Search results for ""author pete"

Teaching pastor at the influential New Life Church in Colorado Springs, Colorado, Daniel Grothe explains the Bible's blueprint for becoming the kind of person who can deal with all of life's challenges.Some people have learned how to live. They can handle all that life brings. They are composed. They radiate strength. They are whole, with lives worth emulating, and when they speak people listen. They are, in a word, wise. How did these people get wisdom? And perhaps more importantly, how can we?In his long-awaited first book, Daniel Grothe of New Life church in Colorado Springs, Colorado, shows us how to get wisdom for ourselves by examining what the Bible has to say about it and by providing practical steps for acquiring it, among them: learning to ask for help, loving Scripture, going to Church, living quietly, and, above all, seeking those who are themselves wise. Drawing upon Scripture and upon his own experience learning from his friend and mentor Eugene Peterson, Grothe shows how our lives can be secured by the resource that will keep us from collapsing under the onslaught of the difficulties of life. Wisdom is available to us. It takes work to pursue it. Chasing Wisdom reveals how.

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The purpose of the Whurr series in Psychoanalysis edited by Peter Fonagy and Mary Target of University College London, is to publish clinical and research based texts of academic excellence in the field. Each title makes a significant contribution and the series is open-ended. The readership is academic and graduate students in psychoanalysis, together with clinical practitioners, in Europe, North America and indeed worldwide.This book brings together a number of international writers who are concerned with understanding and treating psychoses. The orientation of the book is psychoanalytic, but it is also cognisant of the need for a multi-disciplinary approach to these disorders for which there remains no comprehensive cure. One of the greatest obstacles clinicians and patients face lies less in our ignorance than in failure by mental health services to integrate existing knowledge into workable treatment plans. Too often clinical disciplines (psychiatry, psychoanalysis, clinical psychology, neuropsychology, nursing etc.) work separately rather than together, employing languages that are mutually incomprehensible. As a result, patients are unlikely to have their different needs properly met. At the heart of the multi-disciplinary approach lies the therapeutic relationship between patient and psychoanalyst, psychodynamically-minded psychiatrist or psychotherapist. Detailed clinical cases are presented together with contemporary conceptualisations of psychotic states.

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The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted - cars, guns, computers, and airplanes, for starters - stops working... Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he's up to, it may fall to Journeyman to stop him. Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

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Through exploring the application of a complex systems lens on important global challenges, this timely book offers key insights into successful governance in our changing world. It illustrates a number of theoretical and methodological approaches to help understand the role of decision-making, policies, institutions and networks in navigating complexity. Bringing together leading international scholars, Global Challenges, Governance, and Complexity elaborates important features of complex adaptive systems and their connections to key governmental and political issues. These include: complexity leadership, environmental and sustainability challenges, the role of economics, policy-making, legal and social dimensions of systemic risks, and the effectiveness of polycentricity. Chapters look at novel research in the field, highlighting how a diverse range of disciplinary approaches to governance can improve our understanding of complex global challenges. Political science and sustainability science scholars, particularly those with a keen interest in environmental politics and sustainability, will greatly benefit from reading this book. The insights offered will also be of use to policy makers wishing to gain a more thorough understanding of the field. Contributors include: C. Chambers, M. Centeno, M. Cox, A.-S. Crépin, C. Folke, V. Galaz, D. Huitema, A. Jordan, D.M. Katz, R.E. Kim, S.A. Levin, M. Milkoreit, S. Nooteboom, J. Patterson, T. Patterson, B.G. Peters, J. Pierre, R. Preiser, L. Rade, J.B. Ruhl, H. Schmitz, M. Schoon, I. Scoones, G. Teisman, H. van Asselt, M. Woermann

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Critics of narcology—as addiction medicine is called in Russia—decry it as being "backward," hopelessly behind contemporary global medical practices in relation to addiction and substance abuse, and assume that its practitioners lack both professionalism and expertise. On the basis of his research in a range of clinical institutions managing substance abuse in St. Petersburg, Eugene Raikhel increasingly came to understand that these assumptions and critiques obscured more than they revealed. Governing Habits is an ethnography of extraordinary sensitivity and awareness that shows how therapeutic practice and expertise is expressed in the highly specific, yet rapidly transforming milieu of hospitals, clinics, and rehabilitation centers in post Soviet Russia. Rather than interpreting narcology as a Soviet survival or a local clinical world on the wane in the face of globalizing evidence-based medicine, Raikhel examines the transformation of the medical management of alcoholism in Russia over the past twenty years. Raikhel's book is more than a story about the treatment of alcoholism. It is also a gripping analysis of the many cultural, institutional, political, and social transformations taking place in the postSoviet world, particularly in Putin's Russia. Governing Habits will appeal to a wide range of readers, from medical anthropologists, clinicians, to scholars of post-Soviet Russia, to students of institutions and organizational change, to those interested in therapies and treatments of substance abuse, addiction, and alcoholism.

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Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British culture-did not take place or have effects exclusively in Britain. Theory has always travelled with art and vice versa. Using the frequently resurgent discourse of cosmopolitanism as a frame for his discourse, Cheetham asks whether English traditions of artwriting have been judged inappropriately according to imported criteria of what theory is and does. This book demonstrates that artwriting in the English tradition has not been sufficiently studied, and that 'English Art Theory' is not an oxymoron. Such concerns resonate today beyond academe and the art world in the many heated discussions of resurgent Englishness.

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Loose-Fit Architecture: Designing Buildings for Change September/October 2017Profile 249 Volume 87 No 5ISBN 978 1119 152644 Guest-Edited by Alex Lifschutz The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design culture needs to move beyond the idealisation of a creative individual designer generating highly specific forms with fixed uses. The possibilities of adaptation and flexibility have often been overlooked, but they create hugely exciting 'loose-fit' architectures that emancipate users to create their own versatile and vibrant environments. Contributors include: Stewart Brand, Renee Chow, Ellen Dunham-Jones and June Williamson, John Habraken, Edwin Heathcote, Despina Katsakakis, Stephen Kendall, Ian Lambot, Giorgio Macchi, Alexi Marmot, Andrea Martin, Kazunobu Minami, Peter Murray, Brett Steele, and Simon Sturgis.

