Search results for ""author jan"

Peace is an elusive concept, especially within the field of international law, varying according to historical era and between Research Handbook responds to the gap created by the neglect of peace in international law scholarship. Explaining the normative evolution of peace from the principles of peaceful co-existence to the UN declaration on the right to peace, this Research Handbook calls for the fortification of international institutions to facilitate the pursuit of sustainable peace as a public good. It sets forth a new agenda for research that invites scholars from a broad array of disciplines and fields of law to analyse the contribution of international institutions to the construction and implementation of sustainable peace. With its critical examination of courts, transitional justice institutions, dispute resolution and fact-finding mechanisms, this Research Handbook goes beyond the traditional focus on post-conflict resolution, and includes areas not usually found in analyses of peace such as investment and trade law. Bringing together contributions from leading researchers in the field of international law and peace, this Research Handbook analyses peace in the context of law applicable to women, refugees, environmentalism, sustainable development, disarmament, and other key contemporary issues. This thoughtful Research Handbook will be a crucial tool for policymakers, practitioners, and academics in the fields of international law, human rights, jus post bellum, and development. Its comprehensive insights to the field will also be of benefit for students of political science, law, and peace studies. Contributors: B.A. Andreassen, C.M. Bailliet, D. Behn, K. Egeland, O. Engdahl, O.K. Fauchald, J. Garcia-Godos, C. Hellestveit, M. Janmyr, S. Kanuck, K.M. Larsen, K. Lidén, G. Nystuen, S. O'Connor, J.C. Sainz-Borgo, K. Skarstad, V.B. Strand, H. Syse, A Tadjdini, C. Voigt, C. Weiss, P. Wrange, G. Zyberi

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"Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the Introduction Focusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate. Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.

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In 2015, the New York Times reported, "The bright children of janitors and nail salon workers, bus drivers and fast-food cooks may not have grown up with the edifying vacations, museum excursions, daily doses of NPR and prep schools that groom Ivy applicants, but they are coveted candidates for elite campuses." What happens to academically talented but economically challenged "first-gen" students when they arrive on campus? Class markers aren’t always visible from a distance, but socioeconomic differences permeate campus life—and the inner experiences of students—in real and sometimes unexpected ways. In Class and Campus Life, Elizabeth M. Lee shows how class differences are enacted and negotiated by students, faculty, and administrators at an elite liberal arts college for women located in the Northeast. Using material from two years of fieldwork and more than 140 interviews with students, faculty, administrators, and alumnae at the pseudonymous Linden College, Lee adds depth to our understanding of inequality in higher education. An essential part of her analysis is to illuminate the ways in which the students’ and the college’s practices interact, rather than evaluating them separately, as seemingly unrelated spheres. She also analyzes underlying moral judgments brought to light through cultural connotations of merit, hard work by individuals, and making it on your own that permeate American higher education. Using students’ own descriptions and understandings of their experiences to illustrate the complexity of these issues, Lee shows how the lived experience of socioeconomic difference is often defined in moral, as well as economic, terms, and that tensions, often unspoken, undermine students’ senses of belonging.

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Multiple Award-Winner! Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST) Recipient of the 2022 Jane Jacobs Urban Communication Book Award Winner of the 2023 American Journalism Historians Association Book of the Year Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society Winner of the 2023 BAAS Book Prize (British Association for American Studies) Winner of a 2023 The Brinck Book Award and Lecture series (University of New Mexico School of Architecture + Planning) Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals) Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint. Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.

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Multiple Award-Winner! Winner of the 2023 Michael Nelson Prize of International Association for Media and History (IAMHIST) Recipient of the 2022 Jane Jacobs Urban Communication Book Award Winner of the 2023 American Journalism Historians Association Book of the Year Winner of the 2023 ULCC’s (Union League Club of Chicago) Outstanding Book on the History of Chicago Award Recipient of a 2023 Best of Illinois History Superior Achievement award from the Illinois State Historical Society Winner of the 2023 BAAS Book Prize (British Association for American Studies) Winner of a 2023 The Brinck Book Award and Lecture series (University of New Mexico School of Architecture + Planning) Honorable Mention for the 2021-22 RSAP Book Prize (Research Society for American Periodicals) Buildings once symbolized Chicago's place as the business capital of Black America and a thriving hub for Black media. In this groundbreaking work, E. James West examines the city's Black press through its relationship with the built environment. As a house for the struggle, the buildings of publications like Ebony and the Chicago Defender embodied narratives of racial uplift and community resistance. As political hubs, gallery spaces, and public squares, they served as key sites in the ongoing Black quest for self-respect, independence, and civic identity. At the same time, factors ranging from discriminatory business practices to editorial and corporate ideology prescribed their location, use, and appearance, positioning Black press buildings as sites of both Black possibility and racial constraint. Engaging and innovative, A House for the Struggle reconsiders the Black press's place at the crossroads where aspiration collided with life in one of America's most segregated cities.

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'Which neighborhood?' It's one of the first questions you're asked when you move to Chicago. And the answer you give - be it Bucktown, Bronzeville, or Bridgeport - can give your inquisitor a pretty good idea of who you are, especially in a metropolis with 230 very different neighborhoods and suburbs to choose from.Many of us, in fact, know little of the neighborhoods beyond those where we work, play, and live. This is especially true in Chicagoland, a region that spans over 4,400 square miles and is home to more than 9.5 million residents. In "Chicago Neighborhoods and Suburbs", historian Ann Durkin Keating sheds new light on twenty-first-century Chicago by providing a captivating yet compact guide to the Midwest's largest city. Keating charts Chicago's evolution with comprehensive, cross-referenced entries on all seventy-seven community areas, along with many suburbs and neighborhoods both extant and long forgotten, from Albany Park to Zion. Thoughtful interpretive essays by urban historians Michael Ebner, Henry Binford, Janice Reiff, Susan Hirsch, and Robert Bruegmann explore how the city's communities have changed and grown throughout the years, and sixty historic and contemporary photographs and additional maps add depth to each entry.From the South Side to the West Side to the North Side, just about every local knows how distinctive Chicago's neighborhoods are. Few of us, however, know exactly how they came to be. "Chicago Neighborhoods and Suburbs" brings the city - its inimitable neighborhoods, industries, and individuals - to life, making it the perfect guidebook or gift for anyone with an interest in Chicago and its history.

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Billions of American tax dollars go into a vast array of programs targeting various social issues: the opioid epidemic, criminal violence, chronic unemployment, and so on. Yet the problems persist and even grow. Howard Husock argues that we have lost sight of a more powerful strategy—a preventive strategy, based on positive social norms. In the past, individuals and institutions of civil society actively promoted what may be called “bourgeois norms,” to nurture healthy habits so that social problems wouldn’t emerge in the first place. It was a formative effort. Today, a massive social service state instead takes a reformative approach to problems that have already become vexing. It offers counseling along with material support, but struggling communities have been more harmed than helped by government’s embrace. And social service agencies have a vested interest in the continuance of problems. Government can provide a financial safety net for citizens, but it cannot effectively create or promote healthy norms. Nor should it try. That formative work is best done by civil society. This book focuses on six key figures in the history of social welfare to illuminate how a norm-promoting culture was built, then lost, and how it can be revived. We read about Charles Loring Brace, founder of the Children’s Aid Society; Jane Addams, founder of Hull House; Mary Richmond, a social work pioneer; Grace Abbott of the federal Children’s Bureau; Wilbur Cohen of the Department of Health, Education and Welfare; and Geoffrey Canada, founder of the Harlem Children’s Zone—a model for bringing real benefit to a poor community through positive social norms. We need more like it.

