Search results for ""Jan""

Painting “without color” has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l’oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer’s attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual – epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck – to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly. Published by National Gallery Company/Distributed by Yale University PressExhibition Schedule:National Gallery, London (10/30/17–02/18/18)Museum Kunstpalast, Düsseldorf (03/21/18–07/15/18)

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This autobiography of mathematician Stanislaw Ulam, one of the great scientific minds of the twentieth century, tells a story rich with amazingly prophetic speculations and peppered with lively anecdotes. As a member of the Los Alamos National Laboratory from 1944 on, Ulam helped to precipitate some of the most dramatic changes of the postwar world. He was among the first to use and advocate computers for scientific research, originated ideas for the nuclear propulsion of space vehicles, and made fundamental contributions to many of today's most challenging mathematical projects. With his wide-ranging interests, Ulam never emphasized the importance of his contributions to the research that resulted in the hydrogen bomb. Now Daniel Hirsch and William Mathews reveal the true story of Ulam's pivotal role in the making of the 'Super,' in their historical introduction to this behind-the-scenes look at the minds and ideas that ushered in the nuclear age. It includes an epilogue by Francoise Ulam and Jan Mycielski that sheds new light on Ulam's character and mathematical originality.

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This is the quest for a lost wonder of the world, in the author's words his 'ridiculous obsession', arose from the chance discovery of some dusty memoirs that told of a mighty hedge spanning the Indian subcontinent in the nineteenth century. The hedge was set in place to allow the collection of the Salt Tax by British customs officers, Inspired by the concept of this amazing living barrier, now forgotten, Roy Moxham set off to find out what has happened to it and whether any remnant existed today. His travels in India, and what he found there, form the basis for this illuminating book.Writer Jan Morris comments, 'At first I thought this remarkable book must be a hoax . . . It tells the story of one of the least-known wonders of Queen Victoria's India - a customs barrier 2,300 miles long, most of it made of hedge. It was patrolled by 12,000 men and would have stretched from London to Constantinople, yet few historians mention it and most of us have never heard of it. Could anything be more astonishing?'

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This delicate foliage pattern was originally crafted to adorn a 17th-century binding of the Passion Series. The original work was created in 1521 by the northern Renaissance painter Lucas van Leyden, one of the greatest engravers of his time.This edition does not contain Van Leyden’s 1521 version, but rather a copy of it done by Jan Harmensz. Muller, an artist best known for his skillful reinterpretations of the work of his predecessors. So exactly replicated were his engravings, that Van Leyden’s original dates and monogram appear in Muller’s woodcut plates. Though there is no indication that Muller himself attempted to pass off his work as that of the earlier master, scratched-out marks in this edition suggest that previous owners tried to make it appear as though they owned an original Van Leyden. It is only thanks to a small engraving of Muller’s name that we know this is a reproduction.With a complicated history not unlike the tangled branches depicted on the cover, this Tree of Life binding stands out amongst the British Library’s collection of antique tomes.

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A comprehensive textbook for doctors undertaking courses in anthroposophical medicine.It includes chapters on the philosophical foundations of anthroposophical medicine; developing dynamic perception; polarities; metamorphosis; working with the texts of Rudolf Steiner; and the anthropsophical path of inner development.

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One of the most unusual books in classical Arabic literature, The Epistle of Forgiveness is the lengthy reply by the prolific Syrian poet and prose writer, Abu l-'Ala' al-Ma'arri (d. 449/1057), to a letter by an obscure grammarian, Ibn al-Qarih. With biting irony, The Epistle of Forgiveness mocks Ibn al-Qarih’s hypocrisy and sycophancy by imagining he has died and arrived with some difficulty in Heaven, where he meets famous poets and philologists from the past. He also glimpses Hell, and converses with the Devil and various heretics. Al-Ma'arri—a maverick, a vegan, and often branded a heretic himself—seems to mock popular ideas about the Hereafter. This second volume is a point-by-point reply to Ibn al-Qarih’s letter using al-Ma'arri’s characteristic mixture of erudition, irony, and admonition, enlivened with anecdotes and poems. Among other things, he writes about hypocrites; heretical poets, princes, rebels, and mystics; apostates; piety; superstition; the plight of men of letters; collaborative authorship; wine-drinking; old age; repentance; pre-Islamic pilgrimage customs; and money. This remarkable book is the first complete translation in any language, all the more impressive because of al-Ma'arri’s highly ornate and difficult style, his use of rhymed prose, and numerous obscure words and expressions. A bilingual Arabic-English edition.

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Der Grundstein für eine öffentliche Kunstsammlung von Weltrang in Berlin wurde 1821 gelegt: Damals erwarb der preußische Staat für das zu gründende Berliner Museum die Gemäldesammlung des Kaufmanns Edward Solly (1776-1844). Dieser kosmopolitische Kunstfreund brachte in Berlin zwischen 1815 und 1820 Tausende Gemälde vor allem aus Italien, Deutschland und den Niederlanden zusammen, viele stammten von bis dahin kaum bekannten, seitdem und bis heute aber hochgeschätzten Künstlern. Die Ausstellung und der begleitende Katalog stellen Meisterwerke, Wiederentdeckungen und „historische Merkwürdigkeiten" in einem repräsentativen Querschnitt vor und eröffnen den Blick in eine Zeit, die einerseits unsere Vorstellungen von Kunst und Museen prägte, andererseits doch so ganz anders auf die Werke blickte, als wir es heute tun. Detaillierte Einblicke in die Geschichte der Berliner Gemäldegalerie Ausstellung: Gemäldegalerie, Berlin, 2022 Künstler u. a.: Wilhelm Hensel, Meister der Dossali Veneziani, Puccio di Simone, Giotto, Meister des San Niccolò-Altares, Domenico und Davide Ghirlandaio, Raffael, Girolamo Figino, Johannes Hispanus, Girolamo Romanino, Giovanni Battista Benvenuti, Goossen van der Weyden, Hans Holbein der Jüngere, Hans Maler, Ambrosius Benson, Jan Gossart, Rembrandt, Cornelis Cornelisz van Haarlem, Gian Domenico Cerrini

