Search results for ""Jan""

The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Claud Lovat Fraser - universally known as Lovat - is one of the great unsung heroes of twentieth-century British design. During his short life of just thirty-one years, five of which were disrupted by the Great War, he achieved an astonishing amount of work as draughtsman, watercolourist, caricaturist, publisher, illustrator, designer of stage-sets, toys and fabrics: he also designed silks for Liberty's, cretonnes for Foxton's, advertising material for Eno's, MacFisheries, Gurr Johns and Atkinson's, and book-jackets for Heinemann and Nelson, among others. His inimitable style and psychedelic palette became the hallmark of both the Curwen Press and the Poetry Bookshop, but he is best remembered today, by those who are aware of him at all, for his poster, costume and set-designs for Nigel Playfair's 1920 production of The Beggar's Opera at the Lyric Theatre, Hammersmith. Also available: GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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Lose yourself in this classic travelogue evoking the Greek island of Rhodes after World War II by the king of travel writing and real-life family member of The Durrells in Corfu. 'A magician ... Durrell enchants.' The Times 'A lovely book ... Makes people feel happy ... [So] pleasurable.' Observer 'A poet's intoxication with landscape, a humanist's appetite for history, and an eye for character worthy of a novelist . He excites a longing to leave for Rhodes at once.' Sunday TimesWorld War II is finally over, and after four torturous years serving the Crown in Egypt, Lawerence Durrell seeks peace in the landscapes he has loved ever since his youth in Corfu: Mediterranean islands. He is posted to the Greek island of Rhodes, and from his first dip in the dazzling blue Aegean - which jolts his soul awake for the first time in years - he immerses himself in the rhythms and moods of local life, befriending eccentric villagers and quaffing ouzo as through the war was a distant dream. With his dazzling poet's eye and passion for excavating ancient history, Durrell recaptures the mythic Rhodes of legend, of knights and crusades, that lies beneath its war-ravaged surface. It is a place that you will never forget. 'Our last great garlicky master of the vanishing Mediterranean.' Richard Holmes 'Masterly ... Casts a spell.' Jan Morris 'Incandescent.' André Aciman 'Invades the reader's every sense ... Remarkable.' Victoria Hislop 'Like long letters from a civilized and very funny friend - the prose as luminous as the Mediterranean air he loves.' Time

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Now in its nineteenth edition, the Europa International Foundation Directory 2010 provides an unparalleled guide to the foundations, trusts, charitable and grant-making NGOs, and other similar not-for-profit organizations of the world. It provides a comprehensive picture of third sector activity on a global scale.Presenting names and contact details for over 2,550 institutions world-wide, this new edition has been revised and expanded to include the most comprehensive and up-to-date information on this growing sector.This 19th edition includes: background essays by foundation experts on foundations and the third sector internationally (by Helmut Anheier and Tobias Vahlpahl), civil society and global governance (by Jan Aart Scholte) and the third sector and the global economic downturn (by Helmut Anheier) country chapters containing information on foundation centres and co-ordinating bodies, and on foundations, trusts and non-profit organizations. Entries include, where applicable, full contact address, internet and e-mail details, aims of the organization, activities, financial information, publications and principal staff comprehensive indexes for ease of use. Organizations are listed by name, area of activity (including headings such as education, conservation and the environment, health and welfare, etc.) and geographical area of activity, allowing the reader to find organizations active in Central and South America, the Middle East, Central and South-Eastern Europe, etc. Some 2,550 organizations are listed, giving a comprehensive and up-to-date picture of third sector activity world-wide.

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“Beautiful. The human condition is on full display in these glimpses of our essential connectedness. Perfect for our times.” —Dani Shapiro, author of Inheritance Sixty-five extraordinary writers grapple with this mystery: How can an ephemeral encounter with a stranger leave such an eternal mark? When Colleen Kinder put out a call for authors to write a letter to a stranger about an unforgettable encounter, she opened the floodgates. The responses—intimate and addictive, all written in the second person—began pouring in. These short, insightful essays by a remarkable cast of writers, including Elizabeth Kolbert, Pico Iyer, Lauren Groff, Gregory Pardlo, Faith Adiele, Maggie Shipstead, Lia Purpura, Kiki Petrosino, and Jamil Jan Kochai, are organized around such themes as Gratitude, Wonder, and Farewell and guide us both across the globe and through the mysteries of human connection. Addressed to a first responder after a storm, a gambler encountered on jury duty, a waiter in Istanbul, a taxi driver in Paris, a roomful of travelers watching reality TV in La Paz, and dozens of others, the pieces are replete with observations about how to live and what we seek, and how a stranger’s loaded glance, shared smile, or question posed can alter the course of our lives. Moving and unforgettable, Letter to a Stranger is an irresistible read for the literary traveler and the perfect gift for anyone who is haunted by a person they met once and will remember forever.

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In the late 1950s, Ted Geisel took on the challenge of creating a book using only 250 unique first-grade words, something that aspiring readers would have both the ability and the desire to read. The result was an unlikely children's classic, The Cat in the Hat. But Geisel didn't stop there. Using The Cat in the Hat as a template, he teamed with Helen Geisel and Phyllis Cerf to create Beginner Books, a whole new category of readers that combined research-based literacy practices with the logical insanity of Dr. Seuss. The books were an enormous success, giving the world such authors and illustrators as P. D. Eastman, Roy McKie, and Stan and Jan Berenstain, and beloved bestsellers such as Are You My Mother?; Go, Dog. Go!; Put Me in the Zoo; and Green Eggs and Ham. The story of Beginner Books-and Ted Geisel's role as ""president, policymaker, and editor"" of the line for thirty years-has been told briefly in various biographies of Dr. Seuss, but I Can Read It All by Myself: The Beginner Books Story presents it in full detail for the first time. Drawn from archival research and dozens of brand-new interviews, I Can Read It All by Myself explores the origins, philosophies, and operations of Beginner Books from The Cat in the Hat in 1957 to 2019's A Skunk in My Bunk, and reveals the often-fascinating lives of the writers and illustrators who created them.

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Patrons and collectors Barbara and James Palmer have long played a vital role in the museum that bears their name. A Gift from the Heart: American Art from the Collection of James and Barbara Palmer documents in its entirety what is arguably one of the finest private collections of American art in the country. Amassed over more than three decades, the collection features notable works by well-known nineteenth-century artists and boasts strengths in Ashcan realism and Stieglitz-circle modernism, as well as works by noted artists of the mid- to late twentieth century.Much of the book comprises thematic essays written by invited scholars—university professors, museum and gallery professionals, and independent curators—who consider the broader sociohistorical context of American art and culture as they delve into the particulars of the collection. Interspersed throughout the book are a series of short “In Focus” essays, highlighting a number of the most notable works in the collection. The remainder of the book is an extensive, fully illustrated catalogue of the 200+ paintings, works on paper, sculptures, and ceramics collected by the Palmers, including works that have already been donated to the museum and the remaining works, all of which will be gifted in the future. Aside from the editor, the contributors are Robert Cozzolino, John Driscol, Randall R. Griffey, Molly S. Hutton, Lauren Lessing, G. Daniel Massad, Leo G. Mazow, Patrick J. McGrady, Jan Keene Muhlert, Marshall N. Price, Sarah Rich, and Elizabeth Hutton Turner.

