Search results for ""yale university press""

The garden suburb has its origins in London, and, contrary to widespread belief, its earliest phase took place not at the beginning of the 20th century, with the much discussed garden-city movement, but one century earlier, with the creation of the Eyre brothers' villa estate in the London suburb of St. John's Wood. Drawing on the resources of the newly catalogued Eyre archive, Mireille Galinou describes how London acquired one of its most attractive and influential suburbs and how generations of the Eyre family shaped, fought over, lost, and revitalized their inheritance. Little did they know that they were making world history with their winning formula, which set the green suburb agenda for middle classes around the world.

Read more less

In Britain today the output of excellent ceramics seems more eclectic than elsewhere. This stylish and wide-ranging survey comprises examples of clay art by one hundred major artists, covering the period from the late 1980s through 2009. Drawn from the Diane and Marc Grainer Collection, it includes works by Allison Britton, Edmund de Waal, Kate Malone, Grayson Perry, Julian Stair, Steve Dixon, and Nick Arroyave-Portela, among others. The selection balances functional objects and sculpture; hand-built, thrown, and molded techniques; varieties of scale and color; and cerebral and emotional content. All the ceramics here are rooted in the materiality of clay. The properties of the raw material, from its soft, malleable texture to the alchemy of slips and glazes, are at the core of the artists’ passion. And, as the text reveals, the younger generation is moving into new directions of art practice.Published in association with the Mint MuseumExhibition Schedule:Mint Museum Uptown, Charlotte, NC(10/01/10 – 03/13/11)

Read more less

A brilliant capstone work that analyzes the entire history of Latin America's reception of Christianity This extraordinary book encompasses the time period from the first Christian evangelists' arrival in Latin America to the dictators of the late twentieth century. With unsurpassed knowledge of Latin American history, John Lynch sets out to explore the reception of Christianity by native peoples and how it influenced their social and religious lives as the centuries passed. As attentive to modern times as to the colonial period, Lynch also explores the extent to which Indian religion and ancestral ways survived within the new Christian culture.The book follows the development of religious culture over time by focusing on peak periods of change: the response of religion to the Enlightenment, the emergence of the Church from the wars of independence, the Romanization of Latin American religion as the papacy overtook the Spanish crown in effective control of the Church, the growing challenge of liberalism and the secular state, and in the twentieth century, military dictators' assaults on human rights. Throughout the narrative, Lynch develops a number of special themes and topics. Among these are the Spanish struggle for justice for Indians, the Church's position on slavery, the concept of popular religion as distinct from official religion, and the development of liberation theology.

Read more less

The American art collector Norton Simon assembled his astonishing collection of more than 8,000 artworks in just thirty-five years. In 1966, with no permanent home for the growing collection, Simon created his “museum without walls” program—lending works to American museums—which continued until 1974, when his collection was housed in the Norton Simon Museum in Pasadena, today considered one of the finest museums in the United States. This beautiful book gives the history of Simon’s art collection, including the most interesting acquisitions and deaccessions. It describes Simon’s early life and business career, chronicles the collection’s development until his last purchase in 1989, and analyzes the collection and the collector. A fully illustrated catalogue of artworks, including those deaccessioned, completes the account. The book draws from the archives of the Norton Simon Museum and transcripts of interviews with friends, colleagues, art dealers, and museum professionals, as well as unpublished writings by Norton Simon.Distributed for The Norton Simon Art Foundation

Read more less

A new examination of a fascinating group of paintings from a pioneering mid-century artist In 1960 Eva Hesse (1936–1970) created an unusual group of oil paintings that, when considered in contrast to her sculptural assemblages from 1965 to 1970, foretell her desire to embody emotional states in abstract form. Contrary to existing scholarship, which suggests that these works represent a form of self-deprecation, this book seeks to consider these “spectre” paintings as manifestations of a private, haunted interiority in the context of the artist’s burgeoning maturity.The paintings in the spectre campaign comprise two distinct categories. The first, a selection of small-scale oil on Masonite paintings, depicts two or three loosely rendered figures positioned in vacant pictorial spaces. These gaunt forms portray an apparent disconnection between one body and another; and yet, the pictorial drama of the works would be incomplete without the presence of each figure. The second group of paintings imbues a more perplexing psychological state, as characters alternately take on the forms of alien-like creatures or as close resemblances to the artist herself. Through an enlightening assessment of these underappreciated works, readers will gain new insight into their pivotal role in Hesse’s oeuvre.Published in association with the University of New Mexico Art Museum, AlbuquerqueExhibition Schedule:Hammer Museum, Los Angeles09/25/10-01/03/11University of New Mexico Art Museum(03/25/11-07/24/11)Brooklyn Museum of Art(09/16/11-01/08/12)

