Search results for ""Author Alex"

The 20th century in 10 extraordinary moments: a photographic journey by bestselling historian Rory Maclean In the 20th century, amateur photography took history—and collective memory—out of the hands of historians and gave it to individuals. In Pictures of You, bestselling British-Canadian historian and travel writer Rory MacLean narrates a journey through 10 photographs, across the globe and into the lives of 10 ordinary men and women who lived through extraordinary times. Each photograph (or group of photographs) comes from a different decade of the 20th century: the first killing of the Cold War; the dying hopes of a doomed aviator; the ghosts of Native America at Alcatraz; Chairman Mao’s most timid lover; Nature’s final battle with humankind. Through these images, MacLean ventures from Siberia to Rangoon, China to Shepperton Studios, hearing forgotten voices that echo from the depths of time, picturing lives that mirror our own, and saving the stories behind these pictures of you. All of these images belong to the Archive of Modern Conflict in London. Over the last 25 years the Archive’s small collection of amateur photographs has grown into one of the world’s most moving image treasuries, its shelves now holding pictures of some four million lost lives. “A delicately beautiful book, haunting in its effect. Superb.” –Alexander McCall Smith “Stunning! A unique virtuoso exercise in empathy, narrative and imagination.” –Jan Morris

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New paperback edition of this fascinating look at cosmopolitan Egypt in the “golden years” of travel under the last kings. A tourist perched on a camel, a Bugatti at the foot of the pyramids, high tea served in jasminedraped gardens … these are the images of Egypt under the last kings, Fuad and Farouk, in the first half of the twentieth century. The era saw the birth of organized tourism on a grand scale, under the guiding genius of Thomas Cook, with fifty thousand wealthy adventurers boarding boats each year for the Nile. Among this throng, however, were those not content to be simply photographed in front of the ruins and then return home. In a country looking toward Europe and “protected” by the British army, a very particular social set formed in Cairo and Alexandria. Within this cosmopolitan, ephemeral world, cinema and avant-garde theater flourished, featuring such stars as dancer Samia Gamal, director Youssef Chahine, and actor Omar Sharif. Fascinating accounts of this universe have been left by Egyptian writers or travelers to the country, including Rudyard Kipling, Jean Cocteau, and André Gide. They offer us a rare glimpse of Egypt before the era of mass tourism. Extraordinary period photographs also survive; unearthed in Cairo or Beirut, in museums or private homes—they bring alive once again the fragile yet effervescent glamour of Egypt under the last kings.

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Nature made Ash beautiful; Nurture made him a killer!VICE CITY: NEW YORK IN THE 80s... Nature made Ash Lynx beautiful; nurture made him a cold ruthless killer. A runaway brought up as the adopted heir and sex toy of “Papa” Dino Golzine, Ash, now at the rebellious age of seventeen, forsakes the kingdom held out by the devil who raised him. But the hideous secret that drove Ash's older brother mad in Vietnam has suddenly fallen into Papa's insatiably ambitious hands--and it's exactly the wrong time for Eiji Okamura, a pure-hearted young photographer from Japan, to make Ash Lynx's acquaintance... Epic in scope, and one of the best-selling shojo titles of all time in Japan, Akimi Yoshida put an electric shock into the genre and gained a huge crossover audience through Banana Fish's stripped-down, non-stop style.Ash and Dr. Alexis Dawson, the surviving brother of the duo that created Banana Fish, struggle to escape the mental institution where they have been committed against their will. Unbeknownst to Ash, Max and Ibé are also attempting to free him. Ash litters the complex's sterile hallways with the corpses of the guards who try to stop him. Then Blanca, a mysterious new character with a link to Ash's past, emerges, and Dino hires him to get Ash.

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***The bestselling William Shaw returns with a thrilling investigation in the unmissable new series***'One of the great rising talents of UK crime fiction' PETER JAMES'If you're not a fan yet, why not?' VAL MCDERMID'A superb storyteller' PETER MAYYOU CAN RUNThe two boys never fitted in. Seventeen, the worst age, nothing to do but smoke weed; at least they have each other. The day they speed off on a moped with a stolen mobile, they're ready to celebrate their luck at last. Until their victim comes looking for what's his - and ready to kill for it. YOU CAN HIDEOn the other side of Kent's wealth divide, DS Alexandra Cupidi faces the strangest murder investigation of her career. A severed limb, hidden inside a modern sculpture in Margate's Turner Contemporary. No one takes it seriously - not even the artwork's owners, celebrity dealers who act like they're above the law.YOU CAN DIEBut as Cupidi's case becomes ever more sinister, as she wrangles with police politics and personal dilemmas, she can't help worrying about those runaway boys. Seventeen, the same age as her own headstrong daughter. Alone, on the marshes, they're pawns in someone else's game. Two worlds are about to collide. Kent and its social divisions are brilliantly captured in Deadland, a crime thriller that's as ingeniously unguessable as it is moving and powerful.

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What does feminism have to say to the Anthropocene? How does the concept of the Anthropocene impact feminism? This book is a daring and provocative response to the masculinist and techno-normative approach to the Anthropocene so often taken by technoscientists, artists, humanists, and social scientists. By coining and, for the first time, fully exploring the concept of “anthropocene feminism,” it highlights the alternatives feminism and queer theory can offer for thinking about the Anthropocene. Feminist theory has long been concerned with the anthropogenic impact of humans, particularly men, on nature. Consequently, the contributors to this volume explore not only what current interest in the Anthropocene might mean for feminism but also what it is that feminist theory can contribute to technoscientific understandings of the Anthropocene. With essays from prominent environmental and feminist scholars on topics ranging from Hawaiian poetry to Foucault to shelled creatures to hypomodernity to posthuman feminism, this book highlights both why we need an anthropocene feminism and why thinking about the Anthropocene must come from feminism. Contributors: Stacy Alaimo, U of Texas at Arlington; Rosi Braidotti, Utrecht U; Joshua Clover, U of California, Davis; Claire Colebrook, Pennsylvania State U; Dehlia Hannah, Arizona State U; Myra J. Hird, Queen’s U; Lynne Huffer, Emory U; Natalie Jeremijenko, New York U; Elizabeth A. Povinelli, Columbia U; Jill S. Schneiderman, Vassar College; Juliana Spahr, Mills College; Alexander Zahara, Queen’s U.

