called it a day in 1976. After initially launching himself with two solo albums, Coverdale set about rebuilding his career with his own band Whitesnake. By the early eighties sell out UK tours and hit singles proved that Coverdale was capable of achieving success with his own band and later that decade Whitesnake hit the heights in America, that he had experienced with Deep Purple, with its multi-million selling, eponymous 1987 album. By the early nineties Coverdale put the band on hold whilst enjoying a brief dalliance with Jimmy Page, as well as later finding time for further albums under his own name, but Whitesnake has continued to be at the forefront of Coverdale's career from the mid nineties and onwards and remain relevant in the new millennium. 2019 saw the release of the band's first new album in four years and now with Coverdale in his seventies, retirement is supposdely imminent. As such there is no better time to appraise his career. Beautifully designed and packaged, A Life In Vision documents key moments of David Coverdale's long and illustrious career as one of rock's finest singers with photos from Deep Purple through to the present day Whitesnake, along with stories that chart his career.

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**Summer Days at Sunrise Farm, the new book in the Animal Ark revisited series, is currently available!**'A stunning, beautiful tale of friendship and love... I laughed and I cried, and cannot recommend it highly enough!' Books of All Kinds Newly qualified vet Mandy Hope is leaving Leeds - and her boyfriend Simon - to return to the Yorkshire village she grew up in, where she'll help out with animals of all shapes and sizes in her parents' surgery.But it's not all plain sailing: Mandy clashes with gruff local Jimmy Marsh, and some of the villagers won't accept a new vet. Meanwhile, Simon is determined that Mandy will rejoin him back in the city. When tragedy strikes for her best friend James Hunter, and some neglected animals are discovered on a nearby farm, Mandy must prove herself. When it comes to being there for her friends - and protecting animals in need - she's prepared to do whatever it takes...This gorgeous and heartwarming novel, based on the globally bestselling Animal Ark series, is perfect for fans of Cathy Bramley and Katie Fforde. Read what everyone's saying about Animal Ark Revisited:'An adorable read [with] a real sense of village community' Bookworms and Shutterbugs'Just the right amount of nostalgia... wonderful and very poignant' - The World is a Book Blog'Heartwarming and endearing... a gorgeous story filled with hope, joy, sweetness and light combined with the honesty of real life' - Amazon'An incredibly lovely story' - Rachel's Random Reads'The summer read of 2017!' Goodreads 'Will leave you feeling cosy and uplifted' Goodreads 'I loved every minute' Amazon'I had tears in my eyes at the first chapter' - Goodreads'Full of charm; the perfect feel-good summer read' Amazon'One of the best books I've read!' Amazon

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Survival, the IISS’s bimonthly journal, challenges conventional wisdom and brings fresh, often controversial, perspectives on strategic issues of the moment.In this issue: Alexander K. Bollfrass and Stephen Herzog argue that despite facing major challenges, the global nuclear order remains resilient Maria Shagina assesses Russia’s status as an energy superpower, concluding that it has a bleak future in the long term Erik Jones argues that the war in Ukraine has disrupted the European Central Bank’s ability to operate by consensus Jeffrey E. Kline, James A. Russell and James J. Wirtz contend that the US Navy may struggle to adapt to the pace of technological, social and environmental change Ray Takeyh revisits the Iranian Revolution, finding that Jimmy Carter did not so much ‘lose’ Iran as misunderstand it And five more thought-provoking pieces, as well as our regular Book Reviews and Noteworthy column.Editor: Dr Dana AllinManaging Editor: Jonathan StevensonAssociate Editor: Carolyn WestEditorial Assistant: Charlie Zawadzki

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Reduce stress and promote creativity by coloring these beautiful paisley designs.Dating back to 200 AD, paisley designs originally flourished in Persia and later became known throughout Europe and North America. It’s said by some that the Beatles brought the motif to the United States in the 1967 Summer of Love, which led to pop-culture icons like the Rolling Stones and Jimi Hendrix embracing them; Prince paying tribute to them with his company, Paisley Park Records; and even Fender selling a Pink Paisley guitar.Paisley prints were also embraced by the public—quickly covering fashionable clothing, interior designs, and art. Today, their eye-catching teardrop shape and ornate designs continue to be popular in these arenas. They’ve also spread to screensavers, cell phone cases, and all other kinds of crafted items.Paisleys: Coloring for Everyone has forty-six black-and-white designs for you to color, and a gallery of full-color images that serve as inspiration. The designs have been created specifically for you, and are perforated so that each one can be removed to more easily be colored. So explore your creative side, and discover the fun and relaxing benefits of coloring paisleys.In summary, this vibrant compilation is:Includes an introduction describing the history and beauty of the paisley designFeatures forty-six original designs for readers to colorEach black-and-white design is printed on one side of a perforated page, allowing readers to remove—and frame—their artworkIncludes eleven pages of full-color images to exemplify illustrated paisleysIs releasing as part of a series of four coloring books

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Muscular, fearless, youthful, athletic—the World War II soldier embodied masculine ideals and represented the manhood of the United States. In The Male Body at War, Christina Jarvis examines the creation of this national symbol, from military recruitment posters to Hollywood war films to the iconic flag-raisers at Iwo Jima. A poignant selection of illustrations brings together comics, advertisements, media images, and government propaganda intended to impress U.S. citizens and foreign nations with America's strength. Jarvis recognizes, however, that the male body was more than a mere symbol. During the war, the nation literally invested its survival in the corps of servicemen, and the armed forces set about crafting them into soldiers. Drawing upon medical journals, War Department documents, and government health reports, Jarvis scrutinizes the ways in which physical inspections defined male bodies by fitness and race while training molded those bodies for action. At the same time, she gives servicemen a voice through war memoirs and a survey of over 130 veterans. Her searching analysis reveals not only how the men mediated popular culture and military regimen to forge an understanding of their own masculinity but how, in the face of dead and wounded comrades, they tempered such body-centered ideals with an emphasis on compassion and tenderness. Theoretically sophisticated and methodologically innovative, The Male Body at War makes a major contribution to the literature on the body as a cultural construction. With its compelling narrative and engaging style, it will appeal to a broad range of readers with interests in gender studies as well as to students of American history and culture.

