Search results for ""author jan"

'Warm, funny, and bursting with heart' Rebecca Serle'Beautiful, moving, hopeful' Emily StoneGreta James is adrift. Literally.Just after the sudden death of her mother - her most devoted fan - and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta's career is suddenly in jeopardy - the kind of jeopardy her father, Conrad, has always warned her about.Months later, Greta - still heartbroken and very much adrift - reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.In this unlikeliest of places - at sea and far from the packed venues where she usually plays - Greta must finally confront the heartbreak she's suffered, the family hurts that run deep, and how to find her voice again.'Gorgeous, heartfelt' Amanda Eyre Ward'Moving and beautiful' 5* reader review'Thoughtful and tender and true' Janelle Brown'Full of warmth, heart and music' 5* reader review'Filled with music, passion, and love of all kinds' Jill Santopolo'Wonderful, inspiring and delightful' 5* reader review'A total delight!' Christine Pride'A heartwarming story reminding you to really live' 5* reader review'Full of hope . . . vibrant' Linda Holmes

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This run of stories featuring Tom Baker as the Fourth Doctor features four stories, loosely connected as the Doctor finds himself the target of an enemy. This set contains: The Sinestran Kill by Andrew Smith. When the Doctor decides to trace an anomalous energy signature on twentieth century Earth, he stumbles into an assassination attempt. Gangland thugs are trying to murder a seemingly innocent shopkeeper, and it’s only the intervention of the Doctor and Ann Kelso – a WPC who happens to be on the scene – that prevents a tragedy. But why do the gangsters want the shopkeeper dead? And what does this have to do with alien technology? The first stages of a grand conspiracy are about to be revealed. And finding the answers will take Ann Kelso on a journey like no other. Planet of the Drashigs by Phil Mulryne. When the TARDIS lands on an alien planet, the Doctor’s intentions to show Ann Kelso an advanced future society are thrown into disarray. Because they have arrived on DrashigWorld - a park where every known species of the terrifying predators has been gathered together to entertain and thrill the public. The familiar wetland Drashigs, the albino burrowing Drashigs of the desert, and deadliest of all, the tiny Emerald Drashigs of the rain forests. And it’s not the best day to have arrived. The park has been shut down due to a visitor fatality. A Galactic Attractions inspector is on site meaning everyone is extremely tense and under pressure. It’s exactly the right circumstances in which someone might make a mistake. And on Drashigworld, mistakes are deadly. The Enchantress of Numbers by Simon Barnard and Paul Morris. The TARDIS lands in the grounds of Newstead Abbey, Nottinghamshire, in 1850. Mistaken for a medic and his maid, the Doctor and Ann are brought to meet Ada Lovelace - the mother of computing and daughter of Lord Byron - who has recently fallen ill. But the travellers are not here by chance. Something odd is happening on Earth, and they’ve determined that this place is the centre of it. Strange figures are walking the land. Strange figures wearing bird-like masks. What do they want with Ada? And how will it change the future of humanity? The False Guardian by Guy Adams. Ann Kelso doesn’t like mysteries. Keen to investigate the trail of the Sinestrans, she sets the TARDIS on a new course... but flies into danger. Arriving on a desolate world that the Doctor finds somehow familiar, the TARDIS crew discover that something is wrong with time. The inhabitants of an unusual complex are experimenting at the command of their enigmatic director... somebody who has quite a strong grudge against the Doctor.Facing an old foe who was presumed dead, the travellers are soon trapped in a diabolical scheme. But is it just the tip of the iceberg? Planet of the Drashigs features the eponymous flesh-eating monsters for the first time on audio, after their fan favourite debut in the Jon Pertwee story The Carnival of Monsters! CAST: Tom Baker (The Doctor), Jane Slavin (WPC Ann Kelso), John Leeson (K9), Frank Skinner (DCI Scott Neilson), Glynis Barber (Kathy Blake), Finty Williams (Ada Lovelace), Fenella Woolgar (Vanessa Seaborne), Ewan Bailey (Hugo Blake), Nicholas Khan (Jimmy Lynch), Leon Williams (Tony Reynolds), Jeremy Clyde (Lord Braye), Lizzie Roper (Trencher), Andrew Ryan (Titus Wayland), Andrew Havill (Colonel Wildman), Eve Webster (Hettie / Lady Cleverley), Barnaby Edwards (Mr. Hobhouse), Glen McCready (Edvard Scheutz /Lord Byron / Harry), John Shrapnel (Nigel Colloon), Anna Acton (Brox), Blake Ritson (Elmore), Roger May (Mac Foley), Tracy Wiles (Drones). Other parts played by members of the cast.

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The new MAD, Massive Attacks of Disruption—and not China or Russia—are the most immediate and greatest dangers to the nation. But no one has recognized and thus acted to contain and prevent these potentially existential threats that, if left unchecked, will bring ruin to America and much of the planet.Beyond traditional threats from states such as China and Russia and non-state actors employing violent extremism, can America’s politics and political system withstand the assaults of the Fifth Horseman and the new MAD, Massive Attacks of Disruption? The Covid-19 pandemic, the January 6 insurrection and takeover of the US Capitol, SolarWinds cyber attacks, the Texas storms that cut power, and the blocking of the Suez Canal are harbingers of the new MAD. And the nation is unaware and unprepared to deal with them. What must be done? First, we must recognize the potentially existential dangers posed by MAD. Second, we must reorganize government to meet these dangers. Third, we need new national security strategies to protect, defend, and mitigate these new threats. Fourth, we must create a private-public partnership in a national re-investment fund that can redress many of the risks of MAD. In this transformative and highly innovative and provocative book, Dr. Harlan Ullman issues a dramatic warning about so far unrecognized existential dangers to the nation and offers a plan of action America must take if the Fifth Horseman and the new MAD are to be tamed or broken.

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With a foreword by Jane Goodall, this moving memoir follows a successful journalist and filmmaker who felt like something was missing in her life as she finds her purpose in advocacy for the Asian elephants in her childhood home town of Kerala, India."The greatness of a nation and its moral progress can be judged by the way its animals are treated." - Mahatma GandhiElephants are self-aware, conscious beings. They can feel and grieve the loss of both elephants and humans. But despite all empathy that elephants shower on humans, we continue to inflict pain and suffering on these caring, sentient beings.In 2013 Sangita Iyer visited her childhood home of Kerala, India. Over 700 Asian elephants live in Kerala, owned by individuals and temples that force them to perform in lengthy, crowded, noisy festivals, abusing and shackling these animals they claim to revere for tourists and money.When Sangita found herself in the presence of these divine creatures and witnessed their suffering first hand, she felt a deep connection to their pain. She too had been shackled and broken for too long-to her patriarchal upbringing in India, to the many "me too" moments in her work life that were swept under the rug, to the silence. Now she would speak out for the elephants and for herself. And she would heal alongside them.This sparked the creation of her award winning documentary of the same name and a new purpose in this life for both Sangita and the elephants.

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Escape to the Cornish coast with this irresistible summer read, perfect for fans of Jill Mansell and Philippa Ashley. Bramble Challoner has had a very normal upbringing. She lives in a semi in the suburbs of London with her parents and works at the call centre down the road. She still goes out with the boy she met at school. At weekends they stay in and watch films on the telly and sometimes hold hands. Bramble is dying for an adventure. So when her very grand grandfather, Lord Penrose, dies, leaving his huge, rambling house in Cornwall to her, Bramble packs her bags immediately, dragging along her best friend Katie. The sleepy fishing village of Tremarnock had better be ready for its newest residents... Reviews for the Tremarnock series: 'A charming, warm-hearted read... Pure escapism' Alice Peterson. 'Burstall is a great writer, and this is not your usual run-of-the-mill chick lit... I was gripped from the start' Daily Mail. 'The literary equivalent of a gin and tonic on a hot summer's day... A delicious, delightful and decadent tale' Bookish Jottings. 'Burstall has created a little sanctuary, which will have readers eager to book a Cornish holiday as soon as possible... A heart-warming, "feel-good" novel that makes you feel warm and fuzzy inside. I can't wait for the next book in the series so that I can return' Bookbag. 'Burstall has a true knack for transporting you to her world, amidst beautiful Cornish countryside' Jane Corry.

