Search results for ""author pete"

The final book in his acclaimed trilogy on the rise and fall of Nazi Germany, Richard J. Evans's The Third Reich at War: How the Nazis Led Germany from Conquest to Disaster shows how Germany rushed headlong into destroying itself, shattering an entire continent. In 1939 Hitler mobilized Germany into all-out war. Richard Evans's astonishing, acclaimed history conjures up a whole society plunged into conflict - from generals and front-line soldiers to Hitler Youth activists and middle-class housewives - tracing events from the invasion of Poland and the Battle of Stalingrad to Hitler's plans for genocide and his eventual suicide. 'Masterly ... will surely be the standard history for many years to come ... This is a warning for the future, as much as a judgement on the past' Richard Overy, Daily Telegraph 'We all know how the story ends ... but Richard Evans brings it masterfully home ... magnificent' Peter Preston, Observer 'A chilling, brilliant read' Dominic Sandbrook, Sunday Telegraph Books of the Year 'It is hard to do justice to the humanity and scholarly range of The Third Reich at War ... triumphant ... a masterful historical narrative and the most comprehensive account of Nazi Germany' Nicholas Stargardt, The Times Literary Supplement 'It gives the reader persuasive answers to questions asked for so long, that will continue to be asked, about this most violent and inexplicable of regimes' Mark Mazower, Guardian Sir Richard J. Evans is Professor of Modern History at Cambridge University. His previous books include In Defence of History, Telling Lies about Hitler and the companions to this title, The Coming of the Third Reich and The Third Reich in Power.

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Few people who think about the state of the world are content with the status quo. The increasingly complex mix of economic, social, environmental and political problems at all scales requires new ways of thinking. It also requires new ways of integrating mutually supportive ideas and approaches, which is what this useful new book offers around the theme of sustainable consumption. The editors and contributors offer a breadth and depth of research from three domains: the new economics, socio-technical transitions and social practice, with a focus on consumption that meets the needs of people within the limits of the biosphere.'- Peter A. Victor, York University, Canada'This is a very timely and inspiring book. The editors have carefully compiled original contributions from leading researchers in sustainable consumption, reflecting the important work of the SCORAI network and beyond. This is a "must" read for those who want to know where research in sustainable consumption is really heading.'- Lucia A. Reisch, Copenhagen Business School, DenmarkThis timely volume recognizes that traditional policy approaches to reduce human impacts on the environment through technological change - for example, emphasizing resource efficiency and the development of renewable energy sources - are insufficient to meet the most pressing sustainability challenges of the twenty-first century. Instead, the editors and contributors argue that we must fundamentally reconfigure our lifestyles and social institutions if we are to make the transition toward a truly sustainable future.These expert contributions pinpoint specific areas in which innovation will be required. These include economic policies, socio-technical systems of production and consumption, and dominant social practices. Drawing on these and other diverse areas of scholarship, this fascinating book highlights new conceptual frameworks for achieving the twin sustainability goals of decreased resource use and enhanced individual and societal well-being.Students, professors and policymakers in ecological economics, innovation studies, environmental policy and many other related fields will find much of interest in this pathbreaking volume.Contributors: M.M. Bell, H.S. Brown, M.J. Cohen, B. Halkier, J.M. Harris, D.J. Hess, S. Hielscher, R. Kemp, E. Kennedy, H. Krahn, N.T. Krogman, S.M. McCauley, I. Røpke, G. Seyfang, A. Smith, G. Spaargaren, J.C. Stephens, J. Stutz, E. Ubert, H. van Lente, P.J. Vergragt

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In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more.

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Phospholipidshavelongbeenknownfortheirkeyroleinmaintainingthebilayer structureofmembranesandinphysicallyseparatingthecytosolfromorganelles andtheextracellularspace. Inthepastdecade,acompletelynovelandunexpected functionemerged,full?llingacrucialroleincellsignaling. Itwasthediscoveryin animalcells,thatagonist-activatedcellsurfacereceptorsledtotheactivationofa phospholipase C (PLC), to hydrolyze the minor lipid, phosphatidylinositol 4- bisphosphateintotwosecondmessengers,inositol1,4,5-trisphosphate(InsP)and 3 2+ diacylglycerol(DAG). WhileInsP diffusesintothecytosol,whereitreleasesCa 3 2+ from an intracellular store by activating a ligand-gated Ca -channel, DAG remainsinthemembranetorecruitandactivatemembersoftheproteinkinase Cfamily. Overtheyears,avarietyofotherlipidbased-signalingcascadesweredisc- ered. Theseinclude,phospholipaseA,generatinglyso-phospholipidsandfreefatty acids(tobeconvertedintoprostaglandinsandleukotrienes),phospholipaseD,to generatethelipidsecondmessenger,phosphatidicacid(PA),andphosphoinositide 3-kinase (PI3K), generating a distinct set of polyphosphoinositides (PPI) ph- phorylated at the D3-position of the inositol ring, all with separate signaling functions. Sphingolipids,representinganotherimportantgroupofsignalinglipids, alsocameacross. Themajorityoftheselipid-basedsignalingpathwayshavebeendiscoveredin plantcellstoo. Moreover,theyhavebeenfoundtobeactivatedinresponsetoa widevarietyofbioticandabioticstresssignals,butalsotobebasicallyinvolvedin plantgrowthanddevelopment. Whilemanyoftheenzymes,lipids,andtheirtargets involved arewell conserved, major differences with the mammalian paradigms havealsoemerged. Thisbookhighlightsthecurrentstatusofplantlipidsignaling. Allchaptershave beenwrittenbyexpertsinthe?eldandcoverinformationforbothbeginnersand advancedlipidologists. PartIincludesphospholipases(Chaps. 1-3),partII,lipid kinases (Chaps. 4-7), part III, lipid phosphatases (Chaps. 8-9), part IV, ix x Preface inositolphosphates and PPI metabolism (Chaps. 10-13), part V, PA signaling (Chaps. 14-17),andpartVI,additionallipidsignals,e. g. oxylipins,NAPEand sphingolipids(Chaps18-20). Ithasbeenagreatpleasuretobetheeditorofthis bookandtobeawitnessofthislipid-signalingadventure. Amsterdam,June2009 TeunMunnik Contents PartI Phospholipases PhospholipaseAinPlantSignalTransduction...3 Gu..ntherF. E. Scherer TheEmergingRolesofPhospholipaseCinPlantGrowth andDevelopment...23 PeterE. DowdandSimonGilroy PlantPhospholipaseD...39 WenhuaZhang,XiaoboWan,YueyunHong,WeiqiLi,andXueminWang PartII Kinases Phosphatidylinositol4-PhosphateisRequiredforTip GrowthinArabidopsisthaliana ...65 AmyL. SzumlanskiandErikNielsen PIP-KinasesasKeyRegulatorsofPlantFunction ...79 TillIschebeckandIngoHeilmann PlantPhosphatidylinositol3-Kinase...95 YureeLee,TeunMunnik,andYoungsookLee DiacylglycerolKinase...107 StevenA. AriszandTeunMunnik xi xii Contents PartIII Phosphatases SignalingandthePolyphosphoinositidePhosphatasesfromPlants ...117 GlendaE. Gillaspy PhosphatidicAcidPhosphatasesinSeedPlants...131 YukiNakamuraandHiroyukiOhta PartIV PPIMetabolism InsP inPlantCells ...145 3 YangJuIm,BrianQPhillippy,andImaraYPerera InositolPolyphosphatesandKinases...161 JillStevenson-PaulikandBrianQ. Phillippy PhosphoinositidesandPlantCellWallSynthesis ...175 RuiqinZhong,RyanL. McCarthy,andZheng-HuaYe ImagingLipidsinLivingPlants ...185 JoopE. M. VermeerandTeunMunnik PartV PASignaling PhosphatidicAcid:AnElectrostatic/Hydrogen-BondSwitch?...2 03 EdgarEduardKooijmanandChristaTesterink NitricOxideandPhosphatidicAcidSignalinginPlants...223 AyelenM. Diste'fano,M. LucianaLanteri,ArjentenHave, CarlosGarc?'a-Mata,LorenzoLamattina,andAnaM. Laxalt 3-Phosphoinositide-DependentProteinKinaseisaSwitchboard fromSignalingLipidstoProteinPhosphorylationCascades...243 ChristineZalejskiandLa'szlo'Bo..gre PartVI AdditionalLipidSignals DiacylglycerolPyrophosphate,ANovelPlantSignalingLipid...263 EmmanuelleJeannette,SophieParadis,andChristineZalejski OxylipinSignalingandPlantGrowth...277 AlinaMosblech,IvoFeussner,andIngoHeilmann Contents xiii FattyAcidAmideHydrolaseandtheMetabolismof N-AcylethanolamineLipidMediatorsinPlants...293 KentD. ChapmanandElisonB. Blanca?or SphingolipidSignalinginPlants...307 LouiseV. MichaelsonandJohnathanA. Napier Index ...323 Contributors Steven A. Arisz Section Plant Physiology, Swammerdam Institute for Life Sciences,UniversityofAmsterdam,SciencePark904,NL-1098XH,Amsterdam, TheNetherlands ElisonB. Blanca?or SamuelRobertsNobleFoundation,PlantBiologyDivision, Ardmore,OK73401,USA,eblanca?or@noble.

