Search results for ""INDIANA UNIVERSITY PRESS""

" . . . welcome and timely. It is written in crisp, idiomatic, conversational English, not hobbled by slavish imitation of Lucian's Greek syntax." —The Key ReporterThough Lucian's (A.D. c. 115–200) tendency to debunk everything might well have made him depressing reading, his lighthearted fantasy and wit have always had the opposite effect. His contribution to European literature may be seen in his influence on Rabelais, Erasmus, More, Swift, Voltaire, and Fielding. These sketches present him primarly as a humorous writer, making Lucian's special charm accessible to an age which largely shares his spirit.

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In this first interpretive historical account of the American Orthodox Jewish experience, Jenna Weissman Joselit investigates the ways in which pious Jews reconciled the requirements of religious tradition with the freedoms of interwar America. Through its focus on representative American Jewish institutions such as the synagogue and the rabbinate and on the sacred ritual life of Orthodox women, New York's Jewish Jews reveals how a self-consciously modern, American, and decidedly middle class Orthodoxy evolved before 1945.

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The publication of this volume of essays is a milestone in Old English studies. It is the first collection to examine this literature from a feminist perspective. Although the contributors represent a plurality of approaches and positions, they share a common objective: to reassess women as women, as they actually appear in the laws, in works written by women, and in canonical literature. The essays address, correct, and round out the nineteenth-century Anglo-Saxon critical tradition and begin fresh exploration of the women in Old English literature.The subjects discussed fall into the following broad categories: the historical record; sexuality and folklore; language and difference in characterization and the "deconstructed" stereotype. Contributors include Marijane Osborn; Christine E. Fell; F.T. Wainwright; Pauline Stafford; Frank M. Stenton; Mary P. Richard s and B. Jane Stanfield; Carol J. Clover; Edith Whitehurst Williams; Paul E. Szarmach; Audrey L. Meaney; Helen Damico; Patricia A. Belanoff; L. John Sklute; Paul Beekman Taylor; Alexandra Hennessey Olsen; Joyce Hill; Jane Chance; Alain Renoir; Dolores Warwick Frese; and Anita R. Riedinger.

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"American Folklore Scholarship is rich reading, outlining the intellectual genealogy of American folklore and delivering many interesting historical tidbits. Folklore teachers will want to use this book in their introductory theory classes, while doctoral students will want to memorize the book before their qualifying exams." —Folklore Forum". . . a welcome overview of the discipline in North America and the practitioners who established it." —American AnthropologistIn this classic text, Zumwalt examines the split between literary folklorists and anthropological folklorists. The former looked at literary forms for folklore; the latter looked at the life and unwritten culture of the people. This struggle shaped the study of folklore in the U.S.

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This is the first book to consider the general course and significance of the European witch craze of the sixteenth and seventeenth centuries since H.R. Trevor-Roper's classic and pioneering study appeared some fifteen years ago. Drawing upon the advances in historical and social-science scholarship of the past decade and a half, Joseph Klaits integrates the recent appreciations of witchcraft in regional studies, the history of popular culture, anthropology, sociology, and psychology to better illuminate the place of witch hunting in the context of social, political, economic and religious change."In all, Klaits has done a good job. Avoiding the scandalous and sensational, he has maintained throughout, with sensitivity and economy, an awareness of the uniqueness of the theories and persecutions that have fascinated scholars now for two decades and are unlikely to lose their appeal in the foreseeable future." —American Historical Review"This is a commendable synthesis whose time has come. . . . fascinating . . . " —The Sixteenth Century Journal" . . . comprehensive and clearly written . . . An excellent book . . . " —Choice"Impeccable research and interpretation stand behind this scholarly but not stultifying account . . . " —Booklist"A good, solid, general treatment . . . " —Erik Midelfort"Servants of Satan is a well written, easy to read book, and the bibliography is a good source of secondary materials for further reading." —Journal of American Folklore

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Exploring various forms of contemporary mass art and culture, from rock-'n'-roll music to "slasher" films, from women's romances to "retro" fashion style, these innovative and politically engaged essays reflect the paradox inherent in taking a critical approach to mass culture. They draw on a variety of theories, including feminist theory, Frankfurt School Critical Theory, linguistic theory, and psychonalysis, to reveal the very complicated workings of popular texts, to make explicit the text's ideological effects on consumers, and to challenge the outmoded (and, as two contributors argue, misogynist) dichotomy between high art and mass culture. It offers a provactive array of essays explaining important facets of contemporary culture.

