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Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien’s ‘Corrigan’ poems and other supporting material, including a prefatory note by Christopher Tolkien. Set ‘In Britain’s land beyond the seas’ during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the ‘Aotrou’ and ‘Itroun’ of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life. Coming from the darker side of J.R.R. Tolkien’s imagination, The Lay of Aotrou and Itroun, together with the two shorter ‘Corrigan’ poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend. Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside Tolkien’s other retellings of myth and legend, The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into ‘real-world’ mythologies, each of which in its own way would be a formative influence on his own legendarium.

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When we read the book of nature, what do we read there? “All things bright and beautiful, all creatures great and small, all things wise and wonderful, the Lord God made them all,” says a well-known hymn. This issue of Plough celebrates the creatures of our planet – plant, animal, and human – and the implications of humankind’s relationship to nature. But if nature can be read as a book that reveals the wisdom of its Creator, it also reveals things less lovely than stars and singing birds – a world of desperate competition for survival, mass extinctions, and deadly viruses. Is such a world a convincing argument for the Creator’s goodness? Turns out Christians and skeptics alike have been asking such questions since long before Darwin added a twist. Are we moderns out of practice at reading the book of nature? And if we forget how, will we fail to read human nature as well – what rights or purposes our Creator may have endowed us with? What then is there to limit the bounds of technological manipulation of humankind? This issue of Plough explores these and other fascinating questions about the natural world and our place in it. In this issue: - Sussex farmer Adam Nicholson evokes centuries of handwork that shaped the landscape of the Weald. - Gracy Olmstead revisits the land her forebears farmed in Idaho. - Ian Marcus Corbin tries walking phoneless to better note the beauty of the natural world. - Amish farmer John Kempf, a leader in regenerative agriculture, foresees a healthier future for farming. - Leah Libresco Sargeant offers a feminist critique of society’s war on women’s bodies. - Iván Bernal Marín visits Panama City’s traditional fishermen. - Maureen Swinger recalls to triumphs of second grade in forest school. - Edmund Waldstein questions head transplants and the limits of medical science. - Kelsey Osgood says it’s natural to fear death, and to transcend that fear through faith. - Tim Maendel lifts the veil on urban beekeeping along the Manhattan skyline. You’ll also find: - An essay by Christian Wiman on the poetry of doubt and faith - New poems by Alfred Nicol - A profile of Amazon activist nun Dorothy Stang - An appreciation of Keith Green’s songs - Insights on creation from Blaise Pascal, Julian of Norwich, Francis of Assisi, Mechthild of Magdeburg, Christopher Smart, Augustine of Hippo, The Book of Job, and Sadhu Sundar Singh - Reviews of The Opening of the American Mind, and Kazuo Ishiguro’s Klara and the Sun Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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n ancient artefact, a stone arch anachronistically imbedded with electronic circuitry, is recovered following a rupture in an undersea stretch of the Mull lava group in North West Scotland, a geological feature dating from tens of millions of years ago. UNIT's investigation will unlock a link to another world and bring them face to face with a new and powerful threat. Contains four stories: 1.1 The Enemy Beyond by Andrew Smith. In a UNIT facility beneath Edinburgh Castle, Kate and Osgood work to unlock the mystery of a stone arch discovered buried in a prehistoric rock formation. When the arch takes one of their number away to a strange, bleak world, it leads to an encounter with a Time Lord. One with multiple personalities. Soon the Eleven is loose in the streets of Edinburgh and plotting to seize the arch from UNIT by any means necessary. 1.2 Fire and Ice by John Dorney. When Kate needs Harry Sullivan's help with a threat from the Eleven, she and Osgood travel to Australia to meet him. He's there with Naomi Cross, investigating footage of an apparent UFO crash that turned up on social media. They find themselves caught in the middle of a conflict between Ice Warriors. And one Ice Warrior isn't so ice - in fact, he's red hot. And getting hotter... 1.3 Eleven's Eleven by Lisa McMullin. A series of jewel robberies in London and the Home Counties draws the attention of UNIT when it's discovered that some of the stolen gems are alien in origin. The robberies are the work of an organised criminal gang led by East End villain Ava Drake. But Ava has a new, ruthless partner. The Eleven has promised her riches, and for him the gems are a means to defeat UNIT and regain the arch. 1.4 The Curator's Gambit by Andrew Smith. The arch is taken to the Under Gallery for safe keeping, under the protection of the Curator. When the Eleven penetrates the Gallery's security, the Curator initiates an emergency plan. He and UNIT play a game of cat and mouse with their pursuers within the Under Gallery's original location, Hampton Court Palace. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Tom Baker (The Curator), Mark Bonnar (The Eleven), Eleanor Crooks (Naomi Cross), James Joyce (Captain Josh Carter), James MacCallum (Adam Merchant), Glen McCready (J.M.W. Turner), Christopher Naylor (Harry Sullivan), Olivia Poulet (Ros Green), Maggie Service (Ava Drake), Tracy Wiles (Jacqui McGee), Becky Wright (Clare Duvall). Other parts played by members of the cast.

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The volume relates the controversy concerning competing knowledge claims to truth. In a pluralist context, substantive claims can no longer be made by skirting epistemological issues. Rather, claims concerning content can only be adequately addressed once epistemological issues have been clarified. Truth must furthermore be related to the hermeneutical task of understanding another's position. Finally, truth must be related to the rules governing the path by which competing claims arrive at consensus. This volume contains interdisciplinary dialogues between philosophers of religion, theologians, historians, and biblical scholars. The interdisciplinary dialogues are structured thematically; "Truth and Reality" is the theme structuring contributions by Marvin A. Sweeney (Claremont), Christine Helmer (Claremont), Christof Landmesser (Tubingen), Kristin De Troyer (Claremont), D.Z. Phillips (Claremont), and John S. Kloppenborg (Toronto). "Truth and History" is the focus of contributions by Tammi J. Schneider (Claremont), Lori Anne Ferrell (Claremont), and Anselm Kyongsuk Min (Claremont). The theme of "Truth and Religious Pluralism" is treated in contributions by Lieven Boeve (Louvain), Richard Amesbury (Valdosta) & H. Jong Kim (Claremont), Marjorie Suchocki (Claremont), and David Ray Griffin (Claremont).

