Search results for ""Author Anne""

Find out how to paint a butterfly by painting on the paper, folding it in half, cutting it out and opening it up to see the beautiful butterfly.

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Find out how to make a little cake using a rice cake, cream cheese, a banana and berries. It is good to eat! Yum, yum, yum!

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Anne Panning's fiction has been described as warm and original by Publishers Weekly, intelligent and humorous by the Boston Globe, graceful and wry by Booklist, and infectious and enchanting by the New York Times. In fact, Panning's last collection of short stories, Super America, was a New York Times Book Review Editor's Choice Enter this exciting new novel, the best work yet from a writer whose astute observations of American life are as honest as they are engaging. Butter is a coming of age tale set against the backdrop of small-town Minnesota during the 1970s and told from the perspective of an eleven-year-old girl, Iris, who learns from her parents that she is adopted. The story of Iris's childhood is at first beguiling and innocent: hers is a world filled with bell-bottoms and Barbie dolls, Shrinky Dinks and Shaun Cassidy records, TV dinners and trips to grandma's. But as her parents' marriage starts to unravel, Iris grows more and more observant of disintegration all around her, and the simple cadences of her story quickly attain an unnerving tension as she wavers precariously between girlhood and adolescence. In the end, Iris's story represents a profound meditation on growing up estranged in small town America—on being an outsider in a world increasingly averse to them. Passionate, lyrical, and disquieting, this intensely moving novel is a rich exploration of a crucial theme in American literature that will confirm Anne Panning's place as a major figure in the world of contemporary fiction.

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Letters between a colliery manager and his employer provide valuable evidence for the growth and development of the coal trade in north-east England. John Buddle (1773-1843), the most eminent coal viewer and mining engineer and manager of his day, worked for a number of different coal owners in North-East England. In particular, for over twenty years he acted as colliery manager for Charles Stewart, 3rd Marquess of Londonderry. In this capacity Buddle wrote to his employer more than 2,000 letters, of which this book provides a selection. They give not only a detailed, and at times almost a day-to-day account of the coal trade of the Tyne and Wear at a time when the industry was expanding rapidly, but also a discussion of Lord Londonderry's always difficult financial affairs, of his local political activities, and the general condition of the region in a period of change. Buddle emerges from these letters as a self-confident professional man with far-reaching ideas tempered by prudence, ready to speak his mind and by no means always agreeing with his aristocratic employer, though ultimately always bowing to his decisions; Londonderry is revealed as ambitious, willful, and incapable of living within his means. The letters reveal the sometimes troubled relationship between the twovery different men, one that came close to breaking-point in 1841, though the breach was repaired before Buddle's death in 1843; more widely, they paint a vivid picture of north-east England in the early nineteenth century, of its politics, its economy, and its social situation at a time of lively development. Anne Orde is a retired Senior Lecturer in History, University of Durham.

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In Bad Language, Naked Ladies, and Other Threats to the Nation, Anne Rubenstein examines how comic books—which were overwhelmingly popular but extremely controversial in post-revolutionary Mexico—played an important role in the development of a stable, legitimate state. Studying the relationship of the Mexican state to its civil society from the 1930s to the 1970s through comic books and their producers, readers, and censors, Rubenstein shows how these thrilling tales of adventure—and the debates over them—reveal much about Mexico’s cultural nationalism and government attempts to direct, if not control, social change.Since their first appearance in 1934, comic books enjoyed wide readership, often serving as a practical guide to life in booming new cities. Conservative protest against the so-called immorality of these publications, of mass media generally, and of Mexican modernity itself, however, led the Mexican government to establish a censorship office that, while having little impact on the content of comic books, succeeded in directing conservative ire away from government policies and toward the Mexican media. Bad Language, Naked Ladies, and Other Threats to the Nation examines the complex dynamics of the politics of censorship occasioned by Mexican comic books, including the conservative political campaigns against them, government and industrial responses to such campaigns, and the publishers’ championing of Mexican nationalism and their efforts to preserve their publishing empires through informal influence over government policies. Rubenstein’s analysis suggests a new Mexican history after the revolution, one in which negotiation over cultural questions replaced open conflict and mass-media narrative helped ensure political stability.This book will engage readers with an interest in Mexican history, Latin American studies, cultural studies, and popular culture.