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The epic, thrilling conclusion to the most mind-bending, time-warping series since Doctor Who.Kaz, Dora and Jana - three people from three different time periods, brought together by forces they don't understand, given powers they can barely comprehend.Their powers have brought them together.And nothing - not war, not betrayal, and not even death - has been able to tear them apart.And now, after everything they've been through, they're about to find the bonds of their friendship tested in ways they could never have imagined.This is the stunning, epic conclusion to the incredible story begun in TimeBomb and continued in Second Lives: a story of friendship, of love, and of learning what it means to be extraordinary.*~*Readers love the TimeBomb series!*~* 'A fast-paced, time-hopping thriller' SciFiNow 'Tremendous fun... a riveting series opener... I finished the book in one sitting. If you enjoy fast-paced, action-driven time travel stories, this book is for you' A Fantastical Librarian 'A rip roaring roller coaster ride of a read that keeps you on your toes and is a WHOLE lot of fun' Liz Loves Books 'I was sucked into this book from the beginning and found it extremely hard to put down' Escapades of a Bookworm 'Impeccably unique and mesmerising, Andrews takes an astoundingly interesting take on time travel' Once Upon a Moonlight Review 'Executed perfectly, with likeable, intelligent and witty characters thrust into the mix of things' The Book Bag 'Well-written, funny, sad and exciting... a rocket of a timeslip adventure, designed to appeal to adults young and old and it most certainly succeeds' For Winter's Nights

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From Cradle to Stage shares stories and exclusive photos featuring mothers of rock icons, the icons themselves, and their Behind the Music-style relationshipsWhile the Grohl family had always been musical-the family sang together on long car trips, harmonizing to Motown and David Bowie, Virginia Grohl never expected her son to become a musician, let alone a rock star. But when she saw him perform in front of thousands of screaming fans for the first time, she knew that stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised children who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and well-being in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour?Virginia decided to seek out other celebrity mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother.With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and music fans everywhere.

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'Dark and dreadful and persistently clever. Ortberg bloodily turns familiar tales inside out.' Rainbow Rowell'A collection of stories delectable, formidable, and nimble. As a fantasist and short story writer, Ortberg is without peer.' Kelly Link'Ortberg has a voracious appetite for poison apples, and a genius for finding the places in fairyland where all the bodies are buried. The Merry Spinster will ruin your most-loved fables, in the best possible way.' Charlie Jane Anders'Ortberg has the sloe gin wit of Dorothy Parker and the soul of a Classics nerd. It's like both of them sat next to each other in The Merry Spinster and gossiped away. The result is an absolute delight.' John Scalzi'Ortberg has created a Frankenstein's monster of familiar narratives . . . [that swings] between Terry Pratchett's satirical jocularity and Angela Carter's sinister, shrewd storytelling, and the result is gorgeous, unsettling, splenic, cruel, and wickedly smart. I've never read anything quite like them, and I bet, Dear Reader, that you haven't either.' Carmen Maria MachadoA collection of darkly mischievous stories based on classic fairy tales. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently alarming, emotional complexities at play in the stories we tell ourselves and each other as we tuck ourselves in for the night.Bed time will never be the same.

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An elegant introduction to one of America's most complex and influential writers. From his childhood in a family of leading American intellectuals through his mature life as a major American man of letters, Henry James (1843-1916) created a unique body of fiction that represents one of the greatest achievements in the nation's literary history. James's transnational life in the US and England and his extraordinary siblings (the philosopher William James and diarist Alice James) made his life as complicated as the fictions he produced. In this elegant introduction to the work of Henry James, Susan L. Mizruchi places the notoriously difficult and obscure writings in their historical and biographical context. As James grew in confidence as a writer, his fictions evolved accordingly. These complex accounts of human experience engage with the vital issues of both James's era and our own. Among the works treated in this introduction are Washington Square, The Europeans, Daisy Miller, The Portrait of a Lady, The Golden Bowl, and The Turn of the Screw. Through his novels, as well as his journalistic and critical endeavors, James explores themes related to gender relations, human sexuality, the nature of modernity, the threat of relativism, the rise of mass culture, and the role of art. Since their creation, James's writings have been a consistent subject of both literary theory and popular culture, receiving a diverse array of theoretical treatments, from formalism, deconstruction, phenomenology, and pragmatism to Marxism, new historicism, and gender and queer theory. James's novels have been adapted into numerous films by directors including William Wyler, Peter Bogdanovich, Michael Winner, Merchant/Ivory, and Jane Campion. The impact of Henry James cannot be overstated.

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'Warm, funny, and bursting with heart' Rebecca Serle'Beautiful, moving, hopeful' Emily StoneGreta James is adrift. Literally.Just after the sudden death of her mother - her most devoted fan - and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta's career is suddenly in jeopardy - the kind of jeopardy her father, Conrad, has always warned her about.Months later, Greta - still heartbroken and very much adrift - reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.In this unlikeliest of places - at sea and far from the packed venues where she usually plays - Greta must finally confront the heartbreak she's suffered, the family hurts that run deep, and how to find her voice again.'Gorgeous, heartfelt' Amanda Eyre Ward'Moving and beautiful' 5* reader review'Thoughtful and tender and true' Janelle Brown'Full of warmth, heart and music' 5* reader review'Filled with music, passion, and love of all kinds' Jill Santopolo'Wonderful, inspiring and delightful' 5* reader review'A total delight!' Christine Pride'A heartwarming story reminding you to really live' 5* reader review'Full of hope . . . vibrant' Linda Holmes

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Joaquim Nabuco, for more than three decades a dominant figure in the literary, intellectual and political life of Brazil, was born in Recife in the country's Northeast in 1849 and died in Washington in 1910. He was what we would now call a public intellectual, indeed given that he spent half his adult life in Europe and the United States a trans-national public intellectual and from a country on the periphery of the world system. Nabuco is best known as the inspirational leader of the campaign in the 1880s for the abolition of slavery in Brazil, which after abolition in the United States and Cuba was the last remaining slave state in the Americas. Eighteen months after slavery was finally ended in 1888 the Brazilian Empire was overthrown and Nabuco, a committed monarchist, believing--wrongly--that his public career was over (from 1899 until his death he was to serve the Republic with distinction as Brazilian minister in London and Brazil's first ambassador to the Washington), devoted himself in 'internal exile' to writing, including a series of newspaper articles on his education, his early intellectual development, his discovery of the world outside Brazil and his life as a young diplomat and politician. These articles, together with some later additions, were published as Minha Formacao (My Formative Years) in 1900. In twenty six chapters Nabuco examines (though not in chronological order): the first eight years of his life in Massangana, a sugar plantation in Pernambuco worked by slaves and his return there, as a student aged twenty, which he claimed determined his decision to devote himself to the abolition of slavery in Brazil; his education in the Law Faculties in Rio de Janeiro and Sao Paulo; the influence of Walter Bagehot s The English Constitution (1867) on his political thinking; his introduction to French literature and history (besides Portuguese he wrote his first poems and plays in French); his first visit to Europe in 1873-4, primarily a Grand Tour of Italy and France but ending in London where, he wrote, he was touched by the beginnings of anglomania (he was to visit and reside in London on seven separate occasions during the next 20 year before his six years as Brazilian minister there); his two years (1876-8) as attache in the Brazilian legations in Washington and London; the beginning of his political career in Pernambuco, contesting and winning election to the Chamber of Deputies in 1878 at the age of 29 and becoming a self-styled 'English liberal in the Brazilian Parliament'; the influence of English and North American abolitionists on his thinking about slavery and abolition; and the eventually successful parliamentary struggle to end slavery. A concluding chapter ('The last ten years 1889-1899') briefly considers his life after the abolition of slavery and the fall of the Empire.