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Debates over the economic, social, and political meaning of slavery and the slave trade have persisted for over two hundred years. The Atlantic Slave Trade brings clarity and critical insight to the subject. In fourteen essays, leading scholars consider the nature and impact of the transatlantic slave trade and assess its meaning for the people transported and for those who owned them.Among the questions these essays address are: the social cost to Africa of this forced migration; the role of slavery in the economic development of Europe and the United States; the short-term and long-term effects of the slave trade on black mortality, health, and life in the New World; and the racial and cultural consequences of the abolition of slavery. Some of these essays originally appeared in recent issues of Social Science History; the editors have added new material, along with an introduction placing each essay in the context of current debates. Based on extensive archival research and detailed historical examination, this collection constitutes an important contribution to the study of an issue of enduring significance. It is sure to become a standard reference on the Atlantic slave trade for years to come.Contributors. Ralph A. Austen, Ronald Bailey, William Darity, Jr., Seymour Drescher, Stanley L. Engerman, David Barry Gaspar, Clarence Grim, Brian Higgins, Jan S. Hogendorn, Joseph E. Inikori, Kenneth Kiple, Martin A. Klein, Paul E. Lovejoy, Patrick Manning, Joseph C. Miller, Johannes Postma, Woodruff Smith, Thomas Wilson

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A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword. The sword is the most iconic of all weapons. Throughout history, it has connected various, sometimes conflicting, dimensions of human culture: physical combat and representation of political power, definition of gender roles and refinement of body techniques, evolution of craftsmanship and mythological symbolism. The articles collected here explore these dimensions, from a variety of disciplines, among them archaeology, medieval history, museum conservation, and linguistics. They cover topics from the production and combat use of Bronze Age swords via medieval fencing culture to the employment of the sword in modern military. They question traditional sword typologies and wide-spread theories about sword making, discuss medieval sword terminology and the use of swords as royal insignia, and describe the scientific methods for approaching original finds. Arising from an international conference held at Deutsches Klingenmuseum Solingen (the German Blade Museum), the volume provides fresh insights into the forms the sword can take, and the thoughts it inspires. LISA DEUTSCHER and MIRJAM E. KAISER work in prehistoric archaeology, specialising in La Tène and Bronze Age swords, respectively. SIXT WETZLER is the deputy director of the German Blade Museum; his research focuses on the history of edged weapons, and their use. Contributors:Matthias Johannes Bauer, Holger Becker, Jan-Heinrich Bunnefeld, Rachel J. Crellin, Vincenzo D'Ercole, Andrea Dolfini, Raphael Hermann, Daniel Jaquet, Robert W. Jones, Ulrich Lehmann, Claus Lipka, Stefan Maeder, Michael Mattner, Florian Messner, Nicole Mölk, Ingo Petri, Stefan Roth, Fabrizio Savi, Ulrike Töchterle, Iason-Eleftherios Tzouriadis, Marion Uckelmann, Henry Yallop

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With forewords by Jan Bosch, Nokia and Antero Taivalsaari, Sun Microsystems. Learn how to programme the mobile devices of the future! The importance of mobile systems programming has emerged over the recent years as a new domain in software development. The design of software that runs in a mobile device requires that developers combine the rules applicable in embedded environment; memory-awareness, limited performance, security, and limited resources with features that are needed in workstation environment; modifiability, run-time extensions, and rapid application development. Programming Mobile Devices is a comprehensive, practical introduction to programming mobile systems. The book is a platform independent approach to programming mobile devices: it does not focus on specific technologies, and devices, instead it evaluates the component areas and issues that are common to all mobile software platforms. This text will enable the designer to programme mobile devices by mastering both hardware-aware and application-level software, as well as the main principles that guide their design. Programming Mobile Devices: Provides a complete and authoritative overview of programming mobile systems. Discusses the major issues surrounding mobile systems programming; such as understanding of embedded systems and workstation programming. Covers memory management, the concepts of applications, dynamically linked libraries, concurrency, handling local resources, networking and mobile devices as well as security features. Uses generic examples from JavaTM and Symbian OS to illustrate the principles of mobile device programming. Programming Mobile Devices is essential reading for graduate and advanced undergraduate students, academic and industrial researchers in the field as well as software developers, and programmers.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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An investigation into the mysterious Frisians, drawing together evidence from linguistic, textual and archaeological sources. From as early as the first century AD, learned Romans knew of more than one group of people living in north-western Europe beyond their Empire's Gallic provinces whose names contained the element that gives us modern "Frisian". These were apparently Celtic-speaking peoples, but that population was probably completely replaced in the course of the convulsions that Europe underwent during the fourth and fifth centuries. While the importance of linguistically Germanic Frisians as neighbours of the Anglo-Saxons, Franks, Saxons and Danes in the centuries immediately following the fall of the Roman Empire in the West is widely recognized, these folk themselves remain enigmatic, the details of their culture and organization unfamiliar to many. The Frisian population and their lands, including all the coastal communities of the North sea region and their connections with the Baltic shores, form the focal point of this volume, though viewed often through comparison with, or even through the eyes of, their neighbours. The essays present the most up-to-date discoveries, research and interpretation, combining and integrating linguistic, textual and archaeological evidence; they follow the story of the various Frisians through from the Roman Period to the next great period of disruption and change introduced by the Viking Scandinavians. Contributors: Elzbieta Adamczyk, Iris Aufderhaar, Pieterjan Deckers, Menno Dijkstra, John Hines, Nelleke Ijssennagger, Hauke Jöns, Egge Knol, Jan de Koning, Johan Nicolay, Han Nijdam, Tim Pestell, Peter Schrijver, Arjen Versloot, Gaby Waxenberger, Christiane Zimmermann.

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The history of Wales as a destination and confection of English Romantic writers is well-known, but this book reverses the process, turning a Welsh gaze on the rest of the world. This shift is timely: the severing of Britain from the European Union asks questions of Wales about its relationship to its own past, to the British state, to Europe and beyond, while the present political, public health and environmental crises mean that travel writing can and should never again be the comfortably escapist genre that it was. Our modern anxieties over identity are registered here in writing that questions in a personal, visceral way the meaning of belonging and homecoming, and reflects a search for stability and solace as much as a desire for adventure. Here are lyrical stories refracted through kaleidoscopes of family and world history, alongside accounts of forced displacement and the tenacious love that exists between people and places. Yet these pieces also show the enduring value and joy of travel itself. As Eluned Gramich expresses it ‘It’s one of the pleasures of travel to submit yourself to other people, let yourself be guided and taught’. Taken together, the stories of An Open Door extend Jan Morris’ legacy into a turbulent present and even more uncertain future. Whether seen from Llŷn or the Somali desert, we still take turns to look out at the same stars, and it might be this recognition, above all, that encourages us to hold the door open for as long as we can.

