Search results for ""Author Alex"

Alexis de Tocqueville, a French aristocrat paradoxically famous for his insights into democracy and equality, is one of history’s greatest analysts of American society and politics. His contributions to political theory and sociology are of enduring significance. This book, from one of the world’s leading experts, is a clearly written and accessible introduction to Tocqueville’s social and political theories. Schleifer guides readers through his two major works, Democracy in America (1835/40) and The Old Regime and the Revolution (1856), as well as his working papers, correspondence, and other writings. Schleifer examines Tocqueville’s essential themes and explores the various meanings of his key terms, including equality, democracy, liberty, and revolution. He combines a skillful exposition of Tocqueville’s analysis of the beneficial and harmful consequences of democracy with a crystal clear discussion of his often overlooked economic ideas and social reform proposals. Schleifer traces both the overall unity and the significant changes in Tocqueville’s ideas, demonstrating the complexity and subtlety of his thought and the importance of his legacy. It will be essential reading for all scholars, students, and general readers interested in the history of political thought, political theory, American politics, and sociology.

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The Counterhuman Imaginary proposes that alongside the historical, social, and institutional structures of human reality that seem to be the sole subject of the literary text, an other-than-human world is everywhere in evidence. Laura Brown finds that within eighteenth-century British literature, the human cultural imaginary can be seen, equally, as a counterhuman imaginary—an alternative realm whose scope and terms exceed human understanding or order. Through close readings of works by Daniel Defoe, Jonathan Swift, and Alexander Pope, along with lapdog lyrics, circulation narratives that give agency to inanimate objects like coins and carriages, and poetry about the Lisbon earthquake of 1755, Brown traces the ways presence and power of the nonhuman—weather, natural disasters, animals, even the concept of love—not only influence human creativity, subjectivity, and history but are inseparable from them. Traversing literary theory, animal studies, new materialism, ecocriticism, and affect theory, The Counterhuman Imaginary offers an original repudiation of the centrality of the human to advance an integrative new methodology for reading chaos, fluidity, force, and impossibility in literary culture.

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How our shifting sense of "what's normal" defines the character of democracy"A provocative examination of social constructs and those who would alternately undo or improve them."—Kirkus Reviews This sharp and engaging book by leading governmental scholar Cass R. Sunstein examines dramatically shifting understandings of what’s normal—and how those shifts account for the feminist movement, the civil rights movement, the rise of Adolf Hitler, the founding itself, political correctness, the rise of gun rights, the response to COVID-19, and changing understandings of liberty. Prevailing norms include the principle of equal dignity, the idea of not treating the press as an enemy of the people, and the social unacceptability of open expressions of racial discrimination. But norms can turn upside-down in a hurry. What people tolerate, and what they abhor, depends on what else they are seeing. Exploring Nazism, #MeToo, the work of Alexander Hamilton and James Madison, constitutional amendments, pandemics, and the influence of Ayn Rand, Sunstein reveals how norms change, and ultimately determine the shape of society and government in the United States, Europe, and elsewhere.

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The Corncrake's Welcome continues the story of William Hanna’s family, introduced in Voyages with my Grandfather. Spanning a hundred years, these memoirs delve into the turbulent birth of Northern Ireland, wartime Belfast, and the 1960s, when Hanna was growing up in Windsor Manse, next to the Presbyterian Church where his father was the Minister. Join the young boy, enthralled by both the orange sashes of Belfast and the green rugby jerseys of Dublin. See the teenager confronted by the Troubles, beginning to question his religious and national inheritance. Follow Hanna’s coming-of-age journey, from Ireland to Scotland, Switzerland, and France, and watch him set out on a diplomatic career in Dublin and in Brussels. Share his joy and sorrow when he returns to Ireland, after many years serving as EU Ambassador around the world; recalls his father’s historic meeting with Pope John Paul II; and makes poignant discoveries about events a century ago. Praise for Voyages with my Grandfather: ‘Beautifully written. Very moving’ Alexander McCall Smith ‘Extraordinary insight into life of Northern Ireland Presbyterians’ Gail Walker, Belfast Telegraph ‘Wonderful book. A remarkable family story very well told’ Sir Jonathan Faull

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When the possibility of wiretapping first became known to Americans they were outraged. Now, in our post 9/11 world, it’s accepted that corporations are vested with human rights, and government agencies and corporations use computers to monitor our private lives. David H. Price pulls back the curtain to reveal how the FBI and other government agencies have always functioned as the secret police of American capitalism up to today, where they luxuriate in a near-limitless NSA surveillance of all. Price looks through a roster of campaigns by law enforcement, intelligence agencies and corporations to understand how we got here. Starting with J. Edgar Hoover and the early FBI’s alignment with business, his access to 15,000 pages of never-before-seen FBI files shines a light on the surveillance of Edward Said, Andre Gunder Frank and Alexander Cockburn, Native American communists and progressive factory owners. Price uncovers patterns of FBI monitoring and harassing of activists and public figures, providing the vital means for us to understanding how these new frightening surveillance operations are weaponised by powerful governmental agencies that remain largely shrouded in secrecy.

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POETRY BOOK SOCIETY RECOMMENDED TRANSLATION in a translation by Daniel Weissbort that Elaine Feinstein describes in her illuminating introduction as 'clean, clear and … amazingly felicitous'. Lisnianskaya, an intensely lyrical poet, is first and foremost a love poet, and the love that she and her late husband, the celebrated poet Semyon Lipkin, had for one another colours – without the least sentimentality – many of Lisnianskaya's more recent poems. Indeed, her most recent collection consists partly of an elegy to him."Always – intensity of feeling, and a tranquillity(rare) of the most profound sort. No artificiality,no posing – total sincerity."Alexander Solzhenitsyn (of Lisnianskaya's poetry)INNA LISNIANSKAYA was born in Baku in 1928 and her first poetry collection appeared in 1957. She is now recognised as one of Russia's leading female poets, a recipient of both the State Prize and the Solzhenitsyn Prize for her work. She lives in Moscow. DANIEL WEISSBORT founded the magazine Modern Poetry in Translation in 1965 with the late Ted Hughes, and editedit until 2004. He is Research Fellow at Kings College, London and Honorary Professor in the Centre for Translation & Comparative Cultural Studies at the University of Warwick.

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This book reconceives the rewriting of Byzantine hagiography between the eighth and fourteenth centuries as a skilful initiative in communication and creative freedom, and as a form of authorship. Three men – Makarios (late C13th-C14th), a monk; Constantine Akropolites (d.c.1324), a statesman; and an Anonymous educated wordsmith (c. C9th) – each opted to rewrite the martyrdom of a female virgin saint who suffered and died centuries earlier. Their adaptations, respectively, were of St. Ia of Persia (modern-day Iran), St. Horaiozele of Constantinople, and St. Tatiana of Rome. Ia is described as a victim of the persecutions of the Persian Shahanshah, Shapur II (309–79 C.E), Horaiozele was allegedly a disciple of St Andrew and killed anachronistically under the emperor Decius (249–51 C.E), and Tatiana, we are told, was a deaconess, martyred during the reign of emperor Alexander Severus (222–35 C.E). Makarios, Akropolites, and the Anonymous knowingly tailored their compositions to influence an audience and to foster their individual interests. The implications arising from these studies are far-reaching: this monograph considers the agency of the hagiographer, the instrumental use of the authorial persona and its impact on the audience, and hagiography as a layered discourse. The book also provides the first translations and commentaries of the martyrdoms of these virgin martyrs.