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In his virtuosic new book noted cultural critic Mark Seltzer shows how suspense, as art form and form of life, depicts and shapes the social systems that organize our modern world. Modernity's predicament, Seltzer writes, is a society so hungry for reality that it cannot stop describing itself, and that makes for a world that continuously establishes itself by staging its own conditions. Employing the social theories of Georg Simmel, Erving Goffman, Niklas Luhmann, and Peter Sloterdijk, Seltzer shows how suspense novels, films, and performance art by Patricia Highsmith, Tom McCarthy, Cormac McCarthy, J. G. Ballard, Karl Ove Knausgaard, and others outline how we currently live and reveal the stress-points and mood-systems of the modern epoch. In its focus on social games, depictions of violent and explosive persons, along with its cast of artists, reporters, detectives, and others who observe and report and reenact, the suspense mode creates and recreates modern systems of action and autonomy, and defines the self-turned world's practices and aesthetics. By epitomizing a reflexive, self-legislating, and autonomous world, a suspense art with humans in the systems epoch provides the models and sets the rules for our modern, official world.

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Media screens—film, video, and computer screens—have increasingly pervaded both artistic production and everyday life since the 1960s. Yet the nature of viewing artworks made from these media, along with their subjective effects, remains largely unexplored. Screens addresses this gap, offering a historical and theoretical framework for understanding screen-reliant installation art and the spectatorship it evokes. Examining a range of installations created over the past fifty years that investigate the rich terrain between the sculptural and the cinematic, including works by artists such as Eija-Liisa Ahtila, Doug Aitken, Peter Campus, Dan Graham, VALIE EXPORT, Bruce Nauman, and Michael Snow, Kate Mondloch traces the construction of screen spectatorship in art from the seminal film and video installations of the 1960s and 1970s to the new media artworks of today’s digital culture. Mondloch identifies a momentous shift in contemporary art that challenges key premises of spectatorship brought about by technological objects that literally and metaphorically filter the subject’s field of vision. As a result she proposes that contemporary viewers are, quite literally, screen subjects and offers the unique critical leverage of art as an alternative way to understand media culture and contemporary visuality.

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Peter Sloterdijk is one of the most challenging and contentious thinkers currently working within the European tradition. This is the first collection devoted to his work for English-language audiences and will act as an introduction to his work, set an agenda for engagement with his ideas, and relate his writings to a range of political, theoretical and practical contexts. Since his philosophical bestseller Critique of Cynical Reason (1983), Sloterdijk has exercised an important influence over German and other European thought and recently interest in his diverse oeuvre has grown considerably. The past few years have seen a number of his books translated into English, with many more to come. The book seeks to do justice to the breadth of Sloterdijk’s work throughout his career, orientated around the central topics of cynicism, ressentiment, the posthuman, space and world, art and literature, language, social science and his role as a public intellectual. Contributors include Babette Babich, Sjoerd van Tuinen, Eduardo Mendieta, Marie-Eve Morin, Efrain Kristol, Wieland Hoban, Nigel Thrift, Jean-Pierre Couture, and Sloterdijk himself. An explicitly interdisciplinary project, Sloterdijk Now is a crucial introduction to the work of this central thinker, in its complexity, variety and notoriety. It is set to spark debate amongst students and scholars across the humanities and social sciences.

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NEW AND UPDATED EDITIONA magisterial and profoundly perceptive survey of Britain's post-war role on the global stage, from Suez to Brexit. 'The fullest long-run political and diplomatic narrative yet of Britain's fateful, tragi-comic road to Brexit.' DAVID KYNASTON'An instant classic . . . Stephens is a master of historical codebreaking.' PETER HENNESSEYAward-winning Financial Times journalist Philip Stephens paints a fascinating portrait of sixty years - from Suez to Brexit - as Britain struggles to reconcile its waning power with its past glory. Drawing on decades of personal contact and interviews with senior politicians and diplomats in Britain, the United States and across the capitals of Europe, Britain Alone is a magisterial and deeply perceptive history of our nation and how we arrived at the state we are in.'Commanding . . . Rarely if ever, in the history of the British state since 1707, has one half of Britain's ruling elite committed an act of policy viewed with such absolute contempt by the other half; and rarely has that contempt been expressed with such elegance, such fluency, and such a devastating wealth of supporting detail, as in this mighty survey.' SCOTSMAN'Profoundly knowledgeable.' CHRIS PATTEN'Compelling.' LAWRENCE FREEDMAN'A fascinating history.' IRISH TIMES'A magnificent, exhilarating book' PROSPECT

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In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

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The first critical examination of death and remembrance in the digital age—and an invitation to imagine Black digital sovereignty in life and death. In Resurrecting the Black Body, Tonia Sutherland considers the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans—and the records that document them—from slavery through the social media age, Sutherland explores media evidence, digital acts of remembering, and the right and desire to be forgotten. From the popular image of Gordon (also known as "Whipped Peter") to photographs of the lynching of Jesse Washington to the video of George Floyd's murder, from DNA to holograms to posthumous communication, this book traces the commodification of Black bodies and lives across time. Through the lens of (anti-)Blackness in the United States, Sutherland interrogates the intersections of life, death, personal data, and human autonomy in the era of Google, Twitter, and Facebook, and presents a critique of digital resurrection technologies. If the Black digital afterlife is rooted in bigotry and inspires new forms of racialized aggression, Resurrecting the Black Body asks what other visions of life and remembrance are possible, illuminating the unique ways that Black cultures have fought against erasure and oblivion.

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"...fascinating. Like Malcolm Gladwell on speed." —THE GUARDIAN "HERD is a rare thing: a book that transforms the reader's perception of how the world works". —Matthew D'Ancona, THE SPECTATOR "This book is a must. Once you have read it you will understand why Mark Earls is regarded as a marketing guru." —Daniel Finkelstein, THE TIMES This paperback version of Mark Earls' groundbreaking and award winning book comes updated with new stats and figures and provides two completely revised chapters that deal with the rise of social networking. Since the Enlightenment there has been a very simple but widely held assumption that we are a species of thinking individuals and human behaviour is best understood by examining the psychology of individuals. It appears, however, that this insight is plain wrong. The evidence from a number of leading behavioural and neuroscientists suggests that our species is designed as a herd or group animal. Mark Earls applies this evidence to the traditional mechanisms of marketing and consumer behaviour, with a result that necessitates a complete rethink about these subjects. HERD provides a host of unusual examples and anecdotes to open the mind of the business reader, from Peter Kay to Desmond Tutu, Apple to UK Sexual Health programmes, George Bush to Castle Lager, from autism to depression to the real explanation for the placebo effect in pharmaceutical testing.