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Escape to the breathtaking coast of Maine and let the unmissable novel from Mia March brighten up your summer. Perfect for fans of Jenny Colgan, Veronica Henry and The Jane Austen Book Club. On the coast of Maine sits The Three Captains Inn, a haven for tourists and locals alike. When Lolly, the owner, summons her nieces home, they assume she’s planning to sell the inn, the place they called home after they lost their parents in a car accident that also claimed the life of Lolly’s husband. Little do they know, the truth is far more unimaginable . . . Along with Kat, Lolly’s daughter, the women reunite for their first summer together in many years and home truths and long buried secrets begin to emerge. Then movie-lover Lolly invites her family to one of her legendary movie nights – this month’s theme: Meryl Streep – and what was intended to be a few hours’ distraction ends up making them question everything they thought they knew about life, love and one another. As each woman sees her complicated life reflected through the magic of cinema, will they be able to find their own happily-ever-afters before it’s too late?‘A treat for movie lovers and fans of meaningful women’s fiction’Romantic Times 'A heartwarming, spirit-lifting read just in time for beach season'Kirkus Reviews'A touching story of self-discovery and the strength of family'Booklist

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How to Read the Victorian Novel provides a unique introduction to the genre. Using examples from the classics, like The Pickwick Papers, David Copperfield, Jane Eyre, The Woman in White, and Middlemarch, it demonstrates just how unfamiliar their familiarity is. The book attempts to break free of the sense that the Victorian novel is somehow old fashioned, moralizing, and formally careless by emphasizing the complexity, difficulty, and rare pleasures of the Victorian writers’ strenuous efforts both to entertain and to teach; to create serious “art” and to appeal to wide audiences; to respond both to the demands of publishing and also to their own rich imaginative engagement with a world heading into modernity at full speed. Broad in its scope, the text surveys a wide variety of literary types and explores the cultural and historical developments of the novel form itself. The book also poses a series of “big questions” pertaining to money, capitalism, industry, race, gender, and, at the same time, to formal issues, such as plotting, perspective, and realist representation. In addition, it locates the qualities that give to the great variety of Victorian novels a “family resemblance,” the material conditions of their production, their tendency to multiply plots, their obsession with class and money, their problematic handling of gender questions, and their commitment to realist representation. How to Read the Victorian Novel challenges our comfortable expectations of the genre in order to explore intensively a burgeoning and changing literary form which mirrors a burgeoning and changing society.

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In the past two decades, scholars have transformed our understanding of the interactions between India and the West since the consolidation of British power on the subcontinent around 1800. While acknowledging the merits of this scholarship, Sheldon Pollock argues that knowing how colonialism changed South Asian cultures, particularly how Western modes of thought became dominant, requires knowing what was there to be changed. Yet little is known about the history of knowledge and imagination in late precolonial South Asia, about what systematic forms of thought existed, how they worked, or who produced them. This pioneering collection of essays helps to rectify this situation by addressing the ways thinkers in India and Tibet responded to a rapidly changing world in the three centuries prior to 1800. Contributors examine new forms of communication and conceptions of power that developed across the subcontinent; changing modes of literary consciousness, practices, and institutions in north India; unprecedented engagements in comparative religion, autobiography, and ethnography in the Indo-Persian sphere; and new directions in disciplinarity, medicine, and geography in Tibet. Taken together, the essays in Forms of Knowledge in Early Modern Asia inaugurate the exploration of a particularly complex intellectual terrain, while gesturing toward distinctive forms of non-Western modernity.Contributors. Muzaffar Alam, Imre Bangha, Aditya Behl, Allison Busch, Sumit Guha, Janet Gyatso, Matthew T. Kapstein, Françoise Mallison, Sheldon Pollock, Velcheru Narayana Rao, Kurtis R. Schaeffer, Sunil Sharma, David Shulman, Sanjay Subrahmanyam, Mohamad Tavakoli-Targhi

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Bathing beauty Esther Williams, bombshell Jane Russell, exotic Carmen Miranda, chanteuse Lena Horne, and talk-show fixture Zsa Zsa Gabor are rarely hailed as great actors or as naturalistic performers. Those terms of praise are given to male stars like Marlon Brando and James Dean, whose gritty dramas are seen as a departure from the glossy spectacles in which these stars appeared. Like a Natural Woman challenges those assumptions, revealing the skill and training that went into the work of these five actresses, who employed naturalistic performance techniques, both onscreen and off.Bringing a fresh perspective to film history through the lens of performance studies, Kirsten Pullen explores the ways in which these actresses, who always appeared to be “playing themselves,” responded to the naturalist notion that actors should create authentic characters by drawing from their own lives. At the same time, she examines how Hollywood presented these female stars as sex objects, focusing on their spectacular bodies at the expense of believable characterization or narratives.Pullen not only helps us appreciate what talented actresses these five women actually were, but also reveals how they sought to express themselves and maintain agency, even while meeting the demands of their directors, studios, families, and fans to perform certain feminine roles. Drawing from a rich collection of classic films, publicity materials, and studio archives, Like a Natural Woman lets us take a new look at both Hollywood acting techniques and the performance of femininity itself.

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Modernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on the American city. Writing in the tradition of legendary American architectural critics Lewis Mumford and Jane Jacobs, Glazer contends that modernism, this new urban form that signaled not just a radical revolution in style but a social ambition to enhance the conditions under which ordinary people lived, has fallen short on all counts. The articles and essays collected here--some never published before, all updated--reflect his ideas on subjects ranging from the livable city and public housing to building design, public memorials, and the uses of public space. Glazer, an undisputed giant among public intellectuals, is perhaps best known for his writings on ethnicity and social policy, where the unflinching honesty and independence of thought that he brought to bear on tough social questions has earned him respect from both the Left and the Right. Here, he challenges us to face some difficult truths about the public places that, for better or worse, define who we are as a society. From a Cause to a Style is an exhilarating and thought-provoking book that raises important questions about modernist architecture and the larger social aims it was supposed to have addressed-and those it has abandoned.

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Diego Rivera’s America revisits a historical moment when the famed muralist and painter, more than any other artist of his time, helped forge Mexican national identity in visual terms and imagined a shared American future in which unity, rather than division, was paramount. This volume accompanies a major exhibition highlighting Diego Rivera’s work in Mexico and the United States from the early 1920s through the mid-1940s. During this time in his prolific career, Rivera created a new vision for the Americas, on both national and continental levels, informed by his time in both countries. Rivera’s murals in Mexico and the U.S. serve as points of departure for a critical and contemporary understanding of one of the most aesthetically, socially, and politically ambitious artists of the twentieth century. Works featured include the greatest number of paintings and drawings from this period reunited since the artist’s lifetime, presented alongside fresco panels and mural sketches. This catalogue serves as a guide to two crucial decades in Rivera’s career, illuminating his most important themes, from traditional markets to modern industry, and devoting attention to iconic paintings as well as works that will be new even to scholars—revealing fresh insights into his artistic process. Published by the San Francisco Museum of Modern Art in association with University of California Press Exhibition dates: San Francisco Museum of Modern Art: July 16, 2022—January 1, 2023 Crystal Bridges Museum of American Art, Bentonville, Arkansas: March 11—July 31, 2023

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A new appraisal of the first Tudor queen, her European connections, her ambitions and intentions, and the religious violence that stained her short reign The lifestory of Mary I—daughter of Henry VIII and his Spanish wife, Catherine of Aragon—is often distilled to a few dramatic episodes: her victory over the attempted coup by Lady Jane Grey, the imprisonment of her half-sister Elizabeth, the bloody burning of Protestants, her short marriage to Philip of Spain. This original and deeply researched biography paints a far more detailed portrait of Mary and offers a fresh understanding of her religious faith and policies as well as her historical significance in England and beyond.John Edwards, a leading scholar of English and Spanish history, is the first to make full use of Continental archives in this context, especially Spanish ones, to demonstrate how Mary's culture, Catholic faith, and politics were thoroughly Spanish. Edwards begins with Mary's origins, follows her as she battles her increasingly erratic father, and focuses particular attention on her notorious religious policies, some of which went horribly wrong from her point of view. The book concludes with a consideration of Mary's five-year reign and the frustrations that plagued her final years. Childless, ill, deserted by her husband, Mary died in the full knowledge that her Protestant half-sister Elizabeth would undo her religious work and, without acknowledging her sister, would reap the benefits of Mary's achievements in government.

