Search results for ""author pete"

'Ingenious and compelling' THE TIMES, SCIENCE FICTION BOOKS OF THE MONTH'Mind-bendingly clever and utterly gripping' DAILY MAIL, SCI-FI BOOKS OF THE MONTH'A fascinating and assured debut' THE GUARDIAN, BEST RECENT SCIENCE FICTIONIt's 1962 and physics student Grace Pulansky believes she has met the man of her dreams, Robert Jones, while serving up slices of pecan pie at the local diner. But then the FBI shows up, with their fedoras and off-the-rack business suits, and accuses him of being a bomb-planting mass-murderer.Finding herself on the run with Jones across America's Southwest, the discoveries awaiting Gracie will undermine everything she knows about the universe. Her story will reveal how scores of lives - an identity-swapping rock star, a mourning lover in ancient China, Nazi hunters in pursuit of a terrible secret, a crazed artist in pre-revolutionary France, an astronaut struggling with a turbulent interplanetary future, and many more - are interconnected across space and time by love, grief, and quantum entanglement.Spanning continents, centuries, and dimensions, this exquisitely crafted and madly inventive novel - a triple-disk, concept-album of a book - is a profound yet propulsive enquiry into the nature of reality - the perfect immersive read for fans of David Mitchell, Emily St. John Mandel, Neil Gaiman and Margaret Atwood.'A book designed to be more than the sum of its parts, and one that achieves that because love is the thing that binds it together. Vitally fresh' DOMINIC NOLAN'With strong echoes of David Mitchell, Haruki Murakami or Emily St John Mandel...this is a madcap ride to somewhere new with thrills to spare and a gallery of truly fascinating characters. One for the ages.' CRIME TIME'A trans-dimensional, kaleidoscopic mystery-box of a novel.... wholly and riotously original. Haddon is a mad scientist of genre and his epic is a tour de force.' PETER HO DAVIES

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It is hard to think of an area of Christian theology that provides more scope for interdisciplinary conversation than the doctrine of creation. This doctrine not only invites reflection on an intellectual concept: it calls for contemplation of the endlessly complex, dynamic, and fascinating world that human being inhabit. But the possibilities for wide-ranging discussion are such that scholars sometimes end up talking past one another. Productive conversation requires mutual understanding of insights across disciplinary boundaries. Knowing Creation offers an essential resource for helping scholars from a range of fields to appreciate one another's concerns and perspectives. In so doing, it offers an important step forward in establishing a mutually-enriching dialogue that addresses, amongst others, the following key questions: Who is the God who creates? Why does God create? What is "creation"? What does it mean to recognize that a theology of creation speaks of a natural world that is subject to the observation of the natural sciences? What does it mean to talk about both a "natural" order and a "created" order? What are the major tensions that have arisen between the natural sciences and Christian thinking historically, and why? How can we move beyond such tensions to a positive and constructive conversation, while also avoiding facile notions such as a "god of the gaps"? Is it feasible for a natural scientist to maintain a belief in God's continuing creative activity? In what ways might a naturalistic understanding of the natural world be said to be limited? How can biblical studies, theology, philosophy, history, and science talk better together about these questions? At a time when the doctrine of creation - and even a mention of "creation" - has been disparaged due to its supposed associations with anti-scientific dogma, and theological offerings sometimes risk appearing a little more than reactionary exercises in naive apologetics, ill-informed by science or distinctly wary of engagement with it, it is more important than ever to offer a cross-disciplinary resource that can voice a positive account of a Christian theology of creation, and do so as a genuinely broad-ranging conversation about science and faith.Contributors to Knowing Creation include Marilyn McCord Adams, Denis Alexander, Susan Eastman, C. Stephen Evans, Peter van Inwagen, Christoph Schwobel, John H. Walton, Francis Watson, and more.

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“If wilderness is outlawed, only outlaws can save wilderness.” Edward Abbey In a collection of gripping stories of adventure, Doug Peacock, loner, iconoclast, environmentalist, and contemporary of Edward Abbey, reflects on a life lived in the wild, asking the question many ask in their twilight years: “Was It Worth It?” Recounting sojourns with Abbey, but also Peter Matthiessen, Doug Tompkins, Jim Harrison, Yvon Chouinard and others, Peacock observes that what he calls “solitary walks” were the greatest currency he and his buddies ever shared. He asserts that “solitude is the deepest well I have encountered in this life,” and the introspection it affords has made him who he is: a lifelong protector of the wilderness and its many awe-inspiring inhabitants. With adventures both close to home (grizzlies in Yellowstone and jaguars in the high Sonoran Desert) and farther afield (tigers in Siberia, jaguars again in Belize, spirit bears in the wilds of British Columbia, all the amazing birds of the Galapagos), Peacock acknowledges that Covid 19 has put “everyone’s mortality in the lens now and it’s not necessarily a telephoto shot.” Peacock recounts these adventures to try to understand and explain his perspective on Nature: That wilderness is the only thing left worth saving. In the tradition of Peacock’s many best-selling books, Was It Worth It? is both entertaining and thought provoking. It challenges any reader to make certain that the answer to the question for their own life is “Yes!”

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The arrival of the Anthropocene brings the suggestion that we are only now beginning to speculate on an inhuman world that is not for us, only now confronting fears and anxieties of ecological, political, social, and philosophical extinction. While pointing out that reflections on disaster were not foreign to what we historically call romanticism, Last Things pushes romantic thought toward an altogether new way of conceiving the “end of things,” one that treats lastness as neither privation nor conclusion. Through quieter, non-emphatic modes of thinking the end of human thought, Khalip explores lastness as what marks the limits of our life and world. Reading the fate of romanticism—and romantic studies—within the key of the last, Khalip refuses to elegize or celebrate our ends, instead positing romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an archive on the side of disappearance, perishing, the inhuman, and lastness.

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'A memoir which is also a work of art' – Allan Massie, The Scotsman The story begins with Campbell, aged 14, in a police cell in Glasgow. He’s been charged with stealing books – five Mickey Spillane novels and a copy of Peyton Place. At 15, he became an apprentice printer, but gave that up in order to ‘go on the road’, fulfilling the only ambition he ever had while a pupil at King’s Park Secondary School in Glasgow – to be what RLS called ‘a bit of a vagabond’. On his hitchhiking journeys through Asia and North Africa, an interest in music, reading and writing grew. Campbell also took a keen interest in learning from interesting people. In 1972 he worked on a kibbutz, living in the neighbouring cabin to Peter Green, the founder and lead guitarist of Fleetwood Mac, with whom he formed a two-man musical combo. At the same time, he was part of a group of aspiring writers in Glasgow, including Tom Leonard. His literary heroes of the time were Alexander Trocchi and John Fowles: Campbell tracked them down to their homes and wrote extensively about both. The stories Campbell are recounted in this book. A crowning moment of his life was forming a friendship with the American writer James Baldwin. Campbell visited him more than once at his home in the South of France, and persuaded him to come to Edinburgh for the Book Festival in 1985. Campbell later wrote the acclaimed biography of Baldwin, Talking at the Gates.

