Search results for ""INDIANA UNIVERSITY PRESS""

What did generations of Indiana University students think about their years on campus—the faculty, courses, administration, pressing social issues, and each other? Through student writings and art featured in The Well House Reader, the Bloomington campus across the years vividly and sometimes whimsically comes to life.Featuring selections from more than 150 years of student writing, The Well House Reader, edited Donald J. Gray, demonstrates how students voiced their views and opinions through their contributions to campus magazines and yearbooks. From the use of satiric couplets to ridicule university president Cyrus Nutt in 1872, parody and caricature to mock the Ku Klux Klan in 1924, and long form essays to complain about the university administration in the 1960s, IU students always made their opinions clear. They wrote burlesques to mock their teachers, essays to honor them, and short stories about the satisfaction and sadness of graduation and departure from their beloved alma mater. Poignant and revealing, The Well House Reader offers unforgettable glimpses of Indiana University through the eyes and experiences of its students across the decades.

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In Lucknow, the capital of India's most populous state, the stigmas and colonial legacies surrounding sexual propriety and population growth affect how Muslim women, often in poverty, cope with infertility.In Infertility in a Crowded Country, Holly Donahue Singh draws on interviews, observation, and autoethnographic perspectives in local communities and Lucknow's infertility clinics to examine access to technology and treatments and to explore how pop culture shapes the reproductive paths of women and their supporters through clinical spaces, health camps, religious sites, and adoption agencies. Donahue Singh finds that women are willing to transgress social and religious boundaries to seek healing. By focusing on interpersonal connections, Infertility in a Crowded Country provides a fascinating starting point for discussions of family, kinship, and gender; the global politics of reproduction and reproductive technologies; and ideologies and social practices around creating families.

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Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East.Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

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In Making German Jewish Literature Anew, Katja Garloff traces the emergence of a new Jewish literature in Germany and Austria from 1990 to the present. The rise of new generations of authors who identify as both German and Jewish, and who often sustain additional affiliations with places such as France, Russia, or Israel, affords a unique opportunity to analyze the foundational moments of diasporic literature. Making German Jewish Literature Anew is structured around a series of founding gestures: performing authorship, remaking memory, and claiming places. Garloff contends that these founding gestures are literary strategies that reestablish the very possibility of a German Jewish literature several decades after the Holocaust.Making German Jewish Literature Anew offers fresh interpretations of second-generation authors such as Maxim Biller, Doron Rabinovici, and Barbara Honigmann as well as of third-generation authors, many of whom come from Eastern European and/or mixed-religion backgrounds. These more recent writers include Benjamin Stein, Lena Gorelik, and Katja Petrowskaja. Throughout the book, Garloff asks what exactly marks a given text as Jewish—the author's identity, intended audience, thematic concerns, or stylistic choices—and reflects on existing definitions of Jewish literature.

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A genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin.Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.

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Maurice Maeterlinck described his libretto Ariane et Barbe-bleue as "a sort of legendary opera, or fairy [opera], in three acts." In 1907, Paul Dukas finished setting Maeterlinck's libretto to music, and the opera's Paris premiere was lauded as a landmark in operatic history. Ariane & Bluebeard: From Fairy Tale to Comic Book Opera offers a comprehensive, interdisciplinary look at this historic opera, including its structure, reception, and cultural implications. This lively collection juxtaposes chapters from experts in music, literature, the visual arts, gender studies, and religion and philosophy with vibrant illustrations by comic artist P. Craig Russell and interviews with performers and artists. Featuring material from newly discovered documents and the first English translation of several important sources, Ariane & Bluebeard allows readers to imagine the opera in its various incarnations: as symbolist show, comic book, children's fairy tale, and more.

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The personal letters of Americans during the Civil War preserve first-person records of news, people, and emotions that humanize the horrific events of the war and provide unique insights into the conflict's effects on individuals, families, communities, and America. Often, however, only the letters sent home survived, leaving half of the story missing. Between Home and the Front presents previously unpublished letters from the Walters family's collection held by the Smithsonian's National Postal Museum, which include the exchange of correspondence between the home front and front line, a perspective not often seen.Between Home and the Front gives us a glimpse into the poignant questions, answers, and sentiments Private David Walters of the 5th Indiana Calvary and his wife Rachel shared in their correspondence. The letters from David give details about some of the lesser-known actions of the western theater of combat, such as Morgan's Raid. The letters by Rachel Walters record how she managed the household and a young child while becoming hub of communication for the family, often receiving missives from David's brothers, Isaac and John Wesley, both of whom served with Indiana units, and relaying the information to others. From the early letters describing a Civil War soldier's enlistment to his widow's struggle in the aftermath of the war, the letters of the Walters family add incomparable details to the study of the Civil War. Between Home and the Front offers not only unique first-person accounts from those that experienced the Civil War but also meticulous annotations that provide valuable historical context for the events, people, and material culture described in the letters.

