Search results for ""author pete"

Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more. A similar renaissance is evident in the visual arts (including artists Gathie Falk, Wanda Koop, and Aganetha Dyck) and in music (including composers Randolph Peters, Carol Ann Weaver, and Stephanie Martin). Confronted with an embarrassment of riches that resist survey, Magdalene Redekop opts for the use of case studies to raise questions about Mennonites and art. Part criticism, part memoir, Making Believe argues that there is no such thing as Mennonite art. At the same time, her close engagement with individual works of art paradoxically leads Redekop to identify a Mennonite sensibility at play in the space where artists from many cultures interact. Constant questioning and commitment to community are part of the Mennonite dissenting tradition. Although these values come up against the legacy of radical Anabaptist hostility to art, Redekop argues that the Early Modern roots of a contemporary crisis of representation are shared by all artists. Making Believe posits a Spielraum or play space in which all artists are dissembling tricksters, but differences in how we play are inflected by where we come from. The close readings in this book insist on respect for difference at the same time as they invite readers to find common ground while making believe across cultures.

Read more less

Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. The Cornish fishing village of Tremarnock seems to have it all. Charming houses cling to the hillside and cluster round the harbour where fishermen unload their catch each day. Everyone knows everyone, and mostly they look out for each other. But throw a stranger – a beautiful stranger – into the mix and all bets are off. Chabela Penhallow arrives for a holiday from Mexico to find out more about her Cornish ancestors. But no sooner has she arrived than rumours start to fly. Why has she really come? And what is she running from? Can the inhabitants of Tremarnock discover her secrets before their peaceful seaside village is thrown into turmoil? Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

Read more less

The first sustained interrogation of travel in Sebald's literary and essayistic work, employing multivalent and new critical perspectives. W.G. Sebald (1944-2001) is the most prominent and perhaps the most enigmatic German-language writer of recent decades. His books have had a more profound impact outside the German-speaking world than those of any other. His innovative approach to writing brings to the fore concerns that are central to contemporary culture: the relationship between memory, history, and trauma; the experience of exile and our relation to place; and the role of literature (and photography) in the remembrance of the past. This collection of essays places travel at the center of Sebald's poetics and shows how his appropriation of travel in its myriad historical and cultural forms -- tourism, the pilgrimage, the walking vacation, travel as escape -- works to craft intertextual narratives in which the pursuit of individual life stories is mapped onto a wider European cultural history of loss and destruction. Following these cues,the contributors wander the various modalities of travel in Sebald's writing in order to discover how walking, flying, sojourning, and other kinds of peregrination inform the relationship between writing, reading, memory, and place in Sebald's work. At the same time, the essays uncover in innovative ways the affinities between Sebald and literary travelers like Bruce Chatwin, Franz Kafka, Adalbert Stifter, Christoph Ransmayr, and Joseph Conrad. Contributors: Christian Moser, J. J. Long, Carolin Duttlinger, Martin Klebes, Alan Itkin, James Martin, Brad Prager, Neil Christian Pages, Margaret Bruzelius, Barbara Hui, Dora Osborne, Peter Arnds. Markus Zisselsbergeris Assistant Professor of German at the University of Miami, Florida.

Read more less

Shortlisted for the Ondaatje Prize 2020 ‘An astonishing novel that is beautifully written but underpinned by a quiet simmering anger about injustice and unrealistic expectations of a family – and of life in contemporary India’ Peter Frankopan ‘A shattering study of disaffection and belonging … This is a concise novel of staggering depth …Disturbing, deep and utterly extraordinary’ Bidisha, Observer An Irish Times Book of the Year 2019 Escaping her failing marriage, Grace has returned to Pondicherry to cremate her mother. Once there, she finds herself heir to an unexpected inheritance. First, there is the strange pink house, blue-shuttered, out on a spit of the wild beach, haunted by the rattle of fishermen in their catamarans. And then there is the sister she never knew she had: Lucia, who has spent her life in a residential facility. Soon Grace sets up a new and precarious life in this lush, melancholy wilderness, with Lucia, the village housekeeper Mallika, the drily witty Auntie Kavitha and an ever-multiplying litter of puppies. Here in Paramankeni, with its vacant bus stops colonised by flying foxes, its temples and step-wells shielded by canopies of teak and tamarind, where every dusk the fishermen line the beach smoking and mending their nets, Grace feels that she has come to the very end of the world. But Grace’s attempts to play house prove first a struggle, then a strain, as she discovers the chaos, tenderness, fury and bewilderment of life with Lucia. Luminous, funny, surprising and heartbreaking, Small Days and Nights is the story of a woman caught in a moment of transformation, and the sacrifices we make to forge lives that have meaning.

Read more less

"Through meticulous scholarship and fine writerly craft, Gregory offers a riveting story of two creative geniuses at work."― Slavonic and East European Journal Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies. Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements.

Read more less

2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.

Read more less

Since the publication in 1975 of Paul Virilio's Bunker Archeology, the range of Virilio's critical works and their impact is now clear within a variety of subjects. Making astonishing interventions into art and architecture, geography, cultural studies, media, literature, aesthetics, and sociology, the momentous implications of which have yet to be entirely understood, Virilio is the cultural theorist for our troubled twenty-first century. Responding to this growing interdisciplinary interest, Virilio Now: Current Perspectives in Virilio Studies comprises Sean Cubitt's critical overview of Virilio's oeuvre, an important newly translated text by Virilio interrogating the impact of contemporary art, and eight other major original essays by noted scholars on the wide scope of Virilio's writings, inclusive of Adam Sharr on Virilio and the architect Peter Zumthor's Bruder Klaus chapel, and Nigel Thrift's crucial assessment of Virilio's City of Panic. Substantial coverage of Virilio's essential texts such as The Information Bomb is presented alongside his hypermodern conjectures on television and speed, globalization, media, and representation. Navigating Virilio's 'accident of art', the 'aesthetics of disappearance', and widespread cultural devastation, additional essays bring together considerations of financial adversity, war, calamity, and the apocalypse. Dazzling yet perceptive, these texts on the 'post-nuclear imagination', terror, and dread are simultaneously creative and theoretical extrapolations from Virilio's 'scenic imagination' and companion essays to his most contemporary, highly original, and powerful books such as The Original Accident and The University of Disaster. Clearly introduced by the editor, Virilio Now is the preeminent single-volume on Virilio's work and world available today.

