Search results for ""author pete"

For a small footballing nation, Scotland boasts a proud record of having qualified for the World Cup Finals on eight occasions. But this fantastic record is also tarred with the glorious failure of never having reached the latter stages of the tournament. Scotland '74 is a bitter-sweet celebration of the closest Scotland has ever got - so far at least - when a team of superstars managed to snatch defeat from the jaws of victory in the dying seconds. Forty years on, it still hurts. For Scotland, the World Cup Finals in West Germany in 1974 promised much. Group 2 had a talented Brazil side with Jairzinho, Rivelino and Cesar, a hard-to-pronounce Yugoslavia line-up and group minnows Zaire. But the Scotland squad boasted household names like Billy Bremner, Kenny Dalglish, Denis Law, Peter Lorimer and Joe Jordan. How could Scotland not get to the second phase of the tournament for the very first time? Well, this is the story of how, astonishingly, it just didn't happen - even though Scotland ended up as the only unbeaten team in the tournament.As history tells us, 1974 was a massive missed opportunity for Scotland, and Richard Gordon now reveals how it all went wrong in the days before the shambles of Argentina '78 and the 3-0 humbling by Morocco in 1998. Drawing on archive reports and the memories of squad members, Scotland '74 relates the story of that big adventure, encompassing a shocking start to manager Willie Ormond's reign (a 5-0 beating by England), frequent player indiscipline, and, ultimately, the on-field heartbreak that left a nation in mourning for a lost opportunity.

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Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. A beautiful Cornish village, a shocking turn of events... Tremarnock is a classic Cornish seaside village. Houses painted in yellow, pink and white, cluster around the harbour, where fishermen still unload their daily catch. It has a pub and a sought-after little restaurant, whitewashed, with bright blue shutters. Here, Liz has found sanctuary for herself and young daughter, Rosie – far away from Rosie's cheating father. From early in the morning with her job as a cleaner, till late at night waitressing in the restaurant, Liz works hard to provide for them both. But trouble is waiting just around the corner. As with all villages, there are tensions, ambitions – and secrets. Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

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Examines the image of the US in German poetry and the reception and influence of American poetry in Germany since 1945. This book focuses on the image of the US in German poetry and the reception of American poetry in Germany since 1945. Gregory Divers examines poems by major figures in 20th-century German literature - Benn, Brecht, Bachmann, Jandl, and Grass, among others - and by other poets who shaped America's postwar image in Germany. Divers traces America's postwar status in Germany from the prisoner-of-war poems of Günter Eich to the pop poetry of Rolf Dieter Brinkmann and Peter Handke. Continuing, he finds that although the 1960s protest poems of Erich Fried and others reflect the tarnishing of America's image due to Vietnam, 1970s travel poems by Brinkmann, Kunert, and Kunze confirm the resiliency of that image. Finally, Divers looks at poems by Hartung, Delius, and Kling to illustrate the new heights reached by America's image within German literary circles during the 1980s, and the status of America in Germany after reunification. In charting these developments in postwar German poetry, Divers also shows how American influences are crucial to its understanding, not only surveying postwar German reception of Whitman, Eliot, Pound, and William Carlos Williams, but also examining the influence of such figures as Charles Olson and Robert Creeley, Allen Ginsberg and the Beats, Frank O'Hara and John Ashbery, and Robert Lowell and Sylvia Plath. Gregory Divers is Assistant Professor of German at Saint Louis University.

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Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects, the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.”Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.

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In Edmund Burke: A Bibliography of Secondary Studies to 1982 Clara Gandy and Peter Stanlis write, "One of the large unanswered questions is how Burke's economic theory is related to his political theory, and whether they are complementary or contradictory." Canavan is the first to offer a book-length treatment of this question, and in so doing, he places the strength of his argument largely on primary sources rather than a patchwork of previous interpretations. Canavan aims to show that Burke's own emphasis was no on capitalistic laissez-fair economics, as has been assumen, but that his goals were primarily political and cultural. Namely, Burke sought the preservation and development of an aristocratic and Christian civilization supported economically by a leading class of landed property owners. This study projects a new profile of Burke which challenges C.B. Macpherson's sketch of him as a bourgeois capitalist, or, as depicted by J.B. Plumb and Frank O'Gorman, as a hired philsopher of the Whig Oligarchy. Nor does Canavan's study present the philosopher as one who would "declare war on the poor," as Gertrude Himmelfarb charged in her The Idea of Poverty. Burke emerges from Canavan's treatment as a Whiug who admired paternalistic government by the rich and virtuous whom he felt would govern as trustees for the benefit of the whole people. Burke did not support the notion that property by monopolized by any one class in society, but wanted the wealthy to empower intermediary institutions which would hold in check the control of the expansive state, whether that meant the Crown in Britain or the revolutionary state in France.

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How Black poets have charted the direction of American poetics for the past two centuriesBefore Modernism examines how Black poetics, in antagonism with White poetics in the late eighteenth and early nineteenth centuries, produced the conditions for the invention of modern American poetry. Through inspired readings of the poetry of Phillis Wheatley Peters, George Moses Horton, Ann Plato, James Monroe Whitfield, and Frances Ellen Watkins Harper—as well as the poetry of neglected but once popular White poets William Cullen Bryant and Henry Wadsworth Longfellow—Virginia Jackson demonstrates how Black poets inspired the direction that American poetics has taken for the past two centuries. As an idea of poetry based on genres of poems such as ballads, elegies, odes, hymns, drinking songs, and epistles gave way to an idea of poetry based on genres of people—Black, White, male, female, Indigenous—almost all poetry became lyric poetry. Jackson discusses the important role played by Frederick Douglass as an influential editor and publisher of Black poetry, and traces the twisted paths leading to our current understanding of lyric, along the way presenting not only a new history but a new theory of American poetry.A major reassessment of the origins and development of American poetics, Before Modernism argues against a literary critical narrative that links American modernism directly to British or European Romanticism, emphasizing instead the many ways in which early Black poets intervened by inventing what Wheatley called “the deep design” of American lyric.

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How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculptureIn the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation.Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary.Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.