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Cet ouvrage est au croisement de deux disciplines: l'histoire et l'exegese. En matiere d'exegese, il entreprend de suivre a la trace les interpretations qui ont ete donnees a la parabole des ouvriers de la onzieme heure (Mt 20,1-16) tout au long du 16e siecle. Pour permettre une comparaison adequate des differentes interpretations, a ete mise au point une grille de lecture (inspiree de T. Todorov et de P. Ricoeur), dans laquelle sont reprises de maniere systematique toutes les operations que peut impliquer l'interpretation d'un texte. On y trouve en particulier les dispositifs formels de l'interpretation (langue, plan, langage methodologique...); les operations elaborant le sens direct ou litteral du texte (mise en oeuvre des codes lexicaux, narratifs, historiques, litteraires...); et les operations elaborant son sens indirect ou symbolique (mise en oeuvre des symbolismes lexical et propositionnel, des contextes paradigmatique et syntagmatique, de l'intertextualite, de la reappropriation du lecteur, du monde du texte...). L'application de cette methode aux differents commentaires permet de voir les operations que chacun favorise et comment il fait parler le texte biblique en lui donnant sens. Cela nous interpelle par rapport a notre propre construction du sens, dans l'exegese actuelle. En matiere historique, j'analyse d'abord la publication du texte de Mt 20,1-16 dans ses differentes editions (textes grecs, syriaques et latins) et ses multiples traductions (en latin, allemand, neerlandais, francais, italien, espagnol...). Des tableaux des variantes textuelles permettent de suivre l'evolution des traductions et de reperer leurs choix methodologiques. On decouvre ensuite les grands commentateurs du debut du 16e siecle: Erasme et Lefevre d'Etaples, tetes de file d'une exegese centree sur les codes lexicaux; Luther et Melanchthon, tetes de file d'une exegese basee sur le but du texte, dans laquelle brillent Bucer, Cajetan, Zwingli, Valdes, Bullinger. Puis on voit apparaitre une generation d'auteurs pratiquant des ponts entre les ecoles (Musculus, Titelman, Estienne) ou relancant l'ecole humaniste (Calvin, Beze) et, enfin, des ecoles tres marquees au niveau confessionnel, mais integrant les elements provenant d'autres confessions (Jansenius de Gand, Arias Montanus, Aretius, Piscator, Maldonado, Salmeron). Apparait ainsi une Europe de l'exegese: les pionniers du debut du siecle entament une revolution culturelle en matiere d'interpretation, qui franchit toutes les frontieres nationales ou confessionnelles; elle se repercute au cours du siecle en d'innombrables variations et approfondissements, qui touchent tous les pays europeens et determinent les courants d'un vaste echange d'idees. On decouvre ainsi un chapitre important de l'histoire des idees, qui se diffusent de Salamanque a Wittenberg, de Rome a Paris, de Varsovie a Londres, de Louvain a Strasbourg, de Geneve a Naples, bref un fondement de l'Europe actuelle.

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When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before the twentieth century. Chasteen first focuses on Havana, Buenos Aires, and Rio de Janeiro, where dances featuring a 'transgressive close embrace' (forerunners of today's salsa, tango, and samba) emerged by 1900. Then, digging deeper in time, Chasteen uncovers the historical experiences that moulded Latin American popular dance, including carnival celebrations, the social lives of slaves, European fashions, and, oddly enough, religious processions. The relationship between Latin American dance and nationalism, it turns out, is very deep, indeed.

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The Greening of Central Europe evaluates the environmental policies of Central Europe, using Poland and the Czech Republic as examples. John W. Sutherlin recognizes that since the Earth Summit II meeting in Rio de Janeiro in 1992, most states have attempted to incorporate the principles of sustainable development into their national environmental and economic management policies, in turn leading to less pollution and more favorable economic conditions in the long term. However, achieving this goal in the states that emerged from Soviet domination would seem nearly impossible. So Sutherlin portrays the political changes in Poland and the Czech Republic as a foundation for understanding the formation of environmental policy. He then summarizes how well each state has incorporated the principles of sustainable development into their policy-making systems. Finally, he evaluates various environmental measurements, including air quality, deforestation, and public health, to assess the successes and failures of each state. His conclusions provide a mixed result for sustainable development, especially for the transitional states in Central Europe, yet the evidence shows that the "greening" of central Europe has begun.

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How interracial couples in Brazil and the US navigate racial boundaries How do people understand and navigate being married to a person of a different race? Based on individual interviews with forty-seven black-white couples in two large, multicultural cities—Los Angeles and Rio de Janeiro—Boundaries of Love explores how partners in these relationships ultimately reproduce, negotiate, and challenge the “us” versus “them” mentality of ethno-racial boundaries. By centering marriage, Chinyere Osuji reveals the family as a primary site for understanding the social construction of race. She challenges the naive but widespread belief that interracial couples and their children provide an antidote to racism in the twenty-first century, instead highlighting the complexities and contradictions of these relationships. Featuring black husbands with white wives as well as black wives with white husbands, Boundaries of Love sheds light on the role of gender in navigating life married to a person of a different color. Osuji compares black-white couples in Brazil and the United States, the two most populous post–slavery societies in the Western hemisphere. These settings, she argues, reveal the impact of contemporary race mixture on racial hierarchies and racial ideologies, both old and new.

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Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.

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Featuring interviews with nineteen leading U.S. literary and cultural critics, Critics at Work offers a unique picture of recent developments in literary studies, critical theory, American studies, gay and lesbian studies, philosophy, and other fields. It provides informative, timely, and often provocative commentary on a broad range of topics, from the state of theory today and the prospects for cultural studies to the role of public intellectuals and the place of political activism. These conversations also elicit illuminating and sometimes surprising insights into the personal and professional lives of its contributors. Individually, each interview gives a significant overview of a critic's work. Taken together, they provide an assessment of literary and cultural studies from the establishment of theory and its diffusion, in recent years, into various cultural and identity studies. In addition to the interviews themselves, the volume includes useful short introductions to each critic's work and biography. Interviewees: K. Anthony Appiah, Lauren Berlant, Cathy Davidson, Morris Dickstein, Stanley Fish, Barbara Foley, Nancy Fraser, Gerald Graff, Alice Kaplan, E. Ann Kaplan, Robin D.G. Kelley, Paul Lauter, Louis Menand, Richard Ohmann, Andrew Ross, Eve Kosofsky Sedgwick, Jane Tompkins, Marianna Torgovnick, and Alan Wald.

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New trends in solid-phase extraction for analytical use-a practical introduction. Owing to its low cost, ease of use, and nonpolluting means of preparing samples for analysis, solid-phase extraction (SPE) is fast overtaking traditional liquid-liquid methods in clinical, pharmaceutical, agricultural, and industrial applications. This book describes what analytical scientists and technicians need to know about this emerging procedure: how it works, how to choose from available techniques, how to utilize it effectively in the laboratory. Along with the historical perspective and fundamental principles, this practical book reviews the latest literature on solid-phase materials, equipment, and applications-including EPA-endorsed techniques. Special features include: * Coverage of separation and uptake methods. * Promising developments in the use of membrane disks. * The advantages of using polymeric resins over silica materials. * Mechanism and use of ion-exchange materials for SPE. * A remarkably complete chapter on the extraction of metal ions. * Groundbreaking research in the miniaturized SPE technique. Readers seeking additional information on SPE procedures may wish to consult: SOLID-PHASE EXTRACTION, Principles and Practice, E. M. Thurman and M. S. Mills 1998 (0-471-61422-X) 384 pp. SOLID-PHASE MICROEXTRACTION Theory and Practice Janusz Pawliszyn 1997 (0-471-19034-9) 264 pp.

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Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career. Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago. Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways.

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At home, incipient spring had been in evidence. Late January was mild and in London the trees showed buds. But after he began to travel East, it became colder. By the time the Elbe was crossed, the ground was fast with snow in all directions, and the river moved under grinding floes of ice. As the train stopped, the cook announced with an ironic smile he would grow used to, that Mitroba smile, 'Berlin Haupstadt der DDR. Wilkommen!'. Two decades after the Wall tumbled down, Winter in Berlin evokes everyday life in the shadowy world of the Soviet-controlled German Democratic Republic. Throughout this atmospheric novella 'the scholar' remains anonymous. Who is he and what is his motivation for being in the GDR, a police state where freedom means something different to everyone and trust is the scarcest commodity?Fearing that intimacy may be no more than a trap, he nevertheless slides into a relationship with a young Bulgarian woman. Behind the Wall many eyes are watching, but can he see himself clearly any more? Forced to interrogate the usefulness of his own idealism, the scholar finally comes up against the walls that limit an individual's influence on history.

