Search results for ""Jan""

The Ghent Altarpiece or the Adoration of the Mystic Lamb, by the Van Eyck brothers (1432), is recognised worldwide as a great work of art, and one of the most influential paintings ever made. It was the world's first major oil painting, and it is laced with religious mysticism. The work almost reads like an A to Z of Christianity - from the Annunciation to the symbolic sacrifice of Christ, with the 'Mystic Lamb' on an altar in a heavenly meadow, bleeding into the Holy Grail. For the first time, this book gathers together diverse insights on the Ghent Altarpiece, the monumental poliptych that the brothers Hubert and Jan van Eyck realised with the assistance of a large workshop and advisers on the painting's subject matters. This book has the same aim: to bring together experts from the most diverse disciplines. Only by combining the perspectives of (art) historians, philosophers, religious studies scholars, mathematicians and specialists in optics can one fully understand the riches and depth of this masterpiece. Lavishly illustrated, including details that have come to light using state-of-the-art techniques during the current conservation project and are not always visible to the naked eye.

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It started with a question about the blues: what makes the music of the downtrodden black man so alluring to white middle-class ears? And that’s where it gets interesting. Because blues is more than a musical genre: it’s a cultural phenomenon that spans several centuries on both sides of the Atlantic, from slavery to Black Lives Matter, from Jan van Riebeeck to Fees Must Fall, from Robert Johnson to Abdullah Ibrahim. In Blues for the White Man, Fred de Vries looks for answers in America’s Deep South, drawing historical parallels with South Africa’s experience of colonialism, slavery, racism, civil war, segrega¬tion and protest. Travelling to Atlanta, Memphis, Nashville, New Orleans and the Mississippi Delta, De Vries speaks to musicians, Black Lives Matter activists and Trump supporters. He continues the conversation in South Africa, interviewing student protesters, white farmers and political thought-leaders to develop an understanding of white supremacy and black anger, white fear and black pain. A fascinating, insightful journey through time and space, Blues for the White Man is a cele¬bration of multiculturalism and a plea for white people to do some ‘second line dancing’ for a change.

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Jimmy Bullard may not have had the perfect hair-do, his Granada Ghia may not have been the flashiest of cars, and he definitely didn't have a string of Page 3 girls trying to sell kiss and tell stories about him to the tabloids. But what he has in spades is a genuine love for The Beautiful Game that few of his peers can match. One of the last graduates from football's old school, Jimmy actually worked in the real world - including as a painter and decorator - before turning pro. Maybe that's why he played football with a smile on his face, always says what's on his mind, and is no stranger to a spot of mischief.Having played under the likes of Barry Fry, Harry Redknapp and Phil Brown, appeared alongside names as diverse as Neil Ruddock and Paolo di Canio, and as long as Jan Vennegoor of Hesselink, Jimmy has racked up an amazing collection of tales and pranks both on and off the football front-line. Told with candour, Bend It Like Bullard is the extraordinary story of his journey from cable TV fitter to cult hero. It will make you smile, chuckle and, occasionally, ROFL.

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"Boelsums’ interplay of sky and light and land, her overwhelming and yet intimate photos add a magnificent touch to what might initially appear nondescript."– Manon Uphoff Quotes from the jury who selected Saskia Boelsums as the Dutch Artist of the Year in 2020: "Vivid photography worthy of the old Dutch masters!" "Exceptionally beautiful landscape photos: Saskia introduces a completely new style to this discipline." "Her work moves me and repeatedly renders me speechless." "Then I see Saskia Boelsums’ landscape photos on display. A shiver of pleasure runs through me." Joyce Roodnat - NRC Handelsblad Saskia Boelsums dramatic photographs of Dutch landscapes reflect on the atmospheric paintings of the Golden Age painters such as Jacob van Ruisdael and Jan van Goyen, but her work is clearly seeped in her own experience of nature. Lashing rain over the sea, sun breaking through storm clouds, and fields of flowers bathed in an otherworldly light: these images are the result of hours and days of waiting to capture the perfect moment. In this, her second book of landscape photographs, she presents not only Dutch landscapes and seascapes, but also landscapes photographed on visits to Germany, Switzerland, and New York.

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This volume, edited by Joan Piggott (University of Southern California, Los Angeles), includes fourteen essays, originally written in Japanese and here interpreted in English. It introduces readers to a broader array of historical and archaeological research on center-periphery relations than has ever before been available to English readers. Each essay has been translated, annotated, and introduced by a specialist who selected it for its invaluable contribution to his or her own work, and who here renders it into English for a non-specialist audience. The book features thirteen newly created maps, and also includes an exhaustive list of sources (including Chinese characters). Together with its readable and well-annotated text, extensive glossary, rich bibliography, and comprehensive index, these combined tools make for a valuable resource to scholars and students interested in premodern Japan. Researchers whose work has been interpreted include Tsude Hiroshi, Kobayashi Yukio, Hara Hidesaburō, Inoue Tatsuo, Takahashi Tomio, Takeda Sachiko, Hotate Michihisa, Morita Tei, Sasaki Muneo, Toda Yoshimi, Miyazaki Yasumitsu, Motoki Yasuo, Ishimoda Shō, and Koyama Yasunori. Scholar-interpreters include Mikael Adolphson, Michiko Aoki, Bruce Batten, Walter Edwards, Karl Friday, Jan Goodwin, Gustav Heldt, and Joan Piggott.

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Samuel Hirszenberg is an artist who deserves to be more widely known: his work intertwined modernism and Jewish themes, and he influenced later artists of Jewish origin.Born into a traditional Jewish family in Łódź in 1865, Hirszenberg gradually became attached to Polish culture and language as he pursued his artistic calling. Like Maurycy Gottlieb before him, he studied at the School of Art in Kraków, which was then headed by the master of Polish painting, Jan Matejko. His early interests were to persist with varying degrees of intensity throughout his life: his Polish surroundings, traditional east European Jews, historical themes, the Orient, and the nature of relationships between men and women. He also had a lifelong commitment to landscape painting and portraiture.Hirszenberg’s personal circumstances, economic considerations, and historical upheavals took him to different countries, strongly influencing his artistic output. He moved to Jerusalem in 1907 and there, as a secular and acculturated Jew who had adopted the world of humanism and universalism, he strove also to express more personal aspirations and concerns. This fully illustrated study presents an intimate and detailed picture of the artist’s development.

