Search results for ""author jan"

Context and situation always matter in both human and animal lives. Unique insights can be gleaned from conducting scientific studies from within human communities and animal habitats. Inside Science is a novel treatment of this distinctive mode of fieldwork. Robert E. Kohler illuminates these resident practices through close analyses of classic studies: of Trobriand Islanders, Chicago hobos, corner boys in Boston's North End, Jane Goodall's chimpanzees of the Gombe Stream Reserve, and more. Intensive firsthand observation; a preference for generalizing from observed particulars, rather than from universal principles; and an ultimate framing of their results in narrative form characterize these inside stories from the field. Resident observing takes place across a range of sciences, from anthropology and sociology to primatology, wildlife ecology, and beyond. What makes it special, Kohler argues, is the direct access it affords scientists to the contexts in which their subjects live and act. These scientists understand their subjects not by keeping their distance but by living among them and engaging with them in ways large and small. This approach also demonstrates how science and everyday life--often assumed to be different and separate ways of knowing--are in fact overlapping aspects of the human experience. This story-driven exploration is perfect for historians, sociologists, and philosophers who want to know how scientists go about making robust knowledge of nature and society.

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One of French writer Georges Perec's most famous pieces, "I Remember", consists of 480 numbered paragraphs - each just a few short lines recalling a memory from his childhood. The work has neither a beginning nor an end, nor does it contain any analysis. But it nonetheless reveals profound truths about French society during the 1940s and '50s. Taking Perec's book as its cue, "Telling About Society" explores the unconventional ways we communicate what we know about society to others. The third in distinguished teacher Howard S. Becker's best-selling series of writing guides for social scientists, the book explores the many ways knowledge about society can be shared and interpreted through different forms of telling - fiction, films, photographs, maps, even mathematical models - many of which remain outside the boundaries of conventional social science. Eight case studies, including the photographs of Walker Evans, the plays of George Bernard Shaw, the novels of Jane Austen and Italo Calvino, and the sociology of Erving Goffman, provide convincing support for Becker's argument: that every way of telling about society is perfect - for some purpose. The trick is, as Becker notes, to discover what purpose is served by doing it this way rather than that. With Becker's trademark humor and eminently practical advice, "Telling About Society" is an ideal guide for social scientists in all fields and for anyone interested in communicating knowledge in unconventional ways.

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Milk and Juice is a hilarious, quirky debut picture book by Meredith Crandall Brown that follows a bottle of juice and a jug of milk on their recycling love story. Perfect for fans of Peanut Butter & Cupcake by Terry Border!Once upon a time, in a refrigerator not too far away, a jug of milk and a bottle of juice fell in love. All was bliss until Juice was taken away from its one true love and . . . recycled.Thus begins Milk and Juice’s humorous journey through many incarnations around the world. Will they ever be reunited? Or will they stay star-crossed lovers for all eternity?In this charmingly clever story, Meredith Crandall Brown shows us the importance of chasing after your dreams and never giving up. Brown also includes informative back matter that explains the steps of recycling in clear, simple terms that all readers will understand, paired with cute illustrations!January/February 2021 Kids’ Indie Next List"A charming tale of sustainability, and an absolute delight for storytime." —Bulletin of the Center for Children's Books (starred review)"Charismatic illustrations and text pair beautifully for a love story with an earth-friendly twist." —School Library Journal (starred review)"An original and clever debut about the transformative power of love and recycling." —Publishers Weekly"An inspiring introduction to recycling, an ode to persistence, and a...parable on the immutability of the heart." — Kirkus Reviews

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'Warm, funny, and bursting with heart' Rebecca Serle'Beautiful, moving, hopeful' Emily StoneGreta James is adrift. Literally.Just after the sudden death of her mother - her most devoted fan - and weeks before the launch of her high-stakes second album, Greta James falls apart on stage. The footage quickly goes viral and she stops playing. Greta's career is suddenly in jeopardy - the kind of jeopardy her father, Conrad, has always warned her about.Months later, Greta - still heartbroken and very much adrift - reluctantly agrees to accompany Conrad on the Alaskan cruise her parents had booked to celebrate their fortieth anniversary. It could be their last chance to heal old wounds in the wake of shared loss. But the trip will also prove to be a voyage of discovery for them both, and for Ben Wilder, a charming historian who is struggling with a major upheaval in his own life.In this unlikeliest of places - at sea and far from the packed venues where she usually plays - Greta must finally confront the heartbreak she's suffered, the family hurts that run deep, and how to find her voice again.'Gorgeous, heartfelt' Amanda Eyre Ward'Thoughtful and tender and true' Janelle Brown'Filled with music, passion, and love of all kinds' Jill Santopolo'A total delight!' Christine Pride'Full of hope . . . vibrant' Linda Holmes

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“Charlayne Hunter-Gault is an eminent Dean of American journalism, a vital voice whose work chronicled the civil rights movement and so much of what has transpired since then. My People is the definitive collection of her reportage and commentary. Spanning datelines in the American South, South Africa and points scattered in between, her work constitutes a history of our time as rendered by the pen of a singular and indispensable black woman journalist.”-Jelani CobbFrom the legendary Emmy Award-winning journalist, a collection of ground-breaking reportage from across five decades which vividly chronicles the experience of Black life in America today.At just nineteen years old, Charlayne Hunter-Gault made national news after she had mounted a successful legal challenge that culminated in her admission to the University of Georgia in January 1961—making her one of the first two Black students to integrate the institution. As an adult, Charlayne switched from being the subject of news to covering it, becoming one of its most recognized and acclaimed interpreters.Over more than five decades, this dedicated reporter charted a course through some of the world’s most respected journalistic institutions, including The New Yorker, NBC, and the New York Times, where she was often the only Black woman in the newsroom. Throughout her storied career, Charlayne has chronicled the lives of Black people in America—shining a light on their experiences and giving a glimpse into their community as never before. Though she has covered numerous topics and events, observed as a whole, her work reveals the evolving issues at the forefront of Black Americans lives and how many of the same issues continue to persist today.My People showcases Charlayne’s lifelong commitment to reporting on Black people in their totality, “in ways that are recognizable to themselves.” Spanning from the Civil Rights Movement through the election and inauguration of America’s first Black president and beyond, this invaluable collection shows the breadth and nuance of the Black experience through trials, tragedies, and triumphs of everyday lives.

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The new Great British Bake Off Book - KITCHEN CLASSICS - is available now!Tuck into your all-time favourite flavours and a good sprinkling of Bake Off magic with our easy-to-follow recipes. A feast for both the eyes and the taste buds, these flavourful bakes will leave you inspired to mix and match different combinations, or to indulge yourself with some classic tastes and textures.Whether you're looking for a tart blackcurrant millefeuille, a fresh passion fruit trifle, a sticky ginger treacle tart or a rich chocolate and speculoos cake - Paul, Prue, the Bake Off team and the 2022 bakers are here to show you how to get the perfect result. From earthy to spicy, and from tangy to creamy, this book showcases how to bring out the very best flavours in whatever you create.Featuring recipes from the 2022 contestants: Abdul Rehman Sharif, Carole Edwards, Dawn Hollyoak, James Dewar, Janusz Domgala, Kevin Flynn, Maisam Algirgeet, Maxy Maligisa, Nelsandro "Sandro" Farmhouse, Rebecca "Rebs" Lightbody, Syabira Yusoff, William "Will" Hawkins

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In an “eye-opening memoir” (People) “as beautiful as it is discomfiting” (The New Yorker), award-winning writer Apricot Irving untangles her youth on a missionary compound in Haiti.Apricot Irving grew up as a missionary’s daughter in Haiti. Her father was an agronomist, a man who hiked alone into the deforested hills to preach the gospel of trees. Her mother and sisters spent their days in the confines of the hospital compound they called home. As a child, this felt like paradise to Irving; as a teenager, it became a prison. Outside of the walls of the missionary enclave, Haiti was a tumult of bugle-call bus horns and bicycles that jangled over hard-packed dirt, road blocks and burning tires triggered by political upheaval, the clatter of rain across tin roofs, and the swell of voices running ahead of the storm. Poignant and explosive, Irving weaves a portrait of a missionary family that is unflinchingly honest: her father’s unswerving commitment to his mission, her mother’s misgivings about his loyalty, the brutal history of colonization. Drawing from research, interviews, and journals—her parents’ as well as her own—this memoir in many voices evokes a fractured family finding their way to kindness through honesty. Told against the backdrop of Haiti’s long history of intervention, it grapples with the complicated legacy of those who wish to improve the world, while bearing witness to the defiant beauty of an undefeated country. A lyrical meditation on trees and why they matter, loss and privilege, love and failure. The Gospel of Trees is a “lush, emotional debut...A beautiful memoir that shows how a family altered by its own ambitious philanthropy might ultimately find hope in their faith and love for each other, and for Haiti.” (Publishers Weekly, starred review).