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'Every generation has its iconic detective — Holmes, Poirot and Morse — but Cross is emerging as the one for now. Treasure him.' DAILY MAIL 'DS George Cross shot to the top of my favourites when I first encountered him. The Teacher shows him at his best.' MARI HANNAH 'George Cross is becoming one of my favourite detectives.' ELLY GRIFFITHS He's a victim. But is he innocent? THE BODY In a village in South West England, an elderly man is found dead in his home. The angle of his neck says he fell down the stairs. The stab wound on his body tells a different story. THE EVIDENCE In the weeks before his murder, Alistair Moreton changed. He usually kept himself to himself, but people swear there was someone in the house when they checked on him, that there was a reason he wouldn’t let them inside. THE PUNISHMENT Moreton made people’s lives a misery, from his neighbours to his ex-pupils. While DS George Cross’s list of suspects is long, every victim deserves justice. But in all of Alistair’s years, there was something important he never learned: If you go through life making enemies, don’t be surprised when they teach you a lesson. Perfect for fans of MW Craven, Peter James and Joy Ellis, The Teacher is part of the DS George Cross thriller series, which can be read in any order. 'Starts with a bang and then continues to deliver all the way to the thrilling end.' IMRAN MAHMOOD 'George Cross is in a class of his own.' SIMON TOYNE 'A must-read series.' THE TIMES 'George Cross is a superb creation... The Teacher also offers an insightful examination of whether guilt for past deeds has a half-life.' DOM NOLAN Why readers love George Cross . . . ‘The fact that Cross has been diagnosed with autism spectrum disorder makes him just as intriguing as the murder mystery’ The Times 'I am insanely in love with George Cross.' Stephen Fry ‘A compelling, suspenseful police procedural with an intimate, positive insight into living on the autistic spectrum' Woman

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This dynamic book considers whether and how the management of records (and archives) differs from the management of information (and data). Can archives and records management still make a distinctive contribution in the 21st century, or are they now being dissolved into a wider world of information governance? What should be our conceptual understanding of records in the digital era? What are the practical implications of the information revolution for the work of archivists and records managers?Geoffrey Yeo, a distinguished expert in the global field, explores concepts of ‘records’ and ‘archives’ and sets today’s record-keeping and archival practices in their historical context. He examines changing perceptions of the nature and purpose of records management and archival work, notions of convergence among information-related disciplines, and archivists’ and records managers’ attitudes to information and its governance. Starting with Peter Morville’s dictum that ‘when we try to define information, we become lost in a hall of mirrors’, Yeo considers different understandings of the concept of ‘information’ and their applicability to the field of archives and records management. He also looks at the world of data science and data administration, and asks whether and how far recent work in this area can enhance our knowledge of how records function and how they relate to the information universe.Key topics covered include: The keeping of records: a brief historical overview Thinking about records and archives: the transition to the digital Archivists, records managers and the allure of information Finding a way through the hall of mirrors: concepts of information Records and data Why records are not (just) information; understanding records in the digital era. This thought provoking and timely book is primarily intended for records managers and archivists, but should also be of interest to professionals in a range of information-related disciplines. In addressing the place of record-keeping in contemporary information culture, it aims to provide a balance of theory and practice that will appeal to practitioners as well as students and academics around the world.

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"This book is an excellent grounding in both quantitative and qualitative psychological research methods, which provides an excellent 'one-stop shop' for any student beginning their learning journey.”—Mark Griffiths, Distinguished Professor of Behavioural Addiction, Nottingham Trent University“This new edition will be warmly welcomed by anxious psychology students!”—Susanna Kola-Palmer, Senior Lecturer in Psychology, University of Huddersfield “Authoritative and yet written with the clarity and liveliness that are Hayes’ hallmark, she employs great depth of knowledge and wide experience, both harnessed to make this potentially dry and daunting subject accessible and even fun to read about.” —Peter Stratton, Emeritus Professor, University of Leeds, UKA must-have for any student undertaking psychological research, this new edition has been comprehensively updated, while maintaining the simple, friendly language and use of everyday examples that have already helped generations of students to successfully understand what research methods are and how one might actually go about using them.The book is divided into data-gathering and analytical sections, and covers the main methods used in psychology for each of these purposes. With detailed explanations of underlying principles, as well as exercises, activities, worked examples of statistical tests, and self-assessment questions, Hayes shows you what you are doing, when you should do it, and why you are doing it.New to this edition:•Discussion on ethics at the end of each chapter on data-gathering•Assessment of netnography and online research•Additional examination of legal developments such as GDPR•New chapter on multivariate analysis An accessible and thorough introductory text for all students of research methods in psychology.Nicky Hayes is a Fellow of the British Psychological Society, a Chartered Psychologist and an Honorary Life Member of the Association for the Teaching of Psychology. She has written widely and is particularly respected for her ability to apply psychology to everyday life, working with businesses and the public sector as well in education.

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New recruit to the Botswana Criminal Investigation Department, Samantha Khama, calls upon Detective Kubu when the hunt for two missing girls hits a dead end … and it becomes clear that there is a serial killer on the loose, and his motive is terrifying… ‘A wonderful, original voice – McCall Smith with a dark edge and even darker underbelly’ Peter James ‘The perfect combination of “I don’t want it to end” and “I can’t put it down”. Great African crime fiction’ Deon Meyer ‘My favourite writing duo since Ellery Queen’ Ragnar Jónasson _______________ A young girl goes missing after getting into a car with a mysterious man. Soon after, a second girl disappears, and her devastated father, Witness, sets out to seek revenge. As the trail goes cold, Samantha Khama – new recruit to the Botswana Criminal Investigation Department – suspects the girl was killed for muti, the traditional African medicine usually derived from plants, sometimes animals, and, recently and most chillingly, human parts. When the investigation gets personal, Samantha enlists opera-loving wine connoisseur Assistant Superintendent David ‘Kubu’ Bengu to help her dig into the past. As they begin to discover a pattern to the disappearances, there is another victim, and Kubu and Samantha are thrust into a harrowing race to stop a serial killer who has only one thing in mind… _______________ 'A fascinating police procedural … the most complex book in this series. Besides being an intricate crime puzzle that Kubu and his team must untangle, it also looks at societal issues’ St Paul Pioneer Press ‘Compelling and deceptively written...’ New York Journal of Books ‘Richly atmospheric … a gritty depiction of corruption and deception’ Publishers Weekly ‘Under the African sun, Michael Stanley’s Detective Kubu investigates crimes as dark as the darkest of Nordic Noir. Call it Sunshine Noir, if you will – a must read’ Yrsa Sigurðardóttir ‘Intelligent, dark and compelling – among the best of today’s crime fiction’ Quentin Bates