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Semiotics is rapidly establishing itself as one of the most fruitful and exciting fields of intellectual inquiry. Literary scholars, philosophers, social scientists, and students of linguistics and communication are all finding something of value in the various insights and approaches to knowledge that are included within the general field of semiotics. This significant new collection contains some of the most important contemporary work by modern pioneers in the field together with a few formative statements from earlier thinkers such as John Locke and Jacques Maritain. The volume covers in five parts the nature of semiotics, semiotic systems, various developing themes, traditional concerns of semiotics, and future directions.

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The Bears of Blue River describes the adventures of a young boy growing up in early nineteenth-century rural Indiana. Little Balser lives with his parents, a younger brother, and a baby sister in a cozy log cabin on the bank of the Big Blue River. Although only thirteen or fourteen years old, he is quite familiar with the dangers and rigors of frontier life. As the story unfolds, the boy becomes lost in the forest, encounters the fierce one-eared bear, and is nearly caught by a bear as he dozes next to what he thinks is a bearskin. This is a book for children or adults who love nature and tales of early pioneer life.

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Philanthropy and Cultural Imperialism is intended as a source book on the origins, workings, and consequences of modern general-purpose foundations. The text encompasses the activities of foundations—prinicpally Carnegie, Rockefeller, and Ford—in the production of culture and the formation of public policy. Particular attention is given to the policies of the big foundations in the fields of education and social science research.The authors write from the perspectives of history, sociology, comparative education, and educational policy studies. Their chapters are based on original research. While the contributors do not share a uniform ideological framework, they do have in common a structural point of view—they examine foundations with regard to their functioning in society. They analyze the implications of foundations' organizational characteristics, modus operandi, and substantive decisions for social control or social change.A distinguishing feature of Philanthropy and Cultural Imperialism is its systematic, critical analysis of the sociopolitical consequences of these powerful institutions. A central thesis is that foundations like Carnegie, Rockefeller, and Ford have a corrosive influence on a democratic society; they represent relatively unregulated and unaccountable concentrations of power and wealth which buy talent, promote causes, and, in effect, establish an agenda of what merits society's attention.

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The sixties began optimistically, with Americans full of hope and expectation, voting to support a new, young, charismatic leader who promised to "move America forward." Tragically, something went wrong. Instead of finding its Utopia, America became a country struggling desperately to escape its Armageddon. President Kennedy's New Frontier fell far short of its promise in tangible domestic legislation and his foreign policy decisions pushed the world to the brink of a nuclear holocaust, while President Johnson's dream of a Great Society foundered in the quicksand of the Vietnam war. This revealing history of the Kennedy-Johnson years begins with the presidential primaries of 1960 and concludes with Johnson's final weeks as a lame duck President. An expert and objective history of an exciting period—its social, cultural, and economic facets as well as its political developments.

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" . . . Humphries has rendered (Ovid's) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." —Virginia Quarterly Review

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Throughout the nineteenth century, Hungary's government steadily dismantled obstacles that kept its rapidly expanding Jewish communities from enjoying the full benefits of citizenship. The state's concerted efforts to Magyarize Jews promoted Hungarian language, culture, and sensibilities, but did not officially require Jews to abandon their faith. Nevertheless, tens of thousands of Hungarian Jews converted to Christianity during this era, with conversion rates continuing to rise even as Judaism gained full legal equality. Jewishness and Beyond addresses the apparent contradiction between these two trends. Despite the egalitarian promises and laws of Hungary's liberal nationalist government, the administration and traditional elites as a whole maintained a persistent bias against Jews that spurred particularly high conversion rates among the community's upper echelons. While Christians never forgot converted Jews' origins and increasingly thought of them in racialized terms, they also

