Search results for ""Jan""

SHORTLISTED FOR THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARDA Financial Times Book of the YearA Spectator Book of the YearA Daily Telegraph Book of the Year'Travel writing in excelsis' -Jan Morris, author of Venice'A thrilling and gorgeous tale, packed with meteorological wonder' -Amy Liptrot, author of The OutrunNick Hunt sets off on an unlikely quest: to follow four of Europe's winds across the continent...His wind-walks begin on Cross Fell, the highest point of the Pennines, as he chases the roaring Helm - the only named wind in Britain. In southern Europe he follows the Bora - a bitter northerly that blows from Trieste through Slovenia and down the Croatian coast. His hunt for the 'snow-eating' Foehn becomes a meandering journey of exhilaration and despair through the Alpine valleys of Switzerland, and his final walk traces an ancient pilgrims' path in the south of France on the trail of the Mistral - the 'wind of madness' which animated and tormented Vincent Van Gogh.These are journeys into wild wind, but also into wild landscapes and the people who inhabit them - a cast of meteorologists, storm chasers, mountain men, eccentric wind enthusiasts, sailors and shepherds. Soon Nick finds himself borne along by the very forces he is pursuing, through rain, blizzards, howling gales, and back through time itself. For, where the wild winds are, there are also myths and legends, history and hearsay, science and superstition - and occasionally remote mountain cabins packed with pickles, cured meats and homemade alcohol.Where the Wild Winds Are is a beautiful, unconventional travelogue that makes the invisible visible.

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In contemporary European societies the question of racism, linked to the politicisation of migration, is a major issue in social and political debate. Developments in a number of European societies have highlighted the volatility of this phenomenon and the ease with which racist and extreme-right political movements can mobilise around the question of immigration and opposition to cultural pluralism. The situation in countries as divergent as the UK, France, Germany, the Netherlands, Italy and various Scandinavian societies shows evidence of mounting racism and hostility to migrants. This volume provides a critical overview of the processes that have led to the present situation and explores some of the options for the future. Contents: Part I: Historical and Contemporary Perspectives J. Solomos and J. Wrench, Race and Racism in Contemporary Europe S. Castles, Migrations and Minorities in Europe: Perspectives for the 1990s: Eleven Hypotheses R. Miles, The Articulation of Racism and Nationalism: Reflections on European History Part II: Tendencies and Trends M. Wieviorka, Tendencies to Racism in Europe: Does France represent a unique case, or is it representative of a trend? C. Wilpert, The Ideological and Institutional Foundations of Racism in the Federal Republic of Germany E. Vasta, Rights and Racism in a New Country of Immigration: The Italian Case A. Alund and C. Schierup, The Thorny Road to Europe: Swedish Immigrant Policy in Transition T. Hammar, Political Participation and Civil Rights in Scandinavia H. Lutz, Migrant Women, Racism and the Dutch Labour Market P. Essed, The Politics of Marginal Inclusion: Racism in an Organisational Context J. Wrench and J. Solomos, The Politics and Processes of Racial Discrimination in Britain Part III: Issues and Debates T. A. van Dijk, Denying Racism: Elite Discourse and Racism A. Brah, Difference, Diversity, Differentiation: Processes of Racialisation and Gender Jan Rath, The Ideol

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A bullet train of a book, fast-paced, hilarious, rich with action. A harbinger of good things to come in mysterious ways. It all began at a cocktail party at Wallace Stegner’s for the Stanford writing class of 1958. Ken Kesey and Ken Babbs became cronies, embarking on a frolicking, rambunctious adventure that lasted over 40 years. Babbs calls the 70 stories of this book “burlesques” because, after 85 years of living, much of it in the wide friendly center of an evolving, at times psychedelic culture, memory no longer can, or even should include an exact retelling, but only a tasty sprinkling of the truth, mixed with an endless enigma, all topped with the best of humor and heart. The troupe of characters include the Kens Kesey and Babbs, Neal Cassady, Allen Ginsberg, Jack Kerouac, Gregory Corso, Timothy Leary, Jerry Garcia, Pigpen, Bob Weir, Phil Lesh, Mountain Girl, Sonny Barger, Larry McMurtry, Wavy Gravy, Hunter S. Thompson, Kirk Douglas, Paul Newman, Jan Kerouac, Bill Walton, Wendell Berry, a pick-up bed-sized sturgeon, and always the many free-spirited, creative, friendly men and women who made up the Merry Band of Pranksters. Come along for the ride on the famous bus trip to Manhattan. Join the Hells Angels at their partying best. Drop in for the early Acid Tests. Experience the Berkeley Vietnam anti-war rally. Relish the stories of Kesey’s pot busts and “suicide.” Climb aboard—“Board!”—for six months on the lam in Mexico. Take the Further tours with the Grateful Dead. Make the ultimate move to Oregon, where Babbs and Kesey grew a magical friendship and collaboration until Kesey passed in 2001. Irreverent, unencumbered by social norms, literary and poetic, Cronies is a poignant view of the Sixties and beyond from someone who was there, and remembers it well. Kind of…

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Dangerous, outrageous, comic and committed, the extraordinary performers collected here have altered the history of popular entertainment in America and Europe. Some have rarely had their story told, others are familiar figures. The essays explore what made these performers extraordinary; how they were trained, how they practised their art, how they were received, celebrated, satirised and mythologised. From the explosive acting of Richard Burbage to the dislocating quirkiness of Peter Lorre, from the dangerous satire of commedia dell'arte troupes in Russia to the bittersweet collaboration of Morecambe and Wise, this volume explores what made these actors popular. Each contributor has taken care to set the performer and their work in cultural context, so that the collection as a whole charts the changing relationship between acting and popular culture over the last four hundred years. Part One examines seventeenth and eighteenth century performers, as they built a sense of the excitement and possibility of theatre with audiences in Britain and Europe. The idea of acting, its art and popular practice was being formed during this period. Part Two explores nineteenth-century popular performers who became cultural icons and developed popular performance that contributed to the regeneration of national identity. Part Three looks at twentieth-century performers whose acting continued to reach popular audiences in remarkable ways, across national boundaries, as the acting industry underwent transformation in the face of technological change This is a unique collection of essays on performers such as Richard Burbage, Sarah Siddons, Peter Lorre, George Formby, Laurel and Hardy, Morecombe and Wise. It provides an outstanding selection of contributors: Richard Boon, Colin Chambers, Chris Dymkowski, Ger Fitzgibbon, Viv Gardner, Baz Kershaw, Alexander Leggatt, Chris McCullough, Jan McDonald, Joel Schechter, Laurence Senelick, Martin White, Don Wilmeth

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Unscrupulous bounty hunter. Cunning rogue trader, Sadistic interrogator. They're adversaries to avoid, but now they've found Jenna Stannis and Cally. The Amagons deceive enemies and allies alike. Dorian's glamour disguises his danger. And there's no hiding Shrinker's brutal intentions. These villains will have no mercy when they encounter our heroes. Contains three stories: 1. The Amagon Queen by Trevor Baxendale. Smugglers. Slave-traders. Bounty hunters. Jenna Stannis knows from personal experience that you just can’t trust the Amagons. So why has she delivered herself alone into the hands of the infamous Amagon Queen? And can Cally help her escape before a Federation commander and his ruthless mutoid track them all down? 2. The Deal with Dorian by Mark B Oliver. Jenna Stannis and Cally need supplies to repair the damaged Liberator, and treacherous dealer Dorian is the only one who can help. But he has dangerous plans of his own at a remote Federation research station. Will Cally and Jenna realise the danger they’re in before they fall under Dorian’s influence? 3. Everyone Talks to Shrinker by Andrew Smith. Captured and alone, Jenna Stannis is defenceless in the Federation’s clutches. Cally’s desperate to find her friend – and they are both far from the Liberator. In a hostile Federation battleground, Jenna discovers there can be no escape from her cruel interrogator, the notorious Shrinker. CAST: Sally Knyvette (Jenna Stannis), Jan Chappell (Cally), Laura Aikman (Mutoid/Pesh), Nicholas Asbury (Robard), Nigel Betts (Shrinker/Patrol Leader), Gabrielle Glaister (Skillane), Nicola Goodchild (Lana Tremayne), Matthew Gravelle (Dorian), Ahmed Hamad (Kelver/Young Shrinker), Alistair Lock (Zen/Orac), Tania Rodrigues (Mandala), Duncan Wisbey (Zander/Makavat), Shane Zaza (Spindler/Amagon King). Other parts played by members of the cast.