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Originating in Craigslist personals to indicate a trans person seeking another trans person, the term “t4t” has come to describe not only circuits of desire and attraction but also practices of trans solidarity and mutual aid. Contributors to this issue investigate the multiple meanings associated with t4t, considering both its potential and its shortcomings. They explore forms of Black trans kinship, consider the possibilities and limits of trans crowdfunding, theorize transmasculine pornography as a site of identity formation, and critique t4t spaces that allow for abuse or exploitation. Because t4t names a type of separatism, it carries risks such as identity policing, the prioritization of one aspect of identity over others, and difficulty engaging in strategic coalition. And yet, in a world that remains hostile to trans forms of life, t4t also circulates as a promising practice of love, repair, and healing. Contributors. Cassius Adair, Aren Aizura, Cameron Awkward-Rich, Chris Barcelos, Cynthia Citlallín Delgado Huitrón, Lauren Fournier, Vox Jo Hsu, Christopher Joseph Lee, Amira Lundy-Harris, Hil Malatino, Amy Marvin, Isaac Preiss, Amir Rabiyah, Nicholas Reich

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As a Taurus witch, everything you need to improve your craft and personal development is right here. Ivo Dominguez Jr. and Thorn Mooney show how to enrich your spells, rituals, and daily life through astrology. You'll learn which practices come naturally to a Taurus, which herbs and crystals are ideal for your sign, how to clear and shield your energy, how your moon and rising signs affect your magic, and more. Featuring recipes and exercises, as well as stories and spells from a variety of Taurus contributors, this book reveals what strengths and weaknesses come from your sign. Discover how to avoid pitfalls, use Taurus-related correspondences, connect with your sign to improve rituals, and rest up with self-care practices. This entry in the Witch's Sun Sign Series helps you reach every goal and supports your grounded, sensual self. Contributors include Cheryl Costa, Khi Armand, Dodie Graham McKay, Chris Orapello, Selena Fox, Dawn Aurora Hunt, Sandra Kynes, and Christopher Penczak.

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The whole destiny of America is contained in the first Puritans who landed on these shores, wrote de Tocqueville. These newcomers, and the range of their intellectual achievements and failures, are vividly depicted in The Puritans in America. Exiled from England, the Puritans settled in what Cromwell called “a poor, cold, and useless” place—where they created a body of ideas and aspirations that were essential in the shaping of American religion, politics, and culture.In a felicitous blend of documents and narrative Alan Heimert and Andrew Delbanco recapture the sweep and restless change of Puritan thought from its incipient Americanism through its dominance in New England society to its fragmentation in the face of dissent from within and without. A general introduction sketches the Puritan environment, and shorter introductions open each of the six sections of the collection. Thirty-eight writers are included—among these Cotton, Bradford, Bradstreet, Winthrop, Rowlandson, Taylor, and the Mathers—as well as the testimony of Anne Hutchinson and documents illustrating the witchcraft crisis. The works, several of which are published here for the first time since the seventeenth century, are presented in modern spelling and punctuation.Despite numerous scholarly probings, Puritanism remains resistant to categories, whether those of Perry Miller, Max Weber, or Christopher Hill. This new anthology—the first major interpretive collection in nearly fifty years—reveals the beauty and power of Puritan literature as it emerged from the pursuit of self-knowledge in the New World.

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“A superb biographical portrait and work of historical analysis…Let us hope that it will serve if not as a manual then at least as an inspiration—good statesmanship is needed more than ever.”—Brendan Simms, Wall Street Journal“Brilliantly refreshes our understanding of Metternich and his era…[He] was an intellectual in politics of a kind now rare.”—Christopher Clark, London Review of Books“Succeed[s] in forcing readers to wonder whether Metternich’s efforts to defend an essentially conservative order against populists and terrorists are so different from the struggles that liberal democracies face today.”—Andrew Moravcsik, Foreign AffairsMetternich is often portrayed as the epitome of reactionary conservatism, a ruthless aristocrat who used his power to stifle liberalism and oppose the dreams of social change that inspired the revolutionaries of 1848. But in this landmark biography, the first to make use of state and family papers, Wolfram Siemann paints a fundamentally new image of the man, revealing him to be more forward-looking and nimble than we have ever recognized.Clemens von Metternich emerged from the horrors of the Revolutionary and Napoleonic wars committed above all to the preservation of peace. As the Austrian Empire’s foreign minister and chancellor he was, as Henry Kissinger has observed, the father of realpolitik. But short of compromising on his overarching goal, Metternich aimed to accommodate liberalism and nationalism. Siemann draws on previously unexamined archives to bring this dazzling man to life. Hailed as a masterpiece of historical writing, Metternich is indispensable for understanding the forces of revolution, reaction, and moderation that shaped the modern world.

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Steed and Dr Keel return to action in these three recreations of classic lost episodes. Dragonsfield, written by Ian Potter, from a script by Terence Feely. A man has been murdered in an experimental laboratory, and Steed is sent to investigate. Someone is working for the other side - and Steed will need to untangle a messy web of inter-personal relationships if he's to stand any chance of identifying who. The Far Distant Dead, written by Tom Mallaburn from a script by John Lucarotti. En route from Chile back to England, Dr Keel stops off to help the victims of a cyclone. Except not every fatality he encounters was caused by the disaster. It appears he's stumbled onto an international conspiracy of the most sinister kind...and the perpetrators will be found many miles away. The Deadly Air, written by John Dorney from a script by Lester Powell. When an experimental vaccine is destroyed Steed calls in Keel to join him on the scene as a medical expert. But it isn't long before the saboteur becomes a murderer. As the situation escalates, can the Avengers identify their foe before they become his victims?Episodes from the wiped first series of The Avengers recreated faithfully on audio - this set sees some real detective work piecing together the stories from the few clues remaining from before the episodes were lost. This full-cast audio drama is brought to life with eerily engrossing sound design and a brand new, cinematic music score and stars Anthony Howell (Foyle's War, Dirk Gently, Dracula) and Julian Wadham (The Iron Lady, War Horse, Downton Abbey).CAST: Anthony Howell (Dr Keel), Julian Wadham(John Steed), Lucy Briggs-Owen (Carol Wilson), Cate Debenham-Taylor (Lisa Strauss), Harriet Kershaw (Susan Summers / Secretary), Ramon Tikaram (Saunders), Richard Dixon (Redington / One-Fifteen), Christopher Taylor (Boris / Landlord), James Joyce (Jack Alford / Peters), Robert Fitch (Technician / Dr Philip Karswood), Karina Fernandez (Dr Ampara Alvarez Sandoval / Maria Alvarez), David Shaw-Parker (Hercule Zeebrugge / Luis Garcia), Andy Secombe (Inspector Gauvreau / Godoy / Jose Alvarez), Alex Blake (Rayner / Caron / Sergeant Delon), Tom Alexander (Mateos / Mario), Dan Starkey (One- Ten), Bettrys Jones (Barbara Anthony / Receptionist), Richard Atlee (Heneager / Herbert Truscott), Ewan Bailey (Dr Hugh Chalk / Armstrong), Glen McReady (Dr Owen Craxton / Professor Kilbride).