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The former Bernarda teacher-training centre in Menzingen was built between 1955 and 1958 by the two renowned Zug architectural teams of Hanns A. Brütsch and Alois Stadler, and Leo Hafner and Alfons Wiederkehr. The school on a gentle slope in the midst of the attractive landscape between Lake Zug and Lake Zurich is an exceptional example of 1950s Swiss architecture. The facility impresses with its staging of the exposed location, the coherent arrangement of five highly individualised buildings around a circular centre, and the notable design of the open spaces by Ernst Cramer. Between 2015 and 2018, the facility was extended and refurbished by the architects Bünzli & Courvoisier, transforming it for its new use as a cantonal school. The architects were strongly guided by the urban-planning and architectural design principles of the existing structures, while framing and expanding them with great respect and an undogmatic approach to consciously blur the boundaries between old and new. The book documents the existing facility with original plans and the clear-contoured, black & white pictures by the renowned Lucerne photographer Peter Ammon. Furthermore, the volume extensively reflects upon and documents in detail the school’s exciting, exemplary renovation. Text in English and German.

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The Conservative Establishment’s consensus of the past two generations has almost totally broken down. Conservatism was unable to stop or even slow the Left’s rolling revolutions in nearly every sector of American society—from classrooms to boardrooms, from the military to the culture at large. The Left has successfully transformed the nation over the past few generations, racking up victory after victory, with no clear end in sight. This is not sustainable for the country or the constituency represented by the Republican Party. For the Right to have a serious future, it needs to rethink its positions and think more deeply about the essential policy questions which will define the future of the country: race, men and women, sexuality, religion, the economy, foreign policy, and other major issues. This collection of essays, written by some of the Right’s most interesting thinkers and practitioners, seeks to reframe the ideological and policy direction of the American Right.With essays by Michael Anton, Richard Hanania, Carson Holloway, John Fonte, David Azerrad, Helen Andrews, Scott Yenor, Joshua Mitchell, Aaron Renn, Arthur Milikh, David P. Goldman, Matthew Peterson, James Poulos, Theo Wold, Robert Delahunty, Jesse Merriam, Jeremy Carl, Eric Kaufmann, and Roger Kimball.

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California is still the world's biggest hideout. The only thing more western is the Pacific Ocean, where, if the Big One happens, California might find a home at the bottom. One of those hiding out is Peter Bowman, a former army brat, and lecturer at Woodrow Wilson Community College, who is being hunted for a quality most men would crave. But for Bowman, nicknamed Boa, it has become burdensome. When an opportunity comes, he has to choose between becoming financially solvent or exposing himself to his pursuers. Along the way, he runs into some memorable characters both in reality and in his dreams, including Ishmael Reed. In Ishmael Reed's Conjugating Hindi, stories, histories and myths of different cultures are mixed and sampled. Modern issues like gentrification addressed. It is the closest that a fiction writer has gotten to the hip-hop form on the page. Once again, Ishmael Reed has pioneered a new form. If his first novel, The Free-Lance Pallbearers, was an early Afro-Futurist novel, Mumbo Jumbo recognized as “a graphic novel before we used the term” (according to Pulitzer Prize-winning critic Margo Jefferson), Yellow Back Radio Broke Down Blazing Saddles's “important precursor,” Flight To Canada his "Neo Slave Narrative," a concept that he coined–Conjugating Hindi is his global novel. One that crosses all borders.

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Newly jobless, newly single, and suddenly apartmentless, writer Grace Hammond has come unmoored. A grammar whiz who's brilliant at correcting other people's errors, she hasn't yet found quite the right set of rules for fixing her own mistakes.Desperate to escape the city and her trifecta of problems, Grace hits pause and retreats to her Connecticut hometown. What begins as a short visit with her parents quickly becomes a far more meaningful stay, though, as she discovers that the answers to what her future holds might be found by making peace with-and even embracing-the past.As Grace sets out to change her ways and come to terms, finally, with the tragedy that took her older sister's life so many years ago, she rekindles a romance with her high school sweetheart, Peter, now a famous Hollywood director who's filming a movie in town. Sparks also fly at the local bike shop, where Grace's penchant for pointing out what's wrong rattles the owner's ruggedly handsome schoolteacher son, Mitch.Torn between the promise of a glamorous life and the allure of the familiar, Grace must decide what truly matters-and whether it's time for her to throw away the rule book and bravely follow her heart.

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Step into a world of star-crossed lovers, magical winds, mischievous giants, and trolls, through some of the most exquisite illustrations in publishing history. In this gorgeous reprint, TASCHEN revives the most ambitious publication project of beloved Danish artist Kay Nielsen, one of the most famous children’s book illustrators of all time. First published in 1914, East of the Sun and West of the Moon is a celebrated collection of fifteen fairy tales, gathered by legendary Norwegian folklorists Peter Christen Asbjørnsen and Jørgen Engebretsen Moe on their journeys across Norway in the mid-nineteenth century. Nielsen’s illustration edition of Asbjørnsen and Moe’s tales is considered a jewel of early 20th-century children's literature, highly sought-after by art and book collectors worldwide. An original signed copy of the book sold at auction in 2008 commanded the highest price ever paid for an illustrated children’s book. This finely crafted reprint restores the stunning detail and artistry of Nielsen’s images to their original splendor. Featuring 46 illustrations, including many enlarged details from Nielsen’s rare original watercolors, the book is printed in five colors. Three accompanying essays, illustrated with dozens of rare and previously unseen artworks by Nielsen, explore the history of Norwegian folktales, Nielsen’s life and work, and how this masterpiece came to be.