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An award-winning beer worth killing for. Can DCI Oldroyd find the killer before last orders? Steeped in a history of award-winning Yorkshire ale, the town of Markham boasts not one but two breweries. Richard Foster runs one; his sister, Emily, along with her partner, Janice, runs the other. And not without some resentment. The unwelcome return of the town’s former bad boy, Brendan Scholes, threatens to ignite the sibling rivalry further. Scholes claims to have found the long-lost secret recipe to the beer that made Richard and Emily’s father famous, and he wants money. But it isn’t long before Scholes’ body is found floating in a fermentation tank at one of the breweries, his head caved in by a hammer. DCI Oldroyd and Andy Carter are called in to investigate the murder, and there’s no shortage of suspects. As rumours of the possible existence of a recipe for the famous beer spread against a backdrop of growing homophobia and misogyny, tempers run high. With Markham’s beer industry at stake, a killer on the loose and the town’s residents out for blood, Oldroyd needs to solve the murder before someone else is killed…

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Mary E. Richmond (1861-1928) was a contemporary of Jane Addams and an influential leader in the American charity organization movement. In this biography--the first in-depth study of Richmond's life and work--Elizabeth N. Agnew examines the contributions of this important, if hitherto under-valued, woman to the field of charity and to its development into professional social work. Orphaned at a young age and largely self-educated, Richmond initially entered charity work as a means of self-support, but came to play a vital role in transforming philanthropy--previously seen as a voluntary expression of individual altruism--into a valid, organized profession. Her career took her from charity organization leadership in Baltimore and Philadelphia to an executive position with the prestigious Russell Sage Foundation in New York City. Richmond's progressive civic philosophy of social work was largely informed by the social gospel movement. She strove to find practical applications of the teachings of Christianity in response to the social problems that accompanied rapid industrialization, urbanization, and poverty. At the same time, her tireless efforts and personal example as a woman created an appealing, if ambiguous, path for other professional women. A century later her legacy continues to echo in social work and welfare reform.

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Portugal was the first European country to colonise Africa. It was also the last to leave, almost five centuries later. During the course of what Lisbon called its civilizing mission in Africa the Portuguese weathered numerous insurrections, but none as severe as the guerrilla war first launched in Angola in 1961 and two years later in Portuguese Guinea. While Angola had a solid economic infrastructure, that did not hold for the tiny West African enclave that was to become Guine-Bissau. Both Soviets and Cubans believed that because that tiny colony- roughly the size of Belgium - had no resources and a small population, that Lisbon would soon capitulate. They were wrong, because hostilities lasted more than a decade and the 11-year struggle turned into the most intense of Lisbon's three African colonies. It was a classic African guerrilla campaign that kicked off in January 1963, but nobody noticed because what was taking place in Vietnam grabbed all the headlines. The Soviet-led guerrilla campaign in Portuguese Guinea was to go on and set the scene for the wars that followed in Rhodesia and present-day Namibia.

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Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career. Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago. Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways.

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NATIONAL BESTSELLER“Elie Honig has written much more than a compelling takedown of an unfit attorney general; he also offers a blueprint for how impartial and apolitical justice should be administered in America.”—Preet Bharara“An essential analysis for anyone committed to understanding the abuses of the Trump administration so we can ensure they never happen again.”—Joyce White Vance“Essential reading for all who cherish the rule of law in America.”—George Conway"Written with all the color and pacing of a legal thriller."—VarietyCNN Senior Legal Analyst Elie Honig exposes William Barr as the most corrupt attorney general in modern U.S. history, with stunning new scandals bubbling to the surface even after Barr's departure from office. In Hatchet Man, former federal prosecutor Elie Honig uncovers Barr’s unprecedented abuse of power as Attorney General and the lasting structural damage done to the Justice Department. Honig uses his own experience as a prosecutor at DOJ to show how, as America’s top law enforcement official, Barr repeatedly violated the Department’s written rules, and those vital, unwritten norms and principles that comprise the “prosecutor’s code.”Barr was corrupt from the beginning. His first act as AG was to distort the findings of Special Counsel Robert Mueller, earning a public rebuke for his dishonesty from Mueller himself and, later, from a federal judge. Then, Barr tried to manipulate the law to squash a whistleblower’s complaint about Trump’s dealings with Ukraine—the report that eventually led to Trump’s first impeachment. Barr later intervened in an unprecedented manner to undermine his own DOJ prosecutors on the cases of Michael Flynn and Roger Stone, both political allies of the President. And then Barr fired the U.S. Attorney for the Southern District of New York under false pretenses. Finally, Barr amplified baseless theories about massive mail-in ballot fraud, pouring gasoline on the dumpster fire battle over the 2020 election results and contributing to the January 6 insurrection that led to Trump’s second impeachment.In Hatchet Man, Honig proves that Barr trampled the two core virtues that have long defined the department and its mission: credibility and independence – ultimately in service of his own deeply-rooted, extremist legal and personal beliefs. Honig shows how Barr corrupted the Justice Department and explains what we must do to prevent this from ever happening again.

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COMPARATIVE URBANISM ‘Comparative Urbanism fully transforms the scope and purpose of urban studies today, distilling innovative conceptual and methodological tools. The theoretical and empirical scope is astounding, enlightening, emboldening. Robinson peels away conceptual labels that have anointed some cities as paradigmatic and left others as mere copies. She recalibrates overly used theoretical perspectives, resurrects forgotten ones long in need of a dusting off, and brings to the fore those often marginalised. Robinson’s approach radically re-distributes who speaks for the urban, and which urban conditions shape our theoretical understandings. With Comparative Urbanism in our hands, we can start the practice of urban studies anywhere and be relevant to any number of elsewheres.’ Jane M. Jacobs, Professor of Urban Studies, Yale-NUS College, Singapore ‘How to think the multiplicity of urban realities at the same time, across different times and rhythmic arrangements; how to move with the emergences and stand-stills, with conceptualisations that do justice to all things gathered under the name of the urban. How to imagine comparatively amongst differences that remain different, individualised outcomes, but yet exist in-common. No book has so carefully conducted a specifically urban philosophy on these matters, capable of beginning and ending anywhere.’ AbdouMaliq Simone, Senior Research Fellow, Urban Institute, University of Sheffield The rapid pace and changing nature of twenty-first century urbanisation as well as the diversity of global urban experiences calls for new theories and new methodologies in urban studies. In Comparative Urbanism: Tactics for Global Urban Studies, Jennifer Robinson proposes grounds for reformatting comparative urban practice and offers a wide range of tactics for researching global urban experiences. The focus is on inventing new concepts as well as revising existing approaches. Inspired by postcolonial and decolonial critiques of urban studies she advocates for an experimental comparative urbanism, open to learning from different urban experiences and to expanding conversations amongst urban scholars across the globe. The book features a wealth of examples of comparative urban research, concerned with many dimensions of urban life. A range of theoretical and philosophical approaches ground an understanding of the radical revisability and emergent nature of concepts of the urban. Advanced students, urbanists and scholars will be prompted to compose comparisons which trace the interconnected and relational character of the urban, and to think with the variety of urban experiences and urbanisation processes across the globe, to produce the new insights the twenty-first century urban world demands.