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In this riveting popular history, the creator of You Must Remember This probes the inner workings of Hollywood’s glamorous golden age through the stories of some of the dozens of actresses pursued by Howard Hughes, to reveal how the millionaire mogul’s obsessions with sex, power and publicity trapped, abused, or benefitted women who dreamt of screen stardom.In recent months, the media has reported on scores of entertainment figures who used their power and money in Hollywood to sexually harass and coerce some of the most talented women in cinema and television. But as Karina Longworth reminds us, long before the Harvey Weinsteins there was Howard Hughes—the Texas millionaire, pilot, and filmmaker whose reputation as a cinematic provocateur was matched only by that as a prolific womanizer.His supposed conquests between his first divorce in the late 1920s and his marriage to actress Jean Peters in 1957 included many of Hollywood’s most famous actresses, among them Billie Dove, Katharine Hepburn, Ava Gardner, and Lana Turner. From promoting bombshells like Jean Harlow and Jane Russell to his contentious battles with the censors, Hughes—perhaps more than any other filmmaker of his era—commoditized male desire as he objectified and sexualized women. Yet there were also numerous women pulled into Hughes’s grasp who never made it to the screen, sometimes virtually imprisoned by an increasingly paranoid and disturbed Hughes, who retained multitudes of private investigators, security personnel, and informers to make certain these actresses would not escape his clutches.Vivid, perceptive, timely, and ridiculously entertaining, The Seducer is a landmark work that examines women, sex, and male power in Hollywood during its golden age—a legacy that endures nearly a century later.

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PUBLISHED BY EUREKA PRESS, TOKYO, AND DISTRIBUTED BY ROUTLEDGE OUTSIDE JAPAN.The scholar and diplomat Sir Ernest Satow was the best-known Westerner who lived in Meiji Japan. Although he rose to become British Minister to Japan, the most interesting part of his career was the start of it, when he witnessed, and in a small way influenced, the fall of the Bakufu and the Meiji Restoration. This volume of his diaries continues the story up to the time when Satow leaves Japan for subsequent appointments in Bangkok, Montevideo and Tangier, before returning to Tokyo as Envoy Extraordinary and Minister Plenipotentiary in 1895. Although the years 1870-1883 were an interlude between the exciting years of the Bakumatsu and the promotion to Consul General in Bangkok, they give much detail of Satow’s journeys under difficult conditions including appalling weather in the interior of Japan, and a firsthand account of the Satsuma Rebellion which was beginning as Satow returned to Japan from Europe in January 1877. There is also an account of a visit to Korea in late 1878, and of the visit to Japan of the British royal princes Arthur and George in 1881. His two leaves in Europe reflect his cultural interests, though Japan is mentioned only occasionally. The editor has added extensive annotations and explanations to these diaries, making this book an indispensable reference work for students of early Meiji Japan, and indeed anybody who wants to understand the story of how a very young, very clever, but rather awkward Englishman could have penetrated the very highest levels of the Japanese hierarchy to witness the transformation of the country from a feudal, inward-looking society to one that would become a major industrialized power to shock the world.

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This book is your essential guide to getting to know the most interesting, rewarding and hip areas to stay in 50 cities around the world. Dive deep into an exciting new destination and discover the best little-known sights and things to do, plus the coolest places to eat, drink and shop to create unforgettable trips. For each of the 50 cities profiled in Secret City, we've swung the spotlight onto neighbourhoods where you can feel the rhythms of local life. Sometimes you'll find the city's most well-trodden streets are only a short distance away, but there's a well-concealed treasure: perhaps a blink-and-you'll-miss-it cafe in Rio de Janeiro's Copacabana, a historic jazz bar in Stockholm's Gamla Stan, or an unmissable brunch spot in Brunswick, Melbourne. Elsewhere, you'll discover neighbourhoods you might not know much about but should really consider staying in: Tokyo's grungy Koenji, barnacle-clung Wapping and Rotherhithe in London, and Staten Island's North Shore in New York City. For each neighbourhood, there are out-of-the-ordinary recommendations for eating, drinking, partying and where to delve into local culture. All of them are hand-picked by experts who know these cities inside out, and they're accompanied by maps to orient you in these exciting districts. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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MATERIALS AND DEMATERIALIZATION World-renowned scientist Vaclav Smil examines a critical topic in the research and policy domain of sustainable resource use Over the course of time, the modern world has become dependent on unprecedented flows of materials. Now even the most efficient production processes and the highest practical rates of recycling may not be enough to result in dematerialization rates that would be high enough to negate the rising demand for materials generated by continuing population growth and rising standards of living. Materials and Dematerialization considers the principal materials used throughout history, from wood and stone, through to metals, alloys, plastics and silicon, describing their extraction and production as well as their dominant applications. The evolving productivities of material extraction, processing, synthesis, finishing and distribution, and the energy costs and environmental impact of rising material consumption are examined in detail, along with the relationship between socio-economic development and resource use, including major technological and innovation aspects. The book concludes with an outlook for the future, discussing the prospects for dematerialization, potential constraints on materials, and an updated appraisal of material requirements and prospects during the coming decades. Building on the success of his 2013 book, Vaclav Smil has thoroughly revised this landmark text to highlight advances that have taken place over the last decade, including a thorough review of statistics and references to 2022. This updated edition also includes new content to explicitly address material for global energy transition and for securing food for a still growing global population. Praise for the 1st edition “Vaclav Smil keeps turning out amazing books. Making the Modern World, I just finished, and it’s pretty fantastic.” (Interview with Bill Gates, January 2014)

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There is a newfound interest in architectural education. This AD is a survey of some of the best contemporary architecture student work in the world. The most forward-looking architecture schools worldwide are reinventing pedagogy in the hope of developing radical syllabi that are a rich mix of the virtual and the actual. Design education is changing and adapting to compensate for the new material changes to the discipline, and is being used to disentangle old, outmoded spatial practices and replace them with new paradigms of space and representation. This issue showcases the students and teachers who are pushing the envelope of architecture in extraordinary ways, offering their insights into its future materiality and spatial dexterity. It premieres a new young generation of architects who are likely to become names in the architectural profession and possibly important teachers themselves. Their work has been selected by their own influential teachers of architecture who describe the studio methodologies – and reasons for them – that prompted the work. Contributors: Daniel K Brown, Jane Burry, Nat Chard, Odile Decq, Evan Douglis, Riet Eeckhout, Mark Garcia, Nicolas Hannequin, Perry Kulper, Elena Manferdini, Mark Morris, Hani Rashid, and Michael Young. Featured institutions: A Alfred Taubman College of Architecture and Urban Planning, University of Michigan; Architectural Association, London; Bartlett School of Architecture, University College London; Carleton University, Ottawa; CONFLUENCE Institute for Innovation and Creative Strategies in Architecture, Paris; Cooper Union, New York; University of Greenwich, London; KU Leuven, Belgium; Rensselaer Polytechnic Institute, New York; Southern California Institute of Architecture (SCI-Arc), Los Angeles; Swinburne University of Technology, Melbourne; Victoria University of Wellington, New Zealand; and the University of Applied Arts, Vienna