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NEW PAPERBACK EDITION 2015 saw the publication of The Long Gaze Back: An Anthology of Irish Women Writers, edited by Sinéad Gleeson. The Long Gaze Back was widely acclaimed and went on to win Best Irish-published Book of the Year 2015 at the Irish Book Awards. More importantly, it sparked lively discussion and debate about the erasure of women writers from the literary canon. One question kept arising: where was the equivalent anthology for women writers from the north? The Glass Shore, compiled by award-winning editor, broadcaster and critic Sinéad Gleeson, provides an intimate and illuminating insight into a previously underappreciated literary canon. Twenty-four female luminaries — whose lives and works cover three centuries — capture experiences that are both vivid and varied, despite their shared geographical heritage. Unavoidably affected by a difficult political past, this challenging landscape is navigated by characters who are searingly honest, humorous and, at times, heartbreakingly poignant. The result is a collection that is enthralling, stirring and quietly disconcerting. Individually, these intriguing stories make an indelible impact and are cause for reflection and contemplation. Together, they transgress their social, political and gender constraints, instead collectively presenting a distinctive, resolute and impassioned voice worthy of recognition and admiration. Featuring stories by: Rosa Mulholland, Erminda Rentoul Esler, Sarah Grand, Alice Milligan, Eithne Carbery, Margaret Barrington, Janet McNeill, Mary Beckett, Polly Devlin, Frances Molloy, Una Woods, Sheila Llewellyn, Linda Anderson, Anne Devlin, Evelyn Conlon, Mary O’Donnell, Annemarie Neary, Martina Devlin, Rosemary Jenkinson, Bernie McGill, Tara West, Jan Carson, Lucy Caldwell and Roisín O’Donnell.

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From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldelli’s survey of cinema and film is based on practical experience – he was once the enfant terrible of Swiss cinema – and years of contemplation and study. He examines the difference between film as the ‘hypnotic monster’ referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction – from Star Wars to The Matrix – and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini. As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiner’s attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiner’s attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of ‘light-show art’. Other topics in this penetrating study include: ‘Basic philosophical stances in the pioneer period of media studies’; ‘Steiner’s prophetic warnings about a technocratic form of civilization that will destroy humanity’; ‘Nostalgia for the art-house cinema that emerged in the 60s’; and ‘The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiner’s From the Akashic Records’. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book.

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Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

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Essays examining representations of disaster in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Destroying human habitat and taking human lives, disasters, be they natural, man-made, or a combination, threaten large populations, even entire nations and societies. They also disrupt the existing order and cause discontinuity in our sense of self and our perceptions of the world. To restore order, not only must human beings be rescued and affected areas rebuilt, but the reality of the catastrophe must also be transformed into narrative. The essays in this collection examine representations of disaster in literature, film, and mass media in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Topics include the Lisbon earthquake, the Paris Commune, the Hamburg and Dresden fire-bombings in the Second World War, nuclear disasters in Alexander Kluge's films, the filmic aesthetics of catastrophe, Yoko Tawada's lectures on the Fukushima disaster and Christa Wolf's novel Störfall in light of that same disaster, Joseph Haslinger and the tsunami of 2004, traditions regarding avalanche disaster in the Tyrol, and the problems and implications of defining disaster. Contributors: Carol Anne Costabile-Heming, Yasemin Dayioglu-Yücel, Janine Hartman, Jan Hinrichsen, Claudia Jerzak, Lars Koch, Franz Mauelshagen, Tanja Nusser, Torsten Pflugmacher, Christoph Weber. Katharina Gerstenberger is Professor and Chair of the Department of Languages and Literature at the University of Utah. Tanja Nusser is DAAD Visiting Associate Professor of German at the University of Cincinnati.

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In this volume, leading scholars of photography and media examine photography’s vital role in the evolution of media and communication in the nineteenth century.In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge those established disciplinary boundaries as they programmatically explore the intersections of photography and “new media” during a period of fast-paced change. Their essays look at the emergence and early history of photography in the context of broader changes in the history of communications; the role of the nascent photographic press in photography’s infancy; and the development of photographic techniques as part of a broader media culture that included the mass-consumed novel, sound recording, and cinema.Featuring essays by noteworthy historians in photography and media history, this discipline-shifting examination of the communication revolution of the nineteenth century is an essential addition to the field of media studies.In addition to the editors, contributors to this volume are Geoffrey Batchen, Geoffrey Belknap, Lynn Berger, Jan von Brevern, Anthony Enns, André Gaudreault, Lisa Gitelman, David Henkin, Erkki Huhtamo, Philippe Marion, Peppino Ortoleva, Steffen Siegel, Richard Taws, and Kim Timby.

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Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications.A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time.Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

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During the Spanish Colonial period in Latin America (1521-1850), precious gold and silver were crafted into elegant jewelry, then embellished with emeralds from Colombia, coral from Mexico, and pearls from Venezuela. To demonstrate their wealth and status, people were painted wearing their finest dress and elaborate jewelry. Selecting from its permanent collection, the Denver Art Museum installed the long-running exhibition Glitterati: Portraits and Jewelry in Colonial Latin America in its Spanish Colonial galleries in December 2014. This lavishly illustrated publication serves as a companion to the Glitterati exhibition and, on a larger scale, to the collection of Spanish Colonial jewelry and portraiture at the museum. The Spanish Colonial collection at the Denver Art Museum is the most comprehensive of its kind in the United States and one of the best in the world with outstanding examples of painting, sculpture, furniture, decorative arts, silver and goldwork, and jewelry from all over Latin America during the time of the Spanish colonies. The Stapleton Foundation of Latin American Colonial Art, made possible by the Renchard family, gifted art acquired by the intrepid Daniel C. Stapleton between 1895 and 1914, when he worked in Ecuador, Colombia, and Venezuela overseeing plantations and emerald mines. Frederick and Jan Mayer worked closely with museum curators to build a collection of Mexican colonial art rich in many subjects and media, notably portrait paintings. Examples from both of these major collections are augmented by other pieces of jewelry and portraiture from the museum's permanent collection in the Glitterati exhibition and in this volume.

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No Enchanted Palace traces the origins and early development of the United Nations, one of the most influential yet perhaps least understood organizations active in the world today. Acclaimed historian Mark Mazower forces us to set aside the popular myth that the UN miraculously rose from the ashes of World War II as the guardian of a new and peaceful global order, offering instead a strikingly original interpretation of the UN's ideological roots, early history, and changing role in world affairs. Mazower brings the founding of the UN brilliantly to life. He shows how the UN's creators envisioned a world organization that would protect the interests of empire, yet how this imperial vision was decisively reshaped by the postwar reaffirmation of national sovereignty and the unanticipated rise of India and other former colonial powers. This is a story told through the clash of personalities, such as South African statesman Jan Smuts, who saw in the UN a means to protect the old imperial and racial order; Raphael Lemkin and Joseph Schechtman, Jewish intellectuals at odds over how the UN should combat genocide and other atrocities; and Jawaharlal Nehru, India's first prime minister, who helped transform the UN from an instrument of empire into a forum for ending it. A much-needed historical reappraisal of the early development of this vital world institution, No Enchanted Palace reveals how the UN outgrew its origins and has exhibited an extraordinary flexibility that has enabled it to endure to the present day.

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Two great books from the Everyman Chess Library, Fighting the Ruy Lopez by Milos Pavlovic and Open Ruy Lopez by Glenn Flear, brought together in one volume. The Ruy Lopez is a hugely popular opening, and anyone who plays 1 e4 e5 as Black needs to have a reliable answer ready. This book provides a solution. Drawing upon his years of experience facing the Lopez, Grandmaster Milos Pavlovic devises a sound yet ambitious repertoire for Black based on the legendary Marshall Attack. The Marshall is a perfect counter-attacking weapon, as it avoids passive positions and the so-called 'Spanish torture'. Furthermore, Black's tactical and positional goals are usually clear-cut and often involve a direct attack against White's king. The effectiveness of the Marshall is clear if you consider that the last two world champions have both suffered crushing defeats on the white side (Kramnik vs Leko, Brissago 2004; Anand vs Aronian, Morelia 2008) whilst Garry Kasparov always avoided it with White. The Open Ruy Lopez (also known as the Open Spanish) has always been a popular choice at both club level and at grandmaster level, where it has withstood the test of time after decades of close scrutiny. It offers both sides the opportunity for a sharp clash of forces in which the better prepared player will often come out on top. It is therefore no surprise that fighting players such as Victor Korchnoi and Jan Timman have always used the Open Ruy Lopez as an important weapon in their armoury.