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An enthralling locked-room murder mystery inspired by crime fiction of the Golden Age, Death and the Conjuror is the critically acclaimed debut novel by Tom Mead. Selected as one of Publishers Weekly's Mysteries of the Year. 1936, London. A celebrity psychiatrist is discovered dead in his locked study. There seems to be no way a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, Inspector Flint, the Scotland Yard detective on the case, calls on retired stage magician turned part-time sleuth Joseph Spector. Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colourful cast of suspects, they uncover no shortage of dark secrets... or motives for murder. And when a second murder occurs, this time in an impenetrable elevator, they realise the crime wave will become even more deadly unless they can catch the culprit soon. Reviews for Death and the Conjuror 'Pure escapism and an excellent puzzle, ingeniously expounded.' The Times 'Secrets, red herrings and sleights of hand abound in an ingenious piece of intriguing escapism.' Guardian 'An intricate "impossible" crime that completely fooled me.' Peter Lovesey 'A sharply drawn period piece with memorable characters.' New York Times 'A real treat for mystery fans.' Ragnar Jónasson 'A beautiful, dark, atmospheric story.' Victoria Dowd

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'Lush, dark, utterly real and above all achingly romantic' RUTH WARE Thrilling Regency romance, set against an Outlander-like background of passion and war, this will delight lovers of Poldark and Bridgerton. 1819: Cornwall and St Petersburg High society England is awash with gossip and scandal. For Lady Hester, it's just typical that the wickedest gossip focuses on her beautiful, impossible husband Crow. Hester loves him fiercely, but the Earl of Lamorna has a wild past. Rumours of a child with his black hair and grey eyes wound Hester more than she'll admit. Crow's enemies also want him tried for treason, and soon Hester and their own daughter are in danger. There's nothing Hester won't do to protect their child. So when Countess Lieven drops her guard and says, 'Take your baby, Hester, and run,' Hester does exactly that. Meanwhile, Crow will do anything to save his family, even accepting a final mission that might end in losing them both for good. Praise for Katy Moran: 'Passionate, smart and action-packed... Stuffed full of heart-pumping romance' SARAH HUGHES, Guardian 'A wonderfully thrilling, sweeping romantic historical adventure that keeps you gripped until the last page' ROWAN COLEMAN 'Badly behaved aristocrats, gloriously opinionated women and danger at every turn' iNews Best Books of 2019

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Disturbing. Original. Terrifying. The 'master of horror' is back with the chilling tale of what lurks in the walls of an abandoned hospital. The perfect Halloween read. In this abandoned hospital, pain lives on... and it wants revenge. St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows. Lilian is pragmatic – she doesn't believe in the supernatural. But just when she's put her mind at rest by scouring the mansion from top to bottom and finding nothing, a former patient of St Philomena's arrives with a warning. The hospital is haunted. And it is haunted by something a thousand times more terrifying than ghosts... Perfect to read at Halloween and for fans of The Haunting of Hill House, The Shining and The Woman in Black. Praise for Graham Masterton: 'One of Britain's finest horror writers.' Daily Mail 'A true master of horror' James Herbert 'One of the most original and frightening storytellers of our time' Peter James

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In 1816, the climate went berserk. The winter brought extreme cold, and torrential rains unleashed massive flooding in Asia. Western Europe and North America experienced a ‘year without a summer’, while failed harvests in 1817 led to the ‘year of famine’. At the time, nobody knew that all these disturbances were the result of a single event: the eruption of Mount Tambora in what is now Indonesia – the greatest volcanic eruption in recorded history. In this book, leading climate historian Wolfgang Behringer provides the first globally comprehensive account of a climate catastrophe that would cast the world into political and social crises for years to come. Concentrating on the period between 1815 and 1820, Behringer shows how this natural occurrence led to worldwide unrest. Analysing events as diverse as the persecution of Jews in Germany, the Peterloo Massacre in the United Kingdom, witch hunts in South Africa and anti-colonial uprisings in Asia, Behringer demonstrates that no region on earth was untouched by the effects of the eruption. Drawing parallels with our world today, Tambora and its aftermath become a case study for how societies and individuals respond to climate change, what risks emerge and how they might be overcome. This comprehensive account of the impact of one of the greatest environmental disasters in human history will be of interest to a wide readership and to anyone seeking to understand better how we might mitigate the effects of climate change.

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Provides the first consideration of sound and the body in contemporary European art cinema Offers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directors Provides a stimulating contribution to theories of cinematic spectatorship showing how sound, noise and listening can rethink all aspects of the filmic experience Explores the conceptualisation of cinema as a resonant body Considers the sonic dimensions of cinema alongside prescient current debates in European film and criticism about the body, migration and exile, as well as anthropocentrism and anthropocentric modes of representation What does it mean to exist, in our experience of cinema, according to listening? How do sound and 'noise' reconfigure relations between spectators and screens, and by extension, spectators and their worlds? How do films raise questions about the ethics and politics of listening to different bodies? Resonant Bodies in Contemporary European Art Cinema answers these questions through an analysis of films by Catherine Breillat, Gaspar No , Tony Gatlif, Arnaud des Palli res, Lars von Trier and Peter Strickland. These post-millennial European directors have worked with sound in ways that resist the full-definition and perfect hearing offered by Dolby technology. Instead, they have privileged 'noise' - sounds that take us to the limit of what we can hear - in a move that foregrounds the body on screen and constructs spectators as listening bodies.

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It didn’t take long after Jimi Hendrix’s death for the artist to become a myth of music. He has been surrounded by a shroud of intrigue since he first came into the public eye, and the mystery has only grown with time. Much has been written and said about him by experts and fans and critics, some of it true and some of it not; Starting at Zero will set the record straight. This is Hendrix in his own words. The lyricism and rhythm of Jimi Hendrix’s writing will be of no surprise to his fans. Hendrix wrote prolifically throughout his life and he left behind a trove of scribbled-on hotel stationary, napkins and cigarette cartons. Starting at Zero weaves the scraps and bits together fluidly with interviews and lyrics revealing for the first time a continuous narrative of the artist’s life, from birth through to the final four years of his life. The result is a beautifully poetic, charming and passionate memoir as smooth and memorable as Hendrix’s finest songs. The pieces of Starting at Zero came together in large part because of the inspiration of Alan Douglas. Douglas first met Jimi Hendrix backstage at Woodstock, and soon after became Hendrix’s producer and close friend. In creating the book he joined forces with Peter Neal, who edited Hendrix’s writing with the reverence and light touch it deserved.