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Spirit in the Land, which accompanies the art exhibition of the same name, examines today’s urgent ecological concerns from a fresh perspective. Through their artwork and writing, the artists show how cultural identity and traditions are deeply rooted in our relationship with the land, illustrate the restorative need to return to nature, and exemplify how biodiversity and cultural diversity are essential to our survival. The exhibition and catalogue center the voices of underrepresented artists, approaching ecological awareness and environmental, social, and racial justice from the perspectives of the marginalized communities most negatively affected by today’s crises. Acting as environmental stewards, the artists reveal nature to be a repository of cultural memory, a place of sanctuary, a contested site of resistance, and a source of spiritual nourishment. As land and water provide a sense of place and community, the exhibition aims to reconnect people to the natural world, illustrating our interdependence with all life on Earth. Spirit in the Land speaks to the urgency of today and projects a hopeful path for our future, where nature is cared for by humans, so that in turn nature may heal humanity. Artists: Terry Adkins, Firelei Báez, Radcliffe Bailey, Rina Banerjee, Christi Belcourt, María Berrío, Mel Chin, Andrea Chung, Sonya Clark, Maia Cruz Palileo, Annalee Davis, Tamika Galanis, Allison Janae Hamilton, Barkley L. Hendricks, Alexa Kleinbard, Hung Liu, Hew Locke, Meryl McMaster, Wangechi Mutu, Dario Robleto, Jim Roche, Kathleen Ryan, Sheldon Scott, Renée Stout, Monique Verdin, Stacy Lynn Waddell, Charmaine Watkiss, Marie Watt, Carrie Mae Weems, Peter Williams The exhibition will be on view at the Nasher Museum of Art at Duke University from February 16 to July 9, 2023. Publication of the Nasher Museum of Art at Duke University

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Nation of Outlaws, State of Violence is the first extensive history of Cameroonian nationalism to consider the global and local influences that shaped the movement within the French and British Cameroons and beyond. Drawing on the archives of the United Nations, France, Great Britain, Ghana, and Cameroon, as well as oral sources, Nation of Outlaws, State of Violence chronicles the spread of the Union des populations du Cameroun (UPC) nationalist movement from the late 1940s into the first postcolonial decade. It shows how, in the French and British Cameroon territories administered as UN Trusteeships after the Second World War, notions of international human rights, the promise of Third World independence, Pan-African federation, and national citizenship blended with local political and spiritual practices that resurfaced as the period of European rule came to a close. After French and British administrators banned the party in the mid-1950s, UPC nationalists adopted violence as a revolutionary strategy. In the 1960s, the nationalist vision disintegrated. The postcolonial regime labeled UPC nationalists “outlaws” and rounded them up for imprisonment or execution as the state shifted to single-party rule in 1966. Nation of Outlaws, State of Violence traces the connection between local and transregional politics in the age of Africa’s decolonization and the early decades of the Cold War. Rather than stop at official independence as most conventional histories of African nationalist movements do, this book considers postindependence events as crucial to the history of Cameroonian nationalism and to an understanding of the postcolonial government that came to power on 1 January 1960. While the history of the UPC is a story that ends with the party’s failure to gain access to political power with independence, it is also a story of the postcolonial state’s failure to become a nation.

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Since the last century, the relationship between vanguard and self-taught artists has been defined by contradiction. The established art world has been quick to make clear distinctions between trained and untrained artists, yet at the same time it has been fascinated by outliers whom it draws selectively and intermittently into its orbits. For a new exhibition launching at the National Gallery of Art, curator Lynne Cooke explores shifting conceptualizations of the American outlier across the twentieth century, drawing on the inherent sociality of the exhibition in her installation of these works. This companion catalog, Outliers and American Vanguard Art, offers a fantastic opportunity to consider works by schooled and self-taught creators in relation to each other and defined by historical circumstance. The art works in Outliers and American Vanguard Art come from three distinct periods when the intersections between mainstream and outlier artists were most dynamic and productive, ushering in exhibitions of art based on various degrees of co-existence, inclusion, and assimilation. Works by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican are set in conversation with a range of works by such self-taught artists as Horace Pippin, Janet Sobel, and Henry Darger. Cooke also examines a recent increase of radically expressive work that challenges what it means to be an outlier today. She reveals how these distinctions have been freighted with a particularly American point of view as she investigates our assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. Outliers and American Vanguard Art is the most comprehensive show ever to examine outliers in dialogue with their established peers. It is sure to inspire vigorous conversation about how artists and the work they make are represented.

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‘Captures both Barbara and her writing so miraculously’ JILLY COOPER Picked as a Book to Look Forward to in 2021 by the Guardian, The Times and the Observer A Radio 4 Book of the Week, April 2021 Barbara Pym became beloved as one of the wittiest novelists of the late twentieth century, revealing the inner workings of domestic life so brilliantly that her friend Philip Larkin announced her the era’s own Jane Austen. But who was Barbara Pym and why was the life of this English writer – one of the greatest chroniclers of the human heart – so defined by rejection, both in her writing and in love? Pym lived through extraordinary times. She attended Oxford in the thirties when women were the minority. She spent time in Nazi Germany, falling for a man who was close to Hitler. She made a career on the Home Front as a single working girl in London’s bedsit land. Through all of this, she wrote. Diaries, notes, letters, stories and more than a dozen novels – which as Byrne shows more often than not reflected the themes of Pym’s own experience: worlds of spinster sisters and academics in unrequited love, of powerful intimacies that pulled together seemingly humble lives. Paula Byrne’s new biography is the first to make full use of Barbara Pym’s archive. Brimming with new extracts from Pym’s diaries, letters and novels, this book is a joyous introduction to a woman who was herself the very best of company. Byrne brings Barbara Pym back to centre stage as one of the great English novelists: a generous, shrewdly perceptive writer and a brave woman, who only in the last years of her life was suddenly, resoundingly recognised for her genius.

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SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON FICTION AND THE RATHBONES FOLIO PRIZE. A GUARDIAN AND OBSERVER BOOK OF THE YEAR. An intimate, deeply reported account of the women who made a shocking decision: to leave their comfortable lives behind and join the Islamic State. In early 2014, the Islamic State clinched its control of Raqqa in Syria. Baghdadi, the leader of ISIS, urged Muslims around the world to come join the caliphate. Having witnessed the brutal oppression of the Assad regime in Syria, and moved to fight for justice, thousands of men and women heeded his call. At the heart of this story is a cast of unforgettable young women who responded. Emma, from Germany; Sharmeena, from Bethnal Green, London; Nour, from Tunis: these were women — some still in school — from urban families, some with university degrees and bookshelves filled with novels by Jane Austen and Dan Brown; many with cosmopolitan dreams of travel and adventure. But instead of finding a land of justice and piety, they found themselves trapped within the most brutal terrorist regime of the twenty-first century, a world of chaos and upheaval and violence. What is the line between victim and collaborator? How do we judge these women who both suffered and inflicted intense pain? What role is there for Muslim women in the West? In what is bound to be a modern classic of narrative nonfiction, Moaveni takes us into the school hallways of London, kitchen tables in Germany, the coffee shops in Tunis, the caliphate’s OB/GYN and its ‘Guest House for Young Widows’ — where wives of the fallen waited to be remarried — to demonstrate that the problem called terrorism is a far more complex, political, and deeply relatable one than we generally admit.

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"Ryan Riley’s recipes deliver bold flavour and deep comfort: this is a book that nourishes both body and soul." - Nigella Lawson Whether you’re recovering from an illness, or running low on mood, time, energy, money or headspace, Ryan Riley has the easy and delicious recipes to minimise the work and maximise the flavour and perk yourself up. No matter how you’re feeling, do something enjoyable for yourself and beat the January blues with Ryan Riley's small pleasures: simple, delicious bites packed full of Life Kitchen’s signature flavours to revive your love of food. These are recipes high in flavour for low times, to nourish and heal, with the added bonus of using ingredients that are naturally gut-friendly. This is Ryan's manifesto to feeling better and falling back in love with food: first you have recipes for comfort, for when eating is a chore but these recipes are the first steps in the roadmap to feeling more yourself; then comes restoration, with recipes to reawaken your senses; and the final chapter, pleasure, is all about indulgence, a love letter to yourself as you return to the world. Take some time for self-care in the kitchen with these simple and surprising recipes – new favourites that you didn’t know you were searching for. These are can-do recipes for when you feel like you can’t. From marmite jacket potatoes or 5-ingredient miso tomato sauce to green herbs and ’nduja frittata and gochujang, ginger and avocado toast, the 80+ simple recipes are all easily scalable, so no matter your mood or appetite, there is something in these pages to help you rediscover the joy of food. These are small pleasures with big flavours.