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The Museum of Fine Arts, Houston, is a unique collection of architectural works -- the Caroline Wiess Law Building, comprising the original William Ward Watkin Building of 1924 and the 1958 and 1974 additions designed by Ludwig Mies van der Rohe; the Lillie and Hugh Roy Culien Sculpture Garden created by Isamu Noguchi in 1986; the Central Administration and Glassell Junior School Building designed by Carlos Jimenez in 1994; and now the Audrey Jones Beck Building by Rafael Moneo. Moneo, winner of the 1996 Pritzker Architecture Prize, has proposed a four-storey facility directly facing the Law Building and connected to it via an underground walkway. The limestone building occupies the whole site, thereby reinforcing its urban character. On the inside, visitors can assemble in the dramatic atrium before proceeding to the upper level galleries to begin their itinerary. The Beck Building is a natural progression of some of the ideas put forth by the architect in previous museum projects, especially the Museo Thyssen-Bornemisza in Madrid and the complex of the Moderna Museet and the Arkitekturmuseet in Stockholm. A collection of rooms is the underlying concept for the gallery spaces. The galleries may seem conventional, but their organisation within the building is guided by the desire for freedom. The exhaustive studies undertaken to help design the skylights allow for optimum lighting conditions combining natural and artificial light. Climate, light, circulation through the space, dialogue between building and art, and simplicity and elegance of materials are once again concerns that Moneo has addressed thoughtfully and successfully in the new Beck Building.

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Ever wondered what it's REALLY like to be a Premier League footballer?My name is James Milner and I'm not a Ribena-holic.Let me share insights into what it's like being a professional footballer, across my different experiences with Newcastle, Aston Villa, Manchester City and now Liverpool (not forgetting a six-match loan spell at Swindon). Plus my highs - and a few too many lows - playing for England.There isn't a current player who's been playing Premier League football as long as I have, and that gives me a pretty rare perspective into how the top-flight game has changed over the past seventeen years.In this book, I explain how a footballer's working week unfolds - what we eat and how we prepare for matches technically, tactically, mentally and physically - and talk you through the ups and downs of a matchday. I reveal my penalty-taking techniques, half-time team talks and the differences between playing against Lionel Messi, Wilfried Zaha and Jimmy Bullard.I've played for managers ranging from Terry Venables, Peter Reid and Sir Bobby Robson to Martin O'Neill, Fabio Capello and Jurgen Klopp. I tell you what it's like sharing a training ground and a dressing-room with team-mates such as Lee Bowyer, Mario Balotelli and Mo Salah. I also reveal the behind-the-scenes work that went into Liverpool's Champions League success - and the celebrations that followed.So this isn't an autobiography. The whole point of Ask A Footballer is that you, the fans, asked me questions and I have used my own experiences to answer them. I hope you like it, and don't find it too boring.

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Featuring legendary and inspirational guitarists and the equipment they used. This fully illustrated, beautifully produced hardback explores the history of the pioneering British guitarists – their background, career and equipment. Includes many exclusive interviews. From the mid-20th century, no other musical instrument developed faster or had a greater impact than the electric guitar. In Britain, many young lads became enthralled by the look and the sound, leading them to take up the guitar to entertain their peers. Several dozen were able to master the instrument sufficiently to gain national and international recognition, enjoying careers spanning decades which has resulted in a number being awarded Queen's honours. British Guitarists 1952-1972: Electric Pioneers examines a number of musicians that were part of a first wave of new popular music in the second half of the 20th century. A focus is placed on the guitars, amplifiers and effects used by the artists. Starting from their early days, the book looks at the evolution of the guitarist's equipment and how this has impacted on their music. The guitarists featured are: Martin Barre, Syd Barrett, Jeff Beck, Ritchie Blackmore, Marc Bolan, Joe Brown, Eric Clapton, Dave 'Clem' Clempson, Dave Davies, Lonnie Donegan, Andy Fairweather Low, Peter Frampton, Robert Fripp, David Gilmour, Peter Green, George Harrison, Tony Hicks, Steve Howe, Tony Iommi, Brian Jones, Paul Kossoff, Albert Lee, Alvin Lee, John Lennon, Phil Manzanera, Hank Marvin, John McLaughlin, Tony McPhee, Micky Moody, Jimmy Page, Alan Parker, Mike Pender, Andy Powell, Keith Richards, Mick Ronson, Mick Taylor, Pete Townshend, Bert Weedon, Ronnie Wood.

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Steve Davis was just a rookie from Plumstead, south London, learning how to play from an old book his snooker-obsessed father had given him, when an encounter with Barry Hearn changed his life forever. With his backing, Steve began touring the country in a clapped-out car as an amateur. Challenging established professionals and winning titles, supported by his loyal following the Romford Roar, it wasn’t long before he progressed to the world’s stage.By the eighties, Steve had helped transform a previously shady sport into a national obsession. He and a cast of legends such as Ray Reardon, Dennis Taylor and Alex Higgins, with other young guns like Jimmy White, were doing silent battle in front of huge audiences. Tens of millions of viewers would witness the nail-biting conclusions of his world championship finals; this was snooker’s golden era.The man behind the ‘boring’ tag has always been the sport’s smartest and sharpest man. With his cool, obsessive approach, Steve rewrote the rule book and became untouchably the best player in the world and the best paid sportsman in the country. Interesting lays it all bare: what it was like to win in those pressure-cooker situations; how to cope at the top, when everyone wants you to lose; and how you deal with the moment when a man comes along who is finally better than you. This is a memoir that closely evokes the smoke-filled atmosphere of those arenas, the intrigue behind the scenes and the personal psychology and sacrifice that is required to stay at the top of such an exacting sport.