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'The only difference between me and the people judging me is they weren't smart enough to do what we did.' One of the most infamous scandals in financial history becomes a theatrical epic. At once a case study and an allegory, the play charts the notorious rise and fall of Enron and its founding partners Ken Lay and Jeffrey Skilling, who became 'the most vilified figure from the financial scandal of the century.' Mixing classical tragedy with savage comedy, Enron follows a group of flawed men and women in a narrative of greed and loss which reviews the tumultuous 1990s and casts a new light on the financial turmoil in which the world finds itself in 2009. The play is Lucy Prebble's first work for the stage since her debut work The Sugar Syndrome, winner of the George Devine and Critic's Circle Awards for Most Promising New Playwright. Produced by Headlong, Enron premiered at Chichester's Minerva Theatre on 11 July 2009 and opened at the Royal Court Theatre, London, in September, before transferring to London's West End Jan - May 2010 and to Broadway April 2010.

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SHORTLISTED FOR THE TA FIRST TRANSLATION PRIZE * SHORTLISTED FOR THE PREMIO VALLE INCLAN SECRETS AND REVENGE CONVERGE IN THIS CHILLING TALE FROM A BREAKOUT NEW LATIN AMERICAN VOICE 'A deliciously menacing read which I just couldn't put down.' Jan Carson, author of The Raptures Many years have passed since Lucas was expelled from his childhood home by Felisberto and Eloy, the two strangers who arrived uninvited and slowly, insidiously, made it their own. Now Lucas is back, fully grown and intent on claiming his rightful inheritance. But he is not interested in the house as it once was, nor in his mother's lovingly planted flowerbeds - now conquered by weeds - nor in the lavish portraits covering every wall. Lucas belongs to a darker world, one crawling with the only creatures he really trusts: insects. As the house crumbles before his eyes, Lucas turns to the allies of his underground kingdom to help him take revenge. Weaving together past and present like a spider's web, This World Does Not Belong to Us is a spine-tingling story of human greed, from a masterful new literary voice.

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This third volume in the pioneering series, International Humanitarian Affairs, goes beyond the practical to address fundamental questions at the heart of humanitarian actions. How do different religious, cultural, and social systems—and the values they support—shape humanitarian action? What are the bases of caring societies? Are there universal values for human well-being? International experts come face to face with the assumptions about human dignity and social justice that guide efforts to rescue and repair communities in crisis. The original essays explore mandates for humanitarian action in religious traditions, and codes of conduct for the media, military, medicine, and the academy in relief efforts. They explore threats to human welfare from terrorism and gender exploitation and assess international law, the media, and the politics of civil society in a world of war, conflict, and strife. The contributors: Kofi Annan, Avery Cardinal Dulles, S.J., Rabbi Harlan J. Wechsler, H.R.H. Prince El Hassan Bin Talal, Francis Mading Deng, Maj. Gen. Timothy Cross, Joseph O’ Hare, S.J., Tom Brokaw, Eoin O’Brien, M.D., Jan Eliasson, Timothy Harding, M.D., Paul Wilkinson, Larry Hollingworth, Nancy Ely-Raphel, John Feerick, Michael Veuthey, Edward Mortimer, Kathleen Newland, Peter Tarnoff, Richard Falk, and the editor.

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The collapse of communism in the Soviet Union and Eastern Europe was supposed to bring about the “end of history” with capitalism and liberal democracy achieving decisive victories. Europe would now integrate and reconcile with its past. However, the aftershocks of the financial crisis of 2008—the rise in right-wing populism, austerity politics, and mass migration—have shown that the ideological divisions which haunted Europe in the twentieth century still remain. It is within this context that Post-Communist Malaise revives discourses of political modernism and revisits debates from Marxism and seventies film theory. Analyzing work of Theo Angelopoulos, Věra Chytilová, Srdjan Dragojević, Jean-Luc Godard, Miklós Jancsó, Emir Kusturica, Dušan Makavejev, Cristi Puiu, Jan Švankmajer, Andrei Tarkovsky, and Béla Tarr, the book focuses on how select cinemas from Eastern Europe and the Balkans critique the neoliberal integration of Europe whose failures fuel the rise of nationalism and right-wing politics. By politicizing art cinema from the regions, Post-Communist Malaise asks fundamental questions about film, aesthetics, and ideology. It argues for the utopian potential of the materiality of cinematic time to imagine a new political and cultural organization for Europe.

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Imaginary Neighbors offers a unique and significant contribution to the contemporary debate concerning Holocaust memory by exploring the most important current political topic in Poland: Jewish-Polish relations during and after World War II. Drawing on the controversy and attention generated by Jan Gross’s landmark book Neighbors, whose description of the brutal Jedwabne massacre reignited the debate over Polish-Jewish relations during the war, this timely volume presents a rich and nuanced examination of the manner in which past and present relations between Poles and Jews are understood in Poland and in the Polish and Jewish diasporas. Rather than revisiting historical details of Jedwabne, this innovative collection uses an interdisciplinary approach to understand the reverberations of the events—and the scholarship that has evolved around them—within the context of the Polish national community. Combining scholarly essays with literary and journalistic accounts, Imaginary Neighbors demonstrates that the Holocaust memory in Poland, together with the memory of Polish Jews and Jewish culture, continues to be engaged in conflict. What emerges is a passionate conversation among cultural critics, philosophers, literary theorists, historians, theologians, and writers on the vexing issues of responsibility, forgiveness, reconciliation, and national and religious identity.