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The Counterhuman Imaginary proposes that alongside the historical, social, and institutional structures of human reality that seem to be the sole subject of the literary text, an other-than-human world is everywhere in evidence. Laura Brown finds that within eighteenth-century British literature, the human cultural imaginary can be seen, equally, as a counterhuman imaginary—an alternative realm whose scope and terms exceed human understanding or order. Through close readings of works by Daniel Defoe, Jonathan Swift, and Alexander Pope, along with lapdog lyrics, circulation narratives that give agency to inanimate objects like coins and carriages, and poetry about the Lisbon earthquake of 1755, Brown traces the ways presence and power of the nonhuman—weather, natural disasters, animals, even the concept of love—not only influence human creativity, subjectivity, and history but are inseparable from them. Traversing literary theory, animal studies, new materialism, ecocriticism, and affect theory, The Counterhuman Imaginary offers an original repudiation of the centrality of the human to advance an integrative new methodology for reading chaos, fluidity, force, and impossibility in literary culture.

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In this groundbreaking book, sociologist Andrew Perrin shows that rules and institutions, while important, are not the core of democracy. Instead, as Alexis de Tocqueville showed in the early years of the American republic, democracy is first and foremost a matter of culture: the shared ideas, practices, and technologies that help individuals combine into publics and achieve representation. Reinterpreting democracy as culture reveals the ways the media, public opinion polling, and changing technologies shape democracy and citizenship. As Perrin shows, the founders of the United States produced a social, cultural, and legal environment fertile for democratic development and in the two centuries since, citizens and publics use that environment and shared culture to re-imagine and extend that democracy. American Democracy provides a fresh, innovative approach to democracy that will change the way readers understand their roles as citizens and participants. Never will you enter a voting booth or answer a poll again without realizing what a truly social act it is. This will be necessary reading for scholars, students, and the public seeking to understand the challenges and opportunities for democratic citizenship from Toqueville to town halls to Twitter.

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This volume includes: José Marcos Macedo, “Zeus as (Rider of) Thunderbolt”; Nikoloz Shamugia, “Bronze Relief with Caeneus and Centaurs from Olympia”; Hayden Pelliccia, “The Violation of Wackernagel’s Law at Pindar Pythian 3.1”; John Heath, “Corinna’s ‘Old Wives’ Tales’”; Maria Pavlou, “Lieux de Mémoire in the Plataean Speech (Thuc. 3.53–59)”; Robert Mayhew, “A Note on [Aristotle] Problemata 26.61”; Sam Hitchings, “The Date of [Demosthenes] XVII On the Treaty with Alexander”; John Walsh, “A Note on Diodorus 18.11.1, Arybbas, and the Lamian War”; Loukas Papadimitropoulos, “Charicleia’s Identity and the Structure of Heliodorus’ Aethiopica”; Ian Goh, “Kun-egonde”; Javier Uría, “Iulius Romanus’ Remark on Titinius (123 G.)”; Henry Spelman, “Borrowing Sappho’s Napkins”; Fabio Tutrone, “Granting Epicurean Wisdom at Rome”; Boris Kayachev, “He-Who-Must-Not-Be-Named”; Florence Klein, “Vergil’s ‘Posidippeanism’?”; Gianpero Rosati, “Evander’s Curse and the ‘Long Death’ of Mezentius (Verg. Aen. 8.483–488, 10.845–850)”; Fiachra Mac Góráin, “The Poetics of Vision in Virgil’s Aeneid”; Ioannis Ziogas, “Singing for Octavia”; Benjamin Victor, “Four Passages in Propertius’ Last Book of Elegies”; and David Greenwood, “Julian and Asclepius.”

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As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.

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In Mythopoetic Cinema, Kriss Ravetto-Biagioli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities, a new Europe, and with it a new European cinema after the fall of the Soviet Union. Mythopoetic cinema questions the perpetual branding of movements, ideas, and individuals. Examining the work of Jean-Luc Godard, Alexander Sokurov, Marina Abramovic, and Theodoros Angelopoulos, Ravetto-Biagioli argues that these disparate artists provide a critical reflection on what constitutes Europe in the age of neoliberalism. Their films reflect not only the violence of recent years but also help question dominant models of nation building that result in the general failure to respond ethically to rising ethnocentrism. In close readings of such films as Sokurov's Russian Ark (2002) and Godard's Notre Musique (2004), Ravetto-Biagioli demonstrates the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes. Her work not only analyzes how these filmmakers thematically treat the idea of Europe but also how their work questions the ability of the moving image to challenge conventional ways of understanding history.

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Deliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the US Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville's ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic - including James Fenimore Cooper, David Crockett, and Daniel Webster - whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.

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Following his resignation from the Government after the disastrous Gallipoli campaign, Winston Churchills political career stalled. Never one to give in, Churchill was determined to continue fighting the enemy. He was already a Major in the Territorial Reserve and he was offered promotion to Lieutenant Colonel and with it command of a battalion on the Western Front. On 5 January 1916, Churchill took up his new post with the 6th (Service) Battalion, Royal Scots Fusiliers. The battalions adjutant was Captain Alexander Dewar Gibb who formed a close relationship with Churchill that lasted far beyond their few weeks together in the war. Dewar Gibb subsequently wrote an account of his and Churchills time together in the trenches. Packed with amusing anecdotes and fascinating detail, Gibbs story shows an entirely different side to Churchills character from the forceful public figure normally presented to the world. Churchill proved to be a caring and compassionate commander and utterly fearless. Despised on his arrival, by the time he departed he was adored by his men. Supplemented with many of Churchills letters, the observations of other officers and additional narrative this is the most unusual and absorbing account of this part of Churchill's life that has ever been told.

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In ancient times, the series of waterways now known as the Turkish Straits, comprising the Dardanelles (or Hellespont), Sea of Marmara and the Bosporus, formed both a divide and a bridge between Europe and Asia. Its western and eastern entrances were guarded, at different times, by two of the most fabled cities of all time: respectively Troy (in Asia) and Byzantion (or Byzantium, on the European coast). The narrow crossing points at the Hellespont and Bosporus were strategically important invasion routes while the waters themselves were vital routes of travel and commerce, particularly the supply of grain from the hinterland of the Black Sea to the Greek cities. This made them sought after prizes and sources of friction between successive empires, Persians, Macedonians and Romans among them, and ensured they were associated with some of the great names of history, from Odysseus to Xerxes, Alexander to Constantine the Great. John D Grainger relates the fascinating history of this pivotal region from the Trojan War to Byzantion's refounding as the new capital of the Roman Empire. Renamed Constantinople it dominated the straits for a thousand years.

