Search results for ""INDIANA UNIVERSITY PRESS""

Premchand is the most famous Hindi novelist, and Godaan is Premchand's most celebrated novel. Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer, and his family's struggle for survival and self-respect. Hori does everything he can to fulfill his life's desire: to own a cow, the peasant's measure of wealth and well-being. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document, and insightful colonial history. Out of print for many years, this translation is regarded as a classic in itself.

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Representing Animals explores the complex and often surprising connections between our imagining of animals and our cultural environment. The contributors—historians, literary critics, anthropologists, artists, art historians, and scholars of cultural studies—examine the ways we talk, write, photograph, imagine, and otherwise represent animals. The book includes topics such as pet cloning, fox hunting, animatronic characters, and how we displace our fear of aging onto our dogs. Representing Animals demonstrates the deep connections between the way we think about animals and the way we have thought about ourselves and our cultures in different times and places. Its publication marks a formative moment in the emerging field of animal studies.Contributors: Steve Baker, Marcus Bullock, Jane Desmond, Erica Fudge, Andrew Isenberg, Kathleen Kete, Akira Mizuta Lippit, Teresa Mangum, Garry Marvin, Susan McHugh, and Nigel Rothfels.

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In the small town of Dogondoutchi, Niger, Malam Awal, a charismatic Sufi preacher, was recruited by local Muslim leaders to denounce the practices of reformist Muslims. Malam Awal's message has been viewed as a mixed blessing by Muslim women who have seen new definitions of Islam and Muslim practice impact their place and role in society. This study follows the career of Malam Awal and documents the engagement of women in the religious debates that are refashioning their everyday lives. Adeline Masquelier reveals how these women have had to define Islam on their own terms, especially as a practice that governs education, participation in prayer, domestic activities, wedding customs, and who wears the veil and how. Masquelier's richly detailed narrative presents new understandings of what it means to be a Muslim woman in Africa today.

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"[A] magnificent work . . . that will definitely shape the discussion on Derrida for years to come." —Rodolphe GaschéWhat is the nature of the relationship of Jacques Derrida and deconstruction to Edmund Husserl and phenomenology? Is deconstruction a radical departure from phenomenology or does it trace its origins to the phenomenological project? In Derrida and Husserl, Leonard Lawlor illuminates Husserl's influence on the French philosophical tradition that inspired Derrida's thought. Beginning with Eugen Fink's pivotal essay on Husserl's philosophy, Lawlor carefully reconstructs the conceptual context in which Derrida developed his interpretation of Husserl. Lawlor's investigations of the work of Jean Cavaillès, Tran-Duc-Thao, and Jean Hyppolite, as well as recent texts by Derrida, reveal the depth of Derrida's relationship to Husserl's phenomenology. Along the way, Lawlor revisits and sheds light on the origin of many important Derridean concepts, such as deconstruction, the metaphysics of presence, différance, intentionality, the trace, and spectrality.

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"I had heard about this book for years. The person who put the word out, at least in lay circles, was probably Luigi Barzini, in The Italians (1964). Praising his countrymen's gift for talking with their hands, Barzini lamented that so little had been written on this subject. To his knowledge, only one person—Andrea de Jorio, a Neapolitan priest—had attempted a lexicon of Italian hand gestures, in an 1832 volume entitled La Mimica degli antichi investigata nel gestire napoletano. . . . Barzini offered a little sample . . . . Upon reading [it], you felt that if you could not get hold of de Jorio's book immediately, you would bite your elbows. . . . [N]ot until this year was de Jorio's treatise brought out in English. The translation, the copious notes, and the long, helpful introduction . . . [are] a source of wisdom and delight." —Joan Acocella, New York Review of Books"The twentieth century found little time for de Jorio's pioneering work until recently, when the rise of semiotics combined with an interest among art historians in gesture to invest his achievement with an importance that not even he could have imagined. Even so, this book has been more often cited than read. In view of its immense relevance to contemporary studies of gesture in the context of language and culture, it is surprising that we have had to wait so long for a translation into English. Adam Kendon has now given us the first complete, annotated rendering of [de Jorio's book]. Kendon himself is an established leader in the new scientific approach to the study of gesture." —G.W. Bowersock, The New RepublicAndrea de Jorio's La mimica degli antichi investigata nel gestire napoletano ('Gestural Expression of the Ancients in the light of Neapolitan gesturing'), was first published in Naples in 1832. It soon became famous for its descriptions and depictions of Neapolitan gestures, but it is only with the recent expansion of scholarly interest in gesture that its true importance has come to be recognized. It is the first book ever written which presents what is, in effect, an ethnographic study of gesture. Treating gesture as a culturally established communicative code, analogous to language, the book sets out to describe, with reference to an explicitly defined cultural group, the gestural expressions of ordinary people as these are used in everyday life. It also deals with numerous issues important for any semiotics of gesture, such as the question of the relationship between physical form and meaning, the problem of how to present a description of the gestural repertoire of a community in a consistent manner, the importance of context for the interpretation of gesture, how gestures may be combined, how they develop as metaphorical expressions, among many others.Andrea de Jorio (1769-1851) was a cleric and a Canon of the Cathedral of Naples, but he was also an archaeologist and a curator at the Royal Borbonic Museum (today the National Archaeological Museum) in that city. He was an expert on Greek vases and intimately involved in all aspects of archaeology then developing in relation to the excavations at Herculaneum, Pompeii, Pozzuoli, Cuma and other sites within the district of Naples. He believed that the ordinary people of Naples had preserved in their culture the traditions of the ancient Greek founders of the city. For this reason he supposed that an understanding of contemporary gestural expression would be useful in interpreting the gestures and bodily postures depicted in the frescoes, mosaics, sculptures, and painted vases of Greco-Roman antiquity that had come to light from the excavations near Naples and elsewhere. Thus he was led to describe the gesturing of contemporary Neapolitans as fully as possible.