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Whither China? presents an in-depth and wide-angled picture of Chinese intellectual life during the last decade of the millennium, as China struggled to move beyond the shadow of the Tiananmen tragedy. Because many cultural and intellectual paradigms of the previous decade were left in ruins by that event, Chinese intellectuals were forced in the early 1990s to search for new analytical and critical frameworks. Soon, however, they found themselves engulfed by tidal waves of globalization, surrounded by a new social landscape marked by unabashed commodification, and stunned by a drastically reconfigured socialist state infrastructure. The contributors to Whither China? describe how, instead of spearheading the popular-mandated and state-sanctioned project of modernization, intellectuals now find themselves caught amid rapidly changing structures of economic, social, political, and cultural relations that are both global in nature and local in an irreducibly political sense. Individual essays interrogate the space of Chinese intellectual production today, lay out the issues at stake, and cover major debates and discursive interventions from the 1990s. Those who write within the Chinese context are joined by Western observers of contemporary Chinese cultural and intellectual life. Together, these two groups undertake a truly international intellectual struggle not only to interpret but to change the world.Contributors. Rey Chow, Zhiyuan Cui, Michael Dutton, Gan Yang, Harry Harootunian, Peter Hitchcock, Rebecca Karl, Louisa Schein, Wang Hui, Wang Shaoguang, Xudong Zhang

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In Listening Subjects, David Schwarz uses psychoanalytic techniques to probe the visceral experiences of music listeners. Using classical, popular, and avant-garde music as texts, Schwarz addresses intriguing questions: why do bodies develop goose bumps when listening to music and why does music sound so good when heard "all around?" By concentrating on music as cultural artifact, Listening Subjects shows how the historical conditions under which music is created affect the listening experience.Schwarz applies the ideas of post-Lacanian psychoanalytic theorists Slavoj Zizek, Julia Kristeva, and Kaja Silverman to an analysis of diverse works. In a discussion of John Adams’s opera Nixon in China, he presents music listening as a fantasy of being enclosed in a second skin of enveloping sound. He looks at the song cycles of Franz Schubert as an examination and expression of epistemological doubts at the advent of modernism, and traverses fantasy "space" in his exploration of the white noise at the end of the Beatles’ "I Want You (She’s So Heavy)." Schwarz also considers the psychosexual undercurrent in Peter Gabriel’s "Intruder" and the textual and ideological structures of German Oi Musik. Concluding with a reading of two compositions by Diamanda Galás, he reveals how some performances can simultaneously produce terror and awe, abjection and rage, pleasure and displeasure. This multilayered study transcends other interventions in the field of musicology, particularly in its groundbreaking application of literary theory to popular and classical music.

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The university classroom has been turned into an intensely bitter battlefield. Conservatives are attacking the academy's ability to teach, and at times its very right to educate. As the dust begins to settle, the contributors to this volume weigh in with a constructive and wide-ranging statement on the progressive possibilities of teaching. This is, in many ways, a book for the morning after the PC Wars, when the shouting dies down and the imperatives of pedagogy remain. Asserting a complex, inter-related agenda for teachers and students, Class Issues is an anthology of essays on radical teaching. Leading scholars of literary and cultural studies, queer studies, ethnic studies and working-class literature examine the challenges that confront progressive pedagogy, as well as the histories that lie behind the achievements of cultural studies. Class Issues offers a plan for the construction of an alternative public sphere in the rapidly changing space of the classroom in the academy. Class Issues is a compilation of important new work on the tradition of radical teaching as well as forceful suggestions for the mobilization of radical consciousness. Contributers: Goerge Lipsitz, Bruce Robbins, Maria Damon, John Mowitt, Donald K. Hedrick, Neil larsen, Gayatri Chakravorty Spivak, Peter Hitchcock, Alan Wald, Mike Hill, Ronald Strickland,Henry A. Giroux, Rachel Buff, Jason Loviglio, Carol Stabile, Timothy Brennan, Jeffrey R. di Leo, Christian Moraru, Vijay Prashad, Judith halberstam, Gregory L. Ulmer, John P. Leavey, Jr., Jeffrey Williams.

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It is 1996 and Anne Strelau is sitting on a plane bound for London, heading towards the man she has loved since her teens. Having tired of the pretence of living 'normally', she has given in to her 'madness' and decided to confront the object of her passion, Peter Hemstedt. In fact, there is little that is 'normal' about Anne. Most obviously, at 112 kg, she is grotesquely overweight. "This is Not a Love Song" is the story of Anne's ups and downs: of her unhappy childhood, her miserable adolescence, and the start of her obsession with her weight. 'The decision to embark on the first diet is a decisive, if not the most decisive, step in a girl's life', she decides. 'In any case, it is more important than the hugely overrated event of losing your virginity.' First anorexic then bulimic, she measures her self-worth in kilos and boyfriends. Then she falls for handsome, successful Hemstedt. When her love is not returned, she fakes 'normality' and gets a job. But still nothing works. 'I have reached a point', she records in her mid-thirties, 'where I no longer believe in anyone or anything, apart from chocolate.' A brilliantly black comedy about obesity, adult disappointment and cynicism, wars, ecological disasters and passing fashions, "This is Not a Love Song" serves up irresistibly macabre chic lit with a thick coating of grime and fat.

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Wittgenstein famously remarked in 1923, "Darwin's theory has no more relevance for philosophy than any other hypothesis in natural science." Yet today we are witnessing a major revival of interest in applying evolutionary approaches to philosophical problems. Philosophy after Darwin is an anthology of essential writings covering the most influential ideas about the philosophical implications of Darwinism, from the publication of On the Origin of Species to today's cutting-edge research. Michael Ruse presents writings by leading modern thinkers and researchers--including some writings never before published--together with the most important historical documents on Darwinism and philosophy, starting with Darwin himself. Included here are Herbert Spencer, Friedrich Nietzsche, Thomas Henry Huxley, G. E. Moore, John Dewey, Konrad Lorenz, Stephen Toulmin, Karl Popper, Edward O. Wilson, Hilary Putnam, Philip Kitcher, Elliott Sober, and Peter Singer. Readers will encounter some of the staunchest critics of the evolutionary approach, such as Alvin Plantinga, as well as revealing excerpts from works like Jack London's The Call of the Wild. Ruse's comprehensive general introduction and insightful section introductions put these writings in context and explain how they relate to such fields as epistemology, philosophy of mind, philosophy of language, and ethics. An invaluable anthology and sourcebook, Philosophy after Darwin traces philosophy's complicated relationship with Darwin's dangerous idea, and shows how this relationship reflects a broad movement toward a secular, more naturalistic understanding of the human experience.

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Everything the independent investor needs to know to effectively invest in gold With today's increasing economic uncertainties, a strong investment strategy is to put a portion of your net worth in gold. However, given investors' overall lack of knowledge about gold as an investment, as wealth insurance, or as a store of value, many are hesitant to enter this arena. That's why Jim Gibbons has created The Golden Rule. This book answers many questions, including: How do you purchase gold and in what form? Why gold now? When should you buy? And, most importantly, from whom? Throughout the book, Gibbons puts gold in perspective and shows you why it belongs in every investor's portfolio. Provides practical gold investment insights from New York Times bestsellers Peter Schiff, William Bonner, Doug Casey, Addison Wiggin, and James Turk as well as from leading experts in this field including: Congressman Ron Paul, Rick Rule, Adrian Day, and many others Demystifies gold by putting it in the context of twenty-first century economic realities Highlights a variety of ways to invest in gold-from mining stocks to buying gold coins and bullion With the financial markets more erratic than ever, gold appeals to investors looking for a safe haven for their assets. With The Golden Rule as your guide, you'll quickly learn how to make the best decisions possible with regards to this precious commodity.