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(Published as a Morris Jesup Book in association with the Westport Library, Westport, Connecticut) Written by an intimate participant in the turbulent civil rights movement in Mississippi, Nobody Said Amen tells the stories of two families' lives, one white, one black, as they navigate the challenging, tilting landscape created by the coming of "outside agitators" and social change to the Mississippi Delta in the 1960s. Owner of a great plantation, Luke Claybourne is a product of Southern attitudes, a decent man who feels responsible for the black families who make his plantation run, but who is loathe to accept the changes necessary for its survival. When he loses his plantation, his entire world is shattered. Led by his wife, Willy, and their friendship with a Northern journalist, Luke is forced to come to terms with a new way of life in the post--Civil Rights era South. Meanwhile, Jimmy Mack, a young black Mississippian leading a group of students who have come to Shiloh to help blacks gain the right to vote, has become a target of the Klan--savagely beaten while in jail and threatened with a burning cross. His love affair with Eula, a Claybourne employee, highlights the tensions and hazards of trying to love in the shadow of a racist world. Rich with a colorful roster of the people in Shiloh, Nobody Said Amen tells a triumphant American tale.

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In 1953, the same year that Elvis Presley cut his first demo, Cash Box magazine named the Hilltoppers the top vocal group of the year. Hits such as "Trying" and "P.S. I Love You" raced up the charts and kept the band in Billboard's Top 40. On weekends the Hilltoppers performed in cities across the country, but on school days they were better known as Western Kentucky State College students Jimmy Sacca, Seymour Spiegelman, Don McGuire, and Billy Vaughn. The Korean War, military drafts, and changing public tastes in music, however, cut short singing careers that should have lasted much longer. Sacca was drafted in 1953, mere months before the end of the war. Vaughn left the group shortly after that for a career at Dot Records and found fame elsewhere with his orchestra. McGuire and Spiegelman were drafted as well, and despite a set of temporary replacement members, the group eventually called it quits. Fifty years later, historian Carlton Jackson revisits the college kids who made it big between classes. He follows the band from their first hit, recorded in Western's Van Meter Auditorium, to their brief 1970s reunion. Their story is a study of celebrity and youth in the early days of rock 'n' roll.

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On paper, Coach Rob Mendez sounds like any other football coach on any other field across America: passionate, authoritative, knowledgeable. But he’s unlike any other coach you know--in fact, he’s probably unlike any other person you know.Born with an extraordinarily rare condition called tetra-Amelia syndrome, Rob has no arms or legs. He moves with the assistance of a custom-made, motorized wheelchair that he operates with his back and shoulders.Many people look at Rob and see limitation, yet Rob sees opportunity: Opportunity to pursue his passion for football. Opportunity to change the way people perceive physical disability. Opportunity to serve as a role model for the hundreds of kids he’s coached over the years.Told with both humor and frankness, Who Says I Can’t? takes readers on Rob’s incredible journey, from his birth to loving parents who wanted to afford him every chance for happiness, to the emotional and physical hurdles he faced while seeking independence, to receiving the Jimmy V Award for Perseverance at the ESPY Awards in 2019.Each day, Coach Rob rolls onto the field and shows his players that dreams are achievable when you show up, do the work, and believe in yourself. And after reading this book you, too, will believe that anything is possible.

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After the dog days of the last three decades, it seems as if the sleeping giant of White Hart Lane is stirring once more. With the management reigns of Christian Gross, Harry Redknapp and AVB now distant memories, the club is on the march once more under the leadership of Daniel Levy, looking forward to bringing back the glory days. With exciting young English talent, such as Eric Lamela, Deli Alli and Ryan Sessegnon, along with experienced internationals Christian Eriksen, Jan Vertonghen and Son Heung-min, and now under Jose Mourinho's unique management style, there is a belief that success is within their reach. Perhaps more than most, the club has had its share of ups and downs and more than its share of characters. This book is a collection of quotes from those who have passed through London N17 and some who are still there, soundbites that range from the inspired to the insane, from the profound to the surreal. From Danny Blanchflower, Jimmy Greaves, Paul Gascoigne and Sir Alan Sugar, to Daniel, Mauricio and Harry Kane, few clubs can boast so many people with so much to say for themselves. Tottenham Hotspur have a proud tradition and a very loyal support, and this book captures the flavour of both.

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In this gloriously illustrated companion to her crime novels featuring Inspector Jimmy Perez, Ann Cleeves takes readers through a year on Shetland. Discover its past, meet its people, celebrate its festivals and see how the flora and fauna of the islands change with the seasons.An archipelago of more than a hundred islands, Shetland is the one of the most remote places in the United Kingdom. Its fifteen hundred miles of shore mean that wherever one stands, there is a view of the sea. It has sheltered voes and beaches and dramatically exposed cliffs, lush meadows full of wild flowers in the summer and bleak hilltops where only the hardiest of plants will grow. It is a place where traditions are valued and celebrated, but new technologies and ways of working are also embraced. Whether it is the drama of the Viking fire festival of Up Helly Aa in winter, or the piercing blue and hot pink of spring flowers on the clifftops, the long, white nights of midsummer or the fierce gales and high tides of autumn, Shetland is vividly captured in all its bleak and special beauty.A book to treasure, full of photos and insightful notes about the stunning location of the Shetland series, now a major BBC One drama starring Douglas Henshall.