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Gaining a thorough understanding of today's complex workplace is of vital importance to both business professionals and academics—not only because it leads to a deeper understanding of individual motivation in the work context, but also because it reveals ways in which work practices can be improved. This requirement for both understanding and action has become especially pressing in the area of "learning in organizations" as businesses have become ever more "knowledge-based." There is now an urgent need to comprehend how people and organizations learn, and then to store and transfer the resulting new knowledge to facilitate the design of work environments and practices. Learning from Work directly addresses this growing workplace need by examining how people communicate and learn in one of the most complex of industry structures: the automobile industry. It is the very nature of this industry's complexity that makes this study so valuable. The combination of global scale, plus the nature of the relationships between the manufacturers and the dealerships (the dealerships are independent businesses that are only loosely coupled to the manufacturers) make the barriers to communication and learning quite high, and make the solutions to overcoming them applicable in many different work environments. Anne Beamish suggests that the only way is to increase learning and improve collaboration and communication in complex organizations is to apply design thinking. This is the only comprehensive method, she claims, that can unleash the kind of innovative and effective solutions required to overcome the inherent structural, procedural, and political barriers.

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Imagine a Hollywood encounter between Helen Keller and Frida Kahlo, “two female icons of disability.” Or the story of “Moby Dick, or, The Leg,” told from Ahab’s perspective. What if Vincent Van Gogh resided in a twentieth-century New York hotel, surviving on food stamps and direct communications with God? Or if the dwarf pictured in a seventeenth-century painting by Velazquez should tell her story? And, finally, imagine the encounter between David and Goliath from the Philistine’s point of view. These are the characters who people history and myth as counterpoints to the “normal.” And they are also the characters who populate Anne Finger’s remarkable short stories. Affecting but never sentimental, ironic but never cynical, these wonderfully rich and comic tales reimagine life beyond the margins of “normality.”

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It's 1931 and eighteen-year-old Greta is working in a laundry in Liverpool, where she lives with her widowed mother and thirteen-year-old brother Kenny. When a scruffy black and white collie follows Greta home one day, Kenny wants to keep the animal, but they can't afford to feed him. And so Greta tracks down the owner: Mungo Masters, a wealthy man who runs funfairs in three towns. Mungo falls for Greta, though he's her mother's age, and doesn't bother to tell her that he's married already. When Mungo gives Greta and Kenny jobs at one of his fairs, it seems life is looking up. But Mungo is not good news...

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It's July 1930 and Lorna Mathews couldn't be happier. She thought she was about to lose her job but instead the business's new owner, Mr Wyndham, wants to keep her on. Lorna's mother, though, is horrified by the news and finally confesses that Lorna was the result of an affair with Oliver Wyndham, whose family cast her out when Oliver died and the pregnancy was revealed. Shocked to the core to learn that the man she has always thought to be her beloved father simply adopted her at birth, Lorna resolves to find out everything she can about the past and especially about the tragic death of Oliver Wyndham. Working with the Wyndhams, she soon begins to stir up old secrets and the truth starts to emerge. But Lorna hasn't reckoned with falling in love with a member of the family she should hate...

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A richly illustrated history exploring life in Kent. This book tells the amazing story of Kent from earliest times to the modern day. Some of the pivotal moments in the Garden of England’s history are recalled, including invasions from Romans, Anglo-Saxons, Vikings and Normans. It has seen the Black Death, the Peasants’ Revolt, the Swing Riots and, more recently, audacious escapades by suffragettes in the battle for Votes for Women. The story is brought right up to date with the challenges faced by traditional industries and the transformation of cross-Channel travel. The resilient people of Kent have taken it all in their stride and this story encompasses how they lived, worked and played through hundreds of years of colourful history.

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The idea that respect for cultural diversity conflicts with gender equality is now a staple of both public and academic debate. Yet discussion of these tensions is marred by exaggerated talk of cultural difference, leading to ethnic reductionism, cultural stereotyping, and a hierarchy of traditional and modern. In this volume, Anne Phillips firmly rejects the notion that ‘culture’ might justify the oppression of women, but also queries the stereotypical binaries that have represented people from ethnocultural minorities as peculiarly resistant to gender equality. The questions addressed include the relationship between universalism and cultural relativism, how to distinguish valid generalisation from either gender or cultural essentialism, and how to recognise women as agents rather than captives of culture. The discussions are illuminated by reference to legal cases and policy interventions, with a particular focus on forced marriage and cultural defence.