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Special edition of a volume which has become the leading forum for debate on aspects of medieval warfare, looking at warfare in the fifteenth century. The articles in this volume focus on the fifteenth century. Several draw on the substantial archives of the Burgundian polity, focusing particularly on the Flemish shooting guilds, spying, and the provision of troops by towns. Theurban emphasis continues with a study of the transition from "traditional" artillery to gunpowder weaponry in Southampton, and a comparison of descriptions of military engagements in the London Chronicles and in Swiss town chronicles. Welsh chronicling of the battle of Edgecote (1469) is also reviewed, and there is a re-assessment of Welsh involvement in the Agincourt campaign. English interests in France are pursued in two further papers, one consideringthe personnel of the ordnance companies in Lancastrian Normandy and the other examining the little-known French attacks on Gascony in the early years of the fifteenth century. Contributors: Frederik Buylaert, Jan Van Camp, Bert Verwerft, Adam Chapman, Laura Crombie, Andy King, Barry Lewis, Randall Moffett, Guilhem Pepin, Andreas Rémy, Bastian Walter

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Thief With Leaf won the Guyana Prize for Poetry in 1989."The distinguishing mark of Brian Chan's poems is that they constantly illuminate the moments of everyday living; wherever the poet finds himself, glimpses of actual and remembered scenes come to him in moving detail... Each poem in this selection is life-enhancing. There is no vain pursuit or striving after slogans, catchphrases, sentiment, or any other seductive, transient passions. For the poet, poetry at its best is like a best friend, trustworthy and of lasting value, an art in which to invest an individual's own quest for permanence, an art through which to converse sincerely, explore and transcend experiences, so we find in them a voice which expresses the most permanent qualities of vision. This is a collection of poems essentially of spiritual questing, Zen-like, giving at their best a quiet spiritual aura to the everyday."Jan ShinebourneBrian Chan grew up in Guyana. He is an accomplished musician and painter, and now lives in Edmonton, Canada.

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With the rise of museums in the 19th century, including the formation in 1824 of the National Gallery in London, as well as the proliferation of widely available published reproductions, the art of the past became visible and accessible in Victorian England as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velázquez, and others, British artists elevated contemporary art to new heights through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering the arc of Victorian art from the Pre-Raphaelites through to the early modernists, this volume traces the ways in which artists such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past and produced some of the greatest art of the later 19th century. Published in association with the Paul Mellon Centre for Studies in British Art

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". . . by reconstructing the history/experience of Brzezany in Jewish, Ukrainian, and Polish memories [Redlich] has produced a beautiful parallel narrative of a world that was lost three times over. . . . a truly wonderful achievement." —Jan T. Gross, author of NeighborsShimon Redlich draws on the historical record, his own childhood memories, and interviews with Poles, Jews, and Ukrainians who lived in the small eastern Polish town of Brzezany to construct this account of the changing relationships among the town's three ethnic groups before, during, and after World War II. He details the history of Brzezany from the prewar decades (when it was part of independent Poland and members of the three communities remember living relatively amicably "together and apart"), through the tensions of Soviet rule, the trauma of the Nazi occupation, and the recapture of the town by the Red Army in 1945. Historical and contemporary photographs of Brzezany and its inhabitants add immediacy to this fascinating excursion into history brought to life, from differing perspectives, by those who lived through it.

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In December 1987 a group of published novelists, poets, and journalists met in Vienna to participate in the Wheatland Conference on Literature. The writers presented papers addressing their common experience—that of being exiled. Each explored different facets of the condition of exile, providing answers to questions such as: What do exiled writers have in common? What is the exile’s obligation to colleagues and readers in the country of origin? Is the effect of changing languages one of enrichment or impoverishment? How does the new society treat the emigre? Following each essay is a peer discussion of the topic addressed.The volume includes writers whose origins lie in Central Europe, South Africa, Israel, Cuba, Chile, Somalia, and Turkey. Through their testimony of the creative process in exile, we gain insight into the forces which affect the creative process as a whole.Contributors. William Gass, Yury Miloslavsky, Jan Vladislav, Jiri Grusa, Guillermo Cabrera Infante, Horst Bienek, Edward Limonov, Nedim Gursel, Nuruddin Farah, Jaroslav Vejvoda, Anton Shammas, Joseph Brodsky, Wojciech Karpinski, Thomas Venclova, Yuri Druzhnikov

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Lose yourself in this classic travelogue evoking the idyllic South of France by the king of travel writing and real-life family member of The Durrells in Corfu. 'Full of stories, landscapes, comedy, history, heresies, animals, food, drink, and songs of the Midi.' Patrick Leigh Fermor 'A richly characteristic bouillabaisse by our last great garlicky master of the vanishing Mediterranean, our old Prospero of the south.' Richard Holmes Provence, Southern France. Celebrated writer and poet Lawrence Durrell made the Midi his home for more than thirty years: and in his final book, he shares his most evocative, dazzling memories of life as a local. A seductive blend of travelogue, poet's notebook, and intimate autobiography, Durrell guides us through the rich layers of human history that lie beneath the region's legendary landscapes. From stories of magic and mythology infusing the rolling vineyards and vivid lavender fields to tales of Roman conquest, bull-worship, and courtly love beneath the wounded blue skies, Caesar's Vast Ghost is a classic memoir to be treasured.'Casts a spell ... Masterly.' Jan Morris'A virtuoso.' New York Times

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The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science—and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals’ revolutionary portraiture, Adriaen Brouwer’s depictions of the working class at play, Jan Brueghel’s velvety miniatures, and Hendrick Avercamp’s lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf’s accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.