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'A perfect detective for our time' Stephen Fry No fingerprints. No weapon. No witnesses. Can DS Cross prove it was murder? THE DETECTIVE DS George Cross doesn't rely on guesswork and he has no time for false assumptions. He is a detective who goes off the evidence in front of him, not 'hunches' or 'gut feelings'. He does not know what these are. THE CLOSED CASE When a young woman is found dead, the Bristol Crime Unit is quick to rule it a suicide as the woman had a long history of drug abuse. But her mother is convinced it was murder, saying that her daughter had been clean for years and had been making strides in a new therapy programme. THE ANSWER As an outsider himself, DS Cross is drawn to cases involving the voiceless and dispossessed and, here, the evidence states that this woman was murdered – Cross just has to prove it. But under pressure from his boss to shut down the case, and with numerous potential suspects, time is rapidly running out to get the answers that this grieving family deserve. Perfect for fans of M.W. Craven, Peter James and Joy Ellis, The Patient is part of the DS George Cross thriller series, which can be read in any order. Why readers love George Cross . . . 'A clever mystery full of tension but also humour and compassion. George Cross is becoming one of my favourite detectives.’ Elly Griffiths 'In DS George Cross, Tim Sullivan has created a character who is as endearing as any I’ve ever come across in this genre. His quirks are his gift, and with Sullivan’s tremendous plotting and superb writing, this series is a gift to readers.' Liz Nugent 'A British detective for the 21st century who will be hard to forget' Daily Mail 'A compelling, suspenseful police procedural with an intimate, positive insight into living on the autistic spectrum' Woman 'Truly wonderful . . . well-developed characters and an absolute star in George Cross!' Reader Review 'An entirely different type of detective in DS Cross' Reader Review

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In a statement published for Paul Cobley’s edition of Realism for the 21st Century. A John Deely Reader, Umberto Eco wrote that “John Deely has not only paid attention to the Second Scholasticism but also to the first one”. In the present book, Deely goes one step further, by establishing the continuity of the Latin Age as a whole. He shows how the Latin thinkers demonstrated the presuppositions and created the framework of critical thought that made possible and inevitable the turn to science in the modern sense. The book thus shows how and why criticalachievements of the Latins remain requisite, even today, for the proper understanding of science and technology as offshot of the “Way of Signs” upon which all of thought, as also evikytuib as a whole, perforce travels. “With the sophistic modern and Enlightenment misconceptions about philosophy’s nature and history daily crashing and burning around us, Deely’s unconventional way of understanding medieval philosophy is like a breath of fresh air amid intellectual smog. This is a great book, the single most important study of medieval thought in half a century or more. It deserves an unbiased hearing by anyone today claiming to be a serious philosopher.” — Peter A. Redpath Founding Chairman, Universities of Western Civilization Chairman of the Board, The International Etienne Gilson Society “Drawing upon the thought of John Poinsot and Charles Pierce, John Deely has opened a distinctively postmodern path to the metaphysics of being, at once illuminating much of this ancient tradition while casting new light upon it in the context of contemporary thought. His treatment notably of St. Thomas is not merely a return to an earlier thinker, but an opening to a different path, at once in profound agreement with St. Thomas and yet heretofore unexplored. This book, thus, not only constitutes a return to a past era, but shows this era in a new light that illuminates as well the contemporary scene.” — Kenneth L. Schmitz Professor Emeritus, University of Toronto, Canada Pontifical John Paul II Institute for Studies on Marriage and Family, Washington, D.C.

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'Grabs the reader from the very first page - and never lets go' DAILY MAIL'Taut and properly disturbing. . . Impressive' The CriticEVERYONE HAS A PAST. . . YOURS IS COMING TO KILL YOUAlex and Morven have a pretty perfect marriage. Still madly in love after ten years, they have no secrets from each other and their life in London with daughter Poppy is . . . happy.Until one day it changes. Morven disappears, her car found abandoned. The police come around to Alex's house to tell him things about his wife he never knew: her real name, her past life, the secrets she kept from him. And Alex realises he's been loving a lie. He needs answers . . . and on the shore of a dark and remote lake in Wales he learns that the tragic events which shaped the past now threaten to rip apart the present.Praise for I KNOW WHO YOU WERE'A gripping, twisty and beautifully written debut thriller that marks Curran as a writer to watch.' Irish Independent'Written with enormous panache and gentle empathy, it ratchets up the tension repeatedly before exploding into a grandstand heart-stopping finale' Daily Mail'Oh boy, this is going to keep you up at night, or abandoning everything else to race through the pages' Peterborough Telegraph'Throws out a great hook and then twists and turns its way to a heartstopping climax' Stephen Gallagher'Not just a ruthlessly compelling novel of suspense but an unflinching examination of the repercussions of a crime. Disturbing, harrowing and moving, it signals the arrival of a new master of crime fiction.' Ramsey Campbell'Taut, compelling, original. An emotionally charged story that will leave you thinking of the main character long after finishing the book. A true page-turner' J A Corrigan 'Curran's debut is an absorbing, dark and suspenseful thriller. He is a writer to watch' David Fennell 'An utterly gripping Cobenesque mystery keeps you turning the pages fiercely to find out what's happening' Crime Podcast FM

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'Grabs the reader from the very first page - and never lets go' DAILY MAIL'Taut and properly disturbing. . . Impressive' The CriticEVERYONE HAS A PAST. . . YOURS IS COMING TO KILL YOUAlex and Morven have a pretty perfect marriage. Still madly in love after ten years, they have no secrets from each other and their life in London with daughter Poppy is . . . happy.Until one day it changes. Morven disappears, her car found abandoned. The police come around to Alex's house to tell him things about his wife he never knew: her real name, her past life, the secrets she kept from him. And Alex realises he's been loving a lie. He needs answers . . . and on the shore of a dark and remote lake in Wales he learns that the tragic events which shaped the past now threaten to rip apart the present.Praise for I KNOW WHO YOU WERE'A gripping, twisty and beautifully written debut thriller that marks Curran as a writer to watch.' Irish Independent'Written with enormous panache and gentle empathy, it ratchets up the tension repeatedly before exploding into a grandstand heart-stopping finale' Daily Mail'Oh boy, this is going to keep you up at night, or abandoning everything else to race through the pages' Peterborough Telegraph'Throws out a great hook and then twists and turns its way to a heartstopping climax' Stephen Gallagher'Not just a ruthlessly compelling novel of suspense but an unflinching examination of the repercussions of a crime. Disturbing, harrowing and moving, it signals the arrival of a new master of crime fiction.' Ramsey Campbell'Taut, compelling, original. An emotionally charged story that will leave you thinking of the main character long after finishing the book. A true page-turner' J A Corrigan 'Curran's debut is an absorbing, dark and suspenseful thriller. He is a writer to watch' David Fennell 'An utterly gripping Cobenesque mystery keeps you turning the pages fiercely to find out what's happening' Crime Podcast FM

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'This vivid and engaging book brings to life some of the most important moments in ancient history, moments that have shaped not only the politics and culture of bygone eras, but the institutions, thoughts and fantasies of our time.' Yuval Noah Harari (Sapiens)'A bold and imaginative page-turner that challenges ideas about the world of antiquity.' Peter Frankopan (The Silk Roads)'As panoramic as it is learned, this is ancient history for our globalised world.' Tom Holland (Dynasty, Rubicon)________________________________________Acclaimed historian and TV presenter Michael Scott guides us through an epic story spanning ten centuries to create a bold new reading of the classical era for our globalised world.Scott challenges our traditionally western-focused perception of the past, connecting Greco-Roman civilisation to the great rulers and empires that swept across Central Asia to India and China - resulting in a truly global vision of ancient history.With stunning range and richness Ancient Worlds illustrates how the great powers and characters of antiquity shared ambitions and crises, ways of thinking and forms of governing: connections that only grew stronger over the centuries as political systems evolved, mighty armies clashed, universal religions were born and our modern world was foreshadowed.Scott focuses on three epochal 'moments' across the ancient globe, and their profound wider significance: from 509-8 BCE (birth of Athenian democracy and Rome's republic, also the age of Confucius's teachings in China); to 218 BCE (when Hannibal of Carthage challenged Rome and China saw its first emperor); to 312 CE, when Constantine sought to impose Christianity on the Roman world even as Buddhism was pervading China via the vast trading routes we now know as the 'Silk Roads.'A major work of global history, Michael Scott's enthralling journey challenges the way we think about our past, re-draws the map of the classical age to reveal its hidden connections, and shows us how ancient history has lessons for our own times.