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This is the first English translation of the last two theological works of Eusebius of Caesarea, Against Marcellus and On Ecclesiastical Theology. The first text was composed after the deposition of Marcellus of Ancyra in 336 to justify the action of the council fathers in ordering the deposition on the grounds of heresy, contending that Marcellus was “Sabellian” (or modalist) on the Trinity and a follower of Paul of Samosata (hence adoptionist) in Christology. Relying heavily upon extensive quotations from a treatise Marcellus wrote against Asterius the Sophist, this text provides important information about ecclesiastical politics in the period before and just after the Council of Nicea, and endeavors to demonstrate Marcellus’s erroneous interpretation of several key biblical passages that had been under discussion since before the council. In doing so, Eusebius criticizes Marcellus’s inadequate account of the distinction between the persons of the Trinity, eschatology, and the Church’s teaching about the divine and human identities of Christ.On Ecclesiastical Theology, composed circa 338/339 just before Eusebius’s death, and perhaps in response to the amnesty for deposed bishops enacted by Constantius after the death of Constantine in 377 and the possibility of Marcellus’s return to his see, continues to lay out the criticisms initially put forward in Against Marcellus, again utilizing quotations from Marcellus’s book against Asterius. However, we see in this text a much more systematic explanation of Eusebius’s objections to the various elements of Marcellus’s theology and what he sees as the proper orthodox articulation of those elements.Long overlooked for statements at odds with later orthodoxy, even written off as heretical because allegedly “semi-Arian,” recent scholarship has demonstrated the tremendous influence these texts had on the Greek theological tradition in the fourth century, especially on the orthodox understanding of the Trinity. In addition to their influence, they are some of the few complete texts that we have from Greek theologians in the immediate period following the Council of Nicea in 325, thus filling a gap in the materials available for research and teaching in this critical phase of theological development.

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In the history of planning, the design of an entire community prior to its construction is among the oldest traditions. Iconic Planned Communities and the Challenge of Change explores the twenty-first-century fortunes of planned communities around the world. Drawing on interdisciplinary perspectives, the editors and contributors examine what happened to planned communities after their glory days had passed and they became vulnerable to pressures of growth, change, and even decline. Beginning with Robert Owen's industrial village in Scotland and concluding with Robert Davis's neotraditional resort haven in Florida, this book documents the effort to translate optimal design into sustaining a common life that works for changing circumstances and new generations of residents. Basing their approach on historical research and practical, on-the-ground considerations, the essayists argue that preservation efforts succeed best when they build upon foundational planning principles, address landscape, architecture, and social engineering together, and respect the spirit of place. Presenting twenty-three case studies located in six continents, each contributor considers how to preserve the spirit of the community and its key design elements, and the ways in which those elements can be adapted to contemporary circumstances and changing demographics. Iconic Planned Communities and the Challenge of Change espouses strategies to achieve critical resilience and emphasizes the vital connection between heritage preservation, equitable sharing of the benefits of living in these carefully designed places, and sustainable development. Communities: Bat'ovany-Partizánske, Cité Frugès, Colonel Light Gardens, Den-en Chôfu, Garbatella, Greenbelt, Hampstead Garden Suburb, Jardim América, Letchworth Garden City, Menteng, New Lanark, Pacaembú, Radburn, Riverside, Römerstadt, Sabaudia, Seaside, Soweto, Sunnyside Gardens, Tapiola, The Uplands, Welwyn Garden City, Wythenshawe. Contributors: Arnold R. Alanen, Carlos Roberto Monteiro de Andrade, Sandra Annunziata, Robert Freestone, Christine Garnaut, Isabelle Gournay, Michael Hebbert, Susan R. Henderson, James Hopkins, Steven W. Hurtt, Alena Kubova-Gauché, Jean-François Lejeune, Maria Cristina a Silva Leme, Larry McCann, Mervyn Miller, John Minnery, Angel David Nieves, John J. Pittari, Jr., Gilles Ragot, David Schuyler, Mary Corbin Sies, Christopher Silver, André Sorensen, R. Bruce Stephenson, Shun-ichi J. Watanabe.

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By far the best collection of sources to introduce readers to Renaissance humanism in all its many guises. What distinguishes this stimulating and useful anthology is the vision behind it: King shows that Renaissance thinkers had a lot to say, not only about the ancient world--one of their habitual passions--but also about the self, how civic experience was configured, the arts, the roles and contributions of women, the new science, the 'new' world, and so much more. --Christopher S. Celenza, Johns Hopkins University

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At the time the expectations related to the Council were rather high. At its convocation Pope John XXIII expressed clearly that he expected nothing less than a new Pentecost from it. In the very last speech of the first session of the Council, Christopher Butler OSB stated: `the theology of the Church is in some way being reborn’ and he reminded the council fathers to see: `we have the opportunity to show to the eyes of the whole world that are turned upon us a new vision of the unchanging Christ’. What has become of this vision, what has become of the spirit and the letter of the Council more than fifty years after its closure? In this volume we have identified several areas where the question of the interpretation of the Council seems by no means settled. They regard divine revelation and human freedom, mission and dialogue, education and vocation, lay and ordained ministry in the Church. In light of the developments since the Council which rise new questions, the interpretation of both, the forgotten and unforgotten documents of Vatican II continues in critical reflection and fruitful discussion of still unresolved but all the more pressing issues.

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Jesus von Nazareth fordert uns zur Auseinandersetzung heraus, wenn wir ihn in dem verstehen, was er war und wofür er sich einsetzte: für das Kommen des Reiches Gottes bei den Menschen und für den Anbruch eines neuen Lebens der Versöhnung über alle Ausgrenzungen und Zerwürfnisse hinweg. Das gegenwärtig sich vollziehende Reich Gottes bestimmt auch Jesu Heilungen und seine Ethik. Dadurch aber geriet er in einen für ihn tödlichen Konflikt. Durch sein Wirken und seine Botschaft sahen sich seine Zeitgenossen genötigt, sich klar zu werden, wofür sie ihn hielten, und sich entweder zu ihm zu bekennen oder ihn abzulehnen. Noch in seiner Hinrichtung am Kreuz hielt er die unbedingte Liebe Gottes zu allen Menschen durch. Mit ihr ist er gestorben und in ihr ist er 'auferstanden', in Einheit mit Gott und jedem lebendig, dem er einleuchtet und dem er so als Christus Gott erschließt. - Diese Interpretation von Traugott Koch erklärt an der Person Jesu, wie es zum neutestamentlichen Christusbekenntnis und zur kirchlichen Christologie, aber auch zur Trennung zwischen Judentum und Christentum kam. Gleichzeitig stellt sie Jesus als geistige Provokation dar.