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The Sunday Times bestseller THE STORY OF BRITAIN during the long reign of Queen Elizabeth II. Find out how Britain changed in this entrancing, lively portrait of Britain’s Elizabethan Age by bestselling writer and broadcaster Andrew Marr Britain changed fundamentally during the Queen’s long, distinguished reign. So who made modern Britain the country it is today? How do we sum up the kind of people we are? What did it mean to be the new Elizabethans? In this wonderfully told history, spanning back to when Queen Elizabeth became queen in 1953, Andrew Marr traces the people who have made Britain the country it is today. From the activists to the artists, the sports heroes to the innovators, these people pushed us forward, changed the conversation, encouraged us to eat better, to sing, think and to protest. They got things done. How will our generation be remembered in a hundred years’ time? And when you look back at Britain’s toughest moments in the past seventy years, what do you learn about its people and its values? In brilliantly entertaining style and with unexpected insights into some of our sung and unsung heroes, this is our story as Elizabethans – the story of how 1950s Britain evolved into the diverse country we live in today. In short, it is the history of modern Britain. FEATURING: David Attenborough. Marcus Rashford. Jan Morris. Diana Dors. Bob Geldof. David Olusoga. Elizabeth David. Zaha Hadid. Frank Crichlow. Quentin Crisp. Dusty Springfield. Captain Tom – and many others.

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We live in a time when we are overwhelmed with talk and images of violence. Whether on television, the internet, films or the video screen, we can’t escape representations of actual or fictional violence - another murder, another killing spree in a high school or movie theatre, another action movie filled with images of violence. Our age could well be called “The Age of Violence” because representations of real or imagined violence, sometimes fused together, are pervasive. But what do we mean by violence? What can violence achieve? Are there limits to violence and, if so, what are they? In this new book Richard Bernstein seeks to answer these questions by examining the work of five figures who have thought deeply about violence - Carl Schmitt, Walter Benjamin, Hannah Arendt, Frantz Fanon, and Jan Assmann. He shows that we have much to learn from their work about the meaning of violence in our times. Through the critical examination of their writings he also brings out the limits of violence. There are compelling reasons to commit ourselves to non-violence, and yet at the same time we have to acknowledge that there are exceptional circumstances in which violence can be justified. Bernstein argues that there can be no general criteria for determining when violence is justified. The only plausible way of dealing with this issue is to cultivate publics in which there is free and open discussion and in which individuals are committed to listen to one other: when public debate withers, there is nothing to prevent the triumph of murderous violence.

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The Unofficial Guide to Prescribing lays out the practical steps of how to assess, investigate and manage a patient, with a focus on what to prescribe and how to prescribe it. Its aim is to empower newly graduated junior doctors to excel at dealing with emergencies and handling complex prescribing scenarios. Prescribing errors cost healthcare systems millions annually, so early training in prescribing has become an urgent priority of medical education and now forms an essential part of teaching and assessment. The Unofficial Guide to Prescribing (from the same stable as The Unofficial Guide to Passing OSCEs) is a new book designed to address this requirement. It is written by junior doctors still close to the transition from theory to practice, overseen by a review panel of senior clinicians to ensure accuracy, and designed to help medical students practise and learn as much as possible about prescribing, in actual clinical scenarios, before they have to do it for real. Each scenario is presented as you would see it in the hospital setting and covers: Initial step-by-step assessment of the patient: how to assess, assessment findings, and immediate management Initial investigations Initial management Reassessment Treatment Handing over the patient# "As part of 'The Unofficial Guide to.' series, this excellent book is a must have for all students, as well as professionals involved in prescribing and hospital care"Reviewed by: Dr Irfan Rashid on behalf of the International Journal of Clinical Skills, Jan 2015 'Prescribe' alerts throughout Written-up drug charts Blank drug charts for copying and practice

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In this volume, leading scholars of photography and media examine photography’s vital role in the evolution of media and communication in the nineteenth century.In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge those established disciplinary boundaries as they programmatically explore the intersections of photography and “new media” during a period of fast-paced change. Their essays look at the emergence and early history of photography in the context of broader changes in the history of communications; the role of the nascent photographic press in photography’s infancy; and the development of photographic techniques as part of a broader media culture that included the mass-consumed novel, sound recording, and cinema.Featuring essays by noteworthy historians in photography and media history, this discipline-shifting examination of the communication revolution of the nineteenth century is an essential addition to the field of media studies.In addition to the editors, contributors to this volume are Geoffrey Batchen, Geoffrey Belknap, Lynn Berger, Jan von Brevern, Anthony Enns, André Gaudreault, Lisa Gitelman, David Henkin, Erkki Huhtamo, Philippe Marion, Peppino Ortoleva, Steffen Siegel, Richard Taws, and Kim Timby.

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'Superb, beautifully written, touching and occasionally very funny' Andrew RobertsDavid Gilmour's superb biography of Rudyard Kipling is the first to show how the life and work of the great writer mirrored the trajectory of the British Empire, from its zenith to its final decades. His famous poem 'Recessional' celebrated Queen Victoria's Diamond Jubilee in 1897, but his last poems warned of the dangers of Nazism, and in those intervening years Kipling, himself an icon of the Empire, was transformed from an apostle of success to a prophet of national decline. As Gilmour makes clear, Kipling's mysterious stories and poetry deeply influenced the way his readers saw both themselves and the British Empire, and they continue to challenge us today.'A fine, fair and generous work ... Gilmour's celebrated life of Curzon demonstrated his mastery of imperial nuance and esoteric character, and he brings to this book just the right combination of empathy, distaste andfastidious detachment ... there is never a flaccid line, and never a hasty judgement' Jan Morris, New Statesman'Every now and again a book comes along that sheds new light on a life we thought we knew. David Gilmour's beautifully-written biography of Rudyard Kipling is just such a work ... This is literary biography at its very finest' George Rosie, Sunday Herald'An enthralling biography of a mind ... essential reading for anyone who cares about how a writer finds, and passionately lives, his subject' Ruth Padel, Daily Telegraph'The best Kipling biography yet written ... Gilmour's account of this driven man shines with intelligence' J. B. Pick, Scotsman