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WINNER OF THE BRITISH ACADEMY BOOK PRIZE A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century. ‘A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story’ - William Dalrymple, Financial Times ‘A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour’ - Spectator ‘Beautifully written and masterfully researched, this has the makings of a classic’ - Peter Frankopan SHORTLISTED FOR THE POL ROGER DUFF COOPER PRIZE LONGLISTED FOR THE CUNDILL HISTORY PRIZE SHORTLISTED FOR THE HWA CROWN AWARDS When Thomas Roe arrived in India in 1616 as James I’s first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe was representing a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified ‘Great Britain’ under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In Nandini Das's fascinating history of Roe's four years in India, she offers an insider's view of a Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue and scandal, lotteries and wagers that unfolds as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia. A major debut that explores the art, literature, sights and sounds of Jacobean London and Imperial India, Courting India reveals Thomas Roe's time in the Mughal Empire to be a turning point in history – and offers a rich and radical challenge to our understanding of Britain and its early empire.

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Throwing things away makes rubbish. Lots of things can be reused and recycled to reduce waste, save energy and help the Earth.Read it yourself with Ladybird is one of Ladybird's best-selling reading series. For over thirty-five years it has helped young children who are learning to read develop and improve their reading skills. Each Read it yourself book is very carefully written to include many key, high-frequency words that are vital for learning to read, as well as a limited number of story words that are introduced and practised throughout. Simple sentences and frequently repeated words help to build the confidence of beginner readers and the different levels of books support children all the way from very first reading practice through to independent, fluent reading.There are more than one hundred titles in the Read it yourself series, ranging from classic fairy tales and traditional stories from around the world, to favourite children's brands such as Peppa Pig, Kung Fu Panda and Peter Rabbit. A range of specially written first reference titles complete the series, with information books about favourite subjects that even the most reluctant readers will enjoy. Each book has been carefully checked by educational consultants and can be read independently at home or used in a guided reading session at school. Further content includes comprehension questions or puzzles, helpful notes for parents, carers and teachers, and book band information for use in schools.Recycling is a Level 3 Read it yourself book, suitable for children who are developing reading confidence and are eager to start reading more information with a wider vocabulary. More complex information with comparisons made across subjects and themes. Includes contents, index and a picture glossary.

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Pretty Thumbelina is the size of a thumb! Find out what happens when she meets lots of strange characters. The classic fairy tale, retold especially for Read it yourself with Ladybird.Read it yourself with Ladybird is one of Ladybird's best-selling reading series. For over thirty-five years it has helped young children who are learning to read develop and improve their reading skills.Each Read it yourself book is very carefully written to include many key, high-frequency words that are vital for learning to read, as well as a limited number of story words that are introduced and practised throughout. Simple sentences and frequently repeated words help to build the confidence of beginner readers and the four different levels of books support children all the way from very first reading practice through to independent, fluent reading.There are more than ninety titles in the Read it yourself series, ranging from classic fairy tales and traditional world stories to favourite children's brands such as Peppa Pig, Angry Birds and Peter Rabbit. All-new, first reference titles complete the range, with information books about favourite subjects that even the most reluctant readers will enjoy.Each book has been carefully checked by educational consultants and can be read independently at home or used in a guided reading session at school. Further content includes comprehension questions or puzzles, helpful notes for parents, carers and teachers, and book band information for use in schools.Thumbelina is a Level 3 Read it yourself book, suitable for children who are developing reading confidence and stamina, and are eager to start reading longer stories with a wider vocabulary.

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In 2008, Bloodaxe published the world's first DVD-anthology, In Person: 30 Poets, a new concept in publishing: readings by 30 poets published by Bloodaxe in its first 30 years captured on film, with all the poems included in the footage printed in the book of the films. Its sequel, In Person: World Poets, is another international collaboration between Bloodaxe Books and award-winning film-maker Pamela Robertson-Pearce. Her style of filming combines directness and simplicity, sensitivity and warmth - the perfect combination for these intimate readings. It is as if the poet were sitting in the room with you, reading just to you, and sometimes saying a few things about the poems. This new compilation on DVD with accompanying anthology covers a wide range of poets from many parts of the world, including America, Australia, Canada, Denmark, Estonia, Finland, Guyana, India, Italy, Jamaica, Korea, Lithuania, Macedonia, Malawi, the Netherlands, Pakistan, Poland and Sweden, as well as from Britain and Ireland. Most of the films present informal, one-to-one readings, with the poets reading to you in person. They enhance your appreciation of the poetry.You hear how the poems sound; you see how the poets read and present their work. Poets writing in other languages read in the original with the English translations read by themselves or by their translators. Some poets are also captured in live performance. T.S. Eliot once described poetry as 'one person talking to another', while W.H. Auden believed it was essential to hear poetry read aloud, for 'no poem, which when mastered, is not better heard than read is good poetry'. In Person: World Poets presents the oral art of poetry in that spirit. There are over 14 hours of readings on four DVDs packaged with the book, and all the poems included in the films are printed in the book, with poems written in other languages alongside the translations, enabling you to follow either language as they are read on the film. Like the original In Person: 30 Poets, this new compilation gives readers a personal festival of poetry in DVD and book form for viewing at home on laptop or TV. It is also a unique educational resource for the teaching and appreciation of poetry. In Person: World Poets includes: Robert Adamson, Moniza Alvi, Antonella Anedda, Simon Armitage, Ana Blandiana, Jean 'Binta' Breeze, Dan Chiasson, Polly Clark, Stewart Conn, Peter Didsbury, Katie Donovan, Tishani Doshi, Ruth Fainlight, Roy Fisher, Carolyn Forché, Tua Forsström, Tess Gallagher, Deborah Garrison, Jane Griffiths, Philip Gross, Choman Hardi, Robert Hass, John Hegley, Rita Ann Higgins, Tony Hoagland, Matthew Hollis, Esther Jansma, Jenny Joseph, Jaan Kaplinski, Ko Un, Luljeta Lleshanaku, Thomas Lux, Nikola Madzirov, Jennifer Maiden, Jack Mapanje, Samuel Menashe, Esther Morgan, Julie O'Callaghan, Leanne O'Sullivan, Clare Pollard, Adélia Prado, Sally Read, Lawrence Sail, Carole Satyamurti, Karen Solie, Piotr Sommer, Ruth Stone, Arundhathi Subramaniam, Matthew Sweeney, Pia Tafdrup, Tomas Tranströmer, Brian Turner, Chase Twichell, Priscila Uppal, Tomas Venclova, Mark Waldron, Susan Wicks and Robert Wrigley. None of these poets was included in In Person: 30 Poets.