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An ancient tomb...a very modern murder When the tomb of St Tancred is opened, no one expects to find the body of the organist, lying in a pool of blood, his handsome features covered by a gas mask.Eleven-year-old Flavia de Luce is intrigued. Why would anyone want to kill the much-admired organist in such a brutal and bizarre fashion?Why place his body in the tomb? And what happened to the remains of the previous occupant?The mystery leads Flavia deep into the past, to a strange story of lost manuscripts and ancient relics...Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday 'A cross between Dodie Smith's I Capture The Castle and the Addams family...delightfully entertaining' Guardian Fans of M. C. Beaton's Agatha Raisin, Frances Brody and Alexander McCall Smith will enjoy the Flavia de Luce mysteries: 1. Sweetness at the Bottom of the Pie 2. The Weed That Strings the Hangman's Bag 3. A Red Herring Without Mustard 4. I Am Half Sick of Shadows 5. Speaking From Among the Bones 6. The Dead in Their Vaulted Arches 7. As Chimney Sweepers Come To Dust 8. Thrice the Brinded Cat Hath Mew'd 9. The Grave's a Fine and Private Place If you're looking for a cosy crime series to keep you hooked then look no further than the Flavia de Luce mysteries. * Each Flavia de Luce mystery can be read as a standalone or in series order *

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When writing his memoirs after World War II, German Generalfeldmarschall Albert Kesselring stated, Italy's missing her chance to occupy the island [of Malta] at the start of hostilities will go down in history as a fundamental blunder. It's easy to see why this tiny 95 square mile island held such a prominent place in the war's Mediterranean Theater. Located almost halfway between the British bases of Gibraltar and Alexandria, Egypt, and just 60 miles south of Sicily, her airfields and naval base stood directly in the path of Italy's (and her German partner's) line of communication from Europe to North Africa. Operation C3 is a detailed study of the Axis 1942 plan to invade and take the island of Malta. The book examines the future combatants up to the Axis capture of Tobruk, in June 1942. The book then provides a realistic assessment of what would have had to happen if the Axis had decided to launch the invasion. Operation C3 then provides a day-by-day battle narrative of the invasion as if it had occurred on Saturday, August 15, 1942. The battle narrative is based on the combatant's actual plans from the Italian and Maltese archives. and the realistic appraisal of what could have happened when those plans collide. A Reality & Analysis section is added after the battle narrative to discuss what really happened after Tobruk fell and why Operation C3 was never attempted.

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Winner, Bronze Award, APEX 2018 and 2018 INDIES Book of the Year Honorable Mention/Health This full-color introduction to the smart home has been written from the ground up with one audience in mind: seniors. No ordinary "beginner's book," My Smart Home for Seniors approaches every topic from a 50+ person's point of view, using meaningful, realistic examples. Full-color, step-by-step tasks–in legible print–walk you through making your home safer and easier to live in using smart technology. Learn how to: • Control your home’s lighting with smart bulbs and switches • Make your home more secure with smart doorbells, door locks, and security cameras • Automatically control your home’s temperature with a smart thermostat • Make cooking and cleaning easier with smart appliances • Use voice commands or your smart phone to control your smart devices • Use If This Then That (IFTTT) to make your smart devices interact with each other automatically • Get smart about the security and privacy concerns of smart devices • Set up your smart devices and get them to work with one another • Compare and select the best smart hub for your smart home needs • Learn to use Amazon Alexa™, Google Home™ and other voice-activated devices, as well as Apple’s HomeKit™ on the iPhone, to make your smart devices work together

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Have you ever wondered how trees got their names? What did our ancestors think about trees, and how were they used in the past? This fascinating book will answer many of your questions, but also reveal interesting stories that are not widely known. For example, the nut from which tree was predicted to pay off the UK's national debt? Or why is Europe's most popular pear called the conference'? Simon Wills tells the history of twenty-eight common trees in an engaging and entertaining way, and every chapter is illustrated with his photographs. Find out why the London plane tree is so frequently planted in our cities, and how our forebears were in awe of the magical properties of hawthorn. Where is Britain's largest conker tree? Which tree was believed to protect you against both lightning and witchcraft? The use of bay tree leaves as a sign of victory by athletes in ancient Greece led to them being subsequently adopted by many others - from Roman emperors to the Royal Marines. But why were willow trees associated with Alexander Pope, Napoleon Bonaparte, and Samuel Johnson? Why did Queen Anne pay a large sum for a cutting from a walnut tree in Somerset? Discover the answers to these and many other intriguing tales within the pages of this highly engrossing book.

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It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them.In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the ruling parties of the time based on what they saw. Correspondents and writer-soldiers like John Hersey and James Jones revealed the chaotic and bloody reality of the front lines to the public. And civilians, many of who remain anonymous, lent voice to occupation and imprisonment so that those who didn’t survive would not be forgotten. The digestion of a cataclysmic event can take generations. But in this fascinating book, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.

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Understanding associations in the Greco-Roman world enhances the study of the rise of early Christianity—whether at the micro-level of interpreting particular texts or at the macro-level of assessing the spread of Christ-devotion in the pre-Constantinian era. The twenty-five contributions contained within Greco-Roman Associations, Deities, and Early Christianity enlarge our perspectives on the extent to which Greco-Roman associations bring features of Christian origins into relief.Thematic studies include associational social reputation; women in associations; deities and devotion; financial strategies of group maintenance; care for the poor; varieties of group identity; refinements of terminological and conceptual apparatus; funerary practices; occupational groups; and the alleged role of Christianity in the demise of associations. Studies of particular phenomena include 1 Thessalonians, 1 Corinthians, Paul's Collection, Hebrews, a late first-century Christian family, 1 Clement, and Clement of Alexandria.While the essays cover a wide spectrum of topics, they retain a clear focus on aspects of corporate life within ancient associations as comparanda for the study of early Christ-groups within their social milieu. These essays, all kept to a disciplined length, represent the work of impressive scholars from a range of interdisciplinary, intergenerational, and international contexts. The volume's symposium of voices and lively scholarly exchange productively expand current conversations about Greco-Roman associations, deities, and early Christianity.

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This sequel to The Black Librarian in America (Scarecrow, 1970) contains an array of contributors representing a new generation of African American librarians, addressing the same perplexing problems that their predecessors examined. This volume is being issued at a time when there is a great concern about cultural diversity in the country. Cultural diversity is laudable, but the pervasive problem in the country is institutional racism. All of the contributors aggree that it is racism that should be eradicated if a truly multicultural society that represents cultural diversity is to develop. A wide range of topics are explored. In addition, a profile of Dorothy Porter Wesley, one of the pioneer African American librarians; librarians and archivists as writers, and a provocative essay by Congresswoman Major R. Owens on "The Specter of Racism in an Age of Cultural Diversity: The New Paradigm for African American Librarians." Among the contributors are Carolyn O. Frost, Herman L. Totten, Carla Hayden, Charles M. Brown, Alexander Boyd, Jesse Carney Smith, James F Williams,II, Lou Helen Saunders, Ina A. Brown, Vivian Davidson Hewitt, Monteria Hightower, Ella Gaines Yates, and Ann Allen Shockley. Especially designed for professional librarians, library school students, and other information professionals, this volume would be a useful addition to African American collections and other scholarly collections dealing with American society. A copious index that is cross referenced makes it very useful as a reference tool.