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Lose yourself in the thrilling political intrigue and tangled love affairs of wartime Egypt: Durrell's epic modern classic, introduced by Alaa Al Aswany (bestselling author of The Yacoubian Building).Every interpretation of reality is based upon a unique position ...As the threat of world war looms over the city of Alexandria, an exiled Anglo-Irish schoolteacher unravels his erotic obsession with two women: Melissa, a fragile dancer, and Justine, a glamorous married Egyptian woman. Through conversations with Balthazar, a doctor and mystic, these intricate love affairs are cast in an ominous, sinister new light, as his private fixations become entangled with a mysterious murder plot ... One of the twentieth century's greatest masterpieces, rich in political and sexual intrigue, Lawrence Durrell's 'investigation of modern love' in the Alexandria Quartet set the world alight. Published in 1958, a year after the sensational Justine, the kaleidoscopic Balthazar burns just as brightly today.'Legendary ... Casts a spell ... A fine storyteller. Reader, watch out!' Jan Morris, Guardian'A brave and brazen work ... Lush and grandiose.' Independent 'One of the very best novelists of our time ... [such] beauty.' New York Times Book ReviewVOLUME TWO OF LAWRENCE DURRELL'S ALEXANDRIA QUARTET

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The twentieth century was one of profound transformation in rural America. Demographic shifts and economic restructuring have conspired to alter dramatically the lives of rural people and their communities. Challenges for Rural America in the Twenty-First Century defines these changes and interprets their implications for the future of rural America. The volume follows in the tradition of "decennial volumes" co-edited by presidents of the Rural Sociological Society and published in the Society's Rural Studies Series. Essays have been specially commissioned to examine key aspects of public policy relevant to rural America in the new century. Contributors include:Lionel Beaulieu, Alessandro Bonnano, David Brown, Ralph Brown, Frederick Buttel, Ted Bradshaw, Douglas Constance, Steve Daniels, Lynn England, William Falk, Cornelia Flora, Jan Flora, Glenn Fuguitt, Nina Glasgow, Leland Glenna, Angela Gonzales, Gary Green, Rosalind Harris, Tom Hirschl, Douglas Jackson-Smith, Leif Jensen, Ken Johnson, Richard Krannich, Daniel Lichter, Linda Lobao, Al Luloff, Tom Lyson, Kate MacTavish, David McGranahan, Diane McLaughlin, Philip McMichael, Lois Wright Morton, Domenico Parisi, Peggy Petrzelka, Kenneth Pigg, Rogelio Saenz, Sonya Salamon, Jeff Sharp, Curtis Stofferahn, Louis Swanson, Ann Tickameyer, Leanne Tigges, Cruz Torres, Mildred Warner, Ronald Wimberley, Dreamal Worthen, and Julie Zimmerman.

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This is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish emigre filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Jozef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.

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When Joseph Smith ran for president as a radical protest candidate in 1844, Mormons were a deeply distrusted group in American society, and their efforts to enter public life were met with derision. When Mitt Romney ran for president as a Republican in 2008 and 2012, the public had come to regard Mormons as consummate Americans: patriotic, family-oriented, and conservative. How did this shift occur? In this collection, prominent scholars of Mormonism, including Claudia L. Bushman, Richard Lyman Bushman, Jan Shipps, and Philip L. Barlow, follow the religion's quest for legitimacy in the United States and its intersection with American politics. From Brigham Young's skirmishes with the federal government over polygamy to the Mormon involvement in California's Proposition 8, contributors combine sociology, political science, race and gender studies, and popular culture to track Mormonism's rapid integration into American life. The book takes a broad view of the religion's history, considering its treatment of women and African Americans and its portrayal in popular culture and the media. With essays from both Mormon and non-Mormon scholars, this anthology tells a big-picture story of a small sect that became a major player in American politics.

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An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists who made them: they were designs for prints, paintings, stained glass windows, decorative objects, and tapestries, as well as tools for presentation, translation, and the display of knowledge and virtuosity. The artists’ diversified urban communities shaped their drawing practices, as did shifting cultural and political circumstances surrounding Protestant Reform and the Eighty Years’ War. In addition to the book’s four illuminating essays, many of the more than eighty catalogue entries—selected from the holdings of The Albertina Museum and the Cleveland Museum of Art—present new research.Distributed for the Cleveland Museum of ArtExhibition Schedule:The Cleveland Museum of Art (October 9, 2022–January 8, 2023)The Albertina Museum, Vienna (2023)

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In the fifteenth century, a number of master painters, including Jan van Eyck and Roger Campin, flourished in the Netherlands. However, by the early nineteenth century many of their works had been dispersed by the upheavals of the French Revolution. Any contemporary understanding of these artists and their paintings must take into account that historical data about them remains fragmentary and that art historians from different disciplines have approached them in varying ways. Rather than offering a chronological discussion, this book presents early Netherlandish paintings as individual objects that have confronted scholars with countless interpretive challenges. Part One analyzes the style and provenance of each work, the insights gained from it, and the questions that remain, while Part Two is devoted to the history of collecting and of art historical research and interpretation during the nineteenth and first half of the twentieth century. Part Three addresses how three fields of modern art-historical research - technical examination, archival research into patronage, and iconology - have produced analyses of these artworks. "Early Netherlandish Painting" advances the scholarly dialogue about an important period in European art by assembling the current scholarly research in the field and underscoring the common ground among scholars from different disciplines.

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Comparative studies of a number of mixed prose-and-verse literatures, from Europe to the Orient, from classical culture to the 19th century. In virtually all the literary traditions of the world there are works of verbal art that depend for part of their effect on the juxtaposition of prose and verse. This volume takes the first step towards a comparative study of "prosimetrum", the mixture of prose and verse, with essays by leading linguists and literary scholars of a selection of prosimetrical traditions. The nature of what constitutes verse or prose is one underlying question addressed. An outline of historical developments emerges, especially for Europe and the Near East, with articles on classical, medieval and nineteenth-century literatures. Oriental prosimetrical literatures discussed include that of Vedic Indiaand the old literary cultures of China and Japan; also represented are oral and oral-derived folk literatures of recent centuries in Africa, the West, and Inner Asia. Professor KARL REICHL teaches in the English Department at the University of Bonn; Professor JOSEPH HARRIS teaches in the English Department at Harvard University. Contributors: KRISTIN HANSON, PAUL KIPARSKY, JAN ZIOLKOWSKI, ARDIS BUTTERFIELD, PROINSIAS Mac CANA, JOSEPH HARRIS, JUDITH RYAN, W.F.H. NICOLAISEN, LEE HARING, STEVEN WEITZMAN, WOLFHART HEINRICHS, DWIGHT REYNOLDS, JULIE SCOTT MEISAMI, KARL REICHL, WALTHER HEISSIG