Read more less

Europe is entering a new political epoch. The centre-left, now in government in many EU countries, has struggled to modernize itself and is now defining the shape of politics for the future. Bodo Hombach's book is one of the most important early attempts to flesh out the Third Way - moving it from being a successful electoral project to become a governing philosophy. Hombach, one of Gerhard Schr"der's closest advisers, who was Minister of State in the Chancellor's office, is a colourful and controversial figure. He has been described as the 'German Peter Mandelson' because he was the architect of Schr"der's election victory in 1997, which brought the Social Democrats to power after a decade and a half in opposition. His book, a bestseller in Germany, is the clearest definition of the popular 'Die Neue Mitte' project on which Schröder was elected, and on which the German voters will judge the government. It is striking in its bold rejection of many of the left's traditional approaches - the confrontational traditions of employers versus workers, the private sector versus the public sector, free market forces versus state direction - and this explains why Hombach and his book have been at the centre of the fierce debate about the soul and the future direction of social democracy. Professor Anthony Giddens and Mark Leonard, in the preface and introduction, put the book in the context of the global debate about the development of the Third Way, and also draw comparisons with events in the United Kingdom. Hombach's book is destined to become a key text on the future of European social democracy, of interest to political activists, policy-makers and students of politics.

Read more less

The first major history of the bravura movement in European paintingThe painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter’s distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Franҫois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velázquez, Suthor explores the key elements defining bravura’s richness and power.Suthor delves into how bravura’s unique and groundbreaking methods—visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis—cause viewers to feel intensely the artist’s touch. Examining bravura’s etymological history, she traces the term’s associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration.Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, Bravura raises important questions about artistic performance and what it means to create art.

Read more less

"I'd say you were a carnival barker, except that wouldn't be fair tocarnival barkers. A carnie will at least tell you up front that he's running a shell game. You, Mr. Lay, were running what purported to be the seventh largest corporation in America."-Senator Peter Fitzgerald (R-IL) to Enron CEO Kenneth Lay, Senate Commerce Science & Transportation's Subcommittee, Hearing on Enron, 2/12/02 The speed of Enron's rise and fall is truly astonishing and perhaps the single most important story of corporate failure in the twenty-first century. In Enron investigative journalist Loren Fox promises readers nothing short of the most compelling and insightful investigation into Enron's meteoric ascent-regarded by Wall Street and the media as the epitome of innovation-and its spectacular fall from grace. In a lively and authoritative manner, Fox discusses how the biggest corporate bankruptcy in American business history happened, why for so long no one (except for an enlightened few) saw it coming, and what its impact will be on financial markets, the U.S. economy, U.S. energy policy, and the public for years to come. With access to many company insiders, Fox's intriguing account of this corporate debacle also provides an overview of the corporate culture and business model that led to Enron's high-flying success and disastrous failure. The story of Enron is one that will reverberate in global financial and energy markets as well as in criminal and civil courts for years to come. Rife with all the elements of a classic thriller-scandal, dishonest accounting, personal greed, questionable campaign contributions, suicide-Enron captures the essence of a company that went too far too fast.

Read more less

In this important new work, Kevin Madigan studies the development and union of scholastic, apocalyptic, and Franciscan interpretations of the Gospel of Matthew from 1150 to 1350. These interpretations are placed within the context of high-medieval religious life and attitudes of the papacy toward the Franciscan Order. Madigan uses the fortunes of the Franciscan Peter Olivi (d. 1298) and his commentary on Matthew as a lens through which to observe the larger theological and ecclesiastical developments of this era. Structured in three sections, Olivi and the Interpretation of Matthew in the High Middle Ages begins with an analysis of the scholastic gospel commentary tradition in the schools of Laon and Paris. The second section of the book offers a detailed examination of the Treatise on the Four Gospels by the famed apocalyptic writer Joachim of Fiore. Finally, Madigan turns his attention to the disputes which plagued the Franciscan Order during the first century of its existence. Madigan also focuses on Olivi’s Commentary on Matthew. He argues that this little-known work is perhaps the only Matthew commentary in the high Middle Ages to have been influenced by Joachim’s apocalyptic thought and shaped by internal and external disagreements over the highest form of religious life. Filled with severe criticisms of the hierarchy and leadership of the church, Olivi’s Matthew commentary was examined and eventually condemned by papally appointed theologians in the early fourteenth century. Olivi and the Interpretation of Matthew in the High Middle Ages is not only a worthy contribution to the study of gospel exegesis, but also a valuable cultural and ecclesiastical history.

Read more less

The New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”

Read more less

The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression. "It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books"The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff "Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review

Read more less

Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls to define a "black aesthetic" or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The power and social importance of these experiments, English argues, came partly from color's special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism. From Frank Bowling to Virginia Jaramillo, Sam Gilliam to Peter Bradley, black modernists and their supporters rose above the demand to represent or be represented, compromising nothing in their appeals for racial reconciliation. At a time when many debates about identity sought closure, these exhibitions offered openings; when icons and slogans touted simple solutions, they chose difficulty. But above all, as English demonstrates in this provocative book, these exhibitions and artists responded with optimism rather than cynicism to the surrounding culture's preoccupation with color.

Read more less

It is said that asphyxiation brings on a state of hallucinatory intoxication...in which case the 71 year old artist who lay in his sprawling Provencal villa died happy. In the early afternoon of Monday 4 October 1999, wracked with Parkinson's, and unable to paint because of a fall in which he had broken his wrist, Bernard Buffet calmly placed a plastic bag over his head, taped it tight around his neck and patiently waited the few minutes it took for death to arrive. Bernard Buffet:The Invention of the Modern Mega-artist tells the remarkable story of a French figurative painter who tasted unprecedented critical and commercial success at an age when his contemporaries were still at art school. Then, with almost equal suddenness the fruits of fame turned sour and he found himself an outcast. Scarred with the contagion of immense commercial success no leper was more untouchable. He was the first artist of the television age and the jet age and his role in creating the idea of a post-war France is not to be underestimated. As the first of the so-called Fabulous Five (Francoise Sagan, Roger Vadim, Brigitte Bardot and Yves Saint Laurent) he was a leader of the cultural revolution that seemed to forge a new France from the shattered remains of a discredited and demoralized country. Rich in incident Buffet’s remarkable story of bisexual love affairs, betrayal, vendettas lasting half a century, shattered reputations, alcoholism, and drug abuse, is played out against the backdrop of the beau monde of the 1950s and 1960s in locations as diverse as St Tropez, Japan, Paris, Dallas, St Petersburg and New York, before coming to its miserable conclusion alone in his studio.