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Some sacrifices must never be revealed... In 1914, despite the threat of war in Europe, Pearl Gibson’s future is bright. She has secured a desirable position as a lady’s maid for Lady Ottoline Campbell. Her new role sees her transported from a life of drudgery to the Campbell’s vast Scottish estate. Pearl is quickly drawn into a whirlwind of intrigue, glamour and scandal, as she realises her job requires her to become her lady’s confidante as well as her maid. In the confusing world of the upper classes it is Ottoline’s cousin, Ralph, who Pearl comes to rely on, trust – and love.But when violence erupts in Europe, Pearl and Ottoline’s world is irrevocably changed. As the men in their lives are called to the front line, shocking events unfold at home that both Pearl and Ottoline vow never to reveal. They share a secret that will test their loyalty to one another to breaking point, and will bind them together forever…A captivating story of love and loss set on the eve of the First World War, perfect for fans of Rachel Hore and Penny Vincenzi.Praise for The Echo of Twilight ‘An enchanting, atmospheric work of historical fiction that is a rich blend of Downton Abbey and Jane Eyre. The Echo of Twilight is a wonderful novel to curl up with this winter’ Booklist ‘Kinghorn carefully weaves a story of love and self-discovery... to tell this immersive and historically sound coming-of-age tale’ Publishers WeeklyPraise for Judith Kinghorn‘A sumptuous absorbing tale of love in a time of war’ Rachel Hore ‘An enchanting story of love and war, and the years beyond’ Penny Vincenzi‘An epic and enthralling love story set against the backdrop of the Great War’ Fanny Blake

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A SUNDAY TIMES BESTSELLER, January 2022A TIMES HISTORICAL FICTION BOOK OF THE YEARSHORTLISTED FOR WATERSTONES BOOK OF THE YEARA BBC HISTORY MAG BOOK OF THE YEARA DAILY EXPRESS BOOK OF THE YEAR'Expressive, bold and quite beautiful' The Lady'[a] delight of a book' Antonia Senior, The Times'ravishingly lovely' The Times Ireland'[a] lively retelling of British myths' Apollo MagazineSoaked in mist and old magic, Storyland is a new illustrated mythology of Britain, set in its wildest landscapes.It begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants from an age when the children of Cain and the progeny of fallen angels walked the earth, to the founding of Britain, England, Wales and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans.These are retellings of medieval tales of legend, landscape and the yearning to belong, inhabited with characters now half-remembered: Brutus, Albina, Scota, Arthur and Bladud among them. Told with narrative flair, embellished in stunning artworks and glossed with a rich and erudite commentary. We visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy, spanning the length of Britain from the archipelago of Orkney to as far south as Cornwall; mountains and lakes such as Snowdon and Loch Etive and rivers including the Ness, the Soar and the story-silted Thames in a vivid, beautiful tale of our land steeped in myth. It Illuminates a collective memory that still informs the identity and political ambition of these places.In Storyland, Jeffs reimagines these myths of homeland, exile and migration, kinship, loyalty, betrayal, love and loss in a landscape brimming with wonder.

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In 1688, a vast fleet of 463 ships, twice the size of the Spanish Armada, put to sea from Holland. On board was William of Orange with 40,000 soldiers - their objective, England. The Protestant William had been encouraged by a group of Church of England bishops to risk everything and oust the Catholic King James. He landed at Tor Bay in Devon and soon gathered enough support, including that of John Churchill, the future Duke of Marlborough, to cause King James to flee to France. It had been seen, in the eyes of most in England and Scotland as a 'Glorious' Revolution. William ascended the throne along with his wife Mary, the daughter of England's Charles II, who had preceded James. Though the revolution had been virtually bloodless, William had to fight to keep his crown. Most Irish were Catholics and King William's armies met stiff opposition there. In this, James saw a chance to regain his crown. Sailing to Ireland, he led his Jacobite troops against William at the Battle of the Boyne on 1 July 1690\. James was defeated, ending his hopes of ousting William. There were also large numbers of Catholics in Scotland, but they too were defeated by William's army at the Battle of Killiecrankie. This, in turn, led to the infamous Massacre of Glencoe. The accession of William and Mary to the throne was a landmark moment in British history, one which saw Parliament emerge into the modern state. In January 1689, two months after the Glorious Revolution, Parliament met and in February a Declaration of Rights was incorporated into the Bill of Rights. This included the measure that the crown could not tax without Parliament's consent or interfere in elections. William, therefore, is not only known both for being one of England's most revolutionary kings, but also one of the least remembered.

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'Barkworth is excruciatingly good... An impressive first book' OBSERVERA COSMOPOLITAN BEST BOOKS OF SUMMER 2020 pick HEAT magazine's READ OF THE WEEK - 'the evocative one''I wanted to stay within its pages forever' CLARE MACKINTOSH---This summer burns with secrets...It is too hot to sleep. To work. To be questioned time and again by the police. At the beginning of a stifling, sultry summer, everything shifts irrevocably when Lily doesn't come home one afternoon.Rachel is Lily's teacher. Her daughter Mia is Lily's best friend. The girls are fifteen - almost women, still children. As Rachel becomes increasingly fixated on Lily's absence, she finds herself breaking fragile trusts and confronting impossible choices she never thought she'd face. It wasn't supposed to happen like this.Intoxicating and compulsive, Heatstroke is a darkly gripping, thought-provoking novel of crossed boundaries, power and betrayal, that plays with expectations at every turn.FOR FANS OF ZOE HELLER, EMMA CLINE, EXPECTATION AND MY DARK VANESSA. ---'Stylish and sensual' KIRAN MILLWOOD HARGRAVE'A summer sizzler... with twists, turns and revelations in all the right places' EVENING STANDARD'What to read next IF YOU LOVED THREE WOMEN by Lisa Taddeo' WHISTLES newsletter'A thrilling look at mothers and daughters, adolescence, sex, suburbia and secrets' NELL FRIZZELL'Sexy, sensual, difficult, provocative...definitely one of the best reads of the summer' LAURA JANE WILLIAMS'Pulls you into its sweaty interior and keeps you gripped' RENEE KNIGHT'I couldn't tear myself away' ERIN KELLY'I am addicted!... A gripping, dark and twisty read with beautiful, poetic writing' EMMA GANNON'Compulsive, sticky and full of gorgeous writing' KIRSTIN INNES'A scorching tale of obsession, betrayal and the wounds that mothers and daughters inflict on each other' TAMMY COHEN

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'Greenwood's strength lies in her ability to create characters that are wholly satisfying: the bad guys are bad, and the good guys are great' VogueWhen a mysterious invitation arrives for the redoubtable Miss Phryne Fisher from an unknown retired Captain Herbert Spencer, Phryne's curiosity is excited. Spencer runs a retreat in Victoria's rural spa country for the many shell-shocked soldiers of the first world war. It's a cause after Phryne's own heart but what does Spencer want from her? Meanwhile, Cec, Bert and Tinker find a young woman floating face down in the harbour near the wharves. Could this be the missing friend of Ruth, Phryne's adopted daughter? With Detective-Inspector Jack Robinson seconded unwillingly to a special investigation, Mr and Mrs Butler with Detective-Sergeant Hugh Collins are left to shield Phryne's household from danger as Tinker, Jane and Ruth decide to solve what appears to be a heinous crime. Unaware of these happenings, Phryne and the faithful Dot view their rural sojourn as a short holiday but are quickly thrown into disturbing Highland gatherings, disappearing women, murder and the mystery of the Temperance Hotel. All test Phryne's resourcefulness in her search to save lives. Disappearances, murder, bombs, booby-traps and strange goings-on keep Miss Phryne Fisher right in the middle of her most exciting adventure.Praise for Kerry Greenwood:'Elegant, fabulously wealthy and sharp as a tack, Phryne sleuths with customary panache... [she is] irresistibly charming' The Age'Phryne Fisher is gutsy and adventurous, and endowed with plenty of grey matter' West Australian'In a word: delightful' Herald Sun'Miss Fisher has beauty, brains and oodles of style ... a well-constructed novel that enchants, excites, enthrals and entertains' Good Reading Magazine