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Discovering The Beatles at the age of fourteen, David Paton had no idea that one day he’d work with Paul McCartney in Studio Two at Abbey Road or that he’d write a number one worldwide hit, or that he’d spend three years touring the world and recording as bass player with Elton John, including playing in his band at Live Aid. These achievements were well beyond his imagination – yet he did them. For David, making music was a joy and a privilege, but his career as a musician made it possible for him to meet and work with some of the world-famous artists that he idolised. David Paton is the singer, songwriter and bass player with the group Pilot, writing the worldwide hits ‘Magic’, ‘January’ and ‘Just a Smile’. He was a member of The Alan Parsons Project for ten years and did session work with The Pretenders, Paul McCartney, Kate Bush, Chris De Burgh, Chris Rea and Jimmy Page, to name but a few. This book gives an insight into the life of a successful songwriter and session musician. He has a lot to say, but as well as telling his story, the book also offers valuable insight into what to do – and what not to do – for creative people interested in pursuing a career in music.

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THE NATIONAL BESTSELLER, NOW FEATURING NEW INTERVIEWS WITH DASHBOAD CONFESSIONAL, CURSIVE, LESS THAN JAKE, AND MORE."Ozzi's reporting is strong, balanced and well told...a worthy successor to its obvious inspiration, Michael Azerrad's 2001 examination of the '80s indie underground, 'Our Band Could Be Your Life.'"--New York Times Book ReviewA raucous history of punk, emo, and hardcore’s growing pains during the commercial boom of the early 90s and mid-aughts, following eleven bands as they “sell out” and find mainstream fame, or break beneath the weight of it allPunk rock found itself at a crossroads in the mid-90’s. After indie favorite Nirvana catapulted into the mainstream with its unexpected phenomenon, Nevermind, rebellion was suddenly en vogue. Looking to replicate the band’s success, major record labels set their sights on the underground, and began courting punk’s rising stars. But the DIY punk scene, which had long prided itself on its trademark authenticity and anti-establishment ethos, wasn’t quite ready to let their homegrown acts go without a fight. The result was a schism: those who accepted the cash flow of the majors, and those who defiantly clung to their indie cred.In Sellout, seasoned music writer Dan Ozzi chronicles this embattled era in punk. Focusing on eleven prominent bands who made the jump from indie to major, Sellout charts the twists and turns of the last “gold rush” of the music industry, where some groups “sold out” and rose to surprise super stardom, while others buckled under mounting pressures. Sellout is both a gripping history of the music industry’s evolution, and a punk rock lover’s guide to the chaotic darlings of the post-grunge era, featuring original interviews and personal stories from members of modern punk’s most (in)famous bands: Green Day Jawbreaker Jimmy Eat World Blink-182 At the Drive-In The Donnas Thursday The Distillers My Chemical Romance Rise Against Against Me!

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'For a collection of good old-fashioned gags, it's one of the best out there, a rich buffet of inventive wordplay that's best savoured a little at a time to fully appreciate the joy of these perfectly-constructed morsels. For original, hilarious gags you'll want to share, this is the real deal.' - Chortle 'A rollicking joyride. . . Pundamentalist has puns for the whole family: rude ones, daft ones, deft ones, stinkers and absolute belters.' - British Comedy GuideGary Delaney, one-liner extraordinaire, has appeared on shows like Mock the Week and written for the likes of Jimmy Carr, Jason Manford, and James Corden. Now, for the first time, comes the first collection of his finest jokes. Featuring the likes of: Garden centres can't reopen fast enough for me, I've been living on borrowed thyme.We can't even afford a garden, so when my girlfriend bought us a trampoline I hit the roof.Sure everyone cares about straws killing dolphins now, but they've been breaking camels' backs for years.Genius is 1% inspiration and 99% perspiration, which explains why Prince Andrew is so stupid.Sad news: The British simile champion has died. We shall not see his like again.My mom doesn't trust my dad's secretary. I asked her why, and she just said 'I've seen her type before'.Today someone told me that I look good with a salt 'n' pepper beard, so I took that as a condiment.My French pen friend just said 'Le Monde', which means the world to me. Can anyone tell me what FOMO stands for? Everyone else seems to know.Actors have got Equity, Magicians have got the Magic Circle, but it's a shame ventriloquists don't have anyone to speak for them.Does anyone know if it's safe to dye your pubes? It's a bit of a grey area.And make sure you look out for Gary's next book, about Stockholm Syndrome: it starts off badly but by the end you'll really enjoy it . . .

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Museyon Guides' curators from around the world have composed this guidebook to inform you - the armchair film critic, the rampant moviegoer, the bona fide celluloid aficionado - of exactly where to go. Why just dream of the places you see in cinema? Instead, explore the terrain with the help of these carefully crafted cultural companions. Travel the world through the lens of your favourite film scenes and discover the best locations for your next picture-perfect vacation. EUROPE: Visit Almeria, Spain and be transported into the iconic scenes of Lawrence of Arabia. Enjoy an incredible view of Paris from Amalie's Montmartre. Mail a postcard in Procida, Italy and see the sights shot in Il Postino. Prowl through the neighbourhoods of Hamburg like Dennis Hopper and feel the eerie glow that is emitted in The American Friend. Find out how the location of Atonement was found and why Iceland stood in for the sands of Iwo Jima, and much, much more. 199 movies are referenced and 135 colour photos included. Museyon curators around the world have composed this guidebook to inform you the armchair film critic, the rampant moviegoer, the bona fide celluloid aficionado of exactly where to go. SELLING POINTS: . Each guide contains hundreds of colour photographs that jump off the pages of each pocket-sized guide. . Each guide references a multitude of movies: Europe references 199 films; Asia, Oceania & Africa references 139 films; and North America & South America references 198 films. . Meticulously researched and curated by film reviewers, producers, directors, historians and location specialists from every angle. . A personalised introduction kicks off each book with the editor's very personal take on the best the region has to offer. . The Museyon Guides are the only guidebooks that offer a range of thematic tours geared for film buffs. . Mix and match these tours to create your own unforgettable trip. Months' worth of excursions in each title. Illustrated

