Search results for ""author christo"

Recalling the Biblical and Patristic roots of the Church’s sacramental identity, the Second Vatican Council calls the Church the ‘visible sacrament’ of that unity offered through Christ (LG 9). ‘Sacrament’ in this sense not only describes who the Church is, but what she does. In this regard, the Council Fathers were careful to establish a strong connection between the symbolic nature of the Church’s sacraments and their effect on those who received them. Reginald Lynch is concerned with the cleansing of the heart—a phrase borrowed from St. Augustine and employed by Aquinas, which describes the effects that natural elements such as water or bread have on the human person when taken up by the Church as sacramental signs. Aquinas’ approach to sacramental efficacy is unique for its integration of diverse theological topics such as Christology, merit, grace, creation and instrumentality. While all of these topics will be considered to some extent, the primary focus of The Cleansing of the Heart is the sacraments understood as instrumental causes of grace. This volume provides the historical context for understanding the development of sacramental causality as a theological topic in the scholastic period, emphasizing the unique features of Aquinas’ response to this question. Following this, relevant texts from Aquinas’ early and later work are examined, noting Aquinas’ development and integration of the idea of sacramental causality in his later work. The Cleansing of the Heart concludes by contrasting alternatives to Aquinas’ theory of sacramental causality that subsequently emerged. The rise of humanism introduced many changes within rhetoric and philosophy of language that had a profound effect on some theologians during the Modern period. This book provides historical context for understanding the most prominent of these theories in contrast to Aquinas, and examines some of their theological implications.

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Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they “think”? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically.Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, Jørgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo Münsterberg, Béla Balázs, André Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Rancière, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium’s ability to “think.” Hence it accords film with “agency,” and the dialogue between it and philosophy (and even neuroscience) is negotiated anew.Contributors: Nicole Brenez, U of Paris 3–Sorbonne; Elisabeth Bronfen, U of Zurich; Noël Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Ó Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbourne; Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College.

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Virginia Burrus explores one of the strongest and most disturbing aspects of the Christian tradition, its excessive preoccupation with shame. While Christianity has frequently been implicated in the conversion of ancient Mediterranean cultures from shame- to guilt-based and, thus, in the emergence of the modern West's emphasis on guilt, Burrus seeks to recuperate the importance of shame for Christian culture. Focusing on late antiquity, she explores a range of fascinating phenomena, from the flamboyant performances of martyrs to the imagined abjection of Christ, from the self-humiliating disciplines of ascetics to the intimate disclosures of Augustine. Burrus argues that Christianity innovated less by replacing shame with guilt than by embracing shame. Indeed, the ancient Christians sacrificed honor but laid claim to their own shame with great energy, at once intensifying and transforming it. Public spectacles of martyrdom became the most visible means through which vulnerability to shame was converted into a defiant witness of identity; this was also where the sacrificial death of the self exemplified by Christ's crucifixion was most explicitly appropriated by his followers. Shame showed a more private face as well, as Burrus demonstrates. The ambivalent lure of fleshly corruptibility was explored in the theological imaginary of incarnational Christology. It was further embodied in the transgressive disciplines of saints who plumbed the depths of humiliation. Eventually, with the advent of literary and monastic confessional practices, the shame of sin's inexhaustibility made itself heard in the revelations of testimonial discourse. In conversation with an eclectic constellation of theorists, Burrus interweaves her historical argument with theological, psychological, and ethical reflections. She proposes, finally, that early Christian texts may have much to teach us about the secrets of shame that lie at the heart of our capacity for humility, courage, and transformative love.

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The best wine and food pairings create harmony among unexpected flavors. Chardonnay, Riesling, and Merlot are classic pairing choices, but less conventional grape varieties like Albarino, Grenache, Gruner Veltliner, Malbec, and Tempranillo are becoming increasingly popular, coveted by those with curious palates and a taste for good value. In "Daring Pairings", the adventurous companion to the acclaimed "Perfect Pairings", Master Sommelier Evan Goldstein shows how anyone can bring these emerging, exciting varieties to the table. He ventures into wine's new frontiers, exploring the flavors and pairing potential of thirty-six distinctive grapes from around the world, including Argentina, Spain, Italy, Greece, and France. In his entertaining and approachable style, Goldstein offers advice on crafting unforgettable wine and food pairings, suggests wines for everyday and special occasions, and recommends producers and importers. Thirty-six star chefs present recipes specially tailored to Goldstein's wine selections, and full-color photographs display these dishes in delectable splendor. This authoritative, down-to-earth guide reveals that pairing food and wine is no great mystery - anyone willing to explore or experiment can create bold and memorable combinations. It comes with recipes and commentary from: Nate Appleman, Dan Barber, Ben Barker, Paul Bartolotta, Michelle Bernstein, Floyd Cardoz, Robert Del Grande, Tom Douglas, Suzanne Goin, Joyce Goldstein, Christopher Gross, Fergus Henderson, Gerald Hirigoyen, Philippe Jeanty, Douglas Keane, Hubert Keller, Loretta Keller, David Kinch, Evan Kleiman, Mourad Lahlou, Michael Leviton, Emily Luchetti, Laurent Manrique, Lachlan M. Patterson, Cindy Pawlcyn, Anne S. Quatrano, Michael Romano, Susan Spicer, Frank Stitt, Craig Stoll, Ethan Stowell, Charlie Trotter, Larry Tse, Richard Vellante, Vikram Vij, and, Kate Zuckerman.

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Pope Leo I’s theological and political influence in his own time (440-461) and beyond far outweighs the amount of attention he has received in recent scholarship. That influence extended well beyond Rome to the Christian East through his contribution to preparations for the Council of Chalcedon and its outcome. For this he was alternately praised and vilified by the opposing parties at the Council. Leo made his views known through letters, and a vast number of homilies. While so many of these survive, Leo and his works have not been the subject of a major English-language socio-historical study in over fifty years. In this brief introduction to the life and works of this important leader of the early church, we gain a more accurate picture of the circumstances and pressures which were brought to bear on his pontificate. A brief introduction surveys the scanty sources which document Leo’s early life, and sets his pontificate in its historical context, as the Western Roman Empire went into serious decline, and Rome lost its former status as the western capital. Annotated translations of various excerpts of Leo’s letters and homilies are organised around four themes dealing with specific aspects of Leo’s activity as bishop of Rome: Leo as spiritual adviser on the life of the faithful Leo as opponent of heresy the bishop of Rome as civic and ecclesiastical administrator Leo and the primacy of Rome. Taking each of these key elements of Leo’s pontifical activities into account, we gain a more balanced picture of the context and contribution of his best-known writings on Christology. This volume offers an affordable introduction to the subject for both teachers and students of ancient and medieval Christianity.