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When Christopher Straw was a little boy in Fort Littleton, PA, he wanted to be the first man to land on the moon. That was before the advent of Astronauts. He never reached the moon but when he grew up he was heavily involved in the new industry of U.S. space exploration.When Anna Lane was a little girl in Charleston, SC she craved a career as an actress who would have roles singing and dancing on Broadway and in Hollywood movies. She achieved those goals early with the addition of being in a new medium called television, where she became a star.When Raj Bhavnani was a little boy living on the outskirts of Sholapur, India, he wanted to appear knowledgeable in any and all things with the objective of becoming a world leader. To have such a triumph, he wanted to travel to lands beyond India. As an adult, many of his passions became realized.Raising the Baton is written as though the reader is in a first-row seat at a concert and the conductor has taken his standing position at the podium. He faces the orchestra; his back to the audience, and with one stroke the baton is watched by all those in attendance. The fuller and unlimited meaning for the three major figures is recorded within the book.

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Top Secret is definitely not the right word for the International Spy Museum—its launch in 2002 made news and it has been high-profile ever since, with attendance growing by leaps and bounds. The International Spy Museum Handbook of Practical Spying has already been declassified to the delight of those in the need-to-know. Now, following up on that success, here’s an illustrated biographical who’s who of spydom from biblical days to recent times. I Lie for a Living is a regular rogue’s gallery of history’s most accomplished intriguers and intelligence operatives, famous and infamous alike. It’s amazing how colourful some of these characters are, like 16th century playwright, brawler and secret agent Christopher Marlow or Virginia Hall and Josephine Baker, femmes fatales both. Organized into ten thematic chapters, this light-hearted but clear-eyed look at lone-wolf moles, double agents, and intricate triple-crosses unmasks a wide-ranging roster from covert patriots whose unheralded heroism sometimes cost them their lives to mercenary traitors for sale to the highest bidder, like Benedict Arnold or Aldrich Ames.

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The heyday of the Art Nouveau style was relatively short, spanning the decades immediately before and after 1900. However it was a tremendously important period, not only for its radical shift away from the academic and romantic movements of the late 19th century, but also for its embrace of nature and natural forms. This authoritative, accessible and beautifully illustrated book explores fifty of the most important works of the Art Nouveau style. From Mackmurdo's jacket design of Christopher Wren's City Churches to Sykes' sculpture, The Spirit of Ecstasy, each work is presented in double-page spreads that chronologically trace Art Nouveau's development and breadth-from architecture, Gaudi's Sagrada Familia, and from graphic arts, Toulouse-Lautrec's poster advertising the Divan Japonais, to home decor, lamps by Tiffany and Daum Freres and to painting, Munch's Madonnas and Walter Crane's Neptune's Horses. Each entry includes a full-page illustration and concise explanatory texts. An introductory essay on the history and legacy of Art Nouveau, along with brief biographies of the artists featured in the book, making this a comprehensive yet compact reference work.

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Buildings of every shape and size and from all corners of the world, populate this colourful and beautifully produced book that introduces children to history's most iconic architectural feats and the people behind them. In lively illustrated spreads, young readers will learn how Christopher Wren reconstructed an 11th-century cathedral after London's great fire of 1666 to become the St Paul's Cathedral that we know today and how its dome survived the Blitz. They will find out how Thomas Jefferson, in building his plantation, Monticello, created a new architecture for a new nation. They will be introduced to the genius of Frank Lloyd Wright, Le Corbusier, Mies van der Rohe and Zaha Hadid and can examine in detail the wonders of the Eiffel Tower, the Guggenheim Museum in Bilbao, Spain and Rome's most beautiful theatre. The book proceeds chronologically, accompanied by a timeline to offer helpful historical context. Each architect's entry includes a concise biography, illustrations of major works and lively texts that speak directly to young readers. Additional information about the buildings pictured, suggestions for further reading and online resources will satisfy the most curious of minds.

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A study of the sex killer Chris Halliwell who, having been arrested in 2011 for one murder, led police to the scene of a second. But the senior police officer blew it . . .Superintendent Steve Fulcher of Hampshire Police had not followed procedure, an error that was to see him severely censured, leading to his retirement from the force. Due to this monumental error in judgement infamous killer Christopher Halliwell could not be convicted of a second murder, despite his openly admitting having committed it. Fulcher was suspended for gross misconduct, and later quit the force. Halliwell, imprisoned for the first murder, was later convicted of the second, after a long and tortuous process of collecting new evidence. But among sixty items of women's clothing found when Halliwell's home was searched, only a few pieces belonged to his two known victims. For this and other reasons, the police, including Fulcher, remain convinced that he has killed other women known to have disappeared...This is a riveting account of a clever, dangerous and secretive killer, and of a police officer whose instincts led him to a second murder, but whose methods eventually brought about the end of his own career.

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God's rottweiler or shepherd of the faithful? There's no doubt about Benedict XVI's theological legacy. He's been at the center of every major theological controversy in the Catholic Church over the last fifty years. But he remains a polarizing figure, misunderstood by supporters and opponents alike. A deeper understanding of Benedict's theology reveals a man dedicated to the life and faith of the church. In this collection of essays, prominent Protestant theologians examine and commend the work of the Pope Emeritus. Katherine Sonderegger, Kevin Vanhoozer, and Carl Trueman-among others-present a full picture of Benedict's theology, particularly his understanding of the relationship between faith and reason and his pursuit of truth for the church. The global Christian faith can learn from Benedict's insight into the modern church and his desire to safeguard the future of the church by leaning on the wisdom of the ancient church. Contributors: Tim Perry Ben Myers Katherine Sonderegger Gregg R. Allison Kevin J. Vanhoozer R. Lucas Stamps Christopher R. J. Holmes Fred Sanders Carl R. Trueman David Ney Peter J. Leithart Joey Royal Annette Brownlee Preston D. S. Parsons Jonathan Warren P. (Pagán)

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It's Christmas-time, and Finmere Tingewick Smith (Fin to his friends) is back in Orrery House, with Christopher, one of his two best friends. They're there for the Initiation of the new Knights of Nowhere. The boys have tried to find some normalcy after their recent adventures, but they're badly missing Joe. He's stuck in the Nowhere, guarding two of the Five Eternal Stories that weave all the worlds together; they're held inside his own body. In the Somewhere, Christmas is a time of glad tidings and gifts and goodwill, Christmas trees, carols and the celebration of good things. But there is no Christmas in the Nowhere, and in both worlds, things are not as settled as they look, for Justin Arnold-Mather is getting ready to make his move. In the Nowhere, something is moving through the streets, attacking people - random victims - and leaving them mad and disfigured. And in Orrery House, a tiny crack has appeared in the Prophecy table.The Prophecy is coming alive. The battle lines will be drawn between even the closest of friends, for the fight is on. The Dark King is rising.