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This book looks back on 25 years of pioneering EU trade mark practice, as viewed by various experts from all over Europe. EU trade mark law - and by extension, trade mark law of the EU Member States - has substantially evolved during these past 25 years. The success of the EU trade mark resulted in a shift from a 'bottom-up' harmonization of national trade mark systems to a 'top-down' approach, based on the EU trade mark system. The first two contributions focus on the EUIPO's convergence efforts with the national trade mark offices and the impact of EU case law on national trade mark practice, respectively. Further on the evolution of the EU trade mark system is addressed through a wide variety of subjects of substantive law. The last chapter offers and analysis of the impact of Brexit on EU trade marks. Flip Petillion (editor) is a leading domestic and international dispute resolution counsel and arbitrator and regularly publishes on various topics related to intellectual property and arbitration (PETILLION, Belgium). With contributions by Ana-Maria Baciu and Andreea Bende (Simion & Baciu, Rumania), Alexander Schnider (GEISTWERT, Austria), Claus Barrett Christiansen and Maria Rose Kristensen (Bech-Bruun Law Firm, Denmark), Diego Noesen (PETILLION, Belgium), Gerard Kelly and Jane Bourke (Mason Hayes & Curran LLP, Ireland), Jan Peter Heidenreich (Preu Bohlig, Germany), Eva Lachmannova (Sindelka & Lachmannova, Czech Republic), Matthew Harris (Waterfront Solicitors LLP, UK), Paul Micallef Grimaud and Nikolai Lubrano (Ganado Advocates, Malta), Richard Wessman, Stojan Arnerstal and Sofia Bergenstrahle (Vinge, Sweden)

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Selected by editor John Barton, the 2023 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2021.“My goal,” writes guest editor John Barton of his long career as a literary magazine editor, “was always to be jostled awake, and I soon realized that I was being jostled awake for two—myself and the reader … I came to understand that my job description included an obligation to expose readers to wide varieties of poetry, to challenge their assumptions while expanding their taste.” In selecting this year’s edition of Best Canadian Poetry, Barton brings the same catholic spirit to his survey of Canadian poems published by magazines and journals in 2021. From new work by Canadian favourites to exciting new talents, this year’s anthology offers fifty poems to challenge and enlarge your sense of the power and possibility of Canadian poetry.Featuring:Leslie Joy Ahenda • Billy-Ray Belcourt • Bertrand Bickersteth • Tawahum Bige • Stephanie Bolster • Susan Braley • Moni Brar • Jake Byrne • Helen Cho • Conyer Clayton • Lucas Crawford • Sophie Crocker • Michael Dunwoody • Evelyna Ekoko-Kay • Tyler Engström • Triny Finlay • Elee Kraljii Gardiner • Lise Gaston • Susan Gillis • Beth Goobie • Patrick Grace • Laurie D. Graham • River Halen • Eva H.D. • Louise Bernice Halfe—Skydancer • Sarah Hilton • Karl Jirgens • Mobólúwajídìde D. Joseph • Penn Kemp • Jeremy Loveday • Randy Lundy • Helen Han Wei Luo • Colin Morton • Jordan Mounteer • Samantha Nock • Kathryn Nogue • Michelle Porter • Rebekah Rempel • Armand Garnet Ruffo • Richard Sanger • Nedda Sarshar • K.R. Segriff • Christina Shah • Sandy Shreve • Adrian Southin • J.J. Steinfeld • Sarah Yi-Mei Tsiang • Eric Wang • Tom Wayman • Jan Zwicky

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A thoroughly updated and substantially expanded edition of an acclaimed anthologyThis is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings—including essays, book excerpts, speeches, and other documents—that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Müller Includes brief introductions for each thinker

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Sadness has come to live with me and I am building it a shelter. I am building a shelter for my sadness and welcoming it inside. A small boy creates a shelter for his sadness, a safe space where Sadness is welcome, where it can curl up small, or be as big as it can be, where it can be noisy or quiet, or anything in between. The boy can visit the shelter whenever he needs to, every day, sometimes every hour, and the two of them will cry and talk or just sit, saying nothing. And the boy knows that one day Sadness may come out of the shelter, and together they will look out at the world, and see how beautiful it is. A poignant and heart-warming picture book exploring the importance of making space and time for our own griefs, small or large, sensitively visualized with David Litchfield's stunning illustration. Anne Booth was inspired to write this book by the words of Etty Hillesum, a Holocaust victim who wrote: 'Give your sorrow all the space and shelter in yourself that is its due, for if everyone bears grief honestly and courageously, the sorrow that now fills the world will abate. But if you do instead reserve most of the space inside you for hatred and thoughts of revenge-from which new sorrows will be born for others-then sorrow will never cease in this world. And if you have given sorrow the space it demands, then you may truly say: life is beautiful and so rich.' (Esther 'Etty' Hillesum (15 Jan 1914 - 30 Nov 1943)

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An excellent introduction to the work of two British designers Edward Bawden (1903-1989) and Eric Ravilious (1903-1942). This fascinating book illustrates every aspect of their creativity, featuring designs for wallpaper, posters, book jackets, trade cards and Wedgwood ceramics, to name but a few. Design opens with an informed and engaging essay by Peyton Skipwith, who, from the late 1960s, acted as Edward Bawden's principal dealer. Bawden and Ravilious both attended the Design School of the Royal College of Art. It was here that they met and started to experiment with print-making - marking the beginning of an extremely creative but tragically short-lived friendship. Ravilious was killed at the age of thirty-nine in an air-sea rescue mission during the Second World War; Edward Bawden survived him by forty-six years. 'Exquisite ... Design is a treat' - Sunday Telegraph 'A neat little scrapbook ... beautifully laid out' - Antiques Magazine The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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I have been seeking P.F. Sloan, but no one knows where he's gone. -from the song 'P.F. Sloan' by Jimmy Webb. Absolutely none of 'em could beat ol' P.F. -Lester Bangs, Rolling Stone magazine. What's Exactly The Matter With Me? is a first-person account of an extraordinary life and pilgrimage through the most fascinating years of American and English musical culture. This is a story of dreams, success, destruction, and miraculous resurrection; the incredible, heartbreaking, and ultimately inspiring story of one of the greatest songwriters in American music-and also one of the most elusive and mysterious. P.F. Sloan was one of the most prolific and influential geniuses to emerge from the golden age of the 60s, and a pioneer of folk-rock. Between 1965 and 1967, 150 of his songs were recorded by major acts, and 45 of those made the charts. No other songwriter has ever come close to achieving so great number of hits in such a short period of time. From his little studio at Dunhill Records, P.F. Sloan was a veritable hit-machine, writing for The Mamas and The Papas (that's Sloan's infectious guitar lick on 'California Dreamin"), Jan and Dean (the falsetto you hear on most of their hits is Sloan's), Barry McGuire (the brilliant and controversial 'Eve Of Destruction'), Johnny Rivers ('Secret Agent Man'), The Turtles, The Fifth Dimension, and many, many more. He wrote so many songs, in fact, that Dunhill sold him as seven different acts. Unsurprisingly, he wound up exhausted and broken, thus beginning a long journey into the wilderness-a journey of UFOs and psychiatric hospitals, healing and survival, and, ultimately, redemption.

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The Golden City of Prague has long been an intellectual centre of the western world. The writers collected here range from the early nineteenth century to the present and include both Prague natives and visitors from elsewhere. Here are stories, legends, and scenes from the city's past and present, from the Jewish fable of the golem, a creature conjured from clay, to tales of German and Soviet invasions. The international array of writers ranges from Franz Kafka to Ivan Klíma to Bruce Chatwin, and includes the award-winning British playwright Tom Stoppard and former American Secretary of State Madeleine Albright, both of whom have Czech roots. Covering the city's venerable Jewish heritage, the glamour of the belle-époque period, World War II, Communist rule, the Prague Spring, the Velvet Revolution, and beyond, Prague Stories weaves a remarkable selection of fiction and nonfiction into a literary portrait of a fascinating city.Richard Bassett, former Central European correspondent for The Times, knows his subject inside out. Here is Prague in all its brilliance, a city rich in folklore both Slavic and Jewish, whose history is the stuff of legend - Jan Hus, Charles IV and his eponymous bridge, serial defenestrations; Prague in the dark years of World War II, in the grey years of Communism, in the excitement of the Velvet Revolution. And here is today's Prague, a vibrant cosmopolitan capital where a new generation of Czech writers - Sylva Fischerova, Daniela Hodrova and others - explores its identity in new and exciting ways.A unique collection of fiction and non-fiction to delight and stimulate travellers and stay-at-homes alike.