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The African Diaspora contributes to the debate between those who believe that the African origin of blacks in Western society is central to their identity and outlook and those who deny that proposition. Contributors include Niyi Afolabi, Adetayo Alabi, Celia M. Azevedo, Antonio Benítez-Rojo, Eliana Guerreiro Ramos Bennett, LeGrace Benson, Ira Kincade Blake, Jack S. Blocker, Jr., Sharon Aneta Bryant, Michael J. C. Echeruo, Peter P. Ekeh, Patience Elabor-Idemudia, David Evans, Robert Elliot Fox, Andrea Frohne, Joseph E. Inikori, Joyce Ann Joyce, Joseph McLaren, Charles Martin, Ali A. Mazrui, Pierre-Damien Mvuyekure, Nkiru Nzegwu, Isidore Okpewho, Oyekan Owomoyela, Laura J. Pires-Hester, Richard Price, Sally Price, Jean Rahier, Sandra L. Richards, Elliott P. Skinner, Alvin B. Tillery, Jr., Keith Q. Warner, Maureen Warner-Lewis, and Kimberly Welch.

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The bombings of the Murrah Federal Building in Oklahoma City and of the World Trade Center in New York City have joined a long history of terrorists acts against the United States. In this newly updated edition of his book, Jeffrey Simon reaches back to the founding days of the Republic to tell a story that is both instructive and alarming. Simon uncovers the dynamics of a deadly conflict that affects all Americans. His in-depth interviews with terrorists and their victims, with reporters, government officials, and others bring to life a tale of presidents and terrorists, media and society, all entangled in a drama of international violence.The Terrorist Trap traces the government response to terrorism from the days of Thomas Jefferson and the Barbary Pirates to William Jefferson Clinton's confrontation with homegrown terrorism. It explores the terrorist trap: the psychological, political, and social elements that make terrorism unlike any other conflict. With the end of the Cold War and the defeat of Saddam Hussein's army in the Gulf War, many believed that the threat of terrorism had been significantly reduced. But Simon shows how terrorism grows out of political, economic, and social grievances that can never befully resolved, as events in Israel and elsewhere continue to demonstrate. Living with terrorism will be an inescapable part of life in the twenty-first century. Simon calls on officials to move away from the useless rhetoric of defeating terrorism and to focus instead on achievable goals in combating this global problem.

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This book assesses the direction and impact of African philosophy as well as its future role.What is the intellectual, social, cultural, and political territory of African philosophy? What directions will African philosophy take in the future? What problems will it face? In 10 probing essays by distinguished African, European, and American scholars, African Philosophy as Cultural Inquiry examines the role of African philosophy at the opening of the new millennium. Here philosophy cuts across disciplinary boundaries to embrace ideas taken from history, literary studies, anthropology, and art. Addressing topics such as the progress of philosophical discourse, knowledge and modes of thought, the relevance of philosophy for cultures that are still largely based on traditional values, and the meaning of philosophy to cultures and individuals in the process of modernization, this volume presents today's best thinking about the concerns and practices that constitute African experience. New views about personhood, freedom, responsibility, progress, development, the role of the state, and life in civil society emerge from these broad-based considerations of the crisis of the postcolonial African state. In a lively fashion this diverse book shows how philosophical questions can be applied to interpretations of culture and reveals the multifaceted nature of philosophical discourse in the multiple and variable settings that exist in contemporary Africa.