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The Romare Bearden Reader brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors, who include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer, contextualize Bearden's life and career within the history of modern art, examine the influence of jazz and literature on his work, trace his impact on twentieth-century African American culture, and outline his art's political dimensions. Others focus on specific pieces, such as A Black Odyssey, or the ways in which Bearden used collage to understand African American identity. The Reader also includes Bearden's most important writings, which grant readers insight into his aesthetic values and practices and share his desire to tell what it means to be black in America. Put simply, The Romare Bearden Reader is an indispensable volume on one of the giants of twentieth-century American art. Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson

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The United States is a nation of joiners. Ever since Alexis de Tocqueville published his observations in Democracy in America, Americans have recognized the distinctiveness of their voluntary tradition. In a work of political, legal, social, and intellectual history, focusing on the grassroots actions of ordinary people, Neem traces the origins of this venerable tradition to the vexed beginnings of American democracy in Massachusetts.Neem explores the multiple conflicts that produced a vibrant pluralistic civil society following the American Revolution. The result was an astounding release of civic energy as ordinary people, long denied a voice in public debates, organized to advocate temperance, to protect the Sabbath, and to abolish slavery; elite Americans formed private institutions to promote education and their stewardship of culture and knowledge. But skeptics remained. Followers of Jefferson and Jackson worried that the new civil society would allow the organized few to trump the will of the unorganized majority. When Tocqueville returned to France, the relationship between American democracy and its new civil society was far from settled. The story Neem tells is more pertinent than ever—for Americans concerned about their own civil society, and for those seeking to build civil societies in emerging democracies around the world.

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Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories - stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement. In The Earthquake Observers, Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von. Humboldt, Charles Darwitt, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1950s, only to revive it in the twenty-first century in the face of new hazards and uncertainties. The Earthquake Observers tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk.

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American Gothic Art and Architecture in the Age of Romantic Literature analyses the influence of British Gothic novels and historical romances on American art and architecture in the Romantic era. American artists and architects were among the most avid readers of Gothic fiction, which in turn informed their artistic output. In a period of increasing nationalism, the Gothic Revival architectural style in particular served to legitimise the American landscape with the materiality of European culture. At the core of this book is an analysis of American architecture in the late eighteenth and early nineteenth centuries, an understudied era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest, and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott's romances better after viewing Scott's Gothic Revival house Abbotsford, and he understood the house better for having read the romances. From the very beginning, the Gothic Revival has been a phenomenon that crosses modern disciplinary boundaries.The groundwork in Gothic literary scholarship allows us to move beyond literature to examine how the Gothic seeps into other forms of artistic creation. This interdisciplinary book investigates the symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities.

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America is witnessing the rise of a new generation of socialist activists. More young people support socialism now than at any time since the labor movement of the 1920s. The Democratic Socialists of America, a big-tent leftist organisation, has well over 50,000 members nationwide. In the fall of 2018, one of the most influential congressmen in the Democratic Party lost a primary to Alexandria Ocasio-Cortez, a 28-year-old socialist who had never held office before. Now, AOC is one of the most influential politicians in the country. But what does all this mean? Should we be worried about our nation, or should we join the march toward our bright socialist future? In Why You Should Be a Socialist, Nathan J. Robinson will give readers a primer on twenty-first-century socialism: what it is, what it isn’t, and why everyone should want to be a part of this exciting new chapter of American politics. From the heyday of Occupy Wall Street through the 2020 presidential election and beyond, young progressives have been increasingly drawn to socialist ideas. However, the movement’s goals need to be defined more sharply before it can effect real change on a national scale. Robinson’s charming, accessible, and well-argued book will convince even the most skeptical readers of the merits of socialist thought.

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Die hier versammelten Aufsätze von Werner Eck sind im Laufe von mehr als zwei Jahrzehnten verfasst worden, vor allem im Kontext der Erarbeitung eines Inschriftenwerks (Corpus Inscriptionum Iudaeae/Palaestinae), das alle Inschriften erfasst, und zwar in allen Sprachen, die in der Zeit von Alexander d. Gr. (letztes Drittel des 4. Jh. v. Chr.) bis zur Eroberung dieser Region durch die Muslime 640 n. Chr. für Aufzeichnungen verwendet wurden. Der Schwerpunkt der Aufsätze liegt auf den inschriftlichen Texten, die mit den Trägern der römischen Politik und Administration verbunden sind, den Statthaltern, Prokuratoren und dem Heer, oder die sich mit der staatlichen Macht und deren Einfluss auf Leben und Kultur befassen, somit vor allem mit lateinischen oder griechischen Texten, den beiden Herrschaftssprachen in Judäa. Werner Eck analysiert verschiedene Texte in ihrer Einzelwirkung, andere vor allem im Hinblick auf ihre Wirkung in der Kommunikation mit den Untertanen; dabei werden nicht nur die Texte, sondern auch die Monumente, auf die sie geschrieben wurden, als Mittel der Kommunikation verstanden. Viele Inschriften, die sich auf das römische Heer beziehen, zeichnen insbesondere ein deutlich anderes Bild von der Schwere des Bar Kochba Aufstandes. Sie ersetzen partiell, dass ein Historiker wie Josephus fehlt, der sich seinerseits freilich als problematische Quelle für die Beurteilung der Politik der römischen Präfekten vor dem ersten Aufstand erweist. Letztlich lassen inzwischen vor allem die nichtliterarischen Quellen erkennen, dass Judäa für Rom eine Provinz wie jede andere war, nicht aber eine, die nach Sonderregeln leben durfte.

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In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir—featuring an introduction by Ernest Hemingway—made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray’s legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray’s reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d’Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki’s seminal influence not only on Man Ray’s art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses—and the lines separating the two.

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A small, hand-sized KJV Bible designed with clear Scripture text and elegant materials to honor God’s Word. This edition is published in large KJV Comfort Print type, which was designed exclusively for Thomas Nelson to be the most readable at any size. The KJV Compact Maclaren Series Bible is the perfect size to take with you wherever you go. Whether at home or on the go, this beautiful hand-sized edition of the Bible will keep you engaged in God’s Word.Enjoy the timeless King James Version in a traditional Scripture design formatted to help you quickly navigate through the Bible. The blue contrasting color for headings and verse numbers stand out while Thomas Nelson’s exclusive KJV Comfort Print® on quality Bible paper provides a smooth, thoroughly enjoyable reading experience. Features include: Classic 2-column verse-by-verse layout starts each verse on its own line so it’s easy to navigate the text Two double-faced satin ribbons help keep track of where you were reading Blue highlighted headings and book titles add an elegant touch to the text Premium Bible paper in opaque white creates a high contrast with the black text, improving readability Line matched text for optimal clarity on the page Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Ultra-flexible sewn binding lays flat in your hand or on your desk Clear and readable 7-point KJV Comfort Print About the Maclaren Series: Named for the noted Victorian-era preacher, Alexander Maclaren, this series of elegant Bibles feature regal blue highlights and verse numbers and clear, line-matched text.