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Three million Polish Jews were murdered in the Holocaust, wiping out nearly 98 percent of the Jewish population who had lived and thrived there for generations. Night Without End tells the stories of their resistance, suffering, and death in unflinching, horrific detail. Based on meticulous research from across Poland, it concludes that those who were responsible for so many deaths included a not insignificant number of Polish villagers and townspeople who aided the Germans in locating and slaughtering Jews.When these findings were first published in a Polish edition in 2018, a storm of protest and lawsuits erupted from Holocaust deniers and from people who claimed the research was falsified and smeared the national character of the Polish people.Night Without End, translated and published for the first time in English in association with Yad Vashem, presents the critical facts, significant findings, and the unmistakable evidence of Polish collaboration in the genocide of Jews.

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Abraham Lincoln spent a quarter of his life—from 1816 to 1830, ages 7 to 21—learning and growing in southwestern Indiana. Despite the importance of these formative years, Lincoln rarely discussed this period, and with his sudden, untimely death in 1865, mysterious gaps appear in recorded history. In Abraham Lincoln's Wilderness Years, Joshua Claybourn collects and annotates the most significant scholarship from J. Edward Murr, one of the only writers to cover this lost period of Lincoln's life. A Hoosier minister who grew up with the 16th president's cousins, Murr interviewed locals who knew Lincoln. Part I features selected portions of Murr's book-length manuscript on Lincoln's youth, published here for the first time. Part II offers a series by Murr on Lincoln's life in Indiana, originally printed in the Indiana Magazine of History. Part III reveals letters between Murr and US Senator Albert J. Beveridge, a prominent historian, about Beveridge's early manuscript of the biography Abraham Lincoln, 1809–1858. Of all Lincoln's biographers, none knew his boyhood associates and Indiana environment as well as Murr, whose complete Lincoln research and scholarship have never been published—until now. Abraham Lincoln's Wilderness Years preserves and celebrates this important source material, unique for studying Lincoln's boyhood years in Indiana.

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Against the lethargy and despair of the contemporary Anglophone Caribbean experience, Aaron Kamugisha gives a powerful argument for advancing Caribbean radical thought as an answer to the conundrums of the present. Beyond Coloniality is an extended meditation on Caribbean thought and freedom at the beginning of the 21st century and a profound rejection of the postindependence social and political organization of the Anglophone Caribbean and its contentment with neocolonial arrangements of power. Kamugisha provides a dazzling reading of two towering figures of the Caribbean intellectual tradition, C. L. R. James and Sylvia Wynter, and their quest for human freedom beyond coloniality. Ultimately, he urges the Caribbean to recall and reconsider the radicalism of its most distinguished 20th-century thinkers in order to imagine a future beyond neocolonialism.

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The first in-depth look at how women have shaped the history and legacy of Indiana University.Women first enrolled at Indiana University in 1867. In the following years they would leave an indelible mark on this Hoosier institution. However, until now their stories have been underappreciated, both on the IU campus and by historians, who have paid them little attention. Women at Indiana University draws together 15 snapshots of IU women's experiences and contributions to explore essential questions about their lives and impact. What did it mean to write the petition for women's admission or to become the first woman student at an all-male university? To be a woman of color on a predominantly white campus? To balance work, studies, and commuting, entering college as a non-traditional student? How did women contribute to their academic fields and departments? How did they tap opportunities, confront barriers, and forge networks of support to achieve their goals? Women at Indiana University not only opens the door to a more inclusive and accurate understanding of IU's past and future, but also offers greater visibility for Hoosier women in our larger understanding of women in American higher education.

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When it comes to evangelical Christianity, the internet is both a refuge and a threat. It hosts Zoom prayer groups and pornographic videos, religious revolutions and silly cat videos. Platforms such as social media, podcasts, blogs, and digital Bibles all constitute new arenas for debate about social and religious boundaries, theological and ecclesial orthodoxy, and the internet's inherent danger and value.In The Digital Evangelicals, Travis Warren Cooper locates evangelicalism as a media event rather than as a coherent religious tradition by focusing on the intertwined narratives of evangelical Christianity and emerging digital culture in the United States. He focuses on two dominant media traditions: media sincerity, immediate and direct interpersonal communication, and media promiscuity, communication with the primary goal of extending the Christian community regardless of physical distance. Cooper, whose work is informed by ethnographic fieldwork, traces these conflicting paradigms from the Protestant Reformation through the rise of the digital and argues that the tension is culminating in a crisis of evangelical authority. What counts as authentic interaction? Who has authority over the circulation of information?While many studies claim that technology influences religion, The Digital Evangelicals reveals how Protestant metaphors and discourses shaped the emergence of the internet and explores what this relationship with global new media means for evangelicalism.