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The first part of a sweeping two-volume history of the devastation brought to bear on Indian nations by U.S. expansion"An elegant, organized narrative of the United States' dispossession of Native lands east of the Mississippi. . . . A remarkable book in its breadth and scope."—Ashley Riley Sousa, Canadian Journal of History"Intense and well-researched, . . . ambitious, . . . magisterial. . . . Surviving Genocide sets a bar from which subsequent scholarship and teaching cannot retreat."—Peter Nabokov, New York Review of Books In this book, the first part of a sweeping two-volume history, Jeffrey Ostler investigates how American democracy relied on Indian dispossession and the federally sanctioned use of force to remove or slaughter Indians in the way of U.S. expansion. He charts the losses that Indians suffered from relentless violence and upheaval and the attendant effects of disease, deprivation, and exposure. This volume centers on the eastern United States from the 1750s to the start of the Civil War. An authoritative contribution to the history of the United States’ violent path toward building a continental empire, this ambitious and well-researched book deepens our understanding of the seizure of Indigenous lands, including the use of treaties to create the appearance of Native consent to dispossession. Ostler also documents the resilience of Native people, showing how they survived genocide by creating alliances, defending their towns, and rebuilding their communities.

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The prevailing interpretation of Kant’s First Critique in Anglo-American philosophy views his theory of a priori knowledge as basically a theory about the possibility of empirical knowledge (or experience), or the a priori conditions for that possibility (the representations of space and time and the categories). Instead, Robert Greenberg argues that Kant is more fundamentally concerned with the possibility of a priori knowledge—the very possibility of the possibility of empirical knowledge in the first place.Greenberg advances four central theses:(1) the Critique is primarily concerned about the possibility, or relation to objects, of a priori, not empirical knowledge, and Kant’s theory of that possibility is defensible; (2) Kant’s transcendental ontology must be distinct from the conditions of the possibility of a priori knowledge; (3) the functions of judgment, in Kant’s discussion of the Table of Judgments, should be seen according to his transcendental logic as having content, not as being just logical forms of judgment making; (4) Kant’s distinction between and connection of ordering relations (Verhaltnisse) and reference relations (Beziehungen) have to be kept in mind to avoid misunderstanding the Critique. At every step of the way Greenberg contrasts his view with the major interpretations of Kant by commentators like Henry Allison, Jonathan Bennett, Paul Guyer, and Peter Strawson. Not only does this new approach to Kant present a strong challenge to these dominant interpretations, but by being more true to Kant’s own intent it holds promise for making better sense out of what have been seen as the First Critique’s discordant themes.

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The volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues, such as the historicity of aesthetics itself, interculturality, and the place of the ugly, are themes of the third part. In the fourth, practicing artists discuss beauty in painting, music, poetry, and film. The final essay, by a theologian, reflects on the relation between beauty and God. Contributors: Vittorio Hösle, Robert P. Langlands, Mario Livio, Dieter Wandschneider, Christian Illies, Francesco Pellizzi, Bjarne Sode Funch, Peter Landau, Holger Bonus, Pradeep A. Dhillon, Mark W. Roche, Maxim Kantor, Claus-Steffen Mahnkopf, Mary Kinzie, Dudley Andrew, and Cyril O’Regan.

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Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions.Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies.Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.

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Two species come to mind when one thinks of the Galapagos Islands - the giant tortoises and Darwin's fabled finches. While not as immediately captivating as the tortoises, these little brown songbirds and their beaks have become one of the most familiar and charismatic research systems in biology, providing generations of natural historians and scientists a lens through which to view the evolutionary process and its role in morphological differentiation. In "Darwin's Finches", Kathleen Donohue excerpts and collects the most illuminating and scientifically significant writings on the finches of the Galapagos to teach the fundamental principles of evolutionary theory and to provide a historical record of scientific debate. Beginning with fragments of Darwin's Galapagos field notes and subsequent correspondence, and moving through the writings of such famed field biologists as David Lack and Peter and Rosemary Grant, the collection demonstrates how scientific processes have changed over time, how different branches of biology relate to one another, and how they all relate to evolution. As Donohue notes, practicing science today is like entering a conversation that has been in progress for a long, long time. Her book provides the history of that conversation and an invitation to join in. Students of both evolutionary biology and history of science will appreciate this compilation of historical and contemporary readings and will especially value Donohue's enlightening commentary.

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No complete translation of the Latin text of the Book of Pontiffs—the Liber Pontificalis of the Roman Church—exists in any language, though the work is indispensable to students of late antiquity and the early middle ages; this book provides an english version of the first ninety papal biographies, from St Peter down to AD 715. These lives were first compiled in the sixth century and then regularly brought up to date. In them the reader will find the curious mixture of fact and legend which had come by the Ostrogothic period to be accepted as history by the Church in Rome, and also the subsequent records maintained through to the early eighth century while Rome was under Byzantine sovereignty. In no sense was the Liber Pontificalis an ‘official’ chronicle of these centuries, and there emerge throughout the interests and prejudices of compilers who belonged, it seems, to the lower levels of the papal administration. For this new edition the translation has been carefully emended, and in places the underlying text has been reconsidered. Vignoli section numbers have been added, as in the translator’s later volumes of the Liber Pontificalis (ttH 13 and 20). The translation has been reset to distinguish more clearly the status and value of additions to the standard Liber Pontificalis text by the use of different type. there have been revisions and extensions to both the glossary and the bibliography, and material has been added to Appendix 3.

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Frankenstein . . . his very name conjures up images of plundered graves, secret laboratories, electrical experiments and reviving the dead.Within these pages, the maddest doctor of them all and his demented disciples once again delve into the Secrets of Life, as science fiction meets horror when the world's most famous creature lives again!The Mammoth Book of Frankenstein collects together for the first time twenty-fourelectrifying tales of cursed creation that are guaranteed to spark your interest - with classics from the pulp magazines by Robert Bloch and Manly Wade Wellman, modern masterpieces from Ramsey Campbell, Dennis Etchison, Karl Edward Wagner, David J. Schow and R. Chetwynd-Hayes, and contributions from Graham Masterson, Basil Copper, John Brunner, Guy N. Smith, Kim Newman, Paul J. McAuley, Roberta Lannes, Michael Marshall Smith, Daniel Fox, Adrian Cole, Nancy Kilpatrick, Brian Mooney and Lisa Morton.Plus you're sure to get a charge from three complete novels: The Hound of Frankenstein by Peter Tremayne, The Dead End by David Case, and Mary W. Shelley's original masterpiece Frankenstein; or, The Modern Prometheus.As an electrical storm rages overhead, the generators are charged up, and beneath the sheet a cold form awaits its miraculous rebirth. Now it's time to throw that switch and discover all that Man Was Never Meant to Know.