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Self-portraiture shows no sign of losing its ability to capture the public imagination. Given our current proclivity to snap and share ‘selfies’ in seconds, it is unsurprising to find a renewed interest in the genre among general audiences and students. Self-portraits have the power to illuminate a range of universal concerns, from identity, purpose and authenticity, to frailty, futility and mortality. In this volume, curator Natalie Rudd expertly casts fresh light on the self-portrait and its international appeal, exploring the historical contexts within which self-portraits have proliferated and considering the meanings they hold today. With commentaries on works by artists ranging from Jan van Eyck and Artemisia Gentileschi to Francisco Goya, Pablo Picasso, Frida Kahlo and Jenny Saville, the book explores the emotive and expressive potential of self-portraiture, and its capacities to distance or to demystify. Can self-portraits offer windows into artistic process? Is there ever a singular identity to be captured? Is it necessary for a self-portrait to depict the human form? In her vibrant and timely discussion, Rudd dissects these and other important questions, revealing the shifting faces of individuality and selfhood in an age where we are interrogating notions of personal identity more than ever before.With 97 illustrations in colour

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Though often overlooked in conventional accounts, women with myriad backgrounds and countless talents have made an impact on Polish and Polish American history. John J. Bukowczyk gathers articles from the journals Polish Review and Polish American Studies to offer a fascinating cross-section of readings about the lives and experiences of these women. The first section examines queens and aristocrats during the Polish-Lithuanian Commonwealth, but also looks at the life of the first Polish female doctor. In the second section, women of the diaspora take center stage in articles illuminating stories that range from immigrant workers in Europe and the United States to women's part in Poland’s nationalist struggle. The final section concentrates on image, identity, and consciousness as contributors examine the stereotyping and othering of Polish women and their portrayal in ethnic and émigré fiction. A valuable and enlightening resource, Through Words and Deeds offers an introduction to the many facets of Polish and Polish American womanhood.Contributors: Laura Anker, Robert Blobaum, Anna Brzezińska, John J. Bukowczyk, Halina Filipowicz, William J. Galush, Rita Gladsky, Thaddeus V. Gromada, Bożena Karwowska, Grażyna Kozaczka, Lynn Lubamersky, Karen Majewski, Nameeta Mathur, Lori A. Matten, Jan Molenda, James S. Pula, Władysław Roczniak, and Robert Szymczak

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A fascinating exploration of the role of music in the art of Vermeer and many of his contemporaries Johannes Vermeer (1632–1675) is one of the world’s most captivating artists. Renowned for his sublimely beautiful depictions of everyday Dutch life, Vermeer created exquisite paintings that are sought out by any art lover. Music was a key facet of 17th-century Dutch life, in both public and private. Of Vermeer’s thirty-six surviving paintings, twelve depict musical themes or a musical instrument. These include the magnificent Young Woman Standing at a Virginal, Young Woman Seated at a Virginal, The Music Lesson, and The Guitar Player, all featured in this book.The book also includes paintings by Vermeer’s contemporaries, such as Gerard ter Borch (1617–1681), Gabriel Metsu (1629–1667), and Jan Steen (c. 1626–1679). Vermeer and Music provides new insight into the cultural significance of these images. A historical overview of musical instruments and entertainment in the Dutch Republic, including the abundant publication of songbooks filled with love songs and poems, some richly illustrated, contextualizes the fascinating relationship between music and the visual arts.Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:The National Gallery, London(06/26/13–09/08/13)

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Euro Noir by Britain's leading crime fiction expert Barry Forshaw (author of Nordic Noir) examines the astonishing success of European fiction and drama. This is often edgier, grittier and more compelling than some of its British or American equivalents, and the book provides a highly readable guide for those wanting to look further than the obvious choices. The sheer volume of new European writers and films is daunting but Euro Noir provides a roadmap to the territory and is also a perfect travel guide to the genre. Barry Forshaw covers influential Italian authors, such as Andrea Camilleri and Leonardo Sciascia and Mafia crime dramas Romanzo Criminale and Gomorrah, along with the gruesome Gialli crime films. He also considers important French and Belgian writers such as Maigret's creator Georges Simenon to today's Fred Vargas, cult television programmes Braquo and Spiral, and films, from the classic heist movie Rififi to modern successes such as Hidden, Mesrine and Tell No One. German and Austrian greats are covered including Jakob Arjouni and Jan Costin Wagner, and crime films such as Run Lola Run and The Lives of Others. Euro Noir also covers the best crime writing and filmmaking from Spain, Portugal, Greece, Holland and other European countries and celebrates the wide scope of European crime fiction, films and TV.

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I don’t recall if I saw my first gunman in my childhood nightmares or on my childhood streets. There were plenty in both and they looked very much like each other. So begins Reggie Chamberlain-King’s introduction to The Black Dreams, a thrilling and compelling collection of specially commissioned stories that explore the emotional geography of growing up and living in Northern Ireland. The fourteen stories gathered here criss-cross coast, border and city as they map a ‘strange’ territory of in-between states and unstable realities in which understanding is unreliable. Obsessions, death and rebirth, violence, sexuality, retribution and apocalypse are all part of the rich fabric of The Black Dreams. Bringing together some of Northern Ireland’s finest writers, along with some of the best new talents, The Black Dreams celebrates and extends the rich tradition of the weird, surreal and dream-like in Northern Irish writing. It is also a powerful act of imagining and storytelling – a vibrant, vivid and exhilarating exploration of a world we cannot, or choose not, to see. Contributors: Jo Baker, Jan Carson, Reggie Chamberlain-King, Aislínn Clarke, Emma Devlin, Moyra Donaldson, Michelle Gallen, Carlo Gébler, John Patrick Higgins, Ian McDonald, Gerard McKeown, Bernie McGill, Ian Sansom, Sam Thompson