Read more less

Among all the great transitions that have marked Western history, only one—the triumph of Christianity—can be called in the fullest sense a “revolution” In this provocative book one of the most brilliant scholars of religion today dismantles distorted religious “histories” offered up by Christopher Hitchens, Richard Dawkins, and other contemporary critics of religion and advocates of atheism. David Bentley Hart provides a bold correction of the New Atheists’s misrepresentations of the Christian past, countering their polemics with a brilliant account of Christianity and its message of human charity as the most revolutionary movement in all of Western history.Hart outlines how Christianity transformed the ancient world in ways we may have forgotten: bringing liberation from fatalism, conferring great dignity on human beings, subverting the cruelest aspects of pagan society, and elevating charity above all virtues. He then argues that what we term the “Age of Reason” was in fact the beginning of the eclipse of reason’s authority as a cultural value. Hart closes the book in the present, delineating the ominous consequences of the decline of Christendom in a culture that is built upon its moral and spiritual values.

Read more less

For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility—not just for themselves as individuals, but for their entire class or industry.In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art.Published for the Paul Mellon Centre for Studies in British Art

Read more less

In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.

Read more less

Live the Language Designed for English-speaking students ready to embark on the adventure of learning Mandarin Chinese, Encounters accelerates proficiency and cultural understanding through authentic language and cultural experiences. This fully integrated program includes combined textbook/workbook student editions, audio and video instruction, online workbooks, and a comprehensive website with extensive educational resources. The communicative approach of Encounters immerses learners in the Chinese-speaking world through dynamic videos that correspond to units in each textbook. By combining a compelling story line with a wealth of educational materials, Encounters weaves a tapestry of Chinese language and culture.The Intermediate level includes: ·Two full-color combined textbook/workbook Student Books ·Annotated Instructor’s Editions featuring suggested class activities, answer keys, and teaching tips (free with adoption) ·10+ hours of immersive video exercises and cultural segments that motivate students to learn ·300+ minutes of audio material for listening and speaking practice ·A comprehensive website that provides access to all multimedia (included in the price of new print editions For more information or to access the Encounters multimedia, visit www.EncountersChinese.com

Read more less

During the 18th century, the arts of industry encompassed both liberal and mechanical realms—not simply the representation of work in the fine art of painting, but the skills involved in the processes of industry itself. Drawing on a wealth of primary sources, Celina Fox argues that mechanics and artisans used four principal means to describe and rationalize their work: drawing, model-making, societies, and publications. These four channels, which form the four central themes of this engrossing book, provided the basis for experimentation and invention, for explanation and classification, for validation and authorization, and for promotion and celebration, thus bringing them into the public domain and achieving progress as a true part of the Enlightenment.

Read more less

This compact yet comprehensive history brings ancient Greek civilization alive, from its Stone Age roots to the fourth century B.C. "A highly readable account of ancient Greece."—Kirkus Reviews Focusing on the development of the Greek city-state and the society, culture, and architecture of Athens in its Golden Age, Thomas R. Martin integrates political, military, social, and cultural history in a book that will appeal to students and general readers alike. Now in its second edition, this classic work now features new maps and illustrations, a new introduction, and updates throughout. “A limpidly written, highly accessible, and comprehensive history of Greece and its civilizations from prehistory through the collapse of Alexander the Great’s empire. . . . A highly readable account of ancient Greece, particularly useful as an introductory or review text for the student or the general reader.”—Kirkus Reviews “A polished and informative work that will be useful for general readers and students.”—Daniel Tompkins, Temple University

Read more less

Paula Murphy, the leading expert on Irish sculpture, offers an extensive survey of the history of sculpture in Ireland in the nineteenth century, with particular emphasis on the large public works produced during the Victorian period. The works of such major figures as Patrick MacDowell, John Henry Foley, Thomas Kirk, and Thomas Farrell are discussed —as well as works by a host of lesser-known sculptors, including John Edward Carew, Christopher Moore, James Cahill, and Joseph Robinson Kirk. Lavishly illustrated, the book covers the work of many Irish sculptors who practiced abroad, particularly in London, and the work of English sculptors, including John Flaxman, Francis Chantrey, E. H. Baily, and Richard Westmacott, who were located in Ireland. Murphy makes extensive use of contemporary documentation, much of it from newspapers, to present the sculptors and their work in the religious and political context of their time.Published for the Paul Mellon Centre for Studies in British Art