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The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

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SUMMARY IN SPANISH: ¡ El cuento clá sico Pedro y el Lobo, tambié n conocido como El pastor mentiroso, revive en este libro en españ ol! Las fantá sticas y divertidas ilustraciones a todo color acompañ an la historia, que tiene el texto rimado. Pedro es un pastor que se aburre mucho pastando sus ovejas. Por eso, un dí a se le ocurre jugar una mala pasada a sus vecinos: fingirá que un lobo va a comerse las ovejas. Los aldeanos, medio adormilados, se levantan tan rá pido como pueden para ayudarlo, pero al llegar se dan cuenta de que es mentira. Pedro rí e como nunca, pero quizá s no lo hará tanto cuando el lobo aparezca de verdad... Una historia que enseñ a que no se deben decir mentiras. Esta edició n de Pedro y el lobo está muy cuidada y cuenta con unas maravillosas ilustraciones. El texto está rimado, lo que lo hace má s divertido para leerlo en voz alta. Tí tulos de la colecció n Cuentos Clá sicos Rimados: -Los tres cerditos.-Pedro y el lobo.-Ricitos de oro.-Las siete cabritas. LIBRO ESCRITO ORIGINALMENTE EN ESPAñ OL._________________________________________SUMMARY IN ENGLISH: The classic fairy tale Peter and the Wolf, also known as The Boy who Cried Wolf, is brought back to life in this book in Spanish! The fantastic and fun illustrations in full color accompany the story, which has rhyming text. Pedro is a shepherd who gets quite bored grazing his sheep. That's why one day it occurs to him to play a trick on his neighbors: he will pretend that a wolf is going to eat the sheep. The villagers, half asleep, get up as fast as they can to help him. However, once they arrive, they realize it was a lie. Pedro laughs, but then finds himself in trouble when a wolf really does appear… A story that teaches not to tell lies. This edition of Pedro y el lobo is thorough and has some wonderful pictures. The text rhymes, so it's more fun to read. Titles in the Cuentos Clá sicos Rimados collection: -Los tres cerditos.-Pedro y el lobo.-Ricitos de oro.-Las siete cabritas. ORIGINALLY WRITTEN IN SPANISH.

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In this century, no region of the country has experienced greater social upheaval or undergone a more dramatic political transformation than the South. Now there is a textbook that critically examines the magnitude of these changes, the individuals who made them happen, and their influence on the rest of the nation. Noted historians Bruce Clayton and John Salmond explore the mind of the "new South," from the pivotal 1920s to the tempestuous `60s. Clayton's focus is on the intellectual and artistic achievements of the period—a time of immense creativity, when southern literary giants like William Faulkner, Zora Neale Hurston, and Robert Penn Warren rose to international prominence. Crucial to his analysis are the key intellectuals of the day—among them W. J. Cash, Julia Peterkin, DuBose Heyward, and the Fugitive-Agrarians—who formed a second component of the "southern renaissance." Clayton does not neglect the thought of regionalists, like Howard Odum and Arthur Raper; and he devotes special attention to the writings of civil rights leaders from Lillian Smith and Richard Wright to Martin Luther King, Jr. Salmond's essay focuses not on ideas but actions, his primary concern is the activists and organizations that created the ambitious agenda formulated by the great thinkers of the day. He pays particular attention to the legacy of southern labor organizers, especially in the textile industry, who led a series of critical strikes between the 1920s and 1940s that reshaped the region's manufacturing landscape. He also addresses the social reform movements that played a major role in transforming the everyday lives of whites and blacks across the South: the Southern Conference on Human Welfare, the Southern Regional Council, and the Southern Christian Leadership Conference. Following the essays are an overview of the subject, with reference to the current state of historical analysis, and a selection of relevant documents that allow students to draw their own conclusions about this complex period in American

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A much-anticipated new edition of this acclaimed work on intellectual property (IP) in its global context. With intelligent and insightful coverage of IP law from international and comparative perspectives this second edition has been thoroughly revised and expanded. This unique textbook presents the main IP rights, identifying their basic features and tracing their evolution up to the present day by reference to statutes, cases and international treaties. Examining the evolving activities in the international arena, especially debates and new IP rules concerning or impinging on creativity and innovation, consumer choice, trade, economics, social welfare and culture, this innovative textbook considers how these activities interact with developments at regional and domestic levels. Key Features include: Presentation of IP law in a global context, uniquely organised by theme as opposed to by type of IPR for accessibility and ease of learning a comprehensive commentary guiding students through international, regional and comparative IP law examination of the impact of IP on the international stage an interdisciplinary approach considering the global influence of IP in respect of trade, development, law, economics, technology, human rights and biological and cultural diversity, providing readers with extensive knowledge of IP law's reach A key resource for IP courses with a global outlook, Dutfield and Suthersanen on Global Intellectual Property Law will also be of great interest to a number of global institutions. Acclaim for the first edition: 'Dutfield and Suthersanen have skillfully captured in one concise volume all the important things you need to know about international intellectual property law. The materials are accessible, timely, methodically presented and at times critical. The book's detailed, in-depth and comparative analyses provide helpful insights into the increasingly complex international intellectual property system. Global Intellectual Property Law is not only an effective textbook for students interested in the subject, but a desktop companion for policymakers and professionals who need a quick and up-to-date overview of global intellectual property issues.' - Peter K. Yu, Drake University, US and Zhongnan University of Economics and Law, China

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Analyses what makes an acting performance excellent, through a range of examples from American filmWhat actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson, Al Pacino, Sidney Poitier, Gena Rowlands, Peter Sellers, Kristen Stewart, and Ethel Waters, amongst many others.ContributorsBrenda Austin-Smith, University of ManitobaRebecca Bell-Metereau, Texas State UniversityCharles Ramirez Berg, University of Texas at AustinJanet Bergstrom, UCLAJohn Bruns College of CharlestonAlex Clayton, University of BristolShonni Enelow, Fordham UniversityAnna Everett, University of California, Santa BarbaraLucy Fischer, University of PittsburghLester D. Friedman, Hobart and William Smith CollegesFrances Gateward, California State University NorthridgeDavid Greven, University of South CarolinaJason Jacobs, University of QueenslandElliott Logan, University of Queensland, BrisbaneDouglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University William Rothman, University of MiamiSteven Rybin, Minnesota State University, MankatoKyle Stevens, Appalachian State UniversityGeorge Toles, University of ManitobaDaniel Varndell, University of WinchesterTimotheus Vermeulen, University of OsloRick Warner, University of North Carolina at Chapel Hill

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This title explores the diverse and changing patterns of Georgia women's lives. This first of two volumes extends from the founding of the colony of Georgia in 1733 up to the Progressive era. From the beginning, Georgia women were instrumental in shaping the state, yet most histories minimize their contributions. The essays in this volume include women of many ethnicities and classes who played an important role in Georgia's history. Though sources for understanding the lives of women in Georgia during the colonial period are scarce, the early essays profile Mary Musgrove, an important player in the relations between the Creek nation and the British Crown, and the loyalist Elizabeth Johnston, who left Georgia for Nova Scotia in 1806. Another essay examines the near-mythical quality of the American Revolution - era accounts of 'Georgia's War Woman', Nancy Hart. The later essays are multifaceted in their examination of the way different women experienced Georgia's antebellum social and political life, the tumult of the Civil War, and the lingering consequences of both the conflict itself and Emancipation. After the war, both necessity and opportunity changed women's lives, as educated white women like Eliza Andrews established or taught in schools and as African American women like Lucy Craft Laney, who later founded the Haines Institute, attended school for the first time. ""Georgia Women"" also profiles reform-minded women like Mary Latimer McLendon, Rebecca Latimer Felton, Mildred Rutherford, Nellie Peters Black, and Martha Berry, who worked tirelessly for causes ranging from temperance to suffrage to education. The stories of the women portrayed in this volume provide valuable glimpses into the lives and experiences of all Georgia women during the first century and a half of the state's existence.