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From the turn of the fifth century to the beginning of the eighteenth, Christian writers were fascinated and troubled by the "Problem of Paganism," which this book identifies and examines for the first time. How could the wisdom and virtue of the great thinkers of antiquity be reconciled with the fact that they were pagans and, many thought, damned? Related questions were raised by encounters with contemporary pagans in northern Europe, Mongolia, and, later, America and China. Pagans and Philosophers explores how writers--philosophers and theologians, but also poets such as Dante, Chaucer, and Langland, and travelers such as Las Casas and Ricci--tackled the Problem of Paganism. Augustine and Boethius set its terms, while Peter Abelard and John of Salisbury were important early advocates of pagan wisdom and virtue. University theologians such as Aquinas, Scotus, Ockham, and Bradwardine, and later thinkers such as Ficino, Valla, More, Bayle, and Leibniz, explored the difficulty in depth. Meanwhile, Albert the Great inspired Boethius of Dacia and others to create a relativist conception of scientific knowledge that allowed Christian teachers to remain faithful Aristotelians. At the same time, early anthropologists such as John of Piano Carpini, John Mandeville, and Montaigne developed other sorts of relativism in response to the issue. A sweeping and original account of an important but neglected chapter in Western intellectual history, Pagans and Philosophers provides a new perspective on nothing less than the entire period between the classical and the modern world.

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Destination Z The History of the Future "Success in business today demands a deeper and more flexible mindset to try and understand the changes taking place in global and local economies, often as a result of technology. Rob Baldock's meteoric career as a consultant to many different companies has placed him in a unique position. His book gives valuable insights into the causes and effects of change and stimulates the reader to construct better plans to prosper in an uncertain but exciting world." Keith Oates, formerly Deputy Chairman of Marks & Spencer "Baldock paints a deliberately uncomfortable picture of what could happen under each of the scenarios. These visions do set the synapses sparking, and he succeeds in making each environment seem very plausible. But where he really scores through his musings about the future is bringing the present into sharper relief. So what's the best way to plan for these future scenarios? Destination Z is a book designed to make you think, not give you answers." Information Week, January 1999 "The world of business is being transformed before our eyes as giants fall and new ventures skyrocket, driven by explosive technological change, an integrated volatile global economy and new ways of competing. Rob Baldock provides an illuminating and insightful guide to this confusing landscape of the future of business." Peter Schwartz, Chairman, Global Business Network "Rob Baldock paints a daunting picture for business in the future . but don't despair, he does provide a robust recipe for making the most of the challenges that lie ahead . recomended reading!" George Trumbull, Chief Executive Officer, AMP Ltd

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The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace.Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials.

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‘Amazing chemistry and a hero you’ll fall in love with’ Julie Caplin Sam Huxton doesn’t do one-night stands, especially not with men she’s just met! But the hot guy at the bar was hard to resist and one night is all they share – no names, no numbers, just some much needed fun… Until the same guy walks into Sam’s life the next day as her new employee. Sam never mixes business with pleasure and makes it clear an office fling with Ryan is off-limits. But after-hours…one thing can lead to another. Can Sam trust her heart and her business with the new guy? Readers can’t get enough of The New Guy: ‘Seriously love this twist on an office romance’ Christina Parker, Netgalley ‘Their chemistry was off the charts’Mad Mom Life ‘Better than most rom coms I’ve watched and read!’ Jennifer Arnold, Netgalley ‘Reads like the perfect rom-com movie’ Sinead, Librarian ‘Very sexy and very sweet’ Morgan Shulman, Goodreads ‘Warmed my heart and read like a movie…What a beautiful sweet surprise this was’ Kelsey Peterson, Goodreads ‘You have yourself a page turning, don’t want it to end story, in essence an absolutely cracking read!’ Margaret Harris, Netgalley ‘A gorgeously sweet romance!’ From Rachael Claire ‘It's got laugh out loud moments, heart wrenching moments but most important that feel good factor’ Chantiece Bates, Goodreads Perfect for fans of Jo Watson, Sophie Ranald and Sophie Claire!

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Answering a need for critical attention towards experimental and avant-garde music, Arcana is a ground-breaking work--as far-ranging and dynamic as the current generation of musicians. Through manifestoes, scores, interviews, notes and critical papers, performer/composers address composing, playing, improvising, teaching and thinking in and through music, Rather than an attempt to distill or define musicans' work, Arcana is a remarkable book--challenging and original--essential for composers, musicians, theorists and fans alike. Edited by John Zorn, it includes contributions from Bill Frisell, Marc Ribot (on earplugs), Ikue Mori (on drum machines), Bob Ostertag (on a string quartet) There's a discussion on plunderphonics with John Oswald, an overview from Elliott Sharp on his group Carbon, and David Mahler expounds his responses to a set of nine questions posed by Pauline Oliveros. The writings range from brief 2 or 3 page entries (Mike Patton's "How We Eat Our Young," Marilyn Crispell's "Elements of Improvisation") to long and elaborate essays (Scott Johnson's "Counterpoint," David Rosenboom's "Propositional Music"). Some of the contributions are more unusual, such as Zorn's "Treatment for a Film in Fifteen Scenes," Fred Frith's notebook extracts, or Peter Garland's journal of his trip to Australia's Northern Territory. All of them provide for inspiring and thought-provoking reading, making this an invaluable book for both fans of these artists and aspiring musicians of the avant garde. An appendix of brief bios for each artist ends the book, along with short lists of recommended listenings.

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A 2023 POLITICAL BOOK OF THE YEAR (WATERSTONES) | 'GROUND-BREAKING' Bernardine Evaristo | 'UNIVERSAL AND TIMELY' Elif Shafak | 'IMPORTANT' Sathnam Sanghera | 'A GENEROUS OFFERING' Nana Darkoa Sekiyamah | 'QUIETLY RADICAL' Evening Standard | 'INTIMATE' GuardianWhat can ancestral practices teach us about how to live fuller lives today?Upon turning forty, Afua Hirsch had an encounter that forever altered her preconceived notions of ancestry and body image, making her question everything from body-modification rituals such as tattoos and piercings to the foundations of sexuality, as well as attitudes towards puberty, ageing and death. This book charts her year-long journey of radical unlearning. Bringing together global scholarship, on-the-ground reportage, personal anecdotes and interviews with beauty experts, practitioners and service users, she reassesses notions of body image beyond those of the colonial, patriarchal gaze. Decolonising My Body is a powerful excavation of the Eurocentric beauty standards that have long shaped how, in particular, those from the Global Majority are perceived and view themselves. Taking us from puberty to end-of-life, Hirsch shows us that the ways in which we adorn and present ourselves have spiritual implications and shape the possibilities we see for ourselves in the world. These insights and discoveries will empower you to reconnect with your own ancestry, better understand the link between beauty, history and (respectability) politics, and liberate yourself from mainstream standards and systems that aren’t serving you. *Co-host of the LOYALTY podcast with Peter Frankopan*