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The Father of Jewish Mysticism offers an incisive look at the early life and writings of Gershom Scholem (1897–1982), the father of modern Jewish mysticism and a major 20th-century Jewish intellectual. Daniel Weidner offers the first full-length study, published in English, of Scholem's thought. Scholem, a historian ofthe Kabbalah and sharp critic of Jewish assimilation, played a major role in the study and popularization of Jewish mysticism.Through his work on the Kabbalah, Scholem turned the closed world of mystical texts into a force for Jewish identity. Skillfully drawing on Scholem's early diaries and writings, The Father of Jewish Mysticism introduces a young, soon-to-be legendary intellectual in search of himself and Judaism.

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In Limestone, Indiana, a city tucked away among forested hills, peculiar things happen, often in the vicinity of a jack-of-all-trades named Gordon Mills. Centaurs and nymphs shelter in a local cave, alligators lurk in the sewers, warm snow falls on the Fourth of July, cornstalks rise higher than chimneys, and the northern lights shine down on the municipal dump.Gordon takes such events in stride and deals with them as part of his work on the city maintenance crew. He earns just enough to support a boisterous family, which includes his formidable wife Mabel, their four children, Mabel's parents, and his widowed mother—nine souls packed into an old house that falls apart as fast as Gordon can fix it.Part folktale, part tall tale, part comic romance, Small Marvels revels in the wonders of everyday life. So, welcome to Limestone, Indiana. You won't find it on a map, but you may remember visiting the place in dreams, the rare, blissful ones in which puzzles are solved, kids flourish, hard work pays off, and love endures.

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Fat Boy and the Champagne Salesman offers a compelling behind-the-scenes exploration of the road to World War II and the invasion of Poland by the Hitler's Third Reich. Focusing on the personal power plays within Hitler's inner circle, author Rush Loving details the struggle for Hitler's approval, long before the battle for Poland had begun. The rivalry was between "Fat Boy," the moniker given to Hermann Göring by his fellow Nazi generals, and "the Champagne Salesman," Joachim von Ribbentrop, nicknamed for his previous career, and it was at the heart of Germany's plans for the expansion of the Reich into Poland. Göring, founder of the Lüftwaffe and the man who oversaw the armaments industry, was convinced that any invasion of Poland would lead to war with England and France, who were committed to its defense. Von Ribbentrop, Hitler's foreign minister, argued that the Allies would stand down and continue their policy of appeasement. Only one would be proved correct. An engrossing and dramatic tale, Fat Boy and the Champagne Salesman shows Göring and Ribbentrop playing a tug-of-war with Hitler's will. Loving's vivid narrative of the struggle between the two advisers lends a new understanding of the events leading to the opening days of World War II.

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As unprecedented numbers of unaccompanied African minors requested asylum in Europe in 2015, Annika Lems witnessed a peculiar dynamic: despite inclusionary language in official policy and broader society, these children faced a deluge of exclusionary practices in the classroom and beyond. Frontiers of Belonging traces the educational paths of refugee youth arriving in Switzerland amid the shifting sociopolitical terrain of the refugee crisis and the underlying hierarchies of deservingness. Lems reveals how these minors sought protection and support, especially in educational settings, but were instead treated as threats to the economic and cultural integrity of Switzerland. Each chapter highlights a specific child's story—Jamila, Meron, Samuel, and more—as they found themselves left out, while on paper being allowed "in." The result is a highly ambiguous social reality for young refugees, resulting in stressful, existential balancing acts. A captivating ethnography, Frontiers of Belonging allows readers into the Swiss classrooms where unspoken distinctions between self and other, guest and host, refugee and resident, were formed, policed, and challenged.

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A complete catalogue of Tibetan Chan Texts in the Dunhuang Manuscript Collections

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Within the heart of the Jewish city of Tel Aviv, there is a hidden reality—Palestinians who work, study, and live as an unseen minority without access to equal urban citizenship.Grounded in the everyday lives of Palestinians in Tel Aviv, The Invisible Palestinians offers an ethnographic critique of the city's self-proclaimed openness and liberalism. Andreas Hackl reveals that Palestinians' access to the social and economic opportunities afforded in Tel Aviv depends on keeping a low profile, which not only disrupts opportunities for true urban citizenship but also draws opposition from other Palestinians. By looking at the city from the perspective of this hidden urban minority, Hackl uncovers a critical opportunity to imagine and build a more inclusive and just future for Tel Aviv. An important read, The Invisible Palestinians explores the marginalized urban presence of both Palestinian citizens of Israel and Palestinian laborers from the West Bank in this quintessential Jewish Israeli city. Hackl reveals a highly diverse Palestinian population that includes young people, manual workers and middle-class professionals, residents and commuters, students, artists, and activists, as well as members of an underground Palestinian LGBT community who carefully navigate their place in a city that refuses to recognize them.