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The fourth edition of Bill Nichols's best-selling text, Introduction to Documentary, has been vastly altered in its entirety to bring this indispensable textbook up to date and reconceptualize aspects of its treatment of documentaries past and present. Here Nichols, with Jaimie Baron, has edited each chapter for clarity and ease of use and expanded the book with updates and new ideas. Featuring abundant examples and images, Introduction to Documentary, Fourth Edition is designed to facilitate a rich understanding of how cinema can be used to document the historical world as it is seen by a wide variety of filmmakers. Subjectivity, expressivity, persuasiveness, and credibility are crucial factors that move documentary film away from objective documentation and toward the thought-provoking realm of arguments, perceptions, and perspectives that draw from a filmmaker's unique sensibility to help us see the world as we have not seen it before. Exploring ethics, history, different modes of

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Saul Bellow: I Was a Jew and an American and a Writer offers a fresh and original perspective on the life and works of Saul Bellow, the Nobel Prize winner in Literature in 1976. Author Gerald Sorin emphasizes Bellow's Jewish identity as fundamental to his being and the content and meaning of his fiction. Bellow's work from the 1940s to 2000, when he wrote his last novel at the age of 84, centers on the command in Deuteronomy to Choose life as distinct from nihilistic withdrawal and the defense of meaninglessness. Although Bellow disdained the label of American Jewish Writer, Sorin conjectures that he was an outstanding representative of the classification. Bellow and the characters in his fiction not only choose life but also explore what it means to live a good life, however difficult that may be to define, and regardless of how much harder it is to achieve. For Sorin, Bellow realized that at least two obstacles stood in the way: the imperfection of the world and the frailty of the

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Saul Bellow: I Was a Jew and an American and a Writer offers a fresh and original perspective on the life and works of Saul Bellow, the Nobel Prize winner in Literature in 1976. Author Gerald Sorin emphasizes Bellow's Jewish identity as fundamental to his being and the content and meaning of his fiction. Bellow's work from the 1940s to 2000, when he wrote his last novel at the age of 84, centers on the command in Deuteronomy to Choose life as distinct from nihilistic withdrawal and the defense of meaninglessness. Although Bellow disdained the label of American Jewish Writer, Sorin conjectures that he was an outstanding representative of the classification. Bellow and the characters in his fiction not only choose life but also explore what it means to live a good life, however difficult that may be to define, and regardless of how much harder it is to achieve. For Sorin, Bellow realized that at least two obstacles stood in the way: the imperfection of the world and the frailty of the

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Words and Silences tells the story of an extraordinary group of independent Nenets reindeer herders in the northwest Russian Arctic. Under socialism these nomads managed to avoid the Soviet state and its institutions of collectivization, but soon after the atheist regime collapsed, while some staunchly resisted, many of them became fervent fundamentalist Christians. By exploring differing concepts of how traditional and convert Nenets use and define words and of the meanings they ascribe to the withholding of speech, Laur Vallikivi shows how a local form of global Christianity has emerged through intricate negotiations of self, sociality, and cosmology. Moving beyond studies of modernization and globalization that have all-too-predictable outcomes for indigenous peoples, Words and Silences invites us to view not only religious devotees, but words themselves, as agents of a complex and ongoing transformation.

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How were whites implicated in and shaped by apartheid culture and society, and how did they contribute to it? In Ordinary Whites in Apartheid Society, historian Neil Roos traces the lives of ordinary white people in South Africa during the apartheid years, beginning in 1948 when the National Party swept into power on the back of its catchall apartheid slogan. Drawing on his own family's story and others, Roos explores how working-class whites frequently defied particular aspects of the apartheid state but seldom opposed or even acknowledged the idea of racial supremacy, which lay at the heart of the apartheid society. This cognitive dissonance afforded them a way to simultaneously accommodate and oppose apartheid and allowed them to later claim they never supported the apartheid system. Ordinary Whites in Apartheid Society offers a telling reminder that the politics and practice of race, in this case apartheid-era whiteness, derive not only from the top, but also from the bottom.