Read more less

In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congrès Internationaux d’Architecture Moderne) — the other being Walter Gropius’s Harvard Graduate School of Design — and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kenneth Frampton, Bill Howell, John Killick, Robert Maguire, Cedric Price, Graeme Shankland and Oliver Cox, Quinlan Terry, John Voelcker, and almost a dozen recipients of the RIBA Gold Medal, viz. Neave Brown, Peter Cook, Edward Cullinan, Philip Dowson, Nicholas Grimshaw, Michael and Patricia Hopkins, Powell + Moya, Richard Rogers, and Joseph Rykvert.The book traces the history of the school from the end of the war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence. Alvin Boyarsky, who became chairman in 1971, remodelled the AA as a postmodern, ‘internationalist’ school and detached it from its modernist, British origins. In keeping with this (and partly as a result of it), there has been no research into the AA’s postwar history, which remains dominated by myths and half-truths. The book replaces these myths with an in-depth account of what really happened.

Read more less

YEATS 150 is a collection of essays, many of them illustrated, commemorating the life and work of Irish poet and Nobel Laureate, William Butler Yeats (1865-1939). The book, dedicated to Seamus Heaney, is divided into a number of sections: Academic Essays; Plays; the Yeats family; Scholarly Essays; Yeats Poetry Prizes and, appropriately, the topographical ‘Sligo’, by Sligo natives and visitors to the International Yeats Summer School. The book includes Helen Vendler’s tribute to Seamus Heaney; essays on Yeats’ poetry and plays; on his wife George, his children Anne and Michael, his contemporary, AE, and on the Sligo landscape that so influenced his imagination. It also details his elaborately crafted book designs. A section, appropriately titled Tír na nÓg, includes pieces by the late T.R. Henn, Vincent Buckley and Alec King, connecting to the post-1945 writing on W.B. Yeats. This remarkably wide-ranging collection honours the poet Yeats and those who have lectured and tutored across the world on the man and his work. The US, Canada, UK, Hungary, Japan, New Zealand and Australia are represented in the essays. The thirty-six contributors include former Yeats Summer School Directors: Helen Vendler, Denis Donoghue and James Pethica, Ann Margaret Daniels, as well as Patrick M. Keane, Harvard professors Deirdre Toomey and Daniel Albright, Yeats Annual editor Warwick Gould, publisher Colin Smythe, professor and director of Otago University, New Zealand, Peter Kuch, Tokyo professor Tomoko Iwatsubo, biographer Ann Saddlemyer, critics Lucy McDiarmid, Bruce Stewart and Martin Mansergh: in all, a glittering gathering of writers lend weight to this important commemorative and historical work.

Read more less

"Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." — Peter Sheridan, Daily Express Once, when asked how he’d like to be remembered, Paul Newman replied: "I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

Read more less

'An excellent read, a page-turner of real quality. Raise your drinking horns in a toast! Theodore Brun has earned his place in the mead hall' BEN KANE'A fever dream of dark lusts and an ancient evil. A Savage Moon drips with passion, betrayal, loyalty and loss. A wonderful book!' MATTHEW HARFFY 'A heart pounding mix of action, adventure and historical detail. The prose is riveting and the battle scenes thrilling!' PETER GIBBONSAn epic, spellbinding Viking fantasy of blood and battle, weaving together history, fantasy and ancient myth. Perfect for fans of The Northman and Game of Thrones. Byzantium, 718ADThe great siege is over.Crippled warrior, Erlan Aurvandil, is weary of war. But he must rally his strength to lead a band of misfit adventurers back to the North, to reclaim the stolen kingdom of his lover, Lilla Sviggarsdottir. For this, they need an army. To raise an army, they need gold.Together they plot a daring heist to steal the Emperor's tribute to his ally. Barely escaping with their lives, they voyage north, ready for the fight. But when fate strands them in a foreign land already riven by war, Erlan and Lilla are drawn inexorably into the web of a dark and gruesome foe.As blades fall and shadows close in, only one thing for them is certain: a savage moon is rising. And it demands an ocean of blood.Praise for Theodore Brun:'A masterly debut... If Bernard Cornwall and George R.R. Martin had a lovechild, it would look like A Mighty Dawn. I devoured it late into the night, and eagerly await the sequel' THE TIMES'Gripping. Gut-wrenching' ERIC SCHUMACHER

Read more less

"A vivid and intoxicating account of these beautiful islands" - Victoria Hislop. "A must-read for anyone who loves the Greek islands" - Richard Clark 'There's something about abandoned places which moves me and captures the imagination.' So says seasoned travel writer Jennifer Barclay as she walks with her dog and her backpack through the deserted spaces of the Dodecanese, islands that were once bustling but are now half forgotten and reclaimed by the wild due to a mix of misfortune and the lure of opportunity elsewhere. Join her on a journey through abandoned villages and farms, cave-houses and captains' mansions, the homes of displaced Muslim fishermen and poets, as she discovers beauty in the ruins, emptiness and silence, and inspiration in the stories of people's lives. A long-term resident of Greece, Jennifer Barclay spent more than four years researching Wild Abandon, visiting islands multiple times and talking to local people to hear their stories. She travels from the very west to the very east of the Dodecanese, from the very south almost to the very north, taking in some of the smallest and the biggest islands, and highlighting different stories along the way to show the complex history behind these havens of tranquillity. She discovers a villa intended for Benito Mussolini's retirement, an island that links a gramophone from St Petersburg and a portrait in the American National Gallery via a pack of cigarettes, and reflects on the days when an economy based on sponges and burnt rock supported thousands. Wild Abandon is an elegy in praise of abandoned places and a search for lost knowledge through the wildest and most deserted locations.

Read more less

Rabbit is the story of the winsome long-eared animal that hops through children's stories, myths and legends, and back yards. In this richly illustrated book, Victoria Dickenson explores the natural and cultural history of this most familiar creature. From the giant extinct rabbits of Minorca to the tiny endangered Volcano rabbits of Mexico, the book explores the history of the species, with a special focus on the European rabbit, whose history has been so closely intertwined with that of its greatest predator, humanity. Celebrated for its fur and its flesh, the rabbit owes its worldwide distribution to human intervention. Captain Cook took rabbits to New Zealand to provide food for sailors and settlers. Their introduction in the late nineteenth century to Australia resulted in a disastrous plague of rabbits, which could only be brought under control by the introduction of myxomatosis. The rabbit is a paradox. It is prey, chased by a thousand enemies from eagles to foxes to domestic cats. But it is also trickster, who outwits all rivals, and escapes every trap. The rabbit is lucky, and his foot will charm away evil. It haunts the graveyard and dances in the moonlight. The rabbit is suitable as a cuddly companion for children but also as a symbol of unbridled animal passion. From Peter Rabbit to B'rer Rabbit to Watership Down and the Energizer Bunny, rabbits hop through our imagination. Discover the Jade Moon rabbit, celebrate the Year of the Rabbit and enjoy the poetry of rabbits in this fascinating study of an animal that, after the dog and cat, has been granted a privileged place in our homes and our hearts.