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This updated, expanded, and reorganized edition of Women and Music features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women and Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.

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RememberingA Phenomenological StudySecond EditionEdward S. CaseyA pioneering investigation of the multiple ways of remembering and the difference that memory makes in our daily lives.A Choice Outstanding Academic Book"An excellent book that provides an in-depth phenomenological and philosophical study of memory." —Choice". . . a stunning revelation of the pervasiveness of memory in our lives." —Contemporary Psychology"[Remembering] presents a study of remembering that is fondly attentive to its rich diversity, its intricacy of structure and detail, and its wide-ranging efficacy in our everyday, life-world experience. . . . genuinely pioneering, it ranges far beyond what established traditions in philosophy and psychology have generally taken the functions and especially the limits of memory to be." —The Humanistic PsychologistEdward S. Casey provides a thorough description of the varieties of human memory, including recognizing and reminding, reminiscing and commemorating, body memory and place memory. The preface to the new edition extends the scope of the original text to include issues of collective memory, forgetting, and traumatic memory, and aligns this book with Casey's newest work on place and space. This ambitious study demonstrates that nothing in our lives is unaffected by remembering.Studies in Continental Thought—John Sallis, general editorContentsPreface to the Second EditionIntroduction Remembering Forgotten: The Amnesia of AnamnesisPart One: Keeping Memory in MindFirst ForaysEidetic FeaturesRemembering as Intentional: Act PhaseRemembering as Intentional: Object PhasePart Two: Mnemonic ModesPrologueRemindingReminiscingRecognizingCodaPart Three: Pursuing Memory beyond MindPrologueBody MemoryPlace MemoryCommemorationCodaPart Four: Remembering Re-memberedThe Thick Autonomy of MemoryFreedom in Remembering

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" . . . a most welcome addition to the body of scholarship on the Sokoto Jihad and Caliphate." —Religious Studies ReviewThe fascinating life and times of Nana Asma'u (1793 - 1864), a West African woman who was a Muslim scholar and poet. As the daughter of the spiritual and political leader of the Sokoto community, Asma'u was a role model and teacher for other Muslim women as well as a scholar of Islam and a key advisor to her father as he waged a jihad to bring Islam to the population of what is now northwestern Nigeria.

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" . . . one of the most interesting, useful and even exciting books on the process of musical creation." —American Music Teacher" . . . noteworthy contribution . . . with plenty of insight into interpretation . . . remarkable as an insider's account of the works in an individual perspective." —European Music TeacherDrake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.

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"In a book that will change the ways we think about autobiography and criticism, Nancy K. Miller produces poignant revelations about what it means to live with a dying parent—as a son or daughter, as well as the difference that gender makes in such a painful situation. In Bequest and Betrayal, she develops an original feminist perspective by counterpointing lyrical introspection about her own grief with critical insights into memoirs by Simone de Beauvoir, Philip Roth, Art Spiegelman, Susan Cheever, Carolyn Steedman, and Annie Ernaux." —Sandra M. Gilbert and Susan Gubar, co-authors of The Madwoman in the Attic, No Man's Land, and The Norton Anthology of Literature by Women"Miller's use of the memoir form offers a new model of serious criticism, and a way of imagining community through 'bonds of paper' as well as 'bonds of blood.'" —Elaine Showalter, London Review of BooksMelding the details of her own experience with the familial biographies of well-known contemporary writers, Miller recreates a common experience—the loss of a father or a mother—and exposes the often tortuous paths of mourning and attachment that we follow in the wake of loss. In the process, she offers pieces of personal history, revealing the mixed emotions provoked by her mother's sudden death from cancer and her father's painful struggle with Parkinson's disease. Memoirs about the loss of parents show how enmeshed in the family plot we have been and the price of our complicity in its stories. The death of parents forces us to rethink our lives, to reread ourselves. We read for what we need to find. Sometimes, we also find what we didn't know we needed.