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On the scorching February day in 2009 that became known as Black Saturday, a man lit two fires in Victoria’s Latrobe Valley, then sat on the roof of his house to watch the inferno. In the Valley, where the rates of crime were the highest in the state, more than thirty people were known to police as firebugs. But the detectives soon found themselves on the trail of a man they didn’t know. The Arsonist takes readers on the hunt for this man, and inside the strange puzzle of his mind. It is also the story of fire in Australia, and of a community that owed its existence to that very element. The command of fire has defined and sustained us as a species – understanding its abuse will define our future. A powerful real-life thriller written with Hooper’s trademark lyric detail and nuance, The Arsonist is a reminder that in an age of fire, all of us are gatekeepers.Praise for other titles by Chloe Hooper 'Life springs from every page of this enthralling book.' - Helen Garner 'A gripping, heart-stopping piece of true-crime reportage . . . Deserves the widest possible audience.' - Sunday Times 'It is impossible to overestimate the importance of this book.' - Peter Carey 'A sad, beautiful, frightening account of one man's pointless death . . . Every character is explored for their contradictions, every situation observed for its nuances, every easy judgement suspended . . . Hooper finds the common humanity in the accused and the accuser, the police officer and the street drinker, the living and the dead.' - Mark Dapin, Good Weekend, Sydney Morning Herald

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A Sunday Times Art Book of the Year: written by one of the UK’s foremost art critics, this new narrative history of the Renaissance takes in the whole of Europe and its global context. What was the 'Renaissance'? In the nineteenth century this flowering of creativity and thought was celebrated as the birth of the modern world. Today many historians are sceptical about its very existence. Earthly Delights rekindles the Renaissance as a seismic change in European mentalities, in a panoramic history that encompasses Florence and Bruges, London and Nuremberg. Artists from northern as well as southern Europe, including Leonardo, Bosch, Bruegel and Titian, star in a captivating and beautifully illustrated narrative that sets their lives against a period of convulsive change across a continent that was finding itself as it ‘discovered’ the world. Art critic and writer Jonathan Jones tells the story of Renaissance artists as pioneers, adventurers and ‘geniuses’, a Renaissance concept. Albrecht Dürer gazes with wonder on Aztec art in Brussels in 1520, Leonardo da Vinci tries to perfect a flying machine, Hieronymus Bosch finds inspiration in West African ivory carvings imported by the Portuguese to Antwerp. A then unknown Netherlandish painter, Pieter Bruegel, arrives in 1550s Rome just as Michelangelo is striving in the same city to raise the new St Peter’s Basilica towards heaven. From Atlantic voyages to Germanic woods, Italian palazzi to the royal castle of Prague, this was an age when people dared to experiment with the occult and dabble in utopias: to think and create new worlds.

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Private Eye: The 60 Yearbook is a history of the last 60 years, as seen by Britain's first, most successful and indeed only fortnightly satirical magazine. From the Beatles to Brexit, JFK to Trump, the Moon landings to the Mars landings, it tells the story of the past six decades as they were recorded in the Eye's pages. The news stories you remember - and plenty you may have forgotten - are retold in cartoons, covers and the magazine's legendary spoofs as well as extensive extracts from some of its best-loved features like Mrs Wilson's Diary, Dear Bill and The Secret Diary of John Major. It is also the story of the headlines Private Eye made itself, from the earliest stirrings of investigative journalism exposing the Poulson Scandal and Ronan Point, through major miscarriages of justice like the Stephen Lawrence case and the Lockerbie cover-up and national scandals that have cost the country billions in dodgy PFI contracts, government cock-ups and secret sweetheart tax deals. Inside are the stories that led to the fall of two cabinet ministers, countless corrupt business figures and even the official in charge of making sure everyone else in Whitehall's behaviour was above board. It includes writing by such satirical giants as Peter Cook, Richard Ingrams, Craig Brown, Auberon Waugh and Ian Hislop, and pictures by some of the world's best cartoonists including Michael Heath, Gerald Scarfe, Nick Newman, Willie Rushton, Robert Thompson and Ken Pyne.

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*****Part of the bestselling John Shakespeare series of Tudor spy thrillers from Rory Clements, winner of the Ellis Peters Historical Fiction Award*****'[Clements] does for Elizabeth's reign what CJ Sansom does for Henry VIII's' Sunday Times**********1592. England and Spain are at war, yet there is peril at home, too. The death of her trusted spymaster Sir Francis Walsingham has left Queen Elizabeth vulnerable. Conspiracies multiply.The quiet life of John Shakespeare is shattered by a summons from Robert Cecil, the cold but deadly young statesman who dominated the last years of the Queen's long reign, insisting Shakespeare re-enter government service. His mission: to find vital papers, now in the possession of the Earl of Essex.Essex is the brightest star in the firmament, a man of ambition. He woos the Queen, thirty-three years his senior, as if she were a girl his age. She is flattered by him - despite her loathing for his mother, the beautiful, dangerous Lettice Knollys who presides over her own glittering court - a dazzling array of the mad, bad, dangerous and disaffected. When John Shakespeare infiltrates this dissolute world he discovers not only that the Queen herself is in danger - but that he and his family is also a target. With only his loyal footsoldier Boltfoot Cooper at his side, Shakespeare must face implacable forces who believe themselves above the law: men and women who kill without compunction. And in a world of shifting allegiances, just how far he can trust Robert Cecil, his devious new master?

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*****Part of the bestselling John Shakespeare series of Tudor spy thrillers from Rory Clements, winner of the Ellis Peters Historical Fiction Award*****'Does for Elizabeth's reign what CJ Sansom does for Henry VIII's' Sunday TimesEngland is close to war. Within days the axe could fall on the neck of Mary Queen of Scots, and Spain is already gathering a battle fleet to avenge her. Tensions in Elizabeth I's government are at breaking point. At the eye of the storm is John Shakespeare, chief intelligencer in the secret service of Sir Francis Walsingham. When an intercept reveals a plot to assassinate England's 'sea dragon', Francis Drake, Shakespeare is ordered to protect him. With Drake on land fitting out his ships, he is frighteningly vulnerable. If he dies, England will be open to invasion. In a London rife with rumour, Shakespeare must decide which leads to follow, which to ignore. When a high-born young woman is found mutilated and murdered at an illicit printing house, it is political gunpowder - and he has no option but to investigate.But why is Shakespeare shadowed at every turn by the brutal Richard Topcliffe, the blood-drenched priest-hunter who claims intimacy with Queen Elizabeth herself? What is Topcliffe's interest in a housemaid, whose baby has been stolen? And where do two fugitive Jesuit priests fit into the puzzle, one happy to die for God, the other to kill for Him? From the splendour and intrigue of the royal court, to the sleek warships of Her Majesty's Navy and the teeming brothels of Southwark, Shakespeare soon learns that nothing is as it seems . . .