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One morning while reading Barron's, Kara Newman took note of a casual bit of advice offered by famed commodities trader Jim Rogers. "Buy breakfast," he told investors, referring to the increasing value of pork belly and frozen orange juice futures. The statement inspired Newman to take a closer look at agricultural commodities, from the iconic pork belly to the obscure peppercorn and nutmeg. The results of her investigation, recorded in this fascinating history, show how contracts listed on the Chicago Mercantile Exchange can read like a menu and how market behavior can dictate global economic and culinary practice. The Secret Financial Life of Food reveals the economic pathways that connect food to consumer, unlocking the mysteries behind culinary trends, grocery pricing, and restaurant dining. Newman travels back to the markets of ancient Rome and medieval Europe, where vendors first distinguished between "spot sales" and "sales for delivery." She retraces the storied spice routes of Asia and recounts the spice craze that prompted Christopher Columbus's journey to North America, linking these developments to modern-day India's bustling peppercorn market. Newman centers her history on the transformation of corn into a ubiquitous commodity and uses oats, wheat, and rye to recast America's westward expansion and the Industrial Revolution. She discusses the effects of such mega-corporations as Starbucks and McDonalds on futures markets and considers burgeoning markets, particularly "super soybeans," which could scramble the landscape of food finance. The ingredients of American power and culture, and the making of the modern world, can be found in the history of food commodities exchange, and Newman connects this unconventional story to the how and why of what we eat.

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In London in 1770 Georg Christoph Lichtenberg (1742–1799) remarked, ‘What a work could be written on Shakespeare, Hogarth and Garrick! There is something similar in the genius of all three.’ Two-and-a-half centuries on, Robin Simon’s highly original and illuminating book takes up the challenge.William Hogarth (1697–1764) and David Garrick (1717–1779) closely associated themselves with Shakespeare, embodying a relationship between plays, painting and performance that had been understood since Antiquity and which shaped the rules for history painting drawn up by the Académie royale in Paris in the seventeenth century.History painting was considered the highest form of art: a picture illustrating a moment drawn from just a few lines in a revered text. Hogarth’s David Garrick as Richard III (1745) transformed those ideas because, although it looked like a history painting, it was also a portrait of an actor in performance. With it, Hogarth established the genre of theatrical portraiture, a new and distinctively British kind ofhistory painting.This book offers a fresh examination of theatrical portraits through close analysis of the pictures and of the texts used in performance. It also examines the central role of the theatre in British culture, while highlighting the significance of Shakespeare, Hogarth and Garrick in the European Enlightenment and the rise of Romanticism. In this context another trio of genius features prominently: Lichtenberg, GottholdEphraim Lessing and Denis Diderot.Familiar paintings and performances are seen in an entirely new light, while unfamiliar pictures are also introduced, including major paintings and drawings that have never been published.The final chapter shows that the inter-relationship between plays, painting and performance survived into the age of cinema, revealing the pictorial sources of Laurence Olivier’s legendary film Richard III.

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Deep within the wildwood lies a place of myth and mystery, from which few return, and of those few, none remain unchanged.Ryhope Wood may look like a three-mile-square fenced-in wood in rural Herefordshire on the outside, but inside, it is a primeval, intricate labyrinth of trees, impossibly huge, unforgettable ... and stronger than time itself.Stephen Huxley has already lost his father to the mysteries of Ryhope Wood. On his return from the Second World War, he finds his brother, Christopher, is also in thrall to the mysterious wood, wherein lies a realm where mythic archetypes grow flesh and blood, where love and beauty haunt your dreams, and in promises of freedom lies the sanctuary of insanity ...Readers love Mythago Wood:'6.0 stars. This book is a MASTERPIECE and will likely be on my list of "All Time Favourite" novels before too long' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Blimey, what a book! Genuine classic of mythological fiction.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'An imaginative masterpiece has broken the boundaries of fantasy genre. In Mythagowood Myths manifest from characters's unfathomable desires. The mysterious forest which the protagonists are obsessed with is an original concept of legends, it rooted in subconscious mind arouses overwhelming power of human minds'. Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'To attempt to write a straightforward synopsis of Mythago Wood itself is almost to lose the very essence of the novel, to break away from the ethereal feeling which transcends the book.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'I've seldomly read a book that is so rich and enthralling in its descriptions and really draws me into the mythical woods, where time flows differently, where your subconscious can conjure up archetypes and these can infringe upon your very real life outside of the forest.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐

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'He does write beautifully, especially of his greatest love - our wild birds ... On The Marsh is a delightful read.' Christopher Hart, Daily MailHow the rewilding of eight acres of Norfolk marshland inspired a family and brought nature even closer to home. When writer Simon Barnes heard a Cetti's warbler sing out as he turned up to look at a house for sale, he knew immediately that he had found his new home. The fact that his garden backed onto an area of marshy land only increased the possibilities, but there was always the fear that it might end up in the wrong hands and be lost to development or intensive farming. His wife saw through the delicate negotiations for the purchase. Once they'd bought it, they began to manage it as a conservation area, working with the Wildlife Trust to ensure it became as appealing as possible to all species. For their son Eddie, who has Down's syndrome, it became a place of calm and inspiration. In On The Marsh, we see how nature can always bring surprises, and share in the triumphs as new animals - Chinese water deer, otters and hedgehogs - arrive, and watch as the number of species of bird tops 100 and keeps on growing. As the seasons go by, there are moments of triumph when not one but two marsh harrier families use the marsh as a hunting ground, but also disappointments as chemical run-off from neighbouring farmland creates a nettles monoculture in newly turned earth. For anyone who enjoyed books such as Meadowland and Wilding, or the writing of Stephen Moss, Roger Deakin or Adam Nicolson, this is a vivid and beautifully written account of the wonders that can sometimes be found on our doorsteps, and how nature can transform us all.

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It is now widely acknowledged that institutions are a crucial factor in economic performance. Major developments have been made in our understanding of the nature and evolution of economic institutions in the last few years. This book brings together some key contributions in this area by leading internationally renowned scholars including Paul A. David, Christopher Freeman, Alan P. Kirman, Jan Kregel, Brian J. Loasby, J. Stanley Metcalfe, Bart Nooteboom and Ugo Pagano. This essential reader covers topics such as the relationship between institutions and individuals, institutions and economic development, the nature and role of markets, and the theory of institutional evolution. The book not only outlines cutting-edge developments in the field but also indicates key directions of future research for institutional and evolutionary economics.Vital reading on one of the most dynamic and rapidly growing areas of research today, The Evolution of Economic Institutions will be of great interest to researchers, students and lecturers in economics and business studies.