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'God, he's good' Stephen King Jerry Pardoe and Jamila Patel hunt down a ritualistic cult inspired by Neothilic cannibals in the new chilling horror from Graham Masterton. A BURNING PYRE The smell of roasting meat alerts police to squatters in an abandoned London factory. But when they arrive, the place is empty... except for a gruesome pile of scorched human heads. AN ANCIENT RITUAL DS Jamila Patel and DC Jerry Pardoe have solved bizarre crimes before, but nothing as spooky as this. Arcane markings on the factory wall lead them to a terrifying cult in thrall to a Neolithic god. A god who demands the ultimate sacrifice from his followers. A CULT OF CANNIBALS Now Londoners are being abducted off the city streets, to be mutilated, roasted and eaten. Can Patel and Pardoe save the next victim from this hideous fate? Or will they themselves become a human sacrifice? Praise for Graham Masterton: 'A true master of horror' James Herbert 'One of the most original and frightening storytellers of our time' Peter James 'A natural storyteller with a unique gift' New York Journal of Books 'Masterton handles his large cast of well-drawn characters with the finesse of a master storyteller' Guardian 'This is a first-class thriller with some juicy horror touches' Booklist 'One of Britain's finest horror writers' Daily Mail

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Silver was the codename for the only quintuple spy of the Second World War, spying for the Italians, Germans, Japanese, Soviets and the British. The Germans awarded him the Iron Cross, Germany s highest military decoration, and paid him 2.5 million in today s money. In reality Silver deceived the Nazis on behalf of the Soviets and the British. In 1942 the Russians decided to share Silver with the British, the only time during the war that the Soviets agreed to such an arrangement. This brought him under the control of Peter Fleming who acted as his spy master. Germans also gave Silver a transmitter which broadcast misleading military information directly to Abwehr headquarters in Berlin. Silver was one of many codenames for a man whose real name was Bhagat Ram Talwar, a Hindu Pathan from the North West Frontier province of then British India. Between 1941 and 1945 Silver made twelve trips from Peshawar to Kabul to supply false information to the Germans, always making the near-200-mile journey on foot over mountain passes and hostile tribal territory.Once when an Afghan nearly rumbled him, he invited him to a curry meal in which he had mixed deadly tiger s whiskers killing the Afghan. "

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THE INSTANT SUNDAY TIMES BESTSELLER'A genuinely thought-provoking piece of fiction' THE TIMES'Extraordinary' WILLIAM BOYD'Profoundly moving . . . a wonderful and life-affirming love story' JAMES HOLLAND'His greatest novel yet' ANTONY BEEVOR'Original and enthralling' PETER JAMES‘A beautifully written novel. On the one hand you have love, kindness, responsibility; on the other monstrous arrogance and indifference to consequences’ SCOTSMANA CHILD WILL BE BORN WHO WILL CHANGE EVERYTHINGWhen a young American academic Talissa Adam offers to carry another woman's child, she has no idea of the life-changing consequences.Behind the doors of the Parn Institute, a billionaire entrepreneur plans to stretch the boundaries of ethics as never before. Through a series of IVF treatments, which they hope to keep secret, they propose an experiment that will upend the human race as we know it.Seth, the baby, is delivered to hopeful parents Mary and Alaric, but when his differences start to mark him out from his peers, he begins to attract unwanted attention.The Seventh Son is a spectacular examination of what it is to be human. It asks the question: just because you can do something, does it mean you should? Sweeping between New York, London, and the Scottish Highlands, this is an extraordinary novel about unrequited love and unearned power.

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Sisters, secrets and spellbinding adventure . . . the perfect magical world to cosy up with this Christmas! A Storm of Sisters - out now! A mysterious girl has arrived at the Poacher’s Pocket looking for help and the Widdershins sisters, Betty, Fliss and Charlie, can smell adventure on the sea air. But when Charlie suddenly disappears, it’s up to Betty and Fliss to save her, journeying through the misty marshes to find a secret island that doesn’t exist on any map . . . Selected as Sunday Times Children's Book of the Week, dive headlong into the second bestselling Pinch of Magic Adventure from Michelle Harrison, winner of the Waterstones Children's Book Prize. Read all of the Widdershins sisters’ adventures with A Pinch of Magic, A Tangle of Spells and A Storm of Sisters. Praise for the Pinch of Magic Adventures ‘A spellbinding story, steeped in magic. I adored it.’ Abi Elphinstone ‘Brilliant’ Emma Carroll ‘What a gorgeous, funny, creepy, page-turny story! If you’re yet to discover the Widdershins sisters books, you’re in for a TREAT!’ Lucy Strange‘A stunner. Such great writing!’ Peter Bunzl ‘I love Michelle Harrison - I hadn’t read much fantasy but this series hooked me! Brilliant writing, beautiful!’ Lisa Thompson ‘Simply phenomenal’ Sophie Anderson ‘The wry enchantment of an E. Nesbit classic’ Guardian ‘Fantasy and adventure appear on every page of this spellbinding tale’ Daily Mail

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As Lotus’s flagship model for almost three decades, the Esprit was launched in 1976 and remained in production for over a quarter of a century. It received regular refreshment along the way, principally to its original Giorgetto Giugiaro design and, from 1987, to its later Peter Stevens incarnation. Both iterations enabled the Esprit to maintain its position at the forefront of its market segment. Regularly compared to the best available from its German and Italian rivals, the Esprit was equally at home on the race track as it was on the road. A promising return to top-line international GT racing saw the Esprit compete on equal terms with the likes of Ferrari and McLaren, whilst, back in the showrooms, the car was selling for a fraction of their cost. The legacy of the Esprit can clearly be seen in current Lotus models whose core design brief is that they should always be the finest handling vehicle with the deftest of steering, feedback and feel. With over 300 stunning images, including professional photos, factory archive pictures and specially commissioned artworks, and featuring several interviews with Lotus personnel intimately concerned with Esprit production, this volume is a fitting tribute to a masterpiece of design and technology.

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The perfect present for DOG MAN fans - starring some of your favourite characters from the series! Now in an epic paperback edition. Welcome to the Cat Kid Comic Club, where Li'l Petey (LP), Flippy, and Molly introduce twenty-one rambunctious, funny, and talented baby frogs to the art of comic making. As the story unwinds with mishaps and hilarity, readers get to see the progress, mistakes, and improvements that come with practice and persistence. Squid Kid and Katydid, Baby Frog Squad, Gorilla Cheese Sandwich, and Birds Flowers Tree: A Haiku Photo Comic are just some of the mini-comics that are included as stories-within-the-story, each done in a different style, utilizing humour and drama, prose and poetry, illustrated in different media including acrylics, pastels, coloured pencils, felt-tip markers, clay, hand-made cardboard sculptures, photographs, pipe cleaners, construction paper collages, and cookies. Readers of all ages will be inspired to dream up their own stories and unleash their own creativity as they dive into this pioneering graphic novel adventure from Dav Pilkey and his heartfelt, humorous, and amazing cast of characters in the Cat Kid Comic Club.