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This volume fundamentally re-examines textual approaches to the New Testament and its manuscripts in the age of digital editing and media. Using the eccentric work of Herman Charles Hoskier as a shared foundation for analysis, contributors examine the intellectual history of New Testament textual scholarship and the production of critical editions, identify many avenues for further research, and discuss the methods and protocols for producing the most recent set of editions of the New Testament: the Editio Critica Maior. Instead of comprising the minute refinement of a basically acceptable text, textual scholarship on the New Testament is a vibrant field that impinges upon New Testament Studies in unexpected and unacknowledged ways. Contributors:Garrick V. Allen, J. K. Elliott, Gregory Peter Fewster, Peter J. Gurry, Juan Hernández Jr., H. A. G. Houghton, Annette Hüffmeier, Dirk Jongkind, Martin Karrer, Jennifer Wright Knust, Jan Krans, Thomas J. Kraus, Christina M. Kreinecker, Curt Niccum, D. C. Parker, Jacob Peterson, Stanley E. Porter, Catherine Smith, Jill Unkel, Klaus Wachtel, Tommy Wasserman, An-Ting Yi

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Ludwig van Beethoven’s universal, unique reception, the epic significance of his music, and the perception of his iconic, stylized personality allow for a vast number of starting points. This book develops a network of interdisciplinary possibilities and associations, opening up room for fascinating thoughts about Beethoven. Paintings by Caspar David Friedrich, William Turner’s sketchbooks, prints by Francisco de Goya and Jorinde Voigt, and sculptures by Auguste Rodin, Rebecca Horn, and John Baldessari are brought into the conversation and set in relation to the music of Beethoven, as well as to the man himself. These works of art are supplemented by a number of voices from around the world: texts that alternate between science and literature, proximity and distance, expertise and fandom. They demonstrate that this incomparable musician continues to move us in very different ways, even 250 years after his birth. Partisipating artists: John Baldessari, Jan Cossiers, Ayşe Erkmen, Caspar David Friedrich, Francisco de Goya, Rebecca Horn, Idris Khan, Anselm Kiefer, Auguste Rodin, Tino Sehgal, J.M.W. Turner, Jorinde Voigt, Guido van der Werve.

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The latest in this annual bulletin based on research carried out at the National Gallery, London, draws on the combined expertise of scientists, conservators, and curators, bringing together a wealth of information about artists’ materials, practices, and techniques. The cleaning and restoration of The Adoration of the Kings by Botticelli and Filippino Lippi reveals its unusually complex physical and attributional history. The relining of Van Dyck’s equestrian portrait of Charles I is described, an operation that posed certain challenges due to its large size; at the same time the records of conservation of this painting offer a potted history of lining at the National Gallery. The recent cleaning of Jan van Eyck’s Portrait of a Man (“Léal Souvenir”) has shown that it retains an original surface coating that may explain its excellent condition. And finally, Leonardo’s Virgin of the Rocks offers new discoveries from macro XRF scanning and hyperspectral imaging, which extend our knowledge of the evolution of the painting during its production.Published by National Gallery Company/Distributed by Yale University Press

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'So immense and beautiful, it's both gorgeously composed and an addictive page-turner. Sue Rainsford is an extraordinary writer' DONAL RYAN'Unnervingly, thrillingly strange . . . a masterpiece of literary horror' CAL FLYN'Lyrical, hypnotic and provocative, I devoured Redder Days in a single, slightly furious sitting and have been haunted by it ever since' JAN CARSONTwins Anna and Adam live in an abandoned commune in a volatile landscape where they prepare for the world-ending event they believe is imminent. Adam keeps watch by day, Anna by night. They meet at dawn and dusk.Their only companion is Koan, the commune's former leader, who still exerts a malignant control over their daily rituals. But when one of the previous inhabitants returns, everything Anna and Adam thought they knew to be true is thrown into question.Dazzling, unsettling and incredibly moving, Redder Days is a stunning exploration of the consequences of corrupted power, the emotional impact of abandonment, and the endurance of humanity in the most desperate of situations, from the author of Follow Me to Ground.

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'Reading this book is like taking a ride on a marvellously exhilarating time-machine, alive with colour, surprise and sheer merriment' Jan MorrisElizabethan London reveals the practical details of everyday life so often ignored in conventional history books. It begins with the River Thames, the lifeblood of Elizabethan London, before turning to the streets and the traffic in them. Liza Picard surveys building methods and shows us the interior decor of the rich and the not-so-rich, and what they were likely to be growing in their gardens. Then the Londoners of the time take the stage, in all their amazing finery. Plague, smallpox and other diseases afflicted them. But food and drink, sex and marriage and family life provided comfort. Cares could be forgotten in a playhouse or the bull-baiting of bear-baiting rings, or watching a good cockfight. Liza Picard's wonderfully skilful and vivid evocation of the London of Elizabeth I enables us to share the delights, as well as the horrors, of the everyday lives of our sixteenth-century ancestors.