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What do Winston Churchill, Rosa Parks, Emile Zola, Billy Beane and Christopher Hitchens have in common? They are all Contrarians. This book is about the people who do not quietly slip into the shadows, who revel in playing devil’s advocate, who zig when everyone else zags and who dare ask the question: ‘Yes, but just supposing that everyone else is wrong?’ They are not always successful all of the time. In fact some are spectacularly unsuccessful on occasions. They may not be popular or easy to live with, but are always interesting and usually inspiring. Some make a point of arguing the opposite point of view on every occasion; some are mainstream on everything, but resolute in opposing the mainstream on one particular issue. For some, the issue which they contest so vigorously becomes mainstream through their exertions. In Compendium of Contrarians, Robert Orr-Ewing shows how he has been inspired by these amusing, challenging, interesting and unusual characters.

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Filling today's religious book market are Apocalypse commentaries teaching that the seven seals of Revelation 5-8 describe tragedies that are to take place in the last days. Medieval Europeans, on the other hand, thought very differently about the seven seals. Some used the seven seals for catechetical purposes and associated them with seven major events in the life of Christ or seven gifts of the Holy Spirit. Other medieval writers taught that the seven seals contained symbols about life in the church between the first and second comings of Christ. Still others viewed the seals as milestones in the grand outline of salvation history. This book illustrates this vastness of medieval interpretive tradition on the seven seals. It includes fifteen texts from the sixth through the fifteenth centuries, which have been organized under three headings: those illustrating christological interpretations of the seven seals, those proposing ecclesiastical interpretations, and those giving historical interpretations.

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On 11 October 1492 the sun set on a clear Atlantic Ocean horizon and the night was cloudless with a late rising moon. As the lookouts high in the riggings of Christopher Columbus three ships strained their eyes into the golden light of the moon, near two o clock in the morning the watchman on the Pinta shouted out, Land, land igniting the era of exploration to the New World. The Age of Discovery became an epic adventure sweeping across the continent of North America, as the trailblazers dared to challenge the unknown wilderness to advance mankind s knowledge of the world. _Explorers Discovering North America_ traces the history of the discovery, exploration and settlement of the western hemisphere through the comprehensive biographies of fourteen explorers, who had the courage and inquisitiveness to search the limits of the world. The book features many famous adventurers including Hernan Cortes whose victorious battles against the Aztecs conquered Mexico for Spain, Henry Hudson s sea voyages in search of the Northwest Passage led to the colonization of New York and exploration of the Hudson Bay in Canada, while Meriwether Lewis journey across the Louisiana Purchase began the mass migration of settlers to western America. Among the lesser known explorers discussed in the work are Vitus Bering whose discovery of Alaska established Russia s claim to the region and Alexander Mackenzie s 107-day trek across western Canada that opened the frontier to settlement, commerce and development of its natural resources. From Columbus to Lewis the exploration of the New World became one of humankind s greatest quests that altered history forever.

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In the political landscape emerging from the end of the Cold War, making U.S. foreign policy has become more difficult, due in part to less clarity and consensus about threats and interests. In After the End James M. Scott brings together a group of scholars to explore the changing international situation since 1991 and to examine the characteristics and patterns of policy making that are emerging in response to a post–Cold War world.These essays examine the recent efforts of U.S. policymakers to recast the roles, interests, and purposes of the United States both at home and abroad in a political environment where policy making has become increasingly decentralized and democratized. The contributors suggest that foreign policy leadership has shifted from White House and executive branch dominance to an expanded group of actors that includes the president, Congress, the foreign policy bureaucracy, interest groups, the media, and the public. The volume includes case studies that focus on China, Russia, Bosnia, Somalia, democracy promotion, foreign aid, and NAFTA. Together, these chapters describe how policy making after 1991 compares to that of other periods and suggest how foreign policy will develop in the future. This collection provides a broad, balanced evaluation of U.S. foreign policy making in the post–Cold War setting for scholars, teachers, and students of U.S. foreign policy, political science, history, and international studies.Contributors. Ralph G. Carter, Richard Clark, A. Lane Crothers, I. M. Destler, Ole R. Holsti, Steven W. Hook, Christopher M. Jones, James M. McCormick, Jerel Rosati, Jeremy Rosner, John T. Rourke, Renee G. Scherlen, Peter J. Schraeder, James M. Scott, Jennifer Sterling-Folker, Rick Travis, Stephen Twing

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David Bentley Hart offers an intense and thorough reflection upon the issue of the supernatural in Christian theology and doctrine. In recent years, the theological—and, more specifically, Roman Catholic—question of the supernatural has made an astonishing return from seeming oblivion. David Bentley Hart’s You Are Gods presents a series of meditations on the vexed theological question of the relation of nature and supernature. In its merely controversial aspect, the book is intended most directly as a rejection of a certain Thomistic construal of that relation, as well as an argument in favor of a model of nature and supernature at once more Eastern and patristic, and also more in keeping with the healthier currents of mediaeval and modern Catholic thought. In its more constructive and confessedly radical aspects, the book makes a vigorous case for the all-but-complete eradication of every qualitative, ontological, or logical distinction between the natural and the supernatural in the life of spiritual creatures. It advances a radically monistic vision of Christian metaphysics but does so wholly on the basis of credal orthodoxy. Hart, one of the most widely read theologians in America today, presents a bold gesture of resistance to the recent revival of what used to be called “two-tier Thomism,” especially in the Anglophone theological world. In this astute exercise in classical Christian orthodoxy, Hart takes the metaphysics of participation, high Trinitarianism, Christology, and the soteriological language of theosis to their inevitable logical conclusions. You Are Gods will provoke many readers interested in theological metaphysics. The book also offers a vision of Christian thought that draws on traditions (such as Vedanta) from which Christian philosophers and theologians, biblical scholars, and religious studies scholars still have a great deal to learn.

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'I COULD NOT put this down! So, so, so tense.' Angela Clarke, Sunday Times bestseller'OMG WHAT A BOOK!!!!!' A must read and an easy five stars' ***** Goodreads reviewerPatricia Cornwell called J.S. Law's debut 'addictively readable' and now Lieutenant Dani Lewis returns in a gripping new thriller that fans of M.J. Arlidge and Elly Griffiths will love. A savage murderer taunts the police from his cell.Naval investigator Dani Lewis made her name by catching serial killer Christopher Hamilton, a master of manipulation who now lives to toy with the police. But when a stranger viciously attacks Dani, she fears Hamilton has one twisted game left to play.As the case spirals out of control, Dani realises Hamilton's deadly grip reaches deeper than she ever knew. With her sanity and family in peril, Dani has no choice but to confront pure evil - even if it drags up the darkest secrets of the past.WHY READERS ARE HOOKED ON THE LIEUTENANT DANI LEWIS SERIES:'I've LOVED this series so far but The Coldest Blood is by far the best...Fantastic.Highly Recommended.' ***** Goodreads Reviewer'I devoured this book...a must read and an easy five stars.' ***** Goodreads Reviewer'A highly enjoyable, fast paced drama...keeps you gripped from beginning to end.' ***** Goodreads ReviewerPRAISE FOR J.S. LAW:'J.S. Law's taut crime novel oozes authenticity. I read this in a day and can't wait for the next in what will undoubtedly be an explosive series' Clare Mackintosh, number one bestseller'An impressive debut...gripping, entertaining reading' The Times'Addictively readable, and memories of it linger like dreams' Patricia Cornwell