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The global Black Lives Matter campaign has given greater exposure to the extent and insidious nature of the structural and systemic racism that exists in all strata of our society and has provided renewed impetus to the urgent need to challenge and eradicate racism in all its forms and wherever it is found. Sadly, sport has not been immune from this, especially so in the case of football. For too long, there were attempts to hide and mitigate racist attitudes and actions within the game, but thanks to the growing profile and visibility of black and minority ethnic (BAME) players both past and present – Viv Anderson, Cyrille Regis, Jimmy Carter, Les Ferdinand, Pat Nevin and Ruud Gullit to name just a few – and almost three decades of education and campaigning led by Kick It Out, attitudes have changed. However, now is not the time to be complacent – there’s still a great deal left to do. Throughout his entire journalistic career, leading sportswriter Harry Harris has championed the fight against racism in football. Now, within these pages, he shines a timely spotlight on the Beautiful Game, revealing the forces within football that have both helped expose and challenge racism – and, at times, sadly, hinder more rapid positive change. Over the years, Harris has gathered an impressively large network of contacts within the game – players, managers, media pundits and association personnel among them. Many of them, such as Greg Dyke, Glenn Hoddle, Ivor Baddiel, Mek Stein, and Jermain Defoe, have spoken exclusively to Harris for this book. Red Card to Racism is not only a welcome addition to the ongoing debate surrounding ending prejudice within football but also a timely and necessary addition to the wider discussion of the need within our evermore global multicultural society for all people, whatever their beliefs, gender, identity, sexuality or ethnic background, to be treated with equity, humanity and respect.

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'Unflinching, forthright and full of wry humour as the man himself, and there's little praise greater than that' CLASSIC ROCK'Wall's vision of Lemmy as a Rock'n'Roll stalwart who made no concessions is vivid to the last' GUARDIANIn 'The Ace of Spades', Motörhead's most famous song, Lemmy, the born-to-lose, live-to-win frontman of the band sang, 'I don't want to live forever'. Yet as he told his friend of 35 years, former PR and biographer Mick Wall, 'Actually, I want to go the day before forever. To avoid the rush...'. This is his strange but true story. Brutally frank, painfully funny, wincingly sad, and always beautifully told, LEMMY: THE DEFINITIVE BIOGRAPHY is the story of the only rock'n'roller never to sell his soul for silver and gold, while keeping the devil, as he put it, 'very close to my side'. From school days growing up in North Wales, to first finding fame in the mid-60s with the Rockin' Vicars; from being Jimi Hendrix's personal roadie ('I would score acid for him'), to leading Hawkwind to the top of the charts in 1972 with 'Silver Machine' ('I was fired for taking the wrong drugs'); from forming Motörhead ('I wanted to call the band Bastard but my manager wouldn't let me'), whose iconoclastic album NO SLEEP 'TIL HAMMERSMITH entered the UK charts at No. 1.Based on Mick's original interviews with Lemmy conducted over numerous years, along with the insights of those who knew him best - former band mates, friends, managers, fellow artists and record business insiders - this is an unputdownable story of one of Britain's greatest characters. As Lemmy once said of Wall, 'Mick Wall is one of the few rock writers in the world who can actually write and seems to know anything about rock music. I can and do talk to him for hours - poor bastard.' With the hard part of his journey now over, Lemmy is set to become a legend. LEMMY: THE DEFINITIVE BIOGRAPHY explains exactly how that came to be.

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The Navigation Case reveals the drama and sacrifice expended by America’s pioneering pilots’ first ever demonstration of air superiority, during the greatest campaign in U.S. Air Force history.An aged and glossy leather briefcase was discovered when our family house was cleaned out and sold. We came to learn that my father had meticulously collected his military documents, private letters, and souvenirs, and packed them away in this—his pilot’s navigation case. From randomly within, a newspaper article tumbled out. It described a massive typhoon in New Guinea causing “horror and tragedy” and resulting in incredible untold loss of men and aircraft. But larger questions remained unanswered: What was my father, or any American, doing in New Guinea, of all places? If America was fighting Japan, why were we fighting in New Guinea? Aviation as an industry was in its infancy. The sagas of pioneering pilots detail fascinating but deadly cadet training and violent air missions. The narrative flourishes into an incredible story giving the context for all the Pacific war stories from Pearl Harbor, Guadalcanal, Midway island, and Iwo Jima, up to the avoidable catastrophes of Hiroshima and Nagasaki.

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On the night of August 6, 1930, Joseph Force Crater, a newly appointed judge and prominent figure in many circles of Manhattan, hailed a taxi in the heart of Broadway and vanished into thin air. Despite a decades-long international manhunt led by the New York Police Department's esteemed Missing Persons Bureau, the reason for Crater's disappearance remains a confounding mystery. In the early months of the investigation, evidence implicated and imperiled New York's top officials, including then-Governor Franklin D. Roosevelt and Mayor Jimmy Walker, as well as the city's Tammany Hall political machine, lawyers and judges, and a theater mogul.Drawing on new sources, including NYPD case files and court records, and overlooked evidence discovered years later, Riegel pieces together the puzzle of what likely happened to Joseph Crater and why. To uncover the mystery, he delves into Crater's ascension into the scintillating and corrupt world of Manhattan in the Roaring Twenties and Jazz Age. In turn, the story of the judge's vanishing in the first year of the Great Depression unfolds as a harbinger of the disappearance of his lost metropolis and its transformation into modern-day New York City.