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British women writers were enormously influential in the creation of public opinion and political ideology during the years from 1780 to 1830. Anne Mellor demonstrates the many ways in which they attempted to shape British public policy and cultural behavior in the areas of religious and governmental reform, education, philanthropy, and patterns of consumption. She argues that the theoretical paradigm of the "doctrine of the separate spheres"may no longer be valid. According to this view, British society was divided into distinctly differentiated and gendered spheres of public versus private activities in the 18th and 19th centuries,Surveying all the genres of literature—drama, poetry, fiction, non-fiction prose, and literary criticism—Mellor shows how women writers promoted a new concept of the ideal woman as rationally educated, sexually self-disciplined, and above all, virtuous. This New Woman, these writers said, was better suited to govern the nation than were its current fiscally irresponsible, lecherous, and corruptible male rulers.Beginning with Hannah More, Mellor argues that women writers too often dismissed as conservative or retrogressive instead promoted a revolution in cultural mores or manners. She discusses writers as diverse as Elizabeth Inchbald, Hannah Cowley, and Joanna Baillie; as Charlotte Smith, Anna Barbauld, and Lucy Aikin; as Mary Wollstonecraft, Charlotte Reeve, and Anna Seward; and concludes with extended analyses of Charlotte Smith's Desmond and Jane Austen's Persuasion. She thus documents women writers' full participation in that very discursive public sphere which Habermas so famously restricted to men of property. Moreover, the new career of philanthropy defined by Hannah More provided a practical means by which women of all classes could actively construct a new British civil society, and thus become the mothers not only of individual households but of the nation as a whole.

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"No serious student of film should miss the great work collected in this volume."—W. A. Vincent, Choice"When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour's ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars." —Peter Wollen, BookforumThe Analysis of Film brings together Raymonds Bellour's now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work—The Birds, Marnie, Psycho, North by Northwest—and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century.Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, "the analysis of film."The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith's The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.

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"Pentikäinen's exceptional interdisciplinary study will richly reward those interested in the dynamics of artistic creation and cultural construction, ethnic emergence and political nationalism, and shamanistic belief systems." —American Anthropologist" . . . a splendid contribution to the literature on folk epics . . . " —The Scandinavian-American BulletinThe Kalevala, created during the 1830s and 1840s, is based on authentic folklore collected and compiled by Elias Lonnrot. It was the Kalevala that initiated the process leading to the foundation of Finnish identity during the nineteenth century and was, therefore, one of the crucial factors in the formation of Finland as a new nation in the twentieth century.

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"Mark Musa, in editing and translating Petrarch's Canzoniere, has performed a wonderful service to the English-speaking reader. Here, in one volume, are included the poet's own selection of the best lyric verse he wrote throughout his life, accompanied by brief but useful notes . . . " —Chronicles"As well as skillful and fluent verse renderings of the 366 lyrics that make up this milestone in the development of Western poetic tradition, Musa offers copious and up-to-date annotation to each poem . . . along with a substantial, sensitive, and intelligent introduction that is genuinely helpful for the first-time reader and thought provoking for Petrarch scholars and other medievalists." —ChoiceThe 366 poems of Petrarch's Canzoniere represent one of the most influential works in Western literature. Varied in form, style, and subject matter, these "scattered rhymes" contains metaphors and conceits that have been absorbed into the literature and language of love. In this bilingual edition, Mark Musa provides verse translations, annotations, and an introduction co-authored with Barbara Manfredi.

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"These four volumes in this major series . . . provide a single-source reference to the status of the field of women's history and to ways that the field can be expanded. . . . A basic set for all academic libraries." —Library Journal Academic NewswireExamining the role of women and gender ideology during the pre-contact and colonial periods in Latin America, Navarro looks at early indigenous societies as well as the Spanish and the Portuguese who claimed the "New World." Sánchez Korrol considers the shifts in women's roles between the 1880s and 1930s and accompanying societal transformations.

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"This is the first extended study I know of what the author calls a "Holocaust performative," . . . .[The author] asks what a "holocaust performative" might look like and how such a study might illuminate "events of this particular genocide that are unrepresentable and outside the parameters of representation itself" . . . .[Patraka] contributes an important and possibly contentious dimension to Holocaust studies." —James Young"Theater, always a medium of fragile bodies and intractable ideologies, meets its biggest challenge in the Holocaust. How represent the unrepresentable? Vivian Patraka brings postmodern paradoxes into the heart of Holocaust meanings. A superb critic of drama, Patraka analyzes a wide range of recent plays, helping us to decode fascism's insidious mutations even in the most earnest theatrical exposes. Richly researched, feelingly written Spectacular Suffering: Theatre, Fascism, and the Holocaust brings performance theory, feminism, history, and Jewish cultural studies into unique dialogue. There is material here to fill several course syllabi. A wonderful and important book."—Elin Diamond, Rutgers UniversitySpectacular Suffering: Theatre, Fascism and the Holocaust considers how we remember historical instances of suffering and atrocity, framing its central questions to reflect larger cultural shifts in how we position ourselves in relation to history, performance, and memory.

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The Essential Husserl, the first anthology in English of Edmund Husserl's major writings, provides access to the scope of his philosophical studies, including selections from his key works: Logical Investigations, Ideas I and II, Formal and Transcendental Logic, Experience and Judgment, Cartesian Meditations, The Crisis of European Sciences and Transcendental Phenomenology, and On the Phenomenology of the Consciousness of Internal Time. The collection is an indispensable resource for anyone interested in twentieth-century philosophy.