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In Mary’s Bodily Assumption, Matthew Levering presents a contemporary explanation and defense of the Catholic doctrine of Mary’s bodily Assumption. He asks: How does the Church justify a doctrine that does not have explicit biblical or first-century historical evidence to support it? With the goal of exploring this question more deeply, he divides his discussion into two sections, one historical and the other systematic. Levering’s historical section aims to retrieve the rich Mariological doctrine of the mid-twentieth century. He introduces the development of Mariology in Catholic Magisterial documents, focusing on Pope Pius XII’s encyclical Munificentissimus Deus of 1950, in which the bodily Assumption of Mary was dogmatically defined, and two later Magisterial documents, Vatican II’s Lumen Gentium and Pope John Paul II’s Redemptoris Mater. Levering addresses the work of the neo-scholastic theologians Joseph Duhr, Aloïs Janssens, and Réginald Garrigou-Lagrange before turning to the great theologians of the nouvelle théologie—Karl Rahner, Hans Urs von Balthasar, Louis Bouyer, Joseph Ratzinger—and their emphasis on biblical typology. Using John Henry Newman as a guide, Levering organizes his systematic section by the three pillars of the doctrine on which Mary’s Assumption rests: biblical typology, the Church as authoritative interpreter of divine revelation under the guidance of the Holy Spirit, and the fittingness of Mary’s Assumption in relation to the other mysteries of faith. Levering’s ecumenical contribution is a significant engagement with Protestant biblical scholars and theologians; it is also a reclamation of Mariology as a central topic in Catholic theology.

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“Architecture shapes the monuments, the memories, and the expressions of societies and groups, creating a common language with which they debate and communicate their experiences and cultures.” - Hashim Sarkis For the Biennale Architettura 2021, in addition to the Exhibition Catalogue and the Short Guide, the curatorial team has put together two distinct volumes, entitled Expansions and Cohabitats, in order to further elaborate on the theme of 'How will we live together?.' These books will appeal to a wide range of readers both from architecture and art communities and beyond, to include anyone who is interested in the role that creative practice can play in collectively answering the complex challenges posed by today’s unstable world. Conceived as a record that delves deeper into a special section of the exhibition, Cohabitats comprises essays and visual material that look to the theme of the Biennale Architettura 2021 from the lens of a specific geographic location. While the main exhibition is primarily organised in five parts that contemplate a new spatial contract at five scales - as diverse beings, as new households, as emerging communities, across borders, and as one planet - this volume as well as the section of the show it is associated with, present analytical examples that speak to all five of them at once. The essays examine past and current practices of coming together in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina, and more. Also available: Expansions ISBN 9788836648610

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These early letters from John Cage to Merce Cunningham will be revelatory for many. While the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully told. In the 39 letters of this collection, spanning 1942 46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham's 19, their relationship was purely that of teacher and student, and Cage was also very much married.It was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy's School of Design when Cunningham passed through town as a dancer with the Martha Graham Company on March 14, 1942. The letters begin in January, but a week after Cunningham's performance, the essential correspondence begins. Cage's letters to Cunningham are passionate, distraught, romantic and confused, occasionally containing snippets of poetry and song. They are also more than love letters, with intimations that resonate with our experience of the later John Cage.Love, Icebox takes its shape from these letters transcribed, chronologically ordered and in some instances reproduced in facsimile. Laura Kuhn, Cage's assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds an introduction, postscript and running commentary. Photographic illustrations of their final 18th St loft, as well as personal and household objects left behind, remind us of the substance and rituals of a long-shared life.

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'Terrific. So funny' Zadie Smith 'Monstrously depressing but so comic and well observed that I didn't really mind .... It is great' Dolly Alderton'A dark comedy of female rage' Catherine Lacey 'Brilliant. For fans of Ottessa Moshfegh's My Year of Rest and Relaxation' Pandora Sykes 'Funny, shocking, clever, and hugely entertaining' Roddy Doyle 'A definitive work of milennial literature' Jia Tolentino 'The best thing I've read in years' Emma Jane Unsworth'Vicious ... hilariously spot on' Guardian In a windowless office, a woman explains something from her real, nonwork life - about the frustration and indignity of returning her online shopping - to her colleagues. One wears a topknot. Another checks her pedometer. Watching them all is Millie. Thirty-years-old and an eternal temp, she says almost nothing, almost all of the time. But then the possibility of a permanent job arises. Will it bring the new life Millie is envisioning - one involving a gym membership, a book club, and a lot less beer and TV - finally within reach? Or will it reveal just how hollow that vision has become? 'Made me laugh and cry enough times to feel completely reborn' The Paris Review 'A definite work of millennial literature. Wretchedly riveting, with the sick, obsessive pleasure of looking under a bandage at a wound' The New Yorker 'So darkly funny and acutely observed that it feels like a documentary' Andrew McMillan 'Anyone who has ever felt like their life is going nowhere - and to make it worse, going nowhere in an achingly slow manner - will recognize themselves' Nylon

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Mid-winter, St. Andrews, Scotland: When a university lecturer fails to turn up for class, he is found dead at home, with evidence of having committed suicide. A female student reports to the police that she was having an affair with him and knows he would never commit suicide. Toxicology results turn up Class A drugs in his system, and DCI Andy Gilchrist and his associate, DS Jessie Janes, are called in to investigate. The initial enquiry soon turns into a murder investigation, and when Gilchrist and Jessie dig deep into the man's background they uncover a criminal past, a history of romance scams, and several bank accounts containing hundreds of thousands of pounds. A forensic search of the man's computer hard-drives reveal a lengthy trail of heartbroken women tricked into parting with their savings in a futile search for love. Did one of those scorned women seek revenge and kill him? Or did his criminal past finally catch up with him? PRAISE FOR T.F. MUIR:'Rebus did it for Edinburgh. Laidlaw did it for Glasgow. Gilchrist might just be the bloke to put St Andrews on the crime fiction map.' Daily Record'A truly gripping read, with all the makings of a classic series.' Mick Herron'Gripping and grisly, with plenty of twists and turns that race along with black humour.' Craig Robertson'DCI Gilchrist gets under your skin. Though, determined, and a bit vulnerable, this character will stay with you long after the last page.' Anna Smith'Gripping!' Peterborough Telegraph

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This book covers the last chapter, the decline and fall of the air defense of Germany. It is a diary of losses and a chronicle in which the fighter pilot plays the lead. It tells of the young men who joined their squadrons full of optimism and derring-do, only to give their lives to no purpose in a last desperate endeavour. Its focal point is the controversial Operation "Bodenplatte" on the morning of New Year's Day 1945, an operation in which the German fighter force received its final mortal wound - losing some 230 aircrew in less than 4 hours, the fighter units suffered their most severe defeat. Only now, after years of evaluation of all available sources, can the true figures of fighter losses on January 1, 1945 be reported. But this picture of the sacrifice of fighter formations does not mean that fighter pilots were unable to score successes. The figures for enemy aircraft shot down and the contact reports show clearly that the German pilots could still both parry and deal out hard punches. Few people have any real idea of the actual scale of the German fighter force's sacrifice. The imagination boggles at the tragic events that took place in the skies over Europe as the war neared its end, even in the perspective of history the full extent of the debacle can scarcely be depicted. In Six Months to Oblivion Werner Girbig explains these last months of the Luftwaffe and the fall of a once mighty air force.