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THE NO. 1 SUNDAY TIMES BESTSELLERDavid and Cheryl Burroughs are living the dream - married, a beautiful house in the suburbs, a three year old son named Matthew - when tragedy strikes one night in the worst possible way.David awakes to find himself covered in blood, but not his own - his son's. And while he knows he did not murder his son, the overwhelming evidence against him puts him behind bars indefinitely.Five years into his imprisonment, Cheryl's sister arrives - and drops a bombshell.She's come with a photograph that a friend took on vacation at a theme park. The boy in the background seems familiar - and even though David realizes it can't be, he knows it is.It's Matthew, and he's still alive.David plans a harrowing escape from prison, determined to do what seems impossible - save his son, clear his own name, and discover the real story of what happened that devastating night.______________Readers are loving I Will Find You . . .'A thrilling roller-coaster ride''Harlan at his absolute best!''Couldn't put is down''Bravo on another fab story''Such an amazing writer'_______________Praise for Harlan Coben . . .'Unbelievably brilliant' RICHARD OSMAN'A GREAT writer' JOHN GRISHAM'Never lets you down' LEE CHILD'Simply one of the all-time greats' GILLIAN FLYNN'The modern master of the hook and twist' DAN BROWN'One of the world's finest thriller writers' PETER JAMESI Will Find You was a Sunday Times no. 1 bestseller 14/01/2024

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Perfect for fans of Iain M. Banks and Peter F. Hamilton.It is the 147th century. The mighty era of Homo Sapiens is at an end.In the Westerly Provinces of the Old World, the hunt is on for the young queen Arabis, and the beast that holds her captive. In the brutal hominid Investiture, revolution has come. The warlord Cunctus, having seized the Vulgar worlds, invites every Prism to pick a side. In the Firmament, once the kingdom of the Immortal Amaranthine, all ships converge on the foundry of Gliese. The grandest battle in the history of mammalian kind has begun.Perception, ancient machine spirit, must take back its mortal remains in a contest for the Firmament itself. Ghaldezuel, now the Grand Marshal of Cunctus' new empire, must travel to the deepest lagoon in the Investiture, a place where monsters dwell. Captain Maril, lost amongst the Hedron Stars, finds himself caught between colossal powers the likes of which he'd never dreamt. And for Aaron the Long-Life, he who has waited so very, very long for his revenge, things are only getting started . . .'(An) unceasing display of wonders...This third novel honours the accomplishments of and promises of the first two, and serves as a fitting capstone to a unique creation...' Paul Di Filippo, Locus Magazine'The final book in Toner's ridiculously ambitious trilogy will force you to redefine what space opera can do... ' Barnes & Noble'Among the most significant works of science fiction released in recent years' TOR.COM [The Promise of the Child]

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'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig RobertsonSt. Andrews, Scotland: When an elderly woman's naked body is found in her home, crucified to the floor, DCI Andy Gilchrist and his associate, DS Jessie Janes, find themselves in a hunt for a brutal serial killer. As the body count rises, suspicion falls on Tap 'Dancer' McCrear, a career criminal recently released from prison after serving fifteen years for a murder he swore he never committed.As Gilchrist begins to uncover the terrifying truth behind each of the killings, his worst fears are realised when he learns that McCrear is killing everyone involved in his murder trial... for it was Gilchrist who arrested McCrear all those years ago. High-flying Detective Superintendent Rommie Frazier, who leads the multi-constabulary task force searching for McCrear, clashes with Gilchrist over the detail of the investigation, and demands his removal. But Gilchrist won't leave without a fight, for he knows it is up to him to find Tap McCrear... before his own name is struck off the murder list.PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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A visit to the local village fete for a spot of fun and relaxation turns into a nightmare for Agatha Raisin when she discovers the body of the local landowner in the woods - with an arrow in his chest and his trousers round his ankles.At first her old adversary, Detective Chief Inspector Wilkes, declares the death a tragic accident, believing the victim has been hit by a stray arrow from an archery demonstration. Agatha is convinced the man was murdered and is shocked when Wilkes eventually agrees... particularly as he considers her to be his prime suspect!Determined to clear her name and find the real killer, Agatha launches her own investigation, quickly becoming involved with a family at war, an unscrupulous gangster -- and a murderer who is determined to make her the next victim...'This Hamish Macbeth novel maintains Beaton's distinctive voice and includes the usual village eccentrics, loads of Scottish lore, and the light humor that Beaton fans have loved through the years. . . A definite purchase for all mystery collections' Starred Review, Library Journal'Unmissable!' Peterborough TelegraphPraise for the Hamish Macbeth series:'First rate ... deft social comedy and wonderfully realized atmosphere.' Booklist'It's always a treat to return to Lochdubh.' New York Times'Readers will enjoy the quirks and unique qualities of the cast ... Beaton catches the beauty of the area's natural geography and succinctly describes its distinct flavour.' Library Journal'Befuddled, earnest and utterly endearing, Hamish makes his triumphs sweetly satisfying.' Publishers Weekly

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"Typically wide-ranging, informative, and illuminating . . . a lovely book" Peter FrankopanWhen did globalization begin? Most observers have settled on 1492, the year Columbus discovered America. But as celebrated Yale professor Valerie Hansen shows, it was the year 1000, when for the first time new trade routes linked the entire globe, so an object could in theory circumnavigate the world. This was the 'big bang' of globalization, which ushered in a new era of exploration and trade, and which paved the way for Europeans to dominate after Columbus reached America.Drawing on a wide range of new historical sources and cutting-edge archaeology, Hansen shows, for example, that the Maya began to trade with the native peoples of modern New Mexico from traces of theobromine - the chemical signature of chocolate - and that frozen textiles found in Greenland contain hairs from animals that could only have come from North America.Moreover, Hansen turns accepted wisdom on its head, revealing not only that globalization began much earlier than previously thought, but also that the world's first anti-globalization riots did too, in cities such as Cairo, Constantinople, and Guangzhou.Introducing players from Europe, the Islamic world, Asia, the Indian Ocean maritime world, the Pacific and the Mayan world who were connecting the major landmasses for the first time, this compelling revisionist argument shows how these encounters set the stage for the globalization that would dominate the world for centuries to come.