Read more less

A gripping personal account of success and failure in Iraq during the crucial first year after the fall of the Ba’athist regime This compelling book presents an unparalleled record of what happened after U.S. forces seized Baghdad in the spring of 2003. Army Colonel Peter R. Mansoor, the on-the-ground commander of the 1st Brigade, 1st Armored Division—the “Ready First Combat Team”—describes his brigade’s first year in Iraq, from the sweltering, chaotic summer after the Ba’athists’ defeat to the transfer of sovereignty to an interim Iraqi government a year later. Uniquely positioned to observe, record, and assess the events of that fateful year, Mansoor now explains what went right and wrong as the U.S. military confronted an insurgency of unexpected strength and tenacity.Drawing not only on his own daily combat journal but also on observations by embedded reporters, news reports, combat logs, archived e-mails, and many other sources, Mansoor offers a contemporary record of the valor, motivations, and resolve of the 1st Brigade and its attachments during Operation Iraqi Freedom. Yet this book has a deeper significance than a personal memoir or unit history. Baghdad at Sunrise provides a detailed, nuanced analysis of U.S. counterinsurgency operations in Iraq, and along with it critically important lessons for America’s military and political leaders of the twenty-first century.

Read more less

An authoritative analysis of the political, economic, and social developments behind India’s dramatic rise in global stature With growing economic might, new political influence, and changing social dynamics, India has emerged as a major world power in the twenty-first century. This book charts the important features of India’s development since its independence in 1947, assessing those forces that have contributed to the nation’s growth as well as those that have impeded it. Through the lens of India’s past, Dietmar Rothermund offers a new perspective on India today and a fascinating look into the nation’s future.The author explores the diverse roots of India’s economic robustness, from agriculture to the export boom. He looks closely at the country’s democratic system, nuclear decisions, and alliance with the U.S. against terror. In his review of social changes, Rothermund discusses the institution of caste, the rise of a new middle class, the persistence of poverty, the media and Bollywood, and the significance of the global diaspora of twenty million Indians. In sum, he offers an impressive profile of India, an Asian giant whose role in the world’s future will surely be unique and important.

Read more less

In this elegant book, modernism is illuminated through little-known but striking works by Ezra Pound, Gertrude Stein, and others who revived the “closet drama”—plays written largely for private reading—as a means of exploring forbidden sexualities.

Read more less

In the European Enlightenments it was often argued that moral conduct rather than adherence to certain theological doctrines was the true measure of religious belief. Thomas Ahnert argues that this characteristically “enlightened” emphasis on conduct in religion was less reliant on arguments from reason alone than is commonly believed. In fact, the champions of the Scottish Enlightenment were deeply skeptical of the power of unassisted natural reason in achieving “enlightened” virtue and piety. They advocated a practical program of “moral culture,” in which revealed religion was of central importance. Ahnert traces this to theological controversies going back as far as the Reformation concerning the key question of early modern theology, the conditions of salvation. His findings present a new point of departure for all scholars interested in the intersection of religion and Enlightenment.

Read more less

How was Great Britain made? And what does it mean to be British? This brilliant and seminal book examines how a more cohesive British nation was invented after 1707 and how this new national identity was nurtured through war, religion, trade, and empire. Lavishly illustrated and powerful, Britons remains a major contribution to our understanding of Britain’s past, and continues to influence ongoing controversies about this polity’s survival and future. This edition contains an extensive new preface by the author. “A sweeping survey, . . . evocatively illustrated and engagingly written.”—Harriet Ritvo, New York Times Book Review “Challenging, fascinating, enormously well informed.”—John Barrell, London Review of Books “Linda Colley writes with clarity and grace...Her stimulating book will be, and deserves to be influential”—E. P. Thompson, Dissent Linda Colley is Shelby M. C. Davis 1958 Professor of History at Princeton University. Winner of the Wolfson History PrizeNew York Times NotableBook

Read more less

The art of Willie Doherty (b. 1959), one of Northern Ireland’s most important artists, joins history, memory, and language into an enveloping experience. This catalogue features two bodies of Doherty’s work: Ghost Story, a tensely beautiful 15-minute media work based on landscape and memory, and a selection of photographs of the borderlands between Northern Ireland and the Republic of Ireland. Arising from the region’s Troubles, Doherty’s art is nonetheless universal in effect and can be seen independent of any specific context. Charles Wylie’s essay deals with how Ghost Story evokes a mind at work trying to recall unsettling things, and the impact of memory on the present. Through vivid imagery, Doherty creates a cinematic tale of quiet suspense whose evocative text (written by Doherty and published here in its entirety) is narrated by the actor Stephen Rea. Critically acclaimed at the 2007 Venice Biennale, Ghost Story is paired with eleven similar yet distinct large-scale color photographs from the 1990s that in still form powerfully depict the famed Irish landscape as a site of unease amidst lyrical beauty. Distributed for the Dallas Museum of ArtExhibition Schedule:Dallas Museum of Art (5/23/09 – 8/16/09)Snite Museum of Art, University of Notre Dame, Indiana (fall 2010)