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National treasure Sheridan Smith returns to the role of Lucie Miller in these four new adventures with the Eighth Doctor! 1. The Dalek Trap by Nicholas Briggs. The thing about black holes is, they’re big and they’re black and they’re deadly, and you’d have to be mad to go anywhere near them. Because anything that falls inside a black hole ends up crushed in the singularity. Unfortunately, the Doctor just went mad, or so it seems, and flew his TARDIS beyond a black hole’s event horizon, causing him and his companion Lucie Miller to end up marooned on a planetoid just inside the event horizon. Along with a Dalek saucer… and something else. Because this is no ordinary black hole… This is the Cradle of the Darkness. 2. The Revolution Game by Alice Cavender. It’s Lucie’s birthday, and her birthday treat awaits. But whatever she’s expecting, it’s not what she’s getting on the colony world of Castus Sigma in the year 3025: ringside seats for the interplanetary Retro Roller Derby – sponsored by Heliacorp, “turning sunlight into gold”! It’s more than just a game, though. For the competitors, it’s a matter of life or death – a New Life with Heliacorp, or a living death on Castus Sigma. Or, on this fateful day, a very actual death. Because there are strange creatures living out on the plain, beyond the colony. Creatures with every reason to want to sabotage the games. Creatures with a grudge. 3. The House on the Edge of Chaos by Eddie Robson. The TARDIS brings the Doctor and Lucie to a vast house on the planet known as Horton’s Orb. The only house on Horton’s Orb, in fact. Outside its outsized windows there’s nothing. No land. No sea. No sky. No life. Just an endless expanse of static. Inside the house, there’s an upstairs and a downstairs – servants below, gentlefolk from the finest of the house’s families above. Alas, there are altogether too few eligible ladies on the upper floors these days. Meaning there’s a vacancy for Miss Lucie Miller, single and unattached…Outside the house, the static howls on. Except now, the static wants to get in. 4. Island of the Fendahl by Alan Barnes. The Fendahl is the death of evolution, the horror that lies in wait at the far end of the food chain. The Fendahl is death itself. And the Fendahl is dead. The Doctor destroyed it many years ago, in another incarnation, when he encountered it in a place called Fetchborough. But if the Fendahl is dead… how can it live again, on the remote island of Fandor? CAST: Paul McGann (The Doctor), Sheridan Smith (Lucie Miller), Matt Lloyd Davies (Jik Gelliska), Amanda Hurwitz (Raz Kalisto), Jonathan Keeble (Clegg), Madeline Duggan (Sash), Tom Alexander (George), Alicia Ambrose-Bayly (Tallulah / Alana Kelly), Carla Mendonca (Evangeline Horton), Rupert Vansittart (Darius Horton), Emily Woodward (Frances Horton), Joe Jameson (Berrigan Horton), Carlyss Peer (Diane Howard), Atilla Akinci (Dieter Fendelman), Paul Panting (Freddie), Lauren Cornelius (Maxine Mitchell), Bethan Dixon Bate (Landlady) and Nicholas Briggs (The Daleks). Other parts played by members of the cast.

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Book 4 in the Romantic Times Sapphire-award winning Elfhome series. Even though they attend a school of gifted students in New York City, child geniuses Louise Mayer and her twin sister Jillian have always felt alone in the world, isolated by their brilliance. Shortly before their ninth birthday, they make an amazing discovery. They’re not alone. Their real mother was astronaut Esme Shenske and their father was the famous inventor, Leonardo Dufae. They have an older sister, Alexander, living on the planet of Elfhome, and four siblings still in cryogenic storage at the fertility center. There’s only one problem: the frozen embryos are scheduled to be destroyed within six months. The race is on to save their baby brother and sisters. As a war breaks out on Elfhome and riots start in New York City, the twins use science and magic to plow over everything standing in their way. But when they come face-to-face with an ancient evil force, they’re soon in over their heads in danger.

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Despite remarkable progress, much remains unknown about the risks and benefits of genetic testing. No effective interventions are yet available to improve the outcome of most inherited diseases; negative test results might not rule out future occurrence of disease, and positive test results do not necessarily mean the disease will inevitably develop. In view of this uncertainty, the Working Group on Ethical, Legal, and Social Implications of Human Genome Research at the National Institutes of Health and Department of Energy created the Task Force on Genetic Testing. Comprising representatives of fifteen major stakeholders in genetic testing and five government agencies involved with testing, the task force was charged with reviewing genetic testing in the United States and making recommendations to ensure the development of safe and effective genetic tests. In Promoting Safe and Effective Genetic Testing in the United States the members of this task force present the conclusions of their study. They begin by describing general principles involved in genetic testing, including informed consent, testing of children, confidentiality, and discrimination. They describe methods and policies to ensure the safety and effectiveness of new genetic tests, including criteria for developing tests and ways of ensuring compliance with those criteria. They then discuss how to ensure the quality of laboratories that perform genetic tests, including the role of laboratory personnel and methods of monitoring laboratory performance. They show how health care professionals outside the field of genetics can better understand the uses of genetic testing, and offer suggestions for changes in these professionals' education and training. Finally, they offer a look at testing for rare inherited genetic disorders. Members of the Task Force: Neil A. Holtzman, M.D., M.P.H. * Michael S. Watson, Ph.D., F.A.C.M.G. * Patricia A. Barr * David R. Cox, M.D., M.P.H. * Jessica G. Davis, M.D. * Stephen I. Goodman, M.D., M.Sc. * Wayne W. Grody, M.D., Ph.D. * Arthur L. Levin, M.D. * J. Alexander Lowden, M.D., Ph.D. * Patricia D. Murphy, Ph.D. * Patricia J. Numan, M.D. * Victoria O. Odesina, R.N., Sc.M., M.S. * Nancy Press, Ph.D. * Katherine A. Schneider, M.P.H. * David B. Singer * Steven Gutman, M.D., * Muin J. Khoury, M.D., Ph.D. * David Lanier, M.D. * Linda R. Lebovic * Jane S. Lin-Fu, M.D.

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It is hard to think of an area of Christian theology that provides more scope for interdisciplinary conversation than the doctrine of creation. This doctrine not only invites reflection on an intellectual concept: it calls for contemplation of the endlessly complex, dynamic, and fascinating world that human being inhabit. But the possibilities for wide-ranging discussion are such that scholars sometimes end up talking past one another. Productive conversation requires mutual understanding of insights across disciplinary boundaries. Knowing Creation offers an essential resource for helping scholars from a range of fields to appreciate one another's concerns and perspectives. In so doing, it offers an important step forward in establishing a mutually-enriching dialogue that addresses, amongst others, the following key questions: Who is the God who creates? Why does God create? What is "creation"? What does it mean to recognize that a theology of creation speaks of a natural world that is subject to the observation of the natural sciences? What does it mean to talk about both a "natural" order and a "created" order? What are the major tensions that have arisen between the natural sciences and Christian thinking historically, and why? How can we move beyond such tensions to a positive and constructive conversation, while also avoiding facile notions such as a "god of the gaps"? Is it feasible for a natural scientist to maintain a belief in God's continuing creative activity? In what ways might a naturalistic understanding of the natural world be said to be limited? How can biblical studies, theology, philosophy, history, and science talk better together about these questions? At a time when the doctrine of creation - and even a mention of "creation" - has been disparaged due to its supposed associations with anti-scientific dogma, and theological offerings sometimes risk appearing a little more than reactionary exercises in naive apologetics, ill-informed by science or distinctly wary of engagement with it, it is more important than ever to offer a cross-disciplinary resource that can voice a positive account of a Christian theology of creation, and do so as a genuinely broad-ranging conversation about science and faith.Contributors to Knowing Creation include Marilyn McCord Adams, Denis Alexander, Susan Eastman, C. Stephen Evans, Peter van Inwagen, Christoph Schwobel, John H. Walton, Francis Watson, and more.