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In this powerful memoir, the creator of the viral videos "Before You Call the Cops" and "Walking While Black", Tyler Merritt, shares his experiences as a Black man in America with truth, humour, and poignancy.Tyler Merritt's video "Before You Call the Cops" has been viewed millions of times. He's appeared on Jimmy Kimmel and Sports Illustrated and has been profiled in the New York Times. The viral video's main point-the more you know someone, the more empathy, understanding, and compassion you have for that person-is the springboard for this book. By sharing his highs and exposing his lows, Tyler welcomes us into his world in order to help bridge the divides that seem to grow wider every day.In I Take My Coffee Black, Tyler tells hilarious stories from his own life as a black man in America. He talks about growing up in a multi-cultural community and realizing that he wasn't always welcome, how he quit sports for musical theater (that's where the girls were) to how Jesus barged in uninvited and changed his life forever (it all started with a Triple F.A.T. Goose jacket) to how he ended up at a small Bible college in Santa Cruz because he thought they had a great theater program (they didn't). Throughout his stories, he also seamlessly weaves in lessons about privilege, the legacy of lynching and sharecropping and why you don't cross black mamas. He teaches readers about the history of encoded racism that still undergirds our society today.By turns witty, insightful, touching, and laugh-out-loud funny, I Take My Coffee Black paints a portrait of black manhood in America and enlightens, illuminates, and entertains-ultimately building the kind of empathy that might just be the antidote against the racial injustice in our society.

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2020 SABR Seymour Medal 2019 CASEY Award for Best Baseball Book of the Year Buck O’Neil once described him as “Ty Cobb, Babe Ruth, and Tris Speaker rolled into one.” Among experts he is regarded as the best player in Negro Leagues history. During his prime he became a legend in Cuba and one of Black America’s most popular figures. Yet even among serious sports fans, Oscar Charleston is virtually unknown today. In a long career spanning from 1915 to 1954, Charleston played against, managed, befriended, and occasionally fought men such as Lou Gehrig, Jimmie Foxx, Lefty Grove, Satchel Paige, Josh Gibson, Jesse Owens, Roy Campanella, and Branch Rickey. He displayed tremendous power, speed, and defensive instincts along with a fierce intelligence and commitment to his craft. Charleston’s competitive fire sometimes brought him trouble, but more often it led to victories, championships, and profound respect. While Charleston never played in the Major Leagues, he was a trailblazer who became the first Black man to work as a scout for a Major League team when Branch Rickey hired him to evaluate players for the Dodgers in the 1940s. From the mid‑1920s on, he was a player‑manager for several clubs. In 1932 he joined the Pittsburgh Crawfords and would manage the club many consider the finest Negro League team of all time, featuring five future Hall of Famers, including himself, Cool Papa Bell, Josh Gibson, Judy Johnson, and Satchel Paige. Charleston’s combined record as a player, manager, and scout makes him the most accomplished figure in Black baseball history. His mastery of the quintessentially American sport under the conditions of segregation revealed what was possible for Black achievement, bringing hope to millions. Oscar Charleston introduces readers to one of America’s greatest and most fascinating athletes.

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In the late 1970s, aggressive, young bands are forming across Britain. Independent labels are springing up to release their music. But this isn't the story of punk. Forget punk. Punk was a flash in the pan compared to this. This is the story of the New Wave of British Heavy Metal, a musical movement that changed the world. From this movement - given the unwieldy acronym NWOBHM - sprang streams that would flow through metal's subsequent development. Without NWOBHM there is no thrash metal, no death metal, no black metal. Without the rise of Iron Maiden, NWOBHM's standard bearers, leading the charge to South America and to South Asia, metal's global spread is slower. Without the NWOBHM bands - who included Def Leppard, Motorhead, Judas Priest, Diamond Head and many others - the international uniform of heavy metal - the 'battle jacket' of a denim jacket with sleeves ripped off, and covered with patches (usually sewn on by the wearer's mum), worn over a leather biker jacket - does not exist: 'Denim and leather brought us all together,' as Saxon put it. No book has ever gathered together all the principals of British heavy rock's most fertile period: Jimmy Page, Rick Allen, Michael Schenker, Robert John 'Mutt' Lange, Ritchie Blackmore, Rick Savage, Phil Collen, David Coverdale, Cronos, Biff Byford, Joe Elliott, Rob Halford, Ian Gillan, Phil Mogg, Robert Plant, Tony Wilson, Lars Ulrich, Pete Waterman to name a few. In Denim and Leather, these stars tell their own stories - their brilliant, funny tales of hubris and disaster, of ambition and success - and chart how, over a handful of years from the late 1970s to the early 1980s, a group of unlikely looking blokes from the provinces wearing spandex trousers changed heavy music forever. This is the definitive story about the greatest days of British heavy rock.

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Real heroes never die. But they do get grouchy in middle age. The beloved King Ik is dead, and there was barely time to check his pulse before the royal throne was supporting the suspiciously shapely backside of an impostor pretending to be Ik’s beautiful long-lost daughter. With the land’s heroic hunks busy drooling all over themselves, there’s only one man left who can save the kingdom of Jenair. His name is Dungar Loloth, a rural blacksmith turned innkeeper, a surly hermit and an all-around nobody oozing toward middle age, compensating for a lack of height, looks, charm, and tact with guts and an attitude. Normally politics are the least of his concerns, but after everyone in the neighboring kingdom of Farrawee comes down with a severe case of being dead, Dungar learns that the masquerading princess not only is behind the carnage but also has similar plans for his own hometown. Together with the only person senseless enough to tag along, an eccentric and arguably insane hobo named Jimminy, he journeys out into the world he’s so pointedly tried to avoid as the only hope of defeating the most powerful person in it. That is, if he can survive the pirates, cultists, radical Amazonians, and assorted other dangers lying in wait along the way. Logan J. Hunder’s hilarious debut blows up the fantasy genre with its wry juxtaposition of the fantastic and the mundane, proving that the best and brightest heroes aren’t always the best for the job.