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When Katy Carr and her sister Clover leave for boarding school, they are weighed down by worry. How will their father manage without their help? Can they ever hope to fit in and make new friends? When the Carr girls arrive, they meet the principal, Mrs Florence, who is tall, dignified and very strict: there are no less than thirty-two rules that students must adhere to! And with Miss Jane always on the prowl to discover the slightest fault, Katy fears that it might be more difficult to stay out of trouble than she'd hoped. But then she meets Rose Red - irrepressible, unconventional, and always full of fun. With the right friends, Katy can't help but get into all sorts of scrapes. A collection that will be coveted by children and adults alike, this list is the best in children's literature, curated by Virago. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), L. M. Montgomery (The Anne of Green Gables series) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

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The poems in The Farewell Glacier grew out of a journey to the High Arctic. In late 2010 Nick Drake sailed around Svalbad, an archipelago of islands 500 miles north of Norway, with people from Cape Farewell, the arts climate change organisation. It was the end of the Arctic summer. The sun took eight hours to set. When the sky briefly darkened, the Great Bear turned about their heads as it had for Pythias the Greek, the first European known to have explored this far north. Sailing as close as possible to the vast glaciers that dominate the islands, they saw polar bear prints on pieces of pack ice the size of trucks. And they tried to understand the effects of climate change on the ecosystem of this most crucial and magnificent part of the world. Nick Drake's new collection gathers together voices from across the Arctic past - explorers, whalers, mapmakers, scientists, financiers, the famous and the forgotten - as well as attempting to give voice to the confronting mysteries of the high Arctic: the animal spirits, the shape-shifters and the powers of ice and tundra. It looks into the future, to the year 2100, when this glorious winter Eden will have vanished forever. Many of the poems from The Farewell Glacier are included in ground-breaking High Arctic exhibition, installed at the National Maritime Museum in Greenwich from July 2011 to January 2012, which received substantial national publicity, including a feature on BBC Radio 4's Front Row and national press reviews.

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'If you love Indiana Jones, this is the real thing' DAN SNOW'Fascinating' GREG JENNER'A thrilling investigation' SUZANNAH LIPSCOMB'An essential read for anyone with even a fleeting interest in exploring the past' JANINA RAMIREZUncovering the physical remains of our past is a quintessential human itch; the pursuit of every society from the ancients through to today. But the stories behind archaeological exploration and discovery - what we look for when, what we end up finding, and what we then do with it - tell us as much about ourselves today as they do about the past.Through eight sensational stories of discovery, Professor Michael Scott traces the evolution of modern archaeology from colonial expeditions to today's cutting-edge digs, unearthing traps, curses and buried treasure along the way. We uncover why different periods and places have caught our attention and imaginations at different times. We meet the characters, some celebrated and some forgotten, who found world-famous discoveries like the Rosetta Stone, the Terracotta Warriors and Machu Picchu. We investigate ancient human footprints, stunning shipwrecks, mythical princesses and surprising rituals as keyholes to the wonders of past civilisations. And we unravel how archaeological finds have often become emblems of modern fascinations and dilemmas.Crossing millions of years, trekking from the jungles of South America to the frozen highlands of Central Asia, X Marks the Spot reveals how much the discovery of our past is intertwined with the concerns of our present and why X never, ever marks the spot.

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The untold story of how America’s secret war in Laos in the 1960s transformed the CIA from a loose collection of spies into a military operation and a key player in American foreign policy.January, 1961: Laos, a tiny nation few Americans have heard of, is at risk of falling to communism and triggering a domino effect throughout Southeast Asia. This is what President Eisenhower believed when he approved the CIA’s Operation Momentum, creating an army of ethnic Hmong to fight communist forces there. Largely hidden from the American public—and most of Congress—Momentum became the largest CIA paramilitary operation in the history of the United States. The brutal war lasted more than a decade, left the ground littered with thousands of unexploded bombs, and changed the nature of the CIA forever. With “revelatory reporting” and “lucid prose” (The Economist), Kurlantzick provides the definitive account of the Laos war, focusing on the four key people who led the operation: the CIA operative whose idea it was, the Hmong general who led the proxy army in the field, the paramilitary specialist who trained the Hmong forces, and the State Department careerist who took control over the war as it grew. Using recently declassified records and extensive interviews, Kurlantzick shows for the first time how the CIA’s clandestine adventures in one small, Southeast Asian country became the template for how the United States has conducted war ever since—all the way to today’s war on terrorism.

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'Heady, exhilarating, often astonishing' New York Times 'Iridescently original, deeply disorientating and yet somehow radically hopeful ... worth reading and rereading' Brian Eno 'Be prepared to re-evaluate your relationship with the amazing life forms with whom we share the planet. Fascinating, innovative and thought provoking: I thoroughly recommend Ways of Being' Dr Jane Goodall, DBERecent years have seen rapid advances in 'artificial' intelligence, which increasingly appears to be something stranger than we ever imagined. At the same time, we are becoming more aware of the other intelligences which have been with us all along, unrecognized. These other beings are the animals, plants, and natural systems that surround us, and are slowly revealing their complexity and knowledge - just as the new technologies we've built are threatening to cause their extinction, and ours.In Ways of Being, writer and artist James Bridle considers the fascinating, uncanny and multiple ways of existing on earth. What can we learn from these other forms of intelligence and personhood, and how can we change our societies to live more equitably with one another and the non-human world? From Greek oracles to octopuses, forests to satellites, Bridle tells a radical new story about ecology, technology and intelligence. We must, they argue, expand our definition of these terms to build a meaningful and free relationship with the non-human, one based on solidarity and cognitive diversity. We have so much to learn, and many worlds to gain.

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THE GRIPPING GOTHIC THRILLERCharlotte, Emily and Anne Brontë are rather losing interest in detecting until they hear of a shocking discovery: the bones of a child have been found interred within the walls of a local house, Top Withens Hall, home to the scandalous and brutish Bradshaw family. When the sisters set off to find out more, they are confronted with an increasingly complex and sinister case, which leads them into the dark world of orphanages, and onto the trail of other lost, and likely murdered children. After another local boy goes missing, Charlotte, Emily and Anne vow to find him before it's too late. But in order to do so, they must face their most despicable and wicked adversary yet - one that would not hesitate to cause them the gravest of harm . . .Praise for Bella Ellis and the series:'Brontë aficionados are sure to enjoy the accurate characterization and context, the twists turns and Gothic touches of the plot, and the strong feminist streak that manifests itself throughout, but most triumphantly at the end. Happily, more Brontë mysteries are to be expected.' The Times Literary Supplement'A splendid adventure' Guardian'A delight' The Wall Street Journal'Brilliantly entertaining and original' CL Taylor'Insightful, moving and inspiring . . . an absolute treat from start to finish' Jane Casey'Elegant, witty and compulsively readable - I think the Brontë sisters would have been delighted' Rosie Walsh

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'Made me scream laughing. I enjoyed it SO much' Marian Keyes'Have you ever messed up so badly you had to leave the country? This feelgood journey contains one of the best vagina jokes ever. We didn't want it to end' Heat MagazineAlice is turning thirty and is stuck in a rut. Her friends are all coupling up and settling down, while she's still working as a temp, trying (and failing) not to shag her terrible ex, getting thrown out of clubs, and accidentally sexting her boss...She decides to throw caution to the wind and jets off on a round-the-world adventure to #FindTheFun and find herself. Of course, she's no more likely to find the answer to true happiness on the beach in Thailand than she is at the electric beach in Tooting, but at least in Thailand there's paddleboard yoga.Can Alice find happiness on her travels? Or is she more likely to lose herself all over again...?'Really, really funny, but also kind of heart wrenching' Sophie Kinsella'Hilarious and touching' Louise O'Neill 'Warning: read this book and you will doubtless snort with laughter in inappropriate public places. Quite simply, #brilliant' Ella Dove'Her best work yet: it's funner, it's more tender . . . You need to have this in your beach bag' Laura Jane Williams'I tore through this quicker than a duty-free Toblerone . . . Wickedly funny and painfully perceptive' Lauren Bravo'Utterly addictive and utterly charming...her best yet' Daisy Buchanan'A bawdy breath of fresh air' Sunday Mirror