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" . . . comprehensive, readable, beautifully documented . . . I cannot imagine a library or a person seriously interested in Renaissance Rome without it." —Manuscripta"Brilliant synthesis. A must." —Bibliotheque L'Humanisme et Renaissance" . . . no book in English or otherwise covers the breadth of Renaissance Rome as this one does. It will be definitive for a long time." —Church History" . . . attractively presented . . . stimulating . . . " —Renaissance Studies"In lively prose . . . the author paints a complex multilayered image of compelling vividness." —History of European IdeasA distinctively Roman Renaissance starting in the middle of the fifteenth century is the subject of Charles Stinger's celebrated study. Cultural history at its best, The Renaissance in Rome will inform both Renaissance and Reformation scholars, as well as general readers fascinated and affected by the Eternal City.

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"An indispensable sourcebook . . . Emphasis falls on the variegated, often joyful, culture of the Polish Jews, on what existed before the garden was ruined." —Geoffrey Hartmann, The New Republic"From these marvelous selections, one can see an entire culture unfolding." —Curt Leviant, New York Times Book Review"This newly revised version of the classic study . . . is a pleasure for the eye and the soul! One of the seminal studies of the impact of the Shoah on European Jewry, it is even more moving in its new incarnation than in its original version. More than a collection of studies of books of remembrance and mourning, this volume asks how one can mourn for a world lost and still live in the present and the future." —Sander L. Gilman"Kugelmass and Boyarin have done a splendid job of combing the vast memorial book literature to select the most revealing accounts of Jewish life in interbellum Poland. Ordinary people speak in this volume with an immediacy and poignancy that cannot help but touch the reader. In the time since it first appeared, From a Ruined Garden has become a classic. Its reappearance in an updated and expanded form is most welcome." —Barbara Kirshenblatt-Gimblett"In this magnificent collection, the editors combine a profound 'feel' for the vanished world of Polish Jewry, the anthologist's skill at selecting the telling example, and the anthropologist's sophisticated understanding of how these testimonies should be read. A marvelous introduction to this rich literature." —Peter NovickPolish Jewish survivors of the Holocaust compiled memorial books to preserve the memory of their destroyed communities. They describe daily life in the shtetl as well as everyday life during the Holocaust and the experiences of returning survivors. These memories paint a haunting picture of a way of life lost forever.

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" . . . a sophisticated and thoughtful study." —Leeds African Studies Bulletin"A very impressive work . . . in the concreteness of its research documentation as well as in its theoretical scope, this study brings a truly innovative dimension to African literary scholarship, and indeed to the whole field of African studies." —Abiola Irele, Ohio State University"The discussion reveals a combination of formidable analytical and critical strength with a refreshingly open-minded and sensible approach to his field." —Karin Barber, University of Birmingham

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" . . . one of the best books yet written on preindustrial African ironworking." —Geoarchaeology"Peter Schmidt has written an important synthesis of two decades' work on the iron technology of the Haya people of Tanzania." —African Studies Review" . . . essential reading for archaeologists, anthropologists, and historians of East Africa . . . " —International Journal of African Historical Studies"In Schmidt's skillful and sensitive hands . . . the topic comes alive as a vital sociology of knowledge in ways that will interest a great many readers, both in and outside of archaeology and African Studies." —ChoicePeter R. Schmidt distills more than 20 years of research on the technological, historical, and cultural dimensions of African iron production from ancient times to the recent past. His investigation of the rich symbolism surrounding traditional methods of iron production sheds light on the history of iron technology and reveals its central cultural role.

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"On his own terms, Brandon more than fulfills his promise to take the reader on the transatlantic journey of the orisha and to explore the complexities of African memory in the diaspora." -American Historical Review "He adeptly addresses broader issues, such as power relations within Caribbean slavery, multiculturalism, and the forms of religious accommodation to cultural change. In addition, he offers a fresh and cogent assessment of the production and reproduction of African beliefs and practices in new contexts. Brandon's exemplary archival research is supplemented by skillful participant observation." -Choice The Yoruba religious tradition arose in West Africa, but its influence has spread beyond Africa to millions of adherents in the Americas as well. Santeria from Africa to the New World retraces one path taken by this tradition-a path from Africa to Cuba and to New York City. George Brandon examines the religion's transatlantic route through Cuban Santeria, Puerto Rican Espiritismo, and Black Nationalism. In following the historical and anthropological evolution of the Yoruba religion, Brandon discusses broader questions of power, multiculturalism, cultural change, and the production and reproduction of African retentions.