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Big Finish picks up the events after Miracle Day with Torchwood: Aliens Among Us. Captain Jack and Gwen Cooper have restarted Torchwood. But it's in a very different Cardiff. Something terrible's happened to the city. With every day getting darker, will Torchwood need to adopt a whole new approach? 5.9 Poker Face by Tim Foley. Torchwood are in trouble. Terrorist attacks are rocking the city. Control of the police has been ceded to Cardiff's alien masters. And it looks like it's all been arranged by Captain Jack Harkness. Worse, there's a dead woman in the cells who says that Torchwood will be hers by dawn. 5.10 Tagged by Joseph Lidster. "I know what you've done. I know what you'll do." The phrase starts appearing everywhere around Cardiff. On posters. On the internet. It's just a prank, isn't it? Only a wave of vigilante crime spreads through the city. People are taking revenge. Suddenly everyone knows what you've done. And they know what you'll do. 5.11 Escape Room by Helen Goldwyn. Gwen Cooper, Rhys Williams, and the Colchester-Prices go to try out an escape room. They've heard a lot about them. Especially this one. People keep going into the game and not coming out. But Torchwood will be fine. After all - partners can trust each other. Can't they? 5.12 Herald of the Dawn by James Goss. It all starts normally enough. A car park full of ramblers is incinerated by a thunderbolt. But the next day it's clear there's something very wrong. Something's changed. Something's coming. It's the end of the world. And that's what Torchwood are best at.Torchwood has now been in existence for over 10 years from its debut in 2006 as a Doctor Who spin-off created by top TV producer and writer Russell T Davies. The huge interest following the announcement of the first Big Finish Torchwood series caused a website server crash even as star John Barrowman was breaking the news on his radio show. This release is the finale of three sets collectively created as a fifth series following on from the four series on TV, with Russell T Davies advising on the new arcs, storylines and characters. CAST: John Barrowman (Captain Jack Harkness), Alexandria Riley (Ng), Paul Clayton (Mr Colchester), Sam Béart (Orr), Jonny Green (Tyler Steele), Kai Owen (Rhys Williams), Tom Price (Sgt. Andy Davidson), Eve Myles (Gwen Cooper), Rachel Atkins (Ro-Jedda), Ramon Tikaram (Colin Colchester-Price), Terence Hardiman (Escape), Sanee Raval (Xander), Kezrena James (Serena), Laura Dalgleish (Newsreader), Kerry Joy Stewart (Waitress),Garnon Davies (Rory), Joseph Tweedale (Assassin), Richard Elfyn (Inspector Bernstein), Aly Cruickshank (God Botherer), Marilyn Le Conte (Sue),Rick Yale (Darren), Luke Williams (Hywel), Charlotte O’Leary (News Reporter) NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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Raised by Wolves is a unique and vibrant gathering of poems from Graywolf Press's fifty years. The anthology is conceived as a community document: fifty Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future. Included here are established and emerging poets, international poets and poets in translation, and many of the most significant poets of our time. There are extraordinary pairings: Tracy K. Smith on Linda Gregg; Vijay Seshadri on Tomas Tranströmer, translated by Robert Bly; Natalie Diaz on Mary Szybist; Diane Seuss on D. A. Powell; Elizabeth Alexander on Christopher Gilbert; Ilya Kaminsky on Vénus Khoury-Ghata, translated by Marilyn Hacker; Mai Der Vang on Larry Levis; Layli Long Soldier on Solmaz Sharif; Solmaz Sharif on Claudia Rankine. In these poets' championing of others, fascinating threads emerge: Stephanie Burt writes on Monica Youn, who selects Harryette Mullen, who writes on Liu Xiaobo, translated by Jeffrey Yang, who chooses Fanny Howe, who writes on Carl Phillips, who selects Danez Smith, who chooses Donika Kelly, who writes on Natasha Trethewey. With an introduction by Graywolf publisher Carmen Giménez, Raised by Wolves is an echoing outward of poetry's possibilities.

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St. Jerome (347-420) was undoubtedly one of the most learned of the Latin Church Fathers. He mastered nearly the entirety of the antecedent Christian exegetical and theological tradition, both Greek and Latin, and he knew Hebrew and Aramaic. We have the fruit of that knowledge in his most famous editorial achievement, the Latin Vulgate translation of the Bible. Declared "the greatest doctor in explaining the Scriptures" by the Council of Trent, Jerome has been regarded by the Latin Church as its preeminent scriptural commentator. Much of Jerome's prodigious exegetical output, however, has never been translated into English. In this volume, Thomas P. Scheck presents the first English translation of St. Jerome's commentaries on Galatians, Titus, and Philemon. Jerome followed the Greek exegesis of Origen of Alexandria, proceeding step by step and producing the most valuable of all of the patristic commentaries on these three epistles of St. Paul. Jerome's exegesis is characterized by extensive learning, acute historical and theological criticism, lively and vigorous exposition, and homiletical exhortation. Scheck's translation is supplemented with thorough annotations and a detailed critical introduction that sets the context for reading Jerome's commentaries. It is an invaluable reference for patristics scholars, historical theologians, Church historians, and New Testament scholars.

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First written in response to a JACT survey of over 100 schools, and now endorsed by OCR, this textbook has become a standard resource for students in the UK and for readers across the world who are looking for a clear and thorough introduction to the language of the ancient Greeks. Revised throughout and enhanced by coloured artwork and text features, this edition will support the new OCR specification for Classical Greek (first teaching 2016). Part 1 covers the basics and is self-contained, with its own reference section. It covers the main declensions, a range of active tenses and a vocabulary of 250 Greek words to be learned. Pupil confidence is built up by constant consolidation of the material covered. After the preliminaries, each chapter concentrates on stories with one source or subject: Aesop, Homer's Odyssey and Alexander the Great, providing an excellent introduction to Greek culture alongside the language study. Written by a long-time school teacher and examiner, this two-part course is based on experience of what pupils find difficult, concentrating on the essentials and on the understanding of principles in both accidence and syntax: minor irregularities are postponed and subordinated so that the need for rote learning is reduced. It aims to be user-friendly, but also to give pupils a firm foundation for further study.

