Search results for ""yale university press""

An engaging introduction to contemporary Black American collage brings together art by fifty artists that reflects the breadth and complexity of Black identity “A lavish catalog . . . provides not just beautiful reproductions of the artworks but also commentary on the way these artists, and others, have used collage to address the full range of Black experience.”—Margaret Renkl, New York Times Building on a technique that has roots in European and American traditions, Black artists have turned to collage as a way to convey how the intersecting facets of their lives combine to make whole individuals. Artists have assembled pieces of paper, fabrics, and other, often salvaged, materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, “With collage, I can create a more expansive and inclusive view of the Black cultural experience.” More than 50 artists are represented in the book’s 140 color images, with some creating original artworks for this project. Featured artists include such well-known figures as Mark Bradford, Lauren Halsey, Kerry James Marshall, Wangechi Mutu, Howardena Pindell, Tschabalala Self, Lorna Simpson, Mickalene Thomas, and Kara Walker. In addition to scholarly essays, the publication contains short biographies of each artist written by Fisk University students. Distributed for the Frist Art Museum Exhibition Schedule: Frist Art Museum, Nashville, TN (September 15–December 31, 2023) Museum of Fine Arts, Houston, TX (February 18–May 12, 2024) The Phillips Collection, Washington, DC (July 6–September 22, 2024)

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A groundbreaking account of ancient Greek funerary sculpture and its emotional effects In this lyrically written and beautifully illustrated study, Seth Estrin probes the emotional effects of one of the largest and most important categories of Greek sculpture: the funerary monuments of Classical Athens. Instead of simply documenting experiences of bereavement, he demonstrates that funerary monuments played a vital role in giving grief visual and material presence, employing the subtle effects of relief sculpture to make private experiences of loss socially meaningful to others. By identifying the deaths they marked as worthy of grief, funerary monuments mobilized fundamental questions about sculptural form and pictorial recognition to political ends, instrumentalizing the emotional dimensions of sculpture as a means to construct and uphold social hierarchies. Grounded in careful study of numerous monuments, new readings of their accompanying epigrams and ancient literary sources, and close consideration of both ancient and modern theories of emotion, Grief Made Marble makes a landmark contribution not only to the study of Greek sculpture, but to our broader understanding of the relationship between art and emotion in antiquity.

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An innovative examination of sixteenth-century Netherlandish drawing against the backdrop of the urban economic boom, the Protestant Reformation, and the Eighty Years’ War Featuring works by Hieronymus Bosch (c. 1450–1516), Jan Gossaert (c. 1478–1532), Maarten van Heemskerck (1498–1574), Pieter Bruegel the Elder (c. 1525–1569), Hendrick Goltzius (1558–1617), and others, this book positions drawing in the Low Countries in the sixteenth century as a dynamic, multifaceted practice. Drawings played roles as varied as the artists who made them: they were designs for prints, paintings, stained glass windows, decorative objects, and tapestries, as well as tools for presentation, translation, and the display of knowledge and virtuosity. The artists’ diversified urban communities shaped their drawing practices, as did shifting cultural and political circumstances surrounding Protestant Reform and the Eighty Years’ War. In addition to the book’s four illuminating essays, many of the more than eighty catalogue entries—selected from the holdings of The Albertina Museum and the Cleveland Museum of Art—present new research.Distributed for the Cleveland Museum of ArtExhibition Schedule:The Cleveland Museum of Art (October 9, 2022–January 8, 2023)The Albertina Museum, Vienna (2023)

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An "excellent new biography" (Keith Thomas, New York Review of Books) of the wily and formidable prince who unexpectedly became monarch—the most infamous king in British history“An intricately detailed account of Richard’s every recorded move on his journey from younger son of the powerful Duke of York to the last of England’s mediaeval monarchs.”—Mark Jones, Albion Magazine The reign of Richard III, the last Yorkist king and the final monarch of the Plantagenet dynasty, marked a turning point in British history. But despite his lasting legacy, Richard only ruled as king for the final two years of his life. While much attention has been given to his short reign, Michael Hicks explores the whole of Richard’s fascinating life and traces the unfolding of his character and career from his early years as the son of a duke to his violent death at the battle of Bosworth. Hicks explores how Richard—villainized for his imprisonment and probable killing of the princes—applied his experience to overcome numerous setbacks and adversaries. Richard proves a complex, conflicted individual whose Machiavellian tact and strategic foresight won him a kingdom. He was a reformer who planned big changes, but lost the opportunity to fulfill them and to retain his crown.