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For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

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Our perception of women's roles has changed dramatically since 1945. In this collection Joy Parr has brought together ten studies from a variety of disciplines examining changing ideas about women. Mariana Valverde writes about teenage girls in the immediate postwar years and finds that stereotypes of a supposedly simple, secure, politically quiescent, and sexually conformist life do not really hold. Joy Parr follows women shoppers of the early 1950s, in their sometimes comical encounters with male designers, manufacturers, and retailers, in search of the tools and totems of modernity for their homes. Increasingly these homes were in suburban subdivisions, whose pleasures and possibilities for women Veronica Strong-Boag reconsiders. Joan Sangster reminds us that wage-earning mothers were numerous in the fifties and sixties, and through a juxtaposition of their own stories with contemporary studies tells much about these self-denying women's lives. Franca Iacovetta discusses the experiences of immigrant and refugee women in northwestern and south-central Ontario, experiences that were interpreted through their starkly different European wartime memories. Based upon her work among the rural women of southwestern Ontario, Nora Cebotarev charts the changes that transformed farm families and finances from the sixties to the eighties. Ester Reiter compares the recollections of women who had worked together during the 1960s in an auto parts plant in the Niagara Peninsula with contemporary newspaper accounts of a strike, and leads us into a complex narrative of gender and militancy. Nancy Adamson reconsiders the diversity of feminist organizing within the province over the decades since second-wave feminism began; she tracks the different needs and paths that brought women to the women's liberation movement and the ways in which their feminist analysis arose from their experience as community activists. Linda Cardinal writes about Franco-Ontarian women, charting the ways in which feminist activists challenged and were challenged as they worked with traditional farm and church-based women's groups in northern and eastern Ontario. Marlene Brant Castellano and Janice Hill introduce us to four aboriginal women: Edna Manitowabi, Jeannette Corbiere Lavell, Sylvia Maracle, and Emily Faries, whose work has been to reclaim and build upon the knowledge and responsibilities long entrusted to the women of Ontario's First Nations.

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Surrealist writer Andre Breton praised hysteria for being the greatest poetic discovery of the nineteenth century, but many physicians have since viewed it as the "wastebasket of medicine," a psychosomatic state that defies attempts at definition and cure and that can be easily mistaken for other pathological conditions. In light of a resurgence of critical interest in hysteria, leading feminist scholar Elisabeth Bronfen reinvestigates medical writings and cultural performance to reveal the continued relevance of a disorder widely thought to be a romantic formulation of the past. Through a critical rereading, she develops a new concept of hysteria, one that challenges traditional gender-based theories linking it to dissatisfied feminine sexual desire. Bronfen turns instead to hysteria's traumatic causes, particularly the fear of violation, and shows how the conversion of psychic anguish into somatic symptoms can be interpreted today as the enactment of personal and cultural discontent. Tracing the development of cultural formations of hysteria from the 1800s to the present, this book explores the writings of Freud, Charcot, and Janet together with fictional texts (Radcliffe, Stoker, Anne Sexton), opera (Mozart, Wagner), cinema (Cronenberg, Hitchcock, Woody Allen), and visual art (Marie-Ange Guilleminot, Cindy Sherman). Each of these creative works attests to a particular relationship between hysteria and self-fashioning, and enables us to read hysteria quite literally as a language of discontent. The message broadcasted by the hysteric is one of vulnerability: vulnerability of the symbolic, of identity, and of the human body itself. Throughout this work, Bronfen not only offers fresh approaches to understanding hysteria in our culture, but also introduces a new metaphor to serve as a theoretical tool. Whereas the phallus has long dominated psychoanalytical discourse, the image of the navel--a knotted originary wound common to both genders--facilitates discussion of topics relevant to hysteria, such as trauma, mortality, and infinity. Bronfen's insights make for a lively, innovative work sure to interest readers across the fields of art and literature, feminism, and psychology. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Assessment of mental health problems is a challenging area of practice that covers a range of symptoms and behaviours – and involves building a trust relationship with service users while also using specialist skills. Using a values-based approach focused on engaging and working in partnership with the service user, this book is designed to take you from the core building blocks of assessment through to practice-based guidance about mental health behaviours, and concludes with case studies 'on the ground'. The first section of the book explores core aspects of assessment such as communication skills and engaging the service user, and explores how assessment guides the nursing process as a whole. The next section will be ideal for quick reference during practice and looks at 23 different clinical behaviours that nurses will assess, under 4 categories: Physical factors in mental health Behavioural aspects in mental health The role of thoughts in mental health Feelings in mental health The final section gives 4 case studies of different assessment stories which relate to the different types of clinical behaviour you will encounter. This practical book is essential reading for student nurses and all healthcare staff involved in the assessment of people with mental health problems.“I would highly recommend this book to all mental health nursing students. Whilst the focus is on assessment and care planning; knowledge and skills on a range of essential areas are present in this text. It is an essential handbook for key mental health nursing skills. Case studies are presented with clarity, and Nick Wrycraft is clearly committed to nurses learning from service users, which is essential for values-based practice.”Julia Terry, Senior Lecturer in Mental Health Nursing, Swansea University, UK "This text is a good fit for mental health nursing students new to assessment and care planning, providing a practical rather than academic approach to these important aspects of the role.”Dr Janine Archer Lecturer School of Nursing, Midwifery & Social Work, University of Manchester, UK "Dr. Nick Wrycraft has done tremendously in making available the maiden edition of this book. Assessment and Care Planning in Mental Health Nursing will be a valued reference book for mental health student nurses who are new to the process of assessment and care planning. The book will therefore go a long way to provide educational and learning support to pre-registration nursing students as well as the newly qualified mental health nurses in practice." Kike Abioye, Mental Health Student Nurse, Anglia Ruskin University, UK

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When the official investigation into the murder of a respectable local businessman fails to add up, and personal problems start to play havoc with her state of mind, New Zealand's favourite young detective Sam Shephard turns vigilante... 'Fast-moving New Zealand procedural ... the Edinburgh of the south has never been more deadly' Ian Rankin ‘New Zealand's answer to Siobhan Clarke’ The Times 'A sassy heroine, fabulous sense of place, and rip-roaring stories with a twist. Perfect curl-up-on-the-sofa reading' Kate Mosse __________________ The New Zealand city of Dunedin is rocked when a wealthy and apparently respectable businessman is murdered in his luxurious home while his wife is bound and gagged, and forced to watch. But when Detective Sam Shephard and her team start investigating the case, they discover that the victim had links with some dubious characters. The case seems cut and dried, but Sam has other ideas. Weighed down by her dad's terminal cancer diagnosis, and by complications in her relationship with Paul, she needs a distraction, and launches her own investigation. And when another murder throws the official case into chaos, it's up to Sam to prove that the killer is someone no one could ever suspect. __________________ Praise for the Sam Shephard series ‘A really strong mystery with a twist that works very nicely … The family dynamic and Sam’s dealing with the trauma are brilliantly observed’ NB Magazine 'If you like taut, pacy thrillers with a wonderful sense of place, this is the book for you' Liam McIlvanney 'Vanda Symon's work resembles Janet Evanovich's Stephanie Plum series she knows how to tell a good story and the NZ setting adds spice' The Times 'Atmospheric, emotional and gripping' Foreword Reviews 'A plot that grabs the reader's attention with a heart-stopping opening and doesn't let go' Sunday Times 'Powerful, coolly assured, and an absolute belter of a read' LoveReading 'It is Symon's copper Sam, self-deprecating and very human, who represents the writer's real achievement' Guardian 'Fans of The Dry will love Vanda Symon' Red Magazine 'With a twisty plot, a protagonist who shines and beautifully written observations of the cruellest things this is crime fiction at its best' Kiwi Crime 'Reads like the polished effort of a genre veteran. More, please' Booklist 'Atmospheric, gripping and incredibly satisfying' Anne Cater, Random Things through My Letterbox