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Why equality cannot be conditional on a shared human “nature” but has to be for allFor centuries, ringing declarations about all men being created equal appealed to a shared human nature as the reason to consider ourselves equals. But appeals to natural equality invited gradations of natural difference, and the ambiguity at the heart of “nature” enabled generations to write of people as equal by nature while barely noticing the exclusion of those marked as inferior by their gender, race, or class. Despite what we commonly tell ourselves, these exclusions and gradations continue today. In Unconditional Equals, political philosopher Anne Phillips challenges attempts to justify equality by reference to a shared human nature, arguing that justification turns into conditions and ends up as exclusion. Rejecting the logic of justification, she calls instead for a genuinely unconditional equality.Drawing on political, feminist, and postcolonial theory, Unconditional Equals argues that we should understand equality not as something grounded in shared characteristics but as something people enact when they refuse to be considered inferiors. At a time when the supposedly shared belief in human equality is so patently not shared, the book makes a powerful case for seeing equality as a commitment we make to ourselves and others, and a claim we make on others when they deny us our status as equals.

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In the post-9/11 West, there is no shortage of strident voices telling us that Islam is a threat to the security, values, way of life, and even existence of the United States and Europe. For better or worse, "the Muslim question" has become the great question of our time. It is a question bound up with others--about freedom of speech, terror, violence, human rights, women's dress, and sexuality. Above all, it is tied to the possibility of democracy. In this fearless, original, and surprising book, Anne Norton demolishes the notion that there is a "clash of civilizations" between the West and Islam. What is really in question, she argues, is the West's commitment to its own ideals: to democracy and the Enlightenment trinity of liberty, equality, and fraternity. In the most fundamental sense, the Muslim question is about the values not of Islamic, but of Western, civilization. Moving between the United States and Europe, Norton provides a fresh perspective on iconic controversies, from the Danish cartoon of Muhammad to the murder of Theo van Gogh. She examines the arguments of a wide range of thinkers--from John Rawls to Slavoj Zizek. And she describes vivid everyday examples of ordinary Muslims and non-Muslims who have accepted each other and built a common life together. Ultimately, Norton provides a new vision of a richer and more diverse democratic life in the West, one that makes room for Muslims rather than scapegoating them for the West's own anxieties.

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Public opinion in recent years has soured on multiculturalism, due in large part to fears of radical Islam. In Multiculturalism without Culture, Anne Phillips contends that critics misrepresent culture as the explanation of everything individuals from minority and non-Western groups do. She puts forward a defense of multiculturalism that dispenses with notions of culture, instead placing individuals themselves at its core. Multiculturalism has been blamed for encouraging the oppression of women--forced marriages, female genital cutting, school girls wearing the hijab. Many critics opportunistically deploy gender equality to justify the retreat from multiculturalism, hijacking the equality agenda to perpetuate cultural stereotypes. Phillips informs her argument with the feminist insistence on recognizing women as agents, and defends her position using an unusually broad range of literature, including political theory, philosophy, feminist theory, law, and anthropology. She argues that critics and proponents alike exaggerate the unity, distinctness, and intractability of cultures, thereby encouraging a perception of men and women as dupes constrained by cultural dictates. Opponents of multiculturalism may think the argument against accommodating cultural difference is over and won, but they are wrong. Phillips believes multiculturalism still has an important role to play in achieving greater social equality. In this book, she offers a new way of addressing dilemmas of justice and equality in multiethnic, multicultural societies, intervening at this critical moment when so many Western countries are poised to abandon multiculturalism.