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'Epic... Wilson writes captivatingly with humour...anyone with an interest in eastern European sport will be consulting this book for years to come' FINANCIAL TIMES'This fascinating and perceptive travelogue includes a fine collection of anecdotes too colourful for fiction' SUNDAY TIMES'A blissful book, lovingly and stylishly written' DAILY TELEGRAPHFrom the war-ravaged streets of Sarajevo, where turning up for training involved dodging snipers' bullets, to the crumbling splendour of Budapest's Bozsik Stadium, where the likes of Puskás and Kocsis masterminded the fall of England, the landscape of Eastern Europe has changed immeasurably since the fall of communism. Jonathan Wilson has travelled extensively behind the old Iron Curtain, viewing life beyond the fall of the Berlin Wall through the lens of football. Where once the state-controlled teams of the Eastern bloc passed their way with crisp efficiency - a sort of communist version of total football - to considerable success on the European and international stages, today the beautiful game in the East has been opened up to the free market, and throughout the region a sense of chaos pervades. The threat of totalitarian interference no longer remains; but in its place mafia control is generally accompanied with a crippling lack of funds. In BEHIND THE CURTAIN Jonathan Wilson goes in search of the spirit of Hungary's 'Golden Squad' of the early fifties, charts the disintegration of the footballing superpower that was the former Yugoslavia, follows a sorry tale of corruption, mismanagement and Armenian cognac through the Caucasuses, reopens the case of Russia's greatest footballer, Eduard Streltsov, and talks to Jan Tomaszewski about an autumn night at Wembley in 1973...

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It's a fact that companies so far have only scratched the surface of what can be achieved with social media. Whatever continent, industry, company size, current degree of social media adoption or your job title, the purpose of this book is to inspire you to see how you can raise the bar further to reap new rewards. It will give you the tools to make a difference to your organisation's social media strategy development and delivery going forward. In addition it will also give you more intellectual support and confidence to discuss social media on a higher level with peers, inspire colleagues or negotiate and create support for increased investments from your leadership team. In The Social Media MBA editor Christer Holloman has crowd sourced 15 thought leaders from 4 continents to offer an exceptional educational programme written for experienced social media professionals just like you. In addition, learn through cases studies produced by the social leaders at these brands: ARM by Kerry McGuire Balanza – Director of Strategic Marketing Aviva by Jan Gooding – Global Brand Director Dell by Stuart Handley – Communications Director Evans Cycles by Will Lockie – Head of Social Media GlaxoSmithKlein (Ribena) by Verity Clifton – Brand Marketing Manager Kodak by Madlen Nicolaus – Social Media Manager Phillips by Hans Notenboom – Global Director B2B Online Sage by Cath Sheldon – Online PR Specialist There is more, connect with the co-authors and other readers by joining The Social Media MBA Alumi group, visit http://www.socialmedia-mba.com or search or the group on LinkedIn to stay updated on the latest, ask questions or join the discussions.

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With a groundbreaking, interdisciplinary approach to German political and social theory, Confronting Mass Democracy and Industrial Technology provides fresh insight into the thought of many of the most influential intellectual figures of the twentieth century. Its essays detail the manner in which a wide range of German intellectuals grappled with the ramifications and implications of democracy, technology, knowledge, and control from the late Kaisserreich to the Weimar Republic, from the Third Reich and the Federal Republic through recently unified Germany.Scholars representing the fields of political science, philosophy, history, law, literature, and cultural studies devote essays to the work of Nietzsche, Weber, Heidegger, Lukács, Schmitt, Marcuse, Adorno, and Habermas. They also discuss the writings of such figures as Brecht and Freud, who are not primarily thought of as political theorists, and explore the thought of Helmut Plessner and reformist theorists from East Germany who have been little studied in the English language. In the process of debating the nature and responsibilities of the modern state in an era of mass politics, unparalleled military technology, capacity for surveillance, and global media presence, the contributors question whether technology is best understood as an instrument of human design and collective control or as an autonomous entity that not only has a will and life of its own but one that forms the very fabric of modern humanity.Contributors. Seyla Benhabib, Richard J. Bernstein, Peter C. Caldwell, Richard Dienst, David Dyzenhaus, Andrew Feenberg, Nancy S. Love, John P. McCormick, Jan-Werner Müller, Gia Pascarelli, William E. Scheuerman, Steven B. Smith, Tracy B. Strong, Richard Wolin

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Warsaw Lectures in Personality and Social Psychology- Volume 2 These are intellectually exciting times in the fields of personality, cognition, and emotion, with rapid progress being achieved at both theoretical and empirical levels. There are now sufficient findings to provide the basis for integrative theories within these disciplines. In Volume 2 of the series, the editors and contributors examine the interactive influences of personality, cognition, and emotion in order to attain a comprehensive understanding of human behavior. Chapters in Part I focus on the relevance to emotion and cognition of individual differences in trait anxiety, emotional intelligence, aging, agentic traits, and communal traits. By contrast, Part II is concerned with emotions and with the relationships between emotional states and various aspects of individual differences and cognitive processes: What factors determine the nature and intensity of emotional experience? How is an individual’s behavior changed as a result of being in a given emotional state? The concluding chapter, with over one hundred references, presents an integration of the research areas discussed in the book and provides an excellent theoretical framework that will prove invaluable for further research and theory. 'After perusing the chapters included in Volume 2 . . . I am firmly convinced that researchers and students interested in personality and social psychology will find this book both challenging and exciting. My congratulations to all those who contributed in different ways to this significant work.' From the Foreword by Jan Strelau, Pro-Rector for Research Warsaw School of Social Sciences and Humanities

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This revised edition of a popular text offers students an updated and comprehensive overview across special education. It critically examines the intellectual foundations of special education and considers the consequences of their influence for professional and popular thinking about learning difficulties. The chapters place inclusion within a social and political context to highlight how concepts have been influences by theory and ideology across the years. The book offers guidance to students on specific issues such as reading and behavioural difficulties with theoretically grounded information. With a fresh chapter discussing current research, intersectionality and increased marketisation within education this book reflects the new landscape and legislation of special education. “Essential reading for anyone studying or working in either special or inclusive education… Few could build the case as well as Thomas and Loxley.”Melanie Nind, Professor of Education, University of Southampton, UK“Few books in the field of education merit the soubriquet 'must read'. This is one such." Philip Garner, Professor, Brunel University, UK“An absolute must-read for all of us committed to realising genuine inclusion within schools and society!”Jan Valle, The City College of New York, USA"Finishing your first reading of their book makes you realise that you must return to it, such is the richness of the analysis and reach of its detail. This is a tour de force, a line in the sand for all successive work in the field of inclusive education."Roger Slee, Diamond Jubilee Professor of Disability Studies, University of Leeds, UK