Read more less

For more than two thousand years, Confucius (551–479 B.C.) has been a fundamental part of China's history. His influence as a moral thinker remains powerful to this day. Yet despite his fame and the perennial interest in his life and teachings, Confucius the man has been elusive, and no definitive biography has emerged. In this book, the scholar and writer Annping Chin negotiates centuries of reconstructions, guess-work, and numerous Chinese texts in order to establish an absorbing and original account of the thinker's life and legacy. She shows with new insight how Confucius lived and thought, his habits and inclinations, his relation to his contemporaries, his work as a teacher and as a counsellor, his worries about the world and the generations to come. Chin brings the historical Confucius within reach so that he can lead us into his idea of the moral and explain his timeless teachings on family and politics, culture and learning. Confucius is the culmination of years of research, a book that makes an important and fascinating contribution to biography and Chinese history.

Read more less

Since the 2004 presidential campaign, when the Bush presidential advance team prevented anyone who seemed unsympathetic to their candidate from attending his ostensibly public appearances, it has become commonplace for law enforcement officers and political event sponsors to classify ordinary expressions of dissent as security threats and to try to keep officeholders as far removed from possible protest as they can. Thus without formally limiting free speech the government places arbitrary restrictions on how, when, and where such speech may occur.

Read more less

In 1891, Paul Gauguin (1848–1903) traveled to Tahiti in an effort to live simply and to draw inspiration from what he saw as the island’s exotic native culture. Although the artist was disappointed by the rapidly westernizing community he encountered, his works from this period nonetheless celebrate the myth of an untainted Tahitian idyll, a myth he continued to perpetuate upon his return to Paris. He created a travel journal entitled Noa Noa (fragrant scent), a largely fictionalized account that recalled his immersion into the spiritual world of the South Seas. To illustrate his text, Gauguin turned for the first time to the woodcut medium, creating a series of ten dark and brooding prints that he intended to publish alongside his journal—a publication that was never realized. The woodcuts crystallized important themes from his work and are the focus of this major new study. Gauguin's Paradise Remembered addresses both the artist’s representation of Tahiti in the woodcut medium and the impact these works had on his artistic practice. Through its combined sense of immediacy (in the apparent directness of the printing process) and distance (through the mechanical repetition of motifs), the woodcut offered Gauguin the ideal medium to depict a paradise whose real attraction lay in its remaining always unattainable. With two insightful essays, this book posits that Gauguin’s Noa Noa prints allowed him to convey his deeply Symbolist conception of his Tahitian experience while continuing his experiments with reproductive processes and other technical innovations that engaged him at the time.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum(09/25/10-01/02/11)

Read more less

A vivid and extraordinarily wide-ranging collection of writings by an eminent historian of Spain and its empire When J. H. Elliott published Spain and Its World, 1500–1700 some twenty years ago, one of many enthusiasts declared, “For anyone interested in the history of empire, of Europe and of Spain, here is a book to keep within reach, to read, to study and to enjoy" (Times Literary Supplement). Since then Elliott has continued to explore the history of Spain and the Hispanic world with originality and insight, producing some of the most influential work in the field. In this new volume he gathers writings that reflect his recent research and thinking on politics, art, culture, and ideas in Europe and the colonial worlds between 1500 and 1800.The volume includes fourteen essays, lectures, and articles of remarkable breadth and freshness, written with Elliott’s characteristic brio. It includes an unpublished lecture in honor of the late Hugh Trevor-Roper. Organized around three themes—early modern Europe, European overseas expansion, and the works and historical context of El Greco, Velázquez, Rubens, and Van Dyck—the book offers a rich survey of the themes at the heart of Elliott’s interests throughout a career distinguished by excellence and innovation.

Read more less

Inigo Jones (1573-1652) is widely acknowledged to have been England's most important architect. As court designer to the Stuart kings James I and Charles I, he is credited with introducing the classical language of architecture to the country. He famously traveled to Italy and studied firsthand the buildings of the Italian masters, particularly admiring those by Andrea Palladio. Much less well known is the profound influence of native British arts and crafts on Jones's architecture. Likewise, his hostility to the more opulent forms of Italian architecture he saw on his travels has largely gone unnoted. This book examines both of these overlooked issues. Vaughan Hart identifies well-established links between the classical column and the crown prior to Jones, in early Stuart masques, processions, heraldry, paintings, and poems. He goes on to discuss Jones's preference for a "masculine and unaffected" architecture, demonstrating that this plain style was consistent with the Puritan artistic sensitivities of Stuart England. For the first time, the work of Inigo Jones is understood in its national religious and political context.Published for the Paul Mellon Centre for Studies in British Art