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'Nothing short of a masterpiece' JAN MORRIS'[This] gloriously ornate account of that epic journey is a classic' ROBERT MACFARLANE'Not only is this journey one of physical adventure but of cultural awakening. Architecture, art, genealogy, quirks of history and language are all devoured -- and here passed on -- with a gusto uniquely his' COLIN THUBRON, Sunday Times'One of the most romantic books of the twentieth century, Patrick Leigh Fermor's account of a long walk across Europe is also a literary treasure, a rich blend of action and observation' GuardianIn 1933, at the age of 18, Patrick Leigh Fermor set out on an extraordinary journey by foot - from the Hook of Holland to Constantinople. A Time of Gifts is the first volume in a trilogy recounting the trip, and takes the reader with him as far as Hungary.It is a book of compelling glimpses - not only of the events which were curdling Europe at that time, but also of its resplendent domes and monasteries, its great rivers, the sun on the Bavarian snow, the storks and frogs, the hospitable burgomasters who welcomed him, and that world's grandeurs and courtesies. His powers of recollection have astonishing sweep and verve, and the scope is majestic.

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Niall Ferguson's acclaimed bestseller on the highs and lows of Britain's empireOnce vast swathes of the globe were coloured imperial red and Britannia ruled not just the waves, but the prairies of America, the plains of Asia, the jungles of Africa and the deserts of Arabia. Just how did a small, rainy island in the North Atlantic achieve all this? And why did the empire on which the sun literally never set finally decline and fall? Niall Ferguson's acclaimed Empire brilliantly unfolds the imperial story in all its splendours and its miseries, showing how a gang of buccaneers and gold-diggers planted the seed of the biggest empire in all history - and set the world on the road to modernity.'The most brilliant British historian of his generation ... Ferguson examines the roles of "pirates, planters, missionaries, mandarins, bankers and bankrupts" in the creation of history's largest empire ... he writes with splendid panache ... and a seemingly effortless, debonair wit' Andrew Roberts 'Dazzling ... wonderfully readable' New York Review of Books'A remarkably readable précis of the whole British imperial story - triumphs, deceits, decencies, kindnesses, cruelties and all' Jan Morris 'Empire is a pleasure to read and brims with insights and intelligence' Sunday Times

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**Winner of the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award** **A Sunday Times Paperback of the Year** **Longlisted for the CWA Gold Dagger 2023** **Longlisted for the Gordon Burn Prize 2022** ‘Oxblood shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough’ FRANCIS SPUFFORD 'The master of northern noir' SUNDAY TIMES 'Brilliant' DENISE MINA 'An absolute triumph' GUARDIAN 'Powerful and so beautifully written' HARRIET TYCE, Sunday Times-bestselling author of BLOOD ORANGE ________________________________________________________________ Wythenshawe, South Manchester. 1985. The Dodds family once ruled Manchester’s underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby and the ghost of a murdered lover. Over the course of a few days, Nedra, Carol and Jan must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good. _______________________________________________________________ ‘If I read a better novel than Oxblood in 2022, it’ll be a blinding year for fiction’ JOSEPH KNOX 'A propulsive, bountiful, fearless work of art' OYINKAN BRAITHWAITE 'One of the most powerful and urgent writers of our times' DAVID PEACE

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The foundations for a world-class public art collection in Berlin were laid in 1821: This was the year the Kingdom of Prussia acquired on behalf of the museum to be established in Berlin the painting collection of English merchant Edward Solly (1776-1844). Between 1815 and 1820 this cosmopolitan lover of the arts living in Berlin amassed thousands of paintings above all from Italy, Germany and the Netherlands. Many of the works were by artists little known at the time but who subsequently came to be greatly appreciated and are still renowned today. The exhibition and the accompanying catalogue showcase a representative selection of masterpieces, rediscoveries, and "historical peculiarities", and provide an insight into an age that on the one hand shaped our concepts of art and museums and on the other hand had an entirely different view of the works than we have today. Detailed insights into the history of the Berlin Gemäldegalerie Exhibition: Gemäldegalerie, Berlin, 2022 Artists i.e.: Wilhelm Hensel, Meister der Dossali Veneziani, Puccio di Simone, Giotto, Meister des San Niccolò-Altares, Domenico und Davide Ghirlandaio, Raffael, Girolamo Figino, Johannes Hispanus, Girolamo Romanino, Giovanni Battista Benvenuti, Goossen van der Weyden, Hans Holbein der Jüngere, Hans Maler, Ambrosius Benson, Jan Gossart, Rembrandt, Cornelis Cornelisz van Haarlem, Gian Domenico Cerrini

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Marijuana is the everyman drug. Teenagers surreptitiously toke on it, politicians refuse to inhale it, even your mum and dad have had a go. Marijuana is a mellow, let's put on a Barry Manilow CD, open a bottle of vino, and order a pizza drug. It's the easy drug. The no howling at the moon drug. No shooting up and losing your job.The Marijuana Chronicles presents 17 tales of the weird, wonderful and just plain stoned from some of the coolest most chilled out writers around. From drug busts to recipes, this is the stoner's definitive literary bible. Featuring brand-new stories by Joyce Carol Oates, Lee Child, Linda Yablonsky, Jonathan Santlofer, Thad Ziolkowski, Raymond Mungo, Cheryl Lu-Lien Tan, Edward M. Gómez, Philip Spitzer, Dean Haspiel, Maggie Estep, Amanda Stern, Bob Holman, Rachel Shteir, Abraham Rodriguez, Jan Heller Levi, and Josh Gilbert. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, Tao Lin, etc.), The Cocaine Chronicles (Lee Child, Laura Lippman, etc.), and the The Heroin Chronicles (Eric Bogosian, Jerry Stahl, Lydia Lunch, etc.), comes The Marijuana Chronicles. Joyce Carol Oates, Lee Child, Linda Yablonsky, and other take short fiction to a higher level (though they don't inhale).