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How did the academy react to the rise, dominance, and ultimate fall of Germany's Third Reich? Did German professors of the humanities have to tell themselves lies about their regime's activities or its victims to sleep at night? Did they endorse the regime? Or did they look the other way, whether out of deliberate denial or out of fear for their own personal safety? The Betrayal of the Humanities: The University during the Third Reich is a collection of groundbreaking essays that shed light on this previously overlooked piece of history.The Betrayal of the Humanities accepts the regrettable news that academics and intellectuals in Nazi Germany betrayed the humanities, and explores what went wrong, what occurred at the universities, and what happened to the major disciplines of the humanities under National Socialism.The Betrayal of the Humanities details not only how individual scholars, particular departments, and even entire universities collaborated with the Nazi regime but also examines the legacy of this era on higher education in Germany. In particular, it looks at the peculiar position of many German scholars in the post-war world having to defend their own work, or the work of their mentors, while simultaneously not appearing to accept Nazism.

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On June 22, 1941, the German invasion of the Soviet Union began. In a matter of days, the war reached the suburbs of Kaunas, Lithuania, where a young Jewish violinist, Yochanan Fein, led a happy childhood. On June 22, 1941, that childhood ended.In Boy with a Violin, Fein recounts his early life under Nazi occupation—his survival in the Kaunas Ghetto, the separation from his parents, his narrow escapes from death at the hands of Nazi officers, the harrowing stories of those he knew who did not survive, and the abhorrent conditions he endured while in hiding. He tells the tale of his rescuer, Jonas Paulavičius, the Lithuanian carpenter who sought to save the Jewish spirit. Paulavičius rescued those he believed could rebuild in the wake of the Holocaust, hiding engineers and doctors in his underground Noah's Ark. Among the sixteen he saved stood one fourteen-year-old violinist.Following liberation, Fein describes the aftermath of the war as survivors returned to what was left of their homes and attempted to piece together the fragmented remains of their lives. He recounts the difficulties of returning to some semblance of normal life in the midst of a complex political climate, culminating in his daring escape from Soviet Lithuania.In one of the darkest eras of human history, there were those who proved that the goodness of the human spirit survives against all odds. Boy with a Violin pays tribute to those who risked everything to save a life, and whose altruism crossed the boundaries of race and religion. In this first English translation of Boy with a Violin, Fein continues to offer his testimony to the strength of the human spirit.

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What are the consequences of how Jews are depicted in movies and television series? Drawing on a host of movies and television series from the 1970s to present day, Jews in Contemporary Visual Entertainment explores how the media sexualize and racialize American Jews. Race and sexuality frequently intersect in the depiction of Jewish characters in such shows as The Marvelous Mrs. Maisel, UnREAL, The Expanse, and Breaking Bad, and in films such as Hester Street, Once Upon a Time in America, Casino, Radio Days, Inglourious Basterds, and Barton Fink. When they do, American sexual norms are invariably challenged or outright broken by these anti-Semitic representations of Jewishness.Insightful and provocative, Jews in Contemporary Visual Entertainment disturbingly reveals the far-reaching influence of popular visual media in shaping how American Jews are perceived today.

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The Soviet Gulag was one of the largest, most complex, and deadliest systems of incarceration in the 20th century. What lessons can we learn from its network of labor camps and prisons and exile settlements, which stretched across vast geographic expanses, included varied institutions, and brought together inmates from all the Soviet Union's ethnicities, professions, and social classes?Drawing on a massive body of documentary evidence, Rethinking the Gulag: Identities, Sources, Legacies explores the Soviet penal system from various disciplinary perspectives. Divided into three sections, the collection first considers "identities"—the lived experiences of contingents of detainees who have rarely figured in Gulag histories to date, such as common criminals and clerics. The second section surveys "sources" to explore the ways new research methods can revolutionize our understanding of the system. The third section studies "legacies" to reveal the aftermath of the Gulag, including the folk beliefs and traditions it has inspired and the museums built to memorialize it. While all the chapters respond to one another, each section also concludes with a reaction by a leading researcher: geographer Judith Pallot, historian Lynne Viola, and cultural historian and literary scholar Alexander Etkind.Moving away from grand metaphorical or theoretical models, Rethinking the Gulag instead unearths the complexities and nuances of experience that represent a primary focus in the new wave of Gulag studies.