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The climate and biodiversity emergency, the Grenfell Tower tragedy, and rising inequality all serve as reminders of the ethical responsibilities of the architect, and the importance of ethical decision-making. Ethical practice is a core competence for architects, which means it is vital that students and professionals develop a fundamental awareness and understanding of ethics. This guide is designed to improve the industry’s grasp of ethical practice as it relates to the wider world, society, clients, the workplace, the profession, and the individual. Aimed at architects, but relevant to built environment practitioners more generally, each chapter introduces an ethical duty, setting out the relevant legal, regulatory, and professional context before exploring the detailed subject matter and key principles. It includes an ethical dilemma for each duty and views and experiences from across the profession. Also delving into issues such as equity, diversity and inclusion, social value, wellbeing, and integrity, it does not seek out ‘right’ or ‘wrong’ answers. Rather it encourages reflection on core values and possible consequences to encourage balanced and reasoned positions. While ethical practice is invaluable in itself, it is also critical for establishing trust with clients, improving transparency and enhancing reputation. It can act as a magnet for the attraction and retention of high-quality staff. Contributing positively to the avoidance of disputes, it can also provide a level of accountability that is beneficial both to the industry and wider society. Including contributions from: Neal Shasore, Farhana Yamin, Justin Bere, Jan Kattein, Darius Jenner Pullinger, Virginia Newman, Dhruv Sookhoo and Ben Channon.

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Edmund Husserl, generally regarded as the founding figure of phenomenology, exerted an enormous influence on the course of twentieth and twenty-first century philosophy. This volume collects and translates essays written by important German-speaking commentators on Husserl, ranging from his contemporaries to scholars of today, to make available in English some of the best commentary on Husserl and the phenomenological project. The essays focus on three problematics within phenomenology: the nature and method of phenomenology; intentionality, with its attendant issues of temporality and subjectivity; and intersubjectivity and culture. Several essays also deal with Martin Heidegger’s phenomenology, although in a manner that reveals not only Heidegger’s differences with Husserl but also his reliance on and indebtedness to Husserl’s phenomenology. Taken together, the book shows the continuing influence of Husserl’s thought, demonstrating how such subsequent developments as existentialism, hermeneutics, and deconstruction were defined in part by how they assimilated and departed from Husserlian insights. The course of what has come to be called continental philosophy cannot be described without reference to this assimilation and departure, and among the many successor approaches phenomenology remains a viable avenue for contemporary thought. In addition, problems addressed by Husserl—most notably, intentionality, consciousness, the emotions, and ethics—are of central concern in contemporary non-phenomenological philosophy, and many contemporary thinkers have turned to Husserl for guidance. The essays demonstrate how significant Husserl remains to contemporary philosophy across several traditions and several generations. Includes essays by Rudolf Bernet, Klaus Held, Ludwig Landgrebe, Dieter Lohmar, Verena Mayer and Christopher Erhard, Ullrich Melle, Karl Mertens, Ernst Wolfgang Orth, Jan Patočka, Sonja Rinofner-Kreidl, Karl Schuhmann, and Elisabeth Ströker.

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Midair is a true account of one of the most remarkable tales of survival in the history of aviation – a midair collision at 30,000 feet by two bomb-laden B-52s over a category 5 super typhoon above the South China Sea during the outset of the Vietnam War. Authored by Craig K. Collins, the nephew of B-52 pilot Maj. Don Harten, Midair is an historically important work that is about more than survival. Interwoven through Harten’s dramatic story of his million-to-one struggle against near-certain death is a previously unexamined look at how America had developed an aerial battle plan that would likely have ended the Vietnam conflict in under a month during the late winter of 1965. Instead, the country’s war planners and politicians veered off course and into a bloody eight-year quagmire. Harten was on the February 1965 top-secret mission – a massive B-52 bombing raid of railways, supply depots, and airfields in and around Hanoi – that was called off in mid-flight. That mission and battle plan was mothballed until Dec. 18, 1972, when it was dusted off and dubbed Linebacker II, effectively ending the war within a week. Over 120 B-52s bombed Hanoi-area military installations for eight consecutive days. As a result of the heavy bombing, the North Vietnamese declared a truce, attended peace talks in Paris in early January and signed the Paris Peace Accords, ending hostilities in Vietnam on Jan. 27, 1973. It is the gripping tale of a young Air Force officer’s first combat mission that instantly pulls the reader in and never lets up.

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The NHS is in crisis. The past 10 years of Tory real-terms cuts in funding has been disastrous. This book looks at the threat to the NHS posed by the combination of two years of a global pandemic with the relentless policies pursued by Tory-led governments since 2010. With contributions by 13 experts on different aspects of the crisis: Lobby Akkinnola, Covid-19 Bereaved Families for Justice Rehana Azam, National Secretary, Public Services GMB union; Kevin Courtney, Joint General Secretary, National Education Union, on Covid, education and schools; Sara Gorton, Head of Health UNISON, on pay and conditions of NHS staff; Colenzo Jarrett-Thorpe, National Officer Unite, the Health & Care Bill, on ambulance and other staff; Roger Kline, Research fellow at Middlesex University, on equalities and BAME; Roy Lilley, health policy analyst, on management views; Michael Mansfield, barrister QC, on holding the government to account; Sir Michael Marmot, Prof. of Epidemiology & Public Health, University College London, Director of the UCL Institute of Health Equity, on health inequality. Martin McKee, Prof. European Public Health, London School of Hygiene & Tropical Medicine, on public health; Neena Modi, Prof. Neonatal Medicine at Imperial College, on child and adolescent health, including mental health; Jan Shortt, General Secretary of the National Pensioners Convention, on care for the elderly; David Wrigley, Deputy Chair British Medical Association, on primary care; ... a superb reply to what is happening with our beloved NHS. We need it to help us in our struggles to push back against those who are snatching it away from us. All struggles need resolve, solidarity and hope, but they also need information. - From the foreword by Michael Rosen

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Since the early 1990s, Enrico Pedriali with R. D. Hinshelwood organised workshops in Italy known as the learning from action workshops. This novel approach evolved from applying the principles of therapeutic communities to a group relations form of experiential conference. The group relation tradition, however, does not focus particularly on mental health organisations and tends to focus on senior management issues of leadership and authority. In contrast, the learning from action workshops are tailored to the care workers engaged in the direct work, in particular for those working with clients and patients with significant problems with verbal and symbolic communication. The workshops also include an element of research into the unconscious messaging systems employed in making relations, which contribute to therapeutic and other mental health care services. There are also chapters on a related form of workshop – the living and learning experience – which was established primarily for learning about therapeutic communities, which bring further insight to working practices. The book brings together a community of 21 authors: Giada Boletti, Louisa Diana Brunner, Davide Catullo, Heather Churchill, John Diamond Donna M. Elmendorf, Giovanni Foresti, Rex Haigh, R. D. Hinshelwood, Yuko Kawai, Eriko Koga, Jan Lees, Simona Masnata, Luca Mingarelli, Gilad Ovadia, Mario Perini, Barbara Rawlings, Antonio Sama, Edward R. Shapiro, Lili Valkó, and Zsolt Zalka. It will be a must-read for those working in mental health care. The information within will be of use to those new to the profession, for whom there is often very little preparation or reading material, and also to more senior members to use not only for their own development but also in training and research activities in mental health.