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The first decade of the twenty-first century saw a number of best-selling books which not only challenged the existence of god, but claimed that religious faith was dangerous and immoral. The New Atheists, as writers such as Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett have become known, sparked a vicious debate over religion's place in modern society. In After the New Atheist Debate, Phil Ryan offers both an elegant summary of this controversy and a path out of the cul-de-sac that this argument has become. Drawing on the social sciences, philosophy, and theology, Ryan examines the claims of the New Atheists and of their various religious and secular opponents and finds both sides wanting. Rather than the mutual demonization that marks the New Atheist debate, Ryan argues that modern society needs respectful ethical dialogue in which citizens present their points of view and seek to understand the positions of others. Lucidly written and clearly argued, After the New Atheist Debate is a book that brings welcome clarity and a solid path to the often contentious conversation about religion in the public sphere.

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In this revelatory career-length biography, produced through many hours of interviews with Danny Boyle, he talks frankly about the secrets behind the opening ceremony of the London Olympic Games as well as the struggles, joys and incredible perseverance needed to direct such well-loved films as Trainspotting, Slumdog Millionaire, 28 Days Later and Shallow Grave.Throughout his career Danny Boyle has shown that he has an incredible knack of capturing the spirit of the times, be they the nineties drug scene, the aspirations of noughties Indian slum-dwellers or the things that make British people proud of their nation today, from the NHS to the internet. In 2012, Danny Boyle was the Artistic Director for the opening ceremony of the London Olympic Games. He has been awarded an Oscar, a Golden Globe Award and two BAFTA awards for directing such influential British films as Shallow Grave, Trainspotting, 28 Days Later, Sunshine and Slumdog Millionaire. He has worked alongside such actors as Cillian Murphy, Ewan McGregor, Christopher Eccleston, Kelly Macdonald, Dev Patel and Rose Byrne. In this in-depth biography, Amy Raphael captures the optimism and determination of a driven individual in full career flight.

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What motivated the apostle Paul from his Damascus road experience through to the end of his life? That is the question driving this powerfully argued work by leading New Testament scholar Paul Barnett. Dr Barnett proposes that an understanding of Paul's years in Syria-Cilicia is critical for understanding his visit to Jerusalem, the mission to Galatia, the counter-mission of the 'agitators', the dispute with Cephas in Antioch and the implied dispute with James. Read this work and see Galatians in a different light. COMMENDATIONS "If you are remotely interested in New Testament Studies, especially the writings of Paul, this is an outstanding book to read. Paul Barnett does an excellent job in casting light on the lengthy period of time the Apostle spent in Syria and Cicilia. While in Syria, Paul formed his theology, which Barnett brings out extremely informatively. Barnett reflects on how Paul would have influenced the writings of Peter and James. This book is stimulating, informative and an invaluable resource. For anyone who takes the New Testament writings of Paul seriously, this book brings it all together and is a must-read." - Peter Christofides, Dean of Students, Lecturer in New Testament, Vose Seminary, Perth, Western Australia

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In 1987, Berlin as a whole became a laboratory for architecture. A wide range of notable buildings with a unique density was created in the East and the West in connection with the city’s 750th anniversary. While the buildings were vilified at the time, they now appear as important witnesses to a “postmodern” era of building, which called the traditional architecture of the modern living environment into question. Today, the buildings have disappeared, been modified, or are threatened with demolition. For the first time, the exhibition and publication examine the significance of the architectural visions developed in East and West Berlin in the final decade before the fall of the Berlin Wall. Architects included: Hinrich and Inken Baller, Christian Enzmann and Bernd Ettel, John Hejduk with Moritz Müller, Josef Paul Kleihues, Michael Kny and Thomas Weber, Hans Kollhoff, Dorothea Krause, Rob Krier, Peter Meyer, Frei Otto with Hermann Kendel, Martin Küenzlen and Günther Ludewig, Manfred Prasser, Günter Stahn, Helmut Stingl, James Stirling and Michael Wilford, Peter Stürzebecher, Kjell Nylund and Christof Puttfarken, Oswald Mathias Ungers, Solweig Steller-Wendland, and many more.

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Selected by editor Mireille Silcoff, the 2023 edition of Best Canadian Essays showcases the best Canadian nonfiction writing published in 2021.“Our current, tumultuous age” writes editor Mireille Silcoff, “is an important time for essayists, because in moments of great change, it’s good to have chroniclers with the presence of mind to step back and assess.” Silcoff’s selections for Best Canadian Essays 2023 do just that. In examinations of identity—personal, familial, racial, and cultural—and investigations of the far-reaching shockwaves of war; in mediations on illness and health, belonging and alienation, parents and children; in unexpected arguments about novel-writing, Donald Trump, and the Filet-O-Fish sandwich, the essays gathered here chart all kinds of boundaries, comprising, as Silcoff terms it, “a small bid for understanding that a border, a line drawn, need not be only the beginning or the end of something. That a frontier can be a place—indeed is the best place—for a conversation between sides to begin.”Featuring works by:Jamaluddin Aram • Sharon Butala • Kunal Chaudhary • Christopher Cheung • Emma Gilchrist • Michelle Good • Paul Howe • Jane Hu • Heather Jessup • Chafic LaRochelle • Stephen Marche • Kathy Page • Tom Rachman • M.E. Rogan • Allan Stratton • Sarmishta Subramanian

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When the R101 first took to the skies, she was the largest aircraft ever to fly. What followed was a tragic finale to a tale of human folly on a grand scale. 'I loved every page of this book.' THE TIMES, BEST HISTORY BOOKS OF 2023 In 1929, the R101 was the largest object ever to take to the air. It was meant to dazzle the world with cutting-edge technology and awesome size. Better than a plane, more luxurious than an ocean liner, the R101 would connect the furthest reaches of the British Empire, tying together far-flung dominions at a time when imperial bonds were fraying. It was, however, not to be. The spectacular crash of the British airship R101 in 1930 changed the world of aviation forever. Most have heard of the fiery crash of the Hindenburg, a German ship that went down in New Jersey seven years later. But the story of R101 and its forty-eight victims has largely been forgotten. His Majesty’s Airship recounts the epic narrative of the ill-fated airship and her eccentric champion, Christopher Thomson. S. C. Gwynne brings to life a lost world of aviators driven by ambition, and killed by hubris.

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The lives of 40 men and women behind some of the world’s most exciting gardens. Throughout history great gardeners have risen from all walks of life. Some have been aristocratic amateur gardeners, others professional designers with an international practice. Some have come to garden-making from sister arts such as sculpture or painting; others have been hands-on nurserymen or botanists. What they all have in common is the ability to take an idea and develop it in a new manner relevant to their times. The book contains four sections. ‘Gardens of Ideas’ moves from the politically allusive gardens of 18th-century England made by men such as William Kent, to Charles Jencks’s Scottish garden inspired by 21st-century cosmography. ‘Gardens of Straight Lines’ explores the lives of the great formalist gardeners, from Le Nôtre at Versailles to the rational English minimalism of contemporary designer Christopher Bradley-Hole. ‘Gardens of Curves’ begins with that great exponent of the English landscape garden, ‘Capability’ Brown, and leads to the extraordinary Brazilian designer Roberto Burle Marx. Finally, ‘Gardens of Plantsmanship’ moves from the father of naturalistic planting, William Robinson, to the sweeping prairies of New York’s favourite Dutch designer, Piet Oudolf.