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'Beautiful, moving, profoundly imaginative in itself - this book is as entertaining as it is relevant and practical' ALAIN DE BOTTON'Anyone who has an imagination - that is, everyone - should read this book' EDWARD ENNINFUL'An extraordinary book - an elaborate cabinet of curiosities' SPECTATORFor some, the imagination is a luxury in the modern age; something which is by turns elusive, difficult to employ and better left to others. But what is it to imagine exactly? How do we go about it, and why is it so important that we imagine for ourselves?In this insightful and life-affirming book, Albert Read puts the imagination back at the forefront of our lives. Not merely a nebulous concept reserved for artists and creatives, it is a muscle - an essential faculty of the mind to be trained and developed over a lifetime. It is boundless in its potential, infinitely rewarding and central to human achievement.Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma. Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved - in shape, power and pace - through the millennia.Albert Read reveals how we can harness the imagination in our day-to-day lives and why, in the new Age of Technology, it is more pressing than ever that we do so. Discover where to find ideas, how to foster skill in observation and connection, and how to be more attentive to the fluxes of our own minds.After all, as Read expertly outlines, the imagination is our supreme gift, our biggest opportunity, our greatest source of fulfilment and our most vital asset for the future.

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Invaded in 1830, populated by one million settlers who co-existed uneasily with nine million Arabs and Berbers, Algeria was different from other French colonies because it was administered as an integral part of France, in theory no different from Normandy or Brittany. The depth and scale of the colonization process explains why the Algerian War of 1954 to 1962 was one of the longest and most violent of the decolonization struggles. An undeclared war in the sense that there was no formal beginning of hostilities, the conflict produced huge tensions that brought down four governments, ended the Fourth Republic in 1958, and mired the French army in accusations of torture and mass human rights abuses. In carefully re-examining the origins and consequences of the conflict, Martin Evans argues that it was the Socialist-led Republican Front, in power from January 1956 until May 1957, which was the defining moment in the war, rather than the later administration under De Gaulle. Predicated on the belief in the universal civilizing mission of the Fourth Republic, coupled with the conviction that Algerian nationalism was feudal and religiously fanatical in character, the Republican Front dramatically intensified the war in the spring of 1956. Drawing upon previously classified archival sources as well as new oral testimonies, France's Undeclared War is the first major English-language history of the Algerian conflict in a generation. Throughout, Martin Evans underlines the ultimately irreconcilable conflict of values between the Republican Front and Algerian nationalism, explaining how this clash produced patterns of thought and action, such as the institutionalization of torture and the raising of pro-French Muslim militias, which tragically polarized choices and framed all stages of the conflict.

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'A delightful memoir' Kate Saunders, The Times'Fabulous . . . dazzling' Tatler'Enchanting . . . movingly lyrical' Ysenda Maxtone Graham, Country LifeThis short volume has turned out to be merely a handful of recollections of well-remembered times and stories - some probably misremembered, too - and a few people who have played a crucial part in my life. And some confessions: I have never before tried to write about my doll phobia, for instance, or about the effect synaesthesia has had over the years. I can only hope that this collection of stories from times past might give some idea of a mostly happy life that has gone, and is going, much too fast.At the age of five Angela Huth decided she would become a writer. Hers was an idiosyncratic childhood. Her parents were known to be a highly glamorous couple: Harold was a famous actor and film director who possessed legendary charm; Bridget was known for her lively sense of humour, fluency in foreign languages and her penchant for giving memorable parties. But in spite of her parents' initial happiness, they parted after the war. Eleven years later they got back together, happily, though each would have a lover for decades. After her education ended prematurely - Bridget didn't believe in university for women - Angela Huth went from reluctant debutante to professional writer, switching from journalism to short stories, novels, plays for television and the stage.Praise for Angela Huth:'A first-class writer' Sunday Telegraph'There is a very strong case for Huth replacing Jane Austen on the school syllabus' Sunday Times'Angela Huth knows her own range and writes within it; she is an excellent exponent of the traditional English social comedy . . . she is in perfect control' Daily Telegraph

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This authoritative, best-selling guide has been extensively updated with the new technical requirements of the IET Wiring Regulations (BS 7671: 2008) Amendment No. 1:2011, also known as the IET Wiring Regulations 17th Edition. With clear description, it provides a practical interpretation of the amended regulations – effective January 2012 – offers real solutions to the problems that can occur in practice. This revised edition features: new material on hot topics such as electromagnetic compatibility (EMC), harmonics, surge protective devices, and new special locations including medical locations, and operative or maintenance gangways; highlights the changes that have been made in this latest Amendment and their impact in practice; examples of how to comply with the Wiring Regulations; fully-integrated colour including sixty brand new colour illustrations, twenty tables and new high-quality photographs. This essential guide retains its handy format, ideal for practicing electricians, trainee electricians and apprentices to carry with them for quick reference. It is a valuable resource for all users of BS 7671 who want to understand the background to the Regulations; electrical engineers and technicians, installation and design engineers, consulting and building services engineers, also dedicated inspectors and testers.

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For the more than a billion people who now live in urban slums, gangs are ubiquitous features of daily life. Though still most closely associated with American cities, gangs are an entrenched, worldwide phenomenon that play a significant role in a wide range of activities, from drug dealing to extortion to religious and political violence. In A World of Gangs, John Hagedorn explores this international proliferation of the urban gang as a consequence of the ravages of globalization.Looking closely at gang formation in three world cities-Chicago, Rio de Janeiro, and Capetown-he discovers that some gangs have institutionalized as a strategy to confront a hopeless cycle of poverty, racism, and oppression. In particular, Hagedorn reveals, the nihilistic appeal of gangsta rap and its street ethic of survival "by any means necessary" provides vital insights into the ideology and persistence of gangs around the world.This groundbreaking work concludes on a hopeful note. Proposing ways in which gangs might be encouraged to overcome their violent tendencies, Hagedorn appeals to community leaders to use the urgency, outrage, and resistance common to both gang life and hip-hop in order to bring gangs into broader movements for social justice.

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This run of stories featuring Tom Baker as the Fourth Doctor features four stories, loosely connected as the Doctor finds himself the target of an enemy. This set contains: The Sinestran Kill by Andrew Smith. When the Doctor decides to trace an anomalous energy signature on twentieth century Earth, he stumbles into an assassination attempt. Gangland thugs are trying to murder a seemingly innocent shopkeeper, and it’s only the intervention of the Doctor and Ann Kelso – a WPC who happens to be on the scene – that prevents a tragedy. But why do the gangsters want the shopkeeper dead? And what does this have to do with alien technology? The first stages of a grand conspiracy are about to be revealed. And finding the answers will take Ann Kelso on a journey like no other. Planet of the Drashigs by Phil Mulryne. When the TARDIS lands on an alien planet, the Doctor’s intentions to show Ann Kelso an advanced future society are thrown into disarray. Because they have arrived on DrashigWorld - a park where every known species of the terrifying predators has been gathered together to entertain and thrill the public. The familiar wetland Drashigs, the albino burrowing Drashigs of the desert, and deadliest of all, the tiny Emerald Drashigs of the rain forests. And it’s not the best day to have arrived. The park has been shut down due to a visitor fatality. A Galactic Attractions inspector is on site meaning everyone is extremely tense and under pressure. It’s exactly the right circumstances in which someone might make a mistake. And on Drashigworld, mistakes are deadly. The Enchantress of Numbers by Simon Barnard and Paul Morris. The TARDIS lands in the grounds of Newstead Abbey, Nottinghamshire, in 1850. Mistaken for a medic and his maid, the Doctor and Ann are brought to meet Ada Lovelace - the mother of computing and daughter of Lord Byron - who has recently fallen ill. But the travellers are not here by chance. Something odd is happening on Earth, and they’ve determined that this place is the centre of it. Strange figures are walking the land. Strange figures wearing bird-like masks. What do they want with Ada? And how will it change the future of humanity? The False Guardian by Guy Adams. Ann Kelso doesn’t like mysteries. Keen to investigate the trail of the Sinestrans, she sets the TARDIS on a new course... but flies into danger. Arriving on a desolate world that the Doctor finds somehow familiar, the TARDIS crew discover that something is wrong with time. The inhabitants of an unusual complex are experimenting at the command of their enigmatic director... somebody who has quite a strong grudge against the Doctor.Facing an old foe who was presumed dead, the travellers are soon trapped in a diabolical scheme. But is it just the tip of the iceberg? Planet of the Drashigs features the eponymous flesh-eating monsters for the first time on audio, after their fan favourite debut in the Jon Pertwee story The Carnival of Monsters! CAST: Tom Baker (The Doctor), Jane Slavin (WPC Ann Kelso), John Leeson (K9), Frank Skinner (DCI Scott Neilson), Glynis Barber (Kathy Blake), Finty Williams (Ada Lovelace), Fenella Woolgar (Vanessa Seaborne), Ewan Bailey (Hugo Blake), Nicholas Khan (Jimmy Lynch), Leon Williams (Tony Reynolds), Jeremy Clyde (Lord Braye), Lizzie Roper (Trencher), Andrew Ryan (Titus Wayland), Andrew Havill (Colonel Wildman), Eve Webster (Hettie / Lady Cleverley), Barnaby Edwards (Mr. Hobhouse), Glen McCready (Edvard Scheutz /Lord Byron / Harry), John Shrapnel (Nigel Colloon), Anna Acton (Brox), Blake Ritson (Elmore), Roger May (Mac Foley), Tracy Wiles (Drones). Other parts played by members of the cast.