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The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, assemblage is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept's uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages. Contributors: Gareth Abrahams (University of Liverpool), Katarina Andjelkovic (Atelier AG Andjelkovic, Belgrade), Ian Buchanan (University of Wollongong), Edward Campbell (University of Aberdeen), Iain Campbell (University of Edinburgh), Paul Dolan (Northumbria University, ), Guy Dubious (Independent sound artist, Tel-Aviv), Vanessa Farfan (Independent artist, Berlin), Silvio Ferraz (University of Sao Paulo), Jose Gil (Nova University of Lisbon), Barbara Glowczewski (National Scientific Research Centre, CNRS), Derek Hales and Spencer Roberts (University of Salford / University of Huddersfield), Yuk Hui (Bauhaus University, Weimar), Jan Jagodzinski (University of Alberta), Niall Dermot Kennedy (Trinity College Dublin), George Lewis (Columbia University), Quirijn Menken (Avans University of Applied Sciences), Thomas Nail (University of Denver), Tero Nauha and Llona Hongisto (University of the Arts Helsinki / Macquarie University), Alex Nowitz (Stockholm University of the Arts), Peter Pal Pelbart (Pontifical Catholic University of Sao Paulo), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), David Savat (University of Western Australia), Chris Stover (Arizona State University)

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What can the best teachers in the world tell us about our children? What advice can they give to help us raise happy, confident and caring kids?Teachers spend a lot of time with their pupils - talking and listening to them, observing and guiding them. What can we learn from teachers about helping kids become compassionate, contented and successful grown-ups, as well as conscientious global citizens?In Lessons in Life, Andria Zafirakou - the 2018 Global Teacher Prize winner - talks to 30 of the best teachers in the world willing to share their insight and wisdom, gained from years of working with children of all ages.They include:Ranjitsinh Disale (Global Teacher Prize winner 2020), a primary teacher who turned a cattle shed in the drought-prone village of Paritewadi in India into a school. His many skills include showing his pupils how to broaden their horizon, and to become advocates for change;Peter Tabichi (Global Teacher Prize winner 2019), a maths and physics teacher in the Rift Valley Province in Kenya, regularly impacted by famine, who has found a way to make his students care about their studies and believe in a future they can be part of, despite the hardship all around them.Esther Wojcicki (California Teacher of the Year 2002), a leading American teacher who challenged traditional school rules in her lessons to allow her students to take control, learn to believe in themselves and feel empowered.Andrew Moffat (MBE for services to equality in education 2017), a primary teacher in Birmingham who created a teaching resource called 'Challenging Homophobia in Primary Schools' to help his pupils understand the importance of tolerance and open-mindedness.The result is an inspiring, moving and fascinating read that will help parents identify a child's potential and give them the tools to shine. To know what these incredible teachers know and see what they see is a privilege and a gift.

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Over recent years Complexity Science has revealed to us new limits to our possible knowledge and control in social, cultural and economic systems. Instead of supposing that past statistics and patterns will give us predictable outcomes for possible actions, we now know the world is, and will always be, creative and surprising. Continuous structural evolution within such systems may change the mechanisms, descriptors, problems and opportunities, often negating policy aims. We therefore need to redevelop our thinking about interventions, policies and policy making, moving perhaps to a humbler, more learning approach. In this Handbook, leading thinkers in multiple domains set out these new ideas and allow us to understand how these new ideas are changing policymaking and policies in this new era.'- Peter M Allen, Cranfield University, UK'Complexity Theory has come to the fore because the world we live in is complex and many of the issues which confront us cannot be handled by the conventional tools of science, including social science. In public policy and professional practice, we are well aware of wicked issues where simple interventions often make things worse instead of better. The chapters in this excellent Handbook put complexity to work where it matters in informing our thinking and action across governance and public policy.'- David Byrne, Durham University, UKThough its roots in the natural sciences go back to the early 20th century, complexity theory as a scientific framework has developed rapidly from the 1970s onwards. Since the 1990s, it has been increasingly integrated into the social sciences and public policy. The ground-breaking and wide-ranging Handbook on Complexity and Public Policy brings together the latest work from top academics, researchers and policy actors working with complexity and policy from Europe, North America, Brazil and China and organizes it into three clear and cohesive parts:- Theory and Tools- Methods and Modelling for Policy Research and Action- Applying Complexity to Local, National and International Policy.With its distinctive combination of theory, methods and policy applications, comprehensive coverage of the field and state of the art overview, this Handbook is an essential read for students, academics and policy practitioners.Contributors include: S. Astill, U.Bilge, T. Bovaird, P. Cairney, A. Caloffi, T. Carmichael, M. Darking, G. de Roo, B. Edmonds, C. Gershenson, R. Geyer, M. Givel, B. Gray, M. Hadzikadic, P. Haynes, C. Hobbs, M. Howlett, L. Johnson, R. Kenny, K.E. Lehmann, A. Little, Q. Liu, E. Mitleton-Kelly, G. Morçöl, D. Nohrstedt, S. Occelli, J. Price, J. Rayner, C. Ricaurte, G. Room, F. Rossi, M. Russo, F. Semboloni, K. Treadwell Shine, J. Stroud, T. Tenbensel, C. Warren-Adamson, T.E. Webb, A. Wellstead, J. Whitmeyer

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The book deals with the numismatic collection of one of Russia's principal musea, the Pushkin Museum of Fine Arts. Created initially as Moscow University Museum it houses various archaeological collections, plaster casts and antiquities as well as coins and medals. The numismatic collection of the Pushkin Museum is one of the oldest in Russia. It has been built up since the middle of the 18th century, and, along with those of the State Historical Museum in Moscow and the State Hermitage in St Petersburg, is now one of the biggest in the country. Greek and Roman coins form an important part of the numismatic material stored in the Museum. This book provides a detailed description of almost 2000 coins struck in the Greek cities of the Northern Black Sea Littoral between the end of the 6th century BC and the 4th century AD. Descriptions are given according to the format of the Sylloge series initiated by the British Academy in the last century. Each coin is illustrated. The catalogue contains many rare pieces and for the first time makes this material available to Western scholars. A brief history of the collection is provided.

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SHORTLISTED FOR THE CRICKET SOCIETY AND MCC BOOK OF THE YEAR AWARD 2020The much-loved former England player, Guardian cricket correspondent and TMS broadcaster tells the story of his life in cricket for the first time.In April 1974 new recruits Viv Richards, Ian Botham, Peter Roebuck and Vic Marks reported for duty at Somerset County Cricket Club. Apart from Richards, 'all of us were eighteen years old, though Botham seemed to have lived a bit longer - or at least more vigorously - than the rest.'In this irresistible memoir of a life lived in cricket, Vic Marks returns to the heady days when Richards and Botham were young men yet to unleash their talents on the world stage while he and Roebuck looked on in awe. After the high-octane dramas of Somerset, playing for England was almost an anti-climax for Marks, who became an unlikely all-rounder in the mercurial side of the 1980s. Moving from the dressing room to the press box, with trenchant observations about the modern game along the way, Original Spin is a charmingly wry, shrewdly observed account of a golden age in cricket.

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Ancient consolatory writings offer us a window onto alien forms of loss and grief, as experienced in a world where death happened, in most cases, much earlier and with less reliable warning than in developed countries today. Here, eight original studies explore the topic of bereavement in consolatory writings from ancient Greece, Rome, early medieval and Arabic society. David Scourfield examines consolation as a genre; James Chong-Gossard treats consolation in Greek tragedy, and the rejection of comfort; Han Baltussen studies the purpose and impact of Cicero's curious 'Consolation to Himself ' on the loss of his daughter. Marcus Wilson proposes a new interpretation of Seneca's consolatory writings; George Boys-Stones studies the Consolatio ad Apollonium as 'therapy for the dead'; David Konstan reflects on Lucian's Of Mourning and the consolation tradition. For later Antiquity and reception, Josef Lossl treats continuity and transformation of ancient Consolatio in Augustine of Hippo, while Peter Adamson addresses Arabic ethics and the limits of philosophical consolation. The collection offers unexpected results: consolation itself is on occasion rejected, philosophy deliberately marginalised, while much emerges which is unique and personal to the ancient individuals involved.