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Graham Bonnet was born in Skegness in 1947 and had his first hit single with The Marbles in 1968, "Only One Woman" which reached Number 5 in the UK Singles Chart.....So runs Graham Bonnet's wikipedia entry. Of The Skyliners, The Peter Tomlinson Band, The Jimmy Aldred Band, The Jan Ramsden Band, The Missing Links, The Blueset, The Bluesect and The Graham Bonnet Set not a word. This new biography of the much travelled rock singer more than fills the missing gaps. After his work with The Marbles, Bonnet delivered a well-regarded solo album in 1977 which was the spring-board for his rock career, with Ritchie Blackmore's Rainbow the first to call. After the chart album Down To Earth, Rainbow suddenly found themselves with well-crafted AOR hits in the shape of "Since You Been Gone" and "All Night Long". The band headlined the first Donnington Monsters Of Rock festival in 1980, but Bonnet quit to record a star-studded solo album and top ten single Night Games. Bonnet was then quickly snapped up by ex-UFO guitarist Michael Schenker in the Michael Schenker Group (MSG) for the powerful Assault Attack album. Bonnet's most consistent rock project came in 1983 when he decided to put his own band together; Alcatrazz became a huge draw on the rock circuit for the next four years, with a number of albums to their name. They became particularly successful in Japan (where Bonnet remains very successful.) Now based in LA, the ever adaptable Bonnet continues to record and tour on a regular basis, with a new album issued just a few months ago. Watching Rainbow live in 1980, no lesser person than Ozzy Osbourne described Graham's performance as the best by a rock vocalist he had ever witnessed.

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An investigation into the mysterious Frisians, drawing together evidence from linguistic, textual and archaeological sources. From as early as the first century AD, learned Romans knew of more than one group of people living in north-western Europe beyond their Empire's Gallic provinces whose names contained the element that gives us modern "Frisian". These were apparently Celtic-speaking peoples, but that population was probably completely replaced in the course of the convulsions that Europe underwent during the fourth and fifth centuries. While the importance of linguisticallyGermanic Frisians as neighbours of the Anglo-Saxons, Franks, Saxons and Danes in the centuries immediately following the fall of the Roman Empire in the West is widely recognized, these folk themselves remain enigmatic, the details of their culture and organization unfamiliar to many. The Frisian population and their lands, including all the coastal communities of the North sea region and their connections with the Baltic shores, form the focal pointof this volume, though viewed often through comparison with, or even through the eyes of, their neighbours. The essays present the most up-to-date discoveries, research and interpretation, combining and integrating linguistic, textual and archaeological evidence; they follow the story of the various Frisians through from the Roman Period to the next great period of disruption and change introduced by the Viking Scandinavians. John Hines is Professor of Archaeology at Cardiff University; Nelleke IJssennagger is Curator of Archaeological and Medieval Collections at the Museum of Friesland. Contributors: Elzbieta Adamczyk, Iris Aufderhaar, Pieterjan Deckers, Menno Dijkstra, John Hines, Nelleke Ijssennagger, Hauke Jöns, Egge Knol, Jan de Koning, Johan Nicolay, Han Nijdam, Tim Pestell, Peter Schrijver, Arjen Versloot, Gaby Waxenberger, Christiane Zimmermann.

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Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time.

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First, The Big Book of Breasts, then The Big Penis Book, The Big Book of Legs, and the weighty Big Butt Book. What could follow but an in-depth exploration of the female pudendum, that coveted orifice man spends nine months trying to escape, and a lifetime attempting to reenter? The Big Book of Pussy, not to be confused with a book of big pussy, closes out this popular series with an offering sure to be as controversial as it is popular. As in previous volumes, editor Dian Hanson delves into the historical significance of this humble os, to show how the yoni has been coveted, feared, reviled, and worshipped by civilizations worldwide, from New Guinea to old Ireland. The text is supported by playful photographs of women exposing their vulvas, from 1900 to the present day. Because depiction of this body part has long been wrapped in unwarranted shame, The Big Book of Pussy reframes the subject, featuring models who expose their most private part enthusiastically, happily, with smiles spread wide as… well, you get the picture. And with 400+ photos the point is made emphatically, in images both naturally furry and stylishly groomed. Included are interviews with the auteur known as Pussyman, the ex-cop who turned masturbation into millions with a toy called the Fleshlight, Vanessa del Rio, squirter Flower Tucci, vaginal performance artist Mouse, and the singular Buck Angel. Contemporary photographers Terry Richardson, Richard Kern, Ralph Gibson, Jan Saudek, Guido Argentini, Ed Fox and others share their favorite pussy photos, so that by page 368 even the shiest reader will be calling, “Here, kitty, kitty!”

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In this collection, political and public policy analysts explore the social concerns of lesbians, gays, bisexuals, and the transgendered--what has come to be known as "lgbt" or "queer" politics. Compared to the humanities and to other social sciences, political science has been slow to address this phenomenon. Issues ranging from housing to adoption to laws on sodomy, however, have increasingly raised important political questions about the rights and status of sexual minorities, particularly within liberal democracies such as the United States, and also on an international level. This anthology offers the first comprehensive overview of the study of lgbt politics in political science across the discipline's main subfields and methodologies, and it spotlights lgbt movements in several regions around the world. Focusing on the politics of sexuality with regard to the politics of knowledge, the book presents a discussion of power that will interest all political scientists and others concerned with minority rights and gender as well as with transformation in the relations between public and private. The articles cover such topics as lgbt power in urban politics, the impact of public opinion on lgbt life, means of effecting legal and political change in the United States, and international differences in lgbt political activism. The authors represent a new cadre of political scientists who are creating an interdisciplinary domain of research that is informed by and in turn generates political activism. They are Dennis Altman, M. V. Lee Badgett, Robert W. Bailey, Mark Blasius, Cathy J. Cohen, Timothy E. Cook, Paisley Currah, Juanita Diaz-Cotto, Jan-Willem Duyvendak, Leonard Harris, Bevin Hartnett, Rosalind Pollack Petchesky, David Rayside, Rebecca Mae Salokar, and Alan S. Yang.

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Steiner has been able to clarify the historical reality behind the Rosicrucian story, with all its aura of glamour and fantasy. That effected, he points to the enormity of its vision for the future evolution of ideas...' - Dr Andrew Welburn (from the Introduction) In the immediate aftermath of the 'Mystery-act' of the Christmas Foundation Conference, Rudolf Steiner chose to speak on the subject of 'Rosicrucianism and Modern Initiation Mystery Centres of the Middle Ages'. Clearly connected to the events that had just taken place in Dornach - in which he not only refounded the Anthroposophical Society but took a formal position within it - Steiner begins by exploring the intellectual life of the Middle Ages and the role that Mystery culture played within it. He throws new light on the foundations of Rosicrucianism, its principles of initiation and its inherent impulse for freedom. Steiner also discusses the secret teachings of the eighteenth and nineteenth centuries, and the dawn of the age of the Archangel Michael. In the second series of lectures, entitled 'The Easter Festival and the History of the Mysteries' (April 1924), Steiner describes how festivals grew out of the Mysteries themselves. He speaks of Mysteries connected to Spring and Autumn, Adonis and Ephesus, and the significance of Sun and Moon. Throughout the volume he discusses the roles of Alexander the Great and Aristotle in world history and the significance of Aristotle's 'Categories'. Published for the first time as a single volume, the freshly revised text is complemented with an extensive introduction by Dr Andrew Welburn, detailed notes and appendices by Professor Frederick Amrine and an index. (Ten lectures, Jan. and April 1924, GA 233a)

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A polyphonic new entry in Multiverse—a literary series written and curated by the neurodivergent—JJJJJerome Ellis’s Aster of Ceremonies beautifully extends the vision of his debut book and album, The Clearing, a “lyrical celebration of and inquiry into the intersections of blackness, music, and disabled speech” (Claudia Rankine).Aster of Ceremonies asks what rites we need now and how poetry, astir in the asters, can help them along. What is the relationship between fleeing and feeling? How can the voices of those who came before—and the stutters that leaven those voices—carry into our present moment, mingling with our own? When Ellis writes, “Bring me the stolen will / Bring me the stolen well,” his voice is a conduit, his “me” is many. Through the grateful invocations of ancestors—Hannah, Mariah, Kit, Jan, and others—and their songs, he rewrites history, creating a world that blooms backward, reimagining what it means for Black and disabled people to have taken, and to continue to take, their freedom. By weaving a chorus of voices past and present, Ellis counters the attack of “all masters of all vessels” and replaces it with a family of flowers. He models how—as with his brilliant transduction of escaped slave advertisements—we might proclaim lost ownership over literature and history. “Bring me to the well,” he chants, implores, channels. “Bring me to me.” In this bringing, in this singing, he proclaims our collective belonging to shared worlds where we can gather and heal.The Aster of Ceremonies audiobook read and performed by JJJJJerome Ellis is available everywhere you listen to audiobooks.