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". . . an important volume for scholar and student alike, and a tribute to the enduring contributions of its authors." —Renaissance Quarterly"These thought-provoking essays run the gamut of feminist criticism on tragedy." —Shakespeare Quarterly"Highly recommended . . . " —ChoiceThese essays mount a powerful critique of the tragic hero as representative of the errors and sufferings of humankind. They come from a variety of perspectives—including feminist new historicism, psychoanalysis, poststructuralism, and autobiographical criticism. While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume also covers the major tragic period, giving special attention to Othello.

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In a series of pioneering studies, this book examines the creation—and the conflict behind the creation—of sacred space in America. The essays in this volume visit places in America where economic, political, and social forces clash over the sacred and the profane, from wilderness areas in the American West to the Mall in Washington, D.C., and they investigate visions of America as sacred space at home and abroad. Here are the beginnings of a new American religious history—told as the story of the contested spaces it has inhabited.The contributors are David Chidester, Matthew Glass, Edward T. Linenthal, Colleen McDannell, Robert S. Michaelsen, Rowland A. Sherrill, and Bron Taylor.

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"Wall's writing is lively and exuberant. She passes her enthusiasm for these writers' works on to the reader. She captures the mood of the times and follows through with the writers' evolution—sometimes to success, other times to isolation. . . . Women of the Harlem Renaissance is a rare blend of thorough academic research with writing that anyone can appreciate." —Jason Zappe, Copley News Service"By connecting the women to one another, to the cultural movement in which they worked, and to other early 20th-century women writers, Wall deftly defines their place in American literature. Her biographical and literary analysis surpasses others by following up on diverse careers that often ended far past the end of the movement. Highly recommended . . . " —Library Journal"Wall offers a wealth of information and insight on their work, lives and interaction with other writers. . . strong critiques . . . " —Publishers WeeklyThe lives and works of women artists in the Harlem Renaissance—Jessie Redmon Fauset, Nella Larsen, Zora Neale Hurston, Bessie Smith, and others. Their achievements reflect the struggle of a generation of literary women to depict the lives of Black people, especially Black women, honestly and artfully.

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". . . a major contribution to cornett research and belongs in the library of every cornettist." —Historic Brass Society". . . scrupulously detailed. . . The first successful attempt to provide a comprehensive reference book on the cornett and its music. Recommended for both upper-division undergraduate libraries and collections serving music scholars and performers." —Choice" . . . it will likely stand as the definitive bibliography of cornett music for many years." —Notes". . . this is a groundbreaking study of the subject . . . likely to remain the only major study of the instrument and the music composed for it." —American Reference Books Annual". . . every cornett player owes an immense debt of gratitude to [the authors and their assistants] for revealing such a wealth of performing opportunities . . ." —European Journal of Early MusicThe cornett is made of wood but has a brass cup mouthpiece and uses woodwind finger technique. Here the authors have compiled a bibliography of all extant sources of instrumental and vocal music which specify the cornett.

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"This is a book of extraordinary quality and importance. In tracing the encounter of Jews (the chosen people) and America (the chosen nation) . . Eisen has given the American Jewish community a new understanding of itself." —American Jewish Archives". . . one of the most significant books on American Jewish thought written in recent years." —ChoiceWhat does it mean to be a Jew in America? What opportunities and what threats does the great melting pot represent for a group that has traditionally defined itself as "a people that must dwell alone"? Although for centuries the notion of "The Chosen People" sustained Jewish identity, America, by offering Jewish immigrants an unprecedented degree of participation in the larger society, threatened to erode their Jewish identity and sense of separateness.Arnold M. Eisen charts the attempts of American Jewish thinkers to adapt the notion of chosenness to an American context. Through an examination of sermons, essays, debates, prayer-book revisions, and theological literature, Eisen traces the ways in which American rabbis and theologians—Reconstructionist, Conservative, and Orthodox thinkers—effected a compromise between exclusivity and participation that allowed Jews to adapt to American life while simultaneously enhancing Jewish tradition and identity.

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"Nugent's study, well illustrated and documented . . . will become a must for courses on migration history." —Dirk Hoerder, International Migration Review"A brilliant analysis of a critical chapter of migration history." —Ira Glazier, American Historical Review"Nugent's work is the ideal—the only—narrative companion to any quantitative analysis of late-nineteenth century population movements in the Atlantic economy." —Journal of Economic History"In terms of synthesizing existing literature and extending comparisons across boundaries, Nugent offers a shining example for both students and established scholars." —Journal of Interdisciplinary History

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The text of Martin Heidegger's 1930-1931 lecture course on Hegel's Phenomenology of Spirit contains some of Heidegger's most crucial statements about temporality, ontological difference and dialectic, and being and time in Hegel. Within the context of Heidegger's project of reinterpreting Western thought through its central figures, Heidegger takes up a fundamental concern of Being and Time, "a dismantling of the history of ontology with the problematic of temporality as a clue." He shows that temporality is centrally involved in the movement of thinking called phenomenology of spirit.