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Peep! Peep! All aboard with Thomas & Friends in this All Engines Go magnetic adventure! All Engines Go! Toddlers can take a journey across the Island of Sodor and meet all the trains in this fun, magnetic book with 5 great scenes. Start the day at the Engine Sheds, visit the Farm and race down Lookout Mountain. Then create adventures of your own with the magnetic characters of Thomas, Percy, Kana, Nia, Diesel, Bruno, Sandy and Carly. Each of the 8 engines is a magnetic play piece that can be used again and again. The illustration on the front cover shows the magnets that are stored inside the book. This removes the need for a plastic holder on the front cover. There are hours of fun to be had and this is the perfect way to encourage children aged 3 and up to use their imagination and build a life-long love of books. Thomas has been teaching children lessons about life and friendship for over 75 years. He ranks alongside other beloved character such as Paddington Bear, Winnie-the-Pooh and Peter Rabbit as an essential part of our literary heritage and appeals to young fans of Paw Patrol, Fireman Sam and Peppa Pig.

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A frank and witty memoir of life at the Bar and on the Bench, from former High Court Judge The Hon. Sir Harry Ognall. For many years, Harry Ognall enjoyed a formidable reputation as an advocate at the criminal Bar. As counsel, and later as judge, he was involved in numerous high-profile trials, both in Britain and abroad. Among many cases as a QC, he prosecuted Peter Sutcliffe, the so-called ‘Yorkshire Ripper’. He successfully defended six officers of the Air Force of Zimbabwe at their trial in Harare, where they faced a charge of treasonable sabotage. As a judge, he presided over the trial of Colin Stagg (the alleged ‘Wimbledon Common murderer’), the trial arising from the Lyme Bay canoe tragedy and the trial for the first time in the United Kingdom of a doctor’s alleged involvement in euthanasia. Thoughtful and provocative, Sir Harry has advice for the aspiring young advocate, and invests this penetrating memoir with warmth, humour and understanding. His frank portrait of a lifetime in the criminal law offers unique perspectives on some of the most notorious cases of the twentieth century, as well as fascinating insights into a colourful professional life and the burdens and responsibilities that come with the privilege of high judicial office.

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The first official account of the iconic record label. An NME Book of the Year 2013 • A Rough Trade Book of the Year 2013 • A Times Literary Supplement Book of the Year 2013 This Mortal Coil, Birthday Party, Bauhaus, Cocteau Twins, Pixies, Throwing Muses, Breeders, Dead Can Dance, Lisa Germano, Kristin Hersh, Belly, Red House Painters. Just a handful of the bands and artists who started out recording for 4AD, a record label founded by Ivo Watts-Russell and Peter Kent in 1979, a label which went on to be one of the most influential of the modern era. Combining the unique tastes of Watts-Russell and the striking design aesthetic of Vaughan Oliver, 4AD records were recognisable by their look as much their sound. In this comprehensive account concentrating on the label’s first two decades (up to the point that Watts-Russell left), music journalist Martin Aston explores the fascinating story with unique access to all the key players and pretty much every artist who released a record on 4AD during that time, and to its notoriously reclusive founder. With a cover designed by Vaughan Oliver this is an essential book for all 4AD fans and anyone who loved the music of that time.

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From the Arab Spring and London riots through the era of Brexit and Trump, the Covid-19 pandemic and war in Europe, this volume collects eleven years of lively, informative and entertaining essays and polemics, focusing on media treatment of major global conflicts, political entanglements and culture-war squabbles. --- Taking aim at the distortions and omissions of news reports and cultural narratives in the Western world, Stephen Harper highlights the dislocation between humanity's existential crisis and the failure of the corporate media to register its underlying causes - or even to entertain any real discussion of its solution. Instead, he argues, the media blithely serve the narrow interests of a global elite that is subjecting the planet to a reign of fire in the form of endless wars and ecological destruction. --- Harper reviews contemporary journalistic, cinematic and televisual coverage, engaging with broad cultural topics such as 'cancel culture', the incel phenomenon and Covid conspiracy theories, as well as media events like the debate between Jordan Peterson and Slavoj Zizek. For all its eclecticism, Hot Planet, Cool Media has an ideological cohesiveness, rejecting popular left and right political positions and advocating the cause of socialism or communism in the Marxian sense of a classless, leaderless, moneyless society.

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'Partial Shade' is the common gardening term for plants that in fact need a measure of sunshine. In John Birtwhistle's poems, there is a continual play of light and shadow – and even glimpses of 'full sun'. This selection from his own work does not follow chronology. It is an entirely fresh ordering, in which poems converse and argue with each other across the years. Lines about politics, parenting, mortality, art (and love, 'that bookish theme') are plaited together, intimate yet distinct. Partial Shade is a new book for new readers. It makes available poems from out-of-print collections, as well as substantial new poems. The rhythm varies from lyric and narrative poems to 'haiku-like miniatures: agile, mobile and eventful' (Hugh Haughton). 'John Birtwhistle is a marvellously versatile intellectual gadfly of a poet. No sooner do we think that we know his manner, his theme, than he is off elsewhere, teasing, amusing, throwing out possibilities like sweets strewn along a woodland path.' (Michael Glover) The poetry is distinguished by deep feeling conveyed with visual precision, careful phrasing and formal clarity. Peter Jay writes of 'These lucid, witty, tender poems, full of felicitous surprises and unexpected turns of imagination', whilst Imtiaz Dharker finds them 'So rich in scope and style, with surprising shifts and echoes'.

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Phil Collins was everywhere in the 1980s. He had more top forty singles in the US than any other artist during the 1980s: fourteen as a solo artist and eleven with Genesis, along with two number one albums. Add to this, twenty-five solo / group hit singles and eight number one albums in the UK. He also recorded with artists as diverse as Peter Gabriel, John Martyn, Frida, Robert Plant, Mike Oldfield, Marti Webb, Al Di Meola, Adam Ant, Eric Clapton, Phil Bailey, Band Aid, Marilyn Martin, Paul McCartney, Tina Turner, Chaka Khan and Tears For Fears - another thirty-five albums or standalone singles, some of which were massive global hits. He also found time, somehow, to tour with Plant and Clapton in addition to his extensive in-concert duties with Genesis and as a solo artist. And perform at Live Aid. At both concerts. That’s around six hundred live concerts in total between 1980 and 1989. There’s no doubt that the guy was busy in that period! Amidst the overwhelming commercial success and ahead of any other career plan Phil Collins was and is a musician. His ubiquity between 1980 and 1989 hides ten years of magnificent music and this book examines Phil Collins’ musical output through these ten tumultuous years.