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'The last line will make you literally shout with shock' Good Housekeeping'Terrifically twisty ... hooks from the first page' Sunday TimesOn a bright morning in the London suburbs, a family moves into the house they’ve just bought on Trinity Avenue. Nothing strange about that. Except it's your house. And you didn’t sell it.FOR BETTER, FOR WORSE. When Fi Lawson arrives home to find strangers moving into her house, she is plunged into terror and confusion. She and her husband Bram have owned their home on Trinity Avenue for years and have no intention of selling. How can this other family possibly think the house is theirs? And why has Bram disappeared when she needs him most?FOR RICHER, FOR POORER. Bram has made a catastrophic mistake and now he is paying. Unable to see his wife, his children or his home, he has nothing left but to settle scores. As the nightmare takes grip, both Bram and Fi try to make sense of the events that led to a devastating crime. What has he hidden from her – and what has she hidden from him? And will either survive the chilling truth – that there are far worse things you can lose than your house? TILL DEATH US DO PART.Praise for Our House: 'If 2018 brings a better book than Our House I will eat my hat. Addictive, twisty and oh so terrifyingly possible’ Clare Mackintosh ‘I raced through it this weekend. Such a smart idea. Twisty, warped, credible. Brilliantly plotted and compelling. Deserves to be such a hit’ Sarah Vaughan ‘Louise Candlish is a great writer;she inhaled me into her nightmarish world where everything we think we know is ripped from under our feet’ Fiona Barton ''A masterfully plotted, compulsive page-turner' Guardian 'Keeps you guessing to the end - and beyond' Stylist 'Whip-smart, knowing and brilliantly plotted' India Knight 'A corker' Evening Standard 'Terrific premise' New York Times 'Wonderfully plotted' Jane Garvey, Woman's Hour 'A blood pressure-raising thriller' Red ‘Gripping and heartbreaking with an undercurrent of unease running through it’ Louise Jensen ‘What a book! Fast, edge-of-your-seat stuff. Each time I set the book down I had to remind myself to breathe’ broadbeanbooks ‘Oh Louise Candlish, you are a genius! Our House is just brilliant. Scarily believable with the BEST ending I have read in a long time. I devoured it!’ Claire Frost, Fabulous magazine

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Packaged in a deluxe, shrink-wrapped keepsake box—featuring a magnetic closure, ribbon, and guidebook—an innovative and stunning full-color feminist tarot deck that connects 78 notable women from history with the traditional archetypes and meanings associated with each tarot card.A groundbreaking blend of history, feminism, and the mystical arts, Our Tarot is a unique, specially designed tarot deck with cards that feature an intricate collage portrait of dozens of powerful women who have helped shape history. Each card conveys the energy, messages, and symbolism its figure brings to the deck. The set includes a full-color guidebook that offers a concise history of the tarot deck, an explanation of the deck and the significance of the cards, and tips on interpreting each, with instructive sample spreads to guide you. It explains the Major Arcana and Minor Arcana and their chronology, offers biographies that link each woman’s life story, accomplishments, and traits with the card she represents, and explains the card’s relevance in a reading. Originally self-published, Our Tarot was praised by the Huffington Post, which called it “a stunning deck . . . [that] honors a wide range of intersectional feminist champions.” This fully revised edition includes 25 new entries; a refreshed design; and a full-color printing. In addition, each card from the deck serves as an interior portrait. Each card in Our Tarot is inspired by the traditional meanings of the mystic Tarot and is represented by a woman (or group of women) who has influenced the world. These diverse women come from all eras in history, from 1300 BCE to the late twentieth century, and represent many ethnicities, creeds, socioeconomic classes, sexualities, ages, and abilities. Some of the women honored include Jane Addams, Benazir Bhutto, Lucrezia Borgia, Anne Frank, Frida Kahlo, Beatrix Potter, Florence Nightingale, nefertari, Elizabeth I, Cleopatra, Marie Curie, Zora Neale Hurston, Sophie Scholl, Cleopatra, Eleanor Roosevelt, and Ida B. Wells. Contents include: Four-color, high-quality gift box with magnetic closure Four-color tarot deck in card box, set into an interior well with lift-out ribbon Four-color guidebook featuring biographies of all 78 women and their relevance to the deck with 5 black-and-white illustrations and 85 full-color images throughout Sheet with image of the components

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'A masterclass in psychological suspense' Claire Douglas'A gripping new thriller' Shari Lapena'A superbly plotted' Lucy Clarke'A one-sit read' Sarah Pearse'Twisty and propulsive' Harriet Tyce______________________________Be careful what you wish for...Nicole and Tom's lives are changed overnight by a ten-million-pound lottery win.Before they know it they've moved into a state-of-the-art Glass Barn conversion in the stunning grounds of Lancaut Manor in Gloucestershire.But their dream quickly turns into a nightmare when Tom is found dead in the swimming pool, with a wound on his head.Someone close to home must be responsible. But other than the young couple who live in the Manor, and their housekeeper in the Coach House next door, there's no one around for miles.Who among them is capable of murder?_____________________________Praise for Gilly Macmillan:'Gilly Macmillan writes with verve and emotional acuity' New York Times'Brilliantly written, completely unputdownable, absolutely unmissable' Tim Weaver'A smart, well-told story that allows us to indulge our sneaky curiosity about what instant money can do to people's lives' Daily Mail'Plenty of twists and turns in this truly layered novel. Cleverly put together, it'll have you thinking long after you've finished reading' Belfast Telegraph'Great characters and a clever plot make for a highly engaging read. Storytelling at its best!' B.A. Paris'A truly excellent read' Jane Shemilt'Full of devious twists and turns' Cara Hunter'White-knuckled suspense' Tess Gerritsen'This is another winner for me. Absolutely loved it. Gripping, page turning and so cleverly plotted. I had real sympathy for the characters (some of them at least!)' Emma Curtis'What a tangly, twisting story! The Fall is completely unpredictable, and absolutely un-putdownable' Ava Glass'The Fall is an out-and-out winner! Hugely enjoyable, flawlessly crafted, beautifully written. This is a superior mystery of the highest order' C.M. Ewan'Brilliantly crafted' Woman & Home'Cleverly put together, it'll have you thinking long after you've finished reading' Press Association'Its intense plot, relatable characters and plethora of exciting twists and turns will leave readers gasping. I devoured each and every delicious page' Mystery and Suspense'Gilly Macmillan [is] one of the best writers of dark and twisty thrillers currently at work' Shots Magazine

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'Roderick Floud's ground-breaking study of the history, money, places and personalities involved in British gardens over the past 350 years gives fascinating insight into why gardening is part of this country's soul.' Michael Heseltine, Deputy Prime Minister (1996-1997)'Thousands of books have been written about the history of British gardens but Roderick Floud, one of Britain's most distinguished economic historians, asks new and important questions: how much did gardens cost to build and maintain, and where did the money come from? Superbly researched, it is full of information which will surprise both economists and gardeners. The book is fun as well as edifying: Floud shows us gardens grand and humble, and introduces us gardeners, plantsmen and technologies in wonderful varieties.' Jane Humphries, Centennial Professor, London School of EconomicsAt least since the seventeenth century, most of the English population have been unable to stop making, improving and dreaming of gardens. Yet in all the thousands of books about them, this is the first to address seriously the question of how much gardens and gardening have cost, and to work out the place of gardens in the economic, as well as the horticultural, life of the nation. It is a new kind of gardening history.Beginning with the Restoration of Charles II in 1660, Roderick Floud describes the role of the monarchy and central and local government in creating gardens, as well as that of the (generally aristocratic or plutocratic) builders of the great gardens of Stuart, Georgian and Victorian England. He considers the designers of these gardens as both artists and businessmen - often earning enormous sums by modern standards, matched by the nurserymen and plant collectors who supplied their plants. He uncovers the lives and rewards of working gardeners, the domestic gardens that came with the growth of suburbs and the impact of gardening on technical developments from man-made lakes to central heating.AN ECONOMIC HISTORY OF THE ENGLISH GARDEN shows the extraordinary commitment of money as well as time that the English have made to gardens and gardening over three and a half centuries. It reveals the connections of our gardens to the re-establishment of the English monarchy, the national debt, transport during the Industrial Revolution, the new industries of steam, glass and iron, and the built environment that is now all around us. It is a fresh perspective on the history of England and will open the eyes of gardeners - and garden visitors - to an unexpected dimension of what they do.