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As wealthy countries build walls to keep migrants out, countries in the Global South are celebrated for their hospitality towards refugees. Hosting States and Unsettled Guests asks the question: did these policies enable refugees to consider their new country home?Beginning in 2016, Ethiopia promoted local integration, economic opportunities, and access to education for refugees in order to encourage them to stay long-term rather than migrate towards Europe. But by 2020 a political overhaul and the outbreak of war in Northern Ethiopia foreclosed these opportunities, particularly for Eritrean refugees in Ethiopia. How did Eritrean refugees envision their future in light of the discrepancy between promising policies and ongoing instability? Using ethnographic interviews and participant observation with government officials, NGOs, and refugees in three camps in northern Ethiopia and Addis Ababa, Jennifer Riggan and Amanda Poole explore refugee notions of progress, care, hope, and futurity. Caught at the intersection of teleological violence and temporal agency, refugees endure the present and tenaciously produce a sense of the future even when their efforts to progress are repeatedly challenged. An important read, Hosting States and Unsettled Guests makes key empirical and theoretical contributions in forced migration studies, East African studies, anthropology and international education. Riggan and Poole deftly shift the focus of refugee studies away from Europe to regions in the Global South to understand the violence of emerging forms of migration deterrence.

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While Detroit has been a major focus in urban history, little has been written on censorship in the very city that—due to shifting legalities, the urban crisis, and racial tensions—profoundly shaped media suppression in the United States. By examining censorship in film and literature, Indecent Detroit recounts the evolution of media control from the end of WWII through the 1970s, when the US saw a major change in the legal mechanisms used to censor media due to court rulings that curtailed censorship laws. Ben Strassfeld reveals how Detroit altered its censorial tactics and rhetoric from an obscenity-based system of censorship centered in the Detroit Police Department to a regulatory model based in zoning law that was then expanded nationwide. This shift was connected to broader social and political trends, including the sexual revolution, that led the public to increasingly turn against censorship. A must-read for film and media scholars, Indecent Detroit highlights how one Midwest city's ordinance was imitated across the country after it was upheld by the US Supreme Court, making this more than a local curiosity but also an influential model for the cultural, political, and moral control of urban space through media regulation.

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What can the life writing of post-famine Irish immigrants tell us about Irish diasporic memory? Of Memory and the Misplaced considers the endurance and nature of Irish American memory across the twentieth century. Guided by 30 memoirs written between 1900 and 1970, Sarah O'Brien shows the prevalence of intimate and taboo themes in ordinary immigrants' writing, such as domestic violence, same-sex love, and famine-induced trauma. Importantly, Of Memory and the Misplaced critiques the role of the Irish landscape as a site of memory and shows how the interiority of the domestic world has provided Irish women with the language needed to reclaim their own lives.Combining literary and historical theory, Of Memory and the Misplaced highlights voices that have traditionally been silenced and offers a rare and unexplored collection of primary source autobiographical texts to better understand the experiences of Irish immigrants in the United States.

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The concern for purity was the cornerstone of the religious culture of ancient Judaism. Purity and Identity in Ancient Judaism explores how this concern shaped the worldview of Jews during the Second Temple period as well as their daily practices and social relations. It examines how different groups offered competing visions and methods for living a life of purity, which embodied a promise for personal and cosmic salvation and at the same time determined the degree of sectarian separation.Purity and Identity in Ancient Judaism offers a comprehensive description of the world of purity among the Jews of the Second Temple period in general and within the tradition of the Pharisees in particular. Yair Furstenberg explores the language of purity that provided Jews in antiquity a powerful tool for organizing legal, social, and ideological boundaries, and its study is therefore pertinent for understanding the powers that shaped the varieties of Second Temple Judaism and their later offshoots: Early Christianity and Rabbinic Judaism. Purity and Identity in Ancient Judaism offers new methods for carefully integrating the New Testament, Qumran literature, and early rabbinic sources into a comprehensive history of purity laws from the world of the Second Temple and the Pharisees to the later rabbinic movement, allowing the reader to trace the emergence of new religious sensibilities within changing social and cultic circumstances.