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It's been three months since the Snow Queen and OzCorp infiltrated Maidenkeep and nearly seized the Nine Maidens. Ryker is still unconscious after the Snow Queen attacked him and is being monitored at the hospital. Abigail Fey's curse has far-reaching consequences, and many in the Royal States has been using it to stir unrest and hostilities against Avalon.When the Adarna, a firebird-like creature appears in Avalon, the gang discovers it is one of seven magical artifacts that the Snow Queen has been searching for, in her bid to open a portal to Buyan. Determined to find the artifacts first the Bandersnatchers find information about the other five artifacts: the Lotus Lantern in China, the tamatabeko in Japan, the Pied Piper's Flute and the Singing Bone in Germany, and the raskovnik at World's End, the site where Peter Pan and Captain Hook had fought and had destroyed. The final relic is a portal somewhere inside Wonderland.But the Snow Queen will stop at nothing to get to the relics first. And when one of their own is killed in the fight it takes everything they have to continue the fight to save Avalon once and for all.

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INCLUDES 'PREQUEL' THE TOWER THE FIELDS THE TRANSMITTERS'This book spoke, it said "read me" from the very first sentence as if it were alive, it gave me visceral joy' Kim Gordon'Reading [Xstabeth] feels like being cut open to the accompanying sound of ecstatic music' Edna O'Brien'Prepare for more of that inimitable Keenan narrative voodoo brilliance' Wendy ErskineIn St Petersburg, Russia, Aneliya is torn between the love of her father and her father's best friend. Her father dreams of becoming a great musician but suffers with a naivete that means he will never be taken seriously. Her father's best friend has a penchant for vodka, strip clubs and moral philosophy.When an angelic presence named Xstabeth enters their lives - a presence who simultaneously fulfils and disappears those she touches - Aneliya and her father's world is transformed. Moving from Russia to St Andrews, Scotland, Xstabeth tackles the metaphysics of golf, the mindset of classic Russian novels and the power of art and music to re-wire reality. Charged with a consuming intensity and a torrential rhythm that pulses with music, it is an offering of transcendence and a love letter to the books of Chandler, Nabokov and Dostoevsky, by a writer who is rewriting the rulebook of contemporary fiction.

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Reassuring and helpful strategies to guide you through your griefGrief is a natural reaction to loss, but in some cases it can be devastating, causing a loss of direction which can impact our relationships and work.This practical guide will help you to regain a sense of control and offers tried and tested strategies for adjusting to life without your spouse, friend or family member. Relentless grief can cause a host of physical problems, including difficulties eating, disrupted sleep and becoming over-reliant on alcohol. It can also lead to serious emotional and psychological problems such as depression, anxiety, panic attacks and complicated grief. But techniques from cognitive behavioural therapy (CBT) can help.This self-help book covers:· Coping with the unexpected or long-anticipated death of a loved one· Establishing a routine and tackling avoidance of difficult issues· Practical concerns such as making decisions and dealing with birthdays and anniversaries· Returning to work and planning a new future OVERCOMING self-help guides use clinically-proven techniques to treat long-standing and disabling conditions, both psychological and physical. Many guides in the Overcoming series are recommended under the Reading Well Books on Prescription scheme.Series Editor: Professor Peter Cooper

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Tawcester Towers, the family seat of the Lyminster family, has suffered an unwelcome injection of distant cousins, so distant that they aren't even British! Count Igor and Count Lyudmilla Bashusky had to flee Russia after the Revolution and have spent the intervening years building up debts in the hotels of Europe's capitals and sponging off ever more exasperated (and distant) relatives.The Bashusky's arrival at Tawcester Towers causes a stir, and it's up to Blotto and Twinks, that indefatigable duo, to provide a solution to get them back to Russia. Reversing the Russian Revolution and getting a Tsar back into St Petersburg's Winter Palace is just the sort of challenge the fiercely bright Twinks relishes, though her dim-witted brother Blotto shows less aptitude for the subtleties of international politics, despite his commendable bravery.The siblings soon find themselves in Berlin to try and broker a meeting with the White Russian community, and swiftly become embroiled in a world of spies, counterspies, conspiracies and counter-conspiracies. Just when things seem to be looking up, little do Blotto and Twinks realise that their plans are being monitored by the spymaster Fyodor Vlachko, a former worker on the Bushusky's estate who has now risen to a senior post in the secret police of the newly-formed Soviet Union . . .

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If the lies don't kill you, the truth will An electrifying, high-octane thrill ride; the new must-read standalone from a Sunday Times bestseller. Dark, gritty and always at the edge of your seat, this unforgettable new outing from master storyteller, Paul Finch, will appeal to fans of Peter James, Mark Billingham and Angela Marsons.**********************************Readers love ONE EYE OPEN: "Finch does it again! Tightly plotted, well written and pacy as hell" - Netgalley Review"Excellent thriller with great characters." - Netgalley Review"Paul's writing yet again catapults you straight into the book..." - Netgalley Review**********************************YOU CAN RUNA high-speed crash leaves a man and woman clinging to life.Neither of them carries ID. Their car has fake number plates.In their luggage: a huge amount of cash.Who are they? What are they hiding?And what were they running from?YOU CAN HIDEDS Lynda Hagen, once a brilliant detective, gave it all up to raise her family.But something about this case reignites a spark in her... BUT YOU'LL ALWAYS SLEEP WITH...What begins as an investigation soon becomes an obsession.And it will lead her to a secret so dangerous that soon there will be nowhere left to hide.ONE EYE OPEN

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Teaching pastor at the influential New Life Church in Colorado Springs, Colorado, Daniel Grothe explains the Bible's blueprint for becoming the kind of person who can deal with all of life's challenges.Some people have learned how to live. They can handle all that life brings. They are composed. They radiate strength. They are whole, with lives worth emulating, and when they speak people listen. They are, in a word, wise. How did these people get wisdom? And perhaps more importantly, how can we?Daniel Grothe of New Life church in Colorado Springs, Colorado, shows us how to get wisdom for ourselves by examining what the Bible has to say about it and by providing practical steps for acquiring it, among them: learning to ask for help, loving Scripture, going to Church, living quietly, and, above all, seeking those who are themselves wise. Drawing upon Scripture and upon his own experience learning from his friend and mentor Eugene Peterson, Grothe shows how our lives can be secured by the resource that will keep us from collapsing under the onslaught of the difficulties of life. Wisdom is available to us. It takes work to pursue it. Chasing Wisdom reveals how.