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This is the story of a crucial year in the history of England, brimming with great political and social upheaval: the year 1603. 1603 was a time of last goodbyes and new beginnings; of waning customs and fresh political and constitutional visions. It saw an aged queen die and a king from the far north rise as sovereign over a foreign nation. It also witnessed an unprecedented outbreak of bubonic plague, which began in London and spread indiscriminately through the provinces, killing up to 30,000 people. Catholicism was a second major disease doing the rounds in 1603. Its presence would lead to an attempt to dethrone King James I in the very first months of his reign, culminating in a trial staged at Winchester Castle in November. One of the candidates the conspirators had in mind to replace him was the would-be queen Lady Arbella Stuart. Indeed, Arbella would bring her own dramas to an already crowded and politically and socially charged year. The present work considers the entirety of the year 1603 in England, from January to December. In this same spirit, it also pays attention to the lives of ordinary men and women, as well as the lives of the great and powerful of the land. How aware were so-called common folk of the significant national episodes playing out around them? Did they even care? The answers are both fascinating and unexpected, and raise important questions about the interrelationship between the ordinary and the extraordinary in seventeenth-century England.

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'Joyful, heartwarming and utterly charming' JUDY MURRAY'Charming, poignant and as comforting as a tin of royal shortbread. Delightful' VERONICA HENRYThree strangers. Ten miles. One life-changing day...Suzie is 69 and has been keeping a secret for most of her life. She'd do anything to have her beloved Colin with her today, of all days, but she's hoping that the long walk ahead will be a first chapter in a new life without him.Tim is 42 and is joining the queue out of a sense of duty. It's for his mum, who adored the Queen, but she can't be there. He's lived his whole life by the book, putting facts before feelings, trying to fit in but always sticking out. Perhaps he can change that today, by becoming part of history?Abbie is 19, desperately hungover and isn't sure how she ended up in the queue at all. Her 'big move' to London hasn't exactly gone to plan - surrounded by millions of people, she's never felt more lonely, and her dreams feel further away than ever. Yet today, she feels closer to her queue family than she does her real one.As the unlikely trio wind along the Thames, edging ever closer to Westminster and the Queen, it becomes clear that when they finally leave the queue their worlds will never be the same again...More praise for The Queue'A love letter to London!' GEORGINA MOORE'A sharp, joyous, soulful book. Alan Bennett but sexy and modern and female' EMMA JANE UNSWORTH'A gorgeous story' FABULOUS magazine

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'A raw, honest rollercoaster that touches the heart' *****'Kate and her family's courageous battle is told with such candour' *****'Written from the heart with the will never to give up hope' *****........................In March 2020, Kate Garraway's husband, Derek Draper, contracted Covid-19 and was placed in a medically-induced coma. Thought to be the UK's longest-fighting Covid-19 patient, he spent more than a year in hospital before returning home to be with Kate and their children, Darcey and Billy. However he continued to suffer the devastating after-effects of COVID and passed away at the start of January 2024.In this intimate book, Kate shares her deeply personal story. As well as recounting how the illness took hold of their lives, she writes about coping with uncertainty, how she's supporting her children through this traumatic time, how she has found strength in community and how she strives to hold on to hope even at the darkest of times. Covid-19 has affected everyone across the country in so many ways and Kate hopes that by revealing her own personal experience, it will give comfort to others. By sharing the lessons she has learnt along the way, it will help us all begin to try to re-build our lives.Kate's exceptional courage, positivity and warmth shine through on every page, making The Power of Hope a truly inspiring read that will resonate with all of us whose lives continue to be touched by the virus.WRITTEN IN 2021 THIS EDITION WAS UPDATED IN 2022 WITH NEW MATERIAL ABOUT CARING FOR DEREK AT HOME.

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‘Bath is not only one of the best cities in the world to explore on foot; it is also surrounded on all sides by unspoilt countryside whose beauty is matched by its variety.’ This new edition of the best-selling walking guide to the city does full justice to that unique inheritance. As well as featuring its main attractions, it leads the reader to hidden corners and panoramic views over Bath and beyond. As well as tracing some of Jane Austen’s expeditions around the city, it also looks at the rigours of eighteenth-century social life, the architecture of John Wood and his successors, the city’s industrial heritage and the story of how window tax affected the design of its buildings. Finally, a postscript looks at the transformation of the city since the opening of Thermae Bath Spa in 2006. This new edition has not only been fully revised and updated; the opportunity has also been taken to improve some of the walks. As a result, the first walk now includes a visit to a newly accessible courtyard overlooked by one of Bath’s finest buildings, Walk 5 includes a riverside path and Walk 9 takes advantage of a recently-opened path with superb views. Walk 10 has been rerouted across a new footbridge to the historic Newark Works, and several other walks have been rerouted to include hidden gems or follow paths through green fields rather than city streets. Much new information has also been included, along with many new photographs.

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Winner, Alan Bray Memorial Book Award 2022 Lammy Finalist, LGBTQ Studies Can queer theory be erotophobic? This book proceeds from the perplexing observation that for all of its political agita, rhetorical virtuosity, and intellectual restlessness, queer theory conforms to a model of erotic life that is psychologically conservative and narrow. Even after several decades of combative, dazzling, irreverent queer critical thought, the field remains far from grasping that sexuality’s radical potential lies in its being understood as “exogenous, intersubjective and intrusive” (Laplanche). In particular, and despite the pervasiveness and popularity of recent calls to deconstruct the ideological foundations of contemporary queer thought, no study has as yet considered or in any way investigated the singular role of psychology in shaping the field’s conceptual impasses and politico-ethical limitations. Through close readings of key thinkers in queer theoretical thought—Eve Kosofsky Sedgwick, Leo Bersani, Lee Edelman, Judith Butler, Lauren Berlant, and Jane Gallop—Homo Psyche introduces metapsychology as a new dimension of analysis vis-à-vis the theories of French psychoanalyst Jean Laplanche, who insisted on “new foundations for psychoanalysis” that radically departed from existing Freudian and Lacanian models of the mind. Staging this intervention, Ashtor deepens current debates about the future of queer studies by demonstrating how the field’s systematic neglect of metapsychology as a necessary and independent realm of ideology ultimately enforces the complicity of queer studies with psychological conventions that are fundamentally erotophobic and therefore inimical to queer theory’s radical and ethical project.