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South Africa was born in war, has been cursed by crises and ruptures, and today stands on a precipice once again. This book explores the country’s tumultuous journey from the Second Anglo-Boer War to 2021. Drawing on diaries, letters, oral testimony and diplomatic reports, Thula Simpson follows the South African people through the battles, elections, repression, resistance, strikes, insurrections, massacres, crashes and epidemics that have shaped the nation. Tracking South Africa’s path from colony to Union and from apartheid to democracy, Simpson documents the influence of key figures including Jan Smuts, Nelson Mandela, Steve Biko, P.W. Botha, Thabo Mbeki and Cyril Ramaphosa. He offers detailed accounts of watershed events like the 1922 Rand Revolt, the Defiance Campaign, Sharpeville, the Soweto uprising and the Marikana massacre. He sheds light on the roles of Gandhi, Churchill, Castro and Thatcher, and explores the impact of the World Wars, the armed struggle and the Border War. Simpson’s history charts the post-apartheid transition and the phases of ANC rule, from Rainbow Nation to transformation; state capture to ‘New Dawn’. Along the way, it reveals the divisions and solidarities of sport; the nation’s economic travails; and painful pandemics, from the Spanish flu to AIDS and Covid-19.

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Distant blue hills, soaring trees, vast cloudless skies-the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today, it raises concerns for the welfare of the planet.During the Renaissance, artists from Italy to Flanders andEngland to Germany depicted nature in their religious art tointensify the spiritual experience of the viewer. Devotionalmanuscripts for personal or communal use-from small-scale prayer books to massive choir books-were filled withsome of the most illusionistic nature studies of this period.Sacred Landscapes, which accompanies an exhibition at theJ. Paul Getty Museum, presents some of the mostimpressive examples of this art, gathering a wide range ofilluminated manuscripts made between 1400 and 1600, aswell as panel paintings, drawings, and decorative arts.Readers will see the influ-ence of such masters as AlbrechtDu rer, Jan van Eyck, Leonardo da Vinci, and Piero dellaFrancesca and will gain new appreciation for manuscriptilluminators like Simon Bening, Joris Hoefnagel, Vincent Raymond, and the Spitz Master. These artists were innovative in the early development of landscape painting and were revered through-out the early modern period. The authors provide thoughtful examination of works from the fifteenth through seventeenth centuries.

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Born in a time of anxiety, Words and Worlds examines some of the disquieting challenges that societies now face. Through an inquiry into a political lexicon of commonsense words, ranging from democracy and revolution to knowledge and authority, from inequality and toleration to war and power, the contributors to this book trouble the self-evidence of these terms, bringing into view the hidden transcripts and unexpected trajectories of many settled ideas, such as the human sense of belonging or the call for openness and transparency in research and public life. The case studies conducted over five continents with the tools of eight different disciplines challenge the ethnocentric assumptions, false moralism, and cultural prejudices that underlie much discussion on corruption or even the virtue invested in resilience. The critique of the ubiquitous use of crisis to characterize our times shows how this framing obscures the unjust conditions of existence and the violence of everyday life. Together the essays in this volume offer a fresh look at the deeply connected worlds we inhabit in solidarity and in discord. Contributors. Banu Bargu, Veena Das, Alex de Waal, Didier Fassin, Peter Geschiere, Behrooz Ghamari-Tabrizi, Caroline Humphrey, Ravi Kanbur, Julieta Lemaitre, Uday S. Mehta, Jan-Werner Müller, Jonathan Pugh, Elizabeth F. Sanders, Todd Sanders

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How do we live in and with empire? The contributors to Ethnographies of U.S. Empire pursue this question by examining empire as an unequally shared present. Here empire stands as an entrenched, if often invisible, part of everyday life central to making and remaking a world in which it is too often presented as an aberration rather than as a structuring condition. This volume presents scholarship from across U.S. imperial formations: settler colonialism, overseas territories, communities impacted by U.S. military action or political intervention, Cold War alliances and fissures, and, most recently, new forms of U.S. empire after 9/11. From the Mohawk Nation, Korea, and the Philippines to Iraq and the hills of New Jersey, the contributors show how a methodological and theoretical commitment to ethnography sharpens all of our understandings of the novel and timeworn ways people live, thrive, and resist in the imperial present. Contributors: Kevin K. Birth, Joe Bryan, John F. Collins, Jean Dennison, Erin Fitz-Henry, Adriana María Garriga-López, Olívia Maria Gomes da Cunha, Matthew Gutmann, Ju Hui Judy Han, J. Kēhaulani Kauanui, Eleana Kim, Heonik Kwon, Soo Ah Kwon, Darryl Li, Catherine Lutz, Sunaina Maira, Carole McGranahan, Sean T. Mitchell, Jan M. Padios, Melissa Rosario, Audra Simpson, Ann Laura Stoler, Lisa Uperesa, David Vine

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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

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Raped and colonized, coerced and silenced--this has been the position of Haitian women within their own society, as well as how they have been seen by foreign occupiers. Romanticized symbols of nationhood, they have served, however unwillingly, as a politicized site of contestation between opposing forces. In this first book-length study in English devoted exclusively to Haitian women's literature, Myriam Chancy finds that Haitian women have their own history, traditions, and stories to tell, tales that they are unwilling to suppress or subordinate to narratives of national autonomy. Issues of race, class, color, caste, nationality, and sexuality are all central to their fiction--as is an urgent sense of the historical place of women between the two U.S. occupations of the country. Their novels interrogate women's social and political stance in Haiti from an explicitly female point of view, forcefully responding to overt sexual and political violence within the nation's ambivalent political climate. Through daring and sensitive readings, simultaneously historical, fictional and autobiographical, Chancy explores this literature, seeking to uncover answers to the current crisis facing these women today, both within their country and in exile.The writers surveyed include Anne-christine d'Adesky, Ghislaine Rey Charlier, Marie Chauvet, Jan J. Dominique, Nadine Magloire, and Edwidge Danticat, whose work has recently achieved such high acclaim.

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When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl's epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology's wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. The Far Reaches challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patočka, Karol Wojtyła (Pope John Paul II), and Václav Havel.

