Search results for ""author christo"

Lejos de incurrir en el lugar común que tilda a los etruscos de pueblo enigmático o misterioso, Christopher Smith aborda en este libro una aproximación completa y rigurosa, por más que concisa, al conocimiento de esta civilización singular que precedió a Roma en el dominio de la península Itálica a lo largo de cinco siglos. El autor sitúa a este pueblo dentro de su contexto histórico: un mundo mediterráneo dentro el cual fueron actores importantes en el periodo de su máximo esplendor (ss. IX-V a.C.), como civilización poderosa, refinada y hegemónica en un emplazamiento relevante dentro del mismo. Aunque centrada en sus manifestaciones más importantes y en la época de su apogeo, esta breve introducción, que acoge los más recientes progresos en el estado de la historia de los etruscos, abarca desde sus primeros testimonios en la Edad del bronce tardía (s. XIII a.C.) hasta el final del ?periodo romano? (s. I a.C).

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Das Gottesbild der Offenbarung des Johannes erweist sich bei näherem Hinsehen als ausgesprochen facettenreich und religionshistorisch wie theologisch komplex. Der Sammelband geht auf eine Tagung an der Universität Wien zurück und beleuchtet die intertextuellen Bezüge zum Alten Testament, die Vernetzungen mit der zeitgenössischen römisch-hellenistischen Leitkultur und die staats- wie sozialkritische Seite dieses Gottesbildes. Mit der Frage nach wesensmäßiger oder funktionaler Dimension der Christologie sowie den auf Christus übertragenen Gottesepitheta wird die monotheistische Verankerung des Gottesbildes der Johannesoffenbarung in den Blick genommen und durch Gemeinsamkeiten und Unterschiede zu Gottesaussagen im Johannesevangelium ergänzt. Die Perspektive der Wirkungsgeschichte in der modernen Literatur rundet den Band ab.

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Wimbledon: The Pinnacle of Sport is a beautiful photographic celebration of The Championships. Its 254 beautifully printed pages are packed with stunning images from a golden era of tennis when greats of the game like Roger Federer, Raphael Nadal, Novak Djokovic, Andy Murray and Serena and Venus Williams graced the famous grass courts of London SW19. Alongside wonderful action shots of players are unique views and atmospheric images that capture the very special look and feel of Wimbledon. The official book also features a foreword by Tim Henman, an essay on ''Why Wimbledon is at the Pinnacle of Sport'' by renowned American tennis writer Christopher Clarey and is curated by former All England Club Chairman Ian Hewitt, and Photographic Chief Bob Martin.

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Motoring journalist Ashley Hollebone reveals for the first time the full story behind the hovercraft, a wonderful British invention that was created in a back shed from a rusty food tin and an old hair dryer – simple yet remarkable! Christopher Cockerell’s 1950s invention has found a multitude of uses across numerous arenas, from cross-Channel ferries and leisure cruising to racing at up to 80mph; it has modernised travel and has an impressive safety record, yet despite this little has been written about this, one of the most innovative modes of transport. This colourful book decisively redresses the balance and comprehensively reveals the history of the hovercraft, through photographs and diagrams, making it an invaluable addition to every enthusiast’s library.

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Jacques Derrida's prolific output has been the delight (and sometimes the despair) of philosophers and literary theorists for over twenty years. His influence on the way we read theoretical texts continues to be profound. No serious contemporary thinker can fail to come to terms with deconstruction and there have been a number of monographs devoted to his work. Very few, however, have combined a critical edge with a detailed knowledge of his writing. The contributors to this volume were each asked - in the most positive sense - to take just such a critical approach. There are substantive papers by Jean-Luc Nancy, Manfred Frank, John Sallis, Robert Bernasconi, Irene Harvey, Michel Haar, Christopher Norris, Geoff Bennington, John Llewelyn and an introduction by David Wood.

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The TARDIS takes the Doctor and Rose to a destination in deep space - Justicia, a prison camp stretched over seven planets, where Earth colonies deal with their criminals. While Rose finds herself locked up in a teenage borstal, the Doctor is trapped in a scientific labour camp. Each is determined to find the other, and soon both Rose and the Doctor are risking life and limb to escape in their distinctive styles. But their dangerous plans are complicated by some old enemies. Are these creatures fellow prisoners as they claim, or staging a takeover for their own sinister purposes? Featuring the Ninth Doctor and Rose as played by Christopher Eccleston and Billie Piper in the hit Doctor Who series from BBC Television

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MPT’s spring issue ’Our Small Universe’ focuses on the many languages of the United Kingdom - from Romani to Welsh; Shetlandic to BSL; Turkish to Ulster Scots – and features Owen Sheers, Zoe Brigley, Liz Berry, MacGillivray, David Morley, Al-Saddiq Al-Raddi and Matthew Hollis. Cyril Jones and Philip Gross collaborate using the Welsh `englyn’ form, and Sophie Herxheimer writes in her Grandmother’s `Inklisch’. Also: an introduction to Rohingya poetry, Zeina Hashem Beck’s bilingual form, the Duet, and a new translation of Konstanty Ildefons Gałczyński’s major modernist poem `A Trip to Świder’ by Renata Senktas and Christopher Reid. All this and more in the groundbreaking magazine dedicated to poetry in translation: for the best in world poetry read MPT.