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'A twisting, turning story of revenge and redemption' STYLISTIt was the three of them. Always the three of them. Until it wasn't.Dara and Marie were trained as ballet dancers by their glamorous mother, founder of the Durant School of Dance. After their parents died in a tragic accident nearly a dozen years ago, the sisters took over running the school together with Charlie, Dara's husband and once their mother's prized student. But when a suspicious accident occurs, just at the onset of the school's annual performance of The Nutcracker - a season of competition, anxiety, and exhilaration - an interloper arrives and threatens their delicate balance.The instant New York Times bestseller'Impossible to put down, creepy and claustrophobic. It's WHATEVER HAPPENED TO BABY JANE in ballet shoes' STEPHEN KING'Compulsively readable' RUTH WARE 'A book you will not be able to forget' MARK BILLINGHAM 'My thriller of the year' JAKE KERRIDGE, DAILY TELEGRAPH, BEST BOOKS OF THE YEAR 'The feeling of menace grows stronger with every page' GUARDIAN 'Slow-burning and feverish, with all the intensity of a classic American film noir' MAIL ON SUNDAY 'Charged with foreboding, the novel throbs with gothic tension' IRISH TIMES 'Dark and juicy and tinged with horror' NEW YORK TIMES 'Dark and mesmerising' HARRIET TYCE 'This is Megan Abbott working at the absolute height of her talent' ATTICA LOCKE 'There's no one who captures the atmosphere of a tight-knit hothouse world, in all its feverish beauty and brutality, quite like Megan Abbott' TANA FRENCH

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THE GRIPPING GOTHIC THRILLERCharlotte, Emily and Anne Brontë are rather losing interest in detecting until they hear of a shocking discovery: the bones of a child have been found interred within the walls of a local house, Top Withens Hall, home to the scandalous and brutish Bradshaw family. When the sisters set off to find out more, they are confronted with an increasingly complex and sinister case, which leads them into the dark world of orphanages, and onto the trail of other lost, and likely murdered children. After another local boy goes missing, Charlotte, Emily and Anne vow to find him before it's too late. But in order to do so, they must face their most despicable and wicked adversary yet - one that would not hesitate to cause them the gravest of harm . . .Praise for Bella Ellis and the series:'Brontë aficionados are sure to enjoy the accurate characterization and context, the twists turns and Gothic touches of the plot, and the strong feminist streak that manifests itself throughout, but most triumphantly at the end. Happily, more Brontë mysteries are to be expected.' The Times Literary Supplement'A splendid adventure' Guardian'A delight' The Wall Street Journal'Brilliantly entertaining and original' CL Taylor'Insightful, moving and inspiring . . . an absolute treat from start to finish' Jane Casey'Elegant, witty and compulsively readable - I think the Brontë sisters would have been delighted' Rosie Walsh

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THE TWISTY NEW THRILLER AND TOP 5 SUNDAY TIMES BESTSELLERIN A VILLAGE WITH THIS MANY SECRETS, A MURDER IS JUST THE BEGINNING . . .On New Year's Eve, Rhys Lloyd has a house full of guests.He's celebrating the success of his lakeside holiday homes, and has generously invited the village to drink champagne with their wealthy new neighbours.By midnight, Rhys will be floating dead in the freezing waters of the lake.On New Year's Day, DC Ffion Morgan has a village full of suspects.She grew up in the tiny community, so the murder suspects are her neighbours, friends and family - and Ffion has her own secrets to protect.With a lie uncovered at every turn, soon the question isn't who wanted Rhys dead . . . but who finally killed him.A GAME OF LIES, THE NEXT DC FFION MORGAN THRILLER, IS OUT NOW!'Superb, devilishly clever, with echoes of Agatha Christie' PATRICIA CORNWELL'Wickedly enjoyable' THE TIMES'Mackintosh is just getting better and better with every book' PETER JAMES'Leo and Ffion make a storming debut in this twisty tale' BELINDA BAUER'A dark delight of a murder mystery!' JANICE HALLETT'Warm, atmospheric, ingenious - this is the new crime series you need in your life' WILL DEAN'Insanely gripping' ERIN KELLY'Mackintosh is a genius' FIONA CUMMINS'An absolute triumph' CLAIRE DOUGLAS'Brilliant, so atmospheric' RUTH WARE'Whipsmart' LINWOOD BARCLAY'DC Ffion Morgan is complicated, funny and very sweary' LOUISE CANDLISH'Twists that blindside you all the way' MARI HANNAH'Every chapter ends on a cliff hanger' GOOD HOUSEKEEPING

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When Abraham Lincoln issued his final Emancipation Proclamation on January 1, 1863, he not only freed the slaves in the Confederate states but also invited freed slaves and free persons of colour to join the U.S. Army as part of the U.S. Colored Troops (USCT), the first systematic, large-scale effort by the U.S. government to arm African Americans to aid in the nation’s defense. By the end of the war in 1865, nearly 180,000 black soldiers had fought for the Union. Lincoln’s role in the arming of African Americans remains a central but unfortunately obscure part of one of the most compelling periods in American history. In Lincoln and the U.S. Colored Troops John David Smith offers a concise, enlightening exploration of the development of Lincoln’s military emancipation project, its implementation, and the recruitment and deployment of black troops.Though scholars have written much on emancipation and the USCT, Smith’s work frames the evolution of Lincoln’s ideas on emancipation and arming blacks within congressional actions, explaining how, when, and why the president seemed to be so halting in his progression to military emancipation. After tracing Lincoln’s evolution from opposing to supporting emancipation as a necessary war measure and to championing the recruitment of black troops for the Union Army, Smith details the creation, mobilization, and diverse military service of the USCT. He assesses the hardships under which the men of the USCT served, including the multiple forms of discrimination from so-called friends and foes alike, and examines the broad meaning of Lincoln’s military emancipation project and its place in African American historical memory.

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The Millennium Development Goals, adopted at the UN Millennium Summit in 2000, are the world's targets for dramatically reducing extreme poverty in its many dimensions by 2015 income poverty, hunger, disease, exclusion, lack of infrastructure and shelter while promoting gender equality, education, health and environmental sustainability. These bold goals can be met in all parts of the world if nations follow through on their commitments to work together to meet them. Achieving the Millennium Development Goals offers the prospect of a more secure, just, and prosperous world for all. The UN Millennium Project was commissioned by United Nations Secretary-General Kofi Annan to develop a practical plan of action to meet the Millennium Development Goals. As an independent advisory body directed by Professor Jeffrey D. Sachs, the UN Millennium Project submitted its recommendations to the UN Secretary General in January 2005. The core of the UN Millennium Project's work has been carried out by 10 thematic Task Forces comprising more than 250 experts from around the world, including scientists, development practitioners, parliamentarians, policymakers, and representatives from civil society, UN agencies, the World Bank, the IMF, and the private sector. Coming to Grips with Malaria in the New Millennium presents an innovative strategic framework for relieving the burden that malaria imposes on society through the implementation of tried and tested anti-malarial interventions designed to improve health nationally and to promote economic development locally. Recommendations include early diagnosis, treatment with effective anti-malarial medicines, the use of insecticide treated nets, indoor residual spraying, managing the environment, improving housing, extending health education and improving monitoring and evaluation systems.

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This volume of Research in Economic Anthropology, which presents ten peer-reviewed anthropological papers, celebrates the 40th anniversary of the series by taking a close look at human vulnerability: the ways in which people attempt to cope with it and barriers to successfully overcoming it. The two leading articles both take up the issue of microfinance; Daniel Murphy examines the influences of this in the lives of pastoralists in Mongolia, and Megan Hinrichsen explores related processes among vendors in Quito, Ecuador. Next, Elena Sischarenco looks at ways of dealing with vulnerability in the northern Italian construction industry. Sarah Lyon investigates smallholders’ experiences with, and adaptations to, the coffee rust disaster in Oaxaca, Mexico, as well as the functions of fair trade organizations. Rounding out the first half of the volume is Raja Swamy’s analysis of post-tsunami reconstruction in Tamil Nadu, India. The second half starts with Janneke Verheijen’s investigation of women’s survival strategies in rural Malawi, southeast Africa, and Lai Wo’s study of intimate relationships and transactions between Western men and Southeast Asian women in Hong Kong. Courtney Lewis explores political and economic sovereignty among the Eastern Band of Cherokee Indians in North Carolina, USA. Finally, the volume turns to the past with Kari Henquinet’s examination of the evolution of American faith-based overseas development aid projects in the 20th century, and with Serge Svizzero’s and Clement Tisdell’s analysis of Early Bronze Age desert kite use for trapping gazelles in parts of Southwest Asia. Ultimately, it is hoped that this and other scholarly investigations into human vulnerability will lead to better preventive and curative measures, for an imperfect world.

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In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea’s on-going quest for modernity and a post-authoritarian identity.Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs—Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic.