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How did this vagabond word, bohemia, migrate across national borderlines over the course of the nineteenth century, and what happened to it as it traveled? In International Bohemia, Daniel Cottom studies how various individuals and groups appropriated this word to serve the identities, passions, cultural forms, politics, and histories they sought to animate. Beginning with the invention of bohemianism's modern sense in Paris during the 1830s and 1840s, Cottom traces the twists and turns of this phenomenon through the rest of the nineteenth century and into the early years of the twentieth century in the United States, England, Italy, Spain, and Germany. Even when they traveled under the banner of l'art pour l'art, the bohemians of this era generally saw little reason to observe borderlines between their lives and their art. On the contrary, they were eager to mix up the one with the other, despite the fact that their critics often reproached them on this account by claiming that bohemians were all talk—do-nothings frittering away their lives in cafés and taverns. Cottom's study of bohemianism draws from the biographies of notable and influential figures of the time, including Thomas Chatterton, George Sand, George Eliot, Henry Murger, Alexandre Privat d'Anglemont, Walt Whitman, Ada Clare, Iginio Ugo Tarchetti, and Arthur Conan Doyle. Through a wide range of novels, memoirs, essays, plays, poems, letters, and articles, International Bohemia explores the many manifestations of this transnational counterculture, addressing topics such as anti-Semitism, the intersections of race and class, the representation of women, the politics of art and masquerade, the nature of community, and the value of nostalgia.

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In this lively account of the rise of a commercial newspaper industry in imperial Russia, Louise McReynolds explores how the mass-circulation press created a forum for popular opinion advocating political change. From the Great Reforms of Tsar Alexander II in 1855 to the Bolsheviks' shut-down of the newspapers in 1917, she chronicles the exploits of publishers and editors, writers and readers. Arguing that this prosperous industry both expressed and shaped the development of ideas among new social groups, McReynolds provides insight into the growth in Russia of a fragile pluralism characteristic of modern societies. Her discussion of the relationship between communications and politics, which draws especially on Jurgen Habermas, combines a variety of interrelated ingredients: institutional histories of major newspapers, biographical sketches of journalists, the intellectual impact of the new language of newspaper journalism, the political ramifications of public opinion under the auspices of an autocratic government. Comparing the Russian press with independent commercial newspaper industries in the United States, England, and France, McReynolds examines the extent to which Russia was evolving according to Western political and socioeconomic patterns before the Bolshevik Revolution. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Andean Hybrid Baroque is the first comprehensive study of the architecture and architectural sculpture of Southern Peru in the late colonial period (1660s-1820s), an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures. The Andean Hybrid Baroque (also known as "Mestizo Style"), was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic churches, chapels, cloisters, and conventual buildings. Drawing on hundreds of primary documents and on ethno-historical and anthropological literature that has rarely been applied to an art-historical subject, Gauvin Alexander Bailey provides the most substantial study of colonial Peruvian architecture in decades. The product of five years of photographic surveys in Peru, Bolivia, and Argentina, as well as research in governmental and ecclesiastical archives in Latin America and Europe, Bailey's richly illustrated study examines the construction history and decoration of forty-four churches. It offers a fundamentally new understanding of the chronology, regional variations, and diffusion of the Andean Hybrid Baroque style, as well as a fresh interpretation of its relationship to indigenous Andean culture.

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The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In “The Plague Year,” Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on “The Black American Amputation Epidemic” (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband’s death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers “The Trayvon Generation” (New Yorker). Aymann Ismail delves into how “The Store That Called the Cops on George Floyd” dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner’s World).The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland’s efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020’s overlapping crises reveal about the future of cities. Excerpts from Marie Claire’s guide to online privacy examine topics from algorithmic bias to cyberstalking to employees’ rights. Aisha Sabatini Sloan’s perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in “The Weirdly Enduring Appeal of Weird Al Yankovic” (New York Times Magazine). The collection concludes with Susan Choi’s striking short story “The Whale Mother” (Harper’s Magazine).

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‘DARK AND DEVIOUS’ Stephen King ‘UTTERLY ENGROSSING’ Daily Mail ‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware ‘TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough ‘A HAUNTING THRILLER’ Women’s Weekly ‘TOTALLY ABSORBING’ T.M. Logan ‘AN UNSETTLING, LABYRINTHINE TALE’ New York Times____________________________________________________________________ One twin ran. The other vanished. Neither escaped… DON’T TRUST ANYONECat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. DON’T TRUST YOUR MEMORIESTo find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. DON’T TRUST THIS STORY…The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…________________________________________________________ ‘AN ADDICTIVE SLICE OF GOTHIC’ i paper ‘TOLD WITH THUMPING HEART AND EXTRAORDINARY TENDERNESS’ Kiran Millwood Hargrave ‘THE LOVE CHILD OF GILLIAN FLYNN AND STEPHEN KING’ Greer Hendricks READERS ARE FALLING IN LOVE WITH MIRRORLAND… ‘Dark, dazzling, full of surprises and perfectly executed’ Sheri K ‘An adult fairy tale, a domestic noir and a heartbreaker, all in one’ Rebecca W ‘Creepy as hell and absolutely brilliant’ Vikkie W ‘Poignant and compelling… What an imagination to have crafted such a story’ Carol C ‘A beautifully written story that holds you enthralled from first page to last’ Sarah M ‘This is a book that will keep you awake all night’ Maria P ‘Hugely compelling…I found the entire book officially unputdownable!’ Alexandra G

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An authoritative new history of the Roman conquest of Britain Why did Julius Caesar come to Britain? His own account suggests that he invaded to quell a resistance of Gallic sympathizers in the region of modern-day Kent -- but there must have been personal and divine aspirations behind the expeditions in 55 and 54 BCE. To the ancients, the Ocean was a body of water that circumscribed the known world, separating places like Britain from terra cognita, and no one, not even Alexander the Great, had crossed it. While Caesar came and saw, he did not conquer. In the words of the historian Tacitus, "he revealed, rather than bequeathed, Britain to Rome." For the next five hundred years, Caesar's revelation was Rome's remotest imperial bequest. Conquering the Ocean provides a new narrative of the Roman conquest of Britain, from the two campaigns of Caesar up until the construction of Hadrian's Wall across the Tyne-Solway isthmus during the 120s CE. Much of the ancient literary record portrays this period as a long march of Roman progress but recent archaeological discoveries reveal that there existed a strong resistance in Britain, Boudica's short lived revolt being the most celebrated of them, and that Roman success was by no means inevitable. Richard Hingley here draws upon an impressive array of new information from archaeological research and recent scholarship on the classical sources to provide a balanced picture of the military activities and strategies that led to the conquest and subjugation of Britain. Conquering the Ocean is the fullest picture to date of a chapter in Roman military history that continues to captivate the public.