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These lectures were delivered by Seamus Heaney while he was Professor of Poetry at Oxford University. In the first of them, Heaney discusses and celebrates poetry's special ability to redress spiritual balance and to function as a counterweight to hostile and oppressive forces in the world. He proceeds to explore how this 'redress' manifests itself in a diverse range of poems and poets, including Christopher Marlowe's 'Hero and Leander', 'The Midnight Court' by the eighteenth-century Irish poet Brian Merriman, John Clare's vernacular writing and Oscar Wilde's 'The Ballad of Reading Gaol'. Several twentieth-century poets are also discussed - W. B. Yeats, Dylan Thomas, Elizabeth Bishop and others - and the whole book constitutes a vivid proof of the claim that 'poetry is strong enough to help'.

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History is broken, and three kids must travel back in time to set it right! When best friends Dak Smyth and Sera Froste stumble upon a secret of time travel - a hand-held device known as the Infinity Ring - they're swept up in a centuries-long secret war for the fate of mankind. Recruited by the Hystorians, a secret society that dates back to Aristotle, the kids learn that history has gone disastrously off course. Now it's up to Dak, Sera and teenage Hystorian-in-training Riq to travel back in time to fix the Great Breaks ... and to save Dak's missing parents while they're at it. First stop: Spain, 1492, where a sailor named Christopher Columbus is about to be thrown overboard in a deadly mutiny.

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Few observers of Mexico and Brazil in the 1930s, or South Korea and Taiwan in the mid-1950s, would have predicted that these nations would become economic "miracles" several decades later. These newly industrializing countries (NICs) challenge much of our conventional wisdom about economic development and raise important questions about international competitiveness and export success in manufacturing industries. In this volume economists, sociologists, and political scientists seek to explain the growth of the NICs in Latin America and East Asia and to reformulate contemporary development theory through an in-depth analysis of these two dynamic regions. Gary Gereffi and Colin I. Bradford, Jr., provide an overview of national development trajectories in Latin America and East Asia, while Barbara Stallings, Gereffi, Robert R. Kaufman, Tun-jen Cheng, and Frederic C. Deyo discuss the role of foreign capital, governments, and domestic coalitions in shaping development outcomes. Gustav Ranis, Robert Wade, Chi Schive, and Ren Villarreal look at the impact of economic policies on industrial performance, and Fernando Fajnzylber, Ronald Dore, and Christopher Ellison with Gereffi examine new agendas for comparative development research. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A handsome photographic tribute to The Ramble, the untamed “wild garden” of Central Park in New York City. For many New Yorkers, Central Park is Manhattan’s crown jewel and what makes the city livable year round. For tourists, this urban oasis is a must-see destination on any sightseeing visit. For acclaimed photographer Robert A. McCabe, Central Park is defined by its Ramble—a densely forested thirty-eight acres replete with stunning lake vistas, enormous granite boulders, a canopy of trees, winding paths and streams, and ornate and rustic bridges. McCabe’s photographs in The Ramble in Central Park: A Wilderness West of Fifth have captured this wooded labyrinth in its off-the-beaten-path glory in its most photogenic seasons. The Ramble in Central Park is primarily organised by four regions, supplemented by one large map by Christopher Kaeser of the entire area and four close-ups of each section. The text is a series of essays by writers including The New Yorker’s E. B. White and C. Stevens. Topics cover the history of the park’s creation by Frederick Law Olmsted and Calvert Vaux, and the failed attempt of Robert Moses to essentially eliminate the Ramble in the 1950s, as well as the Ramble’s 250 species of woodland birds and the area’s remarkable geology and plant life. A compelling introduction by Central Park Conservancy President and Administrator Douglas Blonsky describes the recent renovation and continued protection of the Ramble. This photography book should appeal to nature lovers, bird watchers, and New York residents and visitors alike. It is the perfect tourist souvenir before or after a visit to Central Park and The Ramble. .

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This is the first book-length study of Forster’s posthumously-published novel. Nine essays focus exclusively on Maurice and its dynamic afterlives in literature, film and new media during the twentieth and twenty-first centuries. Begun in 1913 and revised over almost fifty years, Maurice became a defining text in Forster’s work and a canonical example of queer fiction. Yet the critical tendency to read Maurice primarily as a ‘revelation’ of Forster’s homosexuality has obscured important biographical, political and aesthetic contexts for this novel. This collection places Maurice among early twentieth-century debates about politics, philosophy, religion, gender, Aestheticism and allegory. Essays explore how the novel interacts with literary predecessors and contemporaries including John Bunyan, Oscar Wilde, Havelock Ellis and Edward Carpenter, and how it was shaped by personal relationships such as Forster’s friendship with Florence Barger. They close-read the textual variants of Forster’s manuscripts and examine the novel’s genesis and revisions. They consider the volatility of its reception, analysing how it galvanizes subsequent generations of writers and artists including Christopher Isherwood, Alan Hollinghurst, Damon Galgut, James Ivory and twenty-first-century online fanfiction writers. What emerges from the volume is the complexity of the novel, as a text and as a cultural phenomenon.

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This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor

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"Notice is hereby given to all persons, that Christopher Carson, a boy about 16 years old, small of his age, but thick-set; light hair, ran away from the subscriber, living in Franklin, Howard County, Missouri, to whom he had been bound to learn the saddler's trade. . . . One cent reward will be given to any person who will bring back the said boy.''This notice appeared in the Missouri Intelligencer of October 6, 1826, at about the same time that Kit Carson, in the humble role of "cavvy boy" in Bent's Santa Fé caravan, embarked upon his notable career. Thirty years later, a postgraduate of the University of the Wilderness, and for a decade past a national hero, he was persuaded to dictate to a literate friend his own story of his life to date.The account—as modest and undemonstrative as Carson's feats were remarkable—covers his life as a trapper, Indian fighter, guide, and buffalo hunter up to the fall of 1856. Among the high spots during these years were his trapping expedition to California with Ewing Young (1829–1831), his celebrated duel with Shunar at the Green River rendezvous of 1837, the three expeditions with John C. Frémont (1842, 1843–1844, 1845), his exploits in the Mexican War (l846–1848), and his service as an Indian agent.