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The defeat of South Vietnam was arguably America's worst foreign policy disaster of the 20th Century. Yet a complete understanding of the endgame--from the 27 January 1973 signing of the Paris Peace Accords to South Vietnam's surrender on 30 April 1975--has eluded us. Black April addresses that deficit. A culmination of exhaustive research in three distinct areas: primary source documents from American archives, North Vietnamese publications containing primary and secondary source material, and dozens of articles and numerous interviews with key South Vietnamese participants, this book represents one of the largest Vietnamese translation projects ever accomplished, including almost one hundred rarely or never seen before North Vietnamese unit histories, battle studies, and memoirs. Most important, to celebrate the 30th Anniversary of South Vietnam's conquest, the leaders in Hanoi released several compendiums of formerly highly classified cables and memorandum between the Politburo and its military commanders in the south. This treasure trove of primary source materials provides the most complete insight into North Vietnamese decision-making ever complied. While South Vietnamese deliberations remain less clear, enough material exists to provide a decent overview. Ultimately, whatever errors occurred on the American and South Vietnamese side, the simple fact remains that the country was conquered by a North Vietnamese military invasion despite written pledges by Hanoi's leadership against such action. Hanoi's momentous choice to destroy the Paris Peace Accords and militarily end the war sent a generation of South Vietnamese into exile, and exacerbated a societal trauma in America over our long Vietnam involvement that reverberates to this day. How that transpired deserves deeper scrutiny.

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A Studio of One's Own: Fictional Women Painters and the Art of Fiction is a critical study of the portrayal of women artists in nineteenth- and twentieth-century novels in English, including British, American, Irish, and Canadian women writers. This book traces the gradual progression from amateur parlor painters in the novels of Jane Austen, Charlotte Bronte, and others, to the serious professional painters depicted by contemporary writers such as Margaret Atwood, Mary Gordon, and A. S. Byatt. In fiction as in history, the woman artist's working space enlarges through time - by uneven steps - from a portfolio in a cupboard to a studio or atelier where work may be completed and prepared for sale or exhibition. This working space is a measure of the claim that the artist makes upon the world. Unlike several previous critical studies, which interpret the term 'artist' broadly so as to include women writers and musicians, A Studio of One's Own restricts the subject to visual artists to allow a sharper focus on the many and varied transactions between the sister arts of painting and fiction. In particular, a writer's use of ekphrasis - verbal descriptions of works of visual art - serves to authenticate the fictional painter and to manifest the tensions between verbal and visual representation. The purpose of this book is, first, to interpret the implied dialogue of the writers with the artist figures they create so as to reveal the writer's view of creativity in both its aesthetic and political dimensions; and, second, to explore certain remarkable continuities in the imagery depicting women artists in the novels. Most notably, recurrent images present the artist as liminal and her work as suspended or unfinished, terms which reflect not only the woman painter's historic marginality, but also her creative potential. In eight of the novels under discussion, the painter lives or works at the edge of an ocean, a literally liminal position with a variety of symbolic implicati

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One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

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A fascinating exploration of three individuals in fin-de-siècle France who pushed the boundaries of gender identity. Before the term "transgender" existed, there were those who experienced their gender in complex ways. Before Trans examines the lives and writings of Jane Dieulafoy (1850–1916), Rachilde (1860–1953), and Marc de Montifaud (1845–1912), three French writers whose gender expression did not conform to nineteenth-century notions of femininity. Dieulafoy fought alongside her husband in the Franco-Prussian War and traveled with him to the Middle East; later she wrote novels about girls becoming boys and enjoyed being photographed in her signature men's suits. Rachilde became famous in the 1880s for her controversial gender-bending novel Monsieur Vénus, published around the same time that she started using a calling card that read "Rachilde, Man of Letters." Montifaud began her career as an art critic before turning to erotic writings, for which she was repeatedly charged with "offense to public decency"; she wore tailored men's suits and a short haircut for much of her life and went by masculine pronouns among certain friends. Dieulafoy, Rachilde, and Montifaud established themselves as fixtures in the literary world of fin-de-siècle Paris at the same time as French writers, scientists, and doctors were becoming increasingly fascinated with sexuality and sexual difference. Even so, the concept of gender identity as separate from sexual identity did not yet exist. Before Trans explores these three figures' lifelong efforts to articulate a sense of selfhood that did not precisely align with the conventional gender roles of their day. Their intricate, personal stories provide vital historical context for our own efforts to understand the nature of gender identity and the ways in which it might be expressed.

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Agatha Christie meets Made in Chelsea'Vassell's sharply witty debut novel is an enticing blend of frothy social satire and deadly serious detective work.' Daily Mail'Brilliantly compulsive . . . I could not stop reading this book.' DENISE MINA'As sharp, witty and energetic as it is bitingly satirical.' JANICE HALLETTThe night beforeRupert's 30th is a black tie dinner at the Kentish Town McDonald's - catered with cocaine and Veuve Clicquot.The morning afterHis girlfriend Clemmie is found murdered on Hampstead Heath. All the party-goers have alibis. Naturally.This investigation is going to be about Classics degrees and aristocrats, Instagram influencers and who knows who. Or is it whom? Detective Caius Beauchamp isn't sure. He's sharply dressed, smart, and as into self-improvement as Clemmie - but as he searches for the dark truth beneath the luxury, a wall of staggering wealth threatens to shut down his investigation before it's begun.Can he see through the tangled set of relationships in which the other half live, and die, before the case is taken out of his hands?Bitingly funny, full of twists, and all too close to reality, this is a stunning debut from your next favourite crime writer.'An incredible crime debut.' ERIN KELLY'Scintillating.' HARRIET TYCE'Delicious, searing . . . What a great new voice she is in detective fiction!' S. J. BENNETTWHAT READERS ARE SAYING'A perfectly horrid cast of over the top characters and an engaging detective. Glorious.' 5* review'Such a fun, biting take on the thriller genre . . . I loved this book!' 5* review'It was fast paced and twisty and I was on the edge of my seat the whole time. I loved it.' 5* review'It's the characters that really make this book and I'd love to see a TV series based on these detectives.' 5* review'Highly recommend if you enjoy Lucy Foley, I raced through this in less than a day!' 5* review

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Rose Hartman is a legend. An omnipresent force on the New York City social scene, Rose stands as one of the most prolific photographers of our age. As a woman photographer, Rose has jumped over every hurdle in a male-dominated world to create a huge body of work, documenting the demimonde of fame and glamour in the centre of world culture. If you are famous, she has most likely photographed you, whether you know her well or not at all. Her groundbreaking photography straddles the boundaries between street photography, portraiture and documentary photography. The images included in this book are prime selections of couples - artists and muses; designers and muses; family; mothers and children; pets; friendships; models and friends; lovers; marriages - photographed by Rose over the years, and yet they are far more than pictures of two people. In each and every photograph, Rose is the third and most critical component. She is the director of the final cut. Thanks to her impeccable timing and placement, Rose opts to trip the shutter at just the right moment, capturing a critical instant in a conversation - a pose, a gesture - so as to present a story about two people from the world of popular culture. Couples featured include: Jerry Hall and Annie Leibovitz, Bob Mackie and Cher, Claudia Schiffer and Valentino, Jean Paul Gautier and Lauren Bacall, Donatella Versace and Naomi Campbell, Peter and Jane Fonda, Bianca and Jade Jagger, Lily and Kate Moss, Sean Lennon and Yoko Ono, Liz Taylor and her dog, Andy Warhol and Lou Reed, Hugh Grant and Elizabeth Hurley, Robert Wolders and Audrey Hepburn, Iman and David Bowie, Antonio Banderas and Melanie Griffith, Kelly and Calvin Klein, Tim Robbins and Susan Sarandon, Whitney Houston and Bobby Brown.