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Essential reading for all involved in the educational sector in Wales (and beyond), A Class Apart investigates the effectiveness of educational policies, such as the Foundation Phase and Welsh Baccalaureate, introduced by the Welsh Government since devolution and assesses whether they have really created the potential for Wales to become a 'small, clever nation'. Spanning all major policy developments, from Primary to Higher Education, since 1999, Gareth Evans also assesses the legacy of the two main protagonists, former Education Ministers Jane Davidson and Leighton Andrews. He investigates the issues that some policymakers wished were swept under the carpet and delves deeper to analyse the big issues effecting educational practitioners in Wales, including: Welsh education's place on the world stage The growing funding gap between Wales and England The role of schools inspectorate Estyn The truth behind Wales' ambitious PISA target The 2012 GCSE grading fiasco Secrecy and personality clashes in the higher education merger saga His chronological account also includes the events up to and following the PISA results of 2013 and his close proximity to the key protagonists in Welsh education provides him with the perfect position to judge the situation in which Wales' education system finds itself today.

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Let Secret Rio guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Rio guide book and let our local experts show you the well-hidden treasures of this fascinating city. Ideal for local inhabitants, curious visitors and armchair travellers alike. Visit an extraordinary hill where the little angels are buried; discover remarkable forgotten Art Deco buildings; see a plane taking off at really close range, leftovers from the 1908 and 1922 Universal Expositions, a beautiful private palace open to visitors once a month, modernist ceramics hidden on the 15th-floor terrace of a former government building, a remarkable secret staircase; experience little-known walks and views of the city; find an Amazonian talisman at Copacabana, vestiges of the Carioca river, a rare statue of the great-grandmother of Jesus, a taxi nightclub, a work of art in a favela, a disused airship hangar...Far from the crowds and the usual beach and carnival cliches, Rio de Janeiro has countless treasures it reveals only to residents and travellers who wander off the beaten track. An indispensable guide for all those who thought they were familiar with Rio or would like to discover the other face of the city.

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Compared to the People’s Liberation Army Air Force and Naval Aviation, the PLA’s Army Aviation is the least known und understood of the country’s air arms. Its formation was only approved in 1986 and it was established as the Army Aviation Corps in January 1988, using helicopters inherited from the Air Force. Beginning as a single regiment, the first true Army Aviation brigade was formed in 2009 and the force has now expanded to around a dozen frontline units operating hundreds of different helicopters. In its current form, Army Aviation has established itself as a major force in support of the PLA Ground Forces.In April 2017 – and in parallel with China’s other two air arms – the Army Aviation began a dramatic reorganisation. The former PLA Group Armies were restructured, and the aviation units have undergone major changes. This trend has included not only the introduction of larger numbers of more modern helicopters, but also the establishment of newly numbered aviation brigades. Consequently, while the PLA Ground Forces generally face a reduction in numbers, the Army Aviation brigades will probably see expansion, not only in size but also in operational importance.Complementing Harpia’s two fully revised volumes dedicated to the PLAAF and Naval Aviation, this uniquely compact yet comprehensive directory provides a magnificently illustrated, in-depth analysis and directory of modern Chinese Army Aviation air power. It is organised in four parts: the most important military aircraft and their weapons in service today; aircraft markings and serial number systems; recent modernisation efforts and structural reforms and orders of battle for the PLA’s Army Aviation.

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The sixteenth Parker novel, "Butcher's Moon" is more than twice as long as most of the master heister's adventures and absolutely jammed with the action, violence, and nerve-jangling tension readers have come to expect. Back in the corrupt town where he lost his money, and nearly his life, in Slayground, Parker assembles a stunning cast of characters from throughout his career for one gigantic, blowout job: starting - and finishing - a gang war. It feels like the Parker novel to end all Parker novels, and for nearly twenty-five years that's what it was. After its publication in 1974, Donald Westlake said, 'Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone.' And readers waited. But nothing bad is truly gone forever, and Parker's as bad as they come. According to Westlake, one day in 1997, 'suddenly, he came back from the dead, with a chalky prison pallor' - and the resulting novel, "Comeback", showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks - some prefer to hide behind the wings of fallen angels. Backflash followed soon after, and it found Parker checking out the scene on a Hudson River gambling boat. Parker's no fan of either relaxation or risk, however, so you can be sure he's playing with house money - and he's willing to do anything to tilt the odds in his favor. Featuring three new introductions by Westlake's close friend and writing partner Lawrence Block, these classic Parker adventures deserve a place of honor on any crime fan's bookshelf.

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Bridgerton is the runaway Netflix success that has captured the hearts and imaginations of its biggest ever global audience. Producers Chris Van Dusen and Shonda Rhimes have ripped up the Regency drama rulebook to create a series that speaks to a modern audience. Apart from the intense sexual chemistry, inspired casting and a lavish costume budget, what sets Bridgerton apart is the extensive use of location shooting. Step forward Bath: the Georgian architectural jewel gets to play many different parts of fashionable London. Bridgerton’s Bath takes you on a tour of all these locations from No.1 The Royal Crescent (the Featherington’s house on Grosvenor Square) to Abbey Green (Covent Garden) and the Abbey Deli (Modiste couturier) on Abbey Street. Bridgerton intersects with Jane Austen’s world at the Assembly Rooms where one of the early balls takes place, while the 18th-century Bath Guildhall also gets a place on the series’ dance card. A key character in the drama is Lady Danbury, played by Adjoa Andoh, and her grand mansion is Bath’s former Sydney Hotel, today the Holburne Museum. Gunter’s Tea Room was a celebrated London patisserie and in Bridgerton it can be found on Trim Street. Many Bath streets feature regularly, including Beauford Square, a place for regular carriage trips and the Royal Crescent, which in Series One, reverberated to the sound of galloping hooves as our heroine (or her stunt double) raced to stop a duel. The book includes a feature on how the series was filmed in the city, and includes a detailed map so you can follow your own Bridgerton Walking Tour of this beautiful city, which has more to offer besides.

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Discover 100 life-changing travel experiences. Familiar faces from the world of travel, plus Lonely Planet writers, share their most remarkable, poignant and memorable experiences from the road - moments that changed them as individuals and reshaped their perspective on the world. Tales includes a Rwandan gorilla encounter, reincarnation on the Ganges, horse riding with Patagonian gauchos, witnessing Nelson Mandela's first free speech, watching a space shuttle launch, crossing the Gobi desert on foot, and a son journeying with his mother back to Alexandria, the city of her childhood. Destinations include Monument Valley Navajo Tribal Park in Utah, Cape Town, Gir National Park in India, the Western Wall in Jerusalem, Carnival in Rio de Janeiro, the Trans-Siberian Railway, Antarctica, Samburu National Reserve in Kenya, Samye Monastery in Tibet and Madagascan forests. With each story, you'll get a powerful account of how the experience unfolded and what it was like to be there, right at that moment. A 'Build Up' and 'Take Away' complete the story, detailing how the moment made a lasting impact on the contributor's life. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, ebooks, and more.