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First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones. J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’. This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.

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First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones. J.R.R. Tolkien’s linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in ‘A Secret Vice’, ‘the making of language and mythology are related functions’. In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938–9, ‘On Fairy-Stories’, which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled ‘A Hobby for the Home’, where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: ‘the construction of imaginary languages in full or outline for amusement’. This talk would be edited by Christopher Tolkien for inclusion as ‘A Secret Vice’ in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien’s art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his ‘Essay on Phonetic Symbolism’, goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien’s mythology and the role of imaginary languages in fantasy literature.

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WINNER OF THE 2019 PEN HESSELL-TILTMAN PRIZE The fascinating history of Christopher Columbus’s illegitimate son Hernando, guardian of his father’s flame, courtier, bibliophile and catalogue supreme, whose travels took him to the heart of 16th-century Europe’ Honor Clerk, Spectator, Books of the Year This is the scarcely believable – and wholly true – story of Christopher Columbus' bastard son Hernando, who sought to equal and surpass his father's achievements by creating a universal library. His father sailed across the ocean to explore the known boundaries of the world for the glory of God, Spain and himself. His son Hernando sought instead to harness the vast powers of the new printing presses to assemble the world’s knowledge in one place, his library in Seville. Hernando was one of the first and greatest visionaries of the print age, someone who saw how the scale of available information would entirely change the landscape of thought and society. His was an immensely eventual life. As a youth, he spent years travelling in the New World, and spent one living with his father in a shipwreck off Jamaica. He created a dictionary and a geographical encyclopaedia of Spain, helped to create the first modern maps of the world, spent time in almost every major European capital, and associated with many of the great people of his day, from Ferdinand and Isabel to Erasmus, Thomas More, and Dürer. He wrote the first biography of his father, almost single-handedly creating the legend of Columbus that held sway for many hundreds of years, and was highly influential in crafting how Europe saw the world his father reached in 1492. He also amassed the largest collection of printed images and of printed music of the age, started what was perhaps Europe's first botanical garden, and created by far the greatest private library Europe had ever seen, dwarfing with its 15,000 books every other library of the day. Edward Wilson-Lee has written the first major modern biography of Hernando – and the first of any kind available in English. In a work of dazzling scholarship, The Catalogue of Shipwrecked Books tells an enthralling tale of the age of print and exploration, a story with striking lessons for our own modern experiences of information revolution and Globalisation.

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What did it mean to have an ‘Irish’ dwelling in the nineteenth century? How did Irish people write about, think about, visually represent or imagine what constituted home? Showcasing research from scholars based in Ireland, the United Kingdom and further afield, this interdisciplinary volume seeks to answer these questions by exploring the physicality and symbolism of Irish dwellings, and the home as a place of repose, exercise and work. Using a range of methodological approaches including history, folklore and literature, this volume offers new perspectives on the material culture of home, fictionalized homes, social housing schemes, suburban living spaces, home and social mobility, institutional living, migration and memories of the home-house, and gender and eviction. Rather than focus on the Big House, which has already received considerable scholarly attention, this volume foregrounds dwelling spaces that were especially vulnerable to economic forces: the homes of the urban and rural poor. Additionally, the book acknowledges the importance to nineteenth-century Ireland of a class that has arguably received even less attention in Irish scholarship than the poor, a rising urban/suburban middle class, exploring their impact on housing and on cultural and leisure activities. An Open Access version of Christopher Cusack's chapter '"Back into the old homestead": The Irish Cottage in Irish-American Fiction, 861−1910' will be made available on publication.

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In 1910 Mexicans rebelled against an imperfect dictatorship; after 1940 they ended up with what some called the perfect dictatorship. A single party ruled Mexico for over seventy years, holding elections and talking about revolution while overseeing one of the world's most inequitable economies. The contributors to this groundbreaking collection revise earlier interpretations, arguing that state power was not based exclusively on hegemony, corporatism, or violence. Force was real, but it was also exercised by the ruled. It went hand-in-hand with consent, produced by resource regulation, political pragmatism, local autonomies and a popular veto. The result was a dictablanda: a soft authoritarian regime.This deliberately heterodox volume brings together social historians, anthropologists, sociologists, and political scientists to offer a radical new understanding of the emergence and persistence of the modern Mexican state. It also proposes bold, multidisciplinary approaches to critical problems in contemporary politics. With its blend of contested elections, authoritarianism, and resistance, Mexico foreshadowed the hybrid regimes that have spread across much of the globe. Dictablanda suggests how they may endure.Contributors. Roberto Blancarte, Christopher R. Boyer, Guillermo de la Peña, María Teresa Fernández Aceves, Paul Gillingham, Rogelio Hernández Rodríguez, Alan Knight, Gladys McCormick, Tanalís Padilla, Wil G. Pansters, Andrew Paxman, Jaime Pensado, Pablo Piccato, Thomas Rath, Jeffrey W. Rubin, Benjamin T. Smith, Michael Snodgrass