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Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour.'Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once' Laila Lalami, author of Conditional Citizens'A whip-smart collection' Kamila Shamsie, author of Best of FriendsWhat if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling, featuring:• Taymour Soomro on resisting rigid stories about who you are• Madeleine Thien on how writing builds the room in which it can exist• Amitava Kumar on why authenticity isn't a license we carry in our wallets• Tahmima Anam on giving herself permission to be funny• Ingrid Rojas Contreras on the bodily challenge of writing about trauma• Zeyn Joukhadar on queering English and the power of refusing to translate ourselves• Kiese Laymon on hearing that no one wants to read the story that you want to write• Deepa Anappara on writing even through conditions that impede the creation of artPlus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, Myriam Gurba, Mohammed Hanif and Sharlene Teo.'This book is essential' Nikesh Shukla'Bracing and moving . . . No one interested in how we read and should read fiction can afford to miss this' Pankaj Mishra, author of Run And Hide

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This book discusses the prospects for the development of the African continent as part of the emerging system of international relations in the twenty-first century. African countries are playing an increasingly important part in the current system of international relations. Nevertheless, even 60 years after gaining their independence, most of them are confronted with regional and global issues that are directly related to their colonial past and its influence. Due to Africa’s wealth of natural and geopolitical resources, the possibility of interference in the internal affairs of African countries on the part of new and traditional global actors remains very real. Leading Africanists, together with international scholars from both international relations and African studies, examine the experience of decolonization, the impact of the emergence of a unipolar world on the African continent, and the growing influence of new international actors on the African continent in the twenty-first century. In addition, the importance of African countries’ foreign policy concepts and ideological attitudes in the post-bipolar period is revealed. “This volume strengthens the intellectual bridge between Russian, African and Western scholars of international relations. Strongly recommended!” Vladimir G. Shubin, Institute for African Studies, Russian Academy of Sciences “This book presents a wide range of prominent global scholars who bring a wealth of knowledge on the subject of Africa and the world.” Gilbert Khadiagala, Jan Smuts Professor of International Relations and Director of the African Centre for the Study of the USA (ACSUS) at the University of the Witwatersrand, Johannesburg, South Africa. “As a genuine contribution to the field of international relations and Global South Agency, this book should be in every institution of higher education’s library.” Lembe Tiky, Director of Academic Development, International Studies Association.

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When his mother Joan was diagnosed with terminal cancer, Rory MacLean and his wife Katrin took her into their home. For five months, as their life fragmented and turned inward, they fought both to resist and to accept the inevitable. Each gave vent to their emotions in different ways, but all three kept a diary.Heartbreakingly honest and deeply moving, Gift of Time is the story of those days, in the words of a son, his wife and his mother. Woven together into a poignant meditation on life and death, they illuminate the courage and dignity of one woman who confronted what we all must face. Threaded through with wisdom and guilt, anger and acceptance, the story is punctuated by a family wedding and the hope of new life, by bin-bags of old letters and books rediscovered, by the end of winter and the first signs of spring.Powerful, raw and urgent, this slender volume is above all a celebration of life. Capturing every moment of beauty and pain it acknowledges that what survives all of us is love.Praise for Rory MacLean's previous titles:Stalin's Nose: 'The most extraordinary debut in travel writing since In Patagonia. A dark, sardonic and brilliant book which grows in stature with every page' William Dalrymple'A surreal masterpiece' Colin ThubronThe Oatmeal Ark: 'One of the most original and innovative travel books for years.' Alexander Frater'A truly astonishing performance' Jan Morris'Such a book as this rather marvellously explains why literature still lives.' John FowlesUnder the Dragon: 'I cannot imagine a better book on the beauty and terror of Burma. Read it. Read it. Read it.' Fergal Keane'It will make you cry and it will give you hope. ... It is astonishingly good.' Jeanette Winterson.Magic Bus: 'A disturbing, gripping and intensely passionate story' Esther Freud.

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Henry Swanzy (1915-2004) has an unrivalled position as the midwife of Caribbean writing in the post 1950s period. As the editor of the BBC Caribbean Voices programme (initiated by Una Marson) between 1946 and 1956, he was there as the careers of George Lamming, Edgar Mittelholzer, Jan Carew, V.S. Naipaul, Sam Selvon and many others took off in London. As a programme aimed in the first place at a Caribbean listenership, Swanzy encouraged writing that was authentic to its Caribbean roots, in language, theme and social concern. As an Irishman, Swanzy retained enough of a post-colonial sensibility to be positively sympathetic to the nationalist thrust of the writing. He was evidently well-respected by the writers to whom he offered both literary and personal support – and not least for his awareness of their pecuniary needs. Once Caribbean Voices was well established, it was left in the hands of Caribbean editors (including Mittelholzer and V.S. Naipaul) and Swanzy himself went off to Ghana in 1956 to encourage and support writers and broadcasting there. Thanks to the generosity of Swanzy’s heirs, his private and often amusingly indiscreet diaries of this period (known as “Ichabod”) have been made available and carefully edited and documented by the team of Niblett, Campbell and Smith. With an introduction that puts Swanzy and these radio programmes in context, this is both an essential, entertaining and highly readable book for anyone even remotely interested in the development of Caribbean writing. Not least of its value is the extensive appendix where Niblett et al. have documented all the writers mentioned in the diary. This, in itself, is a salutary reminder of the wealth of writing talent in both the Caribbean and Ghana that flowered in this period but then, in the absence of other opportunities, in many cases undeservedly disappeared from view.

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Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time. Brahms and the Shaping of Time brings together essays by leading music scholars, each of which analyzes the music of Brahms with a particular focus on the music's temporality. The volume reveals numerous ways in which Brahms manipulates such basic elements as rhythm and phrase structure in pieces ranging from the Third Piano Sonata and the Double Concerto to a number of his most important and beloved songs. The first two essays examine aspects of rhythm and meter in Brahms's lieder, recognizing his meaningful deviations from temporal norms. The second two pick up the mantle from William Rothstein's landmark text Phrase Rhythm in Tonal Music. Rothstein's study focused on the music of other composers, but suggested how a future study might explore the music of Brahms; these essays contribute to such a study while also pivoting the book's focus from vocal to instrumental music. Each of the chapters of the third pair cross-examines and expands our understanding of the hemiola. The concluding trio of essays promotes, through further analysis of individual works, ways of hearing that encourage the reader to breach the confines of the score's metric notation. Together, the essays in this volume offer fresh approaches to the life and music of the beloved nineteenth-century composer and incorporate significant new ways of thinking about rhythm, meter, and musical time. CONTRIBUTORS: Eytan Agmon, Richard Cohn, Harald Krebs, Ryan McClelland, Jan Miyake, Scott Murphy, Samuel Ng, Heather Platt, Frank Samarotto Scott Murphy is professorof music theory at the University of Kansas.

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Mammals of Africa (MoA) is a series of six volumes which describes, in detail, every currently recognized species of African land mammal. This is the first time that such extensive coverage has ever been attempted, and the volumes incorporate the very latest information and detailed discussion of the morphology, distribution, biology and evolution (including reference to fossil and molecular data) of Africa's mammals. With more than 1,160 species and 16-18 orders, Africa has the greatest diversity and abundance of mammals in the world. The reasons for this and the mechanisms behind their evolution are given special attention in the series. Each volume follows the same format, with detailed profiles of every species and higher taxa. The series includes hundreds of colour illustrations and pencil drawings by Jonathan Kingdon highlighting the morphology and behaviour of the species concerned, as well as line drawings of skulls and jaws by Jonathan Kingdon and Meredith Happold. Every species also includes a detailed distribution map. Edited by Jonathan Kingdon, David Happold, Tom Butynski, Mike Hoffmann, Meredith Happold and Jan Kalina, and written by more than 350 authors, all experts in their fields, Mammals of Africa is as comprehensive a compendium of current knowledge as is possible. Extensive references alert readers to more detailed information. Volume III, edited by David Happold, has profiles of 395 species of rodents, comprising the squirrels, dormice, jerboas, blind mole-rats, African root-rats, pouched rats and mice, Swamp Mouse, climbing mice, fat mice, White-tailed Rat, rock mice, voles, Maned Rat, spiny mice, brush-furred mice, gerbils, jirds, taterils, African Forest Mouse, rats and mice, vlei rats, whistling rats, anomalures, springhares, gundis, African mole-rats, porcupines, Noki (Dassie Rat), cane rats and Coypu. The volume concludes with 13 species of hares and rabbits.