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How an ancient rubbish dump has given us a unique view of life 2,000 years agoIn 1897 two Oxford archaeologists began digging a mound south of Cairo. Ten years later, they had uncovered 500,000 fragments of papyri. Shipped back to Oxford, the meticulous and scholarly work of deciphering these fragments began. It is still going on today. As well as Christian writings from totally unknown gospels and Greek poems not seen by human eyes since the fall of Rome, there are tax returns, petitions, private letters, sales documents, leases, wills and shopping lists. What they found was the entire life of a flourishing market-town - Oxyrhynchos ( the `city of the sharp-nosed fish' ), - encapsulated in its waste paper. The total lack of rain in this part of Egypt had preserved the papyrus beneath the sand, as nowhere else in the Roman Empire. We hear the voices of barbers, bee-keepers and boat-makers, dyers and donkey-drivers, weavers and wine-merchants, set against the great events of late antiquity: the rise and fall of the Roman Empire and the coming of Christianity. The result is an extraordinary and unique picture of everyday life in the Nile Valley between Alexander the Great in 300 BC and the Arab conquest a thousand years later.

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1925. England is prosperous; the nation has put the war behind it, and hope is in the air. The Jazz Age is in full swing in New York, where Polly Morland is the most feted beauty of the day. But a proposal of marriage from the powerful, enigmatic Ren Alexander takes her by surprise. Her cousin Lennie, expanding his interests from radio to television and talkies, worries that no one knows much about Ren; but his attempts to find out more threaten disaster. In London, the General Strike gives the country another chance to show its stiff upper lip, as everyone turns to and helps out. Emma drives an ambulance again, while Molly runs a canteen, and each unexpectedly finds love, and a new career. But the whirligig is slowing, shadows are gathering over Europe, and the good times are almost over. Morland Place is threatened by the worst disaster of its history, and the Old World reaches out a hand to pluck Polly from the New. The Wall Street Crash brings the fabulous decade to a shattering close, and nothing will ever be quite the same again; but new shoots emerge from the ruins, hope is reborn, and the Morlands prove again that family is everything, and will endure.

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'Fans of Alexander McCall Smith will love Scotty Elliott's Sibanda series' Sunday Times (SA)Detective Sibanda and Sergeant Ncube are back!Two bodies are discovered near Gubu, one burning at the base of a tree struck by lightning and, on the banks of the Zambezi, a second killing which threatens to tear Detective Sibanda's life apart. The victims are not connected as one is a foreign wildlife researcher and the other a local driver, but Sibanda's intuition tells him the murders are linked. The only clues are a fragment of material found in the brain of one victim, a puncture wound in the thigh of the other, and a diary full of coded names.As the men investigate further, they find links to an ivory smuggling gang and in their pursuit of the killer, Sibanda and Ncube not only have to cope with their temperamental Landrover, their chief inspector's lack of cooperation, but a rough and remote landscape full of wild and dangerous adventure.Praise for C. M. Elliott:"C.M. Elliott has created a lively cast of characters and an intricate, clever plot..." - Margaret von Klemperer, The Witness"A thrilling detective yarn and a finely-drawn picture of the counterpoint between the gentle music of the bush and the harsher notes of poachers' deadly gunfire - The Citizen

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An exploration of how the rose—the most ravishingly beautiful and symbolic of flowers—has inspired fashion over hundreds of years​The Rose in Fashion: Ravishing is a fascinating exploration of how the rose has inspired the way we look, dress, feel, and fantasize. It foregrounds innovative, refined, and challenging fashion design from elite 18th-century woven silks to the latest gender-neutral catwalk trends and Alexander McQueen rose dresses. Drawing upon fashion clothing, everyday dress, millinery, fine jewelry, perfume, and artificial and fresh roses, multiple expert contributors make reference to love, beauty, sex, sin, gendered identities, rites of passage, transgression, degradation, and death. This sumptuously illustrated book also includes a contribution and stunning images of roses by visionary photographer Nick Knight. Wild yet cultivated, savage yet delicate, this flower has remained an enduring symbol perhaps due to its versatility and the dichotomies it represents.Published in association with The Museum at the Fashion Institute of Technology, New YorkExhibition Schedule:The Museum at the Fashion Institute of Technology, New York (Opens August 6, 2021)

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"Just as philosophy begins with doubt, so also a life that may be called human begins with irony" so wrote Kierkegaard. While we commonly think of irony as a figure of speech where someone says one thing and means the opposite, the concept of irony has long played a more fundamental role in the tradition of philosophy, a role that goes back to Socrates Ð the originator and exemplar of the urbane ironic life. But what precisely is Socratic irony and what relevance, if any, does it have for us today? Bernstein begins his inquiry with a critical examination of the work of two contemporary philosophers for whom irony is vital: Jonathan Lear and Richard Rorty. Despite their sharp differences, Bernstein argues that they complement one other, each exploring different aspects of ironic life. In the background of Lear’s and Rorty’s accounts stand the two great ironists: Socrates and Kierkegaard. Focusing on the competing interpretations of Socratic irony by Gregory Vlastos and Alexander Nehamas, Bernstein shows how they further develop our understanding of irony as a form of life and as an art of living. Bernstein also develops a distinctive interpretation of Kierkegaard’s famous claim that a life that may be called human begins with irony. Bernstein weaves together the insights of these thinkers to show how each contributes to a richer understanding of ironic life. He also argues that the emphasis on irony helps to restore the balance between two different philosophical traditions philosophy as a theoretical discipline concerned with getting things right and philosophy as a practical discipline that shapes how we ought to live our lives.

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A groundbreaking history of the Big Questions that dominated the nineteenth centuryIn the early nineteenth century, a new age began: the age of questions. In the Eastern and Belgian questions, as much as in the slavery, worker, social, woman, and Jewish questions, contemporaries saw not interrogatives to be answered but problems to be solved. Alexis de Tocqueville, Victor Hugo, Karl Marx, Frederick Douglass, Fyodor Dostoevsky, Rosa Luxemburg, and Adolf Hitler were among the many who put their pens to the task. The Age of Questions asks how the question form arose, what trajectory it followed, and why it provoked such feverish excitement for over a century. Was there a family resemblance between questions? Have they disappeared, or are they on the rise again in our time?In this pioneering book, Holly Case undertakes a stunningly original analysis, presenting, chapter by chapter, seven distinct arguments and frameworks for understanding the age. She considers whether it was marked by a progressive quest for emancipation (of women, slaves, Jews, laborers, and others); a steady, inexorable march toward genocide and the "Final Solution"; or a movement toward federation and the dissolution of boundaries. Or was it simply a farce, a false frenzy dreamed up by publicists eager to sell subscriptions? As the arguments clash, patterns emerge and sharpen until the age reveals its full and peculiar nature.Turning convention on its head with meticulous and astonishingly broad scholarship, The Age of Questions illuminates how patterns of thinking move history.

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Historians often think of Russia before the 1860s in terms of conservative stasis, when the "gendarme of Europe" secured order beyond the country's borders and entrenched the autocratic system at home. This book offers a profoundly different vision of Russia under Nicholas I. Drawing on an extensive array of sources, it reveals that many of modern Russia's most distinctive and outstanding features can be traced back to an inconspicuous but exceptional year. Russia became what it did, in no small measure, because of 1837. The catalogue of the year's noteworthy occurrences extends from the realms of culture, religion, and ideas to those of empire, politics, and industry. Exploring these diverse issues and connecting seemingly divergent historical actors, Paul W. Werth reveals that the 1830s in Russia were a period of striking dynamism and consequence, and that 1837 was pivotal for the country's entry into the modern age. From the romantic death of Russia's greatest poet Alexander Pushkin in January to a colossal fire at the Winter Palace in December, Russia experienced much that was astonishing in 1837: the railway and provincial press appeared, Russian opera made its debut, Orthodoxy pushed westward, the first Romanov visited Siberia-and much else besides. The cumulative effect was profound. The country's integration accelerated, and a Russian nation began to emerge, embodied in new institutions and practices, within the larger empire. The result was a quiet revolution, after which Russia would never be the same.