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In Senegal, portraiture serves as a vital index and creator of social connection. People sit for and display portraits, keep albums, and view illustrated magazines together. Through these portraiture practices, Senegalese have fashioned idealized images to mend fraught and fragmented lives in the context of decades of migration. The Future Is in Your Hands provides an expansive frame for photography to highlight the role of affect in portraiture practices. Moving from the colonial to the newly independent Senegal, Beth Buggenhagen combines museum, ethnographic, and archival research on photography's past with lens-based artists who address themes of separation, visibility, rupture, and repatriation through portraiture. Buggenhagen, in collaboration with Senegalese photographers, explores how photographs, as visual and material objects, migrate themselves and, like the bodies they represent, create a record not only of lived experiences but also of the cycle of migration for this labor-exporting country.By complicating the history of portraiture in Senegal, The Future Is in Your Hands reveals the enduring power of images and the efforts under way to keep this art form safely in Senegalese hands.

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Music and arts initiatives are often praised for their capacity to aid in the rehabilitation of refugees. However, it is crucial to recognize that this celebratory view can also mask the unequal power dynamics involved in regulating forced migration. In Composing Aid, Oliver Shao turns a critical ear towards the United Nations-run Kakuma Refugee Camp in Kenya, one of the largest and oldest encampments in the world. This politically engaged ethnography delves into various cultural practices, including hip hop shows, traditional dances, religious ceremonies, and NGO events, in an urbanized borderland area beset with precarity and inequality. How do songs intersect with the politics of belonging in a space controlled by state and humanitarian forces? Why do camp authorities support certain musical activities over others? What can performing artists teach us about the inequities of the international refugee regime?Offering a provocative contribution to ethnomusicological methods through its focus on activist research, Composing Aid elucidates the powerful role of music and the arts in reproducing, contesting, and reimagining the existing migratory order.

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For Nazi Germany, the ghetto was a conceptual tool used to facilitate social and political exclusion and further their anti-Jewish campaign. For the Jews who lived in them, the ghetto became the center of their lives—even though they were also sites of immense suffering. Combining thorough historical research with an interdisciplinary analysis of the relationship between space and violence, Violent Space provides a unique insight into the history and the socio-spatial topography of the Jewish ghetto in German-occupied Warsaw (1939–1943). Using rare archival materials and firsthand accounts, many of which have never been translated into English, Anja Nowak traces out the trauma that the space of the ghetto inflicted on its Jewish inhabitants, and how it alienated, disoriented, and harmed them. While the physical ghetto—its buildings, boundaries, and streets—has been reabsorbed and redefined by modern-day Warsaw's urban structure, Violent Space shows us that its presence still lingers in the narratives of those who were forced into this first phase of the Holocaust.

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The building of human towers (castells) is a centuries-old competitive practice where hundreds of men, women, and children gather in Catalan squares to create breathtaking edifices through a feat of collective athleticism. The result is a great spectacle of suffering and overcoming, tension and release.Catalonia's Human Towers is an ethnographic look at the thriving castells practice—a symbol of Catalan cultural heritage and identity amid debates around autonomy versus subsummation by the Spanish state. While the main function of building castells is to grow community through a low-cost, intergenerational, and inclusive leisure activity, Mariann Vaczi reveals that this unique sport also provides a social base, image, and vocabulary for the pro-independence movement.Highlighting the intersection of folklore, performance, and self-determination, Catalonia's Human Towers captures the subtle and unconscious processes by which the body becomes politicized and ideology becomes embodied, with all the risks and precarities of collective constructions.

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In the late 16th century, hundreds of travelers made their way to the Habsburg ambassador's residence, known as the German House, in Constantinople. In this centrally located inn, subjects of the emperor found food, wine, shelter, and good company—and left an incredible collection of albums filled with images, messages, decorated papers, and more.Portraits of Empires offers a complete account of this early form of social media, which had a profound impact on later European iconography. Revealing a vibrant transimperial culture as viewed from all walks of life—Muslim and Christian, noble and servant, scholar and stable boy—the pocket-sized albums containing these curiosities have never been fully connected to the abundant archival records on the German House and its residents. Robyn Dora Radway not only introduces these objects, the people who filled their pages, and the house at the center of their creation, but she also presents several arguments regarding chronologies of exchange, workshop practices, the curation of social networks and visual collections based on status, and the purposes of these highly individualized material portraits.Featuring 162 fascinating color images, Portraits of Empires reconstructs the world of Habsburg subjects living in Ottoman Constantinople, using a rich and distinctive set of objects to raise questions about imperial belonging and the artistic practices used to articulate it.

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Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote.