Read more less

'I'd follow her anywhere' GILLIAN FLYNN'One of the boldest thriller writers working today' TESS GERRITSEN'Her characters, plot, and pacing are unrivalled' MICHAEL CONNELLY_________________________________________The first book in Karin Slaughter's #1 bestselling GRANT COUNTY series.She was found in the local diner. Brutally murdered. Ritually mutilated.And she won't be the last.The sleepy town of Heartsdale, Georgia, is jolted into panic when Sara Linton, paediatrician and medical examiner, finds a woman dead in the local diner. She has been cut: two deep knife wounds form a lethal cross over her stomach. But it's only once Sara starts to perform the post-mortem that the full extent of the killer's brutality becomes clear. Police chief Jeffrey Tolliver - Sara's ex-husband - is in charge of the investigation, and when a second victim is found, crucified, only a few days later, both Jeffrey and Sara have to face the fact that themurder wasn't a one-off attack. What they're dealing with is a seasoned sexual predator. A violent serial killer..._________________________________________Crime and thriller masters know there's nothing better than a little Slaughter:'Passion, intensity, and humanity' LEE CHILD'A writer of extraordinary talents' KATHY REICHS'Fiction doesn't get any better than this' JEFFERY DEAVER'A great writer at the peak of her powers' PETER JAMES'Raw, powerful and utterly gripping' KATHRYN STOCKETT'With heart and skill Karin Slaughter keeps you hooked from the first page until the last' CAMILLA LACKBERG'Amongst the world's greatest and finest crime writers' YRSA SIGURÐARDÓTTIR

Read more less

In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Know Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein. McDowell has poetically organized the photographs in Ground according to how and what they represent. While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that in today's culture the "killed" negatives' black hole has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus. Bill McDowell is the 2013 recipient of the Peter S. Reed Foundation Grant, and has received the Aaron Siskind Individual Photographer's Fellowship, the New York Foundation on the Arts Photography Fellowship, as well as many other artist grants. He is a professor in the Department of Art & Art History at the University of Vermont. McDowell's photographs are represented in collections at the Yale University Art Gallery, International Museum of Photography at the George Eastman House, Museum of Fine Arts, Houston, Harry Ransom Center at the University of Texas at Austin, Deichtorhallen Museum, Santa Barbara Museum of Art, Light Work, Wellesley College, St. Lawrence University, and Rochester Institute of Technology. His selected solo exhibitions include Jan Kesner Gallery, in Los Angeles, Houston Center of Photography, Robert B. Menschel Gallery at Light Work, The University of Notre Dame, Kenyon College, and St. Lawrence University. His group shows include the Santa Barbara Museum of Art, Dallas Museum of Art, Blue Sky Gallery, Society for Contemporary Photography, in Kansas City, and the Triennial of Photography at the Deichtorhallen Museum, Hamburg. McDowell's project, Banner of Light: The Lily Dale Photographs, was published by Light Work in Contact Sheet 96, and his photographs have appeared in Art in America, Art Issues, The New Yorker, Russian Esquire, Guernica, Spot, and Exposure. Jock Reynolds, Artist and the Henry J. Heinz II Director of the Yale University Art Gallery Jock Reynolds earned a B.A. in 1969 from the University of California, Santa Cruz, and an M.F.A. in 1972 from the University of California, Davis. From 1973 to 1983 he was an associate professor and director of the graduate program at the Center for Experimental and Interdisciplinary Art at San Francisco State University, and was also a cofounder of New Langton Arts, San Francisco's premier alternative artists' space. From 1983 to 1989 Mr. Reynolds served as the executive director of the Washington Project for the Arts, a multidisciplinary visual artists' association in Washington, D.C., before becoming the director of the Addison Gallery of American Art at Phillips Academy, Andover, Massachusetts, a position he held until September 1998, when he was appointed the Henry J. Heinz II Director of the Yale University Art Gallery and professor (adjunct). Mr. Reynolds has won numerous grants and awards, including two National Endowment for the Arts Visual Artists fellowships and many more.

Read more less

Marvel is one of the hottest media companies in the world right now, and its beloved superheroes are all over film, television and comic books. Yet rather than simply cashing in on the popularity of iconic white male characters like Peter Parker, Tony Stark and Steve Rogers, Marvel has consciously diversified its lineup of superheroes, courting controversy in the process. Panthers, Hulks, and Ironhearts offers the first comprehensive study of how Marvel has reimagined what a superhero might look like in the twenty-first century. It examines how they have revitalized older characters like Black Panther and Luke Cage, while creating new ones like Latina superhero Miss America. Furthermore, it considers the mixed fan responses to Marvel’s recasting of certain “legacy heroes,” including a Pakistani-American Ms. Marvel, a Korean-American Hulk, and a whole rainbow of multiverse Spidermen. If the superhero comic is a quintessentially American creation, then how might the increasing diversification of Marvel’s superhero lineup reveal a fundamental shift in our understanding of American identity? This timely study answers those questions and considers what Marvel’s comics, TV series, and films might teach us about stereotyping, Orientalism, repatriation, whitewashing, and identification.

Read more less

Marvel is one of the hottest media companies in the world right now, and its beloved superheroes are all over film, television and comic books. Yet rather than simply cashing in on the popularity of iconic white male characters like Peter Parker, Tony Stark and Steve Rogers, Marvel has consciously diversified its lineup of superheroes, courting controversy in the process. Panthers, Hulks, and Ironhearts offers the first comprehensive study of how Marvel has reimagined what a superhero might look like in the twenty-first century. It examines how they have revitalized older characters like Black Panther and Luke Cage, while creating new ones like Latina superhero Miss America. Furthermore, it considers the mixed fan responses to Marvel’s recasting of certain “legacy heroes,” including a Pakistani-American Ms. Marvel, a Korean-American Hulk, and a whole rainbow of multiverse Spidermen. If the superhero comic is a quintessentially American creation, then how might the increasing diversification of Marvel’s superhero lineup reveal a fundamental shift in our understanding of American identity? This timely study answers those questions and considers what Marvel’s comics, TV series, and films might teach us about stereotyping, Orientalism, repatriation, whitewashing, and identification.