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A century-and-a-half after the Martian Separatist Wars, and the final defeat of insane terrorist leader El Ahmi, Alexander Moore returns to the stars with the Sienna Madira, a United States Navy supercarrier spacecraft outfitted with advanced FTL and endlessly strange, extremely effective, quantum-based weapons and remote sensing technology. And, of course, he's brought Marines, and lots of them. These are troops superbly trained for space battle, and equipped with advanced powered armor and artificial intelligence backup. Moore's task: hunt down remnant weaponry platforms left by the brilliant, mad artificial intelligence known as Copernicus, the being ultimately responsible for the Solar System wide civil war. Yet Moore is about to uncover something far more sinister: before his destruction, Copernicus had established multiple mecha-warrior defended bases with the intent of resuming the destruction of humanity. Worse, an a.i. presence even more dangerous, evil, and clever than Copernicus may have formed an alliance with something else out there with a similar goal: wipe humanity from the galaxy forever!

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Here, on a scale unmatched by any previous collection, is the extraordinary energy and eloquence of our first national political campaign: During the secret proceedings of the Constitutional Convention in 1787, the framers created a fundamentally new national plan to replace the Articles of Confederation and then submitted it to conventions in each state for ratification. Immediately, a fierce storm of argument broke. Federalist supporters, Antifederalist opponents, and seekers of a middle ground strove to balance public order and personal liberty as they praised, condemned, challenged, and analyzed the new Constitution Gathering hundreds of original texts by Franklin, Madison, Jefferson, Washington, and Patrick Henry—as well as many others less well known today—this unrivaled collection allows readers to experience firsthand the intense year-long struggle that created what remains the world’s oldest working national charter. Assembled here in chronological order are hundreds of newspaper articles, pamphlets, speeches, and private letters written or delivered in the aftermath of the Constitutional Convention. Along with familiar figures like Franklin, Madison, Patrick Henry, Jefferson, and Washington, scores of less famous citizens are represented, all speaking clearly and passionately about government. The most famous writings of the ratification struggle — the Federalist essays of Hamilton and Madison — are placed in their original context, alongside the arguments of able antagonists, such as "Brutus" and the "Federal Farmer." Part Two gathers collected press polemics and private commentaries from January to August 1788, including all the amendments proposed by state ratifying conventions as well as dozens of speeches from the South Carolina, Virginia, New York, and North Carolina conventions. Included are dramatic confrontations from Virginia, where Patrick Henry pitted his legendary oratorical skills against the persuasive logic of Madison, and from New York, where Alexander Hamilton faced the brilliant Antifederalist Melancton Smith. Informative notes, biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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This volume contains the papers presented at the 47th Colloquium Biblicum Lovaniense (Leuven, 1998). The general theme of the meeting was the unity of the Gospel of Luke and the Acts of the Apostles. Main papers on this topic were read by R.L. Brawley, J. Delobel, A. Denaux, J.A. Fitzmeyer, F.W. Horn, J. Kremer, A. Lindemann, O. Mainville, D. Marguerat, F. Neirynck, W. Radl, M. Rese, J. Taylor, C.M. Tuckett, and J. Verheyden. While a large majority of scholars agree that Luke intended his work to cover both the past and the continuing history of Jesus (Gospel and Acts), the essays also illustrate the complexities of this view on the unity of Luke-Acts when it comes to interpret the various aspects of Lukan theology, christology, pneumatology, and ecclesiology, the expansion of the Church in light of its Jewish origins, the genre of Luke-Acts, and the literary and stylistic means Luke used to make his work a unity. In total the volume includes some 40 papers, of which 24 are offered papers: L. Alexander, H. Baarlink, M. Bachmann, D. Bechard, T.L. Brodie, G.P. Carras, A. del Agua, C. Focant, G. Geiger, B.J. Koet, V. Koperski, D.P. Moessner, G. Oegema, J. Pichler, E. Plumacher, A. Puig i Tarrech, U. Schmid, B. Schwank, N. Taylor, P.J. Tomson, S. Van den Eynde, S. Walton, G. Wasserberg, F. Wilk. This collection is an invaluable contribution to current discussions in Lukan study and to a nuanced understanding of the relationship between Luke's two volumes.

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After being stripped of his knighthood for treason and cast out from high society, Crispin Guest has reinvented himself as the Tracker, an investigator who can find anything and anyone. When Grayce, a distraught scullery maid arrives on his doorstep, frantic after finding a dead man in her room, Crispin examines the scene of what he thinks is a straightforward murder. After learning that the murdered man was an important courier in possession of a dangerous holy artifact, an object so valuable its absence could begin a war between empires, he quickly realizes this is no ordinary case. During his investigation, Guest unexpectedly encounters his nemesis, Miles Aleyn, the treasonous mastermind behind his fall from grace. Aleyn is acting suspiciously, and Guest must conquer his desire for revenge to find out just what he may be hiding. Surrounded by possible suspects, Guest will have to use his wiles to navigate both the exclusive halls of King Richard's court, and the hardscrabble streets of 14th century London. In a world full of old friends, mysterious strangers and dangerous enemies, he will have to uncover lies well told and truth well hidden to find the murderer, protect his country and save himself. The riveting second mystery in the Crispin Guest series is an evocative and thrilling medieval noir tale of suspense and murder. Serpent in the Thorns was a finalist for both the Macavity Award and the Bruce Alexander Mystery Award.

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Provides large-scale analysis of age, gender and status in Macedonian society Draws on a database of over 1,100 graves for a large-scale picture of Macedonian burials Discusses the applicability of intersectional approaches to a context with scarce textual sources Contributes to the burgeoning discussion on children in Antiquity Argues gender roles were, on one hand, clearly distinct but also showed some fluidity depending on status Moves discussion of Macedonia away from a few exceptional individuals of the late Classical and Hellenistic period to a diachronic and large-scale study of communities in the region Building on the largest sample of Archaic to Hellenistic burials from Macedon synthesized to date, this work provides new insight into the society that gave birth to Philip II and Alexander the Great. An intersectional focus on gender, age, and status reveals the lives of Macedonians only rarely discussed, from non-elite men to women and children. Through quantitative analysis and case-studies, the reader gets a view of the complexity and nuance of a society sometimes reduced to mighty warriors and fierce royal women. Change over time is also discussed, introducing depth into the historical narrative that is largely limited to the Late Classical and Hellenistic periods. Finally, the book addresses the promise and challenges of applying intersectionality, a framework that is immensely fruitful but which was developed for contemporary contexts, to archaeological contexts.