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The essential guide for learning the Tunica language.For many years, the Tunica-Biloxi Tribe of Louisiana collaborated with students and faculty at Tulane University on a project to revitalize the Tunica language. Tunica had not been spoken or used regularly in the community since the last known speaker, Sesostrie Youchigant, passed away in 1948. The center of the revitalization of the Tunica language is this first-of-its-kind, beginning Tunica language textbook.The Tunica Language Textbook (Rowinataworu Luhchi Yoroni) contains everything needed to be come conversationally fluent in Tunica. Like other language textbooks, it contains vocabulary and grammatical information, as well as practice exercises that develop both comprehension and production of Tunica, and acquisition of the patterns, not just the forms. The textbook contains links to an online pronunciation guide and includes a wealth of information on cultural topics, from stickball to basketry to naming to cosmology, and uses the language to do so. Wherever possible, excerpts from the original documentation of Tunica stories and myths have been included, so that students can become acquainted with native-like language use.Each chapter is structured to lead the student through the stages of learning, from presentation of new information, to recognition, to identification, to application. While there is explanation of the topics in English, the lessons are designed to be used in an immersion classroom setting as well as for individual use.

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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions—aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

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This is the untold story of a group of artists whose interest in fostering art in their community made an authentic contribution to the history of art in America. Taking for their subjects the local people, flora, and landscapes, they developed a distinctive impressionistic style, uninfluenced by other art movements in Indiana. Richmond, Indiana, became an important center for art in the Midwest, a place that nourished and inspired the artists whose work this book celebrates.

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In A Brief History of History, acclaimed historian Jeremy Black seeks to reinvigorate and redefine our ideas about history. The stories we tell about the past are a crucial aspect of all cultures. However, while the traditional storytelling process—what we think of as "history" in the proper sense—is useful, it is also misleading, not least because it leads to the repetition of bias and misinformation. Black suggests that the conventional idea of history and historians is constructed too narrowly, as it fails to engage with the broad nature of lived experience. By focusing on a singular idea or story within the history being explored, we fail to understand the interconnectivity of the everyday experience. A Brief History of History challenges accepted norms of the historical perspective and offers a view of human history that will surprise many and (perhaps) infuriate some. But above all, it is a history of historians written for this moment in time, a time when the traditional Eurocentric approach to history now appears wholly inappropriate.

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Around the world, blue-collar politics have become associated with resistance to the multicultural. While this may also be true in Edinburgh, Scotland, a closer look reveals the growth of liberal democratic ideals in the working-class population, which has a much different goal: How can this European city keep the entrepreneurial forces of globalization from commodifying what is distinctly theirs?In Tenement Nation, Christa Ballard Tooley explores the battle for a neighborhood called the Canongate in Edinburgh's Old Town. Tooley's insightful study of the working-class Canongate community as they negotiate gentrification plans offers a complex view of class and nation. The threat of the Canongate's redevelopment motivated many throughout Edinburgh to lend their support to the residents' campaign. Against such development projects, alliances formed between upper-class heritage supporters and working-class urban residents, all of whom turned to institutions such as the European Union and UNESCO for support in restricting commercial development. Tenement Nation explores these negotiations between socioeconomic classes and even nationalities to show what Tooley calls a "working-class cosmopolitanism" in pursuit of social, economic, and political inclusion.

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Meat Matters offers a portrait of the lives of Ethiopian Jews as it is reflected and refracted thought the symbolism of meat. Drawing upon thirty years of fieldwork, this beautifully written and innovatively constructed ethnography tells the story of the Beta Israel, who began immigrating from Ethiopia to Israel in the 1970s. Once in Israel, their world changed in formerly unimaginable ways, such as conversion under Rabbinic restrictions, moving into multistory buildings, different attitudes toward gender and reproduction, and perhaps above all, the newly acquired distinctiveness of the color of their bodies.In the face of such changes, the Beta Israel held on to a key idiom in their lives: meat. The community continues to be organized into kirchas, groups of friends and family who purchase and raise cows, then butcher and divide the animal's body into small and equal chunks, which are distributed among the kircha through a lottery ritual. Flowing back and forth between Ethiopia to Israel, Meat Matters follows the many strands of significance surrounding cows and meat, ultimately forming a vibrant web of meaning at the heart of the Beta Israel community today.