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How should Christians read the Old Testament today? Answers to this question gravitate between two poles. On the one hand, some pay little attention to the gap between the Old Testament and today, reading the Old Testament like a devotional allegory that points the Christian directly to Jesus. On the other hand, there are folks who prioritize an Old Testament passage's original context to such an extent that it is by no means clear if and how a given Old Testament text might bear witness to Christ and address the church.This volume is a tribute to Willem A. VanGemeren, an ecclesial scholar who operated amidst the tension between understanding texts in their original context and their theological witness to Christ and the church. The contributors in this volume share a conviction that Christians must read the Old Testament with a theological concern for how it bears witness to Christ and nourishes the church, while not undermining the basic principles of exegesis.Two questions drive these essays as they address the topic of reading the Old Testament theologically. Christology. If the Old Testament bears witness to Christ, how do we move from an Old Testament text, theme, or book to Christ? Ecclesiology. If the Old Testament is meant to nourish the church, how do scriptures originally given to Israel address the church today? The volume unfolds by first considering exegetical habits that are essential for interpreting the Old Testament theologically. Then several essays wrestle with how topics from select Old Testament books can be read theologically. Finally, it concludes by addressing several communal matters that arise when reading the Old Testament theologically.

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

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Fast track route to mastering all aspects of e-marketing Covers all the key techniques for successful e-marketing, fromaffiliation marketing to e-mail alerts, and from viral marketing tobanner ads Examples and lessons from some of the world's most successfulbusinesses, including Hotmail, Pepsi and Honda, and ideas from thesmartest thinkers, including Christopher Locke and Seth Godin Includes a glossary of key concepts and a comprehensive resourcesguide ExpressExec is a unique business resource of one hundred books.These books present the best current thinking and span the entirerange of contemporary business practice. Each book gives you thekey concepts behind the subject and the techniques to implement theideas effectively, together with lessons from benchmark companiesand ideas from the world's smartest thinkers. ExpressExec is organised into ten core subject areas making iteasy to find the information you need: 01 Innovation 02 Enterprise 03 Strategy 04 Marketing 05 Finance 06 Operations and Technology 07 Organizations 08 Leading 09 People 10 Life and Work ExpressExec is a perfect learning solution for people who need tomaster the latest business thinking and practice quickly.

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In the shade of the Giant's Throne Mountain, and on the coast of the Indian Ocean, Port St. Christopher is home to Apley Towers; a riding school for girls and boys, young or old, who learn what it means to be a true horse rider. Kaela and Trixie call Apley Towers their Neverland. It's the best place in the world a place for friendship, laughter and learning. But when both girls take on more responsibilities than they can handle, they have to make some tough choices that take a toll on their friendship. Kaela and Trixie call Apley Towers their Neverland. It's the best place in the world a place for friendship, laughter and learning. But when both girls take on more responsibilities than they can handle, they have to make some tough choices that take a toll on their friendship. Will they have to sacrifice Apley in the end? It takes a girl on the other side of the world to remind them of what's important and that challenges are there to be overcome. As the series continues, a mysterious

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Feminism represents a radical challenge to Christianity. Having developed its doctrine and its scriptures in a world in which women were considered subordinate, the Christian religion is now confronted with a deeply held ethical belief that women should be treated as equals. Dr Hampson argues that this ethical challenge confronts the church over the issues of priesthood and ordination, language and imagery, and hermeneutics and theology. In each of these areas, she claims, the Christian religion cannot by definition come to terms with the equality of women. Feminism however suggests new ways to conceive God and reformulate theological ideas for a world in which Christianity is no longer tenable. Theology and Feminism contains chapters on methodology, Christology, symbolism, anthropology and theology. It is the first book from a post-Christian perspective to grapple with all the major areas of theology. Covering the work of conservative Christian, Christian feminist and radical feminist thinkers in religion, it will be welcomed by those already familiar with the discussion, as well as providing a clear introduction for those who are new to the subject.

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For around two decades, the architectural duo of Niklaus Graber & Christoph Steiger from Lucerne have been continuously working on the design and construction of high quality buildings that can without doubt be regarded as an enrichment to Swiss building culture. Although the architects attempt to make their works generally understandable and give them a timeless legibility, when designing them they take the risk of fundamentally questioning the relevant task. That often leads to surprising interpretations and tailored solutions that reveal the specific characteristics of each project. By now, their work includes private family homes and apartment buildings, as well as a considerable number of public buildings for educational, cultural, industrial and tourist purposes, which have attracted a great deal of attention on the specialist scene both in Switzerland and abroad. For instance the extension to a window factory in Hagendorn, the therapy centre for the Heilpadagogische Zentrum Uri and the panorama gallery on the peak of Mt. Pilatus have been awarded national and international architecture prizes. Text in German, with English translation booklet enclosed.

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This is a big story. The Coppolas are one of the great American filmmaking dynasties, a classic example of an immigrant family who have thrived in America — the parallels with the Corleones of The Godfather are there for all to see, albeit without the organised crime. Centred on two extraordinary filmmaking generations: father and daughter Francis Ford Coppola and Sofia Coppola, each in different ways has defined their times. And of course, their stories are intimately entwined. But the story will encompass so much more than the careers of two directors. There will be subplots extending out across the Coppola clan to include Nicolas Cage, Talia Shire, Roman Coppola, Jack Schwartzman and lesser-known scions like Marc and Christopher Coppola. It is also the case that the respective stories of Francis and Sofia offer a fascinating insight into the changing face of Hollywood and American culture from the seventies until now. It is also a book about America, a land of opportunity and the template on which the Coppolas can forge their art.

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Birmingham City On This Day revisits the most magical and memorable moments from the club's distinguished history, mixing in a maelstrom of anecdotes and characters to produce an irresistibly dippable Blues diary - with an entry for every day of the year. From its beginnings as Small Heath Alliance in 1875 right through to the modern era and golden goals at Wembley, here are all the rollercoaster highs and lows. The club won the first ever Second Division title in 1893; Blues were the first English team to compete in European competition and the first to reach a European final. Birmingham City have twice won the League Cup and twice reached the FA Cup final. Relive the day in 1963 when Blues beat Villa to win a first major trophy, remember when Darren Carter's penalty clinched promotion in Cardiff, and when Obafemi Martins shocked Arsenal to recapture the League Cup. Recall the exploits of legends such as Joe Bradford, Gil Merrick and Bob Latchford, Trevor Francis, Michael Johnson and Christophe Dugarry.