Read more less

A leading scholar of the historical Jesus clarifies and illuminates Jesus’ teachings on Jewish law John Meier’s previous volumes in the acclaimed series A Marginal Jew are founded upon the notion that while solid historical information about Jesus is quite limited, people of different faiths can nevertheless arrive at a consensus on fundamental historical facts of his life. In this eagerly anticipated fourth volume in the series, Meier approaches a fresh topic—the teachings of the historical Jesus concerning Mosaic Law and morality—with the same rigor, thoroughness, accuracy, and insightfulness on display in his earlier works.After correcting misconceptions about Mosaic Law in Jesus’ time, this volume addresses the teachings of Jesus on major legal topics like divorce, oaths, the Sabbath, purity rules, and the various love commandments in the Gospels. What emerges from Meier’s research is a profile of a complicated first-century Palestinian Jew who, far from seeking to abolish the Law, was deeply engaged in debates about its observance. Only by embracing this portrait of the historical Jesus grappling with questions of the Torah do we avoid the common mistake of constructing Christian moral theology under the guise of studying “Jesus and the Law,” the author concludes.

Read more less

At the height of the Napoleonic Wars, a new generation of painters led by the precociously talented David Wilkie took London's art world by storm. Their novel approach to the depiction of everyday life marked the beginning a trajectory that links the art of the Age of Revolution with the postmodern culture of today.What emerged from the imagery of Wilkie and other early 19th-century British genre painters—among them William Mulready, Edward Bird, and the controversial watercolorist Thomas Heaphy—was a sense that common people were increasingly bound up with the exceptional events of history, that traditional boundaries between country and city were melting away, and that a more regularized and dynamic present was everywhere encroaching upon the customary patterns of the past. Published for the Paul Mellon Centre for Studies in British Art

Read more less

A primer to the New Testament for those new to the material or those seeking deeper insights, from a master biblical scholar “A truly magnificent book, composed by our Catholic national treasure.”—Commonweal “This judicious and reassuring approach may comfort many.”—Anthony J. Saldarini, New York Times Book Review “A tour de force.”—America From the experience of a lifetime of scholarship, preaching, teaching, and writing, Raymond E. Brown covers the entire scope of the New Testament with ease and clarity. He walks readers book by book through the basic content and issues of the New Testament. While a wealth of information is contained in these pages, the work’s most impressive features are the basic summaries of each book, a historical overview of the ancient Greco-Roman world, discussions of key theological issues, and the rich supplementary materials, such as illustrative tables, maps, bibliographies, and appendixes. Using this basic data, Brown answers questions raised by today’s readers, relates the New Testament to our modern world, and responds to controversial issues, such as those raised by the Jesus Seminar. Every generation needs a comprehensive, reliable introduction to the New Testament that opens the biblical text to the novice. Raymond E. Brown’s An Introduction to the New Testament is the most trustworthy and authoritative guidebook for a generation seeking to understand the Christian Bible. Universally acknowledged as the dean of New Testament scholarship, Father Brown is a master of his discipline at the pinnacle of his career. Who else could cover the entire scope of the New Testament with such ease and clarity? This gifted communicator conveys the heartfelt concern of a beloved teacher for his students, as he walks the reader through the basic content and issues of the New Testament. Those opening to the New Testament for the first time and those seeking deeper insights could not ask for more in a primer to the Christian Bible.

Read more less

Were Jonah's experiences true to the history of ancient Israel? Were they meant to be read comically, philosophically, allegorically, symbolically, or realistically? And is God godly when acting beyond the comprehension of prophets, let alone ordinary human beings?These issues, and many more, are thoughtfully considered in this meticulously detailed and insightful translation of the original Hebrew text of Jonah as created by Jewish authorities during the second half of the first millennium B.C.E. In these profound and enduring tales, realistic events and miraculous incidents merge, and we never have to wait long to witness the power of God's love or wrath.One of the twelve prophets, Jonah faced more challenges in a short span of time than any other biblical hero. He went to sea and nearly drowned in the belly of a great fish. On land, Jonah journeyed east to Nineveh, where his mission was to spread the word of God in a city plagued by evil. He was tested by God at every turn. But even during his darkest hours, his faith never wavered and through all the tumult, he always listened for the comforting voice of the Lord.Author Jack M. Sasson employs the very latest information in biblical scholarship to interpret the many nuances in Jonah's seemingly simple story. Providing Greek, Hebrew, Latin, Aramaic, and, occasionally, Syriac and Arabic translations, this Anchor Bible Commentary volume is an exciting addition to the world-acclaimed series.