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INTRODUCED BY JAN MORRIS'[This] gloriously ornate account of that epic journey is a classic' ROBERT MACFARLANE'The feeling of being lost in time and geography with months and years hazily sparkling ahead is a prospect of inconjecturable magic.' In 1933, aged eighteen, Patrick Leigh Fermor set out on his 'great trudge', a year-long journey by foot from the Hook of Holland to Istanbul. Three decades later he wrote A Time of Gifts, the sparklingly original account of the first part of this youthful adventure, which took him through the Low Countries, up the Rhine, through Germany, down the Danube, through Austria and Czechoslovakia, and as far as Hungary.Alone, carrying only a rucksack and with a small allowance of only a pound a week, Fermor had planned to sleep rough - to live 'like a tramp, a pilgrim, or a wandering scholar' - but a chance introduction in Bavaria led to comfortable stays in castles, and provided a glimpse of the old Europe of princes and peasants.Hailed as a masterpiece, A Time of Gifts is in part a coming-of-age memoir, but it is also a rich and compelling portrait of a continent that - despite its resplendent domes and monasteries, its great rivers and grand cities - was soon to be swept away by war, modernisation and profound social change. 'Not only is this journey one of physical adventure but of cultural awakening. Architecture, art, genealogy, quirks of history and language are all devoured -- and here passed on -- with a gusto uniquely his' COLIN THUBRON, SUNDAY TIMES'One of the most romantic books of the twentieth century, Patrick Leigh Fermor's account of a long walk across Europe is also a literary treasure, a rich blend of action and observation' GUARDIAN

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Have you ever watched Douglas Gordon cook? Do you know Harun Farocki’s favourite dal? Would you like to nibble straight from the pot with Keren Cytter or recreate Agnieszka Polska’s pirogi with trumpets of death? Cookbooks are a dime a dozen. And there’s even a certain tradition of artists’ cookbooks. But there is only the one Videoart at Midnight Artists’ Cookbook: 80 of the most renown video artists of our time reveal their favourite recipes. Some simple, others elaborate, yet all to be recreated. And the best thing about this book is that each and every single recipe tells its own personal story. Artists Monira Al Qadiri, Ulf Aminde, Julieta Aranda, Marc Aschenbrenner, Ed Atkins, Yael Bartana, Lucy Beech, Bigert & Bergström, John Bock, Pauline Boudry & Renate Lorenz, Erik Bünger, Martin Brand, Ulu Braun, Klaus vom Bruch, Filipa César, Creischer & Siekmann, Keren Cytter, Chto Delat, Christoph Draeger, Antje Engelmann, Shahram Entekhabi, Köken Ergun, Theo Eshetu, Simon Faithfull, Christian Falsnaes, Harun Farocki, Omer Fast, Fischer & el Sani, Dani Gal, Delia Gonzalez, Douglas Gordon, Andy Graydon, Assaf Gruber, Mathilde ter Heijne, Isabell Heimerdinger, Benjamin Heisenberg, Kerstin Honeit, Christian Jankowski, Anja Kirschner, Knut Klaßen, Korpys/Löffler, Zhenhua Li, Joep van Liefland, Melissa Logan, Dafna Maimon, Antje Majewski, Melanie Manchot, Lynne Marsh, Bjørn Melhus, Almagul Menlibayeva, Ari Benjamin Meyers, Eléonore de Montesquiou, Matthias Müller, Bettina Nürnberg & Dirk Peuker, Marcel Odenbach, Stefan Panhans, Mario Pfeifer, Agnieszka Polska, Ulrich Polster, Mario Rizzi, Julian Rosefeldt, Willem de Rooij, Safy Sniper, Anri Sala, Erik Schmidt, Sandra Schäfer, Amie Siegel, Pola Sieverding, Martin Skauen, Jan-Peter E.R. Sonntag, Vibeke Tandberg, Rebecca Ann Tess, Guido van der Werve, Gernot Wieland, Ming Wong, Ina Wudtke, Shingo Yoshida, Katarina Zdjelar, Stefan Zeyen, Tobias Zielony

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Four new brand-new full-cast Blake's 7 adventures set during the TV series' third season, following directly on from events in Restoration Part One. The battle-damaged Liberator is a doomed ship, and Avon must resort to desperate measures to effect repairs. Meanwhile, the new President has ambitious plans to restore the Federation and extend his ruthless control of thousands of worlds. 5.5 The New Age by Mark Wright. The dying Liberator arrives in orbit of Eldoran, a world Avon believes could offer respite from their current trials. All that stands in the way is a primitive society, a charismatic leader and the fracture lines threatening to destroy the crew from within. 5.6 Happy Ever After by Steve Lyons. The people of Zareen have seen the future. Their queen will be married to a handsome stranger, and they will enjoy a blissful life together. So, how can Tarrant possibly refuse...? 5.7 Siren by Sophia McDougall. In the wreckage of a ruined world, Dayna and Cally encounter Mida and Veskar, who must escape the attention of those who once ruled them. Although defeated, the System still seeks to take control. 5.8 Hyperion by Trevor Baxendale. Avon must convince the mysterious Selene to reveal the secret of Yyperion and save the Liberator – but the Federation is closing in on the crew, and what Selene knows could change everything...CAST: Paul Darrow (Kerr Avon), Michael Keating (Vila Restal), Jan Chappell (Cally), Steven Pacey (Del Tarrant), Yasmin Bannerman (Dayna Mellanby), Alistair Lock (Zen/Orac), Catherine Bailey (Mida), Heather Bleasdale (Illyne), Sophie Bleasdale (Alta Nine), Lisa Bond (Queen Janylle), Phillipe Bosher (Veskar), Cliff Chapman (Tyrric), Evie Dawnay (Selene Shan),Richard Keith (Remek), Dawn Murphy (Karna), Vincenzo Nicoli (Sherna), Carolyn Pickles (Vulkris), Richard Reed (Krent), Ruth Sillers (Alta Ten).

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'Stylish, deft...an absolutely fascinating novel' Guardian'Haunting, mesmerising, and so deeply intelligent' Kamila Shamsie, author of Women's Prize for Fiction winning Home Fire'Powerful...compelling and profoundly moving' Irish Times'Heartbreaking, sweetly logical and tentatively hopeful' SpectatorHeartbroken after a long, painful love affair, a man drives a haulage lorry from England to France. Travelling with him is a secret passenger - his daughter. Twenty-something, unkempt, off the rails.With a week on the road together, father and daughter must restore themselves and each other, and repair a relationship that is at once fiercely loving and deeply scarred.As they journey south, down the motorways, through the service stations, a devastating picture reveals itself: a story of grief, of shame, and of love in all its complex, dark and glorious manifestations.______________What readers are saying:***** 'The prose is sublime and deeply moving . . . a stunning novel'***** 'Beautifully written, lyrical and unsettling in its exploration of human frailties, family, love, and loss, grief'**** 'A haunting, tragic and highly original story of a father and daughter travelling across England and France in a haulage truck, and discovering more about their relationship and past in all its raw candour'MORE PRAISE FOR WE ARE NOT IN THE WORLD:'Unusual, utterly original and mysterious . . . a must read' Elaine Feeney'...the book stays with you, a haunting presence you cannot - and do not want to - escape...astounding.' Ruth Gilligan Extraordinary...achingly sad and tender and sexy, and the writing is very beautiful.' Louise Kennedy'Wonderful, wrenching . . . full of enormous feelings very precisely rendered' Sara Baume'Elusive, unsettling, beautiful, haunting. This is a complex, devastating study of human relations; a portrait of intense love and damage in equal measure.' Lisa Harding'A whirlpool of memories, regrets and hopes' Tim Pears'An uncanny ability to turn the seemingly insignificant into something monumental' Jan Carson

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“AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL.”—Mail on Sunday THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND A BBC2 Between The Covers Book Club Pick BRITISH BOOK AWARDS 2021 – SHORTLISTED FOR FICTION BOOK OF THE YEAR Soon to be a NETFLIX original series 18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE Giovanna’s pretty face has changed: it’s turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her own? Giovanna’s search leads her to two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. Adrift, she vacillates between these two cities, falling into one then climbing back to the other. Set in a divided Naples, The Lying Life of Adults is a singular portrayal of the transition from childhood to adolescence to adulthood. A SUNDAY TIMES BESTSELLER “This is no amiable coming-of-age tale… the most intense writing about the experiences and interior life of a girl on the cusp of adulthood that I have ever read. It is brilliant.”—The Financial Times “An astonishing, deeply moving tale.”—The Guardian “Ferrante confronts female sexual awakening with such an absence of romantic enchantment it leaves you gasping.”—The Daily Mail WHAT READERS ARE SAYING: “Brilliant as always.”—Jan on Amazon “A tightly crafted and gripping story.”—Maxwell on Goodreads “Excellent book. My only complaint was that it ended too soon!”—Mhairi on Amazon “I woke up eagerly looking forward to reading more of this novel every single day.”—Violet on Goodreads “Fans of Elena Ferrante will not be disappointed.”—Lesley on Amazon

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Arriving as a young writer in an ancient Dutch town, Benjamin Moser found himself visiting—casually at first, and then more and more obsessively—the country’s great museums. Inside these old buildings, he discovered the remains of the Dutch Golden Age and began to unearth the strange, inspiring, and terrifying stories of the artists who gave shape to one of the most luminous moments in the history of human creativity. Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. And through their artwork, he got to know their country, too: from the translucent churches of Pieter Saenredam to Paulus Potter’s muddy barnyards, and from Pieter de Hooch’s cozy hearths to Jacob van Ruisdael’s tragic trees. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was. Why do we make art? What even is art, anyway—and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? Is art a consolation—or a mortal danger? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. This is Holland and its great artists as we’ve never seen them before. And it’s a sumptuously illustrated, highly personal coming-of-age-story, twenty years in the making: a revealing self-portrait by one of the most acclaimed writers of his generation.