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A selection of the most touching and transformative expressions of romantic love drawn from Tate's collection. Divided among key themes - such as courtship, passion, symbolism, enduring love and even loss - each of the 50 works of art included has been individually selected for the particular way in which the artist has attempted to capture the ineffable, affirmative, devotional aspects of love. Works of art - including paintings, drawings, sculptures, illustrations and installations - are punctuated by brief captions adding background detail or additional information about the art, artists and their subjects. Sometimes chaste, sometimes frenzied, often passionate and occasionally heartbreaking, placed together these beautiful images create a fascinating and enlightening journey through the visual portrayal of love and sexuality in Western art. Proposed artists for inclusion: Felix Gonzalez-Torres, Wolfgang Tillmans, David Hockney, Sunil Gupta, Diane Arbus, Gwen John, Simeon Solomon, Auguste Rodin, William Blake, Bandele `Tex' Ajetunmobi, Duncan Grant, Christopher Wool, Sir Lawrence Alma-Tadema, Sylvia Sleigh, Sophie Calle and many, many more.

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'A tour de force of biography, history, politics, philosophy and experimental science' ECONOMISTThe remarkable and inspiring story of how London was transformed after the Great Fire of 1666 into the most powerful city in the world, and the men who were responsible for that achievement. 'Wonderfully rich and informative ... a rare achievement' Tom Holland'Fascinating' Lucy Moore'An ingenious and fluent overview of extraordinary men at an extraordinary moment, with St Paul's standing as its symbolic heart' SUNDAY TELEGRAPHOpening in the 1640s, as the city was gripped in tumult leading up to the English Civil War, THE PHOENIX charts the lives and works of five extraordinary men, who would grow up in the chaos of a world turned upside down: the architect, Sir Christopher Wren; gardener and virtuosi, John Evelyn; the scientist, Robert Hooke; the radical philosopher, John Locke and the builder, Nicholas Barbon.At the heart of the story is the rebuilding of London's iconic cathedral, St Paul's. Interweaving science, architecture, history and philosophy, THE PHOENIX tells the story of the formation of the first modern city.

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A neurotically funny collection that looks under the hood of adult lifeAs in life, she was a pain in the arsein death. He could hear her roaringall the way from the fifth circle,'Why the hell do you get to be in abetter circle than me, I'm wrathfulbecause of your lust -'Deploying a chorus of voices both ancient and modern to explore a world of sexual politics and singles cruises, dysfunctional families and psychoanalysis, awkward cohabitations and self-help guides for the would-be Dream Girl, this is the third collection from a unique poetic talent: observant, obsessive and wickedly witty.'The funniest book I've read in years. Maris flexes her wit and wisdom to create a litany of nervous characters in a style that's mordant, sarcastic, satiric yet often compassionate . . . a poet of risk, she is dark, deep and often laugh out loud'DALJIT NAGRA'Her dry, droll, clinically deadpan manner is all her own; but her themes - obscure hurts, implacable dissatisfactions, hardwired propensity for victimhood and suffering - reflect the experience of humanity at large'CHRISTOPHER REID

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Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

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Dieses Buch zeigt, wie neue Health-as-a-Service-Geschäftsmodelle zu einer besseren Patientenerfahrung und zugleich Kostensenkungen beitragen können. Im Gesundheitssektor entstehen neue digitale Geschäftsmodelle der Plattformökonomie, die Vorteile für alle am Markt der Gesundheitsdienstleistung Beteiligten Akteuren – inklusive des Patienten – bringen können. Digitale, datengetriebene Gesundheitsangebote werden zu einer messbaren Verbesserung der Behandlungsqualität führen und zugleich die Effizienz der Leistungserbringung steigern. Dazu werden vermehrt auch Methoden der Künstlichen Intelligenz und des Maschinellen Lernens eingesetzt. Zudem erwarten Patienten, die in der Zukunft mehrheitlich der Gruppe der Digital Natives angehören werden, zunehmend eine individuelle Betreuung (Patienten-Journey). Alle Leistungsanbieter im Gesundheitsbereich müssen systematisch prüfen, welche Health-as-a-Service-Geschäftsmodelle entwickelt und wie diese erfolgreich umgesetzt werden können. Dieses Buch bietet dafür den fundierten Leitfaden.Inhalte aus folgenden Themenbereichen Die Grundlagen der Plattformökonomie für das Gesundheitswesen verstehen Wie Plattformen und Marktplätze das Gesundheitswesen verändern Erfolgsfaktoren von Plattform-Geschäftsmodellen im Gesundheitswesen KI als Enabler für Plattform-Geschäftsmodelle der Zukunft Mit Beiträgen von: Dr. med. Henri Michael von Blanquet – Precision Medicine Alliance, Föhr, Deutschland Tobias Chrobok – Erlangen, Deutschland Timo Frank – Ada Health GmbH, Berlin, Deutschland Julian Gansen – Mementor GmbH, Berlin, Deutschland Clemens von Guenther – Universität Augsburg, Augsburg, Deutschland Anisa Idris – Ada Health GmbH, Berlin, Deutschland Dr. Florian Koerber – Flying Health GmbH, Berlin, Deutschland Dr. Lara Maier – goetzpartners Holding AG, München, Deutschland Marius Mainz – GET.ON Institut für Online Gesundheitstrainings GmbH, Berlin, Deutschland Manon Mandel – München, Deutschland Prof. Dr. Alessandro Monti – CBS International Business School, Köln, Deutschland Prof. Dr. Volker Nürnberg – BearingPoint GmbH, Frankfurt, Deutschland Prof. Dr. Erika Raab – MSH Medical School Hamburg, Hamburg, Deutschland Prof. Dr. Christoph Rasche – Universität Potsdam, Potsdam, Deutschland Prof. Dr. Dominik Rottenkolber – Alice Salomon Hochschule Berlin, Berlin, Deutschland Dr. Alexander Schachinger – EPatient Analytics GmbH, Berlin, Deutschland Frank Stratmann – SMARTR.care, Schmallenberg, Deutschland Sophia Strube – Ada Health GmbH, Berlin, Deutschland Mario Unterbrunner – CHECK24 Vergleichsportal, München, Deutschland Stephanie Widmaier – BearingPoint GmbH, Frankfurt, Deutschland Henry Alexander Wittke – Helmut-Schmidt-Universität, Hamburg

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Hans Memling’s altarpiece for the high altar of Santa María la Real in Nájera (1483-1494) must have been one of the most spectacular Flemish art works in the Iberian Peninsula. Only three panels survive in the Antwerp Royal Museum of Fine Arts : God surrounded by singing and music-making angels. The retable’s central theme was the mystery of the Assumption of the Blessed Virgin. The iconography of the whole has been described by Jovellanos at the end of the 18th century. From c. 1482 on, dozens of monumental altarpieces dedicated to the Assumption of the Virgin in conjunction with Christological themes have been created throughout Spain. They focus on the complex role of the Holy Virgin, her triumph and glorification. It was a common belief that she was the only human to have borne up bodily into heaven. Although ‘Maryam’ was held in very high esteem by Muslims too - and as such, she was a interreligious ‘bridge’ -, her role as Theotokos or Mother of God was a point of conflict. During the last phase of the Reconquista, to Iberian Christians, the Assumption served as an image of the Church/Faith Triumphant, not as a conciliatory belief. Paul Vandenbroeck has worked with the Collection Research Department of the Royal Museum of Fine Arts Antwerp from 1980 to 2018 and he has held a part-time professorship with the Anthropology Research Group IMMRC, Social Sciences Faculty of KU Leuven, since 2003. He is an art graduate from that same university and obtained his PhD in 1986. His main research interests are the oeuvre of Hieronymus Bosch, iconography of early modern art in the Low Countries, iconological questions regarding figurative and abstract art, North African domestic textile art, and topics on the interface between art and anthropology.