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'Tense, gripping and atmospheric' - CHRIS WHITAKER'Gripped me from its shocking start' - SARAH YARWOOD-LOVETT'I highly recommend it' - LYNDA LA PLANTE CBE________________TWO MISSING BACKPACKERS. ONE VAST OUTBACK.DS Lucas Walker is on leave in his hometown, Caloodie, taking care of his dying grandmother. When two young German backpackers, Berndt and Rita, vanish from the area, he finds himself unofficially on the case.But why all the interest from the Federal Police when they have probably just ditched the heat and dust of the outback for the coast? Working in the organised crime unit has opened Walker's eyes to the growing drug trade in Australia's remote interior - and he becomes convinced there is more at play.As the number of days since the couple's disappearance climbs, Walker is joined by Rita's older sister. A detective herself with Berlin CID, she has flown to Australia - desperate to find her sister.Their search becomes ever more urgent as temperatures soar. Even if Walker does find the young couple, will it be too late?This deeply atmospheric thriller is the gripping opening of a new crime series for fans of The Dry by Jane Harper, Cara Hunter and Chris Whitaker.________________Praise for Outback'Tense, atmospheric and gripping. I eagerly await the next DS Walker thriller' - CHRIS WHITAKER'A hot read. I highly recommend it.' - LYNDA LA PLANTE CBE'A tense, twisty read that gripped me from its shocking start, immersed me in its sun-scorched landscape, then raced to its satisfying conclusion' - SARAH YARWOOD-LOVETT'Nail-bitingly tense. A startlingly well-accomplished debut.' - JOHN MARRS'A setting so vivid it's almost a character within itself' - BECCA DAY

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I know you want to punish me, trying to make me live. In 1995 Sarah Kane's first full-length play Blasted sent shockwaves throughout the theatrical world. Making front-page headlines, the play outraged critics with its depiction of rape, torture and violence in civil war. However, from being roundly condemned by the critics the play is now considered a seminal work of European theatre and has defined an entire era of stage writing. In an expensive hotel room in Leeds, Ian, a middle-aged tabloid journalist, sits with his teenage lover Cate who he attempts to seduce and eventually rapes. As reality dissipates, the room becomes embroiled in civil war as a soldier invades the space and the play descends into apocalyptic scenes of brutality. Blasted's canonical status reflects the raw beauty and terror of Kane's writing. Probing the brutality people inflict upon one another, the suffering and violation, the play also looks at the role of love and the redemption it offers. Unafraid to delve into darkness, this is a provocative, fragmenting piece full of significance and power. Blasted premiered at the Royal Court Theatre Upstairs in January 1995. Methuen Drama’s iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney’s A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of Blasted was published to celebrate 60 years of Methuen Drama’s Modern Plays in 2019, chosen by a public vote and features a brand new foreword by Mel Kenyon.

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The Forest: Politics, Poetics, and Practice focuses on the forest as a theme in contemporary art. The full-color catalog accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. The show features contemporary works of art by more than thirty artists from North and South America, Europe, Asia, Africa, and Australia. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Starting with “politics”—the first of its three organizing themes—the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works—by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others—that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.

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"We thought the study of women would be a temporary phase; eventually we would all go back to our disciplines."—Gloria Bowles, From the AfterwordSince the 1970s, Women's Studies has grown from a volunteerist political project to a full-scale academic enterprise. Women's Studies on Its Own assesses the present and future of the field, demonstrating how institutionalization has extended a vital, ongoing intellectual project for a new generation of scholars and students.Women’s Studies on Its Own considers the history, pedagogy, and curricula of Women’s Studies programs, as well as the field’s relation to the managed university. Both theoretically and institutionally grounded, the essays examine the pedagogical implications of various divisions of knowledge—racial, sexual, disciplinary, geopolitical, and economic. They look at the institutional practices that challenge and enable Women’s Studies—including interdisciplinarity, governance, administration, faculty review, professionalism, corporatism, fiscal autonomy, and fiscal constraint. Whether thinking about issues of academic labor, the impact of postcolonialism on Women’s Studies curricula, or the relation between education and the state, the contributors bring insight and wit to their theoretical deliberations on the shape of a transforming field.Contributors. Dale M. Bauer, Kathleen M. Blee, Gloria Bowles, Denise Cuthbert, Maryanne Dever, Anne Donadey, Laura Donaldson, Diane Elam, Susan Stanford Friedman, Judith Kegan Gardiner, Inderpal Grewal, Sneja Gunew, Miranda Joseph, Caren Kaplan, Rachel Lee, Devoney Looser, Jeanette McVicker, Minoo Moallem, Nancy A. Naples, Jane O. Newman, Lindsey Pollak, Jean C. Robinson, Sabina Sawhney, Jael Silliman, Sivagami Subbaraman, Robyn Warhol, Marcia Westkott, Robyn Wiegman, Bonnie Zimmerman

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From the early days of second-wave feminism, motherhood and the quest for women's liberation have been inextricably linked. And yet motherhood has at times been viewed, by anti-feminists and select feminists alike, as somehow at odds with feminism. In reality, feminists have long treated motherhood as an organizing metaphor for women's needs and advancement. The mother has been regarded with suspicion at times, deified at others, but never ignored.The first book devoted to this complex relationship, Motherhood Reconceived examines in depth how the realities of motherhood have influenced feminist thought. Bringing to life the work of a variety of feminist writers and theorists, among them Jane Alpert, Mary Daly, Susan Griffin, Adrienne Rich, and Dorothy Dinnerstein, Umansky situates feminist discourses of motherhood within the social and political contexts of the 1960s. Charting an increasingly favorable view of motherhood among feminists from the late 1960s through the 1980s, Umansky reveals how African American feminists sought to redefine black nationalist discourses of motherhood, a reworking subsequently adopted by white radical and socialist feminists seeking to broaden the racial base of their movement. Noting the cultural left's conflicted relationship to feminism, that is, the concurrent demand for individual sexual liberation and the desire for community, Umansky traces that legacy through various stages of feminist concern about motherhood: early critiques of the nuclear family, tempered by strong support for day care; an endorsement of natural childbirth by the women's health movement of the early 1970s; white feminists' attempt to forge a multiracial movement by declaring motherhood a universal bond; and the emergence of psychoanalytic feminism, ecofeminism, spiritual feminism, and the feminist anti- pornography movement.

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Behind some of the most popular works of science fiction, fantasy, and horror there are forgotten stories of female creators. It's no secret that genres like science fiction, fantasy, horror, and more, have evolved from niche interest to mainstream staple in the last few decades. However, the countless women who have been instrumental in creating and shaping those genres for the last fifty-plus years have largely gone largely unrecognized -- until now. Pop Culture Pioneers explores and pays respect to the work and influence of the female creators who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture from the early 70s through to 2010 including:* Creators like Bonnie Erickson (co-creator of Miss Piggy), Christy Marx (Jem! And The Holograms creator), Roberta Williams (creator of the adventure game genre), and Betty Cohen (founder of Cartoon Network)* Writers & Editors like Jeanette Khan (head of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.) and Malia Scotch Marno (screenwriter for Jurassic Park and Hook)* Animators & Artists like Vicky Jenson (animator and director of Shrek) and Brenda Chapman (animator and director of Brave)* Directors & Producers like Jean MacCurdy (producer of Batman: The Animated Series and Animaniacs), Denise Di Novi (co-producer of Batman Returns and The Nightmare Before Christmas), and Fran Walsh (co-producer of the Lord of the Rings trilogy)* As well as Yvonne Blake (costume designer for Superman), Marlene Clark (Blaxploitation actress), Jane Feinberg (casting director for Blade Runner, E.T., The Goonies, and Indiana Jones), and so many more!