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_______________________The autobiography everyone has been waiting for: a shockingly candid and raw confessional from an international treasure.The world’s most trusted and beloved television News Anchor, Ron Burgundy, pulls no punches in Let Me Off at the Top! Burgundy tells the tale of his humble beginnings in a desolate Iowa coal-mining town to his years at Our Lady Queen of Chewbacca High School to his odds-defying climb to the dizzying heights of Anchordom. In his very own words Burgundy reveals his most private thoughts, his triumphs – and his disappointments. His life reads like an adventure story complete with knock-down fights, beautiful women and double-fisted excitement on every page. He has hunted jackalopes with Bobby Kennedy and Peter Lawford, had more than his share of amorous exploits and formed the greatest on-air team in the history of televised news. Along the way, he’s hobnobbed with people you wish you knew and some you honestly wish you didn’t— celebrities, presidents, presidents’ wives, celebrities’ wives, dogs and, of course, Veronica Corningstone, the love of his life. Who didn’t Mr. Burgundy, or ‘Ron’, as he is known to his friends, rub elbows with in the course of his colourful and often criminal life? This may well be the most thrilling book ever written, by a man of great physical, moral and spiritual strength and, not surprisingly, a great literary talent as well. We owe it to him, and to ourselves, to read it. With never-before-seen photographs. Some in colour!

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'Well plotted and page turning' - Patricia Gibney'A tense, fast-paced, and deftly plotted thriller, which kept me guessing right to the end. I'm already looking forward to the next outing for Detective Sergeant Lucy Golden and her crew!'- Andrea CarterSometimes darkness stalks the most beautiful places...On Doogort East Bog, Achill Island, a body is found. The close community is stunned to learn that it's Lisa Moran, a popular teacher who disappeared two days earlier. DS Lucy Golden is assigned to the case. For her, it's personal. As an Achill native, she knows that sometimes great evil can lurk in plain sight. Having moved back from Dublin, she has spent the last ten years trying to prove herself to her colleagues after her husband was jailed for fraud. This is her chance to put the past behind her. Her teenage son Luc's behaviour, however, is increasingly troubling and Lucy doesn't have time for distractions.When another body is found in an abandoned property on the bog, with links to a murder 20 years ago, the stakes are raised - but a pattern is emerging. Can Lucy put the pieces together? Or will her family crisis mean the murderer claims his next victim?'A novel that raises the bar for crime procedurals. . . artful, measured and gripping' Shots Magazine'A twisty mystery, a moody setting and a troubled cop on a tricky case. What more could you want?' Peterborough Evening Telegraph

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The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922 was the beginning of the Curwen Press's golden decade, during which it produced The Woodcutter's Dog, the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the Medici Society, the exhibition catalogue of books and manuscripts for The First Edition Club, Goldoni's Four Comedies and the delightful little pocket engagement book, The Four Seasons, illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a Younger World, the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933 the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. The Design series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: "A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb." Also available: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Rodchenko ISBN: 9781851495917 Abram Games ISBN: 9781851496778

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'Fascinating' Guardian, 'Book of the Day''A truly masterly book... A tour de force that will be read for a very long time.' Peter HennessySelected by the New Statesman as an essential read for 2022Britain shaped the modern Middle East through the lines that it drew in the sand after the First World War and through the League of Nations mandates over the fledgling states that followed. Less than forty years later, the Suez crisis dealt a fatal blow to Britain's standing in the Middle East and is often represented as the final throes of British imperialism. However, as this insightful and compelling new book reveals, successive prime ministers have all sought to extend British influence in the Middle East and their actions have often led to a disastrous outcome.While Anthony Eden and Tony Blair are the two most prominent examples of prime ministers whose reputations have been ruined by their interventions in the region, they were not alone in taking significant risks in deploying British forces to the Middle East. There was an unspoken assumption that Britain could help solve its problems, even if only for the reason that British imperialism had created the problems in the first place.Drawing these threads together, Nigel Ashton explores the reasons why British leaders have been unable to resist returning to the mire of the Middle East, while highlighting the misconceptions about the region that have helped shape their interventions, and the legacy of history that has fuelled their pride and arrogance. Ultimately, he shows how their fears and insecurities made them into false prophets who conjured existential threats out of the sands of the Middle East.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter journeys to South America on a mission to save Professor Calculus. When Professor Calculus is kidnapped, Tintin and a desperate Captain Haddock set off to Peru on a rescue mission, braving runaway train carriages, yellow fever and avalanches. Then they must find an ancient Inca tribe if they are to find their great friend. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter faces the task of helping to protect a monarchy? Tintin travels to the Syldavia and uncovers a plot to dethrone King Muskar XII. But can he help the head of state before it’s too late? Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter discovers that Professor Calculus is building a space rocket. Tintin and Captain Haddock are amazed to find that Professor Calculus is planning a top-secret project from the Sprodj Atomic Research Centre in Syldavia. And before our intrepid hero knows it, the next stop on this adventure is … Space. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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Riveting and revelatory.' Philip PullmanWonderfully vivid and touching.' Literary ReviewWarm, wise and unflinching.' Sunday TimesWitty and heartfelt.' Financial TimesStephen Hough is indisputably one of the world's leading pianists, winning global acclaim and numerous awards.Enough recounts his unconventional coming-of-age story, from his beginnings in an unmusical home in Cheshire to the main stage of the Carnegie Hall in New York, aged just twenty-one.Hough writes like a dream, with an almost Alan Bennett-like eye and ear for the sights and sounds of childhood.' Dan Cairns, Sunday TimesA memoir that is by turn audacious, harrowing, joyous, moving and funny . . . Hough [has a] brilliant ear for language, for rhythm, for silence.' Harriet Smith, GramophoneAn endearingly humorous, entrancingly lyrical writer.' Peter Conrad, ObserverMost memoirs

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Technology and conservation are indispensible to our understanding of the history of religious art. Material and technical aspects of historical art works yield a great deal of information about provenance, and thus reflect the cultural networks that characterized the world that produced them. Furthermore, the imagery and decoration of art works express their religious meanings, while details including reworking and damage may inform us about their use (or disuse) in liturgy and devotion. The Swedish conservator and art historian Peter Tångeberg has shown how the insights and methods of art conservation can make important steps in the history of art (not least religious art). He has brought the wealth of medieval and early modern art works in Scandinavia to a European audience and opened up new discussions – as well as stirring up old ones – on a range of aspects, including the transfer of styles and motifs, materials and technologies across Central and Northern Europe. This volume, which is dedicated to Tångeberg by fifteen friends and colleagues on the occasion of his 75th birthday, reflects much of his long and fruitful professional life. All of the contributions pursue a combined perspective on technical/material issues and contextual (mostly liturgical or devotional) aspects. The art works cover the period from c. 1100 to c. 1800 and all originated in the wide area of Tångeberg’s scholarly activity, especially Scandinavia and large parts of Western and Central Europe.