Read more less

This edition of Book III of Eutropius’s Breviarium ab urbe condita is designed to be a student’s first encounter with authentic, unabridged Latin prose. Written in a simple and direct style, the Breviarium covers the period of Roman history that students find the most interesting—the Second Punic War fought against Carthage—and the original Latin text is supplemented with considerable learning support. Full annotations on every page, detailed commentary on grammar and syntax, and a glossary designed specifically for the text allow students to build both their confidence and their reading skills.The commentary in the back of the book is cross-referenced to the following commonly used textbooks: Wheelock’s Latin, 6th Edition Latin: An Intensive Course by Moreland and Fleischer Ecce Romani II, 3rd Edition Latin for Americans, Level 2 Jenney’s Second Year Latin Allen and Greenough’s New Latin Grammar Macrons have been added to the entire text in accordance with the vowel quantities used in the Oxford Latin Dictionary. Additional resources include an unannotated version of the text for classroom use, supplementary passages in English from other ancient authors, and appendixes with a timeline of events and maps and battle plans.The text may be used in secondary schools and colleges as early as the first year of study. The copious translation help, notes, and cross-references also make it ideal for independent learners.

Read more less

A profoundly timely and moving personal essay by one of America’s leading art critics Walter De Maria's Lightning Field (1977) is one of the 20th century's most significant works of art. Situated in a remote area of desert in southwestern New Mexico, it comprises 400 polished, stainless-steel poles (spaced 220 feet apart) installed in a grid measuring one mile by one kilometer. A sculpture to be explored on foot, The Lightning Field is intended to be experienced over an extended period of time. Critic Kenneth Baker visited The Lightning Field numerous times over the course of the past 30 years in order to write this text. Inspired and challenged by this remarkable artwork, Baker speculates on the course of our contemporary human condition. But, rather than building on ideas in narrative sequence, he deploys quotation to effect multiple perspectives and points of view. Baker's citations and elegantly crafted prose are arrayed––in a metaphorical parallel to De Maria's choreographing of the vast landscape of the American Southwest––to create a compelling text.

Read more less

Philip de László (1869–1937) was born into a humble Hungarian family in Budapest and rose to become the preeminent portrait artist working in Britain between 1907 and 1937. He painted nearly 3,000 portraits, including those of numerous kings and queens, four American presidents, and countless members of the European nobility. “Has any one painter ever before painted so many interesting and historical personages?” asked his contemporaries. There has been no biography of him since 1939, and this new account of both his life and his work draws on previously untapped material from the family archive of over 15,000 documents, to which the author has had unrivaled access. It establishes the intrinsic importance of his art and re-positions him in his rightful place alongside his great contemporaries John Singer Sargent, Sir John Lavery, and Giovanni Boldini.

Read more less

A provocative examination of how unequal access to reproductive technology replays the sins of the eugenics movement Eugenics, the effort to improve the human species by inhibiting reproduction of “inferior” genetic strains, ultimately came to be regarded as the great shame of the Progressive movement. Judith Daar, a prominent expert on the intersection of law and medicine, argues that current attitudes toward the potential users of modern assisted reproductive technologies threaten to replicate eugenics’ same discriminatory practices. In this book, Daar asserts how barriers that block certain people’s access to reproductive technologies are often founded on biases rooted in notions of class, race, and marital status. As a result, poor, minority, unmarried, disabled, and LGBT individuals are denied technologies available to well-off nonminority heterosexual applicants. An original argument on a highly emotional and important issue, this work offers a surprising departure from more familiar arguments on the issue as it warns physicians, government agencies, and the general public against repeating the mistakes of the past.

Read more less

A major new translation of one of the central works of Western Civilization R. E. Allen’s highly regarded translations of the dialogues of Plato have been praised for their faithfulness and readability. Many years in the making, his translation of The Republic has been eagerly awaited. It comes now to crown a distinguished classicist’s efforts to make Plato’s works available in readable and accurate translations. This new, lucid translation of Plato’s greatest dialogue is the first major translation in English since the publication of F. M. Cornford’s and G. M. A. Grube’s renditions more than a generation ago. It is likely to be the standard translation for years to come. This edition, intended for the student and general reader, is accompanied by Allen’s notes and introduction. The Republic is, of course, many things: metaphysics and epistemology, moral psychology and ethics, educational theory and aesthetics, and poetry and eschatology. In his introduction, Allen takes up its threshold question—the political—and argues that its particular formulation by Plato had a direct and profound influence on the Founding Fathers and the development of American constitutional law.

Read more less

This provocative volume explores the origins of the Jewish doctrine of the resurrection of the dead. Jon D. Levenson argues that, contrary to a very widespread misconception, the ancient rabbis were keenly committed to the belief that at the end of time, God would restore the deserving dead to life. In fact, Levenson points out, the rabbis saw the Hebrew Bible itself as committed to that idea.The author meticulously traces the belief in resurrection backward from its undoubted attestations in rabbinic literature and in the Book of Daniel, showing where the belief stands in continuity with earlier Israelite culture and where it departs from that culture. Focusing on the biblical roots of resurrection, Levenson challenges the notion that it was a foreign import into Judaism, and in the process he develops a neglected continuity between Judaism and Christianity. His book will shake the thinking of scholars and lay readers alike, revising the way we understand the history of Jewish ideas about life, death, and the destiny of the Jewish people.