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After decades in which American popular culture dominated global media and markets, Japanese popular culture—primarily manga and anime, but also toys, card and video games, and fashion—has exploded into a worldwide phenomenon. From Pokémon and the Power Rangers to Paranoia Agent and Princess Mononoke, Japanese popular culture is consumed by an eager and exponentially increasing audience of youths, teenagers, and adults. Mechademia, a new annual edited by Frenchy Lunning, begins an innovative and fresh conversation among scholars, critics, and fans about the complexity of art forms like Superflat, manga, and anime. The inaugural volume, Mechademia 1 engages the rise of Japanese popular culture through game design, fashion, graphic design, commercial packaging, character creation, and fan culture. Promoting dynamic ways of thinking, along with state-of-the-art graphic design and a wealth of images, this cutting-edge work opens new doors between academia and fandom.The premiere issue features the interactive worlds that anime and manga have created, including the origins of cosplay (the manga and anime costume subculture), Superflat, forgotten images from a founding manga artist, video game interactivity, the nature of anime fandom in America, and the globalization of manga. Contributors: Anne Allison, Duke U; William L. Benzon; Christopher Bolton, Williams College; Vern L. Bullough, California State U, Northridge; Martha Cornog; Patrick Drazen; Marc Hairston; Mari Kotani; Thomas LaMarre; Antonia Levi, Portland State U; Thomas Looser, NYU; Susan Napier, U of Texas, Austin; Michelle Ollie; Timothy Perper; Sara Pocock; Brian Ruh; Takayuki Tatsumi, Keio U, Tokyo; Toshiya Ueno, Wako U, Tokyo; Theresa Winge, U of Northern Iowa; Mark J. P. Wolf, Concordia U; Wendy Siuyi Wong, York U.Frenchy Lunning is professor of liberal arts at the Minneapolis College of Art and Design.

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In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.

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Tim Hartman's Theology after Colonization uses a comparative approach to examine two theologians, one from Europe and one from Africa, to gain insight into our contemporary theological situation. Hartman examines how the loss of cultural hegemony through rising pluralism and secularization has undermined the interconnection of the Christian faith with political power and how globalization undermined the expansive (and expanding) mindset of colonialization. Hartman engages Swiss-German theologian Karl Barth (1886–1968), whose work responded to the challenges of Christendom and the increasing secularization of Europe by articulating an early post-Christendom theology based on God's self-revelation in Jesus Christ, not on official institutional structures (including the church) or societal consensus. In a similar way, Ghanaian theologian Kwame Bediako (1945–2008) offered a post-colonial theology. He wrote from the perspective of the global South while the Christian faith was growing exponentially following the departure of Western missionaries from Africa. For Bediako, the infinite translatability of the gospel of Jesus Christ leads to the renewal of Christianity as a non-Western religion, not a product of colonialization. Many Western theologies find themselves unable to respond to increasing secularization and intensifying globalization because they are based on the very assumptions of uniformity and parochialism (sometimes called "orthodoxy") that are being challenged. Hartman claims Bediako and Barth can serve as helpful guides for contemporary theological reflection as the consensus surrounding this theological complex disintegrates further. Collectively, their work points the way toward contemporary theological reflection that is Christological, contextual, cultural, constructive, and collaborative. As one of the first books to examine the work of Bediako, this study will interest students and scholars of Christian theology, African studies, and postcolonial studies.

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One morning while reading Barron's, Kara Newman took note of a casual bit of advice offered by famed commodities trader Jim Rogers. "Buy breakfast," he told investors, referring to the increasing value of pork belly and frozen orange juice futures. The statement inspired Newman to take a closer look at agricultural commodities, from the iconic pork belly to the obscure peppercorn and nutmeg. The results of her investigation, recorded in this fascinating history, show how contracts listed on the Chicago Mercantile Exchange can read like a menu and how market behavior can dictate global economic and culinary practice. The Secret Financial Life of Food reveals the economic pathways that connect food to consumer, unlocking the mysteries behind culinary trends, grocery pricing, and restaurant dining. Newman travels back to the markets of ancient Rome and medieval Europe, where vendors first distinguished between "spot sales" and "sales for delivery." She retraces the storied spice routes of Asia and recounts the spice craze that prompted Christopher Columbus's journey to North America, linking these developments to modern-day India's bustling peppercorn market. Newman centers her history on the transformation of corn into a ubiquitous commodity and uses oats, wheat, and rye to recast America's westward expansion and the Industrial Revolution. She discusses the effects of such mega-corporations as Starbucks and McDonalds on futures markets and considers burgeoning markets, particularly "super soybeans," which could scramble the landscape of food finance. The ingredients of American power and culture, and the making of the modern world, can be found in the history of food commodities exchange, and Newman connects this unconventional story to the how and why of what we eat.

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The official behind-the-scenes art book for Sony Pictures Animation’s feature film The Mitchells vs. The Machines The Mitchells vs. The Machines is a comedy about an everyday family's struggle to relate while technology rises up around the world! When Katie Mitchell, a creative outsider, is accepted into the film school of her dreams, her plans to meet “her people” at college are upended when her nature-loving dad Rick determines the whole family should drive Katie to school together and bond as a family one last time. Katie and Rick are joined by the rest of the family, including Katie’s wildly positive mom Linda, her quirky little brother Aaron, and the family’s delightfully chubby pug Monchi for the ultimate family road trip. Suddenly, the Mitchells’ plans are interrupted by a tech uprising: All around the world, the electronic devices people love—from phones to appliances to an innovative new line of personal robots—decide it’s time to take over. With the help of two friendly malfunctioning robots, the Mitchells will have to get past their problems and work together to save each other and the world! The Art of The Mitchells vs. The Machines gives insight into how the filmmakers were able to bring this fresh, new vision to the screen through concept art, sketches, and early character designs, accompanied by exclusive commentary from director/co-writer Michael Rianda and co-director/co-writer Jeff Rowe, alumni of the team behind Emmy Award–winning Gravity Falls, and producers Phil Lord and Christopher Miller, the innovative and creative minds behind The Lego Movie and the Academy Award–winning Spider-Man: Into the Spider-Verse.