Read more less

VIRGIL “A truly useful introduction to Vergil and his poetry. Smith combines up-to-date information on the issues with an intelligent and well-written assessment. Highly recommended.” Karl Galinsky, University of Texas at Austin “For the newcomer to Virgil, this book will be a welcome introduction to the poet’s works and their reception by critics, artists, and scholars through the centuries.” Peter E. Knox, University of Colorado, Boulder Incorporating the most up-to-date classical scholarship, Virgilian scholar R. Alden Smith presents a comprehensive introduction to Virgil’s literary works and narrative technique. In addition to exploring the historical milieu, this book considers the reception of Virgil’s works, citing examples from painting, sculpture, and drama. After analyzing Virgil’s three major works – the Eclogues, Georgics, and the great national epic of Rome, the Aeneid – Smith addresses other key topics, including the manuscript tradition and various problems associated with establishment of the text. Virgil’s legacy, including his influence on subsequent Latin poetry and later literary figures (e.g., Dante, Camões, Milton) is also a feature of this study. Combining scholarly rigor and an accessible writing style, Smith offers an insightful introduction to Virgil and the world in which he lived.

Read more less

Described as the Tony Hancock of journalism, for forty years Bernard wrote only about himself and the failures of his life – with women, drink, doctors, horses – which have become legendary. Low Life is an irresistible collection of the best of Bernard's celebrated autobiographical contributions to The Spectator, once described as 'a suicide note in weekly instalments'. Previously published in two volumes entitled Low Life: A Kind of Autobiography and Reach for the Ground, these books are now available in a single volume containing all his derisive reflections on life. Antiauthoritarian, grumpy, charming, politically incorrect, funny, drunk and always mischievous, Bernard could usually be found at the Coach and Horses pub on London’s Greek street, a lit cigarette in his mouth and a drink in hand. He was joined by famous friends including Francis Bacon, Lucian Freud, Graham Green, Peter O’Toole, Ian Fleming and many others and their conversations – as well as with whomever was tending bar at the time – served as the basis for his writing. There were in fact times when he was too drunk to write, hence the famous "unwell" notice that went next to the large, hastily-sketched cartoon that filled its space in the magazine.

Read more less

Art in Britain 1660–1815 presents the first social history of British art from the period known as the long 18th century, and offers a fresh and challenging look at the major developments in painting, drawing, and printmaking that took place during this period. It describes how an embryonic London art world metamorphosed into a flourishing community of native and immigrant practitioners, whose efforts ultimately led to the rise of a British School deemed worthy of comparison with its European counterparts. Within this larger narrative are authoritative accounts of the achievements of celebrated artists such as Peter Lely, William Hogarth, Thomas Gainsborough, and J.M.W. Turner. David H. Solkin has interwoven their stories and many others into a critical analysis of how visual culture reinforced, and on occasion challenged, established social hierarchies and prevailing notions of gender, class, and race as Britain entered the modern age. More than 300 artworks, accompanied by detailed analysis, beautifully illustrate how Britain’s transformation into the world’s foremost commercial and imperial power found expression in the visual arts, and how the arts shaped the nation in return.Published for the Paul Mellon Centre for Studies in British Art

Read more less

In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world's few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual.In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals.This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment.

Read more less

Take control of your habit and your life!Struggling with a gambling habit? If you feel that a 'flutter' has evolved into something out of your control, this indispensable book is for you. This self-help manual uses cognitive behavioural therapy (CBT) techniques, aspects of which were pioneered by clinical psychologist Professor Alex Blaszczynski, and now used all over the world, to help with gambling addiction. It will help you to understand how your own gambling problem has developed and what is keeping it going; also, crucially, how to develop the motivation to stop and control any future urges to gamble again. This fully revised and updated new edition takes into account the growth of sport betting and the increased ease of online gambling, as well improvements in clinical interventions.Specifically, you will learn: · Who is put at risk by gambling, with support given to friends and families · Step-by-step recovery techniques OVERCOMING self-help guides use clinically proven techniques to treat long-standing and disabling conditions, both psychological and physical. Many guides in the Overcoming series are recommended under the Reading Well Books on Prescription scheme.Series Editor: Professor Peter Cooper

Read more less

Inescapably controversial, its very existence challenged by German intellectuals like Günter Grass, the Holocaust Memorial Berlin (or, as it's formally known, the Memorial to the Murdered Jews of Europe) is now finished, some 16 years after it was first proposed. Architect Peter Eisenman's design, which filled a four-football-field-size parcel of land in the middle of Berlin with more than 2,700 concrete slabs, or stelae, was itself hotly debated, with some complaining that its abstractness, Eisenman's trademark, made it a monument that evoked no memories. As the debates give way to accounts of the experience of the space, the readers of this book, produced with Eisenman's cooperation, will be able to compare how successfully the architect's conception matches the reality. The intent is that the visitor, who finds himself winding his way through the concrete forest of varying heights, will be struck by how distant the busy city center seems, and how quiet and reflective--but not graveyard-like--the atmosphere is. Since the monument does not have a specific entrance or exit, visitors will be able to choose their own way in and out of the complex. Passing through the rows of slabs that lean almost imperceptibly and stand on seemingly unstable ground, visitors may experience a sensation of insecurity, and while that is mitigated in much of the site where the whole area is in view, at the center the surrounding slabs are 15 feet high. In this, one can sense the work of Richard Serra, who initally collaborated on the project but left when changes were called for. This volume offers a full picture of the process from conceptual and architectural drawings and digital plans to photographs of construction. It holds the narrative of a difficult task, turning "the place of no meaning," as Eisenman once referred to the site in the hopes of dispelling fears that he was trying to symbolize the deaths that took place during the Holocaust, into a confrontation with the past. The enormity and scale of the horror of the Holocaust is such that any attempt to represent it by traditional means is inevitably inadequate . . . Our memorial attempts to present a new idea of memory as distinct from nostalgia . . . We can only know the past today through a manifestation in the present. 65 illustrations

