Search results for ""Author Alex"

'Essential reading for anyone who has been through the sadness of a lost pregnancy' The Times'Sensitive and insightful' Sunday Times Style'This book will be a godsend to any woman going through the murky devastation that is called miscarriage but feels like something else entirely: the loss of a baby' Ariel Levy'A compassionate, nuanced book that does this very complicated grief justice' Pandora Sykes'This book will be the friend to hold your hand while you navigate your own pathway of grief. I'm so glad it's here' Elle WrightBeyond Grief also contains interviews with experts and other women who have experienced losses of their own, including Elizabeth Day, Leandra Medine Cohen, Melissa Odabash, Jools Oliver, Alexandra Stedman and Latham Thomas. Pippa Vosper tragically lost her son Axel in 2017, when she was five months pregnant, and has since written about miscarriage and baby loss online and in a series of pieces for Vogue. Beyond Grief: Navigating the Journey of Pregnancy and Baby Loss is the book she wishes had been available when her son died. It covers every aspect of pregnancy and baby loss at any stage, from the practical to the emotional, with advice from experts and stories from women who have been through it themselves. Beyond Grief offers both an inclusive perspective and a guiding hand to anyone who has experienced any kind of pregnancy loss, as well as those who are trying to support them through it.

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Welcome to Bishop's Lacey. A murder every country mileFor eleven-year-old Flavia de Luce, a visit to a Gypsy fortune-teller is just a bit of fun - until the old woman claims to see a vision of Flavia's mother, who died when Flavia was a baby. When the Gypsy is brutally attacked, Flavia wonders if her appearance in the village has stirred up memories of a tragic event from the past.Flavia starts down a dark and twisting road to discover the truth - but when a corpse is found in the grounds of Buckshaw, the de Luce family seat, it seems as if the heart of the mystery is disturbingly close to home. Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday 'A cross between Dodie Smith's I Capture The Castle and the Addams family...delightfully entertaining' Guardian Fans of M. C. Beaton's Agatha Raisin, Frances Brody and Alexander McCall Smith will enjoy the Flavia de Luce mysteries: 1. Sweetness at the Bottom of the Pie 2. The Weed That Strings the Hangman's Bag 3. A Red Herring Without Mustard 4. I Am Half Sick of Shadows 5. Speaking From Among the Bones 6. The Dead in Their Vaulted Arches 7. As Chimney Sweepers Come To Dust 8. Thrice the Brinded Cat Hath Mew'd 9. The Grave's a Fine and Private Place If you're looking for a cosy crime series to keep you hooked then look no further than the Flavia de Luce mysteries. * Each Flavia de Luce mystery can be read as a standalone or in series order *

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Winner of the Heldt Prize for Best Book in Slavic, East European, and Eurasian Women's and Gender Studies 2021 There was a discontent among Russian men in the nineteenth century that sometimes did not stem from poverty, loss, or the threat of war, but instead arose from trying to negotiate the paradoxical prescriptions for masculinity which characterized the era. Picturing Russia’s Men takes a vital new approach to this topic within masculinity and art historical studies by investigating the dissatisfaction that developed from the breakdown in prevailing conceptions of manhood outside of the usual Western European and American contexts. By exploring how Russian painters depicted gender norms as they were evolving over the course of the century, each chapter shows how artworks provide unique insight into not only those qualities that were supposed to predominate, but actually did in lived practice. Drawing on a wide variety of source material, including previously untranslated letters, journals, and contemporary criticism, the book explores the deep structures of masculinity to reveal the conflicting desires and aspirations of men in the period. In so doing, readers are introduced to Russian artists such as Karl Briullov, Pavel Fedotov, Alexander Ivanov, Ivan Kramskoi, and Ilia Repin, all of whom produced masterpieces of realist art in dialogue with paintings made in Western European artistic centers. The result is a more culturally discursive account of art-making in the nineteenth century, one that challenges some of the enduring myths of masculinity and provides a fresh interpretive history of what constitutes modernism in the history of art.

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'A real tour de force of gripping writing, rich historical detail and complex, fascinating characters. Superb!' NICOLA CORNICK on The Stone Rose_________________EARLY READERS ARE GRIPPED BY THE STONE ROSE!* 'Springs to vivid life for the reader . . . A compulsive read' ANNE O'BRIEN* 'An enticing and intriguing tale of a woman who is driven to desperate and ruthless lengths to protect those she loves' ALEXANDRA WALSH* 'Carol McGrath really got into Isabella's head . . . Enlightening' SHARON BENNETT CONNOLLY* 'Bold and compelling' JENNY BARDEN* 'A novel that's a definite page-turner' LIZ HARRIS_________________London, 1350. Agnes, daughter of a stonemason, is struggling to keep her father's trade in a city decimated by plague. And then she receives a mysterious message from the disgraced Queen Isabella: mother of King Edward III, and widow of Edward II. Isabella has a task that only Agnes can fulfil. She wants her truth to be told.Much has been whispered of the conflicts in Isabella and Edward's marriage. Her greed and warmongering. His unspoken love for male favourites. But as Agnes listens to Isabella, she learns that she can be of help to the queen - but can either woman choose independence, follow her own desires, and survive? The sweeping third instalment of Carol McGrath's acclaimed Rose Trilogy: the gripping series exploring the tumultous lives and loves of three queens of England - and of three women who lived in their shadow.Based on the extraordinary true story of the female stonemason who carved a queen's tomb!

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POETRY BOOK SOCIETY RECOMMENDED TRANSLATION in a translation by Daniel Weissbort that Elaine Feinstein describes in her illuminating introduction as 'clean, clear and … amazingly felicitous'. Lisnianskaya, an intensely lyrical poet, is first and foremost a love poet, and the love that she and her late husband, the celebrated poet Semyon Lipkin, had for one another colours – without the least sentimentality – many of Lisnianskaya's more recent poems. Indeed, her most recent collection consists partly of an elegy to him."Always – intensity of feeling, and a tranquillity(rare) of the most profound sort. No artificiality,no posing – total sincerity."Alexander Solzhenitsyn (of Lisnianskaya's poetry)INNA LISNIANSKAYA was born in Baku in 1928 and her first poetry collection appeared in 1957. She is now recognised as one of Russia's leading female poets, a recipient of both the State Prize and the Solzhenitsyn Prize for her work. She lives in Moscow. DANIEL WEISSBORT founded the magazine Modern Poetry in Translation in 1965 with the late Ted Hughes, and editedit until 2004. He is Research Fellow at Kings College, London and Honorary Professor in the Centre for Translation & Comparative Cultural Studies at the University of Warwick.

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This book reconceives the rewriting of Byzantine hagiography between the eighth and fourteenth centuries as a skilful initiative in communication and creative freedom, and as a form of authorship. Three men – Makarios (late C13th-C14th), a monk; Constantine Akropolites (d.c.1324), a statesman; and an Anonymous educated wordsmith (c. C9th) – each opted to rewrite the martyrdom of a female virgin saint who suffered and died centuries earlier. Their adaptations, respectively, were of St. Ia of Persia (modern-day Iran), St. Horaiozele of Constantinople, and St. Tatiana of Rome. Ia is described as a victim of the persecutions of the Persian Shahanshah, Shapur II (309–79 C.E), Horaiozele was allegedly a disciple of St Andrew and killed anachronistically under the emperor Decius (249–51 C.E), and Tatiana, we are told, was a deaconess, martyred during the reign of emperor Alexander Severus (222–35 C.E). Makarios, Akropolites, and the Anonymous knowingly tailored their compositions to influence an audience and to foster their individual interests. The implications arising from these studies are far-reaching: this monograph considers the agency of the hagiographer, the instrumental use of the authorial persona and its impact on the audience, and hagiography as a layered discourse. The book also provides the first translations and commentaries of the martyrdoms of these virgin martyrs.

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The Counterhuman Imaginary proposes that alongside the historical, social, and institutional structures of human reality that seem to be the sole subject of the literary text, an other-than-human world is everywhere in evidence. Laura Brown finds that within eighteenth-century British literature, the human cultural imaginary can be seen, equally, as a counterhuman imaginary—an alternative realm whose scope and terms exceed human understanding or order. Through close readings of works by Daniel Defoe, Jonathan Swift, and Alexander Pope, along with lapdog lyrics, circulation narratives that give agency to inanimate objects like coins and carriages, and poetry about the Lisbon earthquake of 1755, Brown traces the ways presence and power of the nonhuman—weather, natural disasters, animals, even the concept of love—not only influence human creativity, subjectivity, and history but are inseparable from them. Traversing literary theory, animal studies, new materialism, ecocriticism, and affect theory, The Counterhuman Imaginary offers an original repudiation of the centrality of the human to advance an integrative new methodology for reading chaos, fluidity, force, and impossibility in literary culture.

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In this groundbreaking book, sociologist Andrew Perrin shows that rules and institutions, while important, are not the core of democracy. Instead, as Alexis de Tocqueville showed in the early years of the American republic, democracy is first and foremost a matter of culture: the shared ideas, practices, and technologies that help individuals combine into publics and achieve representation. Reinterpreting democracy as culture reveals the ways the media, public opinion polling, and changing technologies shape democracy and citizenship. As Perrin shows, the founders of the United States produced a social, cultural, and legal environment fertile for democratic development and in the two centuries since, citizens and publics use that environment and shared culture to re-imagine and extend that democracy. American Democracy provides a fresh, innovative approach to democracy that will change the way readers understand their roles as citizens and participants. Never will you enter a voting booth or answer a poll again without realizing what a truly social act it is. This will be necessary reading for scholars, students, and the public seeking to understand the challenges and opportunities for democratic citizenship from Toqueville to town halls to Twitter.

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This volume includes: José Marcos Macedo, “Zeus as (Rider of) Thunderbolt”; Nikoloz Shamugia, “Bronze Relief with Caeneus and Centaurs from Olympia”; Hayden Pelliccia, “The Violation of Wackernagel’s Law at Pindar Pythian 3.1”; John Heath, “Corinna’s ‘Old Wives’ Tales’”; Maria Pavlou, “Lieux de Mémoire in the Plataean Speech (Thuc. 3.53–59)”; Robert Mayhew, “A Note on [Aristotle] Problemata 26.61”; Sam Hitchings, “The Date of [Demosthenes] XVII On the Treaty with Alexander”; John Walsh, “A Note on Diodorus 18.11.1, Arybbas, and the Lamian War”; Loukas Papadimitropoulos, “Charicleia’s Identity and the Structure of Heliodorus’ Aethiopica”; Ian Goh, “Kun-egonde”; Javier Uría, “Iulius Romanus’ Remark on Titinius (123 G.)”; Henry Spelman, “Borrowing Sappho’s Napkins”; Fabio Tutrone, “Granting Epicurean Wisdom at Rome”; Boris Kayachev, “He-Who-Must-Not-Be-Named”; Florence Klein, “Vergil’s ‘Posidippeanism’?”; Gianpero Rosati, “Evander’s Curse and the ‘Long Death’ of Mezentius (Verg. Aen. 8.483–488, 10.845–850)”; Fiachra Mac Góráin, “The Poetics of Vision in Virgil’s Aeneid”; Ioannis Ziogas, “Singing for Octavia”; Benjamin Victor, “Four Passages in Propertius’ Last Book of Elegies”; and David Greenwood, “Julian and Asclepius.”

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As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.

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In Mythopoetic Cinema, Kriss Ravetto-Biagioli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities, a new Europe, and with it a new European cinema after the fall of the Soviet Union. Mythopoetic cinema questions the perpetual branding of movements, ideas, and individuals. Examining the work of Jean-Luc Godard, Alexander Sokurov, Marina Abramovic, and Theodoros Angelopoulos, Ravetto-Biagioli argues that these disparate artists provide a critical reflection on what constitutes Europe in the age of neoliberalism. Their films reflect not only the violence of recent years but also help question dominant models of nation building that result in the general failure to respond ethically to rising ethnocentrism. In close readings of such films as Sokurov's Russian Ark (2002) and Godard's Notre Musique (2004), Ravetto-Biagioli demonstrates the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes. Her work not only analyzes how these filmmakers thematically treat the idea of Europe but also how their work questions the ability of the moving image to challenge conventional ways of understanding history.

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Deliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the US Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville's ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic - including James Fenimore Cooper, David Crockett, and Daniel Webster - whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.

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Following his resignation from the Government after the disastrous Gallipoli campaign, Winston Churchills political career stalled. Never one to give in, Churchill was determined to continue fighting the enemy. He was already a Major in the Territorial Reserve and he was offered promotion to Lieutenant Colonel and with it command of a battalion on the Western Front. On 5 January 1916, Churchill took up his new post with the 6th (Service) Battalion, Royal Scots Fusiliers. The battalions adjutant was Captain Alexander Dewar Gibb who formed a close relationship with Churchill that lasted far beyond their few weeks together in the war. Dewar Gibb subsequently wrote an account of his and Churchills time together in the trenches. Packed with amusing anecdotes and fascinating detail, Gibbs story shows an entirely different side to Churchills character from the forceful public figure normally presented to the world. Churchill proved to be a caring and compassionate commander and utterly fearless. Despised on his arrival, by the time he departed he was adored by his men. Supplemented with many of Churchills letters, the observations of other officers and additional narrative this is the most unusual and absorbing account of this part of Churchill's life that has ever been told.

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In ancient times, the series of waterways now known as the Turkish Straits, comprising the Dardanelles (or Hellespont), Sea of Marmara and the Bosporus, formed both a divide and a bridge between Europe and Asia. Its western and eastern entrances were guarded, at different times, by two of the most fabled cities of all time: respectively Troy (in Asia) and Byzantion (or Byzantium, on the European coast). The narrow crossing points at the Hellespont and Bosporus were strategically important invasion routes while the waters themselves were vital routes of travel and commerce, particularly the supply of grain from the hinterland of the Black Sea to the Greek cities. This made them sought after prizes and sources of friction between successive empires, Persians, Macedonians and Romans among them, and ensured they were associated with some of the great names of history, from Odysseus to Xerxes, Alexander to Constantine the Great. John D Grainger relates the fascinating history of this pivotal region from the Trojan War to Byzantion's refounding as the new capital of the Roman Empire. Renamed Constantinople it dominated the straits for a thousand years.

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Big Finish picks up the events after Miracle Day with Torchwood: Aliens Among Us. Captain Jack and Gwen Cooper have restarted Torchwood. But it's in a very different Cardiff. Something terrible's happened to the city. With every day getting darker, will Torchwood need to adopt a whole new approach? 5.9 Poker Face by Tim Foley. Torchwood are in trouble. Terrorist attacks are rocking the city. Control of the police has been ceded to Cardiff's alien masters. And it looks like it's all been arranged by Captain Jack Harkness. Worse, there's a dead woman in the cells who says that Torchwood will be hers by dawn. 5.10 Tagged by Joseph Lidster. "I know what you've done. I know what you'll do." The phrase starts appearing everywhere around Cardiff. On posters. On the internet. It's just a prank, isn't it? Only a wave of vigilante crime spreads through the city. People are taking revenge. Suddenly everyone knows what you've done. And they know what you'll do. 5.11 Escape Room by Helen Goldwyn. Gwen Cooper, Rhys Williams, and the Colchester-Prices go to try out an escape room. They've heard a lot about them. Especially this one. People keep going into the game and not coming out. But Torchwood will be fine. After all - partners can trust each other. Can't they? 5.12 Herald of the Dawn by James Goss. It all starts normally enough. A car park full of ramblers is incinerated by a thunderbolt. But the next day it's clear there's something very wrong. Something's changed. Something's coming. It's the end of the world. And that's what Torchwood are best at.Torchwood has now been in existence for over 10 years from its debut in 2006 as a Doctor Who spin-off created by top TV producer and writer Russell T Davies. The huge interest following the announcement of the first Big Finish Torchwood series caused a website server crash even as star John Barrowman was breaking the news on his radio show. This release is the finale of three sets collectively created as a fifth series following on from the four series on TV, with Russell T Davies advising on the new arcs, storylines and characters. CAST: John Barrowman (Captain Jack Harkness), Alexandria Riley (Ng), Paul Clayton (Mr Colchester), Sam Béart (Orr), Jonny Green (Tyler Steele), Kai Owen (Rhys Williams), Tom Price (Sgt. Andy Davidson), Eve Myles (Gwen Cooper), Rachel Atkins (Ro-Jedda), Ramon Tikaram (Colin Colchester-Price), Terence Hardiman (Escape), Sanee Raval (Xander), Kezrena James (Serena), Laura Dalgleish (Newsreader), Kerry Joy Stewart (Waitress),Garnon Davies (Rory), Joseph Tweedale (Assassin), Richard Elfyn (Inspector Bernstein), Aly Cruickshank (God Botherer), Marilyn Le Conte (Sue),Rick Yale (Darren), Luke Williams (Hywel), Charlotte O’Leary (News Reporter) NOTE: Torchwood contains adult material and is not suitable for younger listeners.

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Book 4 in the Romantic Times Sapphire-award winning Elfhome series. Even though they attend a school of gifted students in New York City, child geniuses Louise Mayer and her twin sister Jillian have always felt alone in the world, isolated by their brilliance. Shortly before their ninth birthday, they make an amazing discovery. They’re not alone. Their real mother was astronaut Esme Shenske and their father was the famous inventor, Leonardo Dufae. They have an older sister, Alexander, living on the planet of Elfhome, and four siblings still in cryogenic storage at the fertility center. There’s only one problem: the frozen embryos are scheduled to be destroyed within six months. The race is on to save their baby brother and sisters. As a war breaks out on Elfhome and riots start in New York City, the twins use science and magic to plow over everything standing in their way. But when they come face-to-face with an ancient evil force, they’re soon in over their heads in danger.

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A Japanese teahouse, an audio installation with Nigerian sounds, and a bronze flagpole divided in two: In the extensive areas of the Humboldt Forum in Berlin, it is possible to discover numerous, in part large-scale works of contemporary art. Artworks by artists from various societies of origin enrich the collections in the exhibitions of the Ethnological Museum and the Museumof Asian Art. In addition, seven works of art-in-architecture that deal with the history of the location or with the Humboldt Forum as a “place for the world’s cultures,” encounters, and exchange, or are dedicated to Wilhelm and Alexander von Humboldt, for whom the institution is named, have been realized in the Humboldt Forum. This book presents the artworks in informative texts that are rich in associations as well as in impressive photographs.

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When a police investigator is killed execution-style and Blix’s own daughter is targeted by the killer, he makes a dangerous decision, which could cost him everything. Blix & Ramm are back in a breathless, emotive thriller by two of Norway’s finest crime writers…‘Superb Nordic noir. Dark, intricate and extremely compelling. Contemporary Scandinavian fiction at its best’ Will Dean‘The most exciting yet’ The Times‘Blends a gripping storytelling structure with thrilling tension and heartfelt moments … if you’re a fan of writers like Lars Kepler, Stefan Ahnhem or Søren Sveistrup, you won’t want to miss this’ Crime by the Book––––––––––––––––––––When police investigator Sofia Kovic uncovers a startling connection between several Oslo murder cases, she attempts to contact her closest superior, Alexander Blix before involving anyone else in the department. But before Blix has time to return her call, Kovic is shot and killed in her own home – execution style. And in the apartment below, Blix’s daughter Iselin narrowly escapes becoming the killer’s next victim.Four days later, Blix and online crime journalist Emma Ramm are locked inside an interrogation room, facing the National Criminal Investigation Service. Blix has shot and killed a man, and Ramm saw it all happen. As Iselin’s life hangs in the balance, under-fire Blix no longer knows who he can trust … and he’s not even certain that he’s killed the right man…Two of Nordic Noir’s most brilliant writers return with the explosive, staggeringly accomplished, emotive third instalment in the international, bestselling Blix & Ramm series … and it will take your breath away.––––––––––––––––––––––––‘Short chapters, shifts in focus, and rapid changes in time frames kept me on my toes and high alert … The storytelling is just superb’ LoveReading‘Devilishly complex’ Publishers Weekly'An exercise in literary tag-teaming from two of Norway's biggest crime writers with a bold new take...’ Sunday Times ‘Hands down, the best book in the series so far and it will satisfy even the most demanding readers’ Tap the Line‘One of those jaw-dropping “what did you just do” kind of conclusions that will leave fans of the series reeling’ Jen Med’s Book Reviews‘Intense, dark, emotional and utterly outstanding!’ Karen ColePraise for the Blix & Ramm series'Grim, gory and filled with plenty of dark twists ... There's definitely a Scandinavian chill in the air with this fascinating read' Sun'Alongside Jo Nesbo's Knife, Smoke Screen is this summer's most anticipated read, and it doesn't disappoint' Tvedestrandsposten, Norway‘Masterly … surprises or shifts in subtle ways that are pleasing and avoid cliché’ New Books Magazine'A fast-moving, punchy, serial killer investigative novel with a whammy of an ending. If this is the first in the Blix and Ramm series, then here's to many more!' LoveReading'Now what happens when you put two of the most distinguished writers of Nordic noir in tandem? Death Deserved by Thomas Enger and Jørn Lier Horst suggests it was a propitious publishing move; a ruthless killer is pursued by a tenacious celebrity blogger and a damaged detective' Financial Times For fans of Will Dean, Jussi Adler-Olsen, Ragnar Jónasson, Harlan Coben, Eva Bjorg Aegisdottir and Katrine Engber

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The ancient town discovered at the site of today’s Marina el-Alamein (located on the northern coast of Egypt) developed from the 2nd century BC to the 6th century AD. It found itself at the crossroads of several civilisations: Hellenic, later replaced by Roman, and ultimately Christian, and was always strongly influenced by Egyptian tradition. A variety of cultures appeared and met here and grew in strength – then their significance weakened – but they always co-existed and influenced one another. The syncretism prevailing here is notable in the spheres of art, architecture, religion and worship. 2015 marked thirty years since the discovery of the remains of the ancient city, which, for many centuries, had been unknown to the world. The remains were found unexpectedly during the preparatory work for the construction of a modern tourist settlement on the Mediterranean coast, and the significance and extraordinary value of the discovery was immediately recognised. Now the ancient city, and the historic remains of its buildings, are gradually coming to light. The Jubilee was twofold, since 2015 marked also the 20th anniversary of the setting up of the Polish-Egyptian Conservation Mission, Marina el-Alamein. Throughout this time, both architectural and archaeological research have been carried out at the site, many discoveries have been made, numerous relics of historic building structures have been preserved, and conservation methods have been improved. In the jubilee year, researchers who work on archaeological sites and towns with a similar history and position in the ancient world in the realms of art and culture were invited to contribute to a scientific discussion and exchange of experiences. The contributors were representatives of different disciplines and research methodologies: archaeologists, architects, Egyptologists, specialists in religious studies, historians and conservators. The papers in the present volume encompass interdisciplinary reviews of both new and long-term studies carried out in various regions of the ancient world. The papers present research that was conducted in different regions ranging from ancient Mauritania, through Africa, Egypt, Cyprus, Palestine, Syria, as well as sites in Crimea and Georgia. The topography of cities, the architecture of public buildings, as well as houses and their décor — architectural, sculptural and painted — are presented. Religious syncretism and the importance of ancient texts are discussed. Studies on pottery are also presented. The volume includes studies on the conservation of architectural remains, sculpture and painting. Several articles are devoted to the study of Marina el-Alamein; others talk about ancient Alexandria, Deir el-Bahari, Hermopolis Magna, Bakchias, Pelusium, Kom Wasit, Berenike, Ptolemais, Apollonia, Palmyra, Nea Paphos, as well as Chersonesus Taurica and Apsarus.

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When the mother of a missing two-year-old girl is seriously injured in a suspected terrorist attack in Oslo, crime-fighting duo Blix and Ramm join forces to investigate the case, and things aren’t adding up … The second instalment in an addictive, atmospheric, award-winning series. ‘An exercise in literary tag-teaming from two of Norway’s biggest crime writers with a bold new take … a series with potential’ Sunday Times ‘Grim, gory and filled with plenty of dark twists … There’s definitely a Scandinavian chill in the air with this fascinating read’ Sun ‘Alongside Jo Nesbo’s Knife, Smoke Screen is this summer’s most anticipated read, and it doesn’t disappoint’ Tvedestrandsposten, Norway __________________ Oslo, New Year’s Eve. The annual firework celebration is rocked by an explosion, and the city is put on terrorist alert. Police officer Alexander Blix and blogger Emma Ramm are on the scene, and when a severely injured survivor is pulled from the icy harbour, she is identified as the mother of two-year-old Patricia Smeplass, who was kidnapped on her way home from kindergarten ten years earlier … and never found. Blix and Ramm join forces to investigate the unsolved case, as public interest heightens, the terror threat is raised, and it becomes clear that Patricia’s disappearance is not all that it seems… _____________________ Praise for the Blix & Ramm series: ‘Everything about this crime novel sings, the relationship between Blix and Emma, which is complex, but also the relationship between Blix and Fosse and Kovic. The past bleeds into the present and the clever melding of the strands of the story and the slow reveal of details that propel the story is masterly. This tale often surprises or shifts in subtle ways that are pleasing and avoid cliché. As the opener for a new series this is a cracker, long live the marriage of Horst and Enger’ New Books Magazine ‘A fast-moving, punchy, serial killer investigative novel with a whammy of an ending. If this is the first in the Blix and Ramm series, then here’s to many more!’ LoveReading ‘A clever, gripping crime novel with personality, flair, and heart’ Crime by the Book ‘A stunningly excellent collaboration from Thomas Enger and Jorn Lier Horst …. It’s a brutal tale of fame, murder, and reality TV that gets the pulse racing’ Russel McLean ‘Now — what happens when you put two of the most distinguished writers of Nordic noir in tandem? Death Deserved by Thomas Enger and Jørn Lier Horst suggests it was a propitious publishing move; a ruthless killer is pursued by a tenacious celebrity blogger and a damaged detective’ Financial Times

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Inwieweit kann innerhalb der Sapientia Salomonis von einer einheitlichen eschatologischen Konzeption gesprochen werden und wie lässt sich dies innerhalb des Umfeldes der Schrift verorten?Mareike Verena Blischke gibt zunächst einen Überblick über die Forschungsgeschichte und über die Geschichte des Diasporajudentums in Alexandria und klärt die wichtigsten Einleitungsfragen. Entgegen der vorherrschenden Meinung, die Sapientia Salomonis sei ein einheitliches Werk, dessen Spannungen und Brüche mit der Zuordnung zur Gattung der Protreptik erklärt werden können, führt eine detaillierte literarkritische Analyse zu einer Rekonstruktion des literarischen Wachstums der Schrift, die es ermöglicht, ihr eschatologisches Profil zu konturieren. Anschließend untersucht die Autorin innerhalb eines zweiten exegetischen Teils die ersten sechs Kapitel der Sapientia Salomonis nacheinander auf ihren Beitrag zum eschatologischen Profil hin, während sie die weiteren Kapitel entsprechend ihres eschatologischen Interesses summarisch behandelt. Innerhalb der Darstellung zentraler eschatologischer Topoi berücksichtigt sie die Profangräzität, das Zeugnis des Alten Testaments sowie des zeitgenössischen Judentums. In einem dritten Teil vertieft Mareike Verena Blischke die Darstellung eschatologischer Vorstellungen im Umfeld der Sapientia Salomonis am Beispiel der Schriften Philos und der jüdischen Grabinschriften aus Ägypten und Palästina. Sie untersucht beide Quellen umfassend und zieht sie, soweit möglich, zu einem Vergleich mit der Sapientia Salomonis heran.

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The “powerful” (Michelle Alexander) exploration of the harsh and harmful experiences confronting Black girls in schools, and how we can instead orient schools toward their flourishing On the day fifteen-year-old Diamond from the Bay Area stopped going to school, she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school. In a work that Lisa Delpit calls “imperative reading,” Monique W. Morris chronicles the experiences of Black girls across the country whose complex lives are misunderstood, highly judged—by teachers, administrators, and the justice system—and degraded by the very institutions charged with helping them flourish. Painting “a chilling picture of the plight of black girls and women today” (The Atlantic), Morris exposes a world of confined potential and supports the rising movement to challenge the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures. At a moment when Black girls are the fastest growing population in the juvenile justice system, Pushout is truly a book “for everyone who cares about children” (Washington Post). Book cover photograph by Brittsense/brittsense.com.

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The DeMell Jacobsen Collection of paintings and sculpture—an assemblage rich in American cultural heritage—parallels the development of art in the United States. American Made features some of the country’s most recognized artists: Thomas Cole, John Kensett, Asher B. Durand and William Trost Richards, while works by Theodore Robinson, Childe Hassam, Willard Leroy Metcalf and William Merritt Chase represent the Grand Tour and concepts gained abroad. Wonderful still lifes appear throughout the collection, including paintings by Severin Roesen, William Harnett and a late work by William Bailey. Portraiture is represented in stellar examples by members of the Peale family, Thomas Sully, Mary Cassatt, John Singer Sargent and Edmund Charles Tarbell. Classically-inspired marble works from Hiram Powers and Randolph Rogers, bronze pieces from Paul Manship and Augustus Saint-Gaudens, and a modern copper and bronze example from Harry Bertoia are highlights of the sculpture collection. Early modernist and interwar works by Marsden Hartley, John Marin, Emil Bisttram, Paul Cadmus and Joseph Stella explore colour, form and abstraction. Highlights of contemporary art include works by Frank Stella, Louise Nevelson and a recently acquired painting by Alexis Rockman. Fully illustrated—with several paintings including profiles of their appropriate period frames—each work of art features an extended entry with full specifications, information on style and stylistic influences, significance and social context.

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Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's "Camouflage," Lydia Kwa's Pulse, Alexander Chee's Edinburgh, Nina Revoyr's Wingshooters, and Noël Alumit's Letters to Montgomery Clift. Despite many antagonistic forces, these works' protagonists achieve a revolutionary form of narrative centrality through the defiant act of speaking out, recounting their "survival plots," and enduring to the very last page. These feats are made possible through their construction of alternative social structures Sohn calls "inscrutable belongings." Collectively, the texts that Sohn examines bring to mind foundational struggles for queer Asian North Americans (and other socially marginalized groups) and confront a broad range of issues, including interracial desire, the AIDS/HIV epidemic, transnational mobility, and postcolonial trauma. In these texts, Asian North American queer people are often excluded from normative family structures and must contend with multiple histories of oppression, erasure, and physical violence, involving homophobia, racism, and social death. Sohn's work makes clear that for such writers and their imagined communities, questions of survival, kinship, and narrative development are more than representational—they are directly tied to lived experience.

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In Indigenous Cities Laura M. Furlan demonstrates that stories of urban experience are essential to understanding modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the post-relocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

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A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanitiesIn recent years, the digital humanities has been shaken by important debates about inclusivity and scope—but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny.Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it’s also an important addition to the evolving conversations around one of the fastest growing fields in the academy.Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U.

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From Aristotle's description of a submersible chamber and experiments with an underwater capsule by Alexander the Great, inventors have pursued the dream of undersea travel. This fully illustrated book follows that dream, starting with examples of the earliest attempts to travel beneath the waves through to the very latest vessels at sea today. Beginning with a detailed history of the submarine, the book charts the events of more than 120 years of development, a period that saw global production for two World Wars and the threat posed by the Cold War, where opposing superpowers jostled for supremacy through the awesome capabilities of their armaments. The section concludes with an overview of modern nuclear-powered vessels, which are capable of circumnavigating the world 40 times without having to refuel, and which carry in a single boat more explosive power than all the bombs dropped during World War II combined. The second part of the book is a guide to over 150 submarines from around the world, providing an in-depth look at the sheer inventiveness and genius of the submarine builders. Specification panels for each submarine are included, detailing country of origin, length, displacement, speed, armaments, propulsion and complement. The book is illustrated with over 700 historical and modern photographs, and provides both enthusiasts and academics with key information about the world's submarines. It is an essential guide for anyone interested in naval history and warfare. An illustrated guide to over 150 submarines from around the world, including the Holland boats, Lusitania, Thetis, Torby, Seraph, Truculent, Thresher, Seawolf, Kursk and many more. Charts over a century of submarine development, from the earliest attempts to travel beneath the waves, two World Wars and the Cold War, through to the formidable machines in operation today. Specification boxes provide at-a-glance information about each submarine's country of origin, length, displacement, speed, armament, propulsion and complement. Features more than 700 historical and modern photographs illustrating each type of submarine, plus artworks of selected examples. Includes fascinating quotes from military leaders and a glossary explaining key naval terms and abbreviations.

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Are robots going to take my job? How are smartphones affecting my kids? Do I need to worry about privacy when I get online or ask Siri for directions? Whatever questions you have about AI, The Age of AI gives you insights on how to navigate this brand-new world as you apply God's ageless truths to your life and future.We interact with artificial intelligence, or AI, nearly every moment of the day without knowing it. From our social media feeds to our smart thermostats and Alexa and Google Home, AI is everywhere--but how is it shaping our world?In The Age of AI, Jason Thacker, associate research fellow at the Ethics and Religious Liberty Commission, helps us navigate our digital age in this thoughtful exploration of the social, moral, and ethical challenges of our ongoing interactions with artificial intelligence.Applying God's Word to this new AI-empowered age, Thacker sheds light on: How Christian truth transforms the way we use AI How AI affects us individually, in our relationships, and in our society at large How to navigate the digital age wisely With theological depth and a wide awareness of the current trends in AI, Jason is a steady guide who reminds us that while technology is changing the world, it can't shake the foundations of the Christian faith.Praise for The Age of AI:"The Age of AI informs us and assists us in envisioning a future that is filled with tools, influences, opportunities, and challenges relating to artificial intelligence. While many may fear the unknown future before us, Jason Thacker presents the imperative need to always lift up the constancy of the image of God and the dignity of all human life as presented in the Holy Scriptures, the Bible. I am thankful Jason's book can help churches, pastors, theologians, and Christian leaders in all vocations to wrestle through this current topic, always being committed to what this book states profoundly: God-given dignity isn't ours to assign or remove."--Dr. Ronnie Floyd, president and CEO, Southern Baptist Convention Executive Committee

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In the wake of the Great Recession, American cities from Philadelphia to San Diego saw an upsurge in hyperlocal placemaking--small-scale interventions aimed at encouraging greater equity and community engagement in growth and renewal. But the projects that were the most successful at achieving these lofty ambitions weren't usually established by politicians, urban planners, or real estate developers; they were initiated by community activists, artists, and neighbors. In order to figure out why, The City Creative mounts a comprehensive study of placemaking in urban America, tracing its intellectual history and contrasting it with the efforts of people making positive change in their communities today. Spanning the 1950s to the post-recession 2010s, The City Creative highlights the roles of such prominent individuals and organizations as Jane Jacobs, Christopher Alexander, Richard Sennett, Project for Public Spaces, and the National Endowment for the Arts in the development of urban placemaking, both in the abstract and on the ground. But that's only half the story. Bringing the narrative to the present, Michael H. Carriere and David Schalliol also detail placemaking interventions at more than 200 sites in more than 40 cities, combining archival research, interviews, participant observation, and Schalliol's powerful documentary photography. Carriere and Schalliol find that while these formal and informal placemaking interventions can bridge local community development and regional economic plans, more often than not, they push the boundaries of mainstream placemaking. Rather than simply stressing sociability or market-driven economic development, these initiatives offer an alternative model of community-led progress with the potential to redistribute valuable resources while producing tangible and intangible benefits for their communities. The City Creative provides a kaleidoscopic overview of how these initiatives grow, and sometimes collapse, illustrating the centrality of placemaking in the evolution of the American city and how it can be reoriented to meet demands for a more equitable future.

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In the autumn of 2018 the Russian Orthodox Church broke communion with the Ecumenical Patriarchate of Constantinople following the latter Synods announcement of their intention to create an autocephalous Orthodox Church of Ukraine. (OCU) In December of that year a formal council was convened in Kiev and this new ecclesial body was created from two Ukrainian groups previously considered schismatic by all of the Orthodox churches worldwide. All of this transpired without any attempt by the Ecumenical Patriarchate to seek a consensus of all the Orthodox churches before embarking this course of action.More than two years later the newly created OCU remains unrecognised by the overwhelming majority of the world's Orthodox believers notwithstanding that it has in that time been been recognised as Orthodox by the Patriarchate of Alexandra and the Churches of Cyprus and Greece. But even this recognition has not been without significant dissenting voices. One of these is the Abbot of the renowned Kykkos monastery in Cyprus, Metropolitan Nikephoros. In this pithy text he eloquently explains why the actions of the Ecumenical Patriarchate have created a schism in the Orthodox Church worldwide and how in turn they reflect the promotion of a new ecclesiology that distorts the traditional understanding of the Orthodox Church as headed only by Christ Himself. He is clear that the only road to healing and unending schism is a return to a form of inter-Orthodox relations which respects both conciliarity and hierarchy. In doing this he stresses his utmost respect for the historical place of the Ecumenical Patriarchate of Constantinople and the hope that it will turn back from the path it is currently on to resume its rightful place in the plurality of the Orthodox Church.This is essential reading for all Orthodox believers to better understand what the Ukrainian crisis means for the future of their Church. It will also assist others to see beyond the characterization of the crisis as a political event in the context of relations between Russia and the West. It makes clear that at its heart this is an ecclesiological dispute calling out for a conciliar solution.

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Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I. Drawing on many archival findings, this book considers the emerging function and status of orchestral conductors in Britain, and the nature of the opportunities available to them, from the late Victorian era until the outbreak ofWorld War I. It does so by examining and comparing the profiles and impact of eight men whose work supplied the needs of a variety of institutions across the period but whose significant contributions were overshadowed by the emergence of virtuoso interpreters. The conducting activities of Julius Benedict, William Cusins, Joseph Barnby, Arthur Sullivan, Frederic Cowen, Alexander Mackenzie, Dan Godfrey and Landon Ronald provide a lens through which the evolution of conducting as a profession is traced. At the British Empire's height their work was shaped by and enriched the cultural life of the nation. During a period of intense activity and development, their portfolios of engagements and working patterns shed light on the infrastructures within the music business. By focusing on the fortunes and agency of conductors resident within the marketplace, this book deepens our understanding of the internal networks, influences and priorities within musical life in Britain in the late nineteenth century. FIONA M. PALMER is Professor of Music at the National University of Ireland Maynooth.

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In most capital markets, insider trading is the most common violation of securities law. It is also the most well known, inspiring countless movie plots and attracting scholars with a broad range of backgrounds and interests, from pure legal doctrine to empirical analysis to complex economic theory. This volume brings together original cutting-edge research in these and other areas written by leading experts in insider trading law and economics.The Handbook begins with a section devoted to legal issues surrounding the US's ban on insider trading, which is one of the oldest and most energetically enforced in the world. Using this section as a foundation, contributors go on to discuss several specific court cases as well as important developments in empirical research on the subject. The Handbook concludes with a section devoted to international perspectives, providing insight into insider trading laws in China, Japan, Australia, New Zealand, the United Kingdom and the European Union.This timely and comprehensive volume will appeal to students and professors of law and economics, as well as scholars, researchers and practitioners with an interest in insider trading.Contributors: K. Alexander, S.M. Bainbridge, L.N. Beny, S.F. Diamond, J. Fisch, J.M. Heminway, M.T. Henderson, N.C. Howson, H. Huang, K. Kendall, S.H. Kim, T.A. Lambert, K. Langenbucher, D.C. Langevoort, H.G. Manne, M. Nelemans, A. Padilla, A.C. Pritchard, J.M. Ramseyer, M.C. Schouten, H.N. Seyhun, A.F. Simpson, J.W. Verret, G. Walker

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Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's "Camouflage," Lydia Kwa's Pulse, Alexander Chee's Edinburgh, Nina Revoyr's Wingshooters, and Noël Alumit's Letters to Montgomery Clift. Despite many antagonistic forces, these works' protagonists achieve a revolutionary form of narrative centrality through the defiant act of speaking out, recounting their "survival plots," and enduring to the very last page. These feats are made possible through their construction of alternative social structures Sohn calls "inscrutable belongings." Collectively, the texts that Sohn examines bring to mind foundational struggles for queer Asian North Americans (and other socially marginalized groups) and confront a broad range of issues, including interracial desire, the AIDS/HIV epidemic, transnational mobility, and postcolonial trauma. In these texts, Asian North American queer people are often excluded from normative family structures and must contend with multiple histories of oppression, erasure, and physical violence, involving homophobia, racism, and social death. Sohn's work makes clear that for such writers and their imagined communities, questions of survival, kinship, and narrative development are more than representational—they are directly tied to lived experience.

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In Indigenous Cities Laura M. Furlan demonstrates that stories of urban experience are essential to understanding modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the post-relocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.

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Directed by anthropologist Alexander Lesser in 1935, the Santa Fe Laboratory of Anthropology sponsored a field school in southwestern Oklahoma that focused on the neighboring Kiowas. During two months, graduate students compiled more than 1,300 pages of single-spaced field notes derived from cross-interviewing thirty-five Kiowas. These eyewitness and first-generation reflections on the horse and buffalo days are undoubtedly the best materials available for reconstructing pre-reservation Kiowa beliefs and rituals. The field school compiled massive data resulting in a number of publications on this formerly nomadic Plains tribe, though the planned collaborative ethnographies never materialized. The extensive Kiowa field notes, which contain invaluable information, remained largely unpublished until now. In Kiowa Belief and Ritual, Benjamin R. Kracht reconstructs Kiowa cosmology during the height of the horse and buffalo culture from field notes pertaining to cosmology, visions, shamans, sorcery, dream shields, tribal bundles, and the now-extinct Sun Dance ceremony. These topics are interpreted through the Kiowa concept of a power force permeating the universe. Additional data gleaned from the field notes of James Mooney and Alice Marriott enrich the narrative. Drawing on more than thirty years of field experiences, Kracht’s discussion of how Indigenous notions of power are manifested today significantly enhances the existing literature concerning Plains religions.

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Examining politics in Idaho through the lens of ideology (i.e., conservative versus liberal) or partisanship (i.e., Democrat versus Republican) does not illuminate the more fundamental dynamics of the state’s political environment. Unlike other states that are divided on partisan or traditional ideological lines, Idaho tends to be divided between its libertarian and communitarian visions of the role of government and the place of the individual in society. In Idaho Politics and Government, Jasper M. LiCalzi examines the complex world of Idaho politics, where morality dominates but a heartily libertarian strain of individualism keeps lawmakers from falling into the liberal versus conservative dialogue prevalent in other states. After opening with the ultrasound bill failure as a recent example of Idaho’s political culture, LiCalzi traces the influence of individuals and party factions from the 1960s through the present before moving on to the inner workings of government itself, with all its institutions and extra-governmental extensions. He closes with another recent Idaho bill concerning the topics of child support and Sharia (Islamic) law, giving readers yet another glimpse of the workings of Idaho politics and the continuing clash between the community and the individual. Presenting a continuum of political views from an emphasis on the individual (personified by Thomas Jefferson) to a focus on community (personified by Alexander Hamilton), LiCalzi provides a new method for understanding political actions and situations in Idaho.

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"Stephen Van Evera's Guide to Methods makes an important contribution toward improving the use of case studies for theory development and testing in the social sciences. His trenchant and concise views on issues ranging from epistemology to specific research techniques manage to convey not only the methods but the ethos of research. This book is essential reading for social science students at all levels who aspire to conduct rigorous research."—Alexander L. George, Stanford University, and Andrew Bennett, Georgetown University "Van Evera has a keen awareness of the questions that arise in every phase of the political science research project—from initial conception to final presentation. Although others may not agree with all of his specific advice, all will appreciate his user-friendly introduction to what is sometimes seen as an abstract and difficult topic."—Timothy J. McKeown, University of North Carolina, Chapel Hill For the last few years, Stephen Van Evera has greeted new graduate students at MIT with a commonsense introduction to qualitative methods in the social sciences. His helpful hints, always warmly received, grew from a handful of memos to an underground classic primer. That primer has now evolved into a book of how-to information about graduate study, which is essential reading for graduate students and undergraduates in political science, sociology, anthropology, economics, and history—and for their advisers.

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Pyrrho of Elis went with Alexander the Great to Central Asia and India during the Greek invasion and conquest of the Persian Empire in 334-324 BC. There he met with early Buddhist masters. Greek Buddha shows how their Early Buddhism shaped the philosophy of Pyrrho, the famous founder of Pyrrhonian scepticism in ancient Greece. Christopher I. Beckwith traces the origins of a major tradition in Western philosophy to Gandhara, a country in Central Asia and northwestern India. He systematically examines the teachings and practices of Pyrrho and of Early Buddhism, including those preserved in testimonies by and about Pyrrho, in the report on Indian philosophy two decades later by the Seleucid ambassador Megasthenes, in the first-person edicts by the Indian king Devanampriya Priyadarsi referring to a popular variety of the Dharma in the early third century BC, and in Taoist echoes of Gautama's Dharma in Warring States China. Beckwith demonstrates how the teachings of Pyrrho agree closely with those of the Buddha Sakyamuni, "the Scythian Sage." In the process, he identifies eight distinct philosophical schools in ancient northwestern India and Central Asia, including Early Zoroastrianism, Early Brahmanism, and several forms of Early Buddhism. He then shows the influence that Pyrrho's brand of scepticism had on the evolution of Western thought, first in Antiquity, and later, during the Enlightenment, on the great philosopher and self-proclaimed Pyrrhonian, David Hume. Greek Buddha demonstrates that through Pyrrho, Early Buddhist thought had a major impact on Western philosophy.

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The American Revolution swept away old certainties and forced revolutionaries to consider what it meant to be American. Andrew Trees examines four attempts to answer the question of national identity that Americans faced in the wake of the Revolution. Through the writings of Thomas Jefferson, John Adams, Alexander Hamilton, and James Madison, Trees explores a complicated political world in which boundaries between the personal and the political were fluid and ill-defined. Melding history and literary study, he shows how this unsettled landscape challenged and sometimes confounded the founders' attempts to forge their own--and the nation's--identity. Trees traces the intimately linked shaping of self and country by four men distrustful of politics and yet operating in an increasingly democratic world. Jefferson sought to recast the political along the lines of friendship, while Hamilton hoped that honor would provide a secure foundation for self and country. Adams struggled to create a nation virtuous enough to sustain a republican government, and Madison worked to establish a government based on justice. Giving a new context to the founders' mission, Trees studies their contributions not simply as policy prescriptions but in terms of a more elusive and symbolic level of action. His work illuminates the tangled relationship among rhetoric, politics, self, and nation--as well as the larger question of national identity that remains with us today.

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This book addresses the unique and profound indeterminacy of “Creole,” a label applied to white, black, and mixed-race persons born in French colonies during the nineteenth century. "Creole” implies that the geography of one’s birth determines identity in ways that supersede race, language, nation, and social status. Paradoxically, the very capaciousness of the term engendered a perpetual search for visual signs of racial difference as well as a pretense to blindness about the intermingling of races in Creole society. Darcy Grimaldo Grigsby reconstructs the search for visual signs of racial difference among people whose genealogies were often repressed. She explores French representations of Creole subjects and representations by Creole artists in France, the Caribbean, and the Americas. To do justice to the complexity of Creole identity, Grigsby interrogates the myriad ways in which people defined themselves in relation to others. With close attention to the differences between Afro-Creole and Euro-Creole cultures and persons, Grigsby examines figures such as Théodore Chassériau, Guillaume Guillon-Lethière, Alexandre Dumas père, Édouard Manet, Edgar Degas, the models Joseph and Laure, Josephine Bonaparte, Jeanne Duval, and Adah Isaacs Menken.Based on extensive archival research, Creole is an original and important examination of colonial identity. This essential study will be welcomed by specialists in nineteenth-century art history, French cultural history, the history of race, and transatlantic history more generally.

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André Siegfried (1875–1959) was a leading figure in French academic and cultural life for over five decades. A world traveller who trained as a geographer, Siegfried became a leading political scientist and prominent newspaper columnist. As a long-time professor at Sciences Po, he shaped generations of his country’s elite. France in the World explores the life and career of André Siegfried. An innovator in the field of political science, he established himself as France’s leading interpreter of the English-speaking world. Often likened to Alexis de Tocqueville, Siegfried published influential studies of the United States, Canada, Great Britain, and New Zealand, striving to understand France’s place in a changing global context. Siegfried was a cosmopolitan promoter of liberalism and individual freedom. But at the same time he perceived France to be the core of a Western civilization whose leadership and values were threatened by Americanization, anti-imperial nationalism, and non-white immigration. By following Siegfried’s long career and examining the breadth of his writings, Sean Kennedy shows how his racial and ethnic essentialism was a unifying aspect of his life’s work. That these ideas were considered unremarkable for most of his lifetime offers a powerful illustration of how racist thinking permeated mainstream French republicanism.Exploring the many facets of Siegfried’s career, France in the World examines the entanglement of liberal and racist thinking during an era that witnessed political extremism and a rapidly changing international order.

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One of the greatest books ever to be written on the United States, "Democracy in America" continues to find new readers who marvel at the lasting insights Alexis de Tocqueville had into our nation and its political culture. The work, however, is as challenging as it is important; its arguments can be complex and subtle, and its sheer length can make it difficult for any reader, especially one coming to it for the first time, to grasp Tocqueville's meaning. "The Chicago Companion" to Tocqueville's "Democracy in America" is the first book written expressly to help general readers and students alike get the most out of this seminal work. James T. Schleifer, an expert on Tocqueville, has provided the background and information readers need in order to understand Tocqueville's masterwork. In clear and engaging prose, Schleifer explains why "Democracy in America" is so important, how it came to be written, and how different generations of Americans have interpreted it since its publication. Drawing upon his intimate knowledge of Tocqueville's papers and manuscripts, Schleifer reveals how Tocqueville's ideas took shape and changed even in the course of writing the book. Schleifer also provides a detailed glossary of key terms and passages, all accompanied by generous citations to the relevant pages in the University of Chicago Press' Mansfield/Winthrop translation. "The Chicago Companion" will serve generations of readers as an essential guide to both the man and his work.

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“He was a charming character who saw the beauty of the world through his wonderful clear blue eyes. His ability to create was endless.” —Florence Knoll Bassett Here is the fascinating story of Bertoia Studio, where Sound Sculpture was invented and new ideas of what art is were developed. Harry Bertoia (1915-1978) was the brilliant artist and Metal Craftsman at Cranbrook Academy of Art who made Ray and Charles Eames’ wedding rings before he joined them in Califiornia to help design a chair Charles was working on. He then went to Knoll Associates and made his famous Bertoia chairs. Like Alexander Calder and George Rickey, Harry Bertoia used natural movement to inspire his sculptures, and he added sound. For 35 years he produced a tremendous volume of work, including fascinating graphics, domestic-size metal sculptures, and large major commissions in cities throughtout the world that people love today. Harry Bertoia was joined in the 1970s by his son, Val Bertoia, who continues to invent and create new kinds of sculpture. This book documents all the types of original work made at Bertoia Studio from the 1950s to the present. Over 500 photographs show the Bertoias’ evolution of ideas that explore the relationships of space, color, and sound. Art collectors have been passionate in their praise and enjoyment of Bertoia’s work for over fifty years.

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Prince Manfred and his mentor and bodyguard, the deadly warrior Erik, survived dangers and enemies both natural and supernatural, and if they thought that their new mission was going to be anything but more of the same, they soon gave up on that hope. Returning from Jerusalem, they and members of the knights of the Holy Trinity are escorting an envoy of II Khan Mongol to the lands of the Golden Horde — between the Black Sea and the Carpathians, which happen to be eastern bastion against their old enemies, the demon Chernobog, and his possessed puppet, the Jangellion. Unfortunately, what began as a diplomatic mission leads to Manfred and his knights being caught up in an inter-clan civil war, rescuing a fugitive woman and her injured brother, and becoming involved in the problems of Prince Vlad, Duke of Valahia. Manfred and Erik are forced into an alliance of convenience between the Golden Horde and the ancient magical forces of Valahia, as directed by the troubled Vlad. The magic calls for blood and Vlad is deathly afraid of it — and at the same time, is irresistibly drawn toward it... Much Fall of Blood is the sequel to The Shadow of the Lion and This Rough Magic in the Heirs of Alexandria series.

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A BTS fan favorite! A WALL STREET JOURNAL STORIES THAT CAN TAKE YOU ANYWHERE PICK * ENTERTAINMENT WEEKLY'S STAY HOME AND READ PICK * SALON'S BEST AND BOLDEST * BUSTLE'S MOST ANTICIPATED The Emissary meets The Curious Incident of the Dog in the Nighttime in this poignant and triumphant story about how love, friendship, and persistence can change a life forever.This story is, in short, about a monster meeting another monster. One of the monsters is me.Yunjae was born with a brain condition called Alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother provide him with a safe and content life. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you," and when to laugh.Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school, and they develop a surprising bond.As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life at risk, Yunjae will have the chance to step outside of every comfort zone he has created to perhaps become the hero he never thought he would be.Readers of Wonder by R.J. Palaccio and Ginny Moon by Benjamin Ludwig will appreciate this "resonant" story that "gives Yunjae the courage to claim an entirely different story." (Booklist, starred review)Translated from the Korean by Sandy Joosun Lee.

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When Jean-Jacques Dessalines proclaimed Haitian independence on January 1, 1804, Haiti became the second independent republic, after the United States, in the Americas; the Haitian Revolution was the first successful antislavery and anticolonial revolution in the western hemisphere. The histories of Haiti and the early United States were intimately linked in terms of politics, economics, and geography, but unlike Haiti, the United States would remain a slaveholding republic until 1865. While the Haitian Revolution was a beacon for African Americans and abolitionists in the United States, it was a terrifying specter for proslavery forces there, and its effects were profound. In the wake of Haiti's liberation, the United States saw reconfigurations of its geography, literature, politics, and racial and economic structures. The Haitian Revolution and the Early United States explores the relationship between the dramatic events of the Haitian Revolution and the development of the early United States. The first section, "Histories," addresses understandings of the Haitian Revolution in the developing public sphere of the early United States, from theories of state sovereignty to events in the street; from the economic interests of U.S. merchants to disputes in the chambers of diplomats; and from the flow of rumor and second-hand news of refugees to the informal communication networks of the enslaved. The second section, "Geographies," explores the seismic shifts in the ways the physical territories of the two nations and the connections between them were imagined, described, inhabited, and policed as a result of the revolution. The final section, "Textualities," explores the wide-ranging consequences that reading and writing about slavery, rebellion, emancipation, and Haiti in particular had on literary culture in both the United States and Haiti. With essays from leading and emerging scholars of Haitian and U.S. history, literature, and cultural studies, The Haitian Revolution and the Early United States traces the rich terrain of Haitian-U.S. culture and history in the long nineteenth century. Contributors: Anthony Bogues, Marlene Daut, Elizabeth Maddock Dillon, Michael Drexler, Laurent Dubois, James Alexander Dun, Duncan Faherty, Carolyn Fick, David Geggus, Kieran Murphy, Colleen O'Brien, Peter P. Reed, Siân Silyn Roberts, Cristobal Silva, Ed White, Ivy Wilson, Gretchen Woertendyke, Edlie Wong.

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Fifty years after the Moon landing, a new history of the space race explores the lives of both Soviet and American engineers At the dawn of the space age, technological breakthroughs in Earth orbit flight were both breathtaking feats of ingenuity and disturbances to a delicate global balance of power. In this short book, aerospace historian Roger D. Launius concisely and engagingly explores the driving force of this era: the race to the Moon. Beginning with the launch of Sputnik 1 in October 1957 and closing with the end of the Apollo program in 1972, Launius examines how early space exploration blurred the lines between military and civilian activities, and how key actions led to space firsts as well as crushing failures. Launius places American and Soviet programs on equal footing—following American aerospace engineers Wernher von Braun and Robert Gilruth, their Soviet counterparts Sergei Korolev and Valentin Glushko, and astronaut Buzz Aldrin and cosmonaut Alexei Leonov—to highlight key actions that led to various successes, failures, and ultimately the American Moon landing.

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Jerusalem has a special status as a city that is both terrestrial and celestial. The name includes a cognate for 'peace, ' but the old stones of the city have witnessed epic bloodshed and destruction over the centuries. The three great monotheistic religions all regard it with especial fervor, and it has for at least two millennia attracted pilgrims intent on seeing it before they die. This rich and compelling anthology of travelers' writings attempts to convey something of the diverse experiences of visitors to this most complex and enigmatic of cities. A Jerusalem Anthology takes us on a journey through a city, not just of illusion and powerful accumulated religious emotion, but of colors, lights, smells, and sounds, an inhabited city as it was directly experienced and lived in through the ages. Memoirs of visitors such as as sixth-century AD pilgrim Saint Silvia of Bordeaux, medieval Jerusalemite al-Muqaddasi, Grand Tour voyagers Gustave Flaubert and Alexander Kinglake, the humorous Mark Twain, or the cynical T.E. Lawrence provide vivid and sometimes disturbing vignettes of the Holy City at very different times in its tumultuous history.

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