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*A TIMES AND SPECTATOR BOOK OF THE YEAR*'[Owolade's] argument has needed saying for years' Janan Ganesh, Financial Times'Compelling and admirable' Sunday Times'Passionate and timely' Observer'Excellent' Telegraph'Illuminating' The Times'Timely [and] engaging' Guardian***Chosen as a non-fiction highlight of 2023 in The Times, Guardian, Observer, Irish Times and New Statesman***Across the West, racial injustice has become one of the most divisive issues of our age. In the rush to address inequality and prejudice, and to understand concerns around identity, immigration and colonial history, Britain has followed the lead of the world's dominant power: America. We judge ourselves by America's standards, absorb its arguments and follow its agenda. But what if we're looking in the wrong place?This is Not America is built on the idea that black Britons are British first and foremost, and thus are likely to have more in common with other Britons than with black people in other parts of the world. It argues that too much of the conversation around race in Britain today is viewed through the prism of American ideas that don't reflect the history, challenges and achievements of increasingly diverse black populations at home. To build a long-lasting and more effective anti-racist agenda we must acknowledge that crucial differences exist between Britain and America, and that we are talking about distinct communities and cultures, distinguished by language, history, class, religion and national origin. Humane, empirical and passionate, this book provides a bold new framework for understanding race in Britain today.

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The Tet Offensive of January 1968 was the most important military campaign of the Vietnam War. The ancient capital city of Hue, once considered the jewel of Indochina’s cities, was a key objective of a surprise Communist offensive launched on Vietnam’s most important holiday. But when the North Vietnamese launched their massive invasion of the city, instead of the general civilian uprising and easy victory they had hoped for, they faced a devastating battle of attrition with enormous casualties on both sides. In the end, the battle for Hue was an unambiguous military and political victory for South Vietnam and the United States. In Fire in the Streets, the dramatic narrative of the battle unfolds on an hour-by-hour, day-by-day basis. The focus is on the U.S. and South Vietnamese soldiers and Marines–from the top commanders down to the frontline infantrymen–and on the men and women who supported them. With access to rare documents from both North and South Vietnam and hundreds of hours of interviews, Eric Hammel, a renowned military historian, expertly draws on first-hand accounts from the battle participants in this engrossing mixture of action and commentary. In addition, Hammel examines the tremendous strain the surprise attack put on the South Vietnamese-U.S. alliance, the shocking brutality of the Communist “liberators,” and the lessons gained by U.S. Marines forced to wage battle in a city–a task for which they were utterly unprepared and which remains highly relevant today. Re-issued in the fiftieth anniversary year of the battle, with an updated photo section and maps this is the only complete and authoritative account of this crucial landmark battle.

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A revealing, no-holds-barred portrait of the legendary Eileen Ford-the entrepreneur who transformed the business of modeling and helped invent the celebrity supermodel. Working with her husband, Jerry, Eileen Ford created the twentieth century's largest and most successful modeling agency, representing some of the fashion world's most famous names-Suzy Parker, Carmen Dell'Orefice, Lauren Hutton, Rene Russo, Christie Brinkley, Jerry Hall, Christy Turlington, and Naomi Campbell. Her relentless ambition turned the business of modeling into one of the most glamorous and desired professions, helping to convert her stable of beautiful faces into millionaire superstars. Model Woman chronicles the Ford Modeling Agency's meteoric rise to the top of the fashion and beauty business, and paints a vibrant portrait of the uncompromising woman at its helm in all her glittering, tyrannical brilliance. Outspoken and controversial, Ford was never afraid to offend in defense of her stringent standards. When she chose, she could deliver hauteur in the grand tradition of fashion's battle-axes, from Coco Chanel to Diana Vreeland-just ask John Casablancas or Janice Dickinson. But she was also a shrewd businesswoman with a keen eye for talent and a passion for serving her clients. Drawing on more than four years of intensive interviews with Ford and her intimates, associates, and rivals, as well as exclusive access to agency documents and memorabilia, Robert Lacey weaves an unforgettable tale of a determined entrepreneur and the empire she built-a story of beauty, ambition, business, and popular culture as powerful and complex as the woman at its center.

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In these pages you will encounter gamblers and adventurers, conmen and conwomen, rodomontades and ragamuffins, outright fools and outrageous liars. Scalawags, the lot of them. But you can be an adventurer, a conman or conwoman, a fool, liar, gambler, rodomontade or ragamuffin and not be a scalawag. Many adventurers are not even interesting, come to think of it, let alone scalawags. There is an ineffable quality, an indefinable something or other that sets some people apart, places themin the special category that Jim Christy calls "scalawag." You might call them something else: nuts, perhaps. And quite frankly in many instances-George Francis Train, for instance, or Louis De Rougemont-you'd probably be right. But likewise you don't have to be a crackpot to be a scalawag: Two Gun Cohen, for instance, or Lady Jane Digby. What you have to be is outrageous with a bit of what Andre Malraux, an adventurer and liar, perhaps-;but not a scalawag-designated, in reviving an old French word, farfelu. It means that you are willing to risk everything, whether on a grand or small scale, on the craziest of schemes, the wildest of notions. "Curious cases of cannibalism, extreme sado-masochism, and generally irrational behaviour abound, making 'Scalawags' the perfect balm anyone attempting to cloister their desires in a bid for self improvement." - Steven Schelling "My advice: Keep your copy of 'Scalawags' in the bathroom. Or on your bedside table. Or in the bag you carry on thebus. It's perfectly suited to those times when you're seeking a momentary escape. There's nothing like outrageous lives and flamboyant characters to take you out of your dreary day-to-day." - Robert J. Wiersema, The Vancouver Sun

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Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz

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"This richly varied text offers generous support for every aspect of the teacher's role, while constantly reminding us that mathematical activity is not a de-contextualised skill that children possess, but part of their identity, their way of being in the world, engaged with the world, energetically - and playfully - trying to make sense of it."Mary Jane Drummond, formerly of the Faculty of Education, University of Cambridge, UKTeaching and Learning Early Number is a bestselling guide for all trainee and practising Early Years teachers and classroom assistants. It provides an accessible guide to a wide range of research evidence about the teaching and learning of early number.Major changes in the primary mathematics curriculum over the last decade - such as the National Numeracy Strategy, the Primary National Strategy, the Early Years Foundation Stage and the Williams Review - have greatly influenced the structure of this new edition. The book includes: A new introductory chapter to set the scene Six further new chapters - including Mathematics through play, Children's mathematical graphics and Interview-based assessment of early number knowledge Six completely re-written chapters and two updated chapters A new concluding chapter looking to the future The chapters can be read in a standalone fashion and many are cross referenced to other parts of the book where specific ideas are dealt with in a different manner. Issues addressed include: new research on the complex process of counting and on children's written mathematical marks; counting in the home environment and play in the school setting; the importance of mathematical representations and of ICT in children's understanding of number; errors and misconceptions and the assessment of children’s number knowledge.

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THE NEW THRILLER FROM THE NO.1 SUNDAY TIMES BESTSELLERThey say the camera never lies.But on this show, you can't trust anything you see.Stranded in the Welsh mountains, seven reality show contestants have no idea what they've signed up for.Each of these strangers has a secret. If another player can guess the truth, they won't just be eliminated - they'll be exposed live on air. The stakes are higher than they'd ever imagined, and they're trapped.The disappearance of a contestant wasn't supposed to be part of the drama. Detective Ffion Morgan has to put aside what she's watched on screen, and find out who these people really are - knowing she can't trust any of them.And when a murderer strikes, Ffion knows every one of her suspects has an alibi . . . and a secret worth killing for.'Twisty and clever . . . another deeply enjoyable mystery from a talented storyteller' KARIN SLAUGHTER'Sharply written, wickedly fun, and smartly plotted - A GAME OF LIES is a joy from beginning to end' LUCY CLARKE'Great fun - clever plot, engaging characters and smart, sharp writing' SHARI LAPENAPraise for The Last Party (a DC Ffion Morgan thriller):'Superb, with echoes of Agatha Christie' PATRICIA CORNWELL'A dark delight of a murder mystery' JANICE HALLETT'Detectives Leo and Ffion make a storming debut' BELINDA BAUER'Mackintosh is just getting better and better' PETER JAMES'An absolute triumph' CLAIRE DOUGLAS'I fell in love with courageous, complicated DC Ffion Morgan' RUTH WARE'This is the new crime series you need in your life' WILL DEAN'Expertly plotted and relentlessly gripping' LUCY CLARKE

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