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Exploring the broad implications of evolutionary theorist Lynn Margulis’s work, this collection brings together specialists across a range of disciplines, from paleontology, molecular biology, evolutionary theory, and geobiology to developmental systems theory, archaeology, history of science, cultural science studies, and literature and science. Addressing the multiple themes that animated Margulis’s science, the essays within take up, variously, astrobiology and the origin of life, ecology and symbiosis from the microbial to the planetary scale, the coupled interactions of earthly environments and evolving life in Gaia theory and earth system science, and the connections of these newer scientific ideas to cultural and creative productions. Dorion Sagan acquaints the reader with salient issues in Lynn Margulis’s scientific work, the controversies they raised, and the vocabulary necessary to follow the arguments. Sankar Chatterjee synthesizes several strands of current theory for the origin of life on earth. James Strick tells the intertwined origin stories of James Lovelock’s Gaia hypothesis and Margulis’s serial endosymbiosis theory. Jan Sapp explores the distinct phylogenetic visions of Margulis and Carl Woese. Susan Squier examines the epigenetics of embryologist and developmental biologist C. H. Waddington. Bruce Clarke studies the convergence of ecosystem ecology, systems theory, and science fiction between the 1960s and the 1980s. James Shapiro discusses the genome evolution that results not from random changes but rather from active cell processes. Susan Oyama shows how the concept of development balances an over-emphasis on genetic coding and other deterministic schemas. Christopher Witmore studies the ways in which a concentrated animal feeding operation, or CAFO, mixes up natural resources, animal lives, and human appetites. And Peter Westbroek brings the insights of earth system science toward a new worldview essential for a proper response to global change.

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Master the assistive strategies you need to make confident clinical decisions and help improve the quality of life for people with disabilities. Based on the Human Activity Assistive Technology (HAAT) model developed by Al Cook, Sue Hussey and Jan Polgar, Assistive Technologies: Principles & Practice, 5th Edition, provides detailed coverage of the broad range of devices, services, and practices that comprise assistive technology. This new text offers a systematic process for ensuring the effective application of assistive technologies - and focuses on the relationship between the human user and the assisted activity within specific contexts. It features over 30 new photos and illustrations, as well as, updated chapters and case studies that reflect current technology. Human Activity Assistive Technology (HAAT) framework locates assistive technology within common, everyday contexts for more relevant application. Focus on clinical application guides application of concepts to real-world situations. Study questions and chapter summaries in each chapter help assessment of understanding and identification of areas where more study is needed. Coverage of changing AT needs throughout the lifespan emphasizes how AT fits into people's lives and contributes to their full participation in society. Principles and practice of assistive technology provide the foundation for effective reasoning. Ethical issues content provides vital information to guide AT service delivery. Explicit applications of the HAAT model in each of the chapters on specific technologies and more emphasis on the interactions among the elements make content even easier to understand. New! Thoroughly updated chapters to reflect current technology and practice. New! Expanded discussion on assistive robotics and smart technologies. New! Review of global initiatives on Assistive Technology. New! Updated art program with 30+ new photos and illustrations. New! Updated case studies to reflect changes in technology and practice since last edition.

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Collects some of the most visually stunning and evocative album covers from the 20th Century Features homages to numerous important designers and artists, such as Damien Hirst, Yoko Ono and Raymond Pettibon Up until the 1940s, records were sold in plain, uniform jackets. In the post-war years, musicians and record companies discovered that graphically designed record covers had the potential to boost sales. Significantly, in the 1960s contemporary artists began to create record jackets that became an inspiration for others on account of their radical, groundbreaking designs. Many of them have become symbols recognized not only by fans but by the wider public, symbols of an era where artistic freedom, experimentation, and innovation were encouraged. This book is the first-ever comprehensive introduction to these resplendent album covers. They have been taken from the extensive archive of the Dutch designer Jan van Toorn, one of the most active collectors and a leading expert in the field. The book includes surrealist designs by Salvador Dali; covers by famous pop artists such as Andy Warhol, Roy Lichtenstein, Robert Rauschenberg and Jean-Michel Basquiat; works by the Vienna-based group 'Wiener Aktionismus'; and contemporary designs by Jeff Koons, Damien Hirst, Banksy, and Ai Weiwei. Special importance is given to the designs from the circle of Fluxus artists, a radical sixties group who often produced music during their multimedia performances. The Fluxus artists frequently published their artwork on records, as did John Cage and Yoko Ono. Another focus of the book is Raymond Pettibon, who shot to fame when his legendary cover for the punk band Black Flag exploded into the record stores. Full of famous names and artists deserving of greater recognition, this book is the perfect gift for any vinyl-lover."

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As the ancient Greek version of the Old Testament the Septuagint is probably the first great translation project of Greco-Roman antiquity. Together with the Septuagint text the religion and culture of ancient Judaism came to the fore of a Greek speaking audience, which did not have any access to the holy scriptures of the Jews in Hebrew. That translation project also manifested a transfer of religious, social, and anthropological categories and concepts of Semitic origin to another cultural world of language and science that itself was shaped by Hellenism.Over the last years the Septuagint has gradually edged closer into the interest of Biblical scholars and into the centre of historical and philological research. In the course of this main attention has not only been paid to further particulars of its origination in Alexandria but also on various linguistic specifics and distinctive features with regards to content of the Greek Bible. The question, however, which has hardly been studied so far, is to what extent the Greek translation of the Bible consists of stylistic and rhetorical elements that are not present in the Hebrew source text. Did the translators made use of their rhetoric and stylistic skills to give their translations a distinctive ornatus? Can we, according to Augustine, rightly claim that not only the authors of the Biblical texts but also the translators knew to formulate et eloquenter et sapienter, i.e. in an eloquent and wise manner? This issue, neglected in current research, is taken up in this collected volume. Seven scholars investigate into stylistic and rhetorical elements present in various books of the Bible (e.g., Psalms, Amos, and Solomon's Book of Wisdom) and establish a field of work that deserves to receive more attention in the future.Contributors are Eberhard Bons, Jennifer M. Dines, Katrin Hauspie, Jan Joosten, Thomas J. Kraus, A. Léonas, and K. Usener.

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"Stars, stripes, hearts and targets... If Peter Blake's name is not the first thing you spot on the cover of the latest addition to the Antique Collectors' Club's highly regarded Design series, the Pop motifs in the background positively shout it" Eye, Winter 2010/2011 This new title in the highly successful Design series features the design work of the acclaimed artist Peter Blake. Best known of the British pop artists, Peter Blake came to fame in the late 1950's and early 1960's with iconic works like On the Balcony and First Real Target both now in the Tate Gallery. Tate held an exhibition of his works in 1983 as well as a more recent retrospective at Tate Liverpool in 2007. His famous works for album covers, such as The Beatles Sgt. Pepper's Lonely Hearts Club Band the Band Aid single Do They Know Its Christmas, the Oasis greatest hits album Stop the Clocks and Paul Weller's Stanley Road brought him to a wider audience. This stunningly designed book celebrates the brilliant creative talent of this unique British artist. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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What does it cost to follow Jesus? For these men and women, the answer was clear. They were ready to give witness to Christ in the face of intense persecution, even if it cost them their lives. From the stoning of Stephen to Nigerian Christians persecuted by Boko Haram today, these stories from around the world and through the ages will inspire greater faithfulness to the way of Jesus, reminding us what costly discipleship looks like in any age. Since the birth of Christianity, the church has commemorated those who suffered for their faith in Christ. In the Anabaptist tradition especially, stories of the boldness and steadfastness of early Christian and Reformation-era martyrs have been handed down from one generation to the next through books such as Thieleman van Braght’s Martyrs Mirror (1660). Yet the stories of more recent Christian witnesses are often unknown. Bearing Witness tells the stories of early Christian martyrs Stephen, Polycarp, Justin, Agathonica, Papylus, Carpus, Perpetua, Tharacus, Probus, Andronicus, and Marcellus, followed by radical reformers Jan Hus, Michael and Margaretha Sattler, Weynken Claes, William Tyndale, Jakob and Katharina Hutter, Anna Janz, Dirk Willems. But the bulk of the book focuses on little-known modern witness including Veronika Löhans, Jacob Hochstetler, Gnadenhütten, Joseph and Michael Hofer, Emanuel Swartzendruber, Regina Rosenberg, Eberhard and Emmy Arnold, Johann Kornelius Martens, Ahn Ei Sook, Jakob Rempel, Clarence Jordan, Richard and Sabina Wurmbrand, Tulio Pedraza, Stanimir Katanic, Samuel Kakesa, Kasai Kapata, Meserete Kristos Church, Sarah Corson, Alexander Men, José Chuquín, Norman Tattersall, Katherine Wu, and Ekklesiyar Yan’uwa a Nigeria. This book is part of the Bearing Witness Stories Project, a collaborative story-gathering project involving Anabaptist believers from many different traditions.