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"The highlights of my extraordinary journey with Mr Clarkson included pizza with Harry and Wills; dancing with Mick Jagger on the private island of Mustique (Mick had to pull me up after, shamefully, I could not recover from the twist!); and having happy birthday sung to me by Brian Ferry and Richard E. Grant. I was asked out by Hugh Grant (and went!); partied at what I called Jimmy Carr’s celebtastic weekly house parties attended by Sir Elton John, James Corden and the like; and, at Jerry Hall and Rupert Murdoch’s engagement party, I received the ultimate compliment on my outfit from the Dame Joan Collins. The adventures, laughter, drama and excitement were neverending. Party after party, celeb after celeb, private villas, palaces, MPs and royalty adorned our crazy life on this road less travelled. From the low-budget, dark, smoke- and fume-filled halls of Earls Court Exhibition Centre and the NEC in Birmingham, where the highlights of our nights out were a good curry and gallons of beer followed by ridiculous games of girl-on-girl arm wrestling and the Celebrity Loo Roll Challenge – this entailed Clarkson, Hammond, May or The Stig having to return from the bathroom with loo roll tucked down their trousers, trailing a length of loo paper from cubicle to table without it breaking – Jeremy ascended to great heights, both in his professional career and his personal life. So too did our relationship, leading us both into a social circle that most can only dream of." In The Wonderful World of Jeremy Clarkson, Phillipa Sage shares her continuing adventures – the ongoing highs, lows and constant mayhem – she shared for so many years with Clarkson and his fellow presenters, Hammond and May, some of which she had begun to detail in her first book, Off Road with Clarkson, Hammond and May.

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During the first quarter-century of the Cold War, upholding human rights was rarely a priority in U.S. policy toward Latin America. Seeking to protect U.S. national security, American policymakers quietly cultivated relations with politically ambitious Latin American militaries—a strategy clearly evident in the Ford administration's tacit support of state-sanctioned terror in Argentina following the 1976 military coup d’état. By the mid-1970s, however, the blossoming human rights movement in the United States posed a serious threat to the maintenance of close U.S. ties to anticommunist, right-wing military regimes.The competition between cold warriors and human rights advocates culminated in a fierce struggle to define U.S. policy during the Jimmy Carter presidency. In The Fate of Freedom Elsewhere, William Michael Schmidli argues that Argentina emerged as the defining test case of Carter’s promise to bring human rights to the center of his administration’s foreign policy. Entering the Oval Office at the height of the kidnapping, torture, and murder of tens of thousands of Argentines by the military government, Carter set out to dramatically shift U.S. policy from subtle support to public condemnation of human rights violation. But could the administration elicit human rights improvements in the face of a zealous military dictatorship, rising Cold War tension, and domestic political opposition? By grappling with the disparate actors engaged in the struggle over human rights, including civil rights activists, second-wave feminists, chicano/a activists, religious progressives, members of the New Right, conservative cold warriors, and business leaders, Schmidli utilizes unique interviews with U.S. and Argentine actors as well as newly declassified archives to offer a telling analysis of the rise, efficacy, and limits of human rights in shaping U.S. foreign policy in the Cold War.

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Before Harborplace and the Convention Center, Oriole Park at Camden Yards and the Ravens, shopping malls and multiplex movie theaters, Baltimore was a very different city. Most Baltimoreans would agree that, until recently, living here was like living in a small town. For more than 25 years, Gilbert Sandler chronicled this bygone life of streetcars and cinema palaces in his Evening Sun (and later Sun) column, "Baltimore Glimpses." Now collected, edited, and expanded in Small Town Baltimore, Sandler's delightful sketches of life in Baltimore from the 1920s through the 1970s take readers back to a time when flagpole-sitting was all the rage, when guests at high society weddings and cotillions were fed by the prominent African American business Hughes Catering and chef David Bruce's famous chicken croquettes, and when the salt rubdown at Rowland's Turkish Bath could take all one's troubles away. This "album of memories" introduces the reader to the people and places-neighborhoods, restaurants, department stores, parks, hotels, night clubs, racetracks, and theaters-that once put the charm in Charm City. Sandler recalls the events that shaped life here, from strikes and demonstrations to baseball games and parades. Through interviews and reminiscences, Sandler catches a double feature at the Valencia; visits Howard Street's Arabian Tent Club to listen to Cab Calloway; attends the funeral of Chick Webb-"the greatest jazz drummer in the world"-along with such jazz luminaries as Duke Ellington, Gene Krupa, and Ella Fitzgerald; listens in on Arthur Godfrey's audition in the studios of WFBR; eats knockwurst at Schellhase's, steamed crabs at Bankert's, and Cantonese cuisine at Jimmy Wu's; takes the Chesapeake Restaurant up on its offer to "Eat our steak with a fork, else tear up your check and walk out"; and rides the Charles Street double-decker bus with Ms. Reuben Ross Holloway, who fought to make "The Star-Spangled Banner" our national anthem. Small Town Baltimore shows us how far Baltimore has come and what's been lost in the process.