Read more less

The first historical overview of vocal performance practice and style ever published, Singing In Style provides an introduction to how such issues as ornamentation, vibrato, rubato, portamento, articulation, tempo, language, and accompaniment with period instruments have been handled since the seventeenth century. Each chapter presents a historical period and gives background information on the singers and composers, the vocal repertoire, and the stylistic conventions of that time. Specific repertoire examples are discussed as well, to show how to use the music itself as a context for making stylistic choices. Each chapter also has an extensive reference list arranged by topic, so the interested reader can pursue a particular subject in more depth.Covering the Baroque period to the present, Elliott casts a wide net, bringing together information from historical treatises, personal accounts from composers, performers, historians, critics, and current scholarly commentary into one convenient handbook for the student and the amateur and professional performer who want to learn more about how vocal works were sung in their day.

Read more less

"A close reading of the plays that tries to map the creases and folds in Shakespeare's mysterious, elusive brain."— New York Times Book Review A. D. Nuttall’s study of Shakespeare’s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare’s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall’s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work. Much recent historicist criticism has tended to “flatten” Shakespeare by confining him to the thought-clichés of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English.

Read more less

A wide-ranging and original history of globalization, examining how it has developed and what it means for the future Since humans migrated from Africa and dispersed throughout the world, they have found countless ways and reasons to reconnect with each other. In this entertaining book, Nayan Chanda follows the exploits of traders, preachers, adventurers, and warriors throughout history as they have shaped and reshaped the world. For Chanda, globalization is a process of ever-growing interconnectedness and interdependence that began thousands of years ago and continues to this day with increasing speed and ease. In the end, globalization—from the lone adventurer carving out a new trade route to the expanding ambitions of great empires—is the product of myriad aspirations and apprehensions that define just about every aspect of our lives: what we eat, wear, ride, or possess is the product of thousands of years of human endeavor and suffering across the globe. Chanda reviews and illustrates the economic and technological forces at play in globalization today and concludes with a thought-provoking discussion of how we can and should embrace an inevitably global world.

Read more less

The most authoritative guide to the Lake District and surrounding area, this volume covers the outstanding vernacular architecture, unspoiled historic towns, and fine Victorian and Arts and Crafts houses throughout the region, and ranges from the shipbuilding town of Barrow-in-Furness in the south to the cathedral city of Carlisle in the north. A popular tourist destination, Cumbria inspired the Romantic poets, John Ruskin, and Beatrix Potter.

Read more less

The origins and evolution of Irish American identity, from colonial times through the twentieth century “Subtly provocative. . . . [Meagher] traces the making and remaking of Irish America through several iterations and shows the impact of religion on each.”—Terry Golway, Wall Street Journal As millions of Irish immigrants and their descendants created community in the United States over the centuries, they neither remained Irish nor simply became American. Instead, they created a culture and defined an identity that was unique to their circumstances, a new people that they would continually reinvent: Irish Americans. Historian Timothy J. Meagher traces the Irish American experience from the first Irishman to step ashore at Roanoke in 1585 to John F. Kennedy’s election as president in 1960. As he chronicles how Irish American culture evolved, Meagher looks at how various groups adapted and thrived—Protestants and Catholics, immigrants and American born, those located in different geographic corners of the country. He describes how Irish Americans made a living, where they worshiped, and when they married, and how Irish American politicians found particular success, from ward bosses on the streets of New York, Boston, and Chicago to the presidency. In this sweeping history, Meagher reveals how the Irish American identity was forged, how it has transformed, and how it has held lasting influence on American culture.

Read more less

A renowned neuroscientist explains how our brains and bodies give rise to knowledge, creativity, and mental experience Burgeoning advancements in brain science are opening up new perspectives on how we acquire knowledge. Indeed, it is now possible to explore consciousness—the very center of human concern—by scientific means. In this illuminating book, Dr. Gerald M. Edelman offers a new theory of knowledge based on striking scientific findings about how the brain works. And he addresses the related compelling question: Does the latest research imply that all knowledge can be reduced to scientific description? Edelman’s brain-based approach to knowledge has rich implications for our understanding of creativity, of the normal and abnormal functioning of the brain, and of the connections among the different ways we have of knowing. While the gulf between science and the humanities and their respective views of the world has seemed enormous in the past, the author shows that their differences can be dissolved by considering their origins in brain functions. He foresees a day when brain-based devices will be conscious, and he reflects on this and other fascinating ideas about how we come to know the world and ourselves.