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A revised and expanded edition of the bestselling parody that includes thirty-pages of new text, photos, and contemporary subjects—a clever and fresh historical chronicle.The Sun is now friends with Earth and 7 other planetsPluto: Not cool.What if Facebook had emerged with the Big Bang, and every historical event took place online? Imagine how we’d we see history if . . .On April 15, 1865, Abraham Lincoln updated his status: "Taking the missus to the theater"God and Stephen Hawking trolled each other in a comment war over the creation of the universe?Alexander the Great "checked into" all the countries he conqueredDonald Trump and Vladimir Putin "Liked" each other's cryptic statusesIrreverent and clever, The History of the World According to Facebook goes back through time, from the beginning of the world to the present, to cover all the major events and eras of human history, such as the Renaissance, the Industrial Revolution, and the Information Age. Wylie Overstreet brings the book up to date with three-dozen pages of additional material on contemporary figures and topics, from Caitlin Jenner to Deflategate to MAGA and Trump.Filled with hundreds of actual figures from across the centuries and thousands of invented statuses, comments, and actions lampooning Facebook users’ penchant for oversharing, abbreviation, self-importance, and lazy jargon, The History of the World According to Facebook defies all attempts at taking the multi-billion user social media platform SRSLY. It is the funniest parody of history and the dawn of man since, well, the dawn of man.

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A Kirkus Reviews Best Nonfiction Book of 2023A Library Journal Recommended Read for 2023A Ms. Magazine Most Anticipated Book of 2023A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.Erin Sharkey considers Benjamin Banneker’s 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on—with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy—unearthing evidence of the ways Black people’s relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining.A scrapbook, a family chest, a quilt—and an astounding work of historical engagement and literary accomplishment—A Darker Wilderness is a collection brimming with abundance and insight.

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The height of Mt. Everest was first measured in 1850, but the closest any westerner got to Everest during the next 71 years, until 1921, was 40 miles. The Hunt for Mt. Everest tells the story of the 71-year quest to find the world's highest mountain. It's a tale of high drama, of larger-than-life characters-George Everest, Francis Younghusband, George Mallory, Lord Curzon, Edward Whymper-and a few quiet heroes: Alexander Kellas, the 13th Dalai Lama, Charles Bell. A story that traverses the Alps, the Himalayas, Nepal and Tibet, the British Empire (especially British India and the Raj), the Anglo-Russian rivalry known as The Great Game, the disastrous First Afghan War, and the phenomenal Survey of India - it is far bigger than simply the tallest mountain in the world. Encountering spies, war, political intrigues, and hundreds of mules, camels, bullocks, yaks, and two zebrules, Craig Storti uncovers the fascinating and still largely overlooked saga of all that led up to that moment in late June of 1921 when two English climbers, George Mallory and Guy Bullock, became the first westerners-and almost certainly the first human beings-to set foot on Mt. Everest and thereby claimed the last remaining major prize in the history of exploration.With 2021 bringing the 100th anniversary of that year, most Everest chronicles have dealt with the climbing history of the mountain, with all that happened after 1921. The Hunt for Mt. Everest is the seldom-told story of all that happened before.

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300 years ago, in April 1721, a smallpox epidemic was raging in England. Lady Mary Wortley Montagu knew that she could save her 3-year-old daughter using the process of inoculation. She had witnessed this at first hand in Turkey, while she was living there as the wife of the British ambassador. She also knew that by inoculating - making her daughter the first person protected in the West - she would face opposition from doctors, politicians and clerics. Her courageous action eventually led to the eradication of smallpox and the prevention of millions of deaths. But Mary was more than a scientific campaigner. She mixed with the greatest politicians, writers, artists and thinkers of her day. She was also an important early feminist, writing powerfully and provocatively about the position of women. She was best friends with the poet Alexander Pope. They collaborated on a series of poems, which made her into a household name, an 'It Girl'. But their friendship turned sour and he used his pen to vilify her publicly. Aristocratic by birth, Mary chose to elope with Edward Wortley Montagu, whom she knew she did not love, so as to avoid being forced into marrying someone else. In middle age, her marriage stale, she fell for someone young enough to be her son - and, unknown to her, bisexual. She set off on a new life with him abroad. When this relationship failed, she stayed on in Europe, narrowly escaping the coercive control of an Italian conman. After twenty-two years abroad, she returned home to London to die. The son-in-law she had dismissed as a young man had meanwhile become Prime Minister.

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The second book in The Sun Chronicles trilogy, a galactic-scale, gender-swapped space opera series inspired by the life of Alexander the Great. Shrewd, brutal, relentless and patient, Queen-Marshal Eirene has led the Republic of Chaonia from the brink of annihilation to the edge of victory. One by one, her enemies have fallen in defeat, and now she is ready to push her battle-hardened fleets into territories long controlled by the mighty Phene Empire. But her victories are not without cost. The Republic has endured decades of conflict, with factions simmering beneath the surface, waiting for their chance to boil. The Phene know this. While they might not be able to defeat the Queen-Marshal in open battle, there are other ways to strike back. And on the eve of Eirene’s attack on the rich and populous Karnos System, they will. In the aftermath, Eirene’s daughter, Princess Sun, will face her greatest challenge yet. Can she escape her mother’s shadow and forge her own legend, despite all that’s arrayed against her? Reviews for the Sun Chronicles: 'Epic starship battles, court intrigue and Machiavellian betrayals' Guardian 'Enthralling, edge-of-your-seat stuff hurtling along at warp speed' Kirkus 'Not only is this action-packed with fascinating women characters, there is very inventive world-building and twisty turny political scheming' Book Riot 'Non-stop action! Space battles! Intrigue! This is the kind of space opera that I love best – but Elliott does it even better' Ann Leckie 'Breathtaking and mindblowingly good' Aliette de Bodard

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A pocket-sized travel guide, packed with expert advice and ideas for the best things to see and do in Berlin, and complemented with a sturdy pull-out map - perfect for a day trip or a short break.Whether you want to gaze at world-class art on Museum Island, climb the glittering dome of the Reichstag or find the best bars in Europe's coolest capital - this great-value, concise travel guide will ensure you don't miss a thing. Inside Mini Map and Guide Berlin:- Easy-to-use pull-out map shows Berlin in detail, and includes a U-Bahn and S-Bahn map- Colour-coded area guide makes it easy to find information quickly and plan your day- Illustrations show the inside of some of Berlin's most iconic buildings- Colour photographs of Berlin's museums, architecture, shops, cathedrals, and more- Essential travel tips including our expert choices of where to eat, drink and shop, plus useful transport, currency and health information and a phrase book- Chapters covering Unter den Linden, Museum Island, Alexanderplatz, North Mitte and Prenzlauer Berg, Friedrichshain, Tiergarten, Kreuzberg, Around Kurfürstendamm, and Around Schloss Charlottenburg Mini Map and Guide Berlin is abridged from DK Eyewitness Travel Guide Berlin.Staying for longer and looking for a more comprehensive guide? Try our DK Eyewitness Top Ten Berlin. About DK Eyewitness Travel: DK's Mini Map and Guides take the work out of planning a short trip, with expert advice and easy-to-read maps to inform and enrich any short break. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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Cilka's Journey is the million copy bestselling sequel to the phenomenon The Tattooist of Auschwitz.Don't miss the conclusion to The Tattooist of Auschwitz Trilogy, Three Sisters. Available now.'She was the bravest person I ever met'Lale Sokolov, The Tattooist of Auschwitz In 1942 Cilka Klein is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. Innocent, imprisoned once again, Cilka faces challenges both new and horribly familiar, each day a battle for survival. Cilka befriends a woman doctor, and learns to nurse the ill in the camp, struggling to care for them under unimaginable conditions. And when she tends to a man called Alexandr, Cilka finds that despite everything, there is room in her heart for love.Cilka's Journey is a powerful testament to the triumph of the human will. It will move you to tears, but it will also leave you astonished and uplifted by one woman's fierce determination to survive, against all odds.- - - - - - - - 'Her truly incredible story is one to be read by everyone.' Sun'Cilka's extraordinary courage in the face of evil and her determination to survive against the odds will stay with you long after you've finished reading this heartrending book.' Sunday Express'Her courage and determination to survive makes for a heartrending read.' Daily Mirror