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Everyone is looking for true connection in their day-to-day lives, whether to friends, romantic partners, or to themselves. In a world where dating customs are updating faster than dating apps, sound advice on matters of the heart has never been more necessary... or hard to find. That is, until @annnexmp volunteered herself as TikTok's big sister -- as a fellow journeywoman, a no-bullshit sounding board, and a shoulder to lean on for everyone else trying to make sense of it all, covering topics like:* Flirting with someone when you're nervous.* Choosing which friends you can really trust with your innermost self.* Wanting someone who doesn't want you.* Knowing if you even want to be in a relationship.* Being enough.*How much is too much compromise.* The importance of accountability.Part practical advice, part meditation on change and growth, Finding Your Person: Even If It's You is the perfect pick-me-up when you need a dose of perspective on life and relationships: whether you're dealing with losing someone that wasn't really yours in the first place, growing apart from someone you grew up with, sensing when someone is going to break up with you and dealing with the aftermath, or determining whether friends are there to stay. Like a hug from a supportive older sister in book form, Anne's empathetic wisdom helps make the tough times a little easier and your connections a little stronger...with your loved ones and with yourself.

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Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography.The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered. Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum (10/07/17–01/07/18)Davis Museum, Wellesley College (02/07/18–06/03/18)Portland Museum of Art, Maine (06/30/18–09/16/18)Cleveland Museum of Art (10/21/18–01/21/19)

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Transformations on the Ground considers the ways in which power in all its forms—local, international, legal, familial—affects the collision of global with local concerns over access to land and control over its use. In Botswana's struggle to access international economies, few resources are as fundamental and fraught as control over land. On a local level, land and control over its use provides homes, livelihoods, and the economic security to help lift populations out of impoverishment. Yet on the international level, global capital concerns compete with strategies for sustainable development and economic empowerment. Drawing on extensive archival research, legal records, fieldwork, and interviews with five generations of family members in the village of Molepolole, Anne M. O. Griffiths provides a sweeping consideration of the scale of power from global economy to household experience in Botswana. In doing so, Griffiths provides a frame through which the connections between legal power and local engagement can provide fresh insight into our understanding of the global.

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The Key to the City brings together work that has long been admired by readers of literary magazines and quarterlies. The collection opens with "The Ruins," a group of poems set in poor neighborhoods in New York City—some so cut off from midtown that they seem part of another continent or another age. The people in these poems are schoolgirls, a cleaning lady in the laundromat, derelicts, a prostitute stabbed in the street. Their interwoven voices contribute to a complex, grave vision of remote causes and immediate suffering in the city. The poems of the second section explore a broad range of experience: pregnancy and nursing, inward solitude, the textures of Renaissance painting and American landscapes.

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Although Paradise Lost is one of the greatest poems in the English language, it is also among the most difficult and intimidating, especially to unsophisticated readers. One of the most accessible critical studies of Paradise Lost—and one frequently recommended by those teaching Milton—is Anne Ferry's Milton's Epic Voice.

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‘An engaging story of opportunities lost and refound’ Express Can love help her through the most difficult decisions? Prepare to be spirited away to rural Ireland in this stunning new saga from Anne Doughty. When Jenny McKinstry is offered a new post as the Head of English at her Belfast school she’s elated! Yet she can’t help but feel conflicted about the position. With all those around her mounting the pressure to start a family and her husband’s career about to take off, Jenny feels bound by an overwhelming sense of duty. Will she be able to support her husband’s ambitions and land her dream job… Previously published as A Few Late Roses. Readers LOVE Anne Doughty: ‘I love all the books from this author’ ‘beautifully written’ ‘would recommend to everyone’ ‘Fabulous story, couldn't put it down!’ ‘Looking forward to the next one.’

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This CSEC Biology Multiple Choice Practice book is a valuable exam preparation aid for CSEC Biology students. This book provides excellent practice for the multiple choice questions from Paper 1 of the CSEC examination, and has been specially written to help CSEC Biology students improve their Paper 1 exam score.

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The Jìn bù 2 Teacher's Guide contains simple straightforward lesson plans which includes: unit overview with topic and grammar objectives and key language identified ideas for starters and plenaries to focus pupils attention suggestions for reinforcement to support less-able pupils and extension to stretch the more able audio transcripts for all of the listening activities in the Pupil Book.