Read more less

George Stubbs (1724-1806), now recognized as one of the greatest and most original artists of the eighteenth century, stands out from other practitioners in the field of animal painting. His most frequent commissions were for paintings of horses, dogs, and wild animals, and his images invariably arrest attention and frequently strike a deeply poetic note. Stubbs did not emerge as a painter until he was in his mid-thirties, but then his genius flowered astonishingly. He steadily celebrates English sporting and country life and reveals himself—in his “incidental” portraits of jockeys and grooms, for example—as a perceptive observer of different levels of social behavior. Among his many experiments with technique were his chemical experiments with painting in enamels, first on copper and later on earthenware “tablets,” manufactured for him in Wedgwood's potteries.This is the first full catalogue of Stubbs's paintings and drawings. Along with the full catalogue entries, the book offers a lengthy study of Stubbs's art and career. Published for the Paul Mellon Centre for Studies in British Art

Read more less

Literature on domestic interior decoration first emerged as a popular genre in Britain during the 1870s and 1880s, as middle-class readers sought decorating advice from books, household manuals, women’s magazines, and professional journals. This intriguing book examines that literature and shows how it was influenced by the widespread liberalism of the middle class. Judith Neiswander explains that during these years liberal values—individuality, cosmopolitanism, scientific rationalism, the progressive role of the elite, and the emancipation of women—informed advice about the desirable appearance of the home. In the period preceding the First World War, these values changed dramatically: advice on decoration became more nationalistic in tone and a new goal was set for the interior—“to raise the British child by the British hearth.” Neiswander traces this evolving discourse within the context of current writing on interior decoration, writing that is much more detached from social and political issues of the day. Published for the Paul Mellon Centre for Studies in British Art

Read more less

Ancient chroniclers, including Julius Caesar himself, made the Druids and their sacred rituals infamous throughout the Western world. But in fact, as Miranda Aldhouse-Green shows in this fascinating book, the Druids’ day-to-day lives were far less lurid and much more significant. Exploring the various roles that Druids played in British and Gallic society during the first centuries B.C. and A.D.—not just as priests but as judges, healers, scientists, and power brokers—Aldhouse-Green argues that they were a highly complex, intellectual, and sophisticated group whose influence transcended religion and reached into the realms of secular power and politics. With deep analysis, fresh interpretations, and critical discussions, she gives the Druids a voice that resonates in our own time.

Read more less

This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life.Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes—allowing us an inside view on the vexed issue of the notion of a renaissance.

Read more less

Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center.During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.

Read more less

A magnificent survey of the rich and varied arts in Latin America from 1492 to the end of the colonial era Essays by Gauvin Alexander Bailey, Clara Bargellini, Dilys E. Blum, Elizabeth Hill Boone, Marcus Burke, Mitchell A. Codding, Thomas B. F. Cummins, Cristina Esteras Martín, M. Concepción García Sáiz, Ilona Katzew, Adrian Locke, Gridley McKim-Smith, Alfonso Ortiz Crespo, Jorge F. Rivas P., Nuno Senos, Edward J. Sullivan, and Marjorie Trusted. By the end of the 16th century, Europe, Africa, and Asia were connected to North and South America via a vast network of complex trade routes. This led, in turn, to dynamic cultural exchanges between these continents and a proliferation of diverse art forms in Latin America. This monumental book transcends geographic boundaries and explores the history of the confluence of styles, materials, and techniques among Europe, Africa, Asia, and the Americas through the end of the colonial era––a period marked by the independence movements, the formation of national states, and the rise of academic art. Written by distinguished international scholars, essays cover a full range of topics, including city planning, iconography in painting and sculpture, East-West connections, the power of images, and the role of the artist. Beautifully illustrated with over 450 works—many published for the first time—this book presents a spectacular selection of decorative arts, textiles, silver, sculpture, painting, and furniture. Scholarly entries on some three hundred works highlight the various cultural influences and differences throughout this vast region. This groundbreaking book also includes an illustrated chronology, informative maps, and an exhaustive bibliography and is sure to set a new standard in the field of Latin American studies.Published in association with the Philadelphia Museum of Art, Antiguo Colegio de San Ildefonso, Mexico City, and the Los Angeles County Museum of ArtExhibition Schedule:Philadelphia Museum of Art (September 20 – December 31, 2006)Antiguo Colegio de San Ildefonso, Mexico City (February 3 – May 6, 2007)Los Angeles County Museum of Art (June 10 – September 3, 2007)Royal Academy of Arts, London (Fall 2007)Royal Academy, London (Fall 2007)

Read more less

An authoritative account of the 500-year history of the bassoon, with new research findings and dozens of rare illustrations This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years’ experience playing the instrument to provide an up-to-date and lively portrait of today’s bassoon and its intriguing predecessors. He discusses the bassoon’s makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail.The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon’s social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume.Published in association with the William Waterhouse Archive

Read more less