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When Halt and Crowley discover that the ambitious Morgarath has been infiltrating the Rangers in order to corrupt the corps and, ultimately, steal the throne, they seek a royal warrant to stop him before it is too late. Yet when Halt and Crowley arrive in Gorlan, they discover just how close Morgarath's scheme is to taking root.Prince Duncan has already been taken prisoner and an imposter installed in his place. All the while, Morgarath has been earning trust and admiration from the Council of Barons while he secretly assembles a powerful force of his own. If the young Rangers are to prevent the coup from succeeding, they will need to prove their mettle in battles the like of which neither has ever faced . . . This origin story brings readers to a time before Will was a Ranger's apprentice, and lays the groundwork for the epic battles that have already captivated fans of the Ranger's Apprentice series around the world.Perfect for fans of J.R.R. Tolkien’s Lord of the Rings, T.H. White’s The Sword in the Stone, Christopher Paolini’s Eragon series and Rick Riordan’s Percy Jackson series.

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This collection of 26 essays range over the history of working men and women between the late 18th century and the present day, and brings back into print a selection of this celebrated historian's pioneering studies into labour history, together with more recent reflections previously unpublished in book form.Eric Hobsbawm's penetrating essays on labour history and social protest opened up a new field of study and set standards of wide-ranging, evocative, incisive analysis. Essays in this collection include the formation of the British working class; labour custom and traditions; the political radicalism of 19th century shoemakers; male and female images in revolutionary movements; revolution and sex; peasants and politics; and the common-sense of Tom Paine. More recent essays include meditations on the May Day holiday; the Vietnam War; socialism and the avantgarde; Mario Puzo, the Mafia and the Sicilian bandit Salvatore Giuliano; and the cultural consequences of Christopher Columbus. Throughout these essays runs a passionate concern for the lives and struggles of ordinary men and women - uncommon people, all of them.

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Essays on a wide range of topics including the role of early modern chess in upholding Aristotelian virtue; readings of Sidney, Wroth, Spenser, and Shakespeare; and several topics involving the New World. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The present volume opens with an essay on early modern chess, arguing that it covertly upheld an Aristotelian concept of virtue against the destabilizing ethical views of writers such as Machiavelli. This provocative opening is followed by iconoclastic discussions of Sidney's Astrophil and Stella, Wroth's Urania, and Spenser's Fairie Queen. The next essay investigates the mystery surrounding editorship of the 1571 printing of The Mirror for Magistrates. The essays then pivot into the exotic world of Hermetic "statue magic" in Shakespeare's Winter's Tale and the even more exotic worlds of alchemy, Aztec war gods, and conversion in sixteenth-century Mexico. Two further essays remain in the New World, the first examining the representational connections between the twelve Caesars and the twelve Inca kings, the second taking stock of Thomas Harriot's contribution to the understanding of Amerindian languages. The penultimate essay looks at Holbein's depiction of Henry VIII's ailing body, and the volume concludes with a complex analysis of guilt and shame in Molière's L'École des Femmes. Contributors: Jean Marie Christensen, William Coulter, Christopher Crosbie, Shepherd Aaron Ellis, Scott Lucas, Fernando Martinez-Periset, Timothy Pyles, Rachel Roberts, Jesse Russell, Janet Stephens, Weiao Xing. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.

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This is an in-depth study of every major aspect of Thomas Aquinas’ theology. Contributors offer fresh and compelling readings of Aquinas on the Trinity, creation theology, theory of analogy, anthropology, predestination and human freedom, evil and original sin, Christology and grace, soteriology, eschatology, sacramentology, ecclesiology, moral theology, the relation between theology and philosophy, and scriptural exegesis. Contributors to The Theology of Thomas Aquinas come from seven different countries and a variety of specialties within the discipline of theology. Their diverse perspectives add considerable merit to the depth and breadth of this project. Contributors both outline the thought of Aquinas in its own right and bring it into dialogue with present theological concerns. The high quality of these essays make this volume an invaluable reference tool. This book will establish itself as the best scholarly introduction to the theology of Thomas Aquinas. It belongs on the bookshelf of every theologian and Thomistic scholar, and it will be read with appreciation by students and scholars alike.

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The language of self-fulfilment, self-realization, and self-actualization (in short, 'authenticity') has become common in contemporary culture. The desire to be authentic is implicitly a desire to shape one's self in accordance with an ideal, and the concern for what it means to be authentic is, in many ways, the modern form of the ancient question what is the life of excellence? However, this notion of authenticity has its critics: Christopher Lasch, for instance, who equates it with a form of narcissism and Theodor Adorno, who views it as a glorification of privatism. Brian J. Braman argues that, despite such criticisms, it is possible to speak about human authenticity as something that addresses contemporary concerns as well as the ancient preoccupation with the nature of the good life. He refers to the work of Bernard Lonergan and Charles Taylor, thinkers who place a high value on the search for human authenticity. Lonergan discusses authenticity in terms of a three-fold conversion-intellectual, moral, and religious-while Taylor views authenticity as a rich, vibrant, and important addition to conversations about what it means to be human. Meaning and Authenticity is an engaging dialogue between these two thinkers, both of whom maintain that there is a normative conception of authentic human life that overcomes moral relativism, narcissism, privatism, and the collapse of the public self.

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Every generation of theologians must respond to its context by rearticulating the central tenets of the faith. Interreligious comparison has been integral to this process from the start of the Christian tradition and is especially salient today. The emerging field of comparative theology, in which close study of another religious tradition yields new questions and categories for theological reflection in the scholar’s home tradition, embodies the ecumenical spirit of this moment. This discipline has the potential to enrich systematic theology and, by extension, theological education, at its foundations. The essays in Comparing Faithfully demonstrate that engagement with religious diversity need not be an afterthought in the study of Christian systematic theology; rather, it can be a way into systematic theological thinking. Each section invites students to test theological categories, to consider Christian doctrine in relation to specific comparisons, and to take up comparative study in their own contexts. This resource for pastors and theology students reconsiders five central doctrines of the Christian faith in light of focused interreligious investigations. The dialogical format of the book builds conversation about the doctrine of God, theodicy, humanity, Christology, and soteriology. Its comparative essays span examples from Hindu, Buddhist, Jewish, Muslim, Jain, and Confucian traditions as well as indigenous Aztec theology, and contemporary “spiritual but not religious” thought to offer exciting new perspectives on Christian doctrine.