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How our shifting sense of "what's normal" defines the character of democracy"A provocative examination of social constructs and those who would alternately undo or improve them."—Kirkus Reviews This sharp and engaging book by leading governmental scholar Cass R. Sunstein examines dramatically shifting understandings of what’s normal—and how those shifts account for the feminist movement, the civil rights movement, the rise of Adolf Hitler, the founding itself, political correctness, the rise of gun rights, the response to COVID-19, and changing understandings of liberty. Prevailing norms include the principle of equal dignity, the idea of not treating the press as an enemy of the people, and the social unacceptability of open expressions of racial discrimination. But norms can turn upside-down in a hurry. What people tolerate, and what they abhor, depends on what else they are seeing. Exploring Nazism, #MeToo, the work of Alexander Hamilton and James Madison, constitutional amendments, pandemics, and the influence of Ayn Rand, Sunstein reveals how norms change, and ultimately determine the shape of society and government in the United States, Europe, and elsewhere.

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The unlikely beginnings of the East India Company—from Tudor origins and rivalry with the superior Dutch—to laying the groundwork for future British expansion The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises—and for these “adventurers” the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company’s way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success. While the Company’s efforts met with disappointment in Japan, they sowed the seeds of success in India, setting the outline for what would later become the Raj. Drawing on an abundance of sources, Howarth shows how competition from European powers was vital to success—and considers whether the Company was truly “English” at all, or rather part of a Europe-wide movement.

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Humanity’s last major source of food from the wild, and how it enabled and shaped the growth of civilization In this history of fishing—not as sport but as sustenance—archaeologist and best-selling author Brian Fagan argues that fishing was an indispensable and often overlooked element in the growth of civilization. It sustainably provided enough food to allow cities, nations, and empires to grow, but it did so with a different emphasis. Where agriculture encouraged stability, fishing demanded movement. It frequently required a search for new and better fishing grounds; its technologies, centered on boats, facilitated movement and discovery; and fish themselves, when dried and salted, were the ideal food—lightweight, nutritious, and long-lasting—for traders, travelers, and conquering armies. This history of the long interaction of humans and seafood tours archaeological sites worldwide to show readers how fishing fed human settlement, rising social complexity, the development of cities, and ultimately the modern world.

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An engaging, inclusive history of the NHS, exploring its surprising survival—and the people who have kept it running In recent decades, a wave of appreciation for the NHS has swept across the UK. Britons have clapped for frontline workers and championed the service as a distinctive national achievement. All this has happened in the face of ideological opposition, marketization, and workforce crises. But how did the NHS become what it is today? In this wide-ranging history, Andrew Seaton examines the full story of the NHS. He traces how the service has changed and adapted, bringing together the experiences of patients, staff from Britain and abroad, and the service’s wider supporters and opponents. He explains not only why it survived the neoliberalism of the late twentieth century but also how it became a key marker of national identity. Seaton emphasizes the resilience of the NHS—perpetually “in crisis” and yet perennially enduring—as well as the political values it embodies and the work of those who have tirelessly kept it afloat.

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The fascinating stories behind the essential seven units of measurement that allow us to understand the physical world “Entertaining popular science and a literate tale of why things are as they are.”—Kirkus Reviews From the beginning of history, measurement has been interwoven into the human experience, shaping our understanding of nature, personal relationships, and the supernatural. We measure the world to know our past, comprehend the present, and plan the future. Renowned physicist Piero Martin explores how scientific knowledge is built around seven key pillars of measurement: the meter for length; the second for time; the kilogram for mass; the kelvin for temperature; the ampere for electricity; the mole for quantity of substance; and the candela for luminous intensity. Martin examines the history and function of these units and illustrates their applications in rich vignettes on a range of topics—from quarks to black holes, from a glass of wine to space exploration. He delves into not only the all-important numbers but also anecdotes that underline each unit’s special quality. At the same time, he explains how each unit contributes to important aspects of science, from classical physics to quantum mechanics, from relativity to chemistry, from cosmology to elementary particle physics, and from medicine to modern technology. Martin eloquently shows how the entire universe can be measured and understood using just seven units.