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This biography of Elias Bickerman (1897-1981), one of the foremost historians of Graeco-Roman antiquity active in the twentieth century, focuses on his role as a historian of the Jews. Bickerman had an extraordinary life. He was born in Kishinev and grew up in St. Petersburg. He arrived in Berlin in 1922, where he pursued an academic career (Doctorate, 1926; Habilitation, 1930). With the rise of the Nazis, he moved to Paris in 1933, then to the USA in 1942. He died in Tel Aviv and was buried in Jerusalem.Albert Baumgarten explores the connections between Bickerman's life and his scholarly work on the Jews in its different cultural and academic contexts (Russian, German, French, and American). He argues that Bickerman intended to create a usable Jewish past. He further shows that Bickerman conceived the ancient Jewish encounter with Hellenism and the modern Jewish entry into European civilization in light of each other. He demonstrates that Bickerman argued that there were some ancient Jews who were wrong in the way they tried to bridge the gap between Judaism and Hellenism, while there were other ancient Jews who found the right solution. He illustrates the contemporary significance of these conclusions concerning the past for Bickerman himself and for other Jews of his time. Bickerman saw the circumstances of his life as a series of unfortunate dislocations. This book emphasizes the intellectual and academic benefit Bickerman derived from his life experience in the twentieth century.

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In recent years, painter and legendary art forger Wolfgang Beltracchi has opened a new chapter of his career. The core of his latest work is an extensive series of paintings, titled The Greats, that have been put on sale as digital artworks using NFT technology. Its starting point was the Salvator Mundi, a painting attributed to Leonardo da Vinci and sold in 2017 in an auction at Christie’s in New York for $450m to an unknown buyer. Beltracchi studied the picture meticulously and created several hundred versions of the motif in a variety of styles, ranging from high renaissance to pop art, or depicting Jesus in the personification of Mick Jagger or Mao Zedong. The result is a fascinating game of deception with the disputed painting and its symbolism. This large-format book combines photographic insights into Beltracchi's everyday life in the studio by renowned Swiss photographer Alberto Venzago with a documentation of The Greats collection. Texts are contributed by Stanford University professor emeritus Hans Ulrich Gumbrecht, German philosophers Peter Sloterdijk and Markus Gabriel, German journalist Ulrike Posche, German finance executive Leonhard Fischer, Swiss-based cryptocurrency and NFT expert Hansen Wang, Swiss art dealer Guido Persterer, and Alberto Venzago. A conversation between Beltracchi and Swiss writer and philosopher René Scheu rounds out this volume that describes and interprets the phenomenon of this extraordinary artist from a range of perspectives.

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First published by Lund Humphries in 2008, The St Ives Artists: A Biography of Place and Time has become the classic account of the St Ives group of artists. Our beautifully produced new edition, published in 2016, is now available in an accessible paperback format.The flourishing of international modernism in Cornwall was a unique episode in the story of modern art in Britain – perhaps anywhere in the world. No other small seaside town has been host to such a roll-call of major artists. Weaving in-depth research into a narrative of ‘startling anecdotal richness’, Michael Bird explores the many – often unexpected – connections between St Ives artists and broader currents in 20th-century British history. He sets the careers of international artists such as Barbara Hepworth, Ben Nicholson, Patrick Heron and Peter Lanyon in the context of a local environment that held powerful meanings for their work.Bird examines the influence of the two world wars, the birth of the Welfare State and the Cold War, the space race of the 1960s – all of which found echoes in artists’ work – as well as the position of women artists in St Ives, the role of social class, and relations between artists and the community. The artists themselves emerge as vivid personalities. Do Alfred Wallis, Naum Gabo, Bernard Leach and Roger Hilton really have anything in common? The answers Michael Bird uncovers add up to a fascinating and highly readable account of the St Ives phenomenon.

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An enthralling locked-room murder mystery inspired by crime fiction of the Golden Age, Death and the Conjuror is the critically acclaimed debut novel by Tom Mead. Selected as one of Publishers Weekly's Mysteries of the Year. 1936, London. A celebrity psychiatrist is discovered dead in his locked study. There seems to be no way a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, Inspector Flint, the Scotland Yard detective on the case, calls on retired stage magician turned part-time sleuth Joseph Spector. Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colourful cast of suspects, they uncover no shortage of dark secrets... or motives for murder. And when a second murder occurs, this time in an impenetrable elevator, they realise the crime wave will become even more deadly unless they can catch the culprit soon. Reviews for Death and the Conjuror: 'An intricate "impossible" crime that completely fooled me.' Peter Lovesey 'A sharply drawn period piece with memorable characters.' New York Times 'A novel to intrigue and delight.' John Connolly 'A real treat for mystery fans.' Ragnar Jónasson 'A beautiful, dark, atmospheric story.' Victoria Dowd 'Sparkling, exhilarating. Mead is a dazzling new talent.' TP Fielden

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Ian Robertson joined the BBC during the golden age of radio broadcasting and was given a crash course in the art of sports commentary from some of the greatest names ever to sit behind a microphone: Cliff Morgan and Peter Bromley, Bryon Butler and John Arlott. Almost half a century after being introduced to the rugby airwaves by his inspiring mentor Bill McLaren, the former Scotland fly-half looks back on the most eventful of careers, during which he covered nine British and Irish Lions tours and eight World Cups, including the 2003 tournament that saw England life the Webb Ellis Trophy and "Robbo" pick up awards for his spine-tingling description of Jonny Wilkinson's decisive drop goal.He reflects on his playing days, his role in guiding Cambridge University to a long spell of Varsity Match supremacy and his relationships with some of the union code's most celebrated figures, including Sir Clive Woodward and Jonah Lomu. He also writes vividly and hilariously of his experiences as a horse racing enthusiast, his meetings with some of the world's legendary golfers and his dealings with a stellar cast of sporting outsiders, from Richard Burton and Elizabeth Taylor to Nelson Mandela. It is a hugely entertaining story that begins in a bygone rugby age, yet has much to say about the game in the here and now.

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IN 1975, legendary value investor Benjamin Graham wrote that his net-net stock strategy worked so well that he had renounced all other value investing strategies. In his 2014 shareholder letter, Warren Buffett wrote that he earned the highest returns of his career employing this ‘cigar butt’ approach to investing. And despite the widespread assumption that net-net stocks are a relic of the past, Graham’s net-net stock strategy is just as viable today for small private investors as it was for Buffett’s ‘superinvestors’ during their early careers. Net-net investing remains the most powerful value investing approach a small investor can adopt. This book is your ultimate practical guide to implementing it – and reaping the rewards – in today’s markets. Evan Bleker has spent ten years studying Graham’s strategy to uncover its real-world performance, how to employ it, and why it works. He’s also dug deeply to identify additional criteria to boost returns and ensure a greater number of winners. In this book, Evan defines the strategy for investors, then walks readers through the strategy’s philosophy, as well as academic and industry studies assessing the framework, and its implementation by world-class value investors such as Benjamin Graham, Warren Buffett, and Peter Cundill. He also compiles selection criteria into a practical checklist for investors, and documents how the strategy works in today’s markets with exclusive detailed case studies.