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What are the consequences of how Jews are depicted in movies and television series? Drawing on a host of movies and television series from the 1970s to present day, Jews in Contemporary Visual Entertainment explores how the media sexualize and racialize American Jews. Race and sexuality frequently intersect in the depiction of Jewish characters in such shows as The Marvelous Mrs. Maisel, UnREAL, The Expanse, and Breaking Bad, and in films such as Hester Street, Once Upon a Time in America, Casino, Radio Days, Inglourious Basterds, and Barton Fink. When they do, American sexual norms are invariably challenged or outright broken by these anti-Semitic representations of Jewishness.Insightful and provocative, Jews in Contemporary Visual Entertainment disturbingly reveals the far-reaching influence of popular visual media in shaping how American Jews are perceived today.

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Since its construction in the early 1960s, the hydroelectric Akosombo Dam across the Volta River has exemplified the possibilities and challenges of development in Ghana. Drawing upon a wealth of sources, A Dam for Africa investigates contrasting stories about how this dam has transformed a West African nation, while providing a model for other African countries.The massive Akosombo Dam is the keystone of the Volta River Project that includes a large manmade lake 250 miles long, the VALCO aluminum smelter, new cities and towns, a deep-sea harbor, and an electrical grid. On the local level, Akosombo has meant access to electricity for people in urban and industrial areas across southern Ghana. For others, Akosombo inflicted tremendous social and environmental costs. The dam altered the ecology of the Lower Volta, displaced 80,000 people in the Volta Basin, and affected the livelihoods of hundreds of thousands of Ghanaians.In A Dam for Africa, Stephan Miescher explores four intersecting narratives: Ghanaian debates and aspirations about modernization in the context of decolonization and Cold War; international efforts of the US aluminum industry to benefit from Akosombo through cheap electricity for their VALCO smelter; local stories of upheaval and devastation in resettlement towns; and a nation-wide quest toward electrification and energy justice during times of economic crises, droughts, and climate change.

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In 1983—as France struggled with race-based crimes, police brutality, and public unrest—youths from Vénissieux (working-class suburbs of Lyon) led the March for Equality and Against Racism, the first national demonstration of its type in France. As Abdellali Hajjat reveals, the historic March for Equality and Against Racism symbolized for many the experience of the children of postcolonial immigrants. Inspired by the May '68 protests, these young immigrants stood against racist crimes, for equality before the law and the police, and for basic rights such as the right to work and housing. Hajjat also considers the divisions that arose from the march and offers fresh insight into the paradoxes and intricacies of movements pushing toward sweeping social change. Translated into English for the first time, The Wretched of France contemplates the protest's lasting significance in France as well as its impact within the context of larger and comparable movements for civil rights, particularly in the US.

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While the role the United States played in France's liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In A "Jewish Marshall Plan," Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists. Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews. A "Jewish Marshall Plan" examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.

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How do we measure and truly grasp the sweeping social and environmental effects of an oil-based economy? Focusing on the special economic zones resulting from China's trading partnership with Nigeria, Enclaves of Exception offers a new approach to exploring the relationship between oil and technologies of extraction and their interrelatedness to local livelihoods and environmental practices. In this groundbreaking work, Omolade Adunbi argues that even though the exploitation of oil resources is dominated by big corporations, it establishes opportunities for many former Nigerian insurgents and their local communities to contest the ownership of such resources in the oil-rich Niger Delta and to extract oil themselves and sell it.Based on extensive ethnographic fieldwork, Enclaves of Exception makes clear that, although both the free trade zones and the now booming local artisanal refineries share the goals of profit-making and are enthusiastically supported by those benefiting from them economically, they have yielded dramatically the same environmental outcome for communities around them that included pollution with precarious effects on the health of the populations in the regions, and displacement of population from their livelihood practices.

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The Yeshiva and the Rise of Modern Hebrew Literature argues that the institution of the yeshiva and its ideals of Jewish textual study played a seminal role in the resurgence of Hebrew literature in modern times. Departing from the conventional interpretation of the origins of Hebrew literature in secular culture, Marina Zilbergerts points to the practices and metaphysics of Talmud study as its essential animating forces. Focusing on the early works and personal histories of founding figures of Hebrew literature, from Moshe Leib Lilienblum to Chaim Nachman Bialik, The Yeshiva and the Rise of Modern Hebrew Literature reveals the lasting engagement of modern Jewish letters with the hallowed tradition of rabbinic learning.

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The definitive look at one of the most important Black art films and original filmmakers of the 1970s.Bill Gunn's Ganja & Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic. Ganja & Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers "blaxploitation" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions.Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.