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In the United States, there exists increasing uneasiness about the predominance of self-interest in both public and private life, growing fear about the fragmentation and privatization of American society, mounting concerns about the effects of institutions—ranging from families to schools to the media—on the character of young people, and a renewed tendency to believe that without certain traditional virtues neither public leaders nor public policies are likely to succeed. In this thirty-fourth volume in The American Society of Legal and Political Philosophy, a distinguished group of international scholars from a range of disciplines examines what is meant by virtue, analyzing various historical and analytical meanings of virtue, notions of liberal virtue, civic virtue, and judicial virtue, and the nature of secular and theological virtue. The contributors include: Jean Baechler (University of Paris-Sorbonne), Annette C. Baier (University of Pittsburgh), Ronald Beiner (University of Toronto), Christopher J. Berry (University of Glasgow), J. Budziszweski (University of Texas), Charles Larmore (Columbia University), David Luban (University of Maryland), Stephen Macedo (Harvard University), Michael J. Perry (Northwestern University), Terry Pinkard (Georgetown University), Jonathan Riley (Tulane University), George Sher (University of Vermont), Judith N. Shklar (Harvard University), Rogers M. Smith (Yale University), David A. Strauss (University of Chicago), and Joan C. Williams (American University).

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Campegius Vitringa (16591722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (16031669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the first biography in English and compares his hermeneneutical theoria with his praxis. It analyzes Vitringas exegetical presuppositions, his remarkably high view of the Bible, and his canones hermeneuticos (highly valued by J.J. Rambach [16931735]). It shows Vitringas contextual sensitivity at every level of exegesis, commitment to New Testament normativity in the reading of Isaiah (in which redemptive history is the ultimate hermeneutical horizon), nuanced views on the historical fulfillment of prophecy, and concern for pastoral application. A scholars scholar, widely admired for his mastery of the languages and his intense historical focus in exegesis, Vitringa was also appreciated for his orthodox views, warm-hearted piety, and love for the church.

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The suggestion that the New Testament contains citations of early Christological hymns has long been a controversial issue in New Testament scholarship. As a way of advancing this facet of New Testament research, Matthew E. Gordley examines the Colossian hymn (Col 1:15-20) in light of its cultural and epistolary contexts. As a result of a broad comparative analysis, he claims that Col 1:15-20 is a citation of a prose-hymn which represents a fusion of Jewish and Greco-Roman conventions for praising an exalted figure. A review of hymns in the literature of Second Temple Judaism demonstrates that the Colossian hymn owes a number of features to Jewish modes of praise. Likewise, a review of hymns in the broader Greco-Roman world demonstrates that the Colossian hymn is equally indebted to conventions used for praising the divine in the Greco-Roman tradition. In light of these hymnic traditions of antiquity, the analysis of the form and content of the Colossian hymn shows how the passage fits well into a Greco-Roman context, and indicates that it is best understood as a quasi-philosophical prose-hymn cited in the context of a paraenetic letter. Finally, in view of ancient epistolary and rhetorical theory and practice, an analysis of the role of the hymn in Colossians suggests that the hymn serves a number of significant rhetorical functions throughout the remainder of the letter.

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One of the most mysterious texts from the Second Byzantine Iconoclasm (815-843) is the so-called Synodical Letter, purportedly sent by Patriarchs Christopher of Alexandria, Job of Antioch, and Basil of Jerusalem to Emperor Theophilos in 836. The earliest reference thereto is dated 945, whereas the oldest extant manuscript fragment is written in the ninth-century uncial. But was it a real missive or pious forgery? Several Greek texts deriving from the lost original do not prove sufficient ground for a confident answer. Among the main problems is the lack of protocol elements indispensable for a document of this kind. Those elements, however, are present in the Slavonic text entitled Mnogosloznyj Svitok, which corresponds to "Polustichos tomos" in Greek. A thorough scrutiny has revealed that this is the closest version we possess to the original Letter. The Slavonic, besides indications of place (Jerusalem) and date (836) within the main text, contains two solid termini ante quos, 837 and 838, and names the actual compiler of the Letter - a certain monk Basil, who can very well be identical with the hagiographer Basil of Emesa. The latter in his Life of Theodore of Edessa claims to have attended a synod in Jerusalem, presumably that of 836. This book presents a critical edition of the Slavonic text together with corresponding Greek fragments, English translation, and Glossary. Russian translation is also attached.

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We know the shape of the world today because ships of the mid-fiftennth to mid-eighteenth centuries, driven by wind and human muscle, were navigated into every last bay and estuary on Earth searching for new riches. First the take was spices and other exotic products of the Orient, then gold and ivory from Africa, followed by beaver pelts, coffee, and goods from the Americas, and finally luxurious sea otter pelts from the Northwest Coast of North America. The ships that made these voyages evolved over time and their navigators benefited from centuries of accumulated experience. Voyages recounts the extraordinary feats of more than twenty of Europe's most daring maritime explorers as they ventured into the unknown and braved uncharted territory, including Christopher Columbus, Bartolomeu Dias, Vasco da Gama, John Cabot, Giovanni da Verrazzano, Jacques Cartier, Martin Frobisher, Ferdinand Magellan, Francis Drake, and James Cook. Exquisitely illustrated with almost 100 of Gordon Miller's paintings, many detailed maps, and ship drawings, Voyages reveals the evolution of maritime technologies, the rise and fall of maritime empires, the extreme dangers of sailing uncharted waters, the courage and brutality of life at sea, and the discovery of new continents, cultures, and products. Through their voyages, these ships and sailors defined the true dimensions of the oceans and coastlines of the world.

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Das Handbuch zeichnet die Tendenzen des Umgangs mit „Alter Musik“ heute und in der Vergangenheit nach und informiert konkret und detailreich über die verschiedenen Richtungen der Historischen Aufführungspraxis. Es betrachtet typische Erscheinungsformen der Szene, analysiert das Verhältnis zwischen Musikforschung und Musikbetrieb und nimmt die sozialen Bedingungen von Musikern in den Blick. Ergänzt werden die von renommierten internationalen Autorinnen und Autoren verfassten Sachkapitel durch 14 Interviews mit Leitfiguren der Alte Musik-Szene u.a. Jordi Savall, Katharina Bäuml, Christophe Rousset, René Jacobs oder Dorothee Oberlinger. Anfangs eine Sache weniger Spezialisten, wurde das Musizieren auf historischen Instrumenten und mit historischen Spielweisen in den 1970er- und 1980er-Jahren zu einer Bewegung mit kulturpolitischen Implikationen und ist heute selbstverständlicher Bestandteil des Musiklebens. Die Szene ist mittlerweile auch durch Pragmatismus, vor allem aber durch die Suche nach künstlerischen Entfaltungsmöglichkeiten der ganz überwiegend freien Ensembles geprägt. So hat die Historische Aufführungspraxis z. B. zu einer Renaissance der Barockoper an den Bühnen geführt, eine neue Kultur des Improvisierens und Arrangierens befördert, das Ziel einer Erweiterung des Repertoires für Alte Musik bis ins 19. Jahrhundert hinein verfolgt, Techniken der Rekonstruktion nicht schriftlich überlieferter Musik erarbeitet und Grenzüberschreitungen zu andern Musikgenres betrieben. All dies kommt in diesem Handbuch anschaulich zur Sprache.