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Igor Stravinsky lived the life of a celebrity composer in an increasingly celebrity-obsessed age. He was a true modern, a man of his time. In Paris he dined with Joyce, Picasso and Proust, and by the end of his life was being feted by both the White House and the Kremlin as a prime piece of Cold War capital. But his colourful life would be mean little to us were it not for the brilliant and original music he produced, music that reflected and shaped his own times, and which continues to speak today.Born in Russia, Stravinsky spent most of his long life in exile. While he swiftly became a cosmopolitan composer, speaking the international language of modernist 'Western' music, the sting of his estrangement never left him. The sense of distance, loss and nostalgia, the wistful looking back evident in so much of Stravinsky's music, is not only a response to personal tragedy, but also a powerful expression of the deep anxiety and alienation of his age. Igor Stravinsky offers an in-depth critical overview of the life and work of this extraordinary citizen of the 20th Century. Jonathan Cross's accessible and engaging biography offers a new understanding of how Stravinsky's life lived in exile can be understood through his creative work, and gives a fresh portrait of a milieu stretching from St Petersburg, to Paris and Los Angeles, all seen through the eyes of this fascinating composer.

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THE SUNDAY TIMES BESTSELLER'Life-filled and life-affirming history, steeped in romance and written with verve' GUARDIAN'Richly entertaining and impeccably researched' Peter FrankopanIstanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but a story. In this epic new biography, Hughes takes us on a dazzling historical journey through the many incarnations of one of the world's greatest cities. As the longest-lived political entity in Europe, over the last 6,000 years Istanbul has absorbed a mosaic of micro-cities and cultures all gathering around the core. At the latest count archaeologists have measured forty-two human habitation layers. Phoenicians, Genoese, Venetians, Jews, Vikings, Azeris all called a patch of this earth their home. Based on meticulous research and new archaeological evidence, this captivating portrait of the momentous life of Istanbul is visceral, immediate and scholarly narrative history at its finest.

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'A sensational debut - compelling, hypnotic, full of suspense and quiet menace. Don't miss it!' Lee Child A split-second decision puts your family in danger. A gripping new thriller that fans of Harlan Coben and Linwood Barclay will read in one sitting. No Bad Deed by Heather Chavez will keep you guessing until the final page.You're driving home from work to your husband and children.Suddenly a woman is front of your car. She's being attacked.You call the police and they tell you to stay in the car.But what if you got out to help? What might the consequences be?You save the woman, but the attacker takes your handbag. And your car.And then, the next day, when you think it's all over, your husband disappears.He's gone without a trace.And then he texts you. I'm sorry.But is it really him?Nothing could have prepared you for what happens next...'The kind of twisty, jet-fueled thriller that explodes on page one and has you happily abandoning work, sleep, life as you race to the stunning end' Lisa Gardner'Chavez's breathless page-turner will have every aspiring Good Samaritan thinking maybe they should let the NEXT guy help' Linwood Barclay'Heather Chavez's debut novel starts at a sprint and never lets up, twisting its way to an exhilarating, you'll-never-guess-it ending' Peter Swanson

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series******Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.***Whether you've read them all or whether this is your first Lorimer novel, FIVE WAYS TO KILL A MAN is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________ The perfect murder takes practice. An unpredictable killer is loose on the streets of Glasgow, experimenting with death. Beginning with brute force, the murderer moves on to poison and drowning, greedy for new and better ways to kill.Faced with a string of unconnected victims, DCI Lorimer turns to psychologist and friend Solomon Brightman for his insights. Lorimer is also assigned to review the case of a fatal house fire. His suspicions are raised by shocking omissions in the original investigation. Some uncomfortable questions have been buried but Lorimer is the man to ask them. As the serial killer gets closer to Lorimer's family, can the DCI unmask the volatile murderer before the next victim is found too close to home?

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***Discover your next reading obsession with Alex Gray's bestselling Scottish detective series******Don't miss the latest from Alex Gray. Book 20 in the Lorimer series, QUESTIONS FOR A DEAD MAN, is out now and Book 21, OUT OF DARKNESS, is available to pre-order.***Whether you've read them all or whether this is your first Lorimer novel, GLASGOW KISS is perfect if you love Ian Rankin, Val McDermid and Ann Cleeves Don't miss the latest thrilling series instalment - BEFORE THE STORM IS OUT NOW WHAT THEY'RE SAYING ABOUT THE LORIMER SERIES:'Warm-hearted, atmospheric' ANN CLEEVES'Relentless and intriguing' PETER MAY'Move over Rebus' DAILY MAIL'Exciting, pacey, authentic' ANGELA MARSONS'Superior writing' THE TIMES'Immensely exciting and atmospheric' ALEXANDER MCCALL SMITH_______________Eric Chalmers is one of the most popular teachers at Muirpark Secondary School in Glasgow. So when precocious teenager Julie Donaldson accuses Chalmers of rape, the school goes into shock.With some students and teachers supporting Julie, and others standing by Chalmers, life at Muirpark is far from harmonious. And then Julie Donaldson goes missing, and the police are called in.For DCI William Lorimer, this is the second missing persons case in a week. He's been having sleepless nights about a toddler who has been missing for several days. With hope fading, it becomes a breakneck race against time to find both missing girls.

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On the outskirts of the Milky Way, floating slowly through space, there hangs a planet unlike any other. It has oceans, deserts, jungles and mountains. It has life that swims, life that soars and life that swings through the trees. It is a place of dazzling variety and infinite wonder - and it's the only world we've got. Climate change is happening, now. But it's not too late to change the story. Meet the humans, from around the world, who are fighting to save our planet. This is your call to arms. Featuring 25 hopeful stories including Greta Thunberg, David Attenborough, Jane Goodall, Wangari Maathai - as well as lesser-known heroes, such as turtle-protector Len Peters, the guardians of the Amazon rainforest, and the poacher patrollers The Black Mambas.This book will transport you from the poles, to the oceans, to the rainforests, with iconic illustration. These are true stories to make you think, make you cry, make you hope - and these are stories to make us all stand together and protect our home. These stories are the proof that one person's small changes can grow into something big, and powerful, and world-changing.So read on to be inspired, as we take our future in our own hands, and together save Planet Earth - for all the living things that call it their home.

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Now with a new paperback introduction'Vital reading' Daily Telegraph'It turns conventional wisdom on its head' Peter Oborne'Uniquely insightful' Sunday Times'Eloquent, calm and clever' Andrew MarrBritain has often found groups within its borders whom it does not trust, whom it feels have a belief, culture, practice or agenda which runs contrary to those of the majority. From Catholics to Jews, miners to trade unionists , Marxists to liberals and even homosexuals, all have at times been viewed, described and treated as 'the enemy within'. Muslims are the latest in a long line of 'others' to be given this label. How did this state of affairs come to pass? What are the lessons and challenges for the future - and how will the tale of Muslim Britain develop? Sayeeda Warsi draws on her own unique position in British life, as the child of Pakistani immigrants, an outsider, who became an insider, the UK's first Muslim Cabinet minister, to explore questions of cultural difference, terrorism, surveillance, social justice, religious freedom, integration and the meaning of 'British values'.Uncompromising and outspoken, filled with arguments, real-life experience, necessary truths and possible ways forward for Muslims, politicians and the rest of us, this is a timely and urgent book.'This thoughtful and passionate book offers hope amid the gloom' David Anderson QC, Independent Reviewer of Terrorism Legislation'A vital book at a critical time' Helena Kennedy QC