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Notes from the Valley of Slaughter is an eyewitness journal and diary of the Holocaust, written in the ghetto of Šiauliai, Lithuania, by Dr. Aharon Pick (1872–1944). A physician, scholar, and community leader, Pick was a keen observer of the hardships of ghetto life, and his journal represents a detailed account of the tragic events he witnessed as well as a sensitive, almost poetic personal testament.Pick's journal covers the tumultuous late 1930s, the 1940–41 Soviet occupation of Lithuania, and the catastrophic German invasion and occupation, during which more than 90 percent of Lithuania's Jews were murdered. Pick was among a handful of Šiauliai Jewish physicians spared execution and allowed to work for the occupiers. Although Pick succumbed to illness in spring 1944, shortly before the ghetto was liquidated, his son Tedik buried the manuscript before fleeing the ghetto, retrieved it after liberation, and carried it with him to Israel.Notes from the Valley of Slaughter is one of only a handful of diaries to survive the annihilation of Lithuanian Jewry. Translated for the first time into English and extensively annotated, it conveys Pick's voice to a wider international audience for the first time.

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Notes from the Valley of Slaughter is an eyewitness journal and diary of the Holocaust, written in the ghetto of Šiauliai, Lithuania, by Dr. Aharon Pick (1872–1944). A physician, scholar, and community leader, Pick was a keen observer of the hardships of ghetto life, and his journal represents a detailed account of the tragic events he witnessed as well as a sensitive, almost poetic personal testament.Pick's journal covers the tumultuous late 1930s, the 1940–41 Soviet occupation of Lithuania, and the catastrophic German invasion and occupation, during which more than 90 percent of Lithuania's Jews were murdered. Pick was among a handful of Šiauliai Jewish physicians spared execution and allowed to work for the occupiers. Although Pick succumbed to illness in spring 1944, shortly before the ghetto was liquidated, his son Tedik buried the manuscript before fleeing the ghetto, retrieved it after liberation, and carried it with him to Israel.Notes from the Valley of Slaughter is one of only a handful of diaries to survive the annihilation of Lithuanian Jewry. Translated for the first time into English and extensively annotated, it conveys Pick's voice to a wider international audience for the first time.

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From an early age, Yabar listened to Aunt Rosa's story of the commander of the river. Somali legend tells of how two wise men were entrusted with creating a river, because their country had none and had no drinking water. But when crocodiles found their way into the water, the people elected a commander of the river to control the beasts and allow access to the water. To know Good, you must live with necessary Evil. After his father abandoned him, Yabar sets out on a journey to discover what became of him. Sent from his home in Rome to his aunt's house in London, Yabar will discover a terrible family secret, which he may want to forget.The Commander of the River is a timeless and compelling coming-of-age story set in contemporary Italy. The second novel by acclaimed Somali Italian writer Ubah Cristina Ali Farah, it explores themes of racism, trauma, adolescent angst, and the rebellious torments of the young.

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How did German Jews present their claims for equality to everyday Germans in the first half of the nineteenth century? We Will Never Yield offers the first English-language study of the role of the German press in the fight for Jewish agency and participation during the 1840s. David Meola explores how the German press became a key venue for public debates over Jewish emancipation; religious, educational, and occupational reforms; and the role of Jews in German civil society, even against a background of escalating violence against the Jews in Germany, We Will Never Yield sheds light on the struggle for equality by German Jews in the 1840s and demonstrates the value of this type of archival source of Jewish voices that has been previously underappreciated by historians of Jewish history.

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When We Collide is a landmark reassessment of the significance of sex in contemporary Jewish ethics. Rebecca Epstein-Levi offers a fresh and vital exploration of sexual ethics and virtue ethics in conversation with rabbinic texts and feminist and queer theory. Epstein-Levi explores how sex is not a special or particular form of social interaction but one that is entangled with all other forms of social interaction. The activities of sex—doing it, talking about it, thinking about it, regulating it—are sites of ongoing moral formation on individual, interpersonal, and communal levels. When We Collide explores the development of Jewish sexual ethics, and represents an opportunity to move beyond the usual heteronormative accounts that are presented as though they were neutral representations of what "Judaism teaches about sex."