Read more less

When the body of a bushman with puzzlingly young organs is stolen from the morgue and a local witch doctor goes missing, Detective Kubu becomes involved in a life-threatening case. ‘Richly atmospheric … a gritty depiction of corruption and deception’ Publishers Weekly ‘The African Columbo … a smart satisfyingly complex mystery’ Entertainment Weekly ‘A wonderful, original voice – McCall Smith with a dark edge and even darker underbelly’ Peter James _______________ When the body of a Bushman is discovered near the Central Kalahari Game Reserve, the death is written off as an accident. But all is not as it seems. An autopsy reveals that, although he’s clearly very old, his internal organs are puzzlingly young. What’s more, an old bullet is lodged in one of his muscles … but where is the entry wound? When the body is stolen from the morgue and a local witch doctor is reported missing, Detective ‘Kubu’ Bengu gets involved. Kubu and his brilliant young colleague, Detective Samantha Khama, follow the twisting trail through a confusion of rhino-horn smugglers, foreign gangsters and drugs manufacturers. And the deeper they dig, the wider and more dangerous the case becomes… A fresh, new slice of ‘Sunshine Noir’, Dying to Live is a classic tale of greed, corruption and ruthless thuggery, set in one of the world’s most beautiful landscapes, and featuring one of crime fiction’s most endearing and humane heroes. _______________ ‘Detective David “Kubu” Bengu is a wonderful creation, complex and beguiling. Compelling and deceptively written’ New York Journal of Books ‘My favourite writing duo since Ellery Queen’ Ragnar Jónasson ‘Dying to Live is a skilfully plotted story of greed and its consequences; making the case for Detective Kubu absorbing, like the Botswana backdrop' ShotsMag ‘Under the African sun, Michael Stanley’s Detective Kubu investigates crimes as dark as the darkest of Nordic Noir. Call it Sunshine Noir, if you will – a must read’ Yrsa Sigurðardóttir ‘Intelligent, dark and compelling - among the best of today’s crime fiction’ Quentin Bates ‘Fascinating, dark and beautifully written … Kubu is a detective worth knowing. More please!’ Northern Crime

Read more less

Text in English & German. The central Mosque of the Turkish-Islamic Union in Köln-Ehrenfeld has given us one of the most vigorously discussed German building projects of the past 10 years. With this spectacular domed structure, Paul Böhm, the youngest son of Pritzker Prize-winner Gottfried Böhm and grandchild of Dominikus Böhm, has successfully introduced the Osman mosque typus into the modern age. The dome and minaret provide the Turkish / Islamic community with visual identification points. At the same time, this shell-construction structure is broken up into individual segments in a manner that opens it up to both the neighbourhood and the world. Containing conference halls, rooms for community use, a bazaar, a library and a museum, the complex is intended to convey to the surrounding area a message of retained ties to the historical country of origin coupled with acceptance and integration into the new homeland, and a willingness to engage in dialogue. Up to now the mosque represents the high point of the architectural career of Paul Böhm, who was born in 1959 and who is teaching at the Fachhochschule Köln. His work encompasses a multitude of exciting projects and realised buildings, including cultural buildings, university buildings, administration buildings and residential buildings. It is, perhaps, unsurprising that an architect who comes from a family of church builders should have added an impressive religious structure to uvre. St. Theodor in Köln-Vingst is a central-plan building that possesses a coherent atmosphere suited to contemplation whilst, at the same time, opening itself to a part of the city that suffers from social problems. Figures who have played a significant role in Paul Böhm's professional development include Tadao Ando, the master of velvet-smooth concrete, Oswald Mathias Ungers, the great lover of geometry, and Peter Zumthor, the essentialist of his generation. Like these three figures, the architects who Böhm worked with prior to founding his own firm in 2001, all espoused very different philosophies of architecture: Otto Steidle, Anton Schweighofer, Richard Meier . Paul Böhm does, of course, also owe a debt to the traditions of the family of architects that he comes from -- a tradition that he continues in his own individual way.

Read more less

'An extraordinary account of heroism and sacrifice. An unexpected and important story, rivetingly told. Rip roaring stuff. Get this into the paws of the sea dog in your life.' - Griff Rhys Jones 'A book that had to be written' - Let's Talk 'People ashore don’t realise what a grim war we are waging at sea with the Germans. A cold-blooded war, in a way I think requiring the maximum of bravery from the men of both sides in the long run, as it is so ceaseless and intangible. You just don’t know whether the next moment will be your last.' Robert Hichens, RNVSR Several years ago, Julia Jones was searching through long-forgotten items stored at her house and discovered some suitcases of old written material, which turned out to be accounts by her father of his experiences in the RNVSR (Royal Naval Volunteer Supplementary Reserve). She realised that as a child she’d met some of the people mentioned, and although she was too young to truly know them, these youthful impressions spurred her on to rediscovery and understanding. In this absorbing book Julia tells the compelling stories of the yachtsmen. Some were famous (such as Sir Peter Scott), others were wealthy (such as August Courtauld, who returned his pay to help with the war effort) but the majority were just 'ordinary' professionals such as publishers, lawyers and advertising agents, who signed up because they loved sailing. Few could ever have dreamed that they would end up acting in areas that were so far beyond their normal lives, as they found themselves commanding destroyers and submarines, and undertaking covert missions of sabotage. Some undertook the dangerous daily drudgery of minesweeping; others tackled unexploded bombs, engaged the enemy in high-speed attacks or played key roles in Ian Fleming's famous intelligence commandos. This varied crew of men were given tasks vital to the war effort, requiring endurance, extraordinary bravery, resourcefulness and quick thinking. Some died in the process, but for the ones who survived, Julia asks how their experiences changed them. Could their love of sailing and the sea survive the harsh realities of war?

Read more less

'A tense, twisty, addictive read' JO SPAIN'Nail-bitingly tense...leaves you gasping for breath' SARAH PEARSEThe waves are to die for. It's a paradise they'd kill to keep.There's a darkness inside all of us and The Bay has a way of bringing it out. Everyone here has their secrets but we don't go looking for them. Because sometimes it's better not to know.Kenna arrives in Sydney to surprise her best friend, shocked to hear she's going to marry a guy she's only just met. But Mikki and her fiancé Jack are about to head away on a trip, so Kenna finds herself tagging along for the ride.Sorrow Bay is beautiful, wild and dangerous. A remote surfing spot with waves to die for, cut off from the rest of the world. Here Kenna meets the mysterious group of people who will do anything to keep their paradise a secret. Sky, Ryan, Clemente and Victor have come to ride the waves and disappear from life. How will they feel about Kenna turning up unannounced?As Kenna gets drawn into their world, she sees the extremes they are prepared to go to for the next thrill. And everyone seems to be hiding something. What has her best friend got involved in and how can she get her away? But one thing is rapidly becoming clear about The Bay: nobody ever leaves. 'A high octane, addictive summer read' LUCY CLARKE'Gave me the same sinister-yet-wish-you-were-there vibes of The Beach' AMY MCCULLOCH'A compulsive page-turner . . . had me until the very last page' SALLY THORNEReaders love Allie Reynolds:'A knife-sharp locked room mystery' HARRIET TYCE'An exciting, twisty page-turner that will keep you guessing all the way to the end' C. L. TAYLOR'Sensational ' PETER JAMES'A white-knuckle ride' ERIN KELLY'Full of atmospheric twists and turns' SARAH PEARSE'Thoroughly compelling and deliciously twisty... I flew through it' B. P. WALTER'Fresh, thrilling and original with complex, believable characters' KAREN HAMILTON