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Discover the highly acclaimed historical fiction series set within the glittering and ruthless House of Romanov. ‘Gripping … Who would not want to spend more time in the mad, bad world of the Romanovs?’ The Times ‘A delicious hotbed of greed, lust and envy’ Heat When they took everything from her, they didn't count on her fighting to get it back... Born into the House of Romanov to the all-powerful Peter the Great and Catherine I, beautiful Tsarevna Elizabeth is the world’s loveliest Princess and the envy of the Russian empire. Insulated by luxury and as a woman free from the burden of statecraft, Elizabeth is seemingly born to pursue her passions. However, a dark prophecy predicts her fate as being inexorably twined with that of Russia. When her mother dies, Russia is torn, masks fall, and friends become foes. Elizabeth’s idyllic world is upended. By her twenties she is penniless and powerless, living under constant threat. As times change like quicksand, an all-consuming passion emboldens Elizabeth: she must decide whether to take up her role as Russia’s ruler, and what she’s willing to do for her country – and for love. Praise for Tsarina ‘It makes Game of Thrones look like a nursery rhyme’ Daisy Goodwin ‘A vivid page-turner of a debut’ The Times ‘Tsarina should come with a health warning – once you start reading, it’s impossible to stop’ Hannah Rothschild

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'One of the great series of British crime fiction' --- THE TIMESIt's 1996. Detective Sergeant Tom Thorne is a haunted man. Haunted by the moment he ignored his instinct about a suspect, by the horrific crime that followed and by the memories that come day and night, in sunshine and shadow.So when seven-year-old Kieron Coyne goes missing while playing in the woods with his best friend, Thorne vows he will not make the same mistake again. Cannot.The solitary witness. The strange neighbour. The friendly teacher. All are in Thorne's sights. This case will be the making of him . . . or the breaking.The gripping prequel to Mark Billingham's acclaimed debut, Sleepyhead, Cry Baby is the shocking first case for one of British crime fiction's most iconic detectives.'Cry Baby is the perfect prequel to send us back to revel in Tom Thorne's twenty years. As if we needed reminding how good Mark Billingham is'VAL MCDERMID'Tom Thorne is one of the most credible and engaging heroes in contemporary crime fiction. Mark Billingham is a master of psychology, plotting and the contemporary scene - making the Thorne novels the complete package. Twenty years in and better than ever'IAN RANKIN'Mark Billingham is one the biggest names in crime fiction and one the genre's most formidable talents'PETER JAMES'Billingham is always a must read'HARLAN COBEN

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A captivating photographic odyssey spanning fashion, Hollywood and travel, this is the first publication in almost 40 years on the work of George Hoyningen-Huene, the photographer whose images defined an era. Baron George Hoyningen-Huene (19001968), known simply as Huene, worked during the golden age of couture fashion and Hollywood cinema. He was born in St Petersburg to a wealthy family, but they had to flee their home during the Russian revolution in 1917. Huene spent time in England before moving to Paris, where he was employed to create photographs for Vogue and Vanity Fair and rapidly established himself as a visual innovator, fusing elements of neoclassicism and surrealism to create chic, arresting images. In 1935, Huene joined Harper's Bazaar magazine, where he remained a contributor until 1946, following which he settled in California and embarked on a second career as a colour coordinator for Hollywood films. Supported by an international exhibition opening at Chanel Ne

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'Original, intelligent and thought-provoking, Carol Ann Lee's book sheds new light on to the human stories behind the headlines. A touching and timely insight into all of Sutcliffe's victims.' – Roberta Kray___________________Much has been written about the brutal crimes of Peter Sutcliffe, the Yorkshire Ripper. During the four decades of his imprisonment for the murder of thirteen women – before his death in November 2020 – scarcely a week went by without some mention of him in the British media. In any story featuring Sutcliffe, however, his victims are incidental, often reduced to a tableau of nameless faces. But each woman was much more than the manner of her death.Based on previously unpublished material and fresh, first-hand interviews the book examines the Yorkshire Ripper story from a new perspective: focusing on the women and putting the reader in a similar position to those who lived through that time. By talking to survivors and their families, and to the relatives of the murdered women, Carol Ann Lee gets to the core truths of their lives and experiences, not only at the hands of Sutcliffe but also with the Yorkshire Police and their crass and appalling handling of the case, where the women were put into two categories: prostitutes and non-prostitutes. In this book they are, simply, women, and all have moving backstories.Recent news stories have shown that women and girls who come forward to report serious crimes of a sexual nature are often judged as harshly – and often more so – than the men who have wronged them. The Rochdale sex abuse scandal, the allegations against Harvey Weinstein, and the US President's deplorable comments about women are vivid reminders that those in positions of power regard women as second class citizens. Hard-hitting and wholly unique in approach, this timely book sheds new light on a case that still grips the nation.

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A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age."This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World"The First Moderns brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, The Los Angeles Times Book Review"In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines. . . . A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—Library Journal, starred review"Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—Booklist"Innovative and impressive . . . [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, Spectator"A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, New Scientist"[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of The First Moderns will be eternally grateful."—Hugh Kenner, The New York Times Book Review"Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, Utne Reader

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This is the story of West Malling airfield, from its earliest days through its role in the Second World War - when several dramatic and tragic events occurred - and beyond into the Cold War. Opened as a private landing ground after the First World War, the airfield at West Malling, then known as Kings Hill, became home to the Maidstone School of Flying in 1930\. It was then renamed West Malling Airfield, and, in 1932, Maidstone Airport. The airfield's RAF role came to the fore in June 1940, by when the station had been fitted with a concrete runway. The first aircraft arrived on 8 June 1940\. As the UK's first designated night fighter base, over the years that followed RAF West Malling was home to many famous pilots, men such as John Cunningham, Peter Townsend, Bob Braham and even Guy Gibson, later of Dambusters fame. During the summer of 1944, Mosquitoes, Spitfires and Mustang Mk.3s successfully destroyed many V-1s, as well as played their part in the D-Day landings. Following the war, units such as Nos. 25 and 85 squadrons were equipped with Meteor NF fighters and de Havilland Vampires and Venoms, continuing West Malling's strategic night fighter role into the Cold War. No.500 (Kent's Own) Squadron also adopted RAF West Malling as its home in this period. A US Navy Facility Flight was also based at the airfield in the 1960s. After closure as an operational air station in 1969, West Malling re-acquired its civilian guise, hosting a Gliding School, Short Brothers and several major Great Warbirds Air Displays during the 1970s and 1980s, until eventually closing completely as an airfield, for re-development. Anthony J. Moor's exhaustively researched and highly-illustrated book is the first to tell the full story of the part West Malling played in the defence of the United Kingdom, and how it served the RAF for twenty-eight action-packed years.