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‘I never saw the man again, alive or dead. One will say that I saw him only for a moment, that it was misty at the time, and that even I did not recognise the features, covered as they were with grime and stubble. Yet I am sure that the taller of the two ragged civilians I saw in the chalk quarry that misty March morning of 1918 was that Lieutenant Peter Rawley, R. F.A., who the official records stated was killed near Arras the previous autumn.’Behind the Lines is a thriller that follows on from the success of W. F. Morris’s first novel, Bretherton: Khaki or Field-Grey? Morris is again concerned with questions of identity, allegiance, chance, concealment and self-discovery. A subaltern is forced to flee when he accidentally kills an overbearing, taunting fellow officer: appearances are all against him and he does not trust to trench justice. He becomes a fugitive and has to join forces with other deserters, lost soldiers and outlaws in a hand-to-mouth existence in the no man’s land between opposing forces. A series of adventures and disasters ensue, including capture by the Germans and near death by firing squad. Only his own bravery and the devotion of his fiancé can rescue him from his plight.A contemporary commentator noted that ‘in spite of the flood of war books’, Morris was able to achieve ‘a quite different viewpoint from all the others’, and his book was ‘an outstanding success’.

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ÊBest Monologues from Best American Short Plays Volume OneÊ is a must for actors of all ages ä beginners as well as seasoned veterans ä and belongs in the libraries of all theater teachers looking for new and exciting material for their students. The monologues in this volume are excerpted from the outstanding series Best American Short Plays an archive of works from many of the best playwrights active today presenting taut engaging single-character pieces that range from zany comedy to poignant tales of love and loss. Each monologue includes a short introduction and a reference identifying where to locate the entire play should anyone choose to pursue production beyond the monologue. Long or short serious or not this collection is must-have material for anyone interested in acting. The monologues also succeed as excellent companions for the casual reader.ÞIncluded in this volume are monologues by Liliana Almendarez James Armstrong Billy Aronson Clay McLeod Chapman Migdalla Cruz Laura Shaine Cunningham Eileen Fischer Jill Elaine Hughes Julia Jarcho Zilvinas Jonusas Adam Kraar David Kranes Neil LaBute Daniel Frederick Levin Bruce Levy Carey Lovelace Carol K. Mack Dano Madden Peter Maloney Joe Maruzzo Mark Medoff Susan Miller Julie Rae (Pratt) Mollenkamp Rick Pulos Ronald Ribman Murray Schisgal Pamela Sneed and co-writers Polly Frost and Ray Sawhill.

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The famed 19th century humorist Finely Peter Dunne once commented that life “would not be worth living if we didn’t keep our enemies.” Certainly John F. Kennedy could appreciate the wisdom behind this observation. At nearly every stage of his noteworthy political career, which stretched from the dank, run-down tenement houses of Charlestown, Massachusetts in 1946 to the gleaming downtown skyscrapers of Dallas, Texas in 1963, Kennedy had collected his fair share of enemies. Some, like Henry Cabot Lodge Jr. in 1952 and Lyndon Johnson in 1960, presented formidable political obstacles to his attaining higher office. Others, like Nikita Khrushchev during the Cuban Missile Crisis of 1962, threatened the very survival of the human race itself. Regardless of the stakes, Kennedy always seemed to rise to the level of the domestic or international challenge presented. “Our problems are man-made, therefore they may be solved by man,” he said. To those who knew him best, this single-mindedness was not surprising. “He clearly wanted to establish a place in history,” insisted Robert McNamara, Kennedy’s Secretary of Defense. But being an historian himself, Kennedy realized that political success did not come easily or cheaply. It required individual strength of character, clarity of thought, and the ability to act decisively. “There are risks and costs to action,” he allowed. “But they are far less than the long range risks of comfortable inaction.”

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For thirty-five years and through thirteen editions, Jim Henslin's Down to Earth Sociology has opened new windows onto the social realities that shape our world. Now in its fourteenth edition, the most popular anthology in sociology includes new articles on our changing world while also retaining its classic must-read essays. Focusing on social interaction in everyday life, the forty-six selections bring students face-to-face with the twin projects of contemporary sociology: understanding the individual's experience of society and analyzing social structure. The fourteenth edition's exceptional new readings include selections on the role of sympathy in everyday life, mistaken perceptions of the American family, the effects of a criminal record on getting a job, and the major social trends affecting our future. Together with these essential new articles, the selections by Peter Berger, Herbert Gans, Erving Goffman, Donna Eder, Zella Luria, C. Wright Mills, Deborah Tannen, Barrie Thorne, Sidney Katz, Philip Zimbardo, and many others provide firsthand reporting that gives students a sense of "being there." Henslin also explains basic methods of social research, providing insight into how sociologists explore the social world. The selections in Down to Earth Sociology highlight the most significant themes of contemporary sociology, ranging from the sociology of gender, power, politics, and religion to the contemporary crises of racial tension, crime, rape, poverty, and homelessness.

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She says he's a victim. They say he's a killer. When an armed man massacres several people in central London, Claudine witnesses the whole thing. To her horror, one of the victims is her brother, Jethro. Riven by grief, Claudine retreats to the family home in the Fens, which is where the police find her. She is left reeling when they tell her Jethro orchestrated the attack. Why would a gentle, if troubled, middle-aged man cause such bloodshed – and why would he include himself in the list of victims? The truth could lie in Jethro’s research on a mediaeval cult. If Claudine can’t solve the mystery in time, more people will die... and the darkness will claim her too. This twisty, unrelenting thriller is perfect for fans of Ruth Ware, Emma Kavanagh, and Sharon Bolton, using themes of grief to explore how people are never as straightforward as they seem. 'Intelligent crime fiction at its very best, cleverly plotted with a scorching climax.' Caro Ramsay 'Staggeringly good.' Sharon Bolton Reviews for D.L. Mark: 'Mark is an extraordinary talent – one of the best in the business. I adore how he writes.' M.W. Craven 'Dark and compelling with characters you will never forget.' Elly Griffiths 'Mark is a wonderfully descriptive writer.' Peter James 'Mark’s books are always taut, intelligent page-turners.' Abir Mukherjee

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The vibrant fine arts and mass culture that the United Stated exported to Britain in the postwar period had a powerful and far-reaching impact on many British artists, art students and critics. In a fascinating social and cultural history covering the period from the 1940s to the 1990s, but with emphasis on the 1950s and 1960s, John A. Walker offers a scholarly but accessible account of America's Cold War cultural offensive and the role played by American artists living in Britain. This is the first text to document in detail the variegated responses of British artists to postwar America and its art, criticism and mass media. Their reactions that ranged from Americanism – enthusiasm and compliance – to Anti-Americanism – criticism and resistance. Covering significant art movements such as Abstract Expressionism, the Independent Group and Pop Art, Walker synthesises information from hundreds of published sources and interviews to paint a vivid picture of a crucial period in British culture. Many of the critics, painters and sculptors featured – Lawrence Alloway, Peter Blake, Reyner Banham, Anthony Caro, Clement Greenberg, David Hockney, Richard Hamilton, R.B. Kitaj, John Latham, Claes Oldenburg, Eduardo Paolozzi, Herbert Read, Bridget Riley, Larry Rivers – are now internationally famous. The study is brought up to date with an overview of the decline in American influence during in the 1980s and 1990s and the rise of Brit Art.