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*Winner of the Best Fantasy Novel Aurealis Award*'Maria Lewis is a must-read' Buzzfeed'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember' One More PageConsidering her status as the world's most powerful medium, Casper von Klitzing and her twin brother Baristan have lived a pretty normal life - until now. After a horrific incident in her home city of Berlin, orchestrated by the mysterious Oct, Casper is consumed with vengeance towards an enemy she doesn't understand. But the only other person ever to escape Oct was a witch - and so Casper is soon on her trail. But this witch does not want to be found. Diving headfirst into the supernaturally secretive world of spells, charms and covens, it's not long before Casper is crossing more than just the line between the living and the dead . . . Reinventing witches and ghosts with a much-needed feminist twist, this is an unmissable new read from one of the most exciting voices in fantasy:'If you haven't heard about Maria Lewis you must have been living under a rock' Good Reading Magazine'I can't wait to find out what happens next!' Keri Arthur'Truly one of the best in the genre I have ever read.' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'An intriguing take on a classic monster with vibrant, modern characters.' Sci Fi Bulletin'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember.' One More Page

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More than half the world's population lives in cities, and that proportion is expected to rise to three-quarters by 2050. Urbanization is a global phenomenon, but the way cities are developing, the experience of city life, and the prospects for the future of cities vary widely from region to region. The Atlas of Cities presents a unique taxonomy of cities that looks at different aspects of their physical, economic, social, and political structures; their interactions with each other and with their hinterlands; the challenges and opportunities they present; and where cities might be going in the future. Each chapter explores a particular type of city--from the foundational cities of Greece and Rome and the networked cities of the Hanseatic League, through the nineteenth-century modernization of Paris and the industrialization of Manchester, to the green and "smart" cities of today. Expert contributors explore how the development of these cities reflects one or more of the common themes of urban development: the mobilizing function (transport, communication, and infrastructure); the generative function (innovation and technology); the decision-making capacity (governance, economics, and institutions); and the transformative capacity (society, lifestyle, and culture). Using stunning info-graphics, maps, charts, tables, and photographs, the Atlas of Cities is a comprehensive overview of the patterns of production, consumption, generation, and decay of the twenty-first century's defining form. * Presents a one-of-a-kind taxonomy of cities that looks at their origins, development, and future prospects* Features core case studies of particular types of cities, from the foundational cities of Greece and Rome to the "smart" cities of today* Explores common themes of urban development, from transport and communication to lifestyle and culture* Includes stunning info-graphics, maps, charts, tables, and photos Additional material for this book: Cities Featured: Abuja, Alexandria, Amsterdam, Athens, Augsburg, Babylon, Beijing, Berlin, Brasilia, Bruges, Budapest, Cairo, Canberra, Chandigarh, Chicago, Constantinople, Curitiba, Detroit, Dubai, Dublin, Dusseldorf, Florence, Frankfurt, Freiburg, Geneva, Ghent, Glasgow, Gussing, Hong Kong, Innsbruck, Istanbul, Jakarta, Karachi, Knossos, Las Vegas, London, Los Angeles, Lubeck, Manchester, Marseille, Masdar City, Mexico City, Miami, Milan, Mumba, Mumbai, Nairobi, New York, Paris, Pella, Portland, Rome, San Francisco, Santorini, Sao Paulo, Seoul, Shanghai, Sheffield, Singapore, Sparta, St. Petersburg, Stockholm, Sydney, Syracuse, Tokyo, Vancouver, Venice, Vienna, Washington, D.C., Wildpoldsried

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Raised by Wolves is a unique and vibrant gathering of poems from Graywolf Press's fifty years. The anthology is conceived as a community document: fifty Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future. Included here are established and emerging poets, international poets and poets in translation, and many of the most significant poets of our time. There are extraordinary pairings: Tracy K. Smith on Linda Gregg; Vijay Seshadri on Tomas Tranströmer, translated by Robert Bly; Natalie Diaz on Mary Szybist; Diane Seuss on D. A. Powell; Elizabeth Alexander on Christopher Gilbert; Ilya Kaminsky on Vénus Khoury-Ghata, translated by Marilyn Hacker; Mai Der Vang on Larry Levis; Layli Long Soldier on Solmaz Sharif; Solmaz Sharif on Claudia Rankine. In these poets' championing of others, fascinating threads emerge: Stephanie Burt writes on Monica Youn, who selects Harryette Mullen, who writes on Liu Xiaobo, translated by Jeffrey Yang, who chooses Fanny Howe, who writes on Carl Phillips, who selects Danez Smith, who chooses Donika Kelly, who writes on Natasha Trethewey. With an introduction by Graywolf publisher Carmen Giménez, Raised by Wolves is an echoing outward of poetry's possibilities.

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St. Jerome (347-420) was undoubtedly one of the most learned of the Latin Church Fathers. He mastered nearly the entirety of the antecedent Christian exegetical and theological tradition, both Greek and Latin, and he knew Hebrew and Aramaic. We have the fruit of that knowledge in his most famous editorial achievement, the Latin Vulgate translation of the Bible. Declared "the greatest doctor in explaining the Scriptures" by the Council of Trent, Jerome has been regarded by the Latin Church as its preeminent scriptural commentator. Much of Jerome's prodigious exegetical output, however, has never been translated into English. In this volume, Thomas P. Scheck presents the first English translation of St. Jerome's commentaries on Galatians, Titus, and Philemon. Jerome followed the Greek exegesis of Origen of Alexandria, proceeding step by step and producing the most valuable of all of the patristic commentaries on these three epistles of St. Paul. Jerome's exegesis is characterized by extensive learning, acute historical and theological criticism, lively and vigorous exposition, and homiletical exhortation. Scheck's translation is supplemented with thorough annotations and a detailed critical introduction that sets the context for reading Jerome's commentaries. It is an invaluable reference for patristics scholars, historical theologians, Church historians, and New Testament scholars.