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Illustrated in colour with photographs of the artist's sculptures and reproductions of his graphic works, this title covers six decades of his artistic output and tells the story of his life. It includes his manifesto which gives the reader invaluable insight into the mind and soul of the artist. It was launched on the artist's 77th birthday in February 2010. Bill's impressive curriculum vitae includes details of his numerous solo and group exhibitions, prizes, public and private commissions, and of the public collections that include works of his, including the Iziko National Gallery in Cape Town. Major influences in Bill's training were Professor Lippy Lipschitz, Russell Harvey, May Hillhouse and Katrina Harries at the Michaelis School of Fine Art of the University of Cape Town, and Professor P Esser at the Rijksakademie van Beeldende Kunsten in Amsterdam. Cecil Higgs was a great friend and mentor who convinced Bill in 1971 that he must leave teaching and work full-time as a sculptor. The book provides fascinating insights into the institutions in which he studied and the artistic milieu in South Africa. In 2008, when Bill was recovering from lymphoma and months of debilitating treatment, Jane Raphaely commissioned a portrait bust of Nelson Mandela for the Mandela Rhodes Foundation, which now graces the entrance foyer of the Foundation's headquarters in St George's Mall in Cape Town. Bill continues his work in his studio in Vermont near Hermanus in the Western Cape. When the writing was nearing completion Jan Mostert joined the team. His expertise in design and his part in choosing the illustrative material have made a significant contribution to the beauty of the production, as do David Richardson's excellent photographs. The book includes a catalogue of Bill's works from 1952 to 2009, and is fully indexed.

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Calling all Berenstain Bears fans! Young readers will enjoy this collection of 8 stories in this addition to the Living Lights™ series of Berenstain Bears books. Children will learn about kindness, patience, love, respect, and much more alongside Brother, Sister and Honey Bear.Join the Berenstain Bear cubs as they explore the values of community, kindness, and paying it forward in The Berenstain Bears Values and Virtues Treasury. Children will discover ways to implement traditional religious values and share God’s goodness in Zonderkidz The Berenstain Bears Living Lights™ series of books.This trusted storybook collection teaches children: How to be respectful, kind, be patient with others, and more The importance of loving your neighbor and making right choices How to find ways to bring God’s goodness wherever they go Age appropriate discussions about social topics, manners, and etiquette The Berenstain Bears Values and Virtues Treasury is perfect for: Early readers, ages 4–8 Reading out loud during story time, bedtime, or classrooms Back to school or summer reading list Birthday gifts, Easter, Christmas or holiday gift giving, or as a new addition to your child’s home library The Berenstain Bears Living Lights™ series: Is written and illustrated by Mike Berenstain Features the hand-drawn artwork of the Berenstain family Continues in the much-loved footsteps of Stan and Jan Berenstain with the Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and nearly 300 million copies sold to date This collection of stories includes Kindness Counts; The Golden Rule; Show Some Respect; Get Involved; Love Their Neighbors; Patience, Please; Do the Right Thing;?and?Honesty Counts

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“AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL.”—Mail on Sunday THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND A BBC2 Between The Covers Book Club Pick BRITISH BOOK AWARDS 2021 – SHORTLISTED FOR FICTION BOOK OF THE YEAR Soon to be a NETFLIX original series 18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE Giovanna’s pretty face has changed: it’s turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her own? Giovanna’s search leads her to two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. Adrift, she vacillates between these two cities, falling into one then climbing back to the other. Set in a divided Naples, The Lying Life of Adults is a singular portrayal of the transition from childhood to adolescence to adulthood. A SUNDAY TIMES BESTSELLER “This is no amiable coming-of-age tale… the most intense writing about the experiences and interior life of a girl on the cusp of adulthood that I have ever read. It is brilliant.”—The Financial Times “An astonishing, deeply moving tale.”—The Guardian “Ferrante confronts female sexual awakening with such an absence of romantic enchantment it leaves you gasping.”—The Daily Mail WHAT READERS ARE SAYING: “Brilliant as always.”—Jan on Amazon “A tightly crafted and gripping story.”—Maxwell on Goodreads “Excellent book. My only complaint was that it ended too soon!”—Mhairi on Amazon “I woke up eagerly looking forward to reading more of this novel every single day.”—Violet on Goodreads “Fans of Elena Ferrante will not be disappointed.”—Lesley on Amazon

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'Gripping and all too timely' James Hawes 'A brilliant mix of detailed research and vivid storytelling' Julia Boyd 'History at its very best – and a fabulous translation, too' Graham Hurley In March 1930, after the collapse of the coalition that had ruled Germany since 1928, President Hindenburg asked Heinrich Bruning, bespectacled and scholarly leader of the Catholic Centre Party, to form a government. Some three years later, in January 1933, Hindenburg appointed as chancellor the demagogic, virulently anti-Semitic leader of the National Socialist party. Within weeks, Adolf Hitler has begun the process of dismantling the flawed democracy of the Weimar Republic and replacing it with a one-party totalitarian state. Darkness Falling depicts in compelling fashion the serial crises and mounting violence of a febrile era. Peter Walther examines the slow death of Weimar through the prism of nine colourful protagonists, including leading German politicians of right, left and centre, the clairvoyant and occultist, Erik Jan Hanussen and the formidable American journalist Dorothy Thompson. He profiles these heterogeneous characters in intriguing detail, pulling together the threads of their lives to chart the demise of German parliamentary democracy and the rise of National Socialist tyranny. Along the way we gain fascinating insights into the machinations in the corridors of power to keep the 'Bohemian corporal' from the chancellorship, and the venality of the Nazi elite and its fellow travellers from the demi-monde of early 1930s Berlin. Walther evokes the louche nightlife of the German capital – 'a playground for charlatans and prophets, madmen and crooks' – memorably and atmospherically. A masterly fusion of meticulously researched historical writing and vividly propulsive storytelling, Darkness Falling is a distinctive and enthralling account of Germany's slide from democracy to dictatorship. Translated by Dr Peter Lewis.

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Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions. Published for the International Brecht Society, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literatureand of theater in a global context. It embraces a wide variety of perspectives and approaches and, like Brecht himself, is committed to the use value of literature, theater, and theory. Volume 44 features the first publication of Günter Kunert's translation of Edgar Lee Masters's poem "The Hill" with handwritten annotations by Brecht. A special section, "Brecht's Dramatic Fragments," includes essays on the unresolved tension between individual and collectivist resistance in Fatzer, the fragmentary aesthetic of Fleischhacker, and the first English translation and performance of the David fragments. The next section, "Pure Joke: The Comedy of Theater since Brecht," features articles on the poetics of interruption in the epilogue to The Good Person of Szechwan, Heiner Müller's Hamletmachine as theater of affirmation, a reassessment of the harlequin and the chorus in post-Brechtian performance, and the performative gestures of quotation in contemporary reality-satire. The volume also includes essays on capitalist guilt and debt in The Debts of Mister Julius Caesar, Heiner Müller's "Keuneresque" interview strategies, the 1962 world premiere of The Threepenny Opera in Yiddish, and Brecht's reception of Mao Tse-tung in two of his poems. Contributors include Gerrit-Jan Berendse, André Fischer, Phoebe von Held, Nicholas E. Johnson, Christian Kirchmeier, Günter Kunert, Nikolaus Müller-Schöll, Stephan Pabst, Corina L. Petrescu, David Shepherd, Katrin Trüstedt, Uwe Wirth, Burkhardt Wolf, and Xue Song. Editor Markus Wessendorf is aProfessor in the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.