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A Studio of One's Own: Fictional Women Painters and the Art of Fiction is a critical study of the portrayal of women artists in nineteenth- and twentieth-century novels in English, including British, American, Irish, and Canadian women writers. This book traces the gradual progression from amateur parlor painters in the novels of Jane Austen, Charlotte Bronte, and others, to the serious professional painters depicted by contemporary writers such as Margaret Atwood, Mary Gordon, and A. S. Byatt. In fiction as in history, the woman artist's working space enlarges through time - by uneven steps - from a portfolio in a cupboard to a studio or atelier where work may be completed and prepared for sale or exhibition. This working space is a measure of the claim that the artist makes upon the world. Unlike several previous critical studies, which interpret the term 'artist' broadly so as to include women writers and musicians, A Studio of One's Own restricts the subject to visual artists to allow a sharper focus on the many and varied transactions between the sister arts of painting and fiction. In particular, a writer's use of ekphrasis - verbal descriptions of works of visual art - serves to authenticate the fictional painter and to manifest the tensions between verbal and visual representation. The purpose of this book is, first, to interpret the implied dialogue of the writers with the artist figures they create so as to reveal the writer's view of creativity in both its aesthetic and political dimensions; and, second, to explore certain remarkable continuities in the imagery depicting women artists in the novels. Most notably, recurrent images present the artist as liminal and her work as suspended or unfinished, terms which reflect not only the woman painter's historic marginality, but also her creative potential. In eight of the novels under discussion, the painter lives or works at the edge of an ocean, a literally liminal position with a variety of symbolic implicati

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One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

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A fascinating exploration of three individuals in fin-de-siècle France who pushed the boundaries of gender identity. Before the term "transgender" existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity. Dieulafoy fought alongside her husband in the Franco-Prussian War and traveled with him to the Middle East; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous in the 1880s for her controversial gender-bending novel Monsieur Vénus, published around the same time that she started using a calling card that read "Rachilde, Man of Letters." Montifaud began her career as an art critic before turning to erotic writings, for which she was repeatedly charged with "offense to public decency"; she wore tailored men's suits and a short haircut for much of her life and went by masculine pronouns among certain friends. Dieulafoy, Rachilde, and Montifaud established themselves as fixtures in the literary world of fin-de-siècle Paris at the same time as French writers, scientists, and doctors were becoming increasingly fascinated with sexuality and sexual difference. Even so, the concept of gender identity as separate from sexual identity did not yet exist. Before Trans explores these three figures' lifelong efforts to articulate a sense of selfhood that did not precisely align with the conventional gender roles of their day. Their intricate, personal stories provide vital historical context for our own efforts to understand the nature of gender identity and the ways in which it might be expressed.

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Agatha Christie meets Made in Chelsea'Vassell's sharply witty debut novel is an enticing blend of frothy social satire and deadly serious detective work.' Daily Mail'Brilliantly compulsive . . . I could not stop reading this book.' DENISE MINA'As sharp, witty and energetic as it is bitingly satirical.' JANICE HALLETTThe night beforeRupert's 30th is a black tie dinner at the Kentish Town McDonald's - catered with cocaine and Veuve Clicquot.The morning afterHis girlfriend Clemmie is found murdered on Hampstead Heath. All the party-goers have alibis. Naturally.This investigation is going to be about Classics degrees and aristocrats, Instagram influencers and who knows who. Or is it whom? Detective Caius Beauchamp isn't sure. He's sharply dressed, smart, and as into self-improvement as Clemmie - but as he searches for the dark truth beneath the luxury, a wall of staggering wealth threatens to shut down his investigation before it's begun.Can he see through the tangled set of relationships in which the other half live, and die, before the case is taken out of his hands?Bitingly funny, full of twists, and all too close to reality, this is a stunning debut from your next favourite crime writer.'An incredible crime debut.' ERIN KELLY'Scintillating.' HARRIET TYCE'Delicious, searing . . . What a great new voice she is in detective fiction!' S. J. BENNETTWHAT READERS ARE SAYING'A perfectly horrid cast of over the top characters and an engaging detective. Glorious.' 5* review'Such a fun, biting take on the thriller genre . . . I loved this book!' 5* review'It was fast paced and twisty and I was on the edge of my seat the whole time. I loved it.' 5* review'It's the characters that really make this book and I'd love to see a TV series based on these detectives.' 5* review'Highly recommend if you enjoy Lucy Foley, I raced through this in less than a day!' 5* review

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Rose Hartman is a legend. An omnipresent force on the New York City social scene, Rose stands as one of the most prolific photographers of our age. As a woman photographer, Rose has jumped over every hurdle in a male-dominated world to create a huge body of work, documenting the demimonde of fame and glamour in the centre of world culture. If you are famous, she has most likely photographed you, whether you know her well or not at all. Her groundbreaking photography straddles the boundaries between street photography, portraiture and documentary photography. The images included in this book are prime selections of couples - artists and muses; designers and muses; family; mothers and children; pets; friendships; models and friends; lovers; marriages - photographed by Rose over the years, and yet they are far more than pictures of two people. In each and every photograph, Rose is the third and most critical component. She is the director of the final cut. Thanks to her impeccable timing and placement, Rose opts to trip the shutter at just the right moment, capturing a critical instant in a conversation - a pose, a gesture - so as to present a story about two people from the world of popular culture. Couples featured include: Jerry Hall and Annie Leibovitz, Bob Mackie and Cher, Claudia Schiffer and Valentino, Jean Paul Gautier and Lauren Bacall, Donatella Versace and Naomi Campbell, Peter and Jane Fonda, Bianca and Jade Jagger, Lily and Kate Moss, Sean Lennon and Yoko Ono, Liz Taylor and her dog, Andy Warhol and Lou Reed, Hugh Grant and Elizabeth Hurley, Robert Wolders and Audrey Hepburn, Iman and David Bowie, Antonio Banderas and Melanie Griffith, Kelly and Calvin Klein, Tim Robbins and Susan Sarandon, Whitney Houston and Bobby Brown.

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Jackie Robinson famously said that a life is not important except for the impact it has on other lives. As we celebrate Robinson’s 100th birthday in January 2019, A Fine Team Man profiles not only Robinson, but nine other figures whose lives were altered by the “great experiment,” as the integration of baseball was called then. Profiled here are Rachel Robinson, the stoic and enduring wife; Branch Rickey, the tight-fisted but far-sighted general manager/owner of the Dodgers; baseball commissioner ”Happy” Chandler, who navigated political factions as he paved the way for integration; Clyde Sukeforth, the jack of all trades whose assessment, instruction, and encouragement of Robinson were crucial to the player’s success; Red Barber, whose own views on integration were altered by Robinson’s example of grace under pressure; Wendell Smith, the prominent black journalist who helped Robinson navigate through the trappings of a racist society; Burt Shotton, whose low-key style of managing helped Robinson into his best seasons; Pee Wee Reese, the Dodgers captain who united the team behind Robinson; and finally, Dixie Walker, the veteran Dodgers star who vowed never to play alongside Robinson, but who was eventually so changed by Robinson’s courage that he spent his last years working to improve the skills of such African-American players as Maury Wills, Jim Wynn, and Dusty Baker. While the story of Jackie Robinson has often been told and retold, seeing it through the lens of the lives he changed gives it a fresh shine. Perhaps more than ever, Robinson’s excellence sparkles through A Fine Team Man to demonstrate that change remains not only possible, but certain for both great heroes and for those who are savvy or fortunate enough to share the journey or at least stand in the wake during the hero’s finest moments.