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The doctrine of the pactum salutis (covenant of redemption) offers the idea of a covenant between the very persons of the Trinity for the redemption of humanity. The doctrine received most of its attention in seventeenth-century Reformed theology, and has been criticized and almost totally forgotten in dogmatics since the eighteenth century. Most recent Reformed dogmatics tend to ignore the doctrine or disparage it from biblical, trinitarian, christological, pneumatological, and soteriological perspectives-namely, the doctrine lacks scriptural basis; it is tritheistic; it leads to subordination of the Son; it omits the role of the Holy Spirit; and it applies a deterministic idea for the Christian life. The theologies of Witsius, Owen, Dickson, Goodwin, and Cocceius portray a very robust form of the doctrine. Witsius argues with the help of a peculiar methodology of cross-referencing and collation of related scriptural texts that the doctrine is firmly based on biblical exegesis that was passed on from the patristic era. The doctrine formulated by Owen endorses the doctrines of inseparable operations and terminus operationis so as to give deep insight into the Trinity. In Dickson's doctrine, the Son's voluntary consent and obedience to the will of the Father are highly emphasized. Likewise, Goodwin's depiction of the Holy Spirit secures the divinity of the Spirit as well as his indispensable role for the transaction and accomplishment of the pactum. The doctrine in the theology of Cocceius sheds much light on the vibrant dynamic of the Christian life in accordance with the ordo salutis. The doctrine of the pactum salutis of the five Reformed theologians clearly shows that the doctrine is both promised and promising for theology and the life of faith.

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This book consists of literal English translations of ten Socratic dialogues that have been largely neglected for the last century. Although everyone of these dialogues belongs to the classical canon of Platonic writings and was accepted as genuine in antiquity, most were condemned as forgeries in the early nineteenth century—and have remained under a shadow ever since. In his long introductory essay, Thomas L. Pangle offers a spirited criticism of arguments that have been adduced to support the view that some of the dialogues are counterfeit and shows in scrupulous detail why he believes in their authenticity. Each dialogue is accompanied by an interpretive essay that demonstrates how a close reading of the dialogue sheds revealing light on the Platonic understanding of political theory, ethics, aesthetics, and the philosophic way of life as exemplified by Socrates. The essays include previously published pieces, some of classic stature, as well as studies written especially for this volume. Opening an entirely new dimension of Platonic studies, The Roots of Political Philosophy addresses, in a fresh or unfamiliar perspective, major themes and puzzles such as: the nature of law, of property, and of acquisitiveness; the meaning of Socrates' famous "demonic voice"; what is at stake in the poetic claim to inspiration; and the psychology of the tyrannic as opposed to the statesmanlike or political personality. Political scientists, philosophers, classicists, and students who are familiar with the textual approach associated with Leo Strauss will welcome this book, as will other readers with an interest in ancient Greek philosophy and political thought. Contributors and translators: Allan Bloom, Christopher Bruell, Steven Forde, James Leake, Carnes Lord, James H. Nichols, Clifford Orwin, Thomas L. Pangle, Leo Strauss, and David Sweet.

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Winner, Oscar G. Brockett Book Prize in Dance Research, 2014 Honorable Mention, Sally Banes Publication Prize, American Society for Theatre Research, 2014 de la Torre Bueno® Special Citation, Society of Dance History Scholars, 2013From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery.Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.

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Of Angie Estes, the poet and critic Steph Burt has written that she “has created some of the most beautiful verbal objects in the world.” In The Allure of Grammar, Doug Rutledge gathers insightful responses to the full range of Estes’s work—from a review of her first chapbook to a reading of two poems appearing in her 2018 book, Parole—that approach these beautiful verbal objects with both intellectual rigor and genuine awe. In addition to presenting an overview of critical reactions to Estes’s oevre, reviews by Langdon Hammer, Julianne Buchsbaum, and Christopher Spaide also provide a helpful context for approaching a poet who claims to distrust narrative. Original essays consider the craft of Estes’s poetry and offer literary analysis. Ahren Warner uses line breaks to explore a postmodern analysis of Estes’s work. Mark Irwin looks at her poetic structure. Lee Upton employs a feminist perspective to explore Estes’s use of italics and to look at the way she uses dance as a poetic image. Doug Rutledge considers her relationship to Dante and to the literary tradition through her use of ekphrasis. An interview with Estes herself, in which she speaks of a poem as an “arranged place . . . where experience happens,” adds her perspective to the mix, at turns resonating with and challenging her critics. The Allure of Grammar will be useful for teachers and students of creative writing interested in the craft of non-narrative poetry. Readers of contemporary poetry who already admire Estes will find this collection insightful, while those not yet familiar with her work will come away from these essays eager to seek out her books.

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Classic hardback edition of the third volume of The Lord of the Rings, now featuring Tolkien’s original unused dust-jacket design. Includes special packaging and the definitive edition of the text, with fold-out maps. The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf returned, miraculously, and defeated the evil wizard, Saruman. Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Sméagol – Gollum, still obsessed by his ‘preciouss’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive – in the hands of the orcs. And all the time the armies of the Dark Lord are massing. This classic hardback features Tolkien’s original unused dust-jacket design, and its text has been fully restored with almost 400 corrections – with the full co-operation of Christopher Tolkien – making it the definitive version, and as close as possible to the version that J.R.R. Tolkien intended. Also included are the original red and black maps as fold-out sheets, and – for the first time – a fully revised and enlarged index.

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When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner, accompanied by E.H.Shepard’s original, iconic decorations. Classic Winnie-the-Pooh Story Piglet Does a Very Grand Thing – With The Original Text By A.A.Milne And Decorations By E.H.Shepard It’s A Timeless Gift For Fans Of All Ages. Collect The Range. When Owl’s house is blown down in a blusterous storm there’s only one Small Animal who can save the day. This story first appeared in A.A.Milne’s The House at Pooh Corner. This book is all the more special due to E.H.Shepard’s decorations, which are shown in full, glorious colour. They contributed to him being known as ‘the man who drew Pooh’. Look out for all the titles in the collection: Winnie-the-Pooh and the Wrong Bees Winnie-the-Pooh: Pooh Goes Visiting Winnie-the-Pooh: Piglet Meets a Heffalump Winnie-the-Pooh: Piglet Does a Very Grand Thing Winnie-the-Pooh: Eeyore Has a Birthday Winnie-the-Pooh: A House is Built for Eeyore Winnie-the-Pooh: Pooh Invents A New Game Winnie-the-Pooh: Eeyore Loses a Tail The nation’s favourite teddy bear has been delighting generations of children for over 95 years. Milne’s classic children’s stories – featuring Piglet, Eeyore, Christopher Robin and, of course, Pooh himself – are gently humorous while teaching lessons about friendship and kindness. Pooh ranks alongside other beloved character such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you’re 5 or 55, Pooh is the bear for all ages.