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"Moonwatch Only is certainly one of the best books ever written about a single watch model." - William Massena - Timezone.com "It is an indescribable reference work and a true must-have for every Speedmaster collector." - Forbes "This book sets a new standard. Not only for books on the Omega Speedmaster, but for watch books in general. I've never seen anything like it, and believe me when I tell you that I could fill an impressive sized wall with books on watches. Authors of other books or publishers should take a look at Moonwatch Only as well to see how it should be done." - Robert Jan Broer - FratelloWatches "The OMEGA Speedmaster Professional - the Moonwatch - has done things that no other timepiece has done and it's been worn in places that only a few human beings have been." - Captain Eugene Cernan, 'Last man on the moon' There are very few timepieces in the world that deserve a definitive and comprehensive book such as this one. The OMEGA Speedmaster Professional Moonwatch is one of them. Initially designed for automobile racing teams and engineers, the Omega Speedmaster embarked on a very different trajectory when NASA chose it to accompany astronauts heading for the Moon in 1965. Its involvement in the space adventure has propelled the Moonwatch to the top of the list of celebrated timepieces. After years of research and observation, the authors present a complete panorama of the Moonwatch in a systematic work that is both technical and attractive, making it the inescapable reference book for this legendary watch. This third edition has been enriched with numerous new features including a 16-page gallery of astronauts and their Speedmaster, QR codes to extend your exploration and a detailed story of a vintage Speedmaster.

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"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." —Passion"Russ' essays are witty and insightful. An excellent book for any writer or reader." —Feminist Bookstore News"In her new book of essays . . . Russ continues to debunk and demand, edify and entertain. . . . Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." —Paul Di Filippo, The Washington Post Book World" . . . 20 years of the author's feisty reports from the front lines of literature." —The San Francisco Review of Books"This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." —The Women's Review of Books"Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." —Feminist Bookstore News" . . . a super book. . . .This is a book that, for once, really will appeal to readers of all kinds." —Utopian Studies"If you enjoy science fiction, this is definitely a book that you'll want to talk about. I found myself sneaking a few pages at times when I really didn't have time to read." —Jan Catano, AtlantisClassic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.

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In the refugee camp known as The Jungle an illusion is being disrupted: that of a neatly ordered world, with those deserving safety and comfort separated from those who need to be kept out. --------- Calais is a border town. Between France and Britain. Between us and them. The eight short stories in this collection explore the refugee crisis through fiction. They give voice to the hopes and fears of both sides. Dlo and Jan break into refrigerated trucks bound for the UK. Marjorie, a volunteer, is happy to mingle in the camps until her niece goes a step too far. Mariam lies to her mother back home. With humour, insight and empathy breach tackles an issue that we can no longer ignore. ----------breach is the first title in the Peirene Now! series. This exciting new series will be made up of commissioned works of new fiction, which engage with the political issues of the day. In breach, the authors beautifully capture a multiplicity of voices - refugees, volunteers, angry citizens - whilst deftly charting a clear narrative path through it all. Each story is different in tone, and yet they complement one another perfectly.Taken as a whole, this stands as an empathetic and probing collage, where the words 'home', 'displacement' and 'integration' come to mean many things as the collection progresses to a moving finale. Why Peirene chose to commission breach-----------'I have commissioned Olumide Popoola and Annie Holmes to go to the Calais refugee camps to distil stories into a work of fiction about escape, hope and aspiration. On another level, however, this work will also take seriously the fears of people in this country who want to close their borders. It's that dialogue that isn't happening in real life. A work of art can help to bridge the gap.' Meike Ziervogel, publisher

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'Gripping and all too timely' James Hawes 'A brilliant mix of detailed research and vivid storytelling' Julia Boyd 'History at its very best – and a fabulous translation, too' Graham Hurley In March 1930, after the collapse of the coalition that had ruled Germany since 1928, President Hindenburg asked Heinrich Bruning, bespectacled and scholarly leader of the Catholic Centre Party, to form a government. Some three years later, in January 1933, Hindenburg appointed as chancellor the demagogic, virulently anti-Semitic leader of the National Socialist party. Within weeks, Adolf Hitler has begun the process of dismantling the flawed democracy of the Weimar Republic and replacing it with a one-party totalitarian state. Darkness Falling depicts in compelling fashion the serial crises and mounting violence of a febrile era. Peter Walther examines the slow death of Weimar through the prism of nine colourful protagonists, including leading German politicians of right, left and centre, the clairvoyant and occultist, Erik Jan Hanussen and the formidable American journalist Dorothy Thompson. He profiles these heterogeneous characters in intriguing detail, pulling together the threads of their lives to chart the demise of German parliamentary democracy and the rise of National Socialist tyranny. Along the way we gain fascinating insights into the machinations in the corridors of power to keep the 'Bohemian corporal' from the chancellorship, and the venality of the Nazi elite and its fellow travellers from the demi-monde of early 1930s Berlin. Walther evokes the louche nightlife of the German capital – 'a playground for charlatans and prophets, madmen and crooks' – memorably and atmospherically. A masterly fusion of meticulously researched historical writing and vividly propulsive storytelling, Darkness Falling is a distinctive and enthralling account of Germany's slide from democracy to dictatorship. Translated by Dr Peter Lewis.

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“AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL.”—Mail on Sunday THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND A BBC2 Between The Covers Book Club Pick BRITISH BOOK AWARDS 2021 – SHORTLISTED FOR FICTION BOOK OF THE YEAR Soon to be a NETFLIX original series 18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE Giovanna’s pretty face has changed: it’s turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her own? Giovanna’s search leads her to two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. Adrift, she vacillates between these two cities, falling into one then climbing back to the other. Set in a divided Naples, The Lying Life of Adults is a singular portrayal of the transition from childhood to adolescence to adulthood. A SUNDAY TIMES BESTSELLER “This is no amiable coming-of-age tale… the most intense writing about the experiences and interior life of a girl on the cusp of adulthood that I have ever read. It is brilliant.”—The Financial Times “An astonishing, deeply moving tale.”—The Guardian “Ferrante confronts female sexual awakening with such an absence of romantic enchantment it leaves you gasping.”—The Daily Mail WHAT READERS ARE SAYING: “Brilliant as always.”—Jan on Amazon “A tightly crafted and gripping story.”—Maxwell on Goodreads “Excellent book. My only complaint was that it ended too soon!”—Mhairi on Amazon “I woke up eagerly looking forward to reading more of this novel every single day.”—Violet on Goodreads “Fans of Elena Ferrante will not be disappointed.”—Lesley on Amazon

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Lonely Planet: The world's leading travel guide publisher*Life-changing food adventures around the world.From bat on the island of Fais to chicken on a Russian train to barbecue in the American heartland, from mutton in Mongolia to couscous in Morocco to tacos in Tijuana - on the road, food nourishes us not only physically, but intellectually, emotionally, and spiritually too. It can be a gift that enables a traveller to survive, a doorway into the heart of a tribe, or a thread that weaves an indelible tie; it can be awful or ambrosial - and sometimes both at the same time. Celebrate the riches and revelations of food with this 38-course feast of true tales set around the world.Features stories by Anthony Bourdain, Andrew Zimmern, Mark Kurlansky, Matt Preston, Simon Winchester, Stefan Gates, David Lebovitz, Matthew Fort, Tim Cahill, Jan Morris and Pico Iyer. Edited by Don George.About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places where they travel.TripAdvisor Travellers' Choice Awards 2012 and 2013 winner in Favorite Travel Guide category'Lonely Planet guides are, quite simply, like no other.' - New York Times'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *#1 in the world market share - source: Nielsen Bookscan. Australia, UK and USA. March 2012-January 2013

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Contemporary Adaptations of Greek Tragedy: Auteurship and Directorial Visions provides a wide-ranging analysis of the role of the director in shaping adaptations for the stage today. Through its focus on a wide range of international productions by Katie Mitchell, Theodoros Terzopoulos, Peter Sellars, Jan Fabre, Ariane Mnouchkine, Tadashi Suzuki, Yukio Ninagawa, Andrei Serban, Nikos Charalambous, Bryan Doerries and Richard Schechner, among others, it offers readers a detailed study of the ways directors have responded to the original texts, refashioning them for different audiences, contexts and purposes. As such the volume will appeal to readers of theatre and performance studies, classics and adaptation studies, directors and theatre practitioners, and anyone who has ever wondered 'why they did it like that' when watching a stage production of an ancient Greek play. The volume Contemporary Adaptations of Greek Tragedy is divided in three sections: the first section - Global Perspectives - considers the work of a range of major directors from around the world who have provided new readings of Greek Tragedy: Peter Sellars and Athol Fugard in the US, Katie Mitchell in the UK, Theodoros Terzopoulos in Greece and Tadashi Suzuki and Yukio Ninagawa in Japan. Their work on a wide range of plays is analysed, including Electra, Oedipus the King, The Persians, Iphigenia at Aulis, and Ajax. Parts Two and Three – Directing as Dialogue with the Community and Directorial Re-Visions - focus on a range of productions of key plays from the repertoire, including Prometheus Landscape II, Les Atrides, The Trojan Women, The Bacchae, Antigone and The Suppliants, among others. In each, the varying approaches of different directors are analysed, together with a detailed investigation of the mise-en-scene. In considering each stage production, the authors raise issues of authenticity, contemporary resonances, translation, directorial control/auteurship and adaptation.