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A new generation of teachers envisions a liberal arts education that is good for everyone. Why would anyone study the liberal arts? It’s no secret that the liberal arts have fallen out of favor and are struggling to prove their relevance. The cost of college pushes students to majors and degrees with more obvious career outcomes. A new cohort of educators isn’t taking this lying down. They realize they need to reimagine and rearticulate what a liberal arts education is for, and what it might look like in today’s world. In this book, they make an honest reckoning with the history and current state of the liberal arts. You may have heard – or asked – some of these questions yourself: Aren’t the liberal arts a waste of time? How will reading old books and discussing abstract ideas help us feed the hungry, liberate the oppressed and reverse climate change? Actually, we first need to understand what we mean by truth, the good life, and justice. Aren’t the liberal arts racist? The “great books” are mostly by privileged dead white males. Despite these objections, for centuries the liberal arts have been a resource for those working for a better world. Here’s how we can benefit from ancient voices while expanding the conversation. Aren’t the liberal arts liberal? Aren’t humanities professors mostly progressive ideologues who indoctrinate students? In fact, the liberal arts are an age-old tradition of moral formation, teaching people to think for themselves and learn from other perspectives. Aren’t the liberal arts elitist? Hasn’t humanities education too often excluded poor people and minorities? While that has sometime been the case, these educators map out well-proven ways to include people of all social and educational backgrounds. Aren’t the liberal arts a bad career investment? I really just want to get a well-paying job and not end up as an overeducated barista. The numbers – and the people hiring – tell a different story. In this book, educators mount a vigorous defense of the humanist tradition, but also chart a path forward, building on their tradition’s strengths and addressing its failures. In each chapter, dispatches from innovators describe concrete ways this is being put into practice, showing that the liberal arts are not only viable today, but vital to our future. *** Contributors include Emily Auerbach, Nathan Beacom, Jeffrey Bilbro, Joseph Clair, Margarita Mooney Clayton, Lydia Dugdale, Brad East, Don Eben, Becky L. Eggimann, Rachel Griffis, David Henreckson, Zena Hitz, David Hsu, L. Gregory Jones, Brandon McCoy, Peter Mommsen, Angel Adams Parham, Steve Prince, John Mark Reynolds, Erin Shaw, Anne Snyder, Sean Sword, Noah Toly, Jonathan Tran, and Jessica Hooten Wilson

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Top rhinoplasty techniques from world-renowned experts Rhinoplasty: The Experts' Reference is a comprehensive text that provides guidance from world-renowned experts on every aspect of rhinoplasty, from the functional to the cosmetic. The book opens with a section on initial patient assessment and consultation, moves on to such topics as surgery of the septum, with separate sections on the nuances of functional nasal surgery and revision rhinoplasty, and concludes with a section on avoiding and managing surgical complications. Each chapter is written by an expert on a specific topic and presents tried-and-true rhinoplasty techniques that can be readily implemented by facial plastic surgeons. Key Features: Includes a section on ethnic rhinoplasty with chapters written by Drs. Tae-Bin Won, Russell W.H. Kridel, and Roxana Cobo Written by over 100 of the most well-known surgeons in the world, including Yong Ju Jang (Asia), Ira Papel, Stephen Park, Peter Adamson, and Rollin K. Daniel (North America), Wolfgang Gubisch, Charles East, Gilbert Nolst Trenite, and Pietro Palma (Europe), and Simon Robinson (Australia) Offers expert solutions to a particular problem in each chapter Practicing plastic surgeons and facial plastic surgeons, as well as residents and fellows in these fields, will consult this excellent desk reference whenever they are faced with a particularly challenging case.

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This third volume in the pioneering series, International Humanitarian Affairs, goes beyond the practical to address fundamental questions at the heart of humanitarian actions. How do different religious, cultural, and social systems—and the values they support—shape humanitarian action? What are the bases of caring societies? Are there universal values for human well-being? International experts come face to face with the assumptions about human dignity and social justice that guide efforts to rescue and repair communities in crisis. The original essays explore mandates for humanitarian action in religious traditions, and codes of conduct for the media, military, medicine, and the academy in relief efforts. They explore threats to human welfare from terrorism and gender exploitation and assess international law, the media, and the politics of civil society in a world of war, conflict, and strife. The contributors: Kofi Annan, Avery Cardinal Dulles, S.J., Rabbi Harlan J. Wechsler, H.R.H. Prince El Hassan Bin Talal, Francis Mading Deng, Maj. Gen. Timothy Cross, Joseph O’ Hare, S.J., Tom Brokaw, Eoin O’Brien, M.D., Jan Eliasson, Timothy Harding, M.D., Paul Wilkinson, Larry Hollingworth, Nancy Ely-Raphel, John Feerick, Michael Veuthey, Edward Mortimer, Kathleen Newland, Peter Tarnoff, Richard Falk, and the editor.

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In 1907, H.G. Wells published a science fiction novel called The War in the Air. It proved to be portentous. In the early years of the First World War, German lighter-than-air flying machines, Zeppelins, undertook a series of attacks on the British mainland. German military strategy was to subdue Britain, both by the damage these raids caused and by the terrifying nature of the craft that carried them out. This strategy proved successful. The early raids caused significant damage, many civilian casualties and provoked terror and anger in equal measure. But the British rapidly learnt how to deal with these futuristic monsters. A variety of defence mechanisms were developed: searchlights, guns and fighter aircraft were deployed, the British learnt to pick up the airships’ radio messages and a central communications headquarters was set up. Within months aerial strategy and its impact on the lives of civilians and the course of conflict became part of human warfare. As the Chief of the Imperial German Naval Airship Division, Peter Strasser, crisply put it: ‘There is no such thing as a non-combatant any more. Modern war is total war.’ Zeppelin Blitz is the first full, raid-by-raid, year-by-year account of the Zeppelin air raids on Britain during the First World War, based on contemporary official reports and documents.

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ContentsSpecial Section: Russia`s Annexation of Crimea IIIGergana Dimova and Andreas Umland: Introduction. Perspectives on Russia's 2014 Annexation of Crimea: Empirical and Theoretical ExplorationsGreta Lynn Uehling: The Personal Stakes of Political Crisis: The 2014 Attempted Annexation of CrimeaKerstin S. Jobst: "Dark" and "Golden" Times: The Crimean Tatar Population under Tsarist and Soviet Rule (1783–1941)Jan Zofka: Agents of Separatism: Social Background to the Pro-Russian Movements in Crimea and the Moldovan Dniester Valley in Comparison (1989–95)A Debate on Prospect Theory and Explaining Russia's Annexation of CrimeaIon Marandici: Loss Aversion, Neo-Imperial Frames, and Territorial Expansion: Using Prospect Theory to Examine the Annexation of CrimeaDiscussionFeaturing contributions by Peter Rutland, Tor Bukkvoll, Mykola Kapitonenko, Rumena Filipova, Martin Malek, Ion MarandiciArticlesChris Monday: Mikhail Putin (1894–1969) and Socialist Competition: Exploring a Neglected Branch of the Putin Family TreeReviews:Inna Chuvychkina on Elizabeth Buchanan; Brendan M. McElmeel on Juliane Fürst; Olga Khabibulina on Hubertus Jahn; Elise Westin on Natalia Knoblock; Manne Wängborg on Andrei Kozyrev; Giulia Prelz Oltramonti on Anna Matveeva; Kimberly St. Julian-Varnon on David Rainbow; John (Ivan) Jaworsky on Josephine von Zitzewitz; Yana Ostapenko on Jessica Zychowicz; Dima Kortukov on Vladislav M. Zubok

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