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The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s. The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinéma des auteurs of the 1960s. This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln.

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'An epic tale . . . told relentlessly well. If you want to read a serious account of the price of Zionism, and a sobering review of Israel's new role as conqueror and occupier, then Hirst is your man.' Christopher HitchensA myth-breaking general history of the Israeli-Palestinian conflict, The Gun and the Olive Branch traces events right back to the 1880s to show how Arab violence, although often cruel and fanatical, is a response to the challenge of repeated aggression.Banned from six Arab countries, kidnapped twice, David Hirst, former Middle East correspondent of the Guardian, is the ideal chronicler of this terrible and seemingly insoluble conflict. The new edition of this 'definitive' (Irish Times) study brings the story right up to date. Amongst the many topics that are subjected to Hirst's piercing analysis are: the Oslo peace process, the Israeli occupation of the West Bank and Gaza, the destabilising effect of Jewish settlement in the territories, the second Intifada and the terrifying rise of the suicide bombers, the growing power of the Israel lobby - Jewish and Christian fundamentalist - in the United States, the growth of dissent in Israel and among sections of America's Jewish population, the showdown between Sharon and Arafat and the spectre of nuclear catastrophe that threatens to destroy the region.'[Hirst's] peerless reporting has earned him curses, expulsion and respect in virtually every country in the region.' Guardian

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The story of the building of an iconic mid-century housing estate, that is often seen as the model for housing architecture. Fully illustrated with commissioned photography of the interiors and exteriors, archive images and newly commissioned writing by leading architectural historians, plus interviews with people on the estate to capture their story. Following World War II, the population in the City of London plummeted, and with a duty to provide housing for those working in the area – such as nurses, policemen and doctors – the City Corporation commissioned architect Geoffry Powell in 1952 to design the Golden Lane Estate. Powell invited Christoph Bon and Jo Chamberlin to join him in developing a detailed design for the Estate. They would later become Chamberlin, Powell & Bon, working on world-renowned projects such as the Barbican Estate and the University of Leeds. Golden Lane Estate, now Grade II and Grade II* listed is often cited as being a model estate. With its high level of detailing, use of materials, colour, its humane scale, thoughtfulness of space, light, communal spaces, leisure facilities and integrated shops, it is exemplary, particularly for social housing. It was deemed as a success from the off and remains popular today, with many original tenants and/or their families still choosing to live there. What sets the estate apart is the sense of community and neighbourliness which is promoted by the architecture and design.

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Odette, who looks like Linda Lusardi in a DKNY suit and has more zeros at the end of her bank balance than an astronaut's altimeter, decides to throw up the high-powered job that doesn't leave time for relationships and start her own club/restaurant. When the venture seems doomed before it has even begun by a rival chef who is as gorgeous as Jean Christophe Novelli and as temperamental as Marco Pierre White, Odette determines on revenge. Accepting a menial job in her enemy's kitchen, she plots his downfall - but ends up getting her heart broken, fingers burnt and her goose cooked. . .

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The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals. Notable among these in the early decades of the century were Frank Hindley Smith and Mrs W F R Weldon, while since the Second World War the Museum's collections have been enriched through gifts and requests from Thomas Balston, R A P Bevan, Molly Freeman, Christopher Hewett and others. This book gives the reader a taste of the wide range of the collection, with its representative group of Camden Town and Euston Road School pictures, and important early works by Bonnard, Picasso and Matisse.

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Agatha Christie’s ingenious mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers. Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. As his blood drips into the water, John Christow gasps one final word: ‘Henrietta’. In the confusion, a gun sinks to the bottom of the pool. Poirot’s enquiries reveal a complex web of romantic attachments. It seems everyone in the drama is a suspect – and each a victim of love.

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Mike Gonzalez and Katharine Gorka document the Left’s metamorphosis into a bastardized, racialized Marxism that is a threat to everything Americans hold dear. In this deeply insightful book, readers will understand the nature of the beast—and how to fight it in their communities. — Christopher Rufo, Senior Fellow, Manhattan InstituteMany Americans believe that the United States is in decline. They see a country that has become unrecognizable: where individuals are reduced to their race, ethnicity, or sexual identity; where children are indoctrinated into radical ideologies; where anti-semitism has become widespread. This book explains how all of these ills are rooted in Marxism. To be sure, it is not Soviet Marxism, but a Marxism that was shaped by European intellectuals, adapted and refined by America’s student radicals of the 1960s, and diffused through

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How can leaders craft political institutions that will sustain the peace and foster democracy in ethnically divided societies after conflicts as destructive as civil wars? Under turbulent conditions the leaders of ethnic groups, governments, and international organizations face the challenge of designing political arrangements that can simultaneously meet the tests of equal representation, democratic accountability, effective governance, and political stability. At critical junctures in the transition from intense (often violent) conflict, power-sharing arrangements may offer a compromise acceptable to most ethnic elites. Philip G. Roeder and Donald Rothchild find that these short-term accommodations come with high longer-term costs: the very institutions that provide a basis to end a conflict in an ethnically divided country may hinder the consolidation of peace and democracy over the longer term. The contributors to Sustainable Peace examine institutional settlements in Ethiopia, Lebanon, India, and South Africa as well as the Soviet successor states, south Asia, central Africa, west Africa, and the Balkans. Roeder, Rothchild, and most of the contributors conclude that power-dividing, rather than power-sharing, solutions are more likely to result in durable political compacts and peace. Contributors: Amit Ahuja, University of Michigan; Eduardo Alemán, University of Houston; Valerie Bunce, Cornell University; Caroline Hartzell, Gettysburg College; Matthew Hoddie, Texas A&M University; Edmond J. Keller, UCLA; David A. Lake, University of California, San Diego; Benjamin Reilly, Australian National University; Philip G. Roeder, University of California, San Diego; Donald Rothchild, University of California, Davis; Timothy D. Sisk, University of Denver; Lahra Smith, UCLA; Christoph Stefes, University of Colorado, Denver; Daniel Treisman, UCLA; Ashutosh Varshney, University of Michigan; Stephen Watts, Cornell University; Marie-Joëlle Zahar, Université de Montréal

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