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When We Collide is a landmark reassessment of the significance of sex in contemporary Jewish ethics. Rebecca Epstein-Levi offers a fresh and vital exploration of sexual ethics and virtue ethics in conversation with rabbinic texts and feminist and queer theory. Epstein-Levi explores how sex is not a special or particular form of social interaction but one that is entangled with all other forms of social interaction. The activities of sex—doing it, talking about it, thinking about it, regulating it—are sites of ongoing moral formation on individual, interpersonal, and communal levels. When We Collide explores the development of Jewish sexual ethics, and represents an opportunity to move beyond the usual heteronormative accounts that are presented as though they were neutral representations of what "Judaism teaches about sex."

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In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film.French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry.By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.

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"These are new Cubans. Twenty-first-century Marielitos. Balseros, as the bartender had referred to them. I know, because my mom tells me that these are the kinds of Cubans I need to stay away from."In eight captivating stories, In This World of Ultraviolet Light—winner of the 2021 Don Belton Prize—navigates tensions between Cubans, Cuban Americans, and the larger Latinx community. Though these stories span many locations—from a mulch manufacturing facility on the edge of Big Cypress National Preserve to the borderlands between Georgia and the Carolinas—they are overshadowed by an obsession with Miami as a place that exists in the popular imagination. Beyond beaches and palm trees, Raul Palma goes off the beaten path to portray everyday people clinging to their city and struggling to find cultural grounding. As Anjali Sachdeva writes, "This is fiction to steal the breath of any reader, from any background."Boldly interrogating identity, the discomfort of connection, and the entanglement of love and cruelty, In This World of Ultraviolet Light is a nuanced collection of stories that won't let you go.

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To feel the emotional force of music, we experience it aurally. But how can we convey musical understanding visually?Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson describes how graphical images can help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective and provides readers with extensive principles and strategies to create excellent images of their own. Illustrated with over 300 diagrams from both historical and modern sources, including examples and theories from Western art music, world music, and jazz, folk, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material.

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An unforgettable journey through racism and faith across the generations. January 15, 1959—a day that changed one family forever. White supremacists kidnapped and severely beat rural Alabama preacher Israel Page, nearly killing him because he had sued a White sheriff's deputy for injuries suffered in a car crash. After "they" "got Daddy," Israel Page's children began leaving the Jim Crow South, the event leaving an indelible mark on the family and its future. Decades later, the events of that day fueled journalist Sharon Tubbs's epic quest to learn who had "gotten" her mother's daddy and why. They Got Daddy follows Tubbs on her moving journey from Fort Wayne, Indiana, to the back roads and rural churches of Alabama. A powerful revelation of the sustaining and redemptive power of faith and unflinching testimony to the deeply embedded effects of racism across the generations, it demonstrates how the search for the truth can offer a chance at true healing.

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In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation.In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.

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In Lebanon, the study of modern artârather than power or hierarchyâhas compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon

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Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground.Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.

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Climate change is affecting Indiana's environment, threatening the way Hoosiers live and do business, and introducing new stresses to the state's economy, health, and infrastructure. And while scientists predict more days of extreme weather, increased public health risks, and reduced agricultural production in the coming years, Hoosiers still have a substantial say in determining their future environment. Climate Change and Resilience in Indiana and Beyond confirms that Indiana can rise to meet this threat. The culmination of Indiana University's Prepared for Environmental Change Grand Challenge, this collection showcases how scientists, policymakers, communicators, and others are working hard to protect Indiana's economy and way of life by becoming more resilient. Researchers are creating new environmental resilience frameworks, building on years of existing research on how ecosystems can adapt, how social systems process threats in order to change, and how individuals themselves fit into the larger picture. In addition to presenting research results, Climate Change and Resilience in Indiana and Beyond provides clear examples of how Hoosiers can make a difference by reducing risks, lessening the harmful impacts of climate change, and preparing for the unavoidable.What emerges in these pages is a hopeful, optimistic picture of how resilience is generalizable across systems—from forests to farms to cities—and how Hoosiers are mobilizing this resilience in the face of climate change.

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