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The King of Nashville, Tony Brown, offers a rare photographic journey through his 40-year career--including historical pictures and contemporary portraits of rock, country, and gospel music legends--in which he produced hundreds of #1 country songs that are beloved by millions.From a child pianist banging out hymns in his family's gospel band, to playing keys for Elvis Presley, to producing a string of million-selling hits for artists like George Strait, Reba McEntire, and Trisha Yearwood, Tony Brown's storied career has left a singular impression on American music.Known as the King of Nashville, Tony is adored by the mega-artists whose sounds he was instrumental to crafting, the city he's proud to call home, the millions of fans of of his over 100 number 1 singles, and the aspiring musicians he continues to inspire.The President of MCA Records for nearly two decades and co-founder of Universal South Records, Tony is also referred to as the founder of Americana music, who shook the scene with his edgy signing choices of Steve Earle and Lyle Lovett, before producing a Golden Era of country music from the eighties to the two-thousands, achieving over 100 million in sales.His life, musical legacy, and friendships are celebrated in this keepsake coffee table book, including rare behind-the-scenes images. It also includes contemporary, artful shots of 40 musical greats beloved to Tony, all featured in a French Renaissance chair that has been traveled countrywide for them to pose in, bringing out each of these legends' unique personalities.Included are historical or contemporary photos of artists such as Elvis, Lisa Marie Presley, George Strait, Reba McEntire, Cyndi Lauper, Steve Earle, Lyle Lovett, Trisha Yearwood, Lionel Richie, Jimmy Buffet, and many more.

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Mediation has become a common technique for terminating violent conflicts both within and between states; while mediation has a strong record in reducing hostilities, it is not without its own problems. In The Mediation Dilemma, Kyle Beardsley highlights its long-term limitations. The result of this oft-superficial approach to peacemaking, immediate and reassuring as it may be, is often a fragile peace. With the intervention of a third-party mediator, warring parties may formally agree to concessions that are insupportable in the long term and soon enough find themselves at odds again. Beardsley examines his argument empirically using two data sets and traces it through several historical cases: Henry Kissinger’s and Jimmy Carter’s initiatives in the Middle East, 1973–1979; Theodore Roosevelt’s 1905 mediation in the Russo-Japanese War; and Carter’s attempt to mediate in the 1994 North Korean nuclear crisis. He also draws upon the lessons of the 1993 Arusha Accords, the 1993 Oslo Accords, Haiti in 1994, the 2002 Ceasefire Agreement in Sri Lanka, and the 2005 Memorandum of Understanding in Aceh. Beardsley concludes that a reliance on mediation risks a greater chance of conflict relapse in the future, whereas the rejection of mediation risks ongoing bloodshed as war continues. The trade-off between mediation’s short-term and long-term effects is stark when the third-party mediator adopts heavy-handed forms of leverage, and, Beardsley finds, multiple mediators and intergovernmental organizations also do relatively poorly in securing long-term peace. He finds that mediation has the greatest opportunity to foster both short-term and long-term peace when a single third party mediates among belligerents that can afford to wait for a self-enforcing arrangement to be reached.

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In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

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What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life, philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually is: a work in progress, a journey and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Heidegger, he shows us where to find the significance of our lives: in the way we live them. May starts by looking at the fundamental fact that life unfolds over time, and as it does so, it begins to develop certain qualities, certain themes. Our lives can be marked by intensity, curiosity, perseverance, or many other qualities that become guiding narrative values. These values lend meanings to our lives that are distinct from but also interact with the universal values we are taught to cultivate, such as goodness or happiness. Offering a fascinating examination of a broad range of figures from music icon Jimi Hendrix to civil rights leader Fannie Lou Hamer, from cyclist Lance Armstrong to The Portrait of a Lady's Ralph Touchett to Claus von Stauffenberg, a German officer who tried to assassinate Hitler May shows that narrative values offer a rich variety of criteria by which to assess a life, specific to each of us and yet widely available. They offer us a way of reading ourselves, who we are, and who we might like to be. Clearly and eloquently written, A Significant Life is a recognition and a comfort, a celebration of the deeply human narrative impulse by which we make even if we don't realize it meaning for ourselves. It offers a refreshing way to think of an age-old question, of quite simply, what makes a life worth living.

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When Dave Hickey was twelve, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey's career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge or to surprise us in doing so Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we've been missing in Norman Rockwell. With each essay, the doing is as important as what's done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey's own life including the aforementioned slam-bang conclusion to his youthful surfing career Perfect Wave is not a perfect book. But it's a damn good one, and a welcome addition to the Hickey canon.

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On the afternoon of August 15, 1969, Richie Havens took the stage at the Woodstock Music and Art Fair, welcoming a crowd of several hundred thousand to the green fields of Max Yasgur's farm. Havens was the first act - the legendary festival, years in the making, was finally beginning. Nothing would be the same after. But the story of the legendary festival begins with Michael Lang, a kid out of Bensonhurst, Brooklyn, who liked to smoke a joint and listen to jazz and who eventually found his way to Florida, where he opened a head shop and produced his first festival - Miami Pop, featuring Jimi Hendrix, Frank Zappa, and others. In the late '60s, after settling in Woodstock, he began to envision a music and arts festival where folks could come and stay for a few days amid the rural beauty of upstate New York. The idea crystallized when Lang talked it over with Artie Kornfeld, a songwriter and A and R man, and with two other young men they formed Woodstock Ventures. They booked talent, from Janis Joplin and the Who to the virtually unknown Santana and Crosby, Stills and Nash; won over agents and promoters; brought in the Hog Farm commune to set up campgrounds; hired a peacekeeping force; took on fleets of volunteers; appeased the Yippies; and, were run out of one town and found another site weeks before the festival. On the ground with the talent, the townspeople, and his handpicked crew, Lang had a unique and panoramic perspective of the festival. Enhanced by interviews with others who were central to the making of the festival, "The Road to Woodstock" tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.

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