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St. Gregory of Nyssa wrote two works during the 380s attacking the Christological teaching of Apolinarius of Laodicea and his followers. These are the substantial treatise Refutation of the Views of Apolinarius (the Antirrheticus) and the short letter to the Bishop of Alexandria, To Theophilus, Against the Apollinarians. The Antirrheticus is a hostile commentary on Apolinarius’s work entitled The Demonstration (Apodeixis) of the Divine Enfleshment according to the Likeness of a Human Being. The Apodeixis has not survived independently, and our knowledge of it depends almost completely on Gregory.The Antirrheticus is a neglected work, and this is the first English translation to be published. It has had a poor reputation among many modern scholars. Gregory is accused of being prolix and repetitive and of having misrepresented or misunderstood many of Apolinarius’s Christological ideas. It is argued here that the work is nevertheless of considerable theological interest. It is able in fact successfully to identify the principal problems raised by Apolinarius’s central concept ofChrist as an “enfleshed mind,” and also provides an essential insight into Gregory’s own Christology and soteriology.The translation is interweaved with a commentary to provide the reader with some guidance through the complexities of Gregory’s arguments. The introduction includes an overview of the history of Apollinarianism and discusses the extent to which it is possible to reconstruct, from the fragments quoted by Gregory, the arguments of Apolinarius’s Apodeixis to which he is responding. It also examines the background to and the chronology of both of Gregory’s anti-Apollinarian works, and looks critically at the arguments that they deploy.

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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the doyen, if not the envy, of his contemporaries, Pasternak among them). His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. Pro Eto - That's What is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism. The publication of That's What is something of a landmark for not only is this the first time that this seminal work has appeared in its entirety in translation, but it is illustrated with the 11 inspired photomontages that Alexander Rodchenko designed to interleave and illuminate the text, illustrations which inaugurate a world of new possibilities in combining verbal and visual forms of expression and which are reproduced in colour (as originally conceived) for the first time.

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Fans of Abby Jimenez and Alexis Daria will love this novel about one New York City woman skilled in producing swoon-worthy reality TV shows but whose own life is a mess, with nothing ever going according to plan. Ana Karina loves her job—though she isn't quite where she thought she'd be by now. As reality tv producer, she orchestrates extravagant marriage proposals that always (read: mostly) go as planned. If they don't, she’s not afraid to cut and paste scenes to perfection afterward. Even if her arrogant film editor isn't a fan. But what does he know about romance anyway? If only Ana's love life was as simple as fixing botched engagements. She's sick and tired of guys who give her the ick. Open-toed sandals? Gross. Mr. Casual. No, thanks. Wears a toupe? Cut! Ana's got a mile-long list of all the cringey things to steer clear of. And Ana loves lists. Her to-dos for her best friend's wedding, show ideas to pitch, and even her list of what she does want in Mr. Right. With only four requirements, why is it taking so long to find him? She refuses to put her life on hold waiting. She’ll just date four men who each embody one quality. Never mind them lacking in other departments. Yet as she finds the Prince Charming in every frog, she also gets closer to facing who she’s avoided for years. Herself.

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In On Aristotle: Saving Politics from Philosophy, Alan Ryan examines Plato's most famous student and sharpest critic, whose writing has helped shape over two millennia of Western philosophy, science, and religion. The first thinker to posit that a society should be ruled by laws and not men, Aristotle was born in Stagira, Macedon, in 384 BCE. He would go on to join Plato's Academy and eventually become tutor to Alexander the Great. During his lifetime he would see the revival of Athens following its destruction in the Peloponnesian War, before the ultimate extinction of its radical form of democracy after the Macedonian conquest. Aristotle’s strongly empirical cast of mind was brought to bear on a stunning range of subjects, from rhetoric to physics, from the history of political institutions and mathematics to zoology and botany. The resulting system dominated European thought from the thirteenth to seventeenth centuries. In Nicomachean Ethics and Politics—both excerpted here—Aristotle attempted to delineate the ideal virtues of a both public and private life as well as critique the utopian antipolitics of his former teacher, Plato. For Aristotle, life in a polis was the natural state of man and provided the greatest opportunity for human beings to fulfill their potential. Unlike his scientific theories, which would eventually be displaced by Galileo, Newton, and Darwin, Aristotle’s meticulous thinking on the nature of human affairs, ethics, politics, citizenship, and virtue in a civil society remains as vital today as it was in his own time.

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This book is the first systematic comparison of the civic integration of Jews in the United States and France--specifically, from the two countries' revolutions through the American republic and the Napoleonic era (1775-1815). Frederic Jaher develops a vehicle for a broader and uniquely rich analysis of French and American nation-building and political culture. He returns grand theory to historical scholarship by examining the Jewish encounter with state formation and Jewish acquisition of civic equality from the perspective of the "paradigm of liberal inclusiveness" as formulated by Alexis de Tocqueville and Louis Hartz. Jaher argues that the liberal paradigm worked for American Jews but that France's illiberal impulses hindered its Jewish population in acquiring full civic rights. He also explores the relevance of the Tocqueville-Hartz theory for other marginalized groups, particularly blacks and women in France and America. However, the experience of these groups suggests that the theory has its limits. A central issue of this penetrating study is whether a state with democratic-liberal pretensions (America) can better protect the rights of marginalized enclaves than can a state with authoritarian tendencies (France). The Tocqueville-Hartz thesis has become a major issue in political science, and this book marks the first time it has been tested in a historical study. The Jews and the Nation returns a unifying theory to a discipline fragmented by microtopical scholarship.

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This cultural history of American federalism argues that nation-building cannot be understood apart from the process of industrialization and the making of the working class in the late-eighteenth-century United States. Citing the coincidental rise of federalism and industrialism, Laura Rigal examines the creations and performances of writers, collectors, engineers, inventors, and illustrators who assembled an early national "world of things," at a time when American craftsmen were transformed into wage laborers and production was rationalized, mechanized, and put to new ideological purposes. American federalism emerges here as a culture of self-making, in forms as various as street parades, magazine writing, painting, autobiography, advertisement, natural history collections, and trials and trial transcripts. Chapters center on the craftsmen who celebrated the Constitution by marching in Philadelphia's Grand Federal Procession of 1788; the autobiographical writings of John Fitch, an inventor of the steamboat before Fulton; the exhumation and museum display of the "first American mastodon" by the Peale family of Philadelphia; Joseph Dennie's literary miscellany, the Port Folio; the nine-volume American Ornithology of Alexander Wilson; and finally the autobiography and portrait of Philadelphia locksmith Pat Lyon, who was falsely imprisoned for bank robbery in 1798 but eventually emerged as an icon for the American working man. Rigal demonstrates that federalism is not merely a political movement, or an artifact of language, but a phenomenon of culture: one among many innovations elaborated in the "manufactory" of early American nation-building.

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A comprehensive history of the struggle to define womanhood in America, from the seventeenth to the twenty-first century“Exhaustively researched and finely written.”—Alexandra Jacobs, New York Times“An intelligently provocative, vital reading experience. . . . This highly readable, inclusive, and deeply researched book will appeal to scholars of women and gender studies as well as anyone seeking to understand the historical patterns that misogyny has etched across every era of American culture.”—Kirkus Reviews, starred review What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This wide-ranging 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has been met with resistance, Faderman also shows that successful challenges to the status quo are often short-lived. As she underlines, the idea of womanhood in America continues to be contested.