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David N. Beauregard explores and reexamines Shakespeare's theology in Catholic Theology in Shakespeare's Plays from the standpoint of current revisionist history of the English Reformation. This new perspective is based on three developments. Currently, there is a steadily growing interest in Shakespeare's Catholic background. Recent evidence has surfaced strongly suggesting that Shakespeare's father and daughter were both Catholic. John Shakespeare's 'Spiritual Testament' and his presence on the recusant rolls are now accepted as indications of his Catholicism, and the listing of Susanna Shakespeare by the Stratford ecclesiastical court as among those 'popishly affected' suggests a continuity of Catholicism in the Shakespeare family. Second, the revival of the theory that Shakespeare's 'lost years' were spent in the service of a Lancashire Catholic nobleman accords with these indications. Third, and most importantly, the work of Christopher Haigh, Eamon Duffy, J. J. Scarisbrick, and others has led to a revised understanding of the English Reformation, which maintains that the English Reformation was imposed from above but resisted by the general populace so that it took root very slowly. In the words of Christopher Haigh, late sixteenth-century England was a 'Protestant nation, but not a nation of Protestants.' These three recent developments indicate an obvious need for a reconsideration of Shakespeare's theology. This study examines his plays from the perspective of Catholic theology and the revisionist history of the English Reformation to provide an even view of Shakespeare's theology. It describes the effect of Catholic theology on the plays, noting points of difference in theological doctrine, sacramental liturgy, and devotional practice.

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These proceedings include eight presentations. Two of them focus on the role played by the river axes and the geography of river basins as factors of circulation and settlement of Palaeolithic hunter gatherers on the European scale (Francois Djindjian) and in the surroundings of the Jura Mountains (Gérald Bereiziat and Harald Floss). José Javier Piña Abellán describes how the central valley of the River Jabalón (Ciudad Real, Spain) was peopled in the course of the second millennium B.C., and how the inhabitants still maintain a close link to the hydrography. Frederic Cruz and Christophe Petit provide new insights into the organization of the princely residences’ territories of the late Hallstatt era in the North-Western region of the Alps, taking into account their relationship to the environment, and especially the distance from the valleys. Ana Lucia Herberts documents how river crossings and related drainage structures played a crucial role in setting cattle trails in Brazil to drive the cattle from their pasture lands to the major market places in remote cities. A 3-D modelling using LiDAR altimetry has been used by Sabine Schellberg, Benoît Sittler, and Werner Konold to reconstruct water meadows that were used in historical times in the upper Rhine Valley. In their paper, Sandrine Robert and Hélène Noizet develop, as an example illustrating resilience, how an ancient meander of the River Seine, which was filled in Antiquity, still dictates the layout of the network of the streets of Paris. Lastly, Martin Orgaz and Norma Ratto addressed the social construction of landscapes by relating Inca sites to the Tinogasta region (Catamarca, Argentina) rivers whose visual features (the colour red) may be regarded as a factor that governed the selection of sites.

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Despite its apparent throwaway status, the stock image comprises the primary commodity of a billion-dollar global industry with far-reaching effects in the marketplace and the public sphere. Taking this overlooked facet of contemporary life as a point of departure, Ordinary Pictures explores the photographic apparatuses and commercial interests that have given rise to our generic image culture through the conceptual image-based work of some 40 artists, including John Baldessari, Steven Baldi, Sarah Charlesworth, Anne Collier, Liz Deschenes, John Divola, Aleksandra Domanovi´c, Hans-Peter Feldmann, Morgan Fisher, Hollis Frampton, Jack Goldstein, Rachel Harrison, Robert Heinecken, Leslie Hewitt, Elad Lassry, Louise Lawler, Sherrie Levine, Steve McQueen, Jack Pierson, Peter Piller, Seth Price, Amanda Rossotto, Ed Ruscha, Steven Shore, Sturtevant, Mungo Thomson, Wolfgang Tillmans, Tseng Kwong Chi, Julia Wachtel and Christopher Williams. Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution. Through the work of these artists and a series of scholarly essays, the catalogue aims to examine different operations of the generic image in culture, namely its anonymous circulation and editorial uses, its adaptability and reproducibility, its technical processes of production, its claim to copyright and artistic license and its tendency toward abstraction. Featuring a unique, coil-bound design reminiscent of stock photo catalogues and a flexidisc recording by the artist Jack Goldstein, this highly collectible book ultimately reflects on contemporary art’s own complicit function as an expanding industrial image economy.

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Cuba is a land of contradictions that is easy to enjoy but difficult for first-time visitors to decipher. The largest island in the Caribbean, it is a tropical paradise that Christopher Columbus called "the most beautiful land that human eyes have ever seen." It is famous for the romantic charm of its crumbling colonial cities, the beauty of its white sand beaches, and its irresistible Afro-Cuban dance beats. But it is also a land of shortages and tight government control, which has been in a sixty-year political standoff with its superpower neighbor, the USA. The homegrown version of single-party socialism created by Fidel Castro has kept Cuba in a Cold War time warp that only now is beginning to change. As travel restrictions are relaxed US tourists can once again visit the island. Greater flexibility toward private enterprise is opening it up to boutique hotels and high-quality home-based restaurants. There is a boom in special-interest tourism for cyclists, hikers, birdwatchers, and scuba divers, while foreign entrepreneurs are eagerly exploring investment opportunities. Culture Smart! Cuba will take you beyond the usual descriptions of Havana nightlife, vintage cars, and hand-rolled cigars and give you an insider's view of an island that is teetering on the brink of historic change. It offers insights into Cuba's fascinating history, national icons, unique food, vibrant cultural scene, and world-renowned music. Practical tips help business travelers gain an edge on the competition. But most of all, this book aims to show you how best to break the ice and get a better understanding of the infinitely resourceful Cuban people, who despite severe hardships and shortages over many years remain optimistic and fiercely proud of their heritage and culture.