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". . . this is a remarkable book. It will occupy a significant place in the critical literature of African Studies." —International Journal of African Historical Studies"To read Mudimbe is to walk through a museum of many exhibits in the company of an erudite companion who explains, with much learned commentary, what you are seeing." —American Anthropologist"Mudimbe's sympathetic yet rigorous accounts of such diverse Africanist discourses as Herskovits's cultural relativism and contemporary Afrocentricity bring to the surface the underlying goals and contexts in which these were produced." —Ivan KarpA sequel to his highly acclaimed The Invention of Africa, this is V. Y. Mudimbe's exploration of how the "idea" of Africa was constructed by the Western world.

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"This important work . . . synthesizes the evolution of warfare from 1775 to the present." —Military ReviewA thorough revision of a highly successful text, this new edition provides a comprehensive picture of the evolution of modern warfare.From reviews of the first edition:"There is nothing else in print that tells so much so concisely about how war has been conducted since the days of Gen. George Washington." —Russell F. Weigley"A superior synthesis. Well written, nicely organized, remarkably comprehensive, and laced with facts." —Military Affairs

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"[Herbert] has constructed a model of power relationships structured upon gender and age, and derived from male transformative processes, and in so doing has written a notable, and most enjoyable, book." —African History"Herbert examines with great care and thoroughness the relationships between gender and power and the rationales that give them social form. . . . [Her] analytical ability is outstanding." —Patrick McNaughton"This book is a well-written and essential study of the place of belief in African material culture." —International Journal of African Historical Studies Herbert relates the beliefs and practices associated with iron working in African cultures to other transformative activities—chiefly investiture, hunting, and pottery making—to propose a gender/age-based theory of power.

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Women of Science is a collection of essays dealing with contributions women have made to various scientific disciplines, written by women scientists in those disciplines. The areas covered are: astronomy, archaeology, biology, chemistry, crystallography, engineering, geology, mathematics, medicine, and physics. The women who have written these essays are, for the most part, not professional historians, but rather scientific professionals who felt the necessity of researching the contributions women have made to the devlopment of their fields. The essays are unique, not only because they recover lost women who made significant contributions to their disciplines, but also because they are written with a depth of understanding that only a scientist working in a specific area can have. The essays will be of interest not only to students (especially women students) of science who may be unaware of the many contributions women have made, but also to readers of the history of science whoses texts more often than not fail to include the work of most women scientists.

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" . . . insights and expertise which all together furnish a useful addition to Pinter studies." —Modern Language ReviewEssays by both scholars and theater artists examine the work of British playwright Harold Pinter. The essays focus on performance, politics, gender issues, interpersonal manipulation, style and language, on influence, and on the interplay between Pinter's theatrical and film-scripting careers. Illustrated.

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" . . . this is no doctrinaire tract but rather a concerted attempt to look at important cultural problems from a fresh perspective. . . . Chow's book is an excellent example of its type."—Discourse & Society"I believe that Rey Chow has written a powerful set of essays which offer a critical strategy for approaching questions of otherness and other societies by forcing us to constantly reassess our position." —Harry HarootunianWriting Diaspora questions aspects of cultural politics, including the legacies of European imperialism and colonialism, the media, pedagogy, literature, literacy, sexuality, intellectual labor, the uses and abuses of theory, and popularized notions about "others."

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As a new independent Republic of Armenia is established among the ruins of the Soviet Union, Armenians are rethinking their history—the processes by which they arrived at statehood in a small part of their historic homeland, and the definitions they might give to boundaries of their nation. Both a victim and a beneficiary of rival empires, Armenia experienced a complex evolution as a divided or an erased polity with a widespread diaspora.Ronald Grigor Suny traces the cultural and social transformations and interventions that created a new sense of Armenian nationality in the nineteenth and twentieth centuries. Perceptions of antiquity and uniqueness combined in the popular imagination with the experiences of dispersion, genocide, and regeneration to forge an Armenian nation in Transcaucasia. Suny shows that while the limits of Armenia at times excluded the diaspora, now, at a time of state renewal, the boundaries have been expanded to include Armenians who live beyond the borders of the republic.