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This richly documented Norton Critical Edition of Julius Caesar is based on the 1623 First Folio text. It is accompanied by a note on the text, an introduction that sets the biographical and historical stage necessary to appreciate this richly allusive play, explanatory annotations, a map, and five illustrations. “Sources and Contexts” presents possible sources as well as analogues to Julius Caesar, an account of Shakespeare’s understanding of and approach to Roman history, and Ernest Schanzer’s study of the narrative challenges posed by the play. “Criticism” includes early commentary—by, among others, Samuel Johnson, William Hazlitt, and Harley Granville-Barker—on Julius Caesar as well as modern interpretations. Among these are John W. Velz on role-playing in Julius Caesar; Jan H. Blits on Caesar’s ambiguous end; Paul A. Cantor on rhetoric, poetry and the Roman republic; and R. A. Foakes on the themes of assassination and mob violence. “Performance History” reprints accounts of various aspects of staging Julius Caesar by Sidney Homan, John Nettles, and Robert F. Willson, Jr. A Film Bibliography and Selected Bibliography are also included.

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In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world’s most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs. The featured photographers include new names Gregory Bojorquez, Jo Schwab, Tomohide Ikeya, Frédéric Fontenoy, Andrew Pashis, and Jan Hronsky, as well as established artists Guido Argentini, Bruno Bisang, Eric Kroll, and the late Bob Carlos Clarke. Several outstanding women are also featured in this edition, including erotic film star Kimberly Kane, digital pioneer Natacha Merritt, heavy metal skateboarder Magdalena Wosinska, self-portraitist Jody Frost, and cover artist April-Lea Hutchinson. It all adds up to an awful lot of nudes for a tantalizingly low price.

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The wide-ranging essays collected in this volume of Cather Studies examine Willa Cather’s unique artistic relationship to the environment. Under the theoretical rubric of ecocriticism, these essays focus on Cather’s close observations of the natural world and how the environment proves, for most of these contributors, to be more than simply a setting for her characters. While it is certain that Cather’s novels and short stories are deeply grounded in place, literary critics are only now considering how place functions within her narratives and addressing environmental issues through her writing. These essays reintroduce us to a Cather who is profoundly identified with the places that shaped her and that she wrote about: Glen A. Love offers an interdisciplinary reading of The Professor’s House that is scientifically oriented; Joseph Urgo argues that My Ántonia models a preservationist aesthetic in which landscape and memory are inextricably entangled; Thomas J. Lyon posits that Cather had a living sense of the biotic community and used nature as the standard of excellence for human endeavors; and Jan Goggans considers the ways that My Ántonia shifts from nativism toward a “flexible notion of place-based community.”

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Constant change is what marks the history of the European city. Over centuries, architecture's reactions to social disruptions-natural disaster, plague, or war-have fashioned the city into an engine of civilization. And bound up with this has been the promise of economic independence, social cohesion, and individual freedom. Now fundamental challenges, such as climate change, are bringing cities face to face with new transformations that call into question the continuity and sustainability of the ethical foundations underpinning urban ways of life. Bold and decisive steps are needed. How far can urban planning, landscape planning, and architecture foster the vital processes of change? How can the city offset possible losses caused by altered lifestyles, integrate new technologies, or rehearse new forms of behaviour and ultimately sublimate them into a functioning culture? In this volume, the members of the Architecture Section of the Akademie der Kunste Berlin and their invited guests from all over Europe introduce their positions by means of projects, visions, and manifestos. Essays by selected authors with different viewpoints supplement the practical discourse. Published by Tim Rieniets, Matthias Sauerbruch, and Joern Walter on behalf of the Akademie der Kunste, Berlin. With a photoessay by Erik-Jan Ouwerkerk.

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'Everything passes. The good and the bad. The joy and the sorrow. Everything passes. Or does it?' At the beginning of the sixteenth century, the painter Jan Gossaert paints Danae, upon whom Jupiter descends in a shower of gold, as a plump nubile maiden, her face haunted, one heavy breast exposed. In a nineteenth-century asylum in Zurich, a woman writes endlessly to her husband, covering the same page over and over again until nothing is legible. In January 1947, Arnold Schoenberg suffers a heart attack. Brought back to life by means of injections to his heart, he writes his astonishing string trio, "Opus 45", shortly afterwards. The French poet, Francis Ponge is photographed standing at a window, looking out through a broken pane. Behind him, there is an empty room, devoid of furniture. Out of fragments of cultural history from the past four hundred years, Gabriel Josipovici has created a compressed, poetic narrative of solitude, love, illness and the ambiguous comforts of art. As clear and elusive as the arts it explores, this is the most beautiful and mysterious of Josipovici's books to date.

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Over the past 35 years, husband-and-wife collector duo Rose-Marie and Eijk van Otterloo have acquired an unparalleled private collection of 17th-century Dutch and Flemish paintings, representing a selection of work by the Dutch Golden Age’s most important artists. This volume compiles some two dozen masterworks from the van Otterloo Collection, which was donated by the couple to the Museum of Fine Arts, Boston in 2017, as one of the most generous gifts in the museum’s history. Included among these visually splendid paintings is one of the world’s best-preserved Rembrandts, previously housed in a private collection: his 1632 piece Portrait of Aeltje Uylenburgh, which depicts its elderly sitter in dark robes and a delicate white millstone collar. Works by other Dutch Masters such as Cuyp, Rubens, Anthony van Dyck and Jan Brueghel the Elder round out the collection with a variety of pictorial subjects, from genre scenes to seascapes to still lifes. Accompanied by biographical and art historical information to provide context for the artists and their work, the series of lavish reproductions assembled in this volume invites readers to immerse themselves in the careful composition and beautiful light quality of this era’s finest paintings.