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En la década de 1960, Marshall McLuhan fue considerado el pensador más importante desde Newton, Darwin y Einstein. Sin embargo, después de su muerte en 1980 sus investigaciones y predicciones sobre el impacto de los medios de comunicación se juzgaron a menudo como irrelevantes e ingenuas. Sólo en los últimos años el McLuhanismo parece resucitar. Cuáles son las razones de este revival?Christopher Horrocks sostiene en este libro que las transformaciones radicales en los medios de comunicación y las tecnologías audiovisuales han dado un nuevo vigor al famoso lema de McLuhan: El medio es el mensaje. En la actualidad, sus criterios sobre la aldea global y los medios calientes y fríos se han introducido en los discursos sobre el impacto sensorial, psicológico y social de la realidad virtual y el ciberespacio. Marshall McLuhan y la virtualidad analiza el pensamiento de McLuhan en relación con la revolución de la información, valora sus incursiones en la cultura auditiva y

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Hiperficción es un ensayo multidisciplinar (literatura, cine, videojuegos, artes plásticas, artes escénicas, etc.) realizada al estilo de los libros de ?Elige tu propia aventura?. Cuenta con cinco o más itinerarios posibles de lectura y más de 40 contenidos adicionales. Enlaces a vídeos, documentales, tráilers, entrevistas, reportajes, producciones interactivas y webs, que se pueden visualizar mediante el uso de códigos QR o de la web de la productora cinematográfica y editorial Cinestesia: www.cinestesia.es. Este ensayo pretende mostrar la evolución del hipertexto y la hiperficción en la literatura, en el cine y en los videojuegos, en relación con otras artes y disciplinas, a partir de los autores y las obras más destacadas, generalmente no lineales. Desde escritores como Jorge Luis Borges, Julio Cortázar, William S. Burroughs, Italo Calvino o James Joyce a cineastas como Luis Buñuel, David Lynch, Jim Jarmusch, Quentin Tarantino o Christopher Nolan. Capítulos que van desde las películ

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Das Matthäusevangelium ist von einem dichten Netz an Rekursen auf die Schriften Israels durchzogen. Während Psalmen darin punktuell seit jeher wahrgenommen wurden, liegt mit dieser Studie die erste umfangreiche Darstellung des Gesamtbilds der Psalmenrezeption in der matthäischen Passionsgeschichte vor. Alida C. Euler systematisiert zunächst die Psalmenrezeptionen im gesamten Matthäusevangelium und geht detailliert der Psalmenkenntnis und Psalmenverwendung in der Zeit des Zweiten Tempels nach, bevor sie vor diesem historischen Hintergrund die Psalmenrezeption innerhalb der matthäischen Passionsgeschichte und damit verbundener psalmenrezipierender Textabschnitte analysiert und kontextualisiert. Sie arbeitet nicht nur eine besondere Relevanz der Psalmen für die matthäische Christologie sowie für die Darstellung der jüdischen Autoritäten heraus, sondern kann auch eine strukturgebende Funktion der Psalmen im Matthäusevangelium aufzeigen.

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Published here for the fi rst time, Ursula Schulz-Dornburg's historically unique photographs show the Archivo General de Indias in Seville before its reorganisation. Founded in 1785, this is the archive of roughly 300 years of Spanish colonial history in the Americas. It houses 8,000 charts and around 90 million documents-among them Christopher Columbus' logbook and the famous Treaty of Tordesillas which, mediated by the Pope and signed in 1494, entitled the Spanish and Portuguese kings to divide the world between them. With this treaty as a starting point, the historian Martin Zimmermann takes the reader on a journey into the age of discovery and recounts stories of dangerous passages, encounters with the unknown, colonial brutality, the power of the cartographer - and of the insatiable lust to conquer the entire world.

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Sun Yung Shin calls her readers into the unknown now-future of the human species, an underworld museum of births, deaths, evolutions, and extinctions.Personal and environmental violations form the backdrop against which Sun Yung Shin examines questions of grievability, violence, and responsibility in The Wet Hex. Incorporating sources such as her own archival immigration documents, Ovid’s Metamorphoses, Christopher Columbus’s journals, and traditional Korean burial rituals, Shin explores the ways that lives are weighed and bartered. Smashing the hierarchies of god and humanity, heaven and hell, in favor of indigenous Korean shamanism and animism, The Wet Hex layers an apocalyptic revision of nineteenth-century imagery of the sublime over the present, conjuring a reality at once beautiful and terrible.

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Thoroughly revised to reflect new advances in the field, Savage & Aronson’s Comprehensive Textbook of Perioperative and Critical Care Echocardiography, Third Edition, remains the definitive text and reference on transesophageal echocardiography (TEE). Edited by Drs. Alina Nicoara, Robert M. Savage, Nikolaos J. Skubas, Stanton K. Shernan, and Christopher A. Troianos, this authoritative reference covers material relevant for daily clinical practice in operating rooms and procedural areas, preparation for certification examinations, use of echocardiography in the critical care setting, and advanced applications relevant to current certification and practice guidelines. Contains significantly expanded content on the use of TEE and transthoracic echocardiography (TTE) in the critical care setting—more than twice the material offered in the previous edition and ideal for Critical Care Echocardiography certification preparation Features new chapters on transcatheter procedures Includes up-to-date information on organizing education and training in perioperative echocardiography and on ultrasound for vascular access, assessment of the patient with endocarditis and using echo during resuscitation, epiaortic and epicardial imaging; endovascular management of thoracic vascular disease, transcutaneous management of valvular heart disease, and more Chapters provide key point summaries and review questions and answers throughout, making it an excellent tool for study and review Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

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With a blend of portraits, words, and pictures, this book gives Packers fans their due. Green, Gold, and Proud is the ultimate tribute to legions of Packers fans in Wisconsin, across the United States, and around the world. Packed with hundreds of vivid, full-color photos that capture the true Cheesehead experience, Green, Gold, and Proud takes fans from the raucous excitement during a game to the green and gold living rooms and shrines across the country where readers meet a variety of fans, such as Sister Isaac Jogues Rousseau whose devotion to her convent and the Green Bay Packers has never wavered and Christopher Handler, a local painter who takes immense pride in having painted the Lombardi Avenue fence slogans for the past 21 years. Also included is a special DVD that is more than 80 minutes long and features a documentary that chronicles the storied past of Lambeau Field by sharing with fans the stadium's view of history: the games, players, coaches, and moments that have molded the Packers' championship past and path to future glory.