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A prominent historian provides an engaging on-the-ground account of the everyday authoritarianism that produced the Arab Spring in Egypt “A visceral and perceptive study of life under autocracy.”—Publishers Weekly An unmatched contemporary history of authoritarian politics and an unflinching examination of the politics of historical authority, My Egypt Archive is at once a chronicle of Egypt in the 2000s and a historian’s bildungsroman. As Alan Mikhail dutifully collected the paper scraps of the past, he witnessed how the everyday oppressions of a government institution led most Egyptians to want to remake their society in early 2011. In telling these stories of the archive, Mikhail centers the politics of access, interpersonal relationships, state power, and the emotion, anxiety, and inchoate nature of historical research. My Egypt Archive reveals the workings of an authoritarian regime from inside its institutions in the decade leading up to the Arab Spring and, in doing so, points the way to exciting new modes of historical inquiry that give voice to the visceral realities all historians experience.

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Celebrating 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man The style of the dandy is elegant but bold—dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. Dandy Style celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man. Combining fashion, art, and photography, the historic and the contemporary, the provocative and the respectable, it considers key themes in the development of male style and identity, including elegance, uniformity, and spectacle. Various types of dandy are represented by iconic figures such as Oscar Wilde, Edward VIII as Prince of Wales, and Gilbert & George. They appear alongside the seminal designs of Vivienne Westwood, Ozwald Boateng, and Alexander McQueen; and portraits by Thomas Gainsborough and David Hockney.Published in association with Manchester Art GalleryExhibition Schedule:Manchester Art Gallery (October 8, 2022–May 1, 2023)

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A collection of the finest stories from the Irish author of The Dirty Dust, published fifty years after his death “Every sentence is packed with explosive power, not a word wasted, and the whole is almost unbearably moving.”—Hilary Mantel These colorful tales from renowned Irish author Máirtín Ó Cadhain (1906–1970) whisk readers to the salty western shores of Ireland, where close‑knit farming communities follow the harsh rhythms of custom, family, and land, even as they dream together of a kinder world. In this collection, the resilient women and men of the Gaeltacht regions struggle toward self‑realization against the brutal pressures of rural poverty, and later, the hollowing demands of modern city life. Weaving together tradition and modernity, and preserving the earthy cadence of the original language, this rich and heart-rending collection by one of Ireland’s most acclaimed fiction writers is a composite portrait of a country poised at the edge of irreversible transformation.

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A penetrating critique tracing how under-regulated trading between European and U.S. banks led to the 2008 financial crisis-with a prescription for preventing another meltdown

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This fascinating collection of letters, notes, and miscellanea from the archives of the Tchaikovsky State House-Museum sheds new light on the world of Pyotr Ilyich Tchaikovsky. Most of these documents have never before been available in English, and they reveal the composer’s daily concerns, private thoughts, and playful sense of humor. Often intimate and sometimes bawdy, these texts also offer a new perspective on Tchaikovsky’s upbringing, his relations with family members, his patriotism, and his homosexuality, collectively contributing to a greater understanding of a major artist who had a profound impact on Russian culture and society. This is an essential compendium for cultural and social historians as well as musicologists and music lovers.

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From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm’s length from any organized state society For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states.In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen.

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An integrated approach to geoarchaeology, framing geologic concepts within an archaeological context—"probably the most comprehensive treatise on geoarchaeology yet written." (Vance Haynes, University of Arizona) An indispensable book for all professionals and students interested in the field of geoarchaeology, including those with limited earth-science experience, this new edition of Geoarchaeology builds on the success and innovation of the first edition and includes updates, new concepts and examples, an enhanced bibliography, and many new illustrations. The second edition begins by considering the history and theory of geoarchaeology. Rapp and Hill then move to discussions of soils and environmental interpretations; initial context and site formation; methods of discovery and spatial analyses; estimating time; paleoenvironments, landscapes, and the human past; identifying, analyzing, and sourcing raw materials; and construction, destruction, and conservation of sites and materials. "[This book] covers a wide range of topics . . . with clarity and balance. . . . [The] chapters are all well written and have concise introductory discussions that are not too detailed and not too brief. . . . Beautifully produced."—Michael Waters, Geoarchaeology: An International Journal (on the first edition)

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The meaning of a painted portrait and even its subject may be far more complex than expected, Tamar Garb reveals in this book. She charts for the first time the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century, showing how these paintings illuminate evolving social attitudes and aesthetic concerns in France over the course of the century. The author builds the discussion around six canonic works by Ingres, Manet, Cassatt, Cézanne, Picasso, and Matisse, beginning with Ingres’s idealized portrait of Mme de Sennones and ending with Matisse’s elegiac last portrait of his wife. During the hundred years that separate these works, the female portrait went from being the ideal genre for the expression of painting’s capacity to describe and embellish “nature,” to the prime locus of its refusal to do so. Picasso’s Cubism, and specifically Ma Jolie, provides the fulcrum of this shift.