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A REESE WITHERSPOON BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)'EERIE AND ATMOSPHERIC'Riley Sager, New York Times bestselling author of The House Across the Lake'CREEPY'The Times'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED'Lisa Gardner, Sunday Times bestselling author of One Step Too Far'SUPERB'M. W. Craven, Sunday Times bestselling author of The Botanist'CHILLED ME TO THE BONE'Andrea Bartz, author of Reese's pick We Were Never Here________Maya is still haunted by the cabin - deep in the woods, where the trees are so dense it's easy to miss.She hasn't been there since the summer she was seventeen. Since the day her best friend Aubrey died and Maya's world shattered.Maya's memories of that summer are fragmented, but there is one thing she knows for sure, and that's who murdered Aubrey. Even if no one believes her.Now, seven years later, another woman from their hometown has died in the same strange, unexplained way.Maya knows only she can uncover the truth and save the next innocent girl. But to do that she'll have to go back - back to the forest, back to the house in the pines . . .

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Tinka Pittoors (b. 1977) is a Belgian visual artist, who regularly exhibits her work in Flanders, Wallonia, the Netherlands and France. Anyone who crosses the threshold of her studio will feel as if they've stepped into an artificial secret garden. An explosion of shapes and colours awaits in a place where everything has the potential of becoming an artwork. In her sculptures and objects, Pittoors examines the utopia of a malleable world, often using the nature‐culture divide as her starting premise. Each presentation is a moment in time, a snapshot, that is tailored to the venue. Les Voyageurs is published on the occasion of her eponymous exhibition in the gardens of Château Seneffe. Many people in Flanders have yet to discover this hidden gem. And yet the castle and gardens of Seneffe are Wallonia's equivalent of Versailles, with fountains, pavilions, pristine nature, and dreamy paths on 22 hectares of land. For this exhibition, Pittoors created a trail that reflects on the various possibilities of travel, displacement and detachment, arriving and leaving, escapes and quests. The introduction was written by Pieter Vermeulen. Other contributors include Marjolaine Hanssens, Veronika Pot, Carine Fol, Isabelle Pouget, Dominique Legrand, Stijn Tormans, Marc Ruyters, Jan Braet and Saskia De Coster. Text in English, French and Dutch.

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Aenne Biermann is regarded as one of the important avant-garde photographers of the twentieth century. Together with Bauhaus artists like Lucia Moholy and Florence Henri she was represented in the pioneering exhibitions of the late 1920s and early 1930s. In 1930 Franz Roh, the art critic and early patron of Biermann, dedicated to her the legendary monograph designed by Jan Tschichold “Aenne Biermannˑ60 Fotos ”which is now being published again as a reprint with commentary. As early as 1928, Franz Roh referred to the “remarkable” photo artist Aenne Biermann (1898–1933), who attracted the attention of experts with her close-up pictures of plants. In the following years the photographer, an autodidact, became an important artist of photographic modernism. Her works created a haunting and aesthetically fascinating pictorial world with close-up views, extreme detail shots and lighting contrasts. She mostly found her motifs in her immediate vicinity: in addition to numerous still lifes with everyday objects and nature photos, she also repeatedly photographed her children, their object world and their activities. Many originals were lost during the Second World War, including the 60 photos in this publication. The authorised reprint of this volume is a tribute to a great artist of the modern age.

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"Robert Hughes is probably the best - and certainly the most accessible - art critic in the world . . . in Barcelona his art-historical and his sociological talents converge in what is often a dazzling collage of Catalan peculiarities" FREDERICK RAPHAEL, Sunday TimesA modern homage to a proud, cosmopolitan city where Gaudí, Picasso and Miró learned how to break all the rules.Before Spain there was Catalunya, a thriving maritime empire with its own language and Barcelona as its capital, last bastion of resistance to Franco in the Spanish Civil War. Exploring 2000 of the city's history, Robert Hughes takes us down the Ramblas, through the "intestinal windings" of the ancient Gothic Quarter, past the bountiful Boqueria market to the Eixample, showcase of the daring, mannered architecture of Catalan modernisme, before resting at Gaudí's celebrated Sagrada Familia: crazy, unfinished symbol of this fiercely independent city of extremes."The pace is brisk, the narrative grasp cool, firm and confident . . . Hughes' prose has the 'capriciousness, symbolic precision and stylistic punch' he attributes to Catalan moustaches" HILARY SPURLING, Daily Telegraph"Nobody has ever represented Catalonia's character more powerfully, or illustrated its claims to self-destiny more persuasively, than Robert Hughes in this monumental work" JAN MORRIS

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Guinea pigs are a popular pet, 'cute but dim' friends for those looking for an alternative to dogs and cats. They are increasingly bred for looks, shaped by humans in search of an ideal appearance. But it was guinea pigs that influenced humans from as early as 5000 bc, when their domestication began a long and fruitful relationship, influencing scientists such as William Harvey, and painters from Jan Brueghel to Beatrix Potter. Guinea pigs are more than simply pets: they have been at the centre of countless works of art and literature, inspiring children and adults alike. Guinea Pig is the first book of its kind totake an in-depth look at the fascinating history of guinea pig and human interaction. It examines guinea pigs' roles as pets alongside their roles as sacrificial offerings to Inca gods, a dish at the Last Supper, and the mascot of the airmen's Guinea Pig Club. The guinea pig is also famous as an experimental subject - the origin of the term now given to anyone who participates in a scientific study or experiment. Guinea Pig is the perfect companion for animal lovers, guinea pig owners and anyonewho is interested in the history of domesticated animals.

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A REESE WITHERSPOON BOOK CLUB PICKA NEW YORK TIMES BESTSELLER'AN ABSOLUTE, CAN'T-PUT-IT-DOWN THRILLER' Reese Witherspoon (Reese's Book Club Jan '23 Pick)'I READ IN A SINGLE SITTING, TOTALLY ENTHRALLED'Lisa Gardner, Sunday Times bestselling author of One Step Too Far'EERIE AND ATMOSPHERIC'Riley Sager, New York Times bestselling author of The House Across the Lake'CREEPY'The Times'SUPERB'M. W. Craven, Sunday Times bestselling author of The Botanist'CHILLED ME TO THE BONE'Andrea Bartz, author of Reese's Book Club pick We Were Never Here________Maya is still haunted by the cabin - deep in the woods, where the trees are so dense it's easy to miss.She hasn't been there since the summer she was seventeen. Since the day her best friend Aubrey died and Maya's world shattered.Maya's memories of that summer are fragmented, but there is one thing she knows for sure, and that's who murdered Aubrey. Even if no one believes her.Now, seven years later, another woman from their hometown has died in the same strange, unexplained way.Maya knows only she can uncover the truth and save the next innocent girl. But to do that she'll have to go back - back to the forest, back to the house in the pines . . .