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Volume 104 of Harvard Studies in Classical Philology includes: Jeremy Rau, “Δ 384 Τυδῆ, Ο 339 Μηκιστῆ, and τ 136 Ὀδυσῆ”; Naomi Rood, “Craft Similes and the Construction of Heroes in the Iliad”; Yoav Rinon, “The Tragic Pattern of the Iliad”; Catherine Rubincam, “Herodotus and His Descendants: Numbers in Ancient and Modern Narratives of Xerxes’ Campaigns”; Chiara Thumiger, “Personal Pronouns as Identity Terms in Ancient Greek: The Surviving Tragedies and Euripides’ Bacchae”; Luis Andrés Bredlow Wenda, “Epicurus’ Letter to Herodotus: Some Textual Notes”; Ulrich Gotter, “Cultural Differences and Cross-Cultural Contact: Greek and Roman Concepts of Power”; Christopher Krebs, “Hebescere virtus (Sallust BC 12.1): Metaphorical Ambiguity”; Alexei A. Grishin, “Ludus in undis: An Acrostic in Eclogue 9”; Jackie Elliott, “Aeneas’ Generic Wandering and the Construction of the Latin Literary Past: Ennian Epic vs. Ennian Tragedy in the Language of the Aeneid”; Luis Rivero García, “Virgil Aeneid 6.445–446: A Critical Note”; Monika Asztalos, “The Poet’s Mirror: Horace’s Carmen 4.10”; Denis Rousset, “The City and Its Territory in the Province of Achaea and ‘Roman Greece’”; and Alexander Kirichenko, “Satire, Propaganda, and the Pleasure of Reading: Apuleius’ Stories of Curiosity in Context.”

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A long-abandoned—and long-haunted—summer camp sets the stage for the sequel to Camp Murderface, perfect for fans of old school scare masters like R.L. Stine and Christopher Pike.There’s no such thing as an uneventful summer at Camp Sweetwater.Now that the Vampire Devils beneath the lake have been awakened, the camp is in big trouble. The first victims? Tez and Corryn’s counselors, Gavin and Scary Mary.The Camp Director insists that the missing counselors are just quitting and going home, but Tez and Corryn don’t believe it. They know something much more eeeeeeevil is afoot.With the help of their cabinmates, Tez and Corryn set out to investigate the disappearances. But what they find is a horror closer than the bottom of the lake... and it might just spell the end for all of them.

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The Malabar coast is full of dangers: greedy tradesmen, fearless pirates, and men full of vengeance. But for a Courtney, the greatest danger might just be his own family… After his father’s gambling debts leave him penniless and in danger, Francis Courtney seeks revenge and fortune in South Africa. But on arrival, he uncovers a truth that leaves him overwhelmed and disoriented. Meanwhile, his cousin Christopher Courtney begins to make his own way in the world, foregoing the righteous path and falling prey to betrayal, violence and treachery. In this epic journey from the southernmost point of Africa to the lush Indian coastline, the lives of these two Courtney men will intertwine, and forever alter the course of their famous family. From the world’s greatest storyteller comes a compelling and breathless tale of intrigue and betrayal that draws the Courtney’s together, and just as easily tears them apart.

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Fashion demands a steady flow of creative ideas. Research and Design for Fashion will guide you through the research techniques that could spark your next original collection. With practical advice on designing effective moodboards, recycling existing garments and getting to know your customer, this new edition will help you master the research process and apply it to your own designs. There's also a wealth of advice through interviews with exceptional designers, including Christopher Raeburn, ThreeASFOUR and Magdaléna Mikulicáková, as well as updated imagery of the research and design work behind both single garments and entire collections. This fourth edition also explores how cultural events, historical anniversaries and sport influences can be the starting point for a collection. There's also more on creative ways of recording your findings and designing for menswear, childrenswear and gender-neutral clothing.

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Essays dealing with the controversial concept of the "work", and how far social and cultural practices are integral to it. The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the "work" within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historicalwritings can reveal period views on the "work" in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for "work" and "context" to challenge reigning theories of the meaning of these terms. CONTRIBUTORS: AMNON SHILOAH, ANNA MARIA BUSSE BERGER, MARGARET BENT, EDWARD WICKHAM, BONNIE J. BLACKBURN, DAVID BRYANT, ELENA QUARANTA, OWEN REES, ALINA ZORAWSKA-WITKOWSKA, ELLEN T. HARRIS, CHRISTOPH WOLFF, NORBERT DUBOWY, MICHAEL TALBOT, MELANIA BUCCIARELLI, FRANCESCA MENCHELLI-BUTTINI, BERTA JONCUS, MICHEL NOIRAY, MICHAEL FEND, EMANUELE SENICI, FEDERICO CELESTINI, PAMELA POTTER, GIOVANNI MORELLI, JANET SMITH