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The definitive look at one of the most important Black art films and original filmmakers of the 1970s.Bill Gunn's Ganja & Hess (1973) has across the decades attained a sizable cult following among African American cinema devotees, art house aficionados, and horror fans, thanks to its formal complexity and rich allegory. Pleading the Blood is the first full-length study of this cult classic. Ganja & Hess was withdrawn almost immediately after its New York premiere by its distributor because Gunn's poetic re-fashioning of the vampire genre allegedly failed to satisfy the firm's desire for a by-the-numbers "blaxploitation" horror flick for quick sell-off in the urban market. Its current status as one of the classic works of African American cinema has recently been confirmed by the Blu-ray release of its restored version, by its continued success in screenings at repertory houses, museums, and universities, and by an official remake, Da Sweet Blood of Jesus (2014), directed by Spike Lee, one of the original picture's longtime champions.Pleading the Blood draws on Gunn's archived papers, screenplay drafts, and storyboards, as well as interviews with the living major creative participants to offer a comprehensive, absorbing account of the influential movie and its highly original filmmaker.

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The Aesop's Fable Paradigm is a collection of essays that explore the cutting-edge intersection of Folklore and Science. From moralizing fables to fantastic folktales, humans have been telling stories about animals—animals who can talk, feel, think, and make moral judgments just as we do—for a very long time. In contrast, scientific studies of the mental lives of animals have professed to be investigating the nature of animal minds slowly, cautiously, objectively, with no room for fanciful tales, fables, or myths. But recently, these folkloric and scientific traditions have merged in an unexpected and shocking way: scientists have attempted to prove that at least some animal fables are actually true. These interdisciplinary chapters examine how science has targeted the well-known Aesop's fable "The Crow and the Pitcher" as their starting point. They explore the ever-growing set of experimental studies which purport to prove that crows possess an understanding of higher-order concepts like weight, mass, and even Archimedes' insight about the physics of water displacement.The Aesop's Fable Paradigm explores how these scientific studies are doomed to accomplish little more than to mirror anthropomorphic representations of animals in human folklore and reveal that the problem of folkloric projection extends far beyond the "Aesop's Fable Paradigm" into every nook and cranny of research on animal cognition.

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What are the ethical, political and cultural consequences of forgetting how to trust our senses? How can artworks help us see, sense, think, and interact in ways that are outside of the systems of convention and order that frame so much of our lives? In Cultivating Perception through Artworks, Helen Fielding challenges us to think alongside and according to artworks, cultivating a perception of what is really there and being expressed by them.Drawing from and expanding on the work of philosophers such as Luce Irigaray and Maurice Merleau-Ponty, Fielding urges us to trust our senses and engage relationally with works of art in the here and now rather than distancing and systematizing them as aesthetic objects. Cultivating Perception through Artworks examines examples as diverse as a Rembrandt painting, M. NourbeSe Philip's poetry, and Louise Bourgeois' public sculpture, to demonstrate how artworks enact ethics, politics, or culture. By engaging with different art forms and discovering the unique way that each opens us to the world in a new and unexpected ways, Fielding reveals the importance of our moral, political, and cultural lives.

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From its roots as an independent community hospital started 116 years ago by local female leaders, IU Health Bloomington Hospital has grown and thrived while caring for citizens of south-central Indiana. This book highlights the perseverance, farsightedness, and dedication of health care providers and administrators, as well as community and business leaders, in shaping and expanding health care. The stories of individual nurses and physicians, their expertise and empathy in treating patients, and the hospital's far-reaching social services reveal the indelible impact the hospital has made in the broad community. Patients' recollections of the medical care and personal attention they received depict the many ways they benefited and how their lives were improved and saved.This book traces the hospital's journey from its first home in a small, red brick building, through numerous expansions and medical advances, to its integration with IU Health's statewide system. In its new home at the IU Health Regional Academic Health Center, the hospital will continue to flourish, with its state-of-the-art facilities and high-quality personnel who provide care to more than 467,600 people in the 11-county area they serve.

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In April 1945, Jean Améry was liberated from the Bergen Belsen concentration camp. A Jewish and political prisoner, he had been brutally tortured by the Nazis, and had also survived both Auschwitz and other infamous camps. His experiences during the Holocaust were made famous by his book At the Mind's Limits: Contemplations by a Survivor of Auschwitz and Its Realities.Essays on Antisemitism, Anti-Zionism, and the Left features a collection of essays by Améry translated into English for the first time. Although written between 1966 and 1978, Améry's insights remain fresh and contemporary, and showcase the power of his thought.Originally written when leftwing antisemitism was first on the rise, Améry's searing prose interrogates the relationship between anti-Zionism and antisemitism and challenges the international left to confront its failure to think critically and reflectively.