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Jackie Robinson famously said that a life is not important except for the impact it has on other lives. As we celebrate Robinson’s 100th birthday in January 2019, A Fine Team Man profiles not only Robinson, but nine other figures whose lives were altered by the “great experiment,” as the integration of baseball was called then. Profiled here are Rachel Robinson, the stoic and enduring wife; Branch Rickey, the tight-fisted but far-sighted general manager/owner of the Dodgers; baseball commissioner ”Happy” Chandler, who navigated political factions as he paved the way for integration; Clyde Sukeforth, the jack of all trades whose assessment, instruction, and encouragement of Robinson were crucial to the player’s success; Red Barber, whose own views on integration were altered by Robinson’s example of grace under pressure; Wendell Smith, the prominent black journalist who helped Robinson navigate through the trappings of a racist society; Burt Shotton, whose low-key style of managing helped Robinson into his best seasons; Pee Wee Reese, the Dodgers captain who united the team behind Robinson; and finally, Dixie Walker, the veteran Dodgers star who vowed never to play alongside Robinson, but who was eventually so changed by Robinson’s courage that he spent his last years working to improve the skills of such African-American players as Maury Wills, Jim Wynn, and Dusty Baker. While the story of Jackie Robinson has often been told and retold, seeing it through the lens of the lives he changed gives it a fresh shine. Perhaps more than ever, Robinson’s excellence sparkles through A Fine Team Man to demonstrate that change remains not only possible, but certain for both great heroes and for those who are savvy or fortunate enough to share the journey or at least stand in the wake during the hero’s finest moments.

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'Tender, heartbreaking and magical . . . I went from feeling warm and fuzzy to shock, delight before, finally, well – you'll just have to read it!'GIOVANNA FLETCHERWhat if you met the right person at the wrong time? Nell and Van meet as children when their parents fall in love, but soon they are forced worlds apart. Five years later, they find each other. Their bond is rekindled and new feelings take hold, but once again they must separate. For the next two decades, fate brings Nell and Van together every five years, as life and circumstance continue to divide them. Will they ever find true happiness? And will it be together? ‘One day, maybe five years from now, you’ll look back and understand why this happened…’ 'Achingly romantic and brilliantly written, this novel will give you all the feels. Five Stars!'HEAT 'Filled with warmth and poignancy, Five Years From Now is a page-turner and a delight' JANE COSTELLO 'Simply gorgeous' SUN 'You won't be able to put down this emotional read'CLOSER 'Paige Toon is the queen of will-they/won't-they romance, setting up an ending that will leave you in bits'SUNDAY EXPRESS'Full of living-in-the-moment and what-might-have-been contrasts, this tender read pulls at the heart strings'FABULOUS 'A lovely read'BELLA** PRAISE FOR PAIGE TOON'S NOVELS ** 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'Paige really ratchets up the tension. You'll be in a reading frenzy by the end' LISA JEWELL ‘Gave me all the feels . . . I loved it’ LINDSEY KELK ‘Poignant and lovely, warm and wise’ MILLY JOHNSON ‘A gorgeous, warm novel’ ADELE PARKS ‘Paige’s writing is brilliant!’ MHAIRI McFARLANE 'For smart, romantic fiction, look no further than the new book from bestselling Paige Toon' RED

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And now, pre-order Mhairi’s brilliant new romcom, BETWEEN US, coming spring 2023! Two strangers. One big coincidence. Driving each other crazy is just the beginning… Harriet Hatley is running away from everything. Getting married.Her boyfriend’s family.Her past. A dream house-share seems like the perfect place to hide, but her unlikely housemate Cal is no stranger to running away himself. And he's also hiding secrets of his own . . . Can these two take a crazy risk, face the past and finally find a reason to stay? ____________________ ‘I love, love, love Mhairi . . . I read this with delight and envy’ MARIAN KEYES ‘Gorgeous, funny, life-affirming’ JENNY COLGAN ‘Funny, poignant, full of insight . . . a triumph’ KATIE FFORDE ’Mhairi’s writing is always just super witty with layered, emotional depth . . . Loved. Adored. All-star.’ LIZZY DENT ‘A compelling, clever story, while still being so ridiculously funny and heartwarming’ LUCY VINE ‘A plot that gets under your skin, and one scene in particular that will have women everywhere cheering out loud’ LUCY DIAMOND ‘The master of thought-provoking romantic fiction’ SOPHIE COUSENS ’Burningly funny, achingly romantic, and a plot so tightly crafted it’s like a song’ LAURA JANE WILLIAMS ’Mhairi consistently writes flawless romantic comedies and Mad About You is no exception’ HOLLY BOURNE ‘Full of compassion and hope, and blissfully, wonderfully romantic’ CRESSIDA MCLAUGHLIN ‘Laugh-out-loud funny, devastatingly moving, and delightfully swoony’ LOUISE O’NEILL ‘Mhairi is absolutely brilliant . . . I’m in awe of her talent’ EMMA HUGHES ‘I can’t remember the last time I enjoyed a book so much’ GILLIAN MCALLISTER ‘Smart, funny and feel-good with cracking one liners. Mhairi at her brilliant best’ ALEX BROWN ‘Hilarious, wise, and clever . . . and chemistry that sizzles off the page’ JUSTIN MYERS

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Rugby's long history is full of tales of inspirational courage. Yet there has never been a rugby player quite as remarkable, quite as jaw-droppingly brave, as Ian McKinley. On January 16, 2010, the young fly-half was one of Ireland's hottest rugby prospects. But his life was about to change forever. While playing for University College Dublin, a horrifying injury to his left eye saw McKinley's vision, his world and his future come crashing down around him. The injury left McKinley blind in one eye and bereft, forcing him into early retirement, his life plans scattered in the wind. After relocating to Italy to heal and rebuild himself as a youth rugby coach, a heartbroken McKinley battled on until, in the end, he vowed to do whatever it took to once again play the sport he loved. As he discloses in Second Sight in painstaking detail for the first time, McKinley poured his heart and soul into finding a way to play. He endlessly researched specialist goggles and he tenaciously fought his case against sceptical World Rugby bosses until finally, finally, he did the impossible - he came back. On November 11, 2017, against Fiji, McKinley became the first visually impaired man to ever feature in a Test match, playing at fly-half for Italy - his beloved, adopted nation. His efforts drew gasps of admiration from the crowd and tears of respect from teammates and opposition alike. In Second Sight, McKinley outlines how returning to rugby gave him the chance to highlight his skill at the highest level but, more importantly, how it helped him make peace with his injury and the unique way fate has intervened in his life. After eventually retiring for a second, and final, time in March 2021, in Second Sight McKinley tells an astounding sporting story like no other - and a tale that deserves to be heard, and applauded, around the globe.

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A chance encounter leads to a fight for her life...Kit Finn plays it safe in her personal life; any risky moves are saved for her work. But when she meets handsome Matt Healy on a business trip she decides she’s tired of being careful. Kit acts on her instincts and the two share a night of passion.They agree to meet again when they are back home in New York City, but when Kit arrives at Matt’s apartment she is greeted by a total stranger claiming he is the real Matt. Realising she has been duped Kit decides to put the encounter behind her. But when the police ask her to identify a man killed in a hit and run, with only her business card in his possession, Kit is shocked to recognise the victim as the genuine Matt Healy.Kit fears she has become unintentionally embroiled in a sinister web of deceit. With no real evidence to take to the police, Kit resolves to unravel the mystery herself. But can she do so before more lives, including her own, are put in danger?For fans of psychological suspense and compulsive mysteries, don’t miss this tense and page-turning novel. If you love Peter Swanson and Shari Lapena, then you will love Kate White.Praise for Kate White‘A nerve-jangling adrenaline rush!’ Lisa Gardner‘Utterly compelling.’ Karin Slaughter‘A terrifying psychological thriller.’ Harlan Coben‘Taut, tense and utterly gripping.’ Jessica Knoll‘Suspenseful, twisty and sharply observed.’ Gilly Macmillan'I read this is one sitting. Utterly gripping. I wouldn’t hesitate to recommend.' Reader review'I could not put this book down... It's a clever book with some great characters, I could definitely imagine this on the big screen!' Reader review'Gripping story from the beginning with plenty of twists.' Reader review'An excellent well-written quality read. I didn't want it to end!' Reader review

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