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This two volume set brings together a key selection of papers written by Jacques J. Polak over the last 50 years in the fields of economics, econometrics and finance. Presented under five broad headings, the collection begins with his work on international and national business cycles - a subject on which the author worked with Nobel Prize winner Jan Tinbergen - problems of international trade and balance of payments adjustment. Later sections examine exchange rates and how they affect the balance of payments, inflation and hyperinflation; the monetary approach to the balance of payments, a subject that the author pioneered in the IMF and that became the framework of the conditionality of IMF credits; and international liquidity, with particular reference to the special drawing right (SDR). The final section features the author's essays on the international monetary system itself, including topics such as the international co ordination of national economic policies, the changes over time in the objectives of national policy making in the main industrial countries and reform of the system.Economic Theory and Financial Policy will be welcomed by researchers, students and practitioners concerned with economics, government finance, banking and international economic relations.

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Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favoured paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century. Divided into three sections, the first examines key terms, including: styles, concepts, and techniques; the second looks at four regions - Northern and Central Europe, France and Flanders, The Western Mediterranean, and Italy - and key cities within each area; and the third section highlights approximately fifty individual artists. Important facts are called out in the margins of each entry, and key elements are pointed out on each illustration.

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Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In "Lonesome Roads and Streets of Dreams", Andrew S. Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, "Lonesome Roads and Streets of Dreams" depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries - from black to white, South to North, and rural to urban - and how they found expression for these movements in the insistent music they were creating.

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Exploring the impact and influence of global trade networks on 17th-century Dutch life and art The 17th century has long been considered a "golden age" for Dutch art, fueled by the Dutch Republic’s growth as an economic world power. Nourished by an innovative stock market and burgeoning global trade network, this vibrant economy not only provided artists with a rich context in which to make their art, but also directly influenced the art itself—in its subject matter, materials, meaning and interpretation. The genre scenes and still lifes that today seem quintessentially Dutch actually project a global vision, and often address the positive and negative aspects of economic and global expansion. Drawing on the world-renowned collection of Dutch paintings, works on paper, decorative arts and illustrated books at the Museum of Fine Arts, Boston, this book offers a fresh look at 17th-century Dutch art, accompanied by authoritative essays that ask readers to consider the global context in which this work was made. Artists include: Rembrandt van Rijn, Jacob van Ruisdael, Rachel Ruysch, Frans Hals, Judith Leyster, Gerrit van Honthorst, Maria Schalcken, Pieter Claesz, Nicolaes Maes, Jan van Huysum and Johannes Vermeer.

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"Perfect late night reading" JAN MORRIS "Banffy is a born storyteller" PATRICK LEIGH FERMOR "Totally absorbing" MARTHA KEARNEY "So evocative" SIMON JENKINSThe final volume of Miklos Banffy's panoramic trilogy of the dying years of the Habsburg empire.They Were Divided reflects the rapidly disintegrating course of events in Central Europe. In the foreground once again the lives of Balint, with his ultimately unhappy love for Adrienne, and his fatally flawed cousin, Laszlo Gyeroffy, who dies in poverty and neglect, are told with humour and a bitter-sweet nostalgia for a paradise lost through folly. The sinister and fast moving events in Montenegro, the Balkan wars, the apparent encirclement of Germany and Austria-Hungary by Britain, France and Russia, and finally the assassination of Franz Ferdinand all lead inexorably to the youth of Hungary marching off to their death and the dismemberment of their once great country.Volume three of the epic, sweeping and wholly immersive trilogy that began with They Were Counted, and continued with They Were Found Wanting.Translated from the Hungarian by Patrick Thursfield and Katalin Banffy-JelenWith a Foreword by Patrick Leigh-FermorWINNER OF THE WEIDENFELD TRANSLATION PRIZE

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'Jonathan Raban is one of the world's greatest living travel writers.' William Dalrymple 'The best book of travel ever written by an Englishman about the United States' Jan Morris, IndependentNavigating the Mississippi River from Minneapolis to New Orleans, Raban opens himself to experience the river in all her turbulent and unpredictable old glory. Going wherever the current takes him, he joins a coon-hunt in Savana, falls for a girl in St Louis, worships with black Baptists in Memphis, hangs out with the housewives of Pemiscot and the hog-king of Dubuque. Through tears of laughter, we are led into the heartland of America – with its hunger and hospitality, its inventive energy and its charming lethargy – and come to know something of its soul. The journey is as much the story of Raban as it is of the Mississippi. Navigating the dangerous, ever-changing waters in an unsuitably fragile aluminium skiff, he immerses himself with an irresistible emotional intensity as he tries to give shape to the river and the story – finding himself by turns vulnerable, curious, angry and, like all of us, sometimes foolishly in love.