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For much of the twentieth century, Confucianism was condemned by Westerners and East Asians alike as antithetical to modernity. Internationally renowned philosophers, historians, and social scientists argue otherwise in Confucian Political Ethics. They show how classical Confucian theory--with its emphasis on family ties, self-improvement, education, and the social good--is highly relevant to the most pressing dilemmas confronting us today. Drawing upon in-depth, cross-cultural dialogues, the contributors delve into the relationship of Confucian political ethics to contemporary social issues, exploring Confucian perspectives on civil society, government, territorial boundaries and boundaries of the human body and body politic, and ethical pluralism. They examine how Confucianism, often dismissed as backwardly patriarchal, can in fact find common ground with a range of contemporary feminist values and need not hinder gender equality. And they show how Confucian theories about war and peace were formulated in a context not so different from today's international system, and how they can help us achieve a more peaceful global community. This thought-provoking volume affirms the enduring relevance of Confucian moral and political thinking, and will stimulate important debate among policymakers, researchers, and students of politics, philosophy, applied ethics, and East Asian studies. The contributors are Daniel A. Bell, Joseph Chan, Sin Yee Chan, Chenyang Li, Richard Madsen, Ni Lexiong, Peter Nosco, Michael Nylan, Henry Rosemont, Jr., and Lee H. Yearley.

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W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. "Revealing Masks" uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the 'exotic' in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of 'total theater.' Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? "Revealing Masks" shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.

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Pop Art: A Critical History chronicles one of the most controversial art movements of the century. The anthology draws from a great range of sources, from the leading art magazines and art historical journals to newspapers and news magazines such as the New York Times, Life, and Newsweek. What emerges from this rich cross-section of critical and journalistic commentary is a fascinating view of the tumultuous rise of Pop art and its establishment as a major force in contemporary art. A broad selection of articles traces the emergence of the movement itself in England and America, as seen through the eyes of the working critics of the day. The focus then narrows to present in-depth writings on the four major Pop artists: Roy Lichtenstein, Claes Oldenburg, James Rosenquist, and Andy Warhol, along with an examination of many other artists involved in the movement. From reviews of the very first shows of many of these artists to interviews with them, to news stories about their collectors and their lifestyles, Pop Art: A Critical History represents the most complete and coherent record of Pop art yet published. The book concludes with an invaluable chronology of the major '60s exhibitions by Pop artists. Among the contributors are Lawrence Alloway, John Coplans, Donald Judd, Max Kozloff, Gerald Nordland, Peter Plagens, Barbara Rose, Robert Rosenblum, John Russell, Gene Swenson, and Sidney Tillim.

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Winner of the AFP/Skystone Partners Prize for Research on Fundraising and Philanthropy, Association of Fundraising Professionals, 2021 Terry McAdam Book Award, given by the Alliance for Nonprofit Management 2023 Peter Dobkin Hall History of Philanthropy Prize from the Association for Research on Nonprofit and Voluntary Action (ARNOVA). Founder of a beauty empire, Madam C. J. Walker was celebrated as America's first self-made female millionaire in the early 1900s. Known as a leading African American entrepreneur, Walker was also devoted to an activist philanthropy aimed at empowering African Americans and challenging the injustices inflicted by Jim Crow. Tyrone McKinley Freeman's biography highlights how giving shaped Walker's life before and after she became wealthy. Poor and widowed when she arrived in St. Louis in her twenties, Walker found mentorship among black churchgoers and working black women. Her adoption of faith, racial uplift, education, and self-help soon informed her dedication to assisting black women's entrepreneurship, financial independence, and activism. Walker embedded her philanthropy in how she grew her business, forged alliances with groups like the National Association of Colored Women, funded schools and social service agencies led by African American women, and enlisted her company's sales agents in local charity and advocacy work. Illuminating and dramatic, Madam C. J. Walker’s Gospel of Giving broadens our understanding of black women’s charitable giving and establishes Walker as a foremother of African American philanthropy.

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Wild and Crazy Guys is the larger-than-life story of the much-loved Hollywood comedy stars that ruled the 1980s. This paperback edition features never-seen-before bonus material. As well as delving behind the scenes of classic movies such as Ghostbusters, Beverly Hills Cop, The Blues Brothers, Trading Places and dozens more, it chronicles the off-screen, larger-than-life antics of John Belushi, Dan Aykroyd, Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Candy et al. It’s got drugs, sex, punch-ups, webbed toes and Bill Murray being pushed into a swimming pool by Hunter S Thompson, while tied to a lawn chair. It’s akin to Peter Biskind’s Easy Riders, Raging Bulls, following the key players through their highs and lows, and their often turbulent relationships with each other. Nick de Semlyen has interviewed many of the key directors such as Walter Hill, John Landis and Carl Reiner, as well as the comedians themselves. Taking you on a trip through the tumultuous ’80s, Wild And Crazy Guys explores the friendships, feuds, triumphs and disasters experienced by these iconic funnymen. Based on candid interviews from the stars themselves, as well as those who entered their orbit, it reveals the hidden history behind the most fertile period ever for screen comedy.

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Winner of the AFP/Skystone Partners Prize for Research on Fundraising and Philanthropy, Association of Fundraising Professionals, 2021 Terry McAdam Book Award, given by the Alliance for Nonprofit Management 2023 Peter Dobkin Hall History of Philanthropy Prize from the Association for Research on Nonprofit and Voluntary Action (ARNOVA). Founder of a beauty empire, Madam C. J. Walker was celebrated as America's first self-made female millionaire in the early 1900s. Known as a leading African American entrepreneur, Walker was also devoted to an activist philanthropy aimed at empowering African Americans and challenging the injustices inflicted by Jim Crow. Tyrone McKinley Freeman's biography highlights how giving shaped Walker's life before and after she became wealthy. Poor and widowed when she arrived in St. Louis in her twenties, Walker found mentorship among black churchgoers and working black women. Her adoption of faith, racial uplift, education, and self-help soon informed her dedication to assisting black women's entrepreneurship, financial independence, and activism. Walker embedded her philanthropy in how she grew her business, forged alliances with groups like the National Association of Colored Women, funded schools and social service agencies led by African American women, and enlisted her company's sales agents in local charity and advocacy work. Illuminating and dramatic, Madam C. J. Walker’s Gospel of Giving broadens our understanding of black women’s charitable giving and establishes Walker as a foremother of African American philanthropy.