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First written in response to a JACT survey of over 100 schools, and now endorsed by OCR, this textbook has become a standard resource for students in the UK and for readers across the world who are looking for a clear and thorough introduction to the language of the ancient Greeks. Revised throughout and enhanced by coloured artwork and text features, this edition will support the new OCR specification for Classical Greek (first teaching 2016). Part 1 covers the basics and is self-contained, with its own reference section. It covers the main declensions, a range of active tenses and a vocabulary of 250 Greek words to be learned. Pupil confidence is built up by constant consolidation of the material covered. After the preliminaries, each chapter concentrates on stories with one source or subject: Aesop, Homer's Odyssey and Alexander the Great, providing an excellent introduction to Greek culture alongside the language study. Written by a long-time school teacher and examiner, this two-part course is based on experience of what pupils find difficult, concentrating on the essentials and on the understanding of principles in both accidence and syntax: minor irregularities are postponed and subordinated so that the need for rote learning is reduced. It aims to be user-friendly, but also to give pupils a firm foundation for further study.

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How an ancient rubbish dump has given us a unique view of life 2,000 years agoIn 1897 two Oxford archaeologists began digging a mound south of Cairo. Ten years later, they had uncovered 500,000 fragments of papyri. Shipped back to Oxford, the meticulous and scholarly work of deciphering these fragments began. It is still going on today. As well as Christian writings from totally unknown gospels and Greek poems not seen by human eyes since the fall of Rome, there are tax returns, petitions, private letters, sales documents, leases, wills and shopping lists. What they found was the entire life of a flourishing market-town - Oxyrhynchos ( the `city of the sharp-nosed fish' ), - encapsulated in its waste paper. The total lack of rain in this part of Egypt had preserved the papyrus beneath the sand, as nowhere else in the Roman Empire. We hear the voices of barbers, bee-keepers and boat-makers, dyers and donkey-drivers, weavers and wine-merchants, set against the great events of late antiquity: the rise and fall of the Roman Empire and the coming of Christianity. The result is an extraordinary and unique picture of everyday life in the Nile Valley between Alexander the Great in 300 BC and the Arab conquest a thousand years later.

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1925. England is prosperous; the nation has put the war behind it, and hope is in the air. The Jazz Age is in full swing in New York, where Polly Morland is the most feted beauty of the day. But a proposal of marriage from the powerful, enigmatic Ren Alexander takes her by surprise. Her cousin Lennie, expanding his interests from radio to television and talkies, worries that no one knows much about Ren; but his attempts to find out more threaten disaster. In London, the General Strike gives the country another chance to show its stiff upper lip, as everyone turns to and helps out. Emma drives an ambulance again, while Molly runs a canteen, and each unexpectedly finds love, and a new career. But the whirligig is slowing, shadows are gathering over Europe, and the good times are almost over. Morland Place is threatened by the worst disaster of its history, and the Old World reaches out a hand to pluck Polly from the New. The Wall Street Crash brings the fabulous decade to a shattering close, and nothing will ever be quite the same again; but new shoots emerge from the ruins, hope is reborn, and the Morlands prove again that family is everything, and will endure.

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'Fans of Alexander McCall Smith will love Scotty Elliott's Sibanda series' Sunday Times (SA)Detective Sibanda and Sergeant Ncube are back!Two bodies are discovered near Gubu, one burning at the base of a tree struck by lightning and, on the banks of the Zambezi, a second killing which threatens to tear Detective Sibanda's life apart. The victims are not connected as one is a foreign wildlife researcher and the other a local driver, but Sibanda's intuition tells him the murders are linked. The only clues are a fragment of material found in the brain of one victim, a puncture wound in the thigh of the other, and a diary full of coded names.As the men investigate further, they find links to an ivory smuggling gang and in their pursuit of the killer, Sibanda and Ncube not only have to cope with their temperamental Landrover, their chief inspector's lack of cooperation, but a rough and remote landscape full of wild and dangerous adventure.Praise for C. M. Elliott:"C.M. Elliott has created a lively cast of characters and an intricate, clever plot..." - Margaret von Klemperer, The Witness"A thrilling detective yarn and a finely-drawn picture of the counterpoint between the gentle music of the bush and the harsher notes of poachers' deadly gunfire - The Citizen

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Der Band versammelt ausgewählte Studien Markus Wittes zu dem im 2. Jh. v. Chr. in Jerusalem auf Hebräisch abgefassten und um 120 v. Chr. in Alexandria ins Griechische übersetzten Buch Ben Sira/Jesus Sirach in seinem literatur- und theologiegeschichtlichen Umfeld der frühjüdischen Weisheit. Der Autor behandelt dabei beispielhaft sowohl grundsätzliche Probleme der Text- und Literaturgeschichte als auch zentrale Fragen der Anthropologie, des Geschichtsverständnisses und der Theologie des Sirachbuchs. In der den Band eröffnenden Betrachtung der stark voneinander abweichenden hebräischen, griechischen, syrischen und lateinischen Textformen und ihrer jeweiligen Überlieferungsgemeinschaften verdeutlicht er die Pluralität kanonischer Gestalten des Sirachbuchs. Die Übersicht zum literatur- und kanonsgeschichtlichen Ort des Sirachbuchs sowie zu zentralen Themen der in ihm vertretenen Theologien und Anthropologien lässt den Charakter des Sirachbuchs als einer großen Synthese und Transformation zentraler weisheitlicher, kultischer, rechtlicher und historiographisch-prophetischer Traditionen des antiken Israel und frühen Judentums erkennen. Markus Wittes Schwerpunkt der Auslegung von Einzeltexten liegt auf dem "Lob der Väter" (Sir 44-49) und damit auf der Profilierung des Geschichstverständnisses und der besonderen Form der Schriftauslegung im Sirachbuch. Seine Analyse der Sirachtexte wird flankiert von einer thematisch auf Fragen der Anthropologie, Ethik und Theologie konzentrierten Untersuchung weiterer jüdischer Schriften aus hellenistisch-römischer Zeit. Ein besonderes Augenmerk gilt hier der ungefähr zwischen 25 v. Chr. und 25 n. Chr. entstandenen Sapientia Salomonis. Insgesamt bietet die Aufsatzsammlung einen Beitrag zur frühjüdischen Literaturgeschichte und Theologie.

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Boats Against the Current provides a fascinating account of how American culture emerged from the sheltered, elitist world of the eighteenth century into the dynamic, turbulent civilization that reached full bloom after the Civil War. The antebellum years were times of flux and change, years of a society rushing into the western wilds, muscular and ambitious, yet haunted by uncertainty about its future and its past. Renowned scholar Lewis Perry begins his study with a fresh look at Andrew Jackson—vividly recreating a time when Americans, feeling their ties to the past disintegrating, fostered a new fascination with history. Then Perry introduces us to the observations of such articulate foreign travelers as Alexis de Tocqueville and Fredrika Bremer. He deftly weaves together these writers' perspectives to provide a fascinating look at our emergent nation. Here, too, are the women of the cities and frontier, the peddlers, preachers, and showmen, along with such writers as Hawthorne, Emerson, Whittier, and Parker. Perry brings these personalities and writings together to show us how early nineteenth century America saw itself, in both its promise and its fears. Now available for the first time in paperback, Boats Against the Current offers a brilliant portrait of a society in the midst of change, expansion, and reflection about its own future and past. Written by one of our leading intellectual historians, it makes a major contribution to our understanding of the emergence of modern American culture.