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Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II.Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "storm troop tactics" by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "Commando-style" trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.

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A deeply researched and poignant reflection on the practice of forgiveness in an unforgiving world “Broad in its philosophical sweep and fine in its literary analysis, this work redefines forgiveness as the modest yet heroic ability to hold pain and anger together with hope and nonviolence.”—Joie Szu-Chiao Chen, Lion’s Roar Matthew Ichihashi Potts explores the complex moral terrain of forgiveness, which he claims has too often served as a salve to the conscience of power rather than as an instrument of healing or justice. Though forgiveness is often linked with reconciliation or the abatement of anger, Potts resists these associations, asserting instead that forgiveness is simply the refusal of retaliatory violence through practices of penitence and grief. It is an act of mourning irrevocable wrong, of refusing the false promises of violent redemption, and of living in and with the losses we cannot recover. Drawing on novels by Kazuo Ishiguro, Marilynne Robinson, Louise Erdrich, and Toni Morrison, and on texts from the early Christian to the postmodern, Potts diagnoses the real dangers of forgiveness yet insists upon its enduring promise. Sensitive to the twenty-first-century realities of economic inequality, colonial devastation, and racial strife, and considering the role of forgiveness in the New Testament, the Christian tradition, philosophy, and contemporary literature, this book heralds the arrival of a new and creative theological voice.

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The first Yale French Studies issue on photography, examining French photography's place in art, identity, and society through a lens of diversity and interdisciplinary investigation In its first issue on photography, this volume of Yale French Studies presents multiple avenues of interdisciplinary investigation designed to intersect and open up new areas of inquiry in the twenty-first century. These intersections push beyond traditional geographic and gender boundaries, exploring women’s photography, new cultural contexts, trans orientalism, and minority and marginalized bodies. As they do so, they ask us to reconsider the way that we conceive of photography’s place in the past and in our lives today.

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A tribute to the impressive roster of women artists who have graduated from Yale University Celebrating the 150th anniversary of the first women students at Yale, who came to study at the Yale School of the Fine Arts (now Yale School of Art) when it opened in 1869, and the 50th anniversary of undergraduate coeducation at the University, this volume honors the accomplishments of women artist-graduates of Yale. More than 80 artists—including Rina Banerjee, Janet Fish, Audrey Flack, Eva Hesse, Maya Lin, Howardena Pindell, Sylvia Plimack Mangold, and Mickalene Thomas—are represented with works drawn exclusively from the Yale University Art Gallery. Essays and timelines detail related milestones such as the appointment of art historian Anne Coffin Hanson as the first woman to be hired as a full, tenured professor on campus and Mimi Gardner Gates as the first female director of the Gallery. Amid the rise of feminist movements—from women’s suffrage to the #MeToo movement of today—this book asserts the crucial role women have played in pushing creative boundaries at Yale, and in the art world at large. Distributed for the Yale University Art GalleryExhibition Schedule:Yale University Art Gallery (September 10, 2021–January 9, 2022)

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The first biography of a man who was at the center of American foreign policy for a generation, The Last Brahmin “sheds insight into the evolving politics of the 20th century.” (Library Journal)“Comprehensive, . . . dramatic.”—Gerald J. Russello, Wall Street Journal Few have ever enjoyed the degree of foreign-policy influence and versatility that Henry Cabot Lodge Jr. did—in the postwar era, perhaps only George Marshall, Henry Kissinger, and James Baker. Lodge, however, had the distinction of wielding that influence under presidents of both parties. For three decades, he was at the center of American foreign policy, serving as advisor to five presidents, from Dwight Eisenhower to Gerald Ford, and as ambassador to the United Nations, Vietnam, West Germany, and the Vatican. Lodge’s political influence was immense. He was the first person, in 1943, to see Eisenhower as a potential president; he entered Eisenhower in the 1952 New Hampshire primary without the candidate’s knowledge, crafted his political positions, and managed his campaign. As UN ambassador in the 1950s, Lodge was effectively a second secretary of state. In the 1960s, he was called twice, by John F. Kennedy and by Lyndon Johnson, to serve in the toughest position in the State Department’s portfolio, as ambassador to Vietnam. In the 1970s, he paved the way for permanent American ties with the Holy See. Over his career, beginning with his arrival in the U.S. Senate at age thirty-four in 1937, when there were just seventeen Republican senators, he did more than anyone else to transform the Republican Party from a regional, isolationist party into the nation’s dominant force in foreign policy, a position it held from Eisenhower’s time until the twenty-first century. In this book, historian Luke A. Nichter gives us a compelling narrative of Lodge’s extraordinary and consequential life. Lodge was among the last of the well‑heeled Eastern Establishment Republicans who put duty over partisanship and saw themselves as the hereditary captains of the American state. Unlike many who reach his position, Lodge took his secrets to the grave—including some that, revealed here for the first time, will force historians to rethink their understanding of America’s involvement in the Vietnam War.