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How can you achieve coaching excellence? Use the latest research and insights from some of the biggest industry names in this fully revised fourth edition, which provides a diverse range of theory, tools and models for students and practicing coaches alike. Excellence in Coaching is a comprehensive guide presenting the latest cutting-edge thinking in the field of workplace coaching. Published with the Association for Coaching, this book covers all key components of the coaching process, and examines a diverse range of coaching models including behavioural and transpersonal coaching, enabling coaches and trainers to adapt their approach and excel in their professional practice. With updates to incorporate the latest thinking and insights, this revised fourth edition of Excellence in Coaching also contains a wealth of fresh material, including new chapters on establishing a coaching business, neuroscience coaching, psychodynamic coaching and understanding the coaching relationship. Featuring tips, checklists and tools, and a collection of best-practice material from some of the biggest names in the profession including Sir John Whitmore, Peter Hawkins and David Clutterbuck. This remains essential reading for practising coaches as well as for students.

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How can you achieve coaching excellence? Use the latest research and insights from some of the biggest industry names in this fully revised fourth edition, which provides a diverse range of theory, tools and models for students and practicing coaches alike. Excellence in Coaching is a comprehensive guide presenting the latest cutting-edge thinking in the field of workplace coaching. Published with the Association for Coaching, this book covers all key components of the coaching process, and examines a diverse range of coaching models including behavioural and transpersonal coaching, enabling coaches and trainers to adapt their approach and excel in their professional practice. With updates to incorporate the latest thinking and insights, this revised fourth edition of Excellence in Coaching also contains a wealth of fresh material, including new chapters on establishing a coaching business, neuroscience coaching, psychodynamic coaching and understanding the coaching relationship. Featuring tips, checklists and tools, and a collection of best-practice material from some of the biggest names in the profession including Sir John Whitmore, Peter Hawkins and David Clutterbuck. This remains essential reading for practising coaches as well as for students.

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Read about how John Major learned the English language from his time in Nigeria. There is Tony Blair, with his verb-free sentences which imply everything and promise nothing. Gordon Brown, the grumpiest prime minister of recent years, both Stalin and Mr Bean. And now David Cameron - who really, really hates being drawn with a condom on his head.Let's not forget John Prescott, who can wrestle the English language to the mat and win by two falls to a submission, Michael Fabricant with his hairpiece stolen from the tail of a My Little Pony, Sir Peter Tapsell, a grandee so grand thatwhen he rises to speak, Hansard writers are replaced by a crack team of monks to write up his words in illuminated lettering. Nick Clegg, with his default expression of a man's whose children's puppy is still missing. And of course,the famous 2010 press conference in the garden of Downing Street, a love-in that would have been illegal in 44 American states.This book, the best of Simon Hoggart's political sketchwriting, will have you laughing, chuckling, roaring, sniggering, and sometimes despairing. It is instant history with added jokes.

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Attention is central to everything we do and think; yet it is usually invisible, transparent, lost behind our fixation with content. We pay attention to this and that moment or we let our attention wander, but we rarely give attention to the process of attending and distraction. It is typically viewed instrumentally, in terms of what it can achieve, and so its process and practice are overlooked, yet it is central to neuroplasticity - the brain's ability to create new neural pathways in order to adapt - and underlies both the mindfulness revolution and the concern about the influence of new social and digital media. Gay Watson explores attention in action through many disciplines and ways of life, from neuroscience to surfing. The book contains interviews with, among others, John Luther Adams, Stephen Batchelor, Susan Blackmore, Guy Claxton, Edmund de Waal, Rick Hanson, Jane Hirshfield, Iain McGilchrist, Wayne McGregor, Garry Fabian Miller, Alice and Peter Oswald, Ruth Ozeki and James Turrell.A valuable and timely account of something central to our lives yet all too often neglected, this book will appeal to all those who find their attention wandering owing to the distractions and clamour of modern life, and want to know why.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? Crafting History provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, Albena Yaneva traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. Yaneva addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.

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In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.

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Offers contemporary context of Britain as a deeply divided society as reflected in film Analyses Britain's contested understandings of its past, present and future Examines the various ways recent mainstream films have approached the concept of nationhood Explores the ways in which the contest of ideologies always at work within media representations has played out post-2016 Focuses on historical and contemporary drama films, with each chapter offering detailed readings of either an individual film, or a pair of films British Cinema and a Divided Nation examines representations of the nation found within contemporary British cinema, against a backdrop of rising political tensions and deepening social divisions following the 'Brexit' referendum of June 2016. Exploring ways in which the contest of ideologies within media representations has played out post-2016, the book identifies divisions within society that have been given narrative shape and cultural form within recent British films. With case studies of major films such as Mary Queen of Scots, Peterloo, Darkest Hour, Sorry We Missed You and Downton Abbey, this book questions whether we are seeing the negotiation of a new relationship with the wider world, or simply a re-iteration of a long-standing British, or English, understanding of national identity.

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Howl with laughter with the THIRD book in the hilarious full-colour, illustrated series, Dog Man, from the creator of Captain Underpants! He was the best of dogs... He was the worst of dogs... It was the age of invention... It was the season of surprise... It was the eve of supa sadness... It was the dawn of hope... Dog Man hasn't always been a paws-itive addition to the police force. While he can muzzle miscreants, he tends to leave a slick of slobber in his wake! This time, Petey the cat's dragged in a tiny bit of trouble -- a double in the form of a super-cute kitten. Dog Man will have to work twice as hard to bust these furballs and remain top dog! Dav Pilkey's wildly popular Dog Man series appeals to readers of all ages and explores universally positive themes, including: empathy, kindness, persistence, and the importance of being true to one's self. Full colour pages throughout. OTHER BOOKS IN THE SERIES Dog Man (book 1) Dog Man: Unleashed (book 2) Dog Man and Cat Kid (book 4) Dog Man: Lord of the Fleas (book 5) Dog Man: Brawl of the Wild (book 6) Dog Man: For Whom the Ball Rolls (book 7) Dog Man: Fetch-22 (book 8)

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How a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TVHelen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen’s Troy and the Star Trek episode “Elaan of Troyius,” going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition.A luminous work of scholarship by one of today’s leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.

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Focusing on 56 selected works from the 1970s to today, Pushing paper examines why drawing has endured as a method of making art, and explores the vital and fundamental nature of drawing through themes such as systems and process, identity, place and space, time and memory, and power and protest. These broad themes allow for original connections to be made between images, which will inspire all practitioners of drawing. Supported by the Bridget Riley Art Foundation, the book showcases work by major contemporary artists from around the world, including Phyllida Barlow, Louise Bourgeois, Judy Chicago, Adel Daoud, Richard Deacon, Tacita Dean, Peter Doig, Tracey Emin, Richard Hamilton, Jacob El Hanani, David Hockney, Ellen Gallagher, Andrzej Jackowski, Anish Kapoor, Anselm Kiefer, Minjung Kim, Marcia Kure, Nja Mahdaoui, Sol LeWitt, Bahman Mohassess, David Nash, Eduardo Paolozzi, Cornelia Parker, Grayson Perry, Gerhard Richter, Bridget Riley, Susan Schwalb, Hamid Sulaiman, Imran Qureshi, Hajra Waheed and Rachel Whiteread, as well as exciting works by lesser-known artists. Aimed at admirers of drawing, and artists and students alike, Pushing paper provides an arresting analysis of the status of drawing in the world of contemporary art.