Read more less

Una tranquila mañana de septiembre del año 1922, el vapor "Oberburgemeister Hanke" salía del puerto de San Petersburgo, que ya había cambiado su nombre por Petrogrado, en dirección a Alemania. Con el tiempo, a esa nave se la llamó el barco de los filósofos. A bordo llevaba 25 intelectuales y artistas rusos expulsados por el gobierno soviético acompañados de sus familiares. Entre ellos Bulgakov, Ilin, Lapshin, Frank, Losski. También Nikolay Berdiaev y, con él, el manuscrito de El espíritu de Dostoyevski. Este libro, que el lector tiene en sus manos, es el fruto de años de confrontación entre la obra literaria de Dostoyevski y la experiencia vital de uno de los más interesantes (y más desconocidos) pensadores cristianos del siglo XX. Un ensayo que tomó forma definitiva en un momento clave de la historia europea, a partir de las conferencias que impartió Berdiaev al principio de los años veinte del siglo pasado en la Moscú soviética. Sin embargo, es un libro cuya desbordante

Read more less

El hombre sin pasado, segunda entrega de la Trilogía de Lewis, consagra definitivamente a Peter May como uno de los escritores de intriga más originales de la actualidad.UN HOMBRE SIN NOMBREEn la isla de Lewis, al noroeste de Escocia, han aparecido los restos momificados de un joven. La única pista para identificarlo es el análisis de ADN, que lo relaciona con un granjero local.UN HOMBRE SIN MEMORIAAunque este isleño, Tormod Macdonald, ya anciano y con principio de demencia senil, siempre sostuvo que no tenía parientes cercanos. Y ahora es imposible penetrar en sus recuerdos.UN HOMBRE SIN ELECCIÓNCuando la familia de Tormod pide ayuda a Fin Macleod, el antiguo inspector de policía se siente obligado, como amigo, a resolver un misterio que se hunde en las brumas del pasado y en una isla que ha guardado demasiados secretos.El hombre sin pasado estuvo 18 semanas entre los diez libros más vendidos en el Reino Unido y ha recibido tres premios en Francia: el Premio de

Read more less

Lady Diana Wynham es una de las figuras más glamurosas de la nobleza inglesa, acostumbrada a escandalizar a la sociedad británica con sus romances indiscretos y sus escapadas a través del continente, siempre acompañada de su fiel valet, Gérard Séliman, un perfecto caballero que, técnicamente, sigue siendo un príncipe. Sin embargo, tras años de derroche constante, lo único que la puede salvar de la ruina es un campo de pozos petrolíferos que le legó su difunto esposo, el embajador de Reino Unido en San Petersburgo; un campo que ahora ha sido tomado por los bolcheviques. Lady Diana urdirá un plan que llevará al príncipe Séliman a embarcarse en una peligrosa aventura a través de Europa, repleta de espías soviéticos, noches de amor apasionado, un viaje a bordo del mítico Orient Express y grandes dificultades para almorzar con un mínimo de decencia.Una de las primeras novelas de espías del siglo XX, fruto de la inolvidable pluma de Maurice Dekobra. Una trepidante historia de los locos añ

Read more less

Atramento es el término usado en latín para referirse a la tinta, pero también es el acrónimo de atrapa el momento, que es lo que hace Fernando González Sitges en sus cuadernos de viaje. Cámara en ristre y pluma en mano, con ellos nos va a conducir a lugares recónditos e inesperados.Zoólogo, aventurero, fotógrafo, dibujante, realizador, biólogo de bota y no de bata, guionista, explorador, documentalista, director de cine..., contador de historias. Durante más de treinta años ha filmado, dibujado y fotografiado la naturaleza y la vida salvaje en su estado más puro. Y esas vivencias tan personales las encontrarás, de su puño y letra, junto a sus dibujos, lo que hace de este libro un auténtico regalo.Digno sucesor de Enrique el Navegante, Charles Darwin, Ernest Shackleton o Peter Beard, este aventurero nos lega su tiempo, para que, a través de su cámara y su pincel, recorras los cinco continentes en trece apasionantes viajes.Solo hay que leer el prólogo de Iker Jiménez, donde

Read more less

The Falklands War, the US invasion of Grenada, the Anglo-Guatemalan dispute over Belize and the US involvement in Nicaragua - in the 1980s, these crises threatened to overwhelm a renewal in US-UK relations. Sally-Ann Treharne vividly portrays the role of personal diplomacy between US President Ronald Reagan and UK Prime Minister Margaret Thatcher in overcoming obstacles to Anglo-American relations emanating from the turbulent Latin American region in the final years of the Cold WarDrawing onrecently declassified documents and candid interviews with key protagonists, she highlights the pivotal moments in Reagan and Thatcher's shared history from a new vantage point. Interviewees include: Lord Geoffrey Howe, Lord Michael Heseltine, Lord Cecil Parkinson, Sir John Nott, Sir Bernard Ingham, Lord Charles Powell, Baroness Gloria Hooper, Sir Adrian Beamish, Lord Peter Carrington, Lord Neil Kinnock and Lord Timothy Bell.

Read more less

This volume of sixteen articles includes: T. D. Barnes, “The Significance of Tacitus’ Dialogus de oratoribus”; Wendell Clausen, “Cicero and the New Poetry”; Gregory Crane, “Three Notes on Herodas 8”; Thomas K. Hubbard, “Pegasus’ Bridle and the Poetics of Pindar’s Thirteenth Olympian”; C. P. Jones, “Suetonius in the Probus of Giorgio Valla”; Peter E. Knox, “Ovid’s Medea and the Authenticity of Heroides 12”; Norbert F. Lain, “Catullus 68.145”; Jeffrey S. Rusten, “Structure, Style, and Sense in Interpreting Thucydides: The Soldier’s Choice (Thuc. 2.42.4)”; Richard Seaford, “Immortality, Salvation, and the Elements”; D. R. Shackleton Bailey, “Tu Marcellus eris”; Friedrich Solmsen, “Aeneas Founded Rome with Odysseus”; Joseph B. Solodow, “Raucae, tua cura, palumbes: Study of a Poetic Word Order”; Richard F. Thomas, “Unwanted Mice (Arat. Phaen. 1140–1141)” and “Virgil’s Georgics and the Art of Reference”; Brent Vine, “An Umbrian-Latin Correspondence”; and Robert Wallace, “The Date of Isokrates’ Areopagitikos.”