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The ten novels explored in Critical Children portray children so vividly that their names are instantly recognizable. Richard Locke traces the 130-year evolution of these iconic child characters, moving from Oliver Twist, David Copperfield, and Pip in Great Expectations to Tom Sawyer and Huckleberry Finn; from Miles and Flora in The Turn of the Screw to Peter Pan and his modern American descendant, Holden Caulfield; and finally to Lolita and Alexander Portnoy. "It's remarkable," writes Locke, "that so many classic (or, let's say, unforgotten) English and American novels should focus on children and adolescents not as colorful minor characters but as the intense center of attention." Despite many differences of style, setting, and structure, they all enlist a particular child's story in a larger cultural narrative. In Critical Children, Locke describes the ways the children in these novels have been used to explore and evade large social, psychological, and moral problems. Writing as an editor, teacher, critic, and essayist, Locke demonstrates the way these great novels work, how they spring to life from their details, and how they both invite and resist interpretation and provoke rereading. Locke conveys the variety and continued vitality of these books as they shift from Victorian moral allegory to New York comic psychoanalytic monologue, from a child who is an agent of redemption to one who is a narcissistic prisoner of guilt and proud rage.

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Today's financial crisis is the result of dismal failures on the part of regulators, market analysts, and corporate executives. Yet the response of the American government has been to bail out the very institutions and individuals that have wrought such havoc upon the nation. Are such massive bailouts really called for? Can they succeed? Robert E. Wright and his colleagues provide an unbiased history of government bailouts and a frank assessment of their effectiveness. Their book recounts colonial America's struggle to rectify the first dangerous real estate bubble and the British government's counterproductive response. It explains how Alexander Hamilton allowed central banks and other lenders to bail out distressed but sound businesses without rewarding or encouraging the risky ones. And it shows how, in the second half of the twentieth century, governments began to bail out distressed companies, industries, and even entire economies in ways that subsidized risk takers while failing to reinvigorate the economy. By peering into the historical uses of public money to save private profit, this volume suggests better ways to control risk in the future. Additional Columbia / SSRC books on the privatization of risk and its implications for Americans: Health at Risk: America's Ailing Health System--and How to Heal ItEdited by Jacob S. Hacker Laid Off, Laid Low: Political and Economic Consequences of Employment InsecurityEdited by Katherine S. Newman Pensions, Social Security, and the Privatization of RiskEdited by Mitchell A. Orenstein

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In the years immediately following Napoleon's defeat, French thinkers in all fields set their minds to the problem of how to recover from the long upheavals that had been set into motion by the French Revolution. Many challenged the Enlightenment's emphasis on mechanics and questioned the rising power of machines, seeking a return to the organic unity of an earlier age and triggering the artistic and philosophical movement of romanticism. Previous scholars have viewed romanticism and industrialization in opposition, but in this groundbreaking volume John Tresch reveals how thoroughly entwined science and the arts were in early nineteenth-century France and how they worked together to unite a fractured society. Focusing on a set of celebrated technologies, including steam engines, electromagnetic and geophysical instruments, early photography, and mass-scale printing, Tresch looks at how new conceptions of energy, instrumentality, and association fueled such diverse developments as fantastic literature, popular astronomy, grand opera, positivism, utopian socialism, and the Revolution of 1848. He shows that those who attempted to fuse organicism and mechanism in various ways, including Alexander von Humboldt and Auguste Comte, charted a road not taken that resonates today. Essential reading for historians of science, intellectual and cultural historians of Europe, and literary and art historians, "The Romantic Machine" is poised to profoundly alter our understanding of the scientific and cultural landscape of the early nineteenth century.

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The Italian Game (sometimes referred to as the Giuoco Piano) is one of the oldest openings around, and also one of the first lines a player learns when he or she is introduced to chess. It leads to play that is easy to understand: both sides develop their pieces logically and begin attacks on the opposing kings. The Italian Game gives both White and Black the opportunity to play either aggressively and in gambit fashion, or in a restrained and positional manner. One of White's most exciting and attacking options is the legendary Evans Gambit, which has been brought back into the limelight in this modern era by such uncompromising players as World number one Garry Kasparov, Alexander Morozevich and England's Nigel Short. In this book, openings expert Jan Pinski investigates the different strategies and tactics in the Italian Game and Evans Gambit. Using model games for both White and Black, Pinski provides crucial coverage of both the main lines and offbeat variations. This book arms the reader with enough knowledge to play the Italian Game and Evans Gambit with confidence. Pinski delves into the secrets of the Four Knights for the first time in this other book, studying the strategic ideas for both white and black players. He covers both the fashionable main lines and the tricky sidelines, bringing the reader up to date with the expanding theory.

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In football-obsessed Steubenville, Ohio, on a summer night in 2012, an incapacitated sixteen-year-old girl was repeatedly assaulted by members of the "Big Red" high school football team. They took turns documenting the crime and sharing on Facebook, Twitter, and YouTube. The victim, Jane Doe, learned the details via social media at a time when teens didn't yet understand the lasting trail of their digital breadcrumbs. Crime blogger Alexandria Goddard, along with hacker collective Anonymous, exposed the photos, Tweets, and videos, making this the first rape case ever to go viral and catapulting Steubenville onto the national stage.Filmmaker Nancy Schwartzman spent four years embedded in the town, documenting the case and its reverberations. Ten years after the assault, Roll Red Roll is the culmination of that research, weaving in new interviews and personal reflections to take readers beyond Steubenville to examine rape culture in everything from sports to teen dynamics. Roll Red Roll explores the factors that normalize sexual assault in our communities.Through inter-views with sportswriter David Zirin, victim's rights attorney Gloria Allred and more, Schwartzman untangles the societal norms in which we too often sacrifice our daughters to protect our sons. With the Steubenville case as a flashpoint that helped spark the #MeToo movement, a decade later, Roll Red Roll focuses on the perpetrators and asks, can our society truly change?

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This is a brilliant study of the creation, impact, and legacy of one of rock's great albums, and a hymn to the nature of teenage fandom. Released in 1979, AC/DC's "Highway To Hell" was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980. Officially chalked up to "Death by Misadventure," Scott's demise has forever secured the album's reputation as a partying primer and a bible for lethal behavior, branding the album with the fun chaos of alcoholic excess and its flip side, early death. The best songs on "Highway To Hell" achieve Sonic Platonism, translating rock & roll's transcendent ideals in stomping, dual-guitar and eighth-note bass riffing, a Paleolithic drum bed, and insanely, recklessly odd but fun vocals. Joe Bonomo strikes a three - chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does "Highway To Hell" matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, "Highway To Hell" dramatizes and celebrates a timeless album that one critic said makes 'disaster sound like the best fun in the world.' 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'Ideal for the rock geek who thinks liner notes just aren't enough - "Rolling Stone". 'A brilliant series...each one a word of real love' - "NME"(UK).

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