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Originally published in 1979, The Darwinian Revolution was the first comprehensive and readable synthesis of the history of evolutionary thought. Though the years since have seen an enormous flowering of research on Darwin and other nineteenth-century scientists concerned with evolution, as well as the larger social and cultural responses to their work, The Darwinian Revolution remains remarkably current and stimulating.For this edition Michael Ruse has written a new afterword that takes into account the research published since his book's first appearance."It is difficult to believe that yet another book on Darwin and the Darwinian Revolution could add anything new or contain any surprises. Ruse's book is an exception on all counts. Darwin scholars and the general reader alike can learn from it."—David L. Hull, Nature"No other account of the Darwinian Revolution provides so detailed and sympathetic an account of the framework within which the scientific debates took place."—Peter J. Bowler, Canadian Journal of History"A useful and highly readable synthesis. . .skillfully organized and written with verve, imagination, and welcome touches of humor."—John C. Greene, Science

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This book is an invitation to think about why children chew pencils; why we talk to our cars, our refrigerators, our computers; rosary beads and worry beads; Cuban cigars; why we no longer wear hats that we can tip to one another and why we don't seem to long to; and what has been described as bourgcois longing. It is an invitation to think about the fetishism of daily life in different times and in different cultures. It is an invitation to rethink several topics of critical inquiry - camp, collage, primitivism, consumer culture, muscum culture, the aesthetic object, still life, "things as they are," Renaissance wonders, "the thing itself" - within the rubric of "things," not in an effort to foreclose the question of what sort of things these seem to be, but rather to suggest new questions about how objects produce subjects, about the phenomenology of the material everyday, about the secret life of things. Based on an award-winning special issue of the journal Critical Inquiry, Things features eighteen thought-provoking essays by contributors including Bill Brown, Matthew L. Jones, Bruno Latour, W. J. T. Mitchell, Jessica Riskin, Jeffrey T. Schnapp, Peter Schwenger, Charity Scribner, and Alan Trachtenberg.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? Crafting History provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, Albena Yaneva traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. Yaneva addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.

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This is the unlikely history of a centuries old church located at the heart of England's capital city. Founded in the early-18th century by a Greek Archbishop from Alexandria in Egypt, the church was aided by the nascent Russian Empire of Tsar Peter the Great and joined by Englishmen finding in it the Apostolic faith. The church later became a spiritual home for those who escaped the upheavals following World War II or who sought economic opportunities in the West after the fall of communism in Russia. For much of this time the parish was a focal point for AnglicanÐOrthodox relations and Orthodox missionary endeavors from Japan to the Americas. This is a history of the Orthodox Church in the West, of the Russian emigration to Europe, and of major world events through the prism of a particular local community. The book calls on stories from an array of persons, from archbishops to members of Parliament and imperial diplomats to post-war refugees. Their lives and the constantly changing mosaic of global political and economic realities provide the background for the struggle to create and sustain the London church through time.

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This book features 25 original handmade projects shown step by step. You can create useful and decorative objects from cardboard, such as a satchel, card table, basket or lampbase. It includes a comprehensive guide to cardboard and the basic materials, equipment and techniques you will need. It features an inspiring gallery of examples by contemporary craft artists. With pictures by the highly regarded craft, cooking and lifestyle photographer, Peter Williams. Few people, when they see cardboard in use as everyday packing, realize how versatile and exciting a craft material it can be. This book celebrates the full creative potential of this unusual medium with the help of some of the foremost contemporary craftspeople. The book contains a guide to basic materials, equipment and techniques, followed by 25 practical projects that are both useful and attractive. From a stately card table to a decorative pelmet, a delightful doll's house to a striking chandelier, every project is simple to make, with step-by-step instructions throughout.Whether you choose to make something functional, such as a clock or a table lamp, or something purely ornamental, such as shelf-edging or Christmas tree decorations, the book is full of inspirational ideas.

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Her country needs her. But her heart is elsewhere.After fleeing German-occupied Paris, Alix is back in her home in Belgrade, hoping to finally reunite with her parents. But while Alix has been fighting her own battles with the Resistance, her parents have too fled with King Peter to ensure his safety. As Alix decides to find her parents with her father's deputy steward, Drago, they are derailed and forced to reside in the Serbian country home.But all is not lost when Alix finds Nikola in the city - the man her father said she was to marry before war broke out. She finds she has more in common with him than ever expected, and together with Drago they join a new Resistance.But Alix hasn't forgotten about Steve, the handsome American pilot she fell in love with back in France, whom she last heard was harmed in battle. When a chance meeting brings Alix and Steve face to face once again, she must decide where her heart truly isFans of Suzanne

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V. Gordon Childe was the first scholar to attempt a broad and sustained socioeconomic analysis of the archaeology of the ancient world in terms that, today, could be called explanatory. To most, he was remembered only as a diligent synthesizer whose whole interpretation collapsed when its chronology was demolished. There was little recognition of his insistence that the emergence of craft specialists, and their very variable roles in the relations of production, were crucial to an understanding of social evolution. The interrelationship between sociopolitical complexity and craft production is a critical one, so critical that one might ask, just how complex would any society have become without craft specialization. This volume derives from the papers presented at a symposium at the American Anthropological Association meetings on the centenary of Childe's birth. Contributors to the volume include David W. Anthony, Philip J. Arnold III, Bennet Bronson, Robert Chapman, John E. Clark, Cathy L. Costin, Pam J. Crabtree, Philip L. Kohl, D. Blair Gibson, Antonio Gilman, Vincent C. Piggott, Jeremy A. Sabloff, Gil J. Stein, Ruth Tringham, Anne P. Underhill, Bernard Wailes, Peter S. Wells, Joyce C. White, Rita P. Wright, and Richard L. Zettler. Symposium Series Volume VI University Museum Monograph, 93

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Taking readers on a global journey through human history, Natasha Tidd examines how lies can change the world around us, from Julius Caesar’s deceptive PR machine to the cover-ups that caused Chernobyl.From forgeries that created centuries worth of conflict and domination, such as The Donation of Constantine, the Protocols of Zion and the mysterious Testament of Peter the Great, to mass political and press cover-ups including Britain’s Boer War concentration camps, a Pulitzer Prize-winning whitewash of the Ukraine Famine and the infamous Dreyfus Affair in France.Alongside these are examinations of how our retellings of history can turn fiction into fact, including The Spanish Inquisition’s deceitful legacy. Plus, there is an in-depth look at how historic lies can still impact our lives today, such as the deadly legacy of America’s Tuskegee Experiment.Meet incredible people, including Jeanne de Clisson who became the fourteenth century's most feared pirate – all because of a lie.A Short History of the World in 50 Lies details the profound impact of this secretive side of history and shows that the truth really is stranger – and far more dangerous – than any fiction.

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Young Donald Peter Gillies, a Lovat scout soldier lies in hospital in Gallipoli in 1916, blinded by the Turks. There he falls in love with his Queen Alexandra Corps nurse, Louise, and she with him. The story moves back and forth from their time at the field hospital to the west highlands of Scotland where Donald grew up. As they talk in the quiet hours he tells her the stories of the coast and glens, how his family lived and the fascinating life of a century ago: bagpiping, sheep shearing, celidhs, illegal distilling, his mother saving the life of the people of St Kilda, the navvies building the west highland railway and the relationship between the lairds and the people. Louise in turn tells her own story of growing up in the Welsh valley: coal mining, a harsh and unforgiving upbringing. They get cut off from the allied troops and with another nurse are forced to make their escape through Turkey to Greece, getting rescued by a Coptic priest and ending up in Malta. By this time their love is out in the open, but there is still another tragic twist to their story waiting on the way back to Donald’s beloved highland home . . .

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