Read more less

Discover our collectable Puffin Clothbound Classic edition of Little Women Puffin Clothbound Classics are stunning collectable gift editions of some of the best-loved classics in the world - including this charming edition of Little Women.Christmas won''t be the same this year in the March household, with Father at war and Mother struggling to make ends meet. But even though times are tough, the March sisters'' spirits remain high!''Be comforted, dear soul! There is always light behind the clouds.''Together, through love, heartache, and a ''misplaced'' manuscript, Meg, Jo, Beth, and Amy learn that growing up and into the ''little women'' society expects them to be is going to be much harder than they thought...Collect our Puffin Clothbound Classics: 9780241444313 The Little Prince 9780241663554 The Jungle Book 9780241568811 Charlotte''s Web 9780241688243 Little Women 9780241688250 Peter Pan 9

Read more less

The Royal Museum of Fine Arts Antwerp (KMSKA) has reopened after several years of major renovation. It is home to an especially varied collection of art that runs to more than 9,000 items: paintings, sculptures, assemblages, drawings and prints from the 14th to the 21st century. Old Flemish masters like Jan van Eyck, Quinten Massys and Peter Paul Rubens feature alongside internationally renowned artists such as Jean Fouquet, Titian, Auguste Rodin and Amedeo Modigliani. The KMSKA also has the world’s largest collections of work by James Ensor and Rik Wouters. This richly illustrated book highlights seven centuries of art, from the Flemish Primitives to conceptual artists. A hundred masterpieces from the permanent collection are presented in detail and discussed in lucid articles that draw on the very latest research by KMSKA’s own in-house scholars.

Read more less

Return once more to haunted Richmond, where no building is safe from supernatural happenings. Visit Stories Comics, which holds more than just comics within its walls. Step back in time at Henricus Historical Park where you'll be welcomed by dead colonists, Civil War soldiers, and other haunts. Discover that not only is the Richmond Vampire out for your blood, but the Werewolf of Henrico waits for you beneath the full moon. It seems that the War Between the States is still being fought between ghostly Confederate and Union soldiers at Cold Harbor, Sailor's Creek, Parker's Battery, and Petersburg Battlefield. All this… plus a sea serpent, a lost city, ghostly cats, Bigfoot, a UFO, and haunted churches, parks, and colleges. So be sure to plan your visit now to a very paranormal Richmond. The dead don't stay dead in this town!

Read more less

Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book--architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers--map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (University of Vilnius), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmoe), jan jagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King's College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan OEstersjoe (Orpheus Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute). In collaboration with Orpheus Institute

Read more less

A reconsideration of the writ of habeas corpus casts new light on a range of current issues Habeas corpus, the storied Great Writ of Liberty, is a judicial order that requires government officials to produce a prisoner in court, persuade an independent judge of the correctness of their claimed factual and legal justifications for the individual’s imprisonment, or else release the captive. Frequently the officials resist being called to account. Much of the history of the rule of law, including the history being made today, has emerged from the resulting clashes. This book, heavily based on primary sources from the colonial and early national periods and significant original research in the New Hampshire State Archives, enriches our understanding of the past and draws lessons for the present. Using dozens of previously unknown examples, Professor Freedman shows how the writ of habeas corpus has been just one part of an intricate machinery for securing freedom under law, and explores the lessons this history holds for some of today’s most pressing problems including terrorism, the Guantanamo Bay detentions, immigration, Brexit, and domestic violence. Exploring landmark cases of the past - like that of John Peter Zenger - from new angles and expanding the definition of habeas corpus from a formal one to a functional one, Making Habeas Work brings to light the stories of many people previously overlooked (like the free black woman Zipporah, defendant in “the case of the headless baby”) because their cases did not bear the label “habeas corpus.” The resulting insights lead to forward-thinking recommendations for strengthening the rule of law to insure that it endures into the future.

Read more less

More than a century after his death in 1881, Fyodor Dostoevsky continues to fascinate readers and reviewers. Countless studies of his writing have been published—more than a dozen in the past few years alone. In this important new work, Thomas Marullo provides a diary-portrait of Dostoevsky's early years drawn from the letters, memoirs, and criticism of the writer, as well as from the testimony and witness of family and friends, readers and reviewers, and observers and participants in his life. Marullo's exhaustive search of published materials on Dostoevsky sheds light on many unexplored corners of Dostoevsky's childhood, adolescence, and youth. Speakers of excerpts are given maximum freedom: Anything they said about the writer—the good and the bad, the truth and the lies—are included, with extensive footnotes providing correctives, counter-arguments, and other pertinent information. The first part of this volume, "All in the Family," focuses on Dostoevsky's early formation and schooling, i.e., his time in city and country, and his ties to his family, particularly his parents. The second section, "To Petersburg!," features Dostoevsky's early days in Russia's imperial city, his years at the Main Engineering Academy, and the death of his father. The third part, "Darkness before Dawn," deals with the writer's youthful struggles and strivings, culminating in the success of his work, Poor Folk. This clear and comprehensive portrait of one of the world's greatest writers will appeal to students, teachers, and scholars of Dostoevsky's early life, as well as general readers interested in Dostoevsky, literature, and history.

Read more less

Ranging from fatherhood to machismo and from public health to housework, Changing Men and Masculinities in Latin America is a collection of pioneering studies of what it means to be a man in Latin America. Matthew C. Gutmann brings together essays by well-known U.S. Latin Americanists and newly translated essays by noted Latin American scholars. Historically grounded and attuned to global political and economic changes, this collection investigates what, if anything, is distinctive about and common to masculinity across Latin America at the same time that it considers the relative benefits and drawbacks of studies focusing on men there. Demonstrating that attention to masculinities does not thwart feminism, the contributors illuminate the changing relationships between men and women and among men of different ethnic groups, sexual orientations, and classes.The contributors look at Mexico, Argentina, Ecuador, Brazil, Colombia, Peru, Venezuela, Chile, and the United States. They bring to bear a number of disciplines—anthropology, history, literature, public health, and sociology—and a variety of methodologies including ethnography, literary criticism, and statistical analysis. Whether analyzing rape legislation in Argentina, the unique space for candid discussions of masculinity created in an Alcoholics Anonymous group in Mexico, the role of shame in shaping Chicana and Chicano identities and gender relations, or homosexuality in Brazil, Changing Men and Masculinities highlights the complex distinctions between normative conceptions of masculinity in Latin America and the actual experiences and thoughts of particular men and women.Contributors. Xavier Andrade, Daniel Balderston, Peter Beattie, Stanley Brandes, Héctor Carrillo, Miguel Díaz Barriga, Agustín Escobar, Francisco Ferrándiz, Claudia Fonseca, Norma Fuller, Matthew C. Gutmann, Donna Guy, Florencia Mallon, José Olavarría, Richard Parker, Mara Viveros

Read more less