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Using a broad range of archival material from Washington University, St. Louis, the University of Glasgow, and the British Library, Useless Activity: Work, Leisure and British Avant-Garde Fiction, 1960-1975 is the first study to ask why the experimental writing of the 1960s and 1970s appears so fraught with anxiety about its own uselessness, before suggesting that this very anxiety was symptomatic of a unique period in British literary history when traditional notions about literary work – and what 'worked' in terms of literature – were being radically scrutinised and reassessed. The study is divided into five chapters with three of those dedicated to the close analysis of work produced by three writers representative of the 1960s British avant-garde: Eva Figes (1932–2012), B.S. Johnson (1933–1973), and Alexander Trocchi (1925–1984). The book argues that these writers’ preoccupations with concepts related to work, such as leisure, debt, and various forms of neglected labour like housework, allow us to rethink the British avant-garde's relation to realism while posing broader questions about the production and value of post-war literary avant-gardism more generally. Useless Activity proposes that only with an understanding of the British avant-garde’s engagement with the idea of work and its various corollaries can we appreciate these writers' move away from certain forms of literary realism and their contribution to the development of the modern British novel during the mid-twentieth century.

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'History is made up of myths,' writes the renowned Russian dissident journalist Mikhail Zygar. 'Alas, our myths led us to the fascism of 2022. It is time to expose them.' Drawing from his perilous career investigating the frontiers of the Russian empire, Zygar reveals how 350 years of propaganda, bad historical scholarship, folk tales and fantasy spurred his nation into war with Ukraine.How did a German monk's fear of the Ottoman Empire drive him to invent the fiction of a united Russian world? How did corny spy novels about a 'Soviet James Bond' inspire Vladimir Putin to join the KGB? How did Alexander Pushkin's admiration for a poem by Lord Byron end with him slandering the legendary chief of the Cossacks? And how did Putin underestimate a rising TV comic named Volodymyr Zelensky, failing to see that his satire had become deadly serious, and that his country would be a joke no longer?A noted expert on the Kremlin with unparalleled access to hundreds of players in the current conflict - from politicians to oligarchs, gangsters to comedians (not least Zelensky himself) - Zygar chronicles the power struggles from which today's politics grew, and digs out the essential truths from behind layers of seductive legend. By surveying the strange, complex record of Russo-Ukrainian relations, War and Punishment reveals exactly how the largest nation on Earth lost its senses. A work of history can't undo the past or transform the present, but sometimes it can shape the future.In fact, that's how the story begins.

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In A Forgetful Nation, the renowned postcolonialism scholar Ali Behdad turns his attention to the United States. Offering a timely critique of immigration and nationalism, Behdad takes on an idea central to American national mythology: that the United States is “a nation of immigrants,” welcoming and generous to foreigners. He argues that Americans’ treatment of immigrants and foreigners has long fluctuated between hospitality and hostility, and that this deep-seated ambivalence is fundamental to the construction of national identity. Building on the insights of Freud, Nietzsche, Foucault, and Derrida, he develops a theory of the historical amnesia that enables the United States to disavow a past and present built on the exclusion of others.Behdad shows how political, cultural, and legal texts have articulated American anxiety about immigration from the Federalist period to the present day. He reads texts both well-known—J. Hector St. John de Crèvecoeur’s Letters from an American Farmer, Alexis de Tocqueville’s Democracy in America, and Walt Whitman’s Leaves of Grass—and lesser-known—such as the writings of nineteenth-century nativists and of public health officials at Ellis Island. In the process, he highlights what is obscured by narratives and texts celebrating the United States as an open-armed haven for everyone: the country’s violent beginnings, including its conquest of Native Americans, brutal exploitation of enslaved Africans, and colonialist annexation of French and Mexican territories; a recurring and fierce strand of nativism; the need for a docile labor force; and the harsh discipline meted out to immigrant “aliens” today, particularly along the Mexican border.

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The first full account of the government-sanctioned genocide of California Indians under United States rule Winner of the 2016 Los Angeles Times Book Award for History and a New York Times Book Review Editors’ Choice “Gruesomely thorough. . . . Others have described some of these campaigns, but never in such strong terms and with so much blame placed directly on the United States government.”—Alexander Nazaryan, Newsweek Between 1846 and 1873, California’s Indian population plunged from perhaps 150,000 to 30,000. Benjamin Madley is the first historian to uncover the full extent of the slaughter, the involvement of state and federal officials, the taxpayer dollars that supported the violence, indigenous resistance, who did the killing, and why the killings ended. This deeply researched book is a comprehensive and chilling history of an American genocide. Madley describes pre-contact California and precursors to the genocide before explaining how the Gold Rush stirred vigilante violence against California Indians. He narrates the rise of a state-sanctioned killing machine and the broad societal, judicial, and political support for genocide. Many participated: vigilantes, volunteer state militiamen, U.S. Army soldiers, U.S. congressmen, California governors, and others. The state and federal governments spent at least $1,700,000 on campaigns against California Indians. Besides evaluating government officials’ culpability, Madley considers why the slaughter constituted genocide and how other possible genocides within and beyond the Americas might be investigated using the methods presented in this groundbreaking book.

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2007 — A Choice Magazine Outstanding Academic Book Sicilian historian Diodorus Siculus (ca. 100-30 BCE) is our only surviving source for a continuous narrative of Greek history from Xerxes' invasion to the Wars of the Successors following the death of Alexander the Great. Yet this important historian has been consistently denigrated as a mere copyist who slavishly reproduced the works of earlier historians without understanding what he was writing. By contrast, in this iconoclastic work Peter Green builds a convincing case for Diodorus' merits as a historian. Through a fresh English translation of a key portion of his multi-volume history (the so-called Bibliotheke, or "Library") and a commentary and notes that refute earlier assessments of Diodorus, Green offers a fairer, better balanced estimate of this much-maligned historian. The portion of Diodorus' history translated here covers the period 480-431 BCE, from the Persian invasion of Greece to the outbreak of the Peloponnesian War. This half-century, known as the Pentekontaetia, was the Golden Age of Periclean Athens, a time of unprecedented achievement in drama, architecture, philosophy, historiography, and the visual arts. Green's accompanying notes and commentary revisit longstanding debates about historical inconsistencies in Diodorus' work and offer thought-provoking new interpretations and conclusions. In his masterful introductory essay, Green demolishes the traditional view of Diodorus and argues for a thorough critical reappraisal of this synthesizing historian, who attempted nothing less than a "universal history" that begins with the gods of mythology and continues down to the eve of Julius Caesar's Gallic campaigns.

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