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The Gift of Death, Jacques Derrida’s most sustained consideration of religion, explores questions first introduced in his book Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Czech philosopher Jan Patocka’s Heretical Essays in the Philosophy of History and develops and compares his ideas to the works of Heidegger, Lévinas, and Kierkegaard. One of Derrida’s major works, The Gift of Death resonates with much of his earlier writing, and this highly anticipated second edition is greatly enhanced by David Wills’s updated translation. This new edition also features the first-ever English translation of Derrida’s Literature in Secret. In it, Derrida continues his discussion of the sacrifice of Isaac, which leads to bracing meditations on secrecy, forgiveness, literature, and democracy. He also offers a reading of Kafka’s Letter to His Father and uses the story of the flood in Genesis as an embarkation point for a consideration of divine sovereignty. “An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of religion . . . [and those] made curious by the controversy that so often attends Derrida.”—Booklist, on the first edition

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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 23, 2019–January 19, 2020)

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How do we live in and with empire? The contributors to Ethnographies of U.S. Empire pursue this question by examining empire as an unequally shared present. Here empire stands as an entrenched, if often invisible, part of everyday life central to making and remaking a world in which it is too often presented as an aberration rather than as a structuring condition. This volume presents scholarship from across U.S. imperial formations: settler colonialism, overseas territories, communities impacted by U.S. military action or political intervention, Cold War alliances and fissures, and, most recently, new forms of U.S. empire after 9/11. From the Mohawk Nation, Korea, and the Philippines to Iraq and the hills of New Jersey, the contributors show how a methodological and theoretical commitment to ethnography sharpens all of our understandings of the novel and timeworn ways people live, thrive, and resist in the imperial present. Contributors: Kevin K. Birth, Joe Bryan, John F. Collins, Jean Dennison, Erin Fitz-Henry, Adriana María Garriga-López, Olívia Maria Gomes da Cunha, Matthew Gutmann, Ju Hui Judy Han, J. Kēhaulani Kauanui, Eleana Kim, Heonik Kwon, Soo Ah Kwon, Darryl Li, Catherine Lutz, Sunaina Maira, Carole McGranahan, Sean T. Mitchell, Jan M. Padios, Melissa Rosario, Audra Simpson, Ann Laura Stoler, Lisa Uperesa, David Vine

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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

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High Praise for High Impact Philanthropy "Successful navigation through today's changing world of philanthropy requires greater understanding by nonprofits and donors. High Impact Philanthropy meets this need."-Roberta W. Gutman, Executive Director, Motorola Foundation "At a time when the terrain of American philanthropy is so rapidly shifting in new and unprecedented ways, this bright and focused analysis stands as a beacon of innovative thinking for donors and community organizers alike. By sketching in bold strokes the case for more effective collaborative giving, this book may well help transform our communities in the twenty-first century."-Peter deCourcy Hero,President, Community Foundation Silicon Valley "High Impact Philanthropy provides a thoughtful analysis of how venture philanthropy is changing the way nonprofits run and how philanthropists give. Important parallels are made to the business world, demonstrating how nonprofits and donors can both benefit from putting their business hats on and running their organizations and giving programs like businesses."-Jan D'Alessandro Wadsworth, Vice President, AOL Foundation "High Impact Philanthropy is an effective and articulate guide to planning a major gifts strategy, soliciting major gifts from individuals in a personable and efficient manner, and integrating this essential task into the very structure of a nonprofit organization."-Claude Rosenberg, Founder, New Tithing Group

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Praise for IT Best Practices "The work of the financial manager revolves around a company's financial systems. Ms. Roehl-Anderson's latest offering addresses the two key aspects of these systems—how to buy and install them. The book covers every conceivable aspect of these systems, including ERP, software as a service, shared services, and supporting controls. As a bonus, the book contains substantial coverage of information technology considerations in an acquisition. This is a definitive desk reference." —Steve Bragg, CFO, XeDAR Corporation, and author of Accounting Best Practices "Sage advice from one of the most adept project managers in the industry! Jan and team have delivered a practical, yet comprehensive guidebook for software selection, implementation, rollout, and ongoing updates. This guidebook will become a valuable reference for every financial manager and IT project manager undertaking ERP implementation."—Valerie Borthwick, former senior vice president, Oracle Consulting "Written by one of the best in the IT business, this book is a must-read for all CFOs and controllers. In one volume, it addresses everything a financial executive needs to know about IT and its impact on the financial function, while also featuring practical guidelines, current hot topics, and IT best practices. This book covers it all."—Jo Marie Dancik, Regional Managing Partner (Retired), Ernst & Young

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Painting and Politics in Northern Europe offers a chronological account of political engagement in works by the early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders. Offering fresh interpretations of canonical paintings, Margaret Carroll illustrates how these artists registered their pictorial responses to the political events and debates of their day. The imagery of gender and power was often intertwined with these debates. Considering a range of works, including Van Eyck’s Arnolfini Portrait, Bruegel’s Netherlandish Proverbs, and Rubens’s Life of Marie de Médicis series, Carroll examines the ways in which these Netherlandish painters seized on that imagery and creatively transformed it into the materials of art.The narrative follows the way painters responded to the emergence of “modern” theories of politics and natural law from the classical and medieval tradition. Carroll begins by addressing paintings that identify the natural order with consensual social relations in a stable political hierarchy, then turns to paintings that stress the struggle for mastery in a perilous and unstable world. These paintings may be valued not merely as historical artifacts of a bygone era but as interventions in a cultural discourse that continues to this day.

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