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Exploring the broad implications of evolutionary theorist Lynn Margulis’s work, this collection brings together specialists across a range of disciplines, from paleontology, molecular biology, evolutionary theory, and geobiology to developmental systems theory, archaeology, history of science, cultural science studies, and literature and science. Addressing the multiple themes that animated Margulis’s science, the essays within take up, variously, astrobiology and the origin of life, ecology and symbiosis from the microbial to the planetary scale, the coupled interactions of earthly environments and evolving life in Gaia theory and earth system science, and the connections of these newer scientific ideas to cultural and creative productions. Dorion Sagan acquaints the reader with salient issues in Lynn Margulis’s scientific work, the controversies they raised, and the vocabulary necessary to follow the arguments. Sankar Chatterjee synthesizes several strands of current theory for the origin of life on earth. James Strick tells the intertwined origin stories of James Lovelock’s Gaia hypothesis and Margulis’s serial endosymbiosis theory. Jan Sapp explores the distinct phylogenetic visions of Margulis and Carl Woese. Susan Squier examines the epigenetics of embryologist and developmental biologist C. H. Waddington. Bruce Clarke studies the convergence of ecosystem ecology, systems theory, and science fiction between the 1960s and the 1980s. James Shapiro discusses the genome evolution that results not from random changes but rather from active cell processes. Susan Oyama shows how the concept of development balances an over-emphasis on genetic coding and other deterministic schemas. Christopher Witmore studies the ways in which a concentrated animal feeding operation, or CAFO, mixes up natural resources, animal lives, and human appetites. And Peter Westbroek brings the insights of earth system science toward a new worldview essential for a proper response to global change.

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Addresses one of the most pressing issues of international political economy Conventional wisdom has it that government management of the economy is the means to transform a backward economy into a dynamic, modern one. Yet, after decades of international aid programs, development planning is today largely perceived as a failure paralyzed by its own bureaucracy and inefficiency. Despite billions of dollars of investment, development successes are few and far between and waste and mismanagement abounds. This book showcases a diverse range of development experiences in order to ascertain the reasons for this quagmire. Case studies of development planning in China, India, post-WWII Japan, South Korea, Africa, and Eastern Europe, and of foreign aid programs (including the Marshall Plan) illustrate the insights an Austrian approach provides toward an understanding of the failure of government development planning. While economists working within the Austrian tradition have previously addressed development issues, this volume represents the first full-length treatment of the subject from a modern market process perspective. Exploding the hegemony of the traditional development paradigm, The Collapse of Development Planning addresses one of the most pressing issues of international political economy. Contributing to the volume are: George Ayittey (American University), Wayne T. Brough (Citizens for a Sound Economy, Washington, DC), Young Back Choi (St. John's University), Steven Hanke (Johns Hopkins University), Steve Horwitz (St. Lawrence University), Shyam J. Kamath (California State University, Hayward), Shigeto Naka (Hiroshima City University), David Osterfeld (St. Joseph's College), Manisha Perera (University of Northern Colorado), Jan S. Prybyla (Pennsylvania State University), Ralph Raico (State University College, Buffalo), Parth Shah (University of Michigan, Dearborn), Kurt Schuller (Johns Hopkins University), Kiyokazu Tanaka (Sophia University, Tokyo), and Mark Thorton (Auburn University).

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Even the youngest readers will understand the real meaning of Easter in this addition to the faith-based series of Berenstain Bears books. In this abridged board book version of the bestselling The Berenstain Bears and the Easter Story, little ones will discover that Easter is more than candy and egg hunts as they learn about Jesus’ resurrection alongside their favorite Bear cubs.Join the Berenstain Bears as they explore the true meaning of Easter Sunday and the resurrection of Jesus. Children will discover ways to implement traditional religious values and share God’s goodness in Zonderkidz The Berenstain Bears Living Lights™ series of books with over 13 million copies sold.The Berenstain Bears and the Easter Story for Little Ones?: Encourages age appropriate discussions about salvation and Jesus’ resurrection Is an engaging story about how Easter is more than the Easter bunny, candy, and egg rolls, and is a season of faith Perfect for toddlers and young readers ages 0-4 for reading out loud at home, in a classroom, or Sunday school Is a small, chunky board book format that’s perfect for little hands Perfect for Easter basket gift and holiday?gift-giving ? The Berenstain Bears Living Lights™ series: Is written and illustrated by Mike Berenstain Features the hand-drawn artwork of the Berenstain family Continues in the much-loved footsteps of Stan and Jan Berenstain with the Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and nearly 300 million copies sold to date Look for additional inspirational children’s picture books in The Berenstain Bears Living Lights™ series, including: The Berenstain Bears and the Easter Story The Berenstain Bears The Very First Easter The Berenstain Bears' Easter Sunday

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The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, assemblage is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept's uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages. Contributors: Gareth Abrahams (University of Liverpool), Katarina Andjelkovic (Atelier AG Andjelkovic, Belgrade), Ian Buchanan (University of Wollongong), Edward Campbell (University of Aberdeen), Iain Campbell (University of Edinburgh), Paul Dolan (Northumbria University, ), Guy Dubious (Independent sound artist, Tel-Aviv), Vanessa Farfan (Independent artist, Berlin), Silvio Ferraz (University of Sao Paulo), Jose Gil (Nova University of Lisbon), Barbara Glowczewski (National Scientific Research Centre, CNRS), Derek Hales and Spencer Roberts (University of Salford / University of Huddersfield), Yuk Hui (Bauhaus University, Weimar), Jan Jagodzinski (University of Alberta), Niall Dermot Kennedy (Trinity College Dublin), George Lewis (Columbia University), Quirijn Menken (Avans University of Applied Sciences), Thomas Nail (University of Denver), Tero Nauha and Llona Hongisto (University of the Arts Helsinki / Macquarie University), Alex Nowitz (Stockholm University of the Arts), Peter Pal Pelbart (Pontifical Catholic University of Sao Paulo), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), David Savat (University of Western Australia), Chris Stover (Arizona State University)

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Praise for Rebuilding the Corporate Genome "Whether you talk about capability-driven organizations, modular approaches, or networked economies, the implications of very low costs for transactions, information exchanges, and communications are clear: Business boundaries are dissolving and re-forming. Aurik, Jonk, and Willen show how innovators are creatively exploiting this trend to their decided advantage." —Gerard Hoetmer, Senior Vice President, Unilever Bestfoods "If you set your strategy at lower levels of the business, you can more effectively compete and grow-and fend off unexpected rivals. Rebuilding the Corporate Genome shows that once you look through capability lenses, new horizons and new possibilities suddenly come into focus." —Jan Oosterveld, Member, Group Management Committee, Royal Philips Electronics "This book is a compelling and prescient look at the future of the modern corporation. While the 'corporate genome project' may be a work in progress, the authors take important steps towards the goal of understanding how corporations really work, and how capability-based corporations will emerge as the organizations of tomorrow. Read this book carefully, because this is as close as you will get to a key for unlocking innovation and value in your industry." —Mohanbir Sawhney, McCormick Tribune Professor of Technology and Director, Center for Research in Technology & Innovation, Northwestern University, Kellogg School of Management "Rebuilding the Corporate Genome reveals the future before it arrives. The authors masterfully extrapolate from a set of current trends to paint a picture of how businesses and strategies will evolve. The book is a must-read for anyone charged with charting the direction of a business in these turbulent times." —Toby E. Stuart, Fred G. Steingraber-A.T. Kearney Professor of Organizations and Strategy, University of Chicago, Graduate School of Business

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'Centuries Will Not Suffice' explores how different people responded to the Lithuanian Holocaust and the roles that they played. It considers the past history of the perpetrators and those who took great risks to save Jews, as well as describing the experiences of many who were caught up in the maelstrom. Unlike the figures at the top of the Nazi hierarchy, the men who were responsible for these killings have been largely forgotten. Karl Jäger was a senior SS figure who was in charge of the units that carried out most of them. He complained that his experiences caused him to suffer nightmares but continued to order his units to carry on and refused offers of sick leave on the grounds that he regarded it as his duty to remain in his post. He took refuge in compiling painstakingly detailed reports of the killings, listing the numbers executed at every location and breaking them down into men, women and children. The roles played by other figures, from Himmler and Heydrich at the summit, through the ranks of men down to Martin Weiss and Bruno Kittel who were personally responsible for carrying out Nazi policies, are all described. Before the German invasion of Lithuania, two diplomats – Chiune Sugihara from Japan and Jan Zwartendijk from the Netherlands – recognised the great danger that lay ahead for the Jews of the Baltic region and did what they could to help them escape. Karl Plagge, a major in the army, did all he could to save Jews. What perhaps make the terrible story of the Baltic genocide unique is that the Nazi regime was able to rely upon collaboration by convincing the populace that the Soviet invasion of the area was the responsibility of the Jews.

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