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Just in time for the Chairman's centennial, the endlessly absorbing sequel to James Kaplan's bestselling Frank: The VoiceFinally the definitive biography that Frank Sinatra, justly termed 'The Entertainer of the Century,' deserves and requires. Like Peter Guralnick on Elvis, Kaplan goes behind the legend to give us the man in full, in his many guises and aspects: peerless singer, (sometimes) powerful actor, business mogul, tireless lover and associate of the powerful and infamous.In 2010's Frank: The Voice, James Kaplan, in rich, distinctive, compulsively-readable prose, told the story of Frank Sinatra's meteoric rise to fame, subsequent failures, and reinvention as a star of the stage and screen. The story of 'Ol' Blue Eyes; continues with Sinatra: The Chairman, picking up the day after Frank claimed his Academy Award in 1954 and had reestablished himself as the top recording artist in music. Frank's life post-Oscar was incredibly dense: in between recording albums and singles, he often shot four or five movies a year; did TV show and nightclub appearances; started his own label, Reprise; and juggled his considerable commercial ventures (movie production, the restaurant business, even prizefighter management) alongside his famous and sometimes notorious social activities and commitments.

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Now a major film directed by Armando Iannucci, starring Dev Patel, Tilda Swinton, Hugh Laurie, Peter Capaldi and Ben WhishawDickens's great coming-of-age novel, now in a beautiful clothbound Penguin editionThis is the novel Dickens regarded as his 'favourite child' and is considered his most autobiographical. As David recounts his experiences from childhood to the discovery of his vocation as a successful novelist, Dickens draws openly and revealingly on his own life. Among the gloriously vivid cast of characters are Rosa Dartle, Dora, Steerforth, and the 'umble Uriah Heep, along with Mr Micawber, a portrait of Dickens's own father which evokes a mixture of love, nostalgia and guilt.Dickens's great Bildungsroman (based, in part, on his own boyhood) is a work filled with life, both comic and tragic.Charles Dickens (1812-70) had his first, astounding success with his first novel The Pickwick Papers and never looked back. In an extraordinarily full life he wrote, campaigned and spoke on a huge range of issues, and was involved in many of the key aspects of Victorian life, by turns cajoling, moving and irritating. He completed fourteen full-length novels and volume after volume of journalism. Of all his many works, he called David Copperfield his 'favourite child'.Jeremy Tambling is Professor of Literature at the University of Manchester.

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'Gripping and gritty, this book will keep you hooked from the first page to the last' Roberta KrayOne year on from being reunited with the family she abandoned, successful lawyer Liberty Chapman is still in Leeds - although she has stayed well away from the Greenwood's business activities. Their criminal life style may not sit right with Liberty, but blood is thicker than water and surely what they do is their business not hers?But when her youngest brother, Frankie, is seriously injured in a shooting, Liberty is forced to decide which side she is on and how far she will go to protect her own. And if that means torturing the local gangster for information or kidnapping another at gun point, then so be it. Turns out Liberty is a Greenwood after all.Meanwhile, PC Amira Hassani will do whatever it takes to put Liberty and her family away for good, and if that includes blackmailing her colleague Sol Connolly to secure evidence against them, then so be it too. Will Sol betray Liberty to protect his wife and his career? And how far will any of them go to do what they think is right?'The Leeds setting is every bit as gritty as Kray's East End . . . hard as nails!' Peterborough Telegraph

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CAN YOU TRUST A KILLER TO CATCH HIS OWN COPYCAT?The utterly gripping new Murder in Yorkshire crime novel by the brilliant Lesley McEvoy - for fans of Happy Valley.___________________ A serial killer is at large in Yorkshire, cutting off one victim's body part to leave with the next. The police turn to forensic psychologist and profiler Dr Jo McCready, who knows the killer's M.O. all too well. Twenty-five years ago, notorious Yorkshire serial killer Jacob Malecki murdered fifteen people using the same method, and Jo provided the profile that led to his capture.But with Malecki locked up in prison, who is the copycat killer? As the bodies pile up and the police get desperate, Malecki offers to help with the case. After all, who better to find a copycat than the original?Now Jo must play a dangerous game of cat and mouse with both killers. Can she use one to catch the other before more people die?Praise for Lesley McEvoy's Murder in Yorkshire crime series:'McEvoy really knows her stuff.' - IAN RANKIN 'This book really got its hooks into me. Highly original and whipsmart on detail, I devoured it in one sitting' - PETER JAMES'Such a clever, twisty crime thriller' - SAIMA MIR'There are plenty of twists in this gripping read' - YORKSHIRE TIMES

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'A belter of a thriller. Creepy, convincing, it kept me gripped and guessing' Peter James A twisty and chilling thriller about a woman who did one bad thing when she was young... and must now suffer the consequences. She thought she'd got away with it. She was wrong. Hannah Godley is an agony aunt on a London radio show Queen of Hearts. She's warm and empathetic; a good listener. Her catchphrase is: Always be kind. But when a stranger phones in to tell a tragic story about her brother who killed himself after he was the victim of a terrible prank by two people, Hannah goes cold. Because she remembers Diane's brother well. In fact, all these years later, he still haunts her dreams. All because of that one bad thing she did when she was young... Is Diane just a sad, lonely woman looking for a friend, or does she know what Hannah did, and is looking for revenge? Because as Diane insinuates herself into her life and family, Hannah is going to discover that you can never truly escape that One Bad Thing you did – sooner or later, you're going to have to pay the price... Praise for M.K. Hill: 'One Bad Thing is chock-full of suspense... I genuinely had no nails left by the end!' Lisa Hall 'A tense and twisted page-turner that kept me guessing right to the very clever end' Susi Holliday 'Thoroughly enjoyable' Daily Mail 'An engaging, creepy thriller full of twists. One Bad Thing had me so absorbed I read it in a day' Elisabeth Carpenter 'Chilling' Crime Monthly 'A rollercoaster ride with an abundance of twists' William Ryan 'One Bad Thing is addictive right from the go... Impossible to put down!' Rachael Blok 'An addictive read that pulled me in and didn't let go' Cass Green 'Absorbing and twisty' Mark Edwards 'This is a real rollercoaster of a read! Packed full of twists, turns, secrets and suspicions it's a total must read for all psychological thriller lovers. Murderously good!' Steph Broadribb

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Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard’s plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare’s plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter’s Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies.Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O’Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates