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A clear and comprehensive examination of transatlantic relations during the Nixon/Kissinger era “The early 1970s represented a pivotal moment in U.S. ties with Europe. Klaus Larres tells this story in a fascinating and highly readable manner. Essential reading.”—Daniel S. Hamilton, Johns Hopkins University/Woodrow Wilson Center The United States has long been conflicted between promoting a united Western Europe in order to strengthen its defense of the West, and fearing that a more united Western Europe might not submit to American political and economic leadership. The era of wholehearted support for European unity was limited to the immediate postwar era. The stances of the past three U.S. presidents—Bush’s unilateralism, Obama’s insistence on “leading from behind,” and Trump’s overt hostility toward the European Union—were prefigured by Washington’s economic and geopolitical strategies of the 1960s and 1970s. Concentrating on the policies of Richard Nixon and Henry Kissinger, Klaus Larres argues that their years in office were the major turning point when “benign hegemony” gave way to an attitude toward Europe that was seldom better than lukewarm, frequently even outright hostile, and that was returned in kind. This book offers an unusually clear and comprehensive examination of transatlantic relations during the Nixon era.

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Drawing on data from the Human Rights Watch Women's Rights Project since 1990, this work documents the pervasiveness of gender-based abuses that nations sponsor and/or tolerate. It also shows how governments and human rights organizations must address sex discrimination and violence against women.

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Who gets diabetes and why? An in‑depth examination of diabetes in the context of race, public health, class, and heredity “[An] unsettling but insightful social history.”—Kirkus Reviews “The important lessons of Diabetes: A History of Race and Disease may strengthen organized medicine’s commitment to addressing social determinants of health and equity.”—David Goldberg, Health Affairs Who is considered most at risk for diabetes, and why? In this thorough, engaging book, historian Arleen Tuchman examines and critiques how these questions have been answered by both the public and medical communities for over a century in the United States. Beginning in the late nineteenth century, Tuchman describes how at different times Jews, middle‑class whites, American Indians, African Americans, and Hispanic Americans have been labeled most at risk for developing diabetes, and that such claims have reflected and perpetuated troubling assumptions about race, ethnicity, and class. She describes how diabetes underwent a mid-century transformation in the public’s eye from being a disease of wealth and “civilization” to one of poverty and “primitive” populations. In tracing this cultural history, Tuchman argues that shifting understandings of diabetes reveal just as much about scientific and medical beliefs as they do about the cultural, racial, and economic milieus of their time.

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A dramatic and timely account of Stalin’s failed invasion of Finland in 1939, and the decade of wars and fraught relations that followed In November 1939, Stalin directed his military leaders to launch an invasion of Finland. In what became known as the Winter War, the full might of the Soviet army was pitted against this small Nordic republic. Yet despite their vastly superior military strength, the Soviets suffered heavy losses and failed to mount Stalin’s intended full-scale invasion. How did Finland evade Stalin’s crosshairs—not once, but three times more? In this groundbreaking account, Kimmo Rentola traces the epochal shifts in Soviet-Finnish relations. From the Winter War to Finland’s exit from World War II in 1944, a possible Soviet-backed coup in 1948, and Moscow’s designation of Finland as an enemy state in 1950, Finland was forced to navigate Stalin’s outsize political and territorial demands. Rentola presents a dramatic reconstruction of Finland’s unlikely survival at a time when the nation’s very existence was at stake.

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The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These “Big Houses” were powerful symbols of conquest, plantation, and colonial oppression and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt, and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction—including soldiers using a Rembrandt as a dart board—and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.