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Belgian interior architect and art historian Anne Derasse, renowned for her prestigious projects in Belgium and abroad, reveals the philosophy of her creations. Her companion, the photographer and artist Jörg Bräuer, captures the atmosphere emanating from these architectures through his superb images. The highly regarded wine château of Calon Ségur in the Médoc, the Delvaux flagship store in Brussels, the Ancienne Nonciature, her base, and the castle of Montmoreau, their lair in the South Charente, reveal her style combining history and contemporaneity, in a refinement and sophistication imbued with sobriety. The choice of works of art completes her artistic approach. I seek to capture and preserve the soul of places, this intangible anchor point between human history and the passage of time. I wish to magnify the worlds of life and re-enchant everyday life to bring well-being, tranquility, and felicity to the people who entrust their projects to me.Text in English and French

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From globally renowned Eisner and Harvey Awardwinning creator K. O'Neill (The Tea Dragon Society) and writer Anne Toole (Horizon Zero Dawn) comes a beautifully remastered edition of O'Neill's print debut for the first time in hardcover!Zoe is a shy girl struggling to fit in at her new school when she finds a mysterious gem left to her by her birth mother. All of a sudden, darkness-spewing dragons are chasing her down in the schoolyard, and a squad of crystal-wielding girls is there to save her! Welcome to the Crystal Cadets, Zoeyou're now the Diamond Cadet! Join Ruby Cadet Jasmine, Emerald Cadet Gwen, Garnet Cadet Olivia, Pearl Cadet Liz, and Sapphire Cadet Milena as a member of the toughest, smartest, and best-dressed team of evil-fighting girls in the world!

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The definitive monograph on iconic Parisian designer Madame Gres, seen by her peers as the tutelary genius of French haute couture.

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THE DIARY OF ANNE FRANK IS 'A MONUMENT TO THE HUMAN SPIRIT'One of the most famous accounts of living under the Nazi regime comes from the diary of a thirteen-year-old Jewish girl, Anne Frank. Edited by her father Otto H. Frank and German novelist Mirjam Pressler, this is a true story to be rediscovered by each new generation._________________________________12th July 1944: 'It's difficult in times like these: ideals, dreams and cherished hopes rise within us, only to be crushed by grim reality. It's a wonder I haven't abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart.'In the summer of 1942, fleeing the horrors of the Nazi occupation, Anne Frank and her family were forced into hiding in the back of an Amsterdam warehouse. Aged thirteen, Anne kept a diary of her time in the secret annexe. She movingly revealed how the eight people living under these extraordinary conditions coped with hunger, the daily threat of discovery and death and isolation from the outside world. A thought-provoking record of tension and struggle, adolescence and confinement, anger and heartbreak, the diary of Anne Frank is a testament to the atrocities of the past and a promise they will never be forgotten. _________________________________ 'One of the greatest books of the century' Guardian'Rings down the decades as the most moving testament to the persecution of innocence' Daily Mail 'Astonishing and excruciating. Its gnaws at us still' New York Times Book Review

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Burne-Jones (1833-98), British artist and designer closely associated with the later phase of the Pre-Raphaelite movement. The books is a series of paintings about the Perseus myth Book includes essays and illustrations about the artist.

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Distinguished by their lavish sculpture, metalwork or tile facades, Art Nouveau buildings certainly stand out. Art Nouveau buildings are unique, audacious and inspirational. Rejecting historic styles, considered inappropriate for an era driven by progress, architects and designers sought a new vocabulary of architectural forms. Their vision was shaped by modern materials and innovative technologies, including iron, glass and ceramics. A truly democratic style, Art Nouveau transformed life on the eve of the twentieth century and still captivates our imaginations today. Beautifully illustrated, this book explains how the new style came into being, its rationale and why it is known by so many different names: French Art Nouveau, German Jugendstil, Viennese Secession, Catalan Modernisme, Italian Liberty and Portuguese Arte Nova. It covers the key architects and designers associated with the style; Victor Horta in Brussels, Hector Guimard in Paris, Antoni Gaudi on Barcelona, Otto Wagner in Vienna, Odon Lechner in Budapest and Charles Rennie Mackintosh in Glasgow. There are detailed descriptions and stunning photographs of buildings to be found in Brussels, Paris, Nancy, Darmstadt, Vienna, Budapest, Barcelona, Milan, Turin and Aveiro. Finally, it covers the decorative arts, stained glass, tiles and metalwork that make Art Nouveau buildings so distinctive.

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