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What we want for schools reveals what we value as a society. “What’s the point of school?” Parents have a stock set of responses, but the question remains unsettled, even two centuries after the Prussians invented compulsory education. The Prussian idea of what a school is for – to mold the populace to serve the state – seems unacceptable today. In vogue, instead, are slogans like “acquiring marketable skills” and “realizing your full potential.” These ideas powerfully shape our culture. Ultimately, they boil down to pursuing one supreme value: individual success in a competitive world. Schools are a mirror of our society as a whole; what we want for schools makes plain what and whom we value in our common life. In the Christian tradition, the life of discipleship is also a school. In this educational community, under the instruction of our one Teacher, we learn not to seek empowerment, but to find strength in weakness; not to out-achieve others, but to serve them; not to pursue our passion, but to obey a call. Also in this issue: poetry by Christian Wiman; reviews of new books by Robert Macfarlane, Jackie Morris, Francisco Cantú, Leif Enger, Carol Anderson, Stephanie Land, and Susan Wise Bauer; and art by Margaret McWethy, Albrecht Dürer, Raphael, Gérard David, Jackie Morris, Gustaf Tenggren, Sergey Dushkin, Anja Percival, Dmitry Samofalov, Christoph Wetzel, Sherrie York, Cathleen Rehfield, Paweł Kuczyński, and Jason Landsel. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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These Opera Guides are ideal com-panions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. This famous opera ends, after the hero is dragged down to hell, with a warning that evil shall not go unpunished. ‘Hardly’, as Michael F. Robinson notes, ‘one’s usual idea of a “comic” subject!’ So this guide opens with a brief look at what is actually comic about it. David Wyn Jones gives an overall view of the score: he shows how the musical keys are arranged so that the dramatic momentum over two long acts is maintained and discusses orchestration and dramatic pacing in the most important scenes. Christopher Raeburn contributes a lively portrait of the ‘libertine librettist’ who, after his Vienna triumphs, was hounded out of London for his debts and eventually died in New York – ‘revered as the father of Italian studies in America’. The full original text is given, with a pointed modern translation.

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Topics covered include the global middle ages and the constraints of Eurocentric periodization; disciplinary formation and the crisis of the humanities; Orientalism and medieval studies; white supremacist medievalism; and the use of modern critical theory in premodern histories. Contributors Shoshana Adler, Anne Le, Christopher Livanos, Sierra Lomuto, Mariah Min, Adam Miyashiro, Julie Orlemanski, Raha Rafii, Shokoofeh Rajabzadeh, Mohammad Salama, Michelle R. Warren, Elizabeth J. West

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Annabel Christopher is every inch the star: a glamorous actress with a devoted, handsome husband. To keep the paparazzi and her adoring public under her spell, her perfect image must be carefully cultivated, whatever the cost. Beneath the facade, though, her husband cannot bear her or their vapid existence. Envious of her success, he plots his revenge and stages a scandal even Annabel will find a challenge to recover from.

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‘London was but is no more!’ In these words diarist John Evelyn summed up the destruction wrought by the Great Fire that swept through the City of London in 1666. The losses included St Paul’s Cathedral and eight-seven parish churches (as well as at least thirteen thousand houses). In After the Fire, celebrated photographer and architectural historian Angelo Hornak explores, with the help of his own stunning photographs, the churches built in London during the sixty years that followed the Great Fire, as London rose from the ashes, more beautiful – and far more spectacular – than ever before. The catastrophe offered a unique opportunity to Christopher Wren and his colleagues – including Robert Hooke and Nicholas Hawksmoor – who, over the next forty years, rebuilt St Paul’s and fifty-one other London churches in a dramatic new style inspired by the European Baroque. Forty-five years after the Fire, the Fifty New Churches Act of 1711 gave Nicholas Hawksmoor the scope to build breathtaking (and controversial) new churches including St Anne’s Limehouse, Christ Church Spitalfields and St George’s Bloomsbury. By the 1720s the pendulum was swinging away from the Baroque of Wren and Hawksmoor, and it was James Gibbs' more restrained St Martin-in the-Fields that was to provide the prototype for churches throughout the English-speaking world - especially in North America – for the next hundred years.

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Speaking towards the end of the catastrophic Great War, Rudolf Steiner reveals the spiritual roots of the crises of our times. Since 1879, he says, human minds have been influenced by backward angels, ‘spirits of darkness’, who – following their defeat in battle with Archangel Michael – were forced out of the heavens and ‘fell’ to the earth. This war in the spiritual worlds had consequences, and it is essential that people today are sufficiently awake to the retrogressive influences around them. In a positive sense, we can choose freely to engage with the spirits of light, who seek to emancipate human beings from bonds of race, nation and blood. In this extraordinary series of lectures, Rudolf Steiner throws light on hidden aspects of world affairs. With the Bolshevik Revolution having just taken place, he discusses events in Russia and humanity’s attempts to build theoretically perfect social orders. Steiner also speaks about the roles and spiritual backgrounds of significant individuals, such as the mystics Johann Valentin Andreae, Vladimir Soloviev and Saint-Martin, the American and British politicians Woodrow Wilson and Lloyd George, and world-historic figures including Charles Darwin and Johann Wolfgang von Goethe. The new edition of this classic work features a revised translation, notes and extensive appendices by editor Frederick Amrine, plus a new introduction by Christopher Schaefer.

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Con texto del historiador del arte Christopher Masters, esta guía presenta una visión atractiva y global del arte a través de 52 artistas clave del arte moderno de la A a la Z. En la entrada de cada artista que se encuentra en el libro encontraremos su retrato realizado por Andy Tuohy destacando el estilo propio del artista en cuestión, un resumen de los hechos esenciales que necesitas saber sobre él, sus datos biográficos, por qué es relevante en la historia del arte, dónde se pueden encontrar sus obras, algún hecho sorprendente acerca de su figura y reproducciones de sus obras clave. Tanto si eres un experto en el campo del arte como si buscas una ayuda útil para aventurarte en una galería, te encantará esta guía de grandes artistas modernos.