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An abundance of step-by-step fiber art projects to bring Scandinavian style to life in your home. This adventure meets the needs of two passionate audiences: fiber artists and Nordic craft enthusiasts. By exploring the cultures and traditions behind the charm of these crafts, fans can enjoy extra-meaningful making. Step 1: Vivid photos and spirited text explain the values and beliefs core to Scandinavian life—nature, community, craftsmanship, and sustainability. Step 2: For each value, create 4 to 7 thoughtfully designed fiber art projects featuring knitting, felting, and weaving. • Each project's difficulty level is marked (beginner, advanced beginner, and intermediate) • Author is editor emerita of Handwoven, the largest-circulation fiber arts magazine • Projects by respected designers including Becky Ashenden, Laura Berlage, Sara Bixler, Susan J. Foulkes, Lisa Hill, Tom Knisely, Jan Mostrom, and John Mullarkey, to name just a few The 25 projects include these and more: Nature • Nordic Summer and Winter Knitted Throw • Felted Telemark Bouquet Community • Rustic Linen Placemats • Monk’s Belt Towels of Welcome Craftsmanship • Knitted Sølje Curtains to Celebrate the Sun • A Nordic Sweater for Your Laptop Sustainability • Rags-to-Riches Rug • Cup Cozies to Go

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Istanbul, through the mind of its most celebrated writer. ** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK **Winner of the Nobel Prize for Literature'A declaration of love.' Sunday Times'A fascinating read for anyone who has even the slightest acquaintance with this fabled bridge between east and west.' The Economist'An irresistibly seductive book' Jan Morris, GuardianIn a surprising and original blend of personal memoir and cultural history, Turkey's most celebrated novelist, Orhan Pamuk, explores his home of more than fifty years.What begins as a portrait of the artist as a young man becomes a shimmering evocation, by turns intimate and panoramic, of one of the world's greatest cities. Beginning in the family apartment building where he was born, and still lives, Pamuk uses his family secrets to show how they were typical of their time and place. He then guides us through Istanbul's monuments and lost paradises, dilapidated Ottoman villas, back streets and waterways, and introduces us to the city's writers, artists and murderers.Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

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The text of the Fourth Edition of the Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages. “Backgrounds” collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen’s correspondence with her publisher about the business of writing, revealing Austen’s view of her own writing and career. In addition, there are two sets of verses—“Kitty, A Fair But Frozen Maid” and “Robin Adair”—referenced in Emma as well as responses (1815–1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson. “Reviews and Criticism” includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan. A Chronology and Selected Bibliography are also included.

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The 1980s saw Alice Cooper release arguably his most diverse collection of albums, ranging from new wave to metal to full-on radio-friendly rock. They weren't all commercially successful, but all are worth listening to and some are excellent. This book (which follows on from the author's acclaimed Alice Cooper In The '70s) features all new interview material by the author with 45 musicians and performers who worked with Alice over the decade. Many have never been interviewed before and they offer fascinating insight into working with Alice and each other. Key interviewees include Mike Pinera, Jan Uvena, John Nitzinger, Graham Shaw, Ken Mary, Kip Winger, Kane Roberts, John McCurry and Al Pitrelli. Consequently, the book includes a lot of new facts and information that should please fans. The author adds commentary and opinions on all of the songs from the era, Alice's film work and the five live tours. There is also an appendix on the album that could have been but never was. Alice 'contributes' from the contemporary press of the time are referenced, which became more loquacious as the decade goes on. Alice in the '80s, what a thrill ride that was!

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This volume, edited by Joan Piggott (University of Southern California, Los Angeles), includes fourteen essays, originally written in Japanese and here interpreted in English. It introduces readers to a broader array of historical and archaeological research on center-periphery relations than has ever before been available to English readers. Each essay has been translated, annotated, and introduced by a specialist who selected it for its invaluable contribution to his or her own work, and who here renders it into English for a non-specialist audience. The book features thirteen newly created maps, and also includes an exhaustive list of sources (including Chinese characters). Together with its readable and well-annotated text, extensive glossary, rich bibliography, and comprehensive index, these combined tools make for a valuable resource to scholars and students interested in premodern Japan. Researchers whose work has been interpreted include Tsude Hiroshi, Kobayashi Yukio, Hara Hidesaburō, Inoue Tatsuo, Takahashi Tomio, Takeda Sachiko, Hotate Michihisa, Morita Tei, Sasaki Muneo, Toda Yoshimi, Miyazaki Yasumitsu, Motoki Yasuo, Ishimoda Shō, and Koyama Yasunori. Scholar-interpreters include Mikael Adolphson, Michiko Aoki, Bruce Batten, Walter Edwards, Karl Friday, Jan Goodwin, Gustav Heldt, and Joan Piggott.

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The collapse of communism in the Soviet Union and Eastern Europe was supposed to bring about the “end of history” with capitalism and liberal democracy achieving decisive victories. Europe would now integrate and reconcile with its past. However, the aftershocks of the financial crisis of 2008—the rise in right-wing populism, austerity politics, and mass migration—have shown that the ideological divisions which haunted Europe in the twentieth century still remain. It is within this context that Post-Communist Malaise revives discourses of political modernism and revisits debates from Marxism and seventies film theory. Analyzing work of Theo Angelopoulos, Věra Chytilová, Srdjan Dragojević, Jean-Luc Godard, Miklós Jancsó, Emir Kusturica, Dušan Makavejev, Cristi Puiu, Jan Švankmajer, Andrei Tarkovsky, and Béla Tarr, the book focuses on how select cinemas from Eastern Europe and the Balkans critique the neoliberal integration of Europe whose failures fuel the rise of nationalism and right-wing politics. By politicizing art cinema from the regions, Post-Communist Malaise asks fundamental questions about film, aesthetics, and ideology. It argues for the utopian potential of the materiality of cinematic time to imagine a new political and cultural organization for Europe.