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"This book is a highly valuable contribution to the current debate on how to achieve stabilization and structural adjustment programs in the Middle East presenting widely differing country profiles." —Digest of Middle East Studies"This book is an excellent collection of ten country case-studies by well-known Middle East political scientists . . . " —MESA Bulletin" . . . a highly original and valuable contribution on an important and most timely topic. . . . combines clarity of focus and breadth of geographic coverage." —Robert BianchiInternational specialists take stock of the problems and prospects for privatization of state-run economies and other liberalization efforts throughout the Middle East and North Africa.

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"In this chilling study of Nazi heroic mythology, Baird sheds a bright light on the dark, death-enthralled underpinnings of the German political and cultural psyche during the years 1918–45." —Booklist"Baird blends first-rate historical reconstruction with expert cultural analysis." —American Historical Review"Baird's fascinating account of Nazi heroism provides real understanding of the Nazi employment of aesthetics as politics and will be welcomed by students of twentieth-century German and European culture." —The Historian

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"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." —Richard Dyer MacCann" . . . superb work . . . " —Historical Journal of Film, Radio, and Television

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Philosophy has often been criticized for privileging the abstract; this volume attempts to remedy that situation. Focusing on one of the most concrete of human concerns, food, the editors argue for the existence of a philosophy of food. The collection provides various approaches to the subject matter, offering new readings of a number of texts—religious, philosophical, anthropological, culinary, poetic, and economic. Included are readings ranging from Plato's Phaedo and Verses of Sen-No-Rikyu to Peter Singer's "Becoming a Vegetarian" and Jean-François Revel's Culture and Cuisine.This reader will have particular appeal for philosophers working in social theory, feminist theory, and environmental ethics, and for those working on alternative approaches to such traditional subject areas as epistemology, aesthetics, and metaphysics.

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"The essays collected in this book represent the best of our present understanding of the African-American migration which began in the early twentieth century." —Southern Historian"As an overview of a field in transition, this is a valuable and deeply thought-provoking anthology." —Pennsylvania History" . . . provocative and informative . . . " —Louisiana History"The papers themselves are uniformly strong, and read together cast interesting light upon one another." —Georgia Historical Quarterly" . . . well-written and insightful essays . . . " —Journal of American History"This well-researched and well-documented collection represents the latest scholarship on the black migration." —Illinois Historical Journal" . . . an impressive balance of theory and historical content . . . " —Indiana Magazine of HistoryLegions of black Americans left the South to migrate to the jobs of the North, from the meat-packing plants of Chicago to the shipyards of Richmond, California. These essays analyze the role of African Americans in shaping their own geographical movement, emphasizing the role of black kin, friend, and communal network. Contributors include Darlene Clark Hine, Peter Gottlieb, James R. Grossman, Earl Lewis, Shirley Ann Moore, and Joe William Trotter, Jr.

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.."". enables us to deepen our understanding of the organization of working women.""A -- International Journal of African Historical Studies.."". an impressive piece of scholarship."" -- American Journal of SociologyVirtually ignored by labor historians are the black and white women in South African industries. Drawing on comparative labor history and feminist theory, this important study traces the history of women as industrial workers and trade unionists in South Africa during most of the twentieth century.

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"William McCagg has done a great service for scholarship—and for Habsburg scholarship in particular—through his book. Scholars are in his debt." —History of European Ideas" . . . strongly recommended to those interested in either Jewish or Habsburg history." —American Historical Review" . . . McCagg tells a fascinating story with expert knowledge, with the sure eye and sound judgment of the experienced historian . . . " —Midstream" . . . exceptionally fine research and the time frame of the study which make it quite remarkable and original." —German Politics & Society"William McCagg brings out the extent to which Jews were divided not only as Jews, but also as citizens of Austro-Hungary . . . McCagg writes perceptively of Kafka's predicament as a German-speaking Jew in Prague, living through the Czech nationalist revival . . . " —New York Review of BooksDrawing on a wide variety of European sources, McCagg has produced the first history of this important but often forgotten community to be written since the nineteenth century.

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" . . . a comprehensive look at an enigmatic era . . . " —Choice"This provocative collection of essays certainly takes some of the polish off Soviet socialism's golden age." —Journal of Interdisciplinary History"The authors and editors of this splendid volume deserve great praise. Their work moves the field of Soviet history several large steps forward." —Slavic ReviewLenin's New Economic Policy of the 1920s, although a relatively free and open potential alternative to Soviet communism, was also a time of extreme tension, as Russian society and culture were rocked by the forces of resistance and change. These essays examine the social and cultural dimensions of NEP in urban and rural Russia in the years before Stalin and rapid industrialization.

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"This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art CriticismErens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond.Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.

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