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On April 4, 1866, just as Alexander II stepped out of Saint Petersburg's Summer Garden and onto the boulevard, a young man named Dmitry Karakozov pulled out a pistol and shot at the tsar. He missed, but his "unheard-of act" changed the course of Russian history—and gave birth to the revolutionary political violence known as terrorism. Based on clues pulled out of the pockets of Karakozov's peasant disguise, investigators concluded that there had been a conspiracy so extensive as to have sprawled across the entirety of the Russian empire and the European continent. Karakozov was said to have been a member of "The Organization," a socialist network at the center of which sat a secret cell of suicide-assassins: "Hell." It is still unclear how much of this "conspiracy" theory was actually true, but of the thirty-six defendants who stood accused during what was Russia's first modern political trial, all but a few were exiled to Siberia, and Karakozov himself was publicly hanged on September 3, 1866. Because Karakozov was decidedly strange, sick, and suicidal, his failed act of political violence has long been relegated to a footnote of Russian history. In The Odd Man Karakozov, however, Claudia Verhoeven argues that it is precisely this neglected, exceptional case that sheds a new light on the origins of terrorism. The book not only demonstrates how the idea of terrorism first emerged from the reception of Karakozov's attack, but also, importantly, what was really at stake in this novel form of political violence, namely, the birth of a new, modern political subject. Along the way, in characterizing Karakozov's as an essentially modernist crime, Verhoeven traces how his act profoundly impacted Russian culture, including such touchstones as Repin's art and Dostoevsky's literature. By looking at the history that produced Karakozov and, in turn, the history that Karakozov produced, Verhoeven shows terrorism as a phenomenon inextricably linked to the foundations of the modern world: capitalism, enlightened law and scientific reason, ideology, technology, new media, and above all, people's participation in politics and in the making of history.

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Homelessness became a conspicuous facet of Russian cityscapes only in the 1990s, when the Soviet criminalization of vagrancy and similar offenses was abolished. In spite of the host of social and economic problems confronting Russia in the demise of Soviet power, the social dislocation endured by increasing numbers of people went largely unrecognized by the state. Being homeless carries a special burden in Russia, where a permanent address is the precondition for all civil rights and social benefits and where homelessness is often regarded as a result of laziness and drinking, rather than external factors. In Needed by Nobody, the anthropologist Tova Höjdestrand offers a nuanced portrait of homelessness in St. Petersburg. Based on ethnographic work at railway stations, soup kitchens, and other places where the homeless gather, Höjdestrand describes the material and mental world of this marginalized population. They are, she observes, "not needed" in two senses. The state considers them, in effect, as noncitizens. At the same time they stand outside the traditionally intimate social networks that are the real safety net of life in postsocialist Russia. As a result, they are deprived of the prerequisites for dealing with others in ways that they themselves value as "decent" and "human." Höjdestrand investigates processes of social exclusion as well as the remaining "world of waste": things, tasks, and places that are wanted by nobody else and on which "human leftovers" are forced to survive. In this bleak context, Höjdestrand takes up the intimate worlds of the homeless—their social relationships, dirt and cleanliness, and physical appearance. Her interviews with homeless people show that the indigent have a very good idea of what others think of them and that they are liable to reproduce the stigma that is attached to them even as they attempt to negotiate it. This unique and often moving portrait of life on the margins of society in the new Russia ultimately reveals how human dignity may be retained in the absence of its very preconditions.

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WINNER OF THE FRENCH GRAND PRIX DU ROMAN POLICIER'Beautifully written . . . An excellent thriller.' WALL STREET JOURNAL'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVERAN AURELIO ZEN MYSTERYPrince Ludovico Ruspanti died falling a hundred and fifty feet in St Peter's church, in the heart of the Vatican. But did he fall, or was he pushed? Inspector Aurelio Zen finds that getting answers isn't easy, as witness after witness is mysteriously silenced - by violent death. To crack the secrets of the Vatican, Zen must penetrate the most secret place of all: the Cabal.'A terrific read combining history, travel, sex, violence and of course the very understated brilliance of that complex character Aurelio Zen.' 5* reader review'Excellent.' 5* reader review'You plunge straight into Zen's Italian crime-world. Gripping in its intensity, its atmosphere and its understanding of character: this is a masterpiece and I read and re-read it.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be "good Europeans", avatars of the enlightened economic man of the eighteenth-century. Yet as RG Collingwood observed in his last great inquiry into the nature of civilisation, a book written to the glory of Hobbes at the height of the London blitz, Nietzsche was himself a victim of the disease he diagnosed. In "The Good European" Iain Bamforth reports on fifteen years of "experimental living" during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe and the city of noses in "Tristram Shandy". Thrown into a deep identity crisis by Bismarck's victories against the French in 1870, pilot region for some of the modern state's most radical policies (health insurance, public relations), Alsace's divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels: he offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, WG Sebald and Mavis Gallant. He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show "Bouillon de Culture", a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial: here a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond the 'standard average European' to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe.

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The all-American spirit of midcentury modernism, in three US State Department-sponsored exhibitions This revelatory volume recovers and presents the history of three exhibitions organized by the US State Department’s Traveling Exhibition Service almost 70 years ago: Contemporary American Textiles, curated by Florence Knoll, Contemporary American Wallpapers, curated by Tom Lee, and Containers & Packaging, curated by Will Burtin. These exhibitions were made for presentation in West German schools, museums and trade fairs, and through the Amerika Haus program. By joining consumer choice with political choice, the State Department tried to convince West Germans and other Europeans that the United States, its system of government and its capitalist values offered more and better lifestyle choices than those of the Soviet bloc. This book is both an exhibition catalog and a reader. It restores the spirit of these three exhibitions to the public memory and challenges the idea that design has little political purpose. By piecing together primary sources found within archival collections, libraries and special collections, the book reveals how the State Department deliberately employed design, a process that binds people to daily life, to embody a connection between a rhetoric of political freedom and capitalist values of consumer freedom. Considering these exhibitions and their showcased objects, characteristically associated with midcentury modernism, A Designed Life suggests that, even now, the Cold War affects our lives, habits and culture. Designers and curators include: Anni Albers, Evelyn Anselevicius, Richard Lee Brecker, Will Burtin, Serge Chermayeff, Morton and Millie Goldsholl, Elizabeth Gordon, Eszter Haraszty, Peter Harnden, Ilonka Karasz, Katzenbach and Warren Inc., Juliet Kepes, Florence Knoll, Walter Landor, Laverne Originals, Tom Lee, Dorothy Liebes, Raymond Loewy, Jack Masey, George Nelson, Walter Paepcke, Annemarie Henle Pope, Noémi Raymond, Bernard Rudofsky, Herwin Schaefer, Saul Steinberg, Angelo Testa and the Tilletts.

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