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This text examines a century of American experience to illustrate how the United States determines its security policies. While scholars have typically focused on "outside factors", such as international pressures, constraints and opportunities, this collection of essays shows that decisions about strategy are critically shaped by domestic politics - political ideologies, state structure and societal interests. Essays by Edward Rhodes, Peter Trubowitz and Mark Shulman offer evidence that America's emergence as a great naval power in the late 19th century had less to do with security than with issues of national identity, commerce and social change. Bartholomew Sparrow compares the power of the press in the late 19th and 20th centuries to explore the media's ability to frame the debate on strategy. Miroslav Nincic, Gerry Gorsky and Roger Rose examine the influence of public opinion on security strategy in the 1990s. Emily Goldman, Edward Smith and Jan Breemer examine the workings of military bureaucracy to relate strategic policy to politics inside the military establishment. At a time when America's security needs and goals are adjusting rapidly, this book offers policymakers and scholars of international affairs critical models for understanding the complex reality of security policy.

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Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In "Lonesome Roads and Streets of Dreams", Andrew S. Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities of daily life can be transformed into musical sound. Focusing on white bandleader Jan Garber, black bandleader Duke Ellington, white saxophonist Charlie Barnet, and black guitarist Charlie Christian, as well as traveling from Catalina Island to Manhattan to Oklahoma City, "Lonesome Roads and Streets of Dreams" depicts not only a geography of race but how this geography was disrupted, how these musicians crossed physical and racial boundaries - from black to white, South to North, and rural to urban - and how they found expression for these movements in the insistent music they were creating.

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Fast track route to mastering the art of competitor intelligence Covers the fundamentals of competitor intelligence, from securing CEO buy-in and making sure the right people are in place to creating an internal intelligence system and setting up a war room Examples and lessons from some of the world's most intelligent businesses, including Motorola and Apple, and ideas from the smartest thinkers including Jan Herring, Ben Gilad and Leonard Fuld Includes a glossary of key concepts and a comprehensive resources guide ExpressExec is a unique business resource of one hundred books. These books present the best current thinking and span the entire range of contemporary business practice. Each book gives you the key concepts behind the subject and the techniques to implement the ideas effectively, together with lessons from benchmark companies and ideas from the world's smartest thinkers. ExpressExec is organised into ten core subject areas making it easy to find the information you need: 01 Innovation 02 Enterprise 03 Strategy 04 Marketing 05 Finance 06 Operations and Technology 07 Organizations 08 Leading 09 People 10 Life and Work ExpressExec is a perfect learning solution for people who need to master the latest business thinking and practice quickly.

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From its very beginning, Christianity was an innovative movement which had to construct and maintain its identity, morality, and social as well as theological boundary markers as it developed from a religion of conversion into a religion of tradition. Early Christianity's sensitivity to "outsiders" evolved in various ways as circumstances and socio-cultural contexts changed. In this volume scholars from around the world reflect on the dynamic relationship between mission and ethos in the New Testament and Early Christianity, focusing particularly on the sensitivity, or lack thereof, to outsiders, and thereby offering new insights into old questions. Most of the New Testament and several second century books are individually studied by specialists in the field making this book a valuable reference volume on the topic. Contributors:Andries G. van Aarde, Jonathan Draper, John Dunne, Ernest van Eck, Paul Foster, Erhard Gerstenberger, Christopher M. Hays, Dirk J. Human, Stephan Joubert, Jacobus (Kobus) Kok, Andreas Köstenberger, Abraham Malherbe, Johann Meylahn, David Moffitt, Candida Moss, Tobias Nicklas, Nelus Niemandt, Heike Omerzu, Bert-Jan Lietaert Peerbolte, Jeremy Punt, Volker Rabens, Dieter Roth, Christopher Rowland, Herbert Schlögel, Gert Steyn, Andrie du Toit, Chris L. De Wet, Ruben Zimmermann

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From Poland with Music: 100 Years of Polish Composers Abroad (1918–2018) is the first comprehensive treatment of the theme of emigration among Polish composers of the 20th and 21st centuries. The book focuses on classical composers (e.g. Paderewski, Weinberg, Panufnik), but extends to important figures from the worlds of jazz and film music (Komeda, Makowicz, Kaczmarek, Korzeniowski). The first part of the book contains a series of essays on overarching themes related to the Polish musical diaspora, while the second part comprises an engaging collection of interviews with experts concerning the life and legacy of selected composers, with revealing insights into the artists’ personalities and entertaining anecdotes from their lives. Ignacy Jan Paderewski was not only an outstanding pianist and composer, but also the prime minister and minister of foreign affairs of free Poland in 1919. Bronisław Kaper was the first Polish composer to win an Oscar in 1954 for Lili, and Henryk Wars scored 60 projects for Columbia, Universal, Twentieth Century Fox, MGM, United Artists and Paramount. From Poland with Music recalls all of these stories, revealing just how impactful Polish composers have been on the international music scene in the last 100 years.