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A Spanish Grammar Workbook contains 500 grammar exercises that vary in difficulty from simple tests and puzzles to multiple choice tests and realistic dialogues as well as communication exercises which function as prompts to the oral practice of the grammar in representative contexts. Includes 500 grammar exercises varying from simple tests and puzzles to multiple choice tests and realistic dialogues which contextualize Spanish grammar in everyday speech. Indicates difficulty level of each exercise and includes an extensive answer key. Complements and is cross-referenced with Blackwell's A Comprehensive Spanish Grammar by Jacques de Bruyne (with additional material by Christopher J. Pountain). Helps language learners understand grammatical functions naturally by putting theory into practice.

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During the period 1000-1700 major transformations took place in material culture. Quite simply, more objects were manufactured and used than ever before and many objects travelled across geographic, political, religious, linguistic, class and cultural boundaries. By starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700. Contributors: Katherine A. Wilson, Leah R. Clark, Alison M. Leonard, Steven P. Ashby, Michael Lewis, Robert Maniura, Sarah Hinds, Christina Antenhofer, Alexandra van Dongen, Bettina Bildhauer, Julie De Groot, Jennifer Hillman, Ruth Whelan, Christopher Donaldson, Thomas Pickles.

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The perfect gift for both new readers and passionate collectors!A gorgeous new collectible edition of the beloved classic, Winnie-the-Pooh, crafted as a replica of the first American edition from 1926. This elegant book features a textured case, gold foil stamping, and illustrated endpapers. For over ninety years, Winnie-the-Pooh and his friends—Piglet, Owl, Tigger, and the ever doleful Eeyore—have endured as the unforgettable creations of A.A. Milne, who wrote this book for his son, Christopher Robin, and Ernest H. Shepard, who lovingly gave Pooh and his companions shape through his illustrations. Now fans can celebrate the legacy of Pooh with a beautiful new gift edition of the original stories as they were first published in the United States.

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Das Lutherjahrbuch ist das bedeutendste Organ der internationalen Lutherforschung und wird im Auftrag der Luther-Gesellschaft e.V. von Christopher Spehr herausgegeben. Der 90. Jahrgang dokumentiert die Hauptvorträge und Seminare des 14. Internationalen Kongresses für Lutherforschung, welcher 2022 in Thousand Oaks / USA unter dem Motto „Word and World – Wort und Welt: Luther Across Borders“ tagte. Nach der Begrüßung durch Volker Leppin und dem Eröffnungsvortrag durch den Präsidenten des Kongresses, Robert Kolb, vertiefen elf Beiträge die Thematik in den Rubriken „Das Wort und die Sprachen“, „Das Wort und die Kirche“, „Das Wort und die Gesellschaft“ und „Das Wort und Kreativität“. 18 Seminarberichte zeugen von der vitalen Arbeitsatmosphäre des Kongresses. Ausgewählte Buchbesprechungen und die für Lehre und Forschung nützliche Lutherbibliographie orientieren schließlich über bedeutende Publikationen zur Luther- und Reformationsforschung.

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"an anthology that’s ... eclectic, drunk and delicious." —The New York TimesIf you love pie, whiskey, and good writing, this collection of funny and heartbreaking stories, poems, and recipes serves up a plethora of pleasure.What happens when good writing is inspired by and served with a slice of pie and a shot of whiskey? Pie & Whiskey is a literary event series started in Spokane, Washington, where the idea was to serve good pie, good whiskey, and good writers reading prose or poetry about pie and whiskey. This collection features the best original work from the series by writers such as Anthony Doerr, Elissa Washuta, Kim Barnes, and more. Proving that good writing is best served with a slice of pie and a shot of whiskey, a smattering of pie recipes and whiskey-centric cocktails are included alongside dozens of surprising, funny, heartbreaking, fantastically written stories and poems by Jess Walter, J Robert Lennon, Kim Barnes, and ML Smoker and more.Full contributor list:Kim Addonizio • Steve Almond • Kim Barnes • Devin Becker • Judy Blunt • Anthony Doerr • Thom Caraway • Elizabeth J. Colen • Debra Magpie Earling • Christopher Howell • Sherrie Flick • Jacob H. Fries • Nina Mukerjee Furstenau • Margot Kahn • Meissa Kwasny • Kate Lebo • J. Robert Lennon • Samuel Ligon • Gary Copeland Lilley • Robert Lopez • Tod Marshall • Virginia Reeves • Laura Read • Paisley Rekdal • Nicole Sheets • M. L. Smoker • Alexandra Teague • Rachel Toor • Robert Wrigley • Ed Skoog • Jess Walter • Shawn Vestal • Elissa Washuta • Joe Wilkins • Nance Van Winckel • Kristen Millares Young • Maya Jewell Zeller

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Life, Liberty, and the Pursuit of All Things WeirdSure, you probably know that George Washington was our first president and that Christopher Columbus accidentally discovered America in 1492, but did you know that there are more plastic flamingos in the United States than there are real ones and that Disneyland employees were not permitted to wear their own underwear while dressing in character until 2001?Behind the portrait of America that history classes, news reports, and boring documentaries have painted lies a strange and perplexing country that you couldn''t imagine even in your wildest dreams. Featuring 1,001 shocking facts, this book reveals all the secrets and weirdness that you never knew about the United States. From the thirty-two(!) bathrooms in the White House to the fact that a single U.S.-made hamburger may contain meat from 100 different cows, these wacky tidbits will guarantee that you''ll never look at this nation the same way again!

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