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'Tender, heartbreaking and magical . . . I went from feeling warm and fuzzy to shock, delight before, finally, well – you'll just have to read it!'GIOVANNA FLETCHERWhat if you met the right person at the wrong time? Nell and Van meet as children when their parents fall in love, but soon they are forced worlds apart. Five years later, they find each other. Their bond is rekindled and new feelings take hold, but once again they must separate. For the next two decades, fate brings Nell and Van together every five years, as life and circumstance continue to divide them. Will they ever find true happiness? And will it be together? ‘One day, maybe five years from now, you’ll look back and understand why this happened…’ 'Achingly romantic and brilliantly written, this novel will give you all the feels. Five Stars!'HEAT 'Filled with warmth and poignancy, Five Years From Now is a page-turner and a delight' JANE COSTELLO 'Simply gorgeous' SUN 'You won't be able to put down this emotional read'CLOSER 'Paige Toon is the queen of will-they/won't-they romance, setting up an ending that will leave you in bits'SUNDAY EXPRESS'Full of living-in-the-moment and what-might-have-been contrasts, this tender read pulls at the heart strings'FABULOUS 'A lovely read'BELLA** PRAISE FOR PAIGE TOON'S NOVELS ** 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'Paige really ratchets up the tension. You'll be in a reading frenzy by the end' LISA JEWELL ‘Gave me all the feels . . . I loved it’ LINDSEY KELK ‘Poignant and lovely, warm and wise’ MILLY JOHNSON ‘A gorgeous, warm novel’ ADELE PARKS ‘Paige’s writing is brilliant!’ MHAIRI McFARLANE 'For smart, romantic fiction, look no further than the new book from bestselling Paige Toon' RED

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And now, pre-order Mhairi’s brilliant new romcom, BETWEEN US, coming spring 2023! Two strangers. One big coincidence. Driving each other crazy is just the beginning… Harriet Hatley is running away from everything. Getting married.Her boyfriend’s family.Her past. A dream house-share seems like the perfect place to hide, but her unlikely housemate Cal is no stranger to running away himself. And he's also hiding secrets of his own . . . Can these two take a crazy risk, face the past and finally find a reason to stay? ____________________ ‘I love, love, love Mhairi . . . I read this with delight and envy’ MARIAN KEYES ‘Gorgeous, funny, life-affirming’ JENNY COLGAN ‘Funny, poignant, full of insight . . . a triumph’ KATIE FFORDE ’Mhairi’s writing is always just super witty with layered, emotional depth . . . Loved. Adored. All-star.’ LIZZY DENT ‘A compelling, clever story, while still being so ridiculously funny and heartwarming’ LUCY VINE ‘A plot that gets under your skin, and one scene in particular that will have women everywhere cheering out loud’ LUCY DIAMOND ‘The master of thought-provoking romantic fiction’ SOPHIE COUSENS ’Burningly funny, achingly romantic, and a plot so tightly crafted it’s like a song’ LAURA JANE WILLIAMS ’Mhairi consistently writes flawless romantic comedies and Mad About You is no exception’ HOLLY BOURNE ‘Full of compassion and hope, and blissfully, wonderfully romantic’ CRESSIDA MCLAUGHLIN ‘Laugh-out-loud funny, devastatingly moving, and delightfully swoony’ LOUISE O’NEILL ‘Mhairi is absolutely brilliant . . . I’m in awe of her talent’ EMMA HUGHES ‘I can’t remember the last time I enjoyed a book so much’ GILLIAN MCALLISTER ‘Smart, funny and feel-good with cracking one liners. Mhairi at her brilliant best’ ALEX BROWN ‘Hilarious, wise, and clever . . . and chemistry that sizzles off the page’ JUSTIN MYERS

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Rugby's long history is full of tales of inspirational courage. Yet there has never been a rugby player quite as remarkable, quite as jaw-droppingly brave, as Ian McKinley. On January 16, 2010, the young fly-half was one of Ireland's hottest rugby prospects. But his life was about to change forever. While playing for University College Dublin, a horrifying injury to his left eye saw McKinley's vision, his world and his future come crashing down around him. The injury left McKinley blind in one eye and bereft, forcing him into early retirement, his life plans scattered in the wind. After relocating to Italy to heal and rebuild himself as a youth rugby coach, a heartbroken McKinley battled on until, in the end, he vowed to do whatever it took to once again play the sport he loved. As he discloses in Second Sight in painstaking detail for the first time, McKinley poured his heart and soul into finding a way to play. He endlessly researched specialist goggles and he tenaciously fought his case against sceptical World Rugby bosses until finally, finally, he did the impossible - he came back. On November 11, 2017, against Fiji, McKinley became the first visually impaired man to ever feature in a Test match, playing at fly-half for Italy - his beloved, adopted nation. His efforts drew gasps of admiration from the crowd and tears of respect from teammates and opposition alike. In Second Sight, McKinley outlines how returning to rugby gave him the chance to highlight his skill at the highest level but, more importantly, how it helped him make peace with his injury and the unique way fate has intervened in his life. After eventually retiring for a second, and final, time in March 2021, in Second Sight McKinley tells an astounding sporting story like no other - and a tale that deserves to be heard, and applauded, around the globe.

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A chance encounter leads to a fight for her life...Kit Finn plays it safe in her personal life; any risky moves are saved for her work. But when she meets handsome Matt Healy on a business trip she decides she’s tired of being careful. Kit acts on her instincts and the two share a night of passion.They agree to meet again when they are back home in New York City, but when Kit arrives at Matt’s apartment she is greeted by a total stranger claiming he is the real Matt. Realising she has been duped Kit decides to put the encounter behind her. But when the police ask her to identify a man killed in a hit and run, with only her business card in his possession, Kit is shocked to recognise the victim as the genuine Matt Healy.Kit fears she has become unintentionally embroiled in a sinister web of deceit. With no real evidence to take to the police, Kit resolves to unravel the mystery herself. But can she do so before more lives, including her own, are put in danger?For fans of psychological suspense and compulsive mysteries, don’t miss this tense and page-turning novel. If you love Peter Swanson and Shari Lapena, then you will love Kate White.Praise for Kate White‘A nerve-jangling adrenaline rush!’ Lisa Gardner‘Utterly compelling.’ Karin Slaughter‘A terrifying psychological thriller.’ Harlan Coben‘Taut, tense and utterly gripping.’ Jessica Knoll‘Suspenseful, twisty and sharply observed.’ Gilly Macmillan'I read this is one sitting. Utterly gripping. I wouldn’t hesitate to recommend.' Reader review'I could not put this book down... It's a clever book with some great characters, I could definitely imagine this on the big screen!' Reader review'Gripping story from the beginning with plenty of twists.' Reader review'An excellent well-written quality read. I didn't want it to end!' Reader review

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Thomas Percy Gleave began his RAF career in 1930, three years later becoming a member of the RAF aerobatic team. He joined Bomber Command on 1 January 1939, but at the outbreak of war Gleave requested a return to Fighter Command. He took command of 253 Squadron just in time for the start of the Battle of Britain, acquiring fame for claiming five Messerschmitt Bf 109s in a single day. Tom Gleave, however, is remembered more for the misfortune which befell him on 31 August 1940. On that day he was shot down and badly burned when his Hurricane caught fire. In his memoir Tom Gleave tells of the early days of his encounters with the German aircraft in dramatic detail and, particularly of that dreadful day when he escaped his dying aircraft with severe burns to much of his body and his face. After being taken to Orpington Hospital, Gleave was transferred to Queen Victoria Hospital, East Grinstead where he was one of the first pilots to undergo plastic surgery by Archie, later Sir Archibald, Mclndoe and his brilliant colleague, Percy Jayes. Gleave received leg and facial grafts, and his nose was reconstructed. The Guinea Pig Club was formed at Queen Victoria Hospital on 20 July 1941, with Mclndoe as President and Gleave as Vice-President and a Founder Member, being the club's first and only Chief Guinea Pig until his death in 1993. Originally written in 1941, this moving and graphic story is not one of despair but of overcoming adversity with cheerful determination not to allow circumstances of the past to determine the future. For, despite his terrible wounds, Tom Cleave returned to duty, becoming station commander of RAF Northolt and later RAF Manston. Above all, I Had a Row With a German is a ripping yarn of the cut and thrust of the Battle of Britain by one of Churchill's memorable Few'.

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