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An engaging guide to the various ways in which war is now waged—and how to adapt to this new reality “This brisk everyman’s guide—straight-talking and free of jargon—is a useful tasting menu to a fast moving, constantly evolving set of problems. . . . A lively reminder that war adapts to technology, that civilians are part of modern conflict whether they like it or not.”—Roger Boyes, The Times “Galeotti’s field guide is an admirably clear overview (in his words, ‘quick and opinionated’) of a form of conflict which is vague and hard to grasp. Variously described as hybrid, sub-threshold or grey-zone warfare, this is the no man’s land between peaceful relations and formal combat.”—Helen Warrell, Financial Times Hybrid War, Grey Zone Warfare, Unrestricted War: today, traditional conflict—fought with guns, bombs, and drones—has become too expensive to wage, too unpopular at home, and too difficult to manage. In an age when America threatens Europe with sanctions, and when China spends billions buying influence abroad, the world is heading for a new era of permanent low-level conflict, often unnoticed, undeclared, and unending. As conflict once again returns to Europe, transnational crime expert Mark Galeotti provides a comprehensive and groundbreaking survey of the new way of war. Ranging across the globe, Galeotti shows how today’s conflicts are fought with everything from disinformation and espionage to crime and subversion, leading to instability within countries and a legitimacy crisis across the globe. But rather than suggest that we hope for a return to a bygone era of “stable” warfare, Galeotti details ways of surviving, adapting, and taking advantage of the opportunities presented by this new reality.

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The first account of the dissolution of the monasteries for fifty years—exploring its profound impact on the people of Tudor England “This is a book about people, though, not ideas, and as a detailed account of an extraordinary human drama with a cast of thousands, it is an exceptional piece of historical writing.”—Lucy Wooding, Times Literary Supplement Shortly before Easter, 1540 saw the end of almost a millennium of monastic life in England. Until then religious houses had acted as a focus for education, literary, and artistic expression and even the creation of regional and national identity. Their closure, carried out in just four years between 1536 and 1540, caused a dislocation of people and a disruption of life not seen in England since the Norman Conquest. Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England’s monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII’s subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.

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Crushed by the Romans in the first century A.D., the ancient Druids of Britain left almost no reliable evidence behind. Because of this, historian Ronald Hutton shows, succeeding British generations have been free to reimagine, reinterpret, and reinvent the Druids. Hutton’s captivating book is the first to encompass two thousand years of Druid history and to explore the evolution of English, Scottish, and Welsh attitudes toward the forever ambiguous figures of the ancient Celtic world.Druids have been remembered at different times as patriots, scientists, philosophers, or priests; sometimes portrayed as corrupt, bloodthirsty, or ignorant, they were also seen as fomenters of rebellion. Hutton charts how the Druids have been written in and out of history, archaeology, and the public consciousness for some 500 years, with particular focus on the romantic period, when Druids completely dominated notions of British prehistory. Sparkling with legends and images, filled with new perspectives on ancient and modern times, this book is a fascinating cultural study of Druids as catalysts in British history.

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A new history of the American Jewish relationship with Israel focused on its most urgent and sensitive issue: the question of Palestinian rights American Jews began debating Palestinian rights issues even before Israel’s founding in 1948. Geoffrey Levin recovers the voices of American Jews who, in the early decades of Israel’s existence, called for an honest reckoning with the moral and political plight of Palestinians. These now‑forgotten voices, which include an aid‑worker‑turned‑academic with Palestinian Sephardic roots, a former Yiddish journalist, anti‑Zionist Reform rabbis, and young left‑wing Zionist activists, felt drawn to support Palestinian rights by their understanding of Jewish history, identity, and ethics. They sometimes worked with mainstream American Jewish leaders who feared that ignoring Palestinian rights could foster antisemitism, leading them to press Israeli officials for reform. But Israeli diplomats viewed any American Jewish interest in Palestinian affairs with deep suspicion, provoking a series of quiet confrontations that ultimately kept Palestinian rights off the American Jewish agenda up to the present era. In reconstructing this hidden history, Levin lays the groundwork for more forthright debates over Palestinian rights issues, American Jewish identity, and the U.S.‑Israel relationship more broadly.

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What happens to a composer when persecution and exile means their true music no longer has an audience? In the 1930s, composers and musicians began to flee Hitler’s Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile—composing under a ruthless dictatorship or in concentration camps and ghettos. Michael Haas sensitively records the experiences of this musical diaspora. Torn between cultures and traditions, these composers produced music that synthesized old and new worlds, some becoming core portions of today’s repertoire, some relegated to the desk drawer. Encompassing the musicians interned as enemy aliens in the United Kingdom, the brilliant Hollywood compositions of Erich Wolfgang Korngold, and the Brecht-inspired theater music of Kurt Weill, Haas shows how these musicians shaped the twentieth-century soundscape—and offers a moving record of the incalculable effects of war on culture.

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