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An exploration of Dürer’s career and legacy as an international traveling artist The visual legacy of Dürer’s travels extends far beyond his lifetime and throughout Europe, and the documents illuminating them offer unique insights into the distinctive ways Dürer conducted and managed his career, making him an intriguing—and even controversial—figure. This generously illustrated book examines the career of preeminent Renaissance artist Albrecht Dürer (1471–1528) as an international traveler, addressing his relations with artists from Italy to the Low Countries, including Giovanni Bellini, Joos van Cleve, Jan Gossaert, Lucas van Leyden, Quentin Massys, and Bernard van Orley. Bringing together paintings, drawings and prints, the book examines Dürer as an artist-entrepreneur, explorer, and innovator of artistic theory. Dürer’s treatises and letters, and his detailed journal documenting his journey to the Low Countries in 1520–21, offer insights into his artistic practices and encounters with artists and patrons, as well as the nature of travel in the early 16th century. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule:The National Gallery, London March 6, 2021—June 13, 2021 Suermondt-Ludwig Museum, Aachen July 18, 2021—October 24, 2021

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Eric Ravilious: Design is the latest title in the acclaimed and award winning Design Series. This new title, with text by Peyton Skipwith and Brian Webb, contains more than 170 images, several not illustrated before. The book focuses on Ravilious as a designer, in particular his work as an illustrator and wood engraver, and his work in ceramics and textiles. The book builds on the success of the first and bestselling book in this series which featured the work of Ravilious and his friend Edward Bawden - Edward Bawden and Eric Ravilious: Design ISBN: 9781851495509. This book forms an excellent and affordable introduction to the work of this brilliant and popular artist. Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778 Enid Marx ISBN: 9781851497522

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Search and find through your favorite Bible stories with the Berenstain Bears! Readers will love exploring each and every page of this interactive book and discovering all the carefully hidden objects. Perfect for quiet time, traveling, summer reading, or any time, The Berenstain Bears Storybook Bible Search and Find will deliver hours of fun while also building important skills, such as concentration, reading comprehension, attention to detail and early math skills like counting 1-10.The Berenstain Bears Storybook Bible Search and Find—part of the popular Zonderkidz Living Lights series of books—is perfect for: Children ages 3-6 Quiet time, boredom busters, road trips, stocking stuffers, Easter baskets, or other gift giving occasions Kids who love puzzles, games, and activities The Berenstain Bears Storybook Bible Search and Find is an addition to the Living Lights™ series that: Features the hand-drawn artwork of the Berenstain family Continues in the much-loved footsteps of Stan and Jan Berenstain in this Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and nearly 300 million copies sold to date

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Make the Berenstain Bears come to life by coloring many of your favorite characters with stickers! Featuring Papa, Mama, Brother, Sister, Honey Bear, and the Bear Country gang, children will love using the stickers in this book to create their masterpieces.The Berenstain Bears Color by Sticker also includes fun and engaging activities, such as mazes, crosswords, wordsearches, and more! This interactive addition to the Living Lights™ series of The Berenstain Bears books will provide young readers with hours of fun.The Berenstain Bears Color by Sticker is perfect for: Readers ages 4-8 Holiday gift exchanges, boredom busters, stocking stuffers, or road trips Kids who love stickers, puzzles, and other paper-and-pencil activities The Berenstain Bears Color by Sticker is an addition to the Living Lights™ series, with over 13 million copies sold, that: Features the hand-drawn artwork of the Berenstain family Continues in the much-loved footsteps of Stan and Jan Berenstain’s The Berenstain Bears series of books Is part of one of the bestselling children’s book series ever created, with more than 250 books published and impacting nearly 300 million readers

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LONGLISTED FOR THE EDGE HILL PRIZE 2022 SHORTLISTED FOR SHORT STORY OF THE YEAR AT THE IRISH BOOK AWARDS 2022 SHORTLISTED FOR ALCS TOM-GALLON TRUST AWARD 'Unsettling, unpredictable, and brilliant' Roddy Doyle 'In sumptuous and evocative prose, Sheila Armstrong writes stories that are unnerving and unsettling. Stories which make you go, wait, wait, what was that? ' Claire Fuller, author of Unsettled Ground On a boat offshore, a fisherman guts a mackerel as he anxiously awaits a midnight rendezvous. Villagers, one by one, disappear into a sinkhole beneath a yew tree. A nameless girl is taped, bound and put on display in a countryside market. A dazzling and disquieting collection of stories, how to gut a fish places the bizarre beside the everyday and then elegantly and expertly blurs the lines. An exciting new Irish writer whose sharp and lyrical prose unsettles and astounds in equal measure, Sheila Armstrong’s exquisitely provocative stories carve their way into your mind and take hold. 'Dark, devilishly well written and full of atmosphere, How to Gut a Fish is one of the most original and affecting short story collections I’ve read in years' Jan Carson, author of The Fire Starters

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This volume, edited by Joan Piggott (University of Southern California, Los Angeles), includes fourteen essays, originally written in Japanese and here interpreted in English. It introduces readers to a broader array of historical and archaeological research on center-periphery relations than has ever before been available to English readers. Each essay has been translated, annotated, and introduced by a specialist who selected it for its invaluable contribution to his or her own work, and who here renders it into English for a non-specialist audience. The book features thirteen newly created maps, and also includes an exhaustive list of sources (including Chinese characters). Together with its readable and well-annotated text, extensive glossary, rich bibliography, and comprehensive index, these combined tools make for a valuable resource to scholars and students interested in premodern Japan. Researchers whose work has been interpreted include Tsude Hiroshi, Kobayashi Yukio, Hara Hidesaburō, Inoue Tatsuo, Takahashi Tomio, Takeda Sachiko, Hotate Michihisa, Morita Tei, Sasaki Muneo, Toda Yoshimi, Miyazaki Yasumitsu, Motoki Yasuo, Ishimoda Shō, and Koyama Yasunori. Scholar-interpreters include Mikael Adolphson, Michiko Aoki, Bruce Batten, Walter Edwards, Karl Friday, Jan Goodwin, Gustav Heldt, and Joan Piggott.

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