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Can two quiet con men who lost their childhoods find their places as a part of a family—and with each other?Ever since he watched his father die, Etienne Couvier has kept to himself. Under the tutelage of his adoptive family, the Salingers, Tienne grows into a gifted forger and artist. But no matter how hard they try to draw him into their midst—and despite the singular pull their friend Stirling Christopher has on his emotions—he resists. When computer tech Stirling lost his foster parents, he found shelter and love with the Salingers. Stirling knows firsthand what Tienne has been through, so when an attacker shatters Tienne’s self-imposed isolation, Stirling urges him into the Salinger crew. Maybe they can finally explore the quiet attraction between them. Then the Salingers announce their next project: an inquest into the mysterious deaths of Stirling’s adoptive parents. They descend on the Caribbean for answers, with Stirling and Tienne the quiet centers of the human justice-seeking hurricane. As they stretch out of their comfort zones, they learn that being family means someone always has your back. Hand in hand, they’ll solve the mystery. They might even be able to live with the consequences—as long as they do it together.Amy Lane’s Long Con series follows a crew of civic-minded thieves on their quests for justice, adventure, and love. Fans of Leverage, heist movies, and romantic suspense will love The Tech.

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On March 2, 1965, The Sound of Music was released in the United States and the love affair between moviegoers and the classic Rodgers and Hammerstein musical was on. Rarely has a film captured the love and imagination of the moviegoing public in the way that The Sound of Music did as it blended history, music, Austrian location filming, heartfelt emotion, and the yodeling of Julie Andrews into a monster hit. Tom Santopietro has written the ultimate Sound of Music fan book with all the details from behind-the-scenes stories of the filming in Austria and Hollywood to new interviews with Johannes von Trapp and others. Santopietro looks back at the real-life story of Maria von Trapp, goes on to chronicle the sensational success of the Broadway musical, and recounts the story of the near cancellation of the film when Cleopatra bankrupted 20th Century Fox. We all know that Julie Andrews and Christopher Plummer played Maria and Captain Von Trapp, but who else had been considered? Tom Santopietro knows and will tell all while providing a historian's critical analysis of the careers of director Robert Wise and screenwriter Ernest Lehman, a look at the critical controversy which greeted the movie, the film's relationship to the turbulent 1960s and the super stardom which engulfed Julie Andrews. Tom Santopietro's The Story of The Sound of Music is book for everyone who cherishes this American classic.

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Wie kommt ein gültiger Vertrag zustande? Welche Pflichten werden durch einen Vertrag und durch die Aufnahme von Vertragsverhandlungen begründet? Nach welchen Regeln beurteilt es sich, ob eine Partei Erfüllung des Vertrages verlangen, den Vertrag durch Rücktritt, Widerruf oder Kündigung aufheben oder ihren Kontrahenten auf Schadensersatz in Anspruch nehmen kann? Hein Kötz geht im vorliegenden Band diesen und anderen Fragen des Vertragsrechts nach. Die 2. Auflage wurde gründlich überarbeitet.Das Werk wurde zu den "juristischen Ausbildungsbüchern des Jahres 2009" gewählt. Aus Rezensionen zur 1. Auflage: "Der Gesamteindruck ist jedoch ohne Zweifel bestechend: ein großer Wurf!" Gostomzyk/Neureither/Norouzi JuS 2009, S. 1158f."Neben den didaktischen und vertragstheoretischen Lorbeeren, die Kötz zuzusprechen sind, kommen dem Buch auch bedeutende systemanalytische Verdienste zu. […] Die jetzt erschienene Erstauflage jedenfalls hat Pioniercharakter und ist als unverzichtbare Lektüre für alle Lernenden und Lehrenden zu begreifen, die sich 'am Puls der Zeit' mit dem Vertragsrecht befassen wollen." Christoph Reymann Zeitschrift für Europäisches Privatrecht 2011, 739-742"Wer Kötz' "Vertragsrecht" gelesen hat, ist zweifelsohne auf höchstem Niveau und hat neben dem unverzichtbaren Standardwissen auch wirtschaftliches und rechtsvergleichendes Verständnis zum Vertragsrecht gewonnen." Benjamin Krenberger studjur-online.de (1/2010) Aus Rezensionen zur 2. Auflage: "Es lässt sich wunderbar flüssig lesen und ist aufgrund der sehr guten Strukturierung auch zum schnellen 'Nachschlagen' geeignet."Die ungekürzte Rezension von Sebastian Jäger finden Sie auf http://dierezensenten.blogspot.de/2013/02/rezension-zivilrecht-vertragsrecht.html (02/2013)

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The book of Jonah is full of surprises, and this is no less true for us today than it was for its original readers. How is it possible that a city like Nineveh would repent? Why does Jonah seem so out of touch with the God who calls him to act as a prophet? And the end of the book asks readers the same question that God poses to Jonah: to what extent is their character truly in accord with that of the God whom they claim to serve? At the same time, Jonah centres on the grand theme of the Bible: the manifestation of God's unmerited grace to those who have sinned against him. However, despite its brevity, Jonah raises challenging theological questions regarding mission and religious conversion; and there is no shortage of fascinating historical aspects, along with the various unexpected plot twists. In this stimulating biblical-theological study, Daniel Timmer examines the book's historical backgrounds (in both Israel and Assyria), discusses the biblical text in detail, and pays special attention to redemptive history and its Christocentric orientation. He explores the relationship between Israel and the nations - including the question of mission - and the nature of religious conversion and spirituality in the Old Testament. Timmer also argues that the book of Jonah was written to facilitate spiritual change in its readers, and our study is not complete until we have wrestled with it on those terms. The New Studies in Biblical Theology offer creative expositions of key issues in understanding the Bible.

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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A novel interpretation of architecture, ugliness, and the social consequences of aesthetic judgmentWhen buildings are deemed ugly, what are the consequences? In Ugliness and Judgment, Timothy Hyde considers the role of aesthetic judgment—and its concern for ugliness—in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles’s opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.Hyde explores how accidental and willful conditions of ugliness—including the gothic revival Houses of Parliament, the brutalist concrete of the South Bank, and the historicist novelty of Number One Poultry—have been debated in parliamentary committees, courtrooms, and public inquiries. He recounts how architects such as Christopher Wren, John Soane, James Stirling, and Ludwig Mies van der Rohe have been summoned by tribunals of aesthetic judgment. With his novel scrutiny of lawsuits for libel, changing paradigms of nuisance law, and conventions of monarchical privilege, he shows how aesthetic judgments have become entangled in wider assessments of art, science, religion, political economy, and the state.Moving beyond superficialities of taste in order to see how architectural improprieties enable architecture to participate in social transformations, Ugliness and Judgment sheds new light on the role of aesthetic measurement in our world.

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