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Sour Mouth, Sweet Bottom is the book Simon Napier-Bell’s fans have always hoped he’d write. His previous bestsellers lifted the lid on the industry, combining brilliant analysis with unforgettable stories of fame and wild excess. But those books hardly scratched the surface. Now, at long last, he’s turned the spotlight on himself.From a childhood spent in the cinemas of post-war London and a brief spell playing trumpet in the seedy bars of Montreal, to getting stoned by the pool with Peter Falk and Jack Lemmon in Beverly Hills and co-writing a hit single for Dusty Springfield, this book is a kaleidoscopic sequence of more than sixty episodes drawn from Simon's life that makes most memoirs look like thin gruel by comparison.There are stories of the stellar acts Simon has managed – from the Yardbirds and Marc Bolan to Wham! and Sinéad O'Connor – and there’s also the wisdom gathered from a louche existence of clubs, restaurants, gigs, award ceremonies, bankruptcies, booze and sex, both gay and straight. You could call the book ‘How to Use the Music Industry to Create a Lifestyle’. You might equally call it ‘How to Use Your Lifestyle to Gain Access to the Music Industry’.Either way, Simon pulls no punches, and the result is a frank, funny and fascinating account of a life truly like no other.

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The ongoing paradigm change in regard to the use of energy, its efficient usage and the consumption of resources is giving rise to new light systems and lighting appliances. This development might also lead to the use of light as a building material in its own right, comparable to traditional building materials, making it possible to create light space productions something that did not seem feasible up to now due to the high cost of energy and of light systems. The goal of this book is to develop temporary light spaces that re-interpret the existing urban environment on a seasonal basis or over a cycle of several years. As a result, the city will literally appear in a new light. Strollers in the city streets will experience their familiar environment in a new way. Illuminated planes interlacing with planes made by linear fields of light beams will create immaterial material space experiences: still lifes of light within which one can move about and light choreographies that move barely noticeably, creating still lifes in motion. Current research aims at exploring, imagining and inventing stand-alone spatial structures of light, adding on to and transforming existing spaces, creating a new spatial awareness that may enable people to experience urban space in a different way. Similar to the process of architectural design, where haptic built volumes create interspaces, the light spaces that are presently being designed make these interspaces visible and allow urban dwellers to experience unexpected spatial constellations. The discourse in this book starts with essays introducing aspects of light spaces, including the following: Christian Bartenbach on the perception of light as something that creates space; Niels Gutschow on the ritual dimension of light, an element in the history of creation; Samuel Widmer on light in near-death experiences; Aldous Huxley on light as the messenger from a world we perceive on an unconscious level; Jun'ichiro Tanizaki on the world of the shadow and Tadashi Endo on movement as a relation between time and space in Butoh, the Japanese dance of darkness. The discourse concludes with documents on light spaces by Wolfgang Rang collected over a period of 30 years showing how these light spaces were regarded in the writings of con-temporaries, including Max Bächer on the dawn of a new era; Hans-Peter Schwarz on the deconstruction of space by light; Jürgen Hasse on light as a discourse fragment of public space; Manuel Cuadra on red luminescence; and Antonio de Campos on shadow as an expression of light.

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Between the late '60s and early '80s, design house Hipgnosis created some of the most iconic and ubiquitous album artwork of all time. Their original lifespan coincided with the golden age of the 12-inch LP, beginning just as the Beatles' Sgt Pepper made the record sleeve the ultimate blank canvas and ending just as new technology looked set to usurp vinyl. Having originally been approached to design an album cover for their friends Pink Floyd, students Aubrey 'Po' Powell and Storm Thorgerson would go on to define the visual identity of rock and roll for the next fifteen years, swiftly gaining international prominence for their famed The Dark Side of the Moon artwork. This paved the way for other major musicians to set foot in the surreal photo-design world of Storm and Po, resulting in seminal Hipgnosis creations for the likes of Led Zeppelin, Paul McCartney, Genesis, Black Sabbath, ELO and Yes. In this authorised account, with access to previously unpublished material and exclusive contributions from David Gilmour, Jimmy Page, Peter Gabriel, Roger Waters, Robert Plant and even Aubrey Powell himself, Mark Blake goes behind the scenes of the Hipgnosis partnership to reveal the pioneering ambition and grand vision that led to their success, as well as the clashing egos and artistic differences that undermined it. The Hipgnosis story also offers hitherto-untold insight into some of music's most legendary bands, as viewed through the prism of the people who shaped their imagery and cultural legacy. With the work of Hipgnosis continuing to be referenced, reproduced and revered worldwide, Us and Them serves as a celebration, a cautionary tale and a compelling human drama, exploring the vital intersection between art and music.

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Book of the Year in The Economist, Guardian, New Statesman, Wall Street Journal and New York Times.Shortlisted for the Duff Cooper Prize & the Elizabeth Longford Prize for Historical Biography.'A wonderful book about one of the most important, brilliant and flawed scientists of the 20th century.' Peter Frankopan'Superb' Matt Ridley, The Times'Fascinating... The best Haldane biography yet.' New York TimesJ.B.S. Haldane's life was rich and strange, never short on genius, never lacking for drama. He is best remembered as a geneticist who revolutionized our understanding of evolution, but his peers thought him a polymath; one student called him 'the last man who knew all there was to be known'.Beginning in the 1930s, Haldane was also a staunch Communist - a stance that enhanced his public profile, led him into trouble, and even drew suspicions that he was spying for the Soviets. He wrote copiously on science and politics for the layman, in newspapers and magazines, and he gave speeches in town halls and on the radio, all of which made him, in his day, as famous in Britain as Einstein. Arthur C. Clarke called Haldane 'the most brilliant science popularizer of his generation'. He frequently narrated aspects of his life: of his childhood, as the son of a famous scientist; of his time in the trenches in the First World War and in Spain during the Civil War; of his experiments upon himself; of his secret research for the British Admiralty; of his final move to India, in 1957. A Dominant Character unpacks Haldane's boisterous life in detail, and it examines the questions he raised about the intersections of genetics and politics - questions that resonate all the more strongly today.

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