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SHORTLISTED FOR THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARDA Financial Times Book of the YearA Spectator Book of the YearA Daily Telegraph Book of the Year'Travel writing in excelsis' -Jan Morris, author of Venice'A thrilling and gorgeous tale, packed with meteorological wonder' -Amy Liptrot, author of The OutrunNick Hunt sets off on an unlikely quest: to follow four of Europe's winds across the continent...His wind-walks begin on Cross Fell, the highest point of the Pennines, as he chases the roaring Helm - the only named wind in Britain. In southern Europe he follows the Bora - a bitter northerly that blows from Trieste through Slovenia and down the Croatian coast. His hunt for the 'snow-eating' Foehn becomes a meandering journey of exhilaration and despair through the Alpine valleys of Switzerland, and his final walk traces an ancient pilgrims' path in the south of France on the trail of the Mistral - the 'wind of madness' which animated and tormented Vincent Van Gogh.These are journeys into wild wind, but also into wild landscapes and the people who inhabit them - a cast of meteorologists, storm chasers, mountain men, eccentric wind enthusiasts, sailors and shepherds. Soon Nick finds himself borne along by the very forces he is pursuing, through rain, blizzards, howling gales, and back through time itself. For, where the wild winds are, there are also myths and legends, history and hearsay, science and superstition - and occasionally remote mountain cabins packed with pickles, cured meats and homemade alcohol.Where the Wild Winds Are is a beautiful, unconventional travelogue that makes the invisible visible.

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Mammals of Africa (MoA) is a series of six volumes which describes, in detail, every currently recognized species of African land mammal. This is the first time that such extensive coverage has ever been attempted, and the volumes incorporate the very latest information and detailed discussion of the morphology, distribution, biology and evolution (including reference to fossil and molecular data) of Africa's mammals. With more than 1,160 species and 16-18 orders, Africa has the greatest diversity and abundance of mammals in the world. The reasons for this and the mechanisms behind their evolution are given special attention in the series. Each volume follows the same format, with detailed profiles of every species and higher taxa. The series includes hundreds of colour illustrations and pencil drawings by Jonathan Kingdon highlighting the morphology and behaviour of the species concerned, as well as line drawings of skulls and jaws by Jonathan Kingdon and Meredith Happold. Every species also includes a detailed distribution map. Edited by Jonathan Kingdon, David Happold, Tom Butynski, Mike Hoffmann, Meredith Happold and Jan Kalina, and written by more than 350 authors, all experts in their fields, Mammals of Africa is as comprehensive a compendium of current knowledge as is possible. Extensive references alert readers to more detailed information. Volume IV, edited by Meredith Happold and David Happold, contains profiles of 156 species of insectivores, comprising the hedgehogs and shrews. The rest of the volume is devoted to the 224 species of African bats. The latter are divided into nine families, namely fruit bats, horseshoe bats, leaf-nosed bats, false vampire bats, mouse-tailed bats, sheath-tailed bats, slit-faced bats, free-tailed bats and vesper bats.

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Mammals of Africa (MoA) is a series of six volumes which describes, in detail, every currently recognized species of African land mammal. This is the first time that such extensive coverage has ever been attempted, and the volumes incorporate the very latest information and detailed discussion of the morphology, distribution, biology and evolution (including reference to fossil and molecular data) of Africa's mammals. With more than 1,160 species and 16-18 orders, Africa has the greatest diversity and abundance of mammals in the world. The reasons for this and the mechanisms behind their evolution are given special attention in the series. Each volume follows the same format, with detailed profiles of every species and higher taxa. The series includes hundreds of colour illustrations and pencil drawings by Jonathan Kingdon highlighting the morphology and behaviour of the species concerned, as well as line drawings of skulls and jaws by Jonathan Kingdon and Meredith Happold. Every species also includes a detailed distribution map. Edited by Jonathan Kingdon, David Happold, Tom Butynski, Mike Hoffmann, Meredith Happold and Jan Kalina, and written by more than 350 authors, all experts in their fields, Mammals of Africa is as comprehensive a compendium of current knowledge as is possible. Extensive references alert readers to more detailed information. Volume V, edited by Jonathan Kingdon and Michael Hoffmann, comprises 83 species of carnivores, and includes jackals, wolves, dogs, foxes, weasels, polecats, striped weasels, Zorilla, otters, Ratel, fur seals, monk seals, Palm Civet, cats, genets, linsangs, African Civet, hyaenas, Aardwolf and mongooses. The volume is completed with profiles of four pangolins, four zebras and two rhinoceroses.

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Bangladesh has been shunned by tourists from the moment it was created in 1971. Henry Kissinger described it as a basketcase. Poverty and humanitarian disasters defined Bangladesh in the ensuing decades. When Rupert Grey arrived in Dhaka in 1992, a sign announced that arrivals were ‘Welcome to Bangladesh before the tourists get here’. They still haven’t. Grey first came to Bangladesh as a London lawyer armed with three FM2 cameras. Many journeys and 30 years later he is a photographer armed with a useful legal background. The catalysts were Chobi Mela, the festival of photography, and its founder Shahidul Alam, an acclaimed photographer, human rights activist and Time magazine’s Person of the Year in 2018. This book charts Grey’s love affair with Bangladesh, including an epic transcontinental journey through India to Chobi Mela in a vintage Rolls-Royce, later portrayed in the award-winning, Sharon Stone produced film Romantic Road. His photographs, mostly taken on film, speak powerfully of the cultural vitality and energy which Kissinger missed, and which inspired Grey’s Homage to Bangladesh. As a libel and copyright lawyer Rupert has represented national papers, politicians, bankers, celebrities and explorers. He serves on the board of a number of front-line charities in the arts, education, photography and marine exploration. He has travelled on foot and horseback, by dug-out canoe, dog sledge, camel, elephant, bush-plane and Land Rover to the wild places of the earth. His photographs have been exhibited in several countries including Bangladesh, and his articles have been widely published. He lives with his wife Jan in a remote thatched cottage in Sussex, England, with their three daughters nearby.

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Winner, New Brunswick Book Award for PoetryA Quill & Quire Best Book of the YearLike the novella in fiction, the long poem is an oft-neglected form. Too long for publication in most literary journals and anthologies, too short to merit book-length publication, the long poem occupies a lonely space in literature. M. Travis Lane is a master of the form, in which her considerable poetic skills reach their apex. There are few that match her brilliance. This volume collects all of her long works — most of them now out of print — from a five-decade commitment to the art. M. Travis Lane has long flown under the radar of Can Lit, crafting luminous poems and sharp literary criticism — much of it published in the Fiddlehead, one of Canada's premier literary journals — but in recent years her work has been drawing the attention it deserves. Evidence of this recognition is her 2015 Governor General's Award nomination for Crossover, a collection the still-vital poet published at the age of 81. Her poetry is modernist, dense, and highly allusive, drawing adeptly on classical and biblical sources, imbued with a feminist and ecocritical perspective. Her musical lines, vivid metaphors, and phenomenological acumen launch her into the company of such poetic luminaries as Don McKay, Jan Zwicky, and Tim Lilburn. In the long poetic form, these qualities reach their highest expression. This volume, an exquisite collection that brings together her long poems for the first time, constitutes an important addition to the canon of Canadian literature and to the canon of feminist literature in North America.

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