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While the Midwest may be known for salt-of-the-earth folks, it's also home to murder and mayhem. In Murderous Acts: 100 Years of Crime in the Midwest, Keven McQueen explores a century of true crimes committed in 10 Midwestern states, from the 1840s to the 1940s. With a touch of gallows humor, McQueen relies on original research to recount infamous transgressions—including Michigan's Robert Irving Latimer case, the serial murders of Nebraskan Jake Bird, and the bloody deeds of Kansas's Bender family—as well as gruesome tales that are less well known, such as the Wisconsin man with a penchant for swinging an axe at the necks of men he didn't care for, the Hoosier who killed his sweetheart in the midst of a Halloween ball, and the French nobleman who wreaked havoc in a St. Louis hotel. Murderous Acts will intrigue and delight fans of true crime and will send a shiver down the spine of any reader fascinated by the dark history of America's Heartland.

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In the 1940s, folks at bars and restaurants would gather around a Panoram movie machine to watch three-minute films called Soundies, precursors to today's music videos. This history was all but forgotten until the digital era brought Soundies to phones and computer screens—including a YouTube clip starring a 102-year-old Harlem dancer watching her younger self perform in Soundies. In Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time, Susan Delson takes a deeper look at these fascinating films by focusing on the role of Black performers in this little-known genre. She highlights the women performers, like Dorothy Dandridge, who helped shape Soundies, while offering an intimate look at icons of the age, such as Duke Ellington and Nat King Cole. Using previously unknown archival materials—including letters, corporate memos, and courtroom testimony—to trace the precarious path of Soundies, Delson presents an incisive pop-culture snapshot of race relations during and just after World War II.Perfect for readers interested in film, American history, the World War II era, and Black entertainment history, Soundies and the Changing Image of Black Americans on Screen and its companion video website (susandelson.com) bring the important contributions of these Black artists into the spotlight once again.

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What can you do with a folklore degree? Over six dozen folklorists, writing from their own experiences, show us. What Folklorists Do examines a wide range of professionals—both within and outside the academy, at the beginning of their careers or holding senior management positions—to demonstrate the many ways that folklore studies can shape and support the activities of those trained in it. As one of the oldest academic professions in the United States and grounded in ethnographic fieldwork, folklore has always been concerned with public service and engagement beyond the academy. Consequently, as this book demonstrates, the career applications of a training in folklore are many—advocating for local and national causes; shaping public policy; directing and serving in museums; working as journalists, publishers, textbook writers, or journal editors; directing national government programs or being involved in historic preservation; teaching undergraduate and graduate students; producing music festivals; pursuing a career in politics; or even becoming a stand-up comedian. A comprehensive guide to the range of good work carried out by today's folklorists, What Folklorists Do is essential reading for folklore students and professionals and those in positions to hire them.Audio book narrated by Walter Brown. Produced by Speechki in 2021.

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This tenth, and final, volume in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of 32 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.3 details the genealogical history of each poem, accompanied by a thorough prose discussion. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.2.

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In Introduction to a Phenomenology of Life, renowned French philosopher Renaud Barbaras aims to construct the basis for a phenomenology of life. Called an introduction because it has to deal with philosophical limits and presuppositions, it is much more, as Barbaras investigates life in its phenomenological senses, approached through the duality of its intransitive and transitive senses. Originally published in French (Introduction à une phénoménologie de la vie) Introduction to a Phenomenology of Life first defines the problem of life phenomenologically, then studies the failures of the phenomenological movement to adequately think about life, and finally elaborates a new, original, and productive approach to the problem. Combining original interpretations and expert readings of philosophers such as Heidegger, Henry, Bergson, and Merleau-Ponty, Barbaras offers a powerful and important contribution to phenomenology and continental thought.

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Today's highly fraught historical moment brings a resurgence of antisemitism. Antisemitic incidents of all kinds are on the rise across the world, including hate speech, the spread of neo-Nazi graffiti and other forms of verbal and written threats, the defacement of synagogues and Jewish cemeteries, and acts of murderous terror. Contending with Antisemitism in a Rapidly Changing Political Climate is an edited collection of 18 essays that address antisemitism in its new and resurgent forms. Against a backdrop of concerning political developments such as rising nationalism and illiberalism on the right, new forms of intolerance and anti-liberal movements on the left, and militant deeds and demands by Islamic extremists, the contributors to this timely and necessary volume seek to better understand and effectively contend with today's antisemitism.

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When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."In Radical Documentary and Global Crises, Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations. Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.

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Since 1990, thousands of Hungarians have vacationed at summer camps devoted to Hungarian folk dance in the Transylvanian villages of neighboring Romania. This folk tourism and connected everyday practices of folk dance revival take place against the backdrop of an increasingly nationalist political environment in Hungary. In Movement of the People, Mary N. Taylor takes readers inside the folk revival movement known as dancehouse (táncház) that sustains myriad events where folk dance is central and championed by international enthusiasts and UNESCO. Contextualizing táncház in a deeper history of populism and nationalism, Taylor examines the movement's emergence in 1970s socialist institutions, its transformation through the postsocialist period, and its recent recognition by UNESCO as a best practice of heritage preservation. Approaching the populist and popular practices of folk revival as a form of national cultivation, Movement of the People interrogates the everyday practices, relationships, institutional contexts, and ideologies that contribute to the making of Hungary's future, as well as its past.

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Anger and hopelessness can overwhelm communities. So what can everyday people do to actually grow some good in their own hometown? Growing Good: A Beginner's Guide to Cultivating Caring Communities shows how ordinary people have transformed themselves into volunteers and activists. Centered mostly in the Midwest, this collection of essays brings together the stories of normal people who have rolled up their sleeves to make their community a better place by serving nonprofits such as Gleaner Food Bank in Indianapolis, Indiana; Migration and Refugee Services in Louisville, Kentucky; and Patchwork Central in Evansville, Indiana, along with national organizations like CASA. For instance, a teacher and his student started a native plant garden to help local insects thrive in a disused corner of their school property. A woman saw a billboard and was moved to become a voice for children in need. A professional photographer offered his services to people experiencing homelessness in order to help others witness their humanity. Editor Bill Hemminger also writes of his own extensive experience with community gardening to feed hungry neighbors. Filled with simple actions, clear steps, and useful lists, including how to care for and nurture your own inner peace and creativity, Growing Good will help readers of all ages plant seeds of hope and cultivate communities where everyone thrives.

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The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought, Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine.Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals.Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.

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What drives terrorists to glorify violence? In The Revolutionary Mystique and Terrorism in Contemporary Italy, Richard Drake seeks to explain the origins of Italian terrorism and the role that intellectuals played in valorizing the use of violence for political or social ends. Drake argues that a combination of socioeconomic factors and the influence of intellectual elites led to a sanctioning of violence by revolutionary political groups in Italy between 1969 and 1988. Drake explores what motivated Italian terrorists on both the Left and the Right during some of the most violent decades in modern Italian history and how these terrorists perceived the modern world as something to be destroyed rather than reformed. In 1989, The Revolutionary Mystique and Terrorism in Contemporary Italy received the Howard R. Marraro Prize from the Society for Italian Historical Studies. It was awarded for the best book that year on Italian history. The book is reissued now with a new introduction for the light it might shed on current terrorist challenges. The Italians had success in combating terrorism. We might learn something from their example. The section of the book dealing with the Italian "superfascist" philosopher, Julius Evola, holds special interest today. Drake's original work takes on new significance in the light of Evola's recent surge of popularity for members of America's alt-right movement.

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In 1913, Abraham Rechtman journeyed through the Russian Pale of Settlement on a mission to record its Jewish folk traditions before they disappeared forever. The Lost World of Russia's Jews is the first English translation of his extraordinary experiences, originally published in Yiddish, documenting a culture best known until now through romanticized works like Life Is with People and Fiddler on the Roof. In the last years of the Russian Empire, Abraham Rechtman joined S. An-sky's Jewish Ethnographic Expedition to explore and document daily life in the centuries old Jewish communities of the Pale of Settlement. Rechtman described the key places where Jewish life and death were experienced and connected these sites to local folklore and customary practices. Among the many unique contributions of his memoir are riveting descriptions of traditional Jewish healers and exorcists—many of them women—and their methods and incantations.Rather than a nostalgic portrait of an imagined shtetl, Rechtman succeeded in producing an intimate account of Jewish life and death that is highly nuanced and richly detailed. The Lost World of Russia's Jews powerfully illuminates traditional Jewish life in Eastern Europe on the eve of its transformation and, ultimately, destruction.

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The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be—and are—made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms—including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand—and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.

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Fighting Hoosiers: Indiana in Two World Wars tells the compelling, heartbreaking, and breathtaking stories of some of the hundreds of thousands of Hoosiers who served their country during the First and Second World Wars. Drawn from the rich holdings of the Indiana Magazine of History, a journal of state and midwestern history published since 1905, the collection includes original diaries, letters and memoirs, as well as research essays—all of them focused on Hoosiers in the two world wars. Readers will meet Alex Arch, a Hungarian-born immigrant who was the first American to fire a shot in World War I; Maude Essig, a nurse serving with the American Red Cross in wartime France; Kenneth Baker, a soldier in the Army Signal Corps, who crawled across French fields (sometimes over and around dead bodies) to lay phone lines for military communications; and Bernard Rice, a combat medic who witnessed the liberation of the Dachau concentration camp in 1945. Indiana's brave men and women like these have served with distinction in the armed forces since the earliest days of the Indiana Territory. Fighting Hoosiers offers a compelling glimpse at some of their remarkable stories.

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