Search results for ""Author Alex"

‘DARK AND DEVIOUS’ Stephen King ‘UTTERLY ENGROSSING’ Daily Mail ‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware ‘TIGHTLY PLOTTED AND UTTERLY GRIPPING' Sarah Pinborough ‘A HAUNTING THRILLER’ Women’s Weekly ‘TOTALLY ABSORBING’ T.M. Logan ‘AN UNSETTLING, LABYRINTHINE TALE’ New York Times____________________________________________________________________ One twin ran. The other vanished. Neither escaped… DON’T TRUST ANYONECat’s twin sister El has disappeared. But there’s one thing Cat is sure of: her sister isn’t dead. She would have felt it. She would have known. DON’T TRUST YOUR MEMORIESTo find her sister, Cat must return to their dark, crumbling childhood home and confront the horrors that wait there. Because it’s all coming back to Cat now: all the things she has buried, all the secrets she’s been running from. DON’T TRUST THIS STORY…The closer Cat comes to the truth, the closer to danger she is. Some things are better left in the past…________________________________________________________ ‘AN ADDICTIVE SLICE OF GOTHIC’ i paper ‘TOLD WITH THUMPING HEART AND EXTRAORDINARY TENDERNESS’ Kiran Millwood Hargrave ‘THE LOVE CHILD OF GILLIAN FLYNN AND STEPHEN KING’ Greer Hendricks READERS ARE FALLING IN LOVE WITH MIRRORLAND… ‘Dark, dazzling, full of surprises and perfectly executed’ Sheri K ‘An adult fairy tale, a domestic noir and a heartbreaker, all in one’ Rebecca W ‘Creepy as hell and absolutely brilliant’ Vikkie W ‘Poignant and compelling… What an imagination to have crafted such a story’ Carol C ‘A beautifully written story that holds you enthralled from first page to last’ Sarah M ‘This is a book that will keep you awake all night’ Maria P ‘Hugely compelling…I found the entire book officially unputdownable!’ Alexandra G

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'Anything can happen... You turn the pages wondering, 'Whatever next?''' - SFXPolly, an average, completely ordinary property lawyer, is convinced she's losing her mind. Someone keeps drinking her coffee. And talking to her clients. And doing her job. And when she goes to the dry cleaner's to pick up her dress for the party, it's not there. Not the dress - the dry cleaner's.And then there are the chickens who think they are people. Something strange is definitely going on - and it's going to take more than a magical ring to sort it out.A wonderfully quirky and comedic outing from the hugely talented Tom HoltBooks by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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One of the most innovative artists and thinkers of the first half of the 20th century, László Moholy-Nagy (1895-1946) emigrated to Britain after the forced closure of the Bauhaus, following his colleague Walter Gropius. This book examines the two years he spent in Britain in the mid-1930s before moving on to the United States - two intense years filled with commissions, collaborations, opportunities, disappointments, artistic exchanges and friendship.Moholy-Nagy was especially known in the UK as a photographer, his photos having previously been published in the Architectural Review. Although brief, Moholy-Nagy's English period represented the peak of his photographic activity. In Britain, he also worked as a graphic designer on books, advertisements and on London Transport posters. He worked as an art advisor for Simpsons' menswear store and designed publicity for the Isokon Furniture Company. He made a couple of documentary films – Lobsters and New Architecture at London Zoo and worked as a designer on Things to Come for Alexander Korda. As well as the films and photographic essays for the AR, he was introduced by John Betjeman to publisher John Miles, who commissioned him to illustrate three books: The Street Markets of London, Eton Portrait and An Oxford University Chest. He also worked with Gropius and Maxwell Fry on various exhibition designs, gave lectures and wrote articles throughout his stay, and The London Gallery held an exhibition of his work in January 1937. This highly visual book weaves together rarely seen images, documents and narrative to create a fascinating picture of the man and the artist during this critical and highly productive phase of his life.

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The Mathematician's Brain poses a provocative question about the world's most brilliant yet eccentric mathematical minds: were they brilliant because of their eccentricities or in spite of them? In this thought-provoking and entertaining book, David Ruelle, the well-known mathematical physicist who helped create chaos theory, gives us a rare insider's account of the celebrated mathematicians he has known-their quirks, oddities, personal tragedies, bad behavior, descents into madness, tragic ends, and the sublime, inexpressible beauty of their most breathtaking mathematical discoveries. Consider the case of British mathematician Alan Turing. Credited with cracking the German Enigma code during World War II and conceiving of the modern computer, he was convicted of "gross indecency" for a homosexual affair and died in 1954 after eating a cyanide-laced apple--his death was ruled a suicide, though rumors of assassination still linger. Ruelle holds nothing back in his revealing and deeply personal reflections on Turing and other fellow mathematicians, including Alexander Grothendieck, Rene Thom, Bernhard Riemann, and Felix Klein. But this book is more than a mathematical tell-all. Each chapter examines an important mathematical idea and the visionary minds behind it. Ruelle meaningfully explores the philosophical issues raised by each, offering insights into the truly unique and creative ways mathematicians think and showing how the mathematical setting is most favorable for asking philosophical questions about meaning, beauty, and the nature of reality. The Mathematician's Brain takes you inside the world--and heads--of mathematicians. It's a journey you won't soon forget.

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'Raw, elemental and beautiful.' Telegraph'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy and the wonder, the loneliness and despair. MORE PRAISE FOR CLOVER STROUD:'Clover's expertise is writing about family life in a way that feels both new and entirely familiar' - Pandora Sykes'As tender, blazing, funny and unflinching as the love it describes. I want to give this triumphant book to every mother I know' - Rachel Joyce'Stroud is always willing to rip open her very soul in order to reveal the truth about her life - and every time a woman tells the truth like this, it sets another woman free' - Elizabeth Gilbert'I read in one greedy gulp and am still slightly reeling. Extraordinary writing... For mothers and those even vaguely interested in family dynamics it is fascinating' - Alexandra HeminsleyCharting the course of one year, the first in her youngest child's life, Clover searches for answers to questions that many of us would be too afraid to admit to - not only about motherhood, but also about female sexuality and identity. Her story will speak to all mothers, and anyone about to embark on that journey.

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An "effervescent" (Rachel Lynn Solomon) Christmas LGBTQIA+ New Adult RomCom, perfect for fans of Schitt's Creek and Red White & Royal Blue.Bring a little joy to the world?Not today, Santa.Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He's on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents' charming small town hellscape. Population: who cares?It's bad enough he's stuck in some festive winter wonderland-it's even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who's unimpressed with anything and everything Matthew does.Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior...with Hector as his maddening plus-one. But even a Grinch can't resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince's heart grow three sizes this year.People Are Raving About Timothy Janovsky:"This book made my queer heart so very full and deeply happy."-Anita Kelly"A cinematic daydream guaranteed to steal your heart."-Julian Winters"Wonderfully upbeat and sweet."-Suzanne Park"Full of hope and heart."-Alexandria Bellefleur"[A] fresh, sweet, and swoony love story that blends coming-of-age comedy with the nuances of exploring sexual identity."-Alison Cochrun

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An authoritative new history of the Roman conquest of Britain Why did Julius Caesar come to Britain? His own account suggests that he invaded to quell a resistance of Gallic sympathizers in the region of modern-day Kent -- but there must have been personal and divine aspirations behind the expeditions in 55 and 54 BCE. To the ancients, the Ocean was a body of water that circumscribed the known world, separating places like Britain from terra cognita, and no one, not even Alexander the Great, had crossed it. While Caesar came and saw, he did not conquer. In the words of the historian Tacitus, "he revealed, rather than bequeathed, Britain to Rome." For the next five hundred years, Caesar's revelation was Rome's remotest imperial bequest. Conquering the Ocean provides a new narrative of the Roman conquest of Britain, from the two campaigns of Caesar up until the construction of Hadrian's Wall across the Tyne-Solway isthmus during the 120s CE. Much of the ancient literary record portrays this period as a long march of Roman progress but recent archaeological discoveries reveal that there existed a strong resistance in Britain, Boudica's short lived revolt being the most celebrated of them, and that Roman success was by no means inevitable. Richard Hingley here draws upon an impressive array of new information from archaeological research and recent scholarship on the classical sources to provide a balanced picture of the military activities and strategies that led to the conquest and subjugation of Britain. Conquering the Ocean is the fullest picture to date of a chapter in Roman military history that continues to captivate the public.

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A Romeo & Juliet tale for Hamilton! fans. In post-American Revolution New York City, Theodosia Burr, a scholar with the skills of a socialite, is all about charming the right people on behalf of her father—Senator Aaron Burr, who is determined to win the office of president in the pivotal election of 1800. Meanwhile, Philip Hamilton, the rakish son of Alexander Hamilton, is all about being charming on behalf of his libido. When the two first meet, it seems the ongoing feud between their politically opposed fathers may be hereditary. But soon, Theodosia and Philip must choose between love and family, desire and loyalty, and preserving the legacy their flawed fathers fought for or creating their own. Love, Theodosia is a smart, funny, swoony take on a fiercely intelligent woman with feminist ideas ahead of her time who has long-deserved centre stage. A refreshing spin on the Hamiltonian era and the characters we have grown to know and love. It’s also a heartbreaking romance of two star-crossed lovers, an achingly bittersweet “what if.” Despite their fathers’ bitter rivalry, Theodosia and Philip are drawn to each other and, in what unrolls like a Jane Austen novel of manners, we find ourselves entangled in the world of Hamilton and Burr once again as these heirs of famous enemies are driven together despite every reason not to be.

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A potent new book examines the overlap between our ecological crisis and video games Video games may be fun and immersive diversions from daily life, but can they go beyond the realm of entertainment to do something serious—like help us save the planet? As one of the signature issues of the twenty-first century, ecological deterioration is seemingly everywhere, but it is rarely considered via the realm of interactive digital play. In Playing Nature, Alenda Y. Chang offers groundbreaking methods for exploring this vital overlap.Arguing that games need to be understood as part of a cultural response to the growing ecological crisis, Playing Nature seeds conversations around key environmental science concepts and terms. Chang suggests several ways to rethink existing game taxonomies and theories of agency while revealing surprising fundamental similarities between game play and scientific work.Gracefully reconciling new media theory with environmental criticism, Playing Nature examines an exciting range of games and related art forms, including historical and contemporary analog and digital games, alternate- and augmented-reality games, museum exhibitions, film, and science fiction. Chang puts her surprising ideas into conversation with leading media studies and environmental humanities scholars like Alexander Galloway, Donna Haraway, and Ursula Heise, ultimately exploring manifold ecological futures—not all of them dystopian.

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Provide expert advice on cosmeceuticals and integrate them into your cosmetic practice Patients look to you for expert advice on topical skin care product, and cosmeceuticals are an important innovation. They want to know which products will work best for them. But new products seem to appear almost daily. How can you provide your patients with effective advice on how and when to use cosmeceuticals? In Cosmeceuticals and Cosmetic Practice, Dr Farris has invited leading experts, including cosmetic chemists, researchers and cosmetic dermatologists, to provide these answers. Together they have analysed and synthesized the evidence and combined it with their experience to provide you with best-practice advice on the most effective way to apply cosmeceuticals in your everyday practice. This book explains: • How cosmeceutical products are developed, tested and how they work • The most up-to-date key ingredients such as: Vitamin antioxidants Botanicals Peptides Growth factors Stem cells • How to use cosmeceuticals in practice Cosmeceuticals and Cosmetic Practice shows you how to improve the health and appearance of your patients’ skin. Titles of related interest Dermatologic Surgery: Step by Step Nouri (ed.); ISBN 978-1-4443-3067-0 Ethnic Dermatology: Principles and Practice Dadize, Petit, Alexis (eds); ISBN 978-0-470-65857-4 Diagnostic Dermoscopy: The Illustrated Guide Bowling; ISBN 978-1-4051-9855-4

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A history of capitalism in nineteenth‑ and twentieth‑century China and India that explores the competition between their tea industries “Tea War is not only a detailed comparative history of the transformation of tea production in the 19th and early 20th centuries, but it also intervenes in larger debates about the nature of capitalism, global modernity, and global history.”— Alexander F. Day, Occidental College Tea remains the world’s most popular commercial drink today, and at the turn of the twentieth century, it represented the largest export industry of both China and colonial India. In analyzing the global competition between Chinese and Indian tea, Andrew B. Liu challenges past economic histories premised on the technical “divergence” between the West and the Rest, arguing instead that seemingly traditional technologies and practices were central to modern capital accumulation across Asia. He shows how competitive pressures compelled Chinese merchants to adopt abstract industrial conceptions of time, while colonial planters in India pushed for labor indenture laws to support factory-style tea plantations. Characterizations of China and India as premodern backwaters, he explains, were themselves the historical result of new notions of political economy adopted by Chinese and Indian nationalists, who discovered that these abstract ideas corresponded to concrete social changes in their local surroundings. Together, these stories point toward a more flexible and globally oriented conceptualization of the history of capitalism in China and India.

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A sumptuously illustrated survey of the remarkable flowering of radical, visionary and experimental design for performance in Russia in the twenty years between 1913 and 1933. At the beginning of the twentieth century, Russian theatre produced an unprecedented period of creative radicalism and collaborative experimentation. Against the turbulent backdrop of the First World War and the Russian Revolution, the avant-garde movement transformed Russia’s cultural landscape as visionaries from several disciplines generated a vortex of innovative performance and design. The astounding body of work produced by Kazimir Malevich, Alexander Rodchenko, Vladimir Tatlin, Sergei Eisenstein and Liubov Popova, among others, overturned traditions in art, music, literature and theatre. This book explores the importance and influence of a seminal moment in twentieth-century culture – one that still resonates today. Published to accompany a major exhibition at London’s Victoria and Albert Museum in association with the Bakhrushin State Central Theatre Museum in Moscow, this book includes essays by experts from Russia, Britain and America illustrated with over 150 images from leading artists and designers, many of which are previously unpublished. Edited by John E. Bowlt, Professor of Slavic Languages and Literatures at the University of Southern California, the result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians, as well as current and future designers seeking inspiration for their own work.

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Paints a complex portrait of East German film art and representation through examining eighteen key DEFA films following the fall of the Berlin Wall. In the late 1980s and early 1990s, East Germany's DEFA filmmakers had a brief window in which to critique GDR society on either side of the Wende, the sweeping political turn that surrounded the fall of the Berlin Wall andthe opening of the border. Building on the DEFA Film Library's retrospective Wende Flicks series and Indiana University's DEFA Project, this study examines the newly rediscovered filmic artifacts of this transitional cinema, introducing eighteen key films from 1988 to 1994 in essays by German scholars, film professionals, and cultural figures. Accompanying interviews and historical film reviews present a complex portrait of East German film art, itscommunist bloc influences, and its legacy for contemporary German film culture. The resulting anthology combines historical, autobiographical, cultural-political, and journalistic discourses to explore the tension between the hopes and frustrations these films express, the historical exigencies that overshadowed their production and reception, and the politics of their revival. Contributors: Skyler J. Arndt-Briggs, Peter Blank, Claudia Breger,Barton Byg, Knut Elstermann, Peter Kahane, Jennifer M. Kapczynski, Wolfgang Kohlhaase, Thomas Krüger, Helmut Morsbach, Benjamin Robinson, Katrin Schlösser and Frank Löprich, Nicholas Sveholm, Johannes von Moltke, Brigitta B. Wagner. Brigitta B. Wagner is an Alexander von Humboldt Fellow in Film Studies at the Freie Universität and in Time-Based Media at the Universität der Künste in Berlin.

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The NIV Study Bible, featuring Dr. D.A. Carson as general editor, is built on the truth of Scripture and centred on the gospel message. An ambitious and comprehensive undertaking, Dr. Carson, with committee members Dr. T. Desmond Alexander, Dr. Richard S. Hess, Dr. Douglas J. Moo, and Dr. Andrew David Naselli, along with a team of over 60 contributors from a wide range of evangelical denominations and perspectives, crafted all-new study notes and other study tools to present a biblical theology of God's special revelation in the Scriptures. To further aid the readers' understanding of the Bible, also included are full-colour maps, charts, photos and diagrams. In addition, a single-column setting of the Bible text provides maximum readability.The accessible and fresh interior design will capture your attention and enhance your study experience.Features include:- Over 60 scholarly contributors- Over 1.2 million words of new content- Over 3,000 pages packed with in-depth study tools- Nearly 20,000 all-new, comprehensive verse-by-verse study notes- Customized, theologically rich, illustrated book introductions- 6 section introductions to literary genres ("The Pentateuch," "The Historical Books," etc.)- Full-color interior with extensive use of over 60 colourful charts, over 90 maps, and hundreds of photos- Comprehensive library of over 30 articles by award-winning scholars on topics such as "The Bible and Theology," "The Glory of God," "Covenant," "Love and Grace," and more- Cross-reference system- Complete text of the New International Version (US English)- Concordance with over 35,000 Scripture references

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How our understanding of calculus has evolved over more than three centuries, how this has shaped the way it is taught in the classroom, and why calculus pedagogy needs to changeCalculus Reordered takes readers on a remarkable journey through hundreds of years to tell the story of how calculus evolved into the subject we know today. David Bressoud explains why calculus is credited to seventeenth-century figures Isaac Newton and Gottfried Leibniz, and how its current structure is based on developments that arose in the nineteenth century. Bressoud argues that a pedagogy informed by the historical development of calculus represents a sounder way for students to learn this fascinating area of mathematics.Delving into calculus’s birth in the Hellenistic Eastern Mediterranean—particularly in Syracuse, Sicily and Alexandria, Egypt—as well as India and the Islamic Middle East, Bressoud considers how calculus developed in response to essential questions emerging from engineering and astronomy. He looks at how Newton and Leibniz built their work on a flurry of activity that occurred throughout Europe, and how Italian philosophers such as Galileo Galilei played a particularly important role. In describing calculus’s evolution, Bressoud reveals problems with the standard ordering of its curriculum: limits, differentiation, integration, and series. He contends that the historical order—integration as accumulation, then differentiation as ratios of change, series as sequences of partial sums, and finally limits as they arise from the algebra of inequalities—makes more sense in the classroom environment.Exploring the motivations behind calculus’s discovery, Calculus Reordered highlights how this essential tool of mathematics came to be.

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A groundbreaking history of the Big Questions that dominated the nineteenth centuryIn the early nineteenth century, a new age began: the age of questions. In the Eastern and Belgian questions, as much as in the slavery, worker, social, woman, and Jewish questions, contemporaries saw not interrogatives to be answered but problems to be solved. Alexis de Tocqueville, Victor Hugo, Karl Marx, Frederick Douglass, Fyodor Dostoevsky, Rosa Luxemburg, and Adolf Hitler were among the many who put their pens to the task. The Age of Questions asks how the question form arose, what trajectory it followed, and why it provoked such feverish excitement for over a century. Was there a family resemblance between questions? Have they disappeared, or are they on the rise again in our time?In this pioneering book, Holly Case undertakes a stunningly original analysis, presenting, chapter by chapter, seven distinct arguments and frameworks for understanding the age. She considers whether it was marked by a progressive quest for emancipation (of women, slaves, Jews, laborers, and others); a steady, inexorable march toward genocide and the "Final Solution"; or a movement toward federation and the dissolution of boundaries. Or was it simply a farce, a false frenzy dreamed up by publicists eager to sell subscriptions? As the arguments clash, patterns emerge and sharpen until the age reveals its full and peculiar nature.Turning convention on its head with meticulous and astonishingly broad scholarship, The Age of Questions illuminates how patterns of thinking move history.

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Winner of the Daughters of the American Revolution’s Excellence in American History Book AwardWinner of the Thomas J. Wilson Memorial Prize“Cogent, lucid, and concise…An indispensable guide to the creation of the cabinet…Groundbreaking…we can now have a much greater appreciation of this essential American institution, one of the major legacies of George Washington’s enlightened statecraft.” —Ron ChernowOn November 26, 1791, George Washington convened his department secretaries—Alexander Hamilton, Thomas Jefferson, Henry Knox, and Edmund Randolph—for the first cabinet meeting. Why did he wait two and a half years into his presidency to call his cabinet? Because the US Constitution did not create or provide for such a body. Faced with diplomatic crises, domestic insurrection, and constitutional challenges—and finding congressional help distinctly lacking—he decided he needed a group of advisors he could turn to for guidance. Authoritative and compulsively readable, The Cabinet reveals the far-reaching consequences of this decision. To Washington’s dismay, the tensions between Hamilton and Jefferson sharpened partisan divides, contributing to the development of the first party system. As he faced an increasingly recalcitrant Congress, he came to treat the cabinet as a private advisory body, greatly expanding the role of the executive branch and indelibly transforming the presidency.“Important and illuminating…an original angle of vision on the foundations and development of something we all take for granted.” —Jon Meacham“Fantastic…A compelling story.” —New Criterion“Helps us understand pivotal moments in the 1790s and the creation of an independent, effective executive.” —Wall Street Journal

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Is race something we know when we see it? In 1857, Alexina Morrison, a slave in Louisiana, ran away from her master and surrendered herself to the parish jail for protection. Blue-eyed and blond, Morrison successfully convinced white society that she was one of them. When she sued for her freedom, witnesses assured the jury that she was white, and that they would have known if she had a drop of African blood. Morrison’s court trial—and many others over the last 150 years—involved high stakes: freedom, property, and civil rights. And they all turned on the question of racial identity.Over the past two centuries, individuals and groups (among them Mexican Americans, Indians, Asian immigrants, and Melungeons) have fought to establish their whiteness in order to lay claim to full citizenship in local courtrooms, administrative and legislative hearings, and the U.S. Supreme Court. Like Morrison’s case, these trials have often turned less on legal definitions of race as percentages of blood or ancestry than on the way people presented themselves to society and demonstrated their moral and civic character.Unearthing the legal history of racial identity, Ariela Gross’s book examines the paradoxical and often circular relationship of race and the perceived capacity for citizenship in American society. This book reminds us that the imaginary connection between racial identity and fitness for citizenship remains potent today and continues to impede racial justice and equality.

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Fact is torn from fiction in this first biography of Mexico’s famous independence heroine, which also traces her subsequent journey from history to myth. María Ignacia Rodríguez de Velasco y Osorio Barba (1778–1850) is an iconic figure in Mexican history. Known by the nickname “La Güera Rodríguez” because she was so fair, she is said to have possessed a remarkably sharp wit, a face fit for statuary, and a penchant for defying the status quo. Charming influential figures such as Simon Bolívar, Alexander von Humboldt, and Agustín de Iturbide, she utilized gold and guile in equal measure to support the independence movement—or so the stories say. In La Güera Rodríguez, Silvia Marina Arrom approaches the legends of Rodríguez de Velasco with a keen eye, seeking to disentangle the woman from the myth. Arrom uses a wide array of primary sources from the period to piece together an intimate portrait of this remarkable woman, followed by a review of her evolving representation in Mexican arts and letters that shows how the legends became ever more fanciful after her death. How much of the story is rooted in fact, and how much is fiction sculpted to fit the cultural sensibilities of a given moment in time? In our contemporary moment of unprecedented misinformation, it is particularly relevant to analyze how and why falsehoods become part of historical memory. La Güera Rodriguez will prove an indispensable resource for those searching to understand late-colonial Mexico, the role of women in the independence movement, and the use of historic figures in crafting national narratives.

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Ableism, a form of discrimination that elevates “able” bodies over those perceived as less capable, remains one of the most widespread areas of systematic and explicit discrimination in Western culture. Yet in contrast to the substantial body of scholarly work on racism, sexism, classism, and heterosexism, ableism remains undertheorized and underexposed. In this book, James L. Cherney takes a rhetorical approach to the study of ableism to reveal how it has worked its way into our everyday understanding of disability.Ableist Rhetoric argues that ableism is learned and transmitted through the ways we speak about those with disabilities. Through a series of textual case studies, Cherney identifies three rhetorical norms that help illustrate the widespread influence of ableist ideas in society. He explores the notion that “deviance is evil” by analyzing the possession narratives of Cotton Mather and the modern horror touchstone The Exorcist. He then considers whether “normal is natural” in Aristotle’s Generation of Animals and in the cultural debate over cochlear implants. Finally, he shows how the norm “body is able” operates in Alexander Graham Bell’s writings on eugenics and in the legal cases brought by disabled athletes Casey Martin and Oscar Pistorius. These three simple equivalencies play complex roles within the social institutions of religion, medicine, law, and sport. Cherney concludes by calling for a rhetorical model of disability, which, he argues, will provide a shift in orientation to challenge ableism’s epistemic, ideological, and visual components. Accessible and compelling, this groundbreaking book will appeal to scholars of rhetoric and of disability studies as well as to disability rights advocates.

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A major new history of battle in the ancient world, from the age of Homer through the decline of the Roman empire What set the successful armies of Sparta, Macedon, and Rome apart from those they defeated? In this major new history of battle from the age of Homer through the decline of the Roman empire, J. E. Lendon surveys a millennium of warfare to discover how militaries change—and don’t change—and how an army’s greatness depends on its use of the past. Noting this was an age that witnessed few technological advances, J. E. Lendon shows us that the most successful armies were those that made the most effective use of cultural tradition. Ancient combat moved forward by looking backward for inspiration—the Greeks, to Homer; the Romans, to the Greeks and to their own heroic past. The best ancient armies recruited soldiers from societies with strong competitive traditions; and the best ancient leaders, from Alexander to Julius Caesar, called upon those traditions to encourage ferocious competition at every rank. Ranging from the Battle of Champions between Sparta and Argos in 550 B.C. through Julian’s invasion of Persia in A.D. 363, Soldiers and Ghosts brings to life the most decisive military contests of ancient Greece and Rome. Lendon places these battles, and the methods by which they were fought, in a sweeping narrative of ancient military history. On every battlefield, living soldiers fought alongside the ghosts of tradition—ghosts that would inspire greatness for almost a millennium before ultimately coming to stifle it.

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This collection of short stories, both poignant and skillfully crafted, bring to life the tragic demise of traditional Nubian life and culture. If the earlier dams that were built across the Nile during the first half of the twentieth century caused increasing numbers of the men-folk to migrate north to Cairo and Alexandria to work as servants, waiters, and doormen, the completion of the High Dam in 1964 sounded the death knell. While the temples of Abu Simbel were meticulously relocated at great expense, the drowning of the ancient heartland of the Nubian people along the banks of the Nile went largely unnoticed. Haggag Oddoul’s work, as well as documenting the personal tragedy of individuals caught up in massive social transformation, also casts a nostalgic light on the heritage and way of life of the Nubians: their rhythmic dancing, their beautiful women, the lively humor of their elders, and the enormous centrality of their traditions and the spirits with which they shared the environment. Two stories in this collection, ‘’Zeinab Uburty’’ and ‘’Nights of Musk,’’ offer a bucolic and dream-like insight into the world that has disappeared for ever under the water behind the dam. Meanwhile, two other stories, ‘’Adila, Grandmother’’ and ‘’The River People,’’ document the departure of the men, while the women are left behind to go fallow, and the second and third generations born in the cities of the north have only their grandmother’s tales and her pigeon Arabic to remind them of their heritage.

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"Just as philosophy begins with doubt, so also a life that may be called human begins with irony" so wrote Kierkegaard. While we commonly think of irony as a figure of speech where someone says one thing and means the opposite, the concept of irony has long played a more fundamental role in the tradition of philosophy, a role that goes back to Socrates Ð the originator and exemplar of the urbane ironic life. But what precisely is Socratic irony and what relevance, if any, does it have for us today? Bernstein begins his inquiry with a critical examination of the work of two contemporary philosophers for whom irony is vital: Jonathan Lear and Richard Rorty. Despite their sharp differences, Bernstein argues that they complement one other, each exploring different aspects of ironic life. In the background of Lear’s and Rorty’s accounts stand the two great ironists: Socrates and Kierkegaard. Focusing on the competing interpretations of Socratic irony by Gregory Vlastos and Alexander Nehamas, Bernstein shows how they further develop our understanding of irony as a form of life and as an art of living. Bernstein also develops a distinctive interpretation of Kierkegaard’s famous claim that a life that may be called human begins with irony. Bernstein weaves together the insights of these thinkers to show how each contributes to a richer understanding of ironic life. He also argues that the emphasis on irony helps to restore the balance between two different philosophical traditions philosophy as a theoretical discipline concerned with getting things right and philosophy as a practical discipline that shapes how we ought to live our lives.

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Michael Higgins broadens our understanding of the Seven Wonders of the Ancient World by bringing science, engineering, and technology together with ancient documentation and archaeological findings. The Seven Wonders of the Ancient World (Pyramids of Giza, Hanging Gardens of Babylon, Statue of Zeus at Olympia, Temple of Artemis at Ephesus, Colossus of Rhodes, and the Pharos Lighthouse at Alexandria) have been a source of fascination for more than two thousand years. Even though six of the Wonders are now gone, historians and archaeologists have attempted to explain how and why these ancient monuments were created. However, never before have these attempts been synthesized with the contributions of science, engineering, and technology. In The Seven Wonders of the Ancient World, Michael Higgins combines scientific research together with ancient documentation and archaeological findings to present a rich, multi-layered portrait of each monument. To build a Wonder took advanced social organization and wealth generated by agriculture and trade, both of which depended on regional geography and climate. It also took natural resources, as well as an understanding of the environment where the Wonder would stand. Even the natural processes often responsible for a Wonder's destruction sometimes contributed to the preservation of its ruins. These and other topics are accessibly explored in this book. After using science, engineering, and technology to answer key questions about the Wonders, Higgins speculates on how we could recreate these ancient monuments and make new wonders that could withstand environmental changes and natural disasters for the next two thousand years.

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Volume 12 of the Revolutionary War Series documents Washington's unsuccessful efforts to capitalize on the American victory at Saratoga and his decision to encamp the Continental army for the winter at Valley Forge. The volume opens with the British forces at Philadelphia, where they had returned following the Battle of Germantown, and the Continental army, in Washington's words, ""hovering round them, to distress and retard their operations as much as possible."" Recognizing the importance of restricting communication between General William Howe and the British fleet, Washington dispatched a brigade to New Jersey to assist in the defense of Forts Mifflin and Mercer, key components in the American effort to obstruct the Delaware River. Upon receiving news of the surrender of British general John Burgoyne's army to Major General Horatio Gates at Saratoga, Washington called a council of war to consider his army's options. Although his generals advised against an immediate assault on Philadelphia, Washington perceived an opportunity to defeat Howe and dispatched his aide-de-camp Alexander Hamilton to the northern department to urge upon General Gates the ""absolute necessity"" of sending a ""very considerable"" reinforcement to the main army. If those troops arrived before the British could open a supply route on the Delaware or be reinforced from New York, then the American forces could ""in all probability reduce Genl Howe to the same situation in which Genl Burgoine now is."" There was little further that Washington could do to strengthen the Delaware River defenses, however, and despite the determined efforts of Fort Mifflin's defenders, the Americans were forced to evacuate the fort in mid-November following a sustained bombardment from British land and naval artillery. Moreover, British and Hessian troops from New York arrived before Washington's reinforcement and joined in the British occupation of Fort Mercer a few days later. After the fall of the Delaware River forts, Washington and his generals began extensive deliberations about the related questions of a possible winter campaign and where to quarter the troops for the winter. The generals were nearly unanimous that a winter campaign was not feasible, but they were divided between quartering the troops at Wilmington, Delaware, or in Pennsylvania along a line from Bethlehem to Lancaster. Washington settled on the third option discussed: hutting in the Great Valley of Pennsylvania. Consequently, the volume closes in December with Washington establishing his headquarters at Valley Forge, about twenty miles northwest of Philadelphia.

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Greek Dialogue in Antiquity reexamines evidence for Greek dialogue between the mid-fourth century BCE and the mid-first century CE - that is, roughly from Plato's death to the death of Philo of Alexandria. Although the genre of dialogue in antiquity has attracted a growing interest in the past two decades, the time covered in this book has remained overlooked and unresearched, with scholars believing that for much of this period the dialogue genre went through a period of decline and was revived only in the Roman times. The book carefully reassesses Post-Platonic and Hellenistic evidence, including papyri fragments, which have never been discussed in this context, and challenges the narrative of the dialogue's decline and subsequent revival, postulating, instead, the genre's unbroken continuity from the Classical period to the Roman Empire. It argues that dialogues and texts creatively interacting with dialogic conventions were composed throughout Hellenistic times, and proposes to reconceptualize the imperial period dialogue as evidence not of a resurgence, but of continuity in this literary tradition.

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An illuminating investigation of how aquatint travel books transformed the way Britons viewed the world and their place within it In the late 18th century, British artists embraced the medium of aquatint for its ability to produce prints with rich and varied tones that became even more stunning with the addition of color. At the same time, the expanding purview of the British empire created a market for images of far-away places. Book publishers quickly seized on these two trends and began producing travel books illustrated with aquatint prints of Indian cave temples, Chinese waterways, African villages, and more. Offering a close analysis of three exceptional publications—Thomas and William Daniell’s Oriental Scenery (1795–1808), William Alexander’s Costume of China (1797–1805), and Samuel Daniell’s African Scenery and Animals (1804–5)—this volume examines how aquatint became a preferred medium for the visual representation of cultural difference, and how it subtly shaped the direction of Western modernism.Distributed for the Paul Mellon Centre for Studies in British Art

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In Safe Hands: Rangers' Goalkeeping Greats chronicles the careers of the players who have kept goal for Scotland's most successful football club. From as far back as the days of the founding fathers, Rangers have been blessed with some of the finest goalkeepers in the game. The likes of David Reid, Matthew Dickie, Harry Rennie, Willie Robb, Jerry Dawson, Bobby Brown, George Niven, Billy Ritchie, Peter McCloy, Chris Woods, Andy Goram, Stefan Klos and Allan McGregor have all served the club with distinction. But this book isn't just about the leading lights. Meticulously researched, it explores the Rangers careers of every player to have played in goal for the Gers. The stories are brought to life by personal insights and reflections from past and present Rangers keepers such as Peter McCloy, Jim Stewart, Chris Woods, Lionel Charbonnier, Andy Dibble, Neil Alexander and Allan McGregor. There is also a poignant tribute to the late Andy Goram, arguably the greatest Rangers goalkeeper of all time.

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Now a major Netflix film starring Tessa Thompson, Ruth Negga and Alexander Skarsgård Childhood friends Clare and Irene are both light-skinned enough to pass as white, but only one of them has chosen to cross the colour line and live with the secret hanging over her. Clare believes she had successfully cut herself off from any connection to her past. Married to a racist white man who is oblivious to her African-American heritage, it is vital to her that the truth remains hidden. Irene is living as a middle-class Black woman with her husband and children in Harlem, taking on an important role in her community and embracing her origins. Both women are forced to re-examine their relationships with each other, with their husbands and with the truth, confronting their most closely guarded fears. Nella Larsen's powerful, tragic and acutely observant writing established her as a lodestar of America's Harlem Renaissance. Almost a century later, Passing and its nuanced exploration of the many fraught ways in which we seek to survive remains as timely as ever

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Representations of animality continue to proliferate in various kinds of literary and cultural texts. This pioneering volume explores the critical interface between animal and animality studies, marking out the terrain in relation to 20th-century literature and film. The range of texts considered here is intentionally broad, answering questions like, how do contemporary writers such as Amitav Ghosh, Terry Tempest Williams, and Indra Sinha help us to think about not only animals but also humans as animals? What kinds of creatures are being constructed by contemporary artists such as Patricia Piccinini, Alexis Rockman, and Michael Pestel? How do'animalities'animate such diverse texts as the poetry of two women publishing under the name of'Michael Field', or an early film by Thomas Edison depicting the electrocution of a circus elephant named Topsy? Connecting these issues to fields as diverse as environmental studies and ecocriticism, queer theory, gender studies, feminist theory, illness and disability studies, postcolonial theory, and biopolitics, the volume also raises further questions about disciplinarity itself, while hoping to inspire further work'beyond the human'in future interdisciplinary scholarship.

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This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.

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'Hands-down the best book yet on the Green New Deal' - Jason Hickel The idea of a Green New Deal was launched into popular consciousness by US Congressperson Alexandria Ocasio-Cortez in 2018. It has become a watchword in the current era of global climate crisis. But what - and for whom - is the Green New Deal? In this concise and urgent book, Max Ajl provides an overview of the various mainstream Green New Deals. Critically engaging with their proponents, ideological underpinnings and limitations, he goes on to sketch out a radical alternative: a 'People's Green New Deal' committed to decommodification, working-class power, anti-imperialism and agro-ecology. Ajl diagnoses the roots of the current socio-ecological crisis as emerging from a world-system dominated by the logics of capitalism and imperialism. Resolving this crisis, he argues, requires nothing less than an infrastructural and agricultural transformation in the Global North, and the industrial convergence between North and South. As the climate crisis deepens and the literature on the subject grows, A People's Green New Deal contributes a distinctive perspective to the debate.

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Born in 1995 in Ho Chi Minh City, Eris Tran has led a dream life, one of his own choosing in haute couture fashion illustration. His reputation is international; his clients are among the elite in fashion design; and his drawings are bewitching yet disciplined. He perfectly captures the intricate detail of fabrics, be they delicate silks, bold brocades, or diaphanous sheers. At the same time, Tran combines humour with a touch of the avant-garde, and the effects are both magical and audacious. With more than 200,000 followers on Instagram (@eris_tran), and a favourite of such houses as Alexander McQueen, Dior, Armani, Marchesa, Givenchy, Versace, and many others, including many emerging designers from Asia, Eris Tran interprets haute couture in a style perfectly suited to the times. This, his first book, is a showcase of Tran's stunning work for some of the world's best designers over the past few years. Featuring over 200 colour illustrations and his own commentary throughout, Dressing in Dreams is a book no true connoisseur of high fashion should be without.

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Our current culture is dominated by the ideology of creativity. One is supposed to create the new and not to care about the things as they are. This ideology legitimises the domination of the "creative class" over the rest of the population that is predominantly occupied by forms of care - medical care, child care, agriculture, industrial maintenance and so on. We have a responsibility to care for our own bodies, but here again our culture tends to thematize the bodies of desire and to ignore the bodies of care - ill bodies in need of self-care and social care. But the discussion of care has a long philosophical tradition. The book retraces some episodes of this tradition - beginning with Plato and ending with Alexander Bogdanov through Hegel, Heidegger, Bataille and many others. The central question discussed is: who should be the subject of care? Should I care for myself or trust the others, the system, the institutions? Here, the concept of the self-care becomes a revolutionary principle that confronts the individual with the dominating mechanisms of control.

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Richard Dawkins on how nature and humans have learned to overcome the pull of gravity and take to the skies. 'A masterly investigation of all aspects of flight, human and animal... A beautifully produced book that will appeal across age groups' Alexander McCall Smith 'Dawkins has always been an extraordinarily muscular, persuasive thinker. What feels new here is that he writes with such charm and warmth' The Times Have you ever dreamt you could fly? Or imagined what it would be like to glide and swoop through the sky like a bird? Do you let your mind soar to unknown, magical spaces? Richard Dawkins explores the wonder of flight: from the mythical Icarus, to the sadly extinct but spectacular bird Argentavis magnificens, from the Wright flyer and the 747, to the Tinkerbella fairyfly and the Peregrine falcon. But he also explores flights of the mind and escaping the everyday – through science, ideas and imagination. Fascinating and beautifully illustrated, this is a unique collaboration between one of the world's leading scientists and a talented artist.

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Joining metals is a fundamental process used in all aspects of modern life. It is vital wherever metals are used, which is just about everywhere. Small or large, simple or complex – no mode of transport or method of construction would be possible without the sound understanding of its theory and practice. Written for the home metalworker or model engineer, this book discusses the various methods of joining metals, including strength, testing and applications, and includes useful lessons from historical failures including the sinking of the Titanic, the Flixborough explosion, the capsize of the Alexander L. Keilland offshore platform, the Hyatt Hotel elevated walkway collapse and the Markham Colliery lift bolt failure. With over 100 diagrams and over 200 photographs, this book examines: Mechanical joining: bolting, riveting, clamping - Metallurgical joining: welding, brazing, soldering - Chemical joining: bonding difficult metals - Strength of joints: choice and analysis - Failure of metals and joints: stress, fatigue, corrosion - Design: use of theory and codes to avoid failure, and finally - Testing of metals and joints: destructive and non-destructive (NDT).

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The psychiatrist's couch holds many secrets. Can it also hold the key to a series of brutal murders? The thrilling first novel from the internationally bestselling Master of Suspense. Two murders, one victim murdered in the street in a gruesome but apparently arbitrary attack. The other brutally tortured and left to die in agony. Now it's the turn of psychoanalyst Dr Judd Stevens… In a chilling game of cat and mouse, Judd must become the hunter rather than the hunted if he wants to stay alive. Working with the mindset of a detective, he must analyse his patients, searching for a motive, clues, reasons. Could it be Teri Washburn, Hollywood starlet, thrown out of tinsel town in scandal and now addicted to sex? Could it be Harrison Burke, top business man and disturbed paranoiac? Or could it be Alexander Fallon, a crazed evangelist, convinced that God has chosen him to avenge all sin in the world? In this deadly game, there can only be one winner…If Judd is to survive he must play the game to win. This is Sidney Sheldon's first novel – a gripping, intense thriller that brought him fame as a bestselling novelist.

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A global history of restaurants beyond white tablecloths and ma tre d's, Dining Out presents restaurants both as businesses and as venues for a range of human experiences. From banquets in twelfth-century China to the medicinal roots of French restaurants, the origins of restaurants are not singular--nor is the history this book tells. Katie Rawson and Elliott Shore highlight stories across time and place, including how chifa restaurants emerged from the migration of Chinese workers and their marriage to Peruvian businesswomen in nineteenth-century Peru; how Alexander Soyer transformed kitchen chemistry by popularizing the gas stove, pre-dating the pyrotechnics of molecular gastronomy by a century; and how Harvey Girls dispelled the ill repute of waiting tables, making rich lives for themselves across the American West. From restaurant architecture to technological developments, staffing and organization, tipping and waiting table, ethnic cuisines, and slow and fast foods, this delectably illustrated and profoundly informed and entertaining history takes us from the world's first restaurants in Kaifeng, China, to the latest high-end dining experiences.

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The Seattle Art Museum’s Olympic Sculpture Park, where Alexander Calder’s The Eagle soars over Puget Sound, Roxy Paine’s stainless-steel Split glistens in the rain, and Richard Serra’s Wake beckons visitors to walk within its towering forms, stands out as an exemplary civic project: an urban park open and free to all and a dynamic green space filled with great art. The innovative design turned a former industrial site on Elliott Bay into a remarkable place that not only celebrates the inseparable nature of art, urban infrastructure, and landscape but also captures the majestic character of the Pacific Northwest. Using the park as a model of how public-private partnerships can create innovative civic spaces, this informative and visually stunning book will bring the Olympic Sculpture Park to a broader audience beyond the greater Seattle area and will be a vital resource for museum professionals, architects, urban planners, students, and general art lovers.

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Make fun and simple paper craft projects with this easy origami kit.Ultimate Origami for Beginners Kit is the perfect paper craft kit for origami beginners and children. World-renowned origami designers and artists Michael G. LaFosse and Richard L. Alexander have selected paper folding projects from several popular origami categories that include: traditional origami, modern origami, origami flowers, paper airplanes, cute, cuddly animals and much more! Use Ultimate Origami for Beginners to craft eye-catching origami for your friends, to beautify your home—or as an excellent gift for paper craft lovers. All of the folds are simple enough to be origami-for-kids projects and are a great way to learn origami. None of the projects require paint or glue so just unpack the origami paper and start folding right away!This origami kit contains: A full-colored 62-page origami booklet Clear step-by-step instructions Colorf

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Are you sceptical about the importance of arts and culture, especially about their possible impact on politics and the economy? This volume outlines a new framework for analysis of democratic participation and economic growth and explores how these new patterns work around the world. The new framework joins two past traditions; however, their background histories are clearly separate. Democratic participation ideas come mostly from Alexis de Tocqueville, while innovation/bohemian ideas driving the economy are largely inspired by Joseph Schumpeter and Jane Jacobs. New developments building on these core ideas are detailed in the first two sections of this volume. But these chapters in turn show that more detailed work within each tradition leads to an integration of the two: participation joins innovation. This is the main theme in the book's third section, the buzz around arts and culture organizations, and how they can transform politics, economics, and social life.

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In How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that eve

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Immigrants to the United States have long used the armed forces as a shortcut to citizenship. Cristina-Ioana Dragomir profiles Lily, Alexa, and Vikrant, three immigrants of varying nationalities and backgrounds who chose military service as their way of becoming American citizens. Privileging the trio’s own words and experiences, Dragomir crafts a human-focused narrative that moves from their lives in their home countries and decisions to join the military to their fraught naturalization processes within the service. Dragomir illuminates how race, ethnicity, class, and gender impacted their transformation from immigrant to soldier, veteran, and American. She explores how these factors both eased their journeys and created obstacles that complicated their access to healthcare, education, economic resources, and other forms of social justice. A compelling union of analysis and rich storytelling, Making the Immigrant Soldier traces the complexities of serving in the military in order to pursue the American dream.

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Immigrants to the United States have long used the armed forces as a shortcut to citizenship. Cristina-Ioana Dragomir profiles Lily, Alexa, and Vikrant, three immigrants of varying nationalities and backgrounds who chose military service as their way of becoming American citizens. Privileging the trio’s own words and experiences, Dragomir crafts a human-focused narrative that moves from their lives in their home countries and decisions to join the military to their fraught naturalization processes within the service. Dragomir illuminates how race, ethnicity, class, and gender impacted their transformation from immigrant to soldier, veteran, and American. She explores how these factors both eased their journeys and created obstacles that complicated their access to healthcare, education, economic resources, and other forms of social justice. A compelling union of analysis and rich storytelling, Making the Immigrant Soldier traces the complexities of serving in the military in order to pursue the American dream.

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''A remarkably honest memoir of a life spent pulling people back from death'' - Adam KayIn these stories, Dr Jim Down brings us to the very heart of the intensive care unit - the section of the hospital where the sickest patients are brought to be cared for until their condition improves. With honesty, humility and a streak of dark humour, Dr Down describes the quietly heroic work of doctors and nurses on the ICU, a place which sits at the cutting edge of medical technology and where a split-second decision can make the difference between life and death.From headline-grabbing cases like that of Alexander Litvinenko, poisoned by Russian agents and admitted to Down''s ward, to the appalling aftermath of a train crash, Life in the Balance offers an inside glimpse of intensive care medicine, its immense challenges, deleterious effects on doctors'' mental health and enormous rewards. Its profundity will make you reconsider the fragility of life and reframe y

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On September 1, 1814, under the command of Lt. Gen. Sir George Prevost, nearly 15,000 veteran British troops, fresh from victory over Napoleon, crossed the Canadian-American border—the largest foreign army ever to invade the United States. Opposing the British invasion were Gen. Alexander Macomb and his army of fewer than 5,000 men and the improvised fleet and brilliant strategy of thirty-year-old Lt. Thomas Macdonough. They were on the losing side of a devastating war. By the time the British and Americans clashed on the waters and surrounding shores of Lake Champlain on September 11, 1814, Macomb and Macdonough’s government, pursued by British troops, had fled from a burning Washington. Yet despite the odds, the Americans managed to thwart the world’s strongest naval power in one of the most decisive battles in American history. The source of the documentary film of the same name, The Final Invasion is based on primary research and original discoveries—including previously unknown private diaries and orders, missing since the war. Fair-minded, astute, and passionately engaged with his subject, Col. David G. Fitz-Enz brings to life the immediacy and immensity of the British threat, the bloody reality of naval warfare, and the far-reaching consequences of the American victory against tremendous odds.

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Managing Emerging Technologies for Socio-Economic Impact is an important contribution to both the literature and practice of managing emerging technology. Importantly, this book not only considers the economic impact but also the wider societal impact and benefit. It is recommended reading for all those who aspire to steward emergent technologies into reality.'- Martin Curley, Vice President, Director, Intel Labs Europe, Intel Corporation'This book offers a series of fascinating studies about the emergence of new technologies in different eco-systems of university-industry-government relations.'- Loet Leydesdorff, University of Amsterdam, the Netherlands'The chapters in this exciting new book explore the ways in which new technologies emerge, develop and are then commercialized. The chapters, many of which are by exciting young European scholars, are both theoretically and empirically sophisticated. If the reader is interested in how emerging technologies create socio-economic impact, this book will provide them with unique new insights. I recommend the book to all readers.'- Martin Kenney, University of California, Davis, USThe development of emerging technologies demands a rapidly expanding knowledge base and intensive collaboration across organizational, institutional and cultural borders. This book is the first of its kind to focus on the management of key emerging technologies and their social and economic impact in Europe.Split into four parts, across 17 chapters, the scholars offer multiple levels of analysis concerning the management of emerging technologies across various sectors ranging from nanotechnology, renewable energy and cloud computing to synthetic biology and particle therapy for cancer. They present their research findings in critical areas including:- organizational capabilities for technological innovation in key enabling technologies- collaboration and networking to shape their emergence and progression- strategic challenges for policy makers who influence the sustainable and responsible development of emerging technologies- how such technologies affect work and communication practices in a variety of organizational settings.This book is a must-read for innovation practitioners, academics and policy makers who take interest in the on going debate about how to shape innovation policy and manage emerging technologies.Contributors: A. Alexiou, D.G. Assimakopoulos, A. Carafa, D. Cotta, J.P. Damijan, E. Dolgova, R. Dombrovski, D. van Doren, M. Drenkovska, P. Durgam, A. Es-Sajjade, B. Gao, S. Khanagha, J.P. Madiedo, N. Maya, I. Oshri, D. Pacauskas, K. Pandza, A. Parker, M. Pero, T. Reiss, M. Rossi, F. Salvador, B. Schrempf, J. Sidhu, H.W. Volberda, T.A Wilkins, M. Wolf

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This book traces Moravian educational ideas and practices in the eighteenth century. A transnational fellowship rather than a nation state, the Moravians had established themselves by the early 1740s as an Atlantic community under the leadership of a German count, Nikolaus Ludwig von Zinzendorf. This cosmopolitanism, paralleled only in the aristocratic culture and the expanding network of Masonic lodges, became a natural, self-evident experience of the Moravians in Germany, Holland, England, the Caribbean and North American colonies, and Africa. What made this global educational experience possible? This book answers the question by exploring Moravian education at three different but closely intertwined levels: the place of Moravian education in the eighteenth-century political and intellectual landscape, its attention to the individual development of its members, and its distinctive communal organization. The book is divided into five sections. In the first section, Jon Sensbach explores the Moravians' transnational and Atlantic experiences and lays the groundwork for many of the subsequent essays. Alexander Schunka traces the connections between the ancient Unity of the Brethren and the renewed Moravian Church. In the second section, Julie Tomberlin Weber's innovative work places Moravians in the context of eighteenth-century German cultural history by exploring Lessing's Zinzendorf reception, while Jonathan Yonan situates Moravian experience in eighteenth-century England. Peter Vogt surveys the limitations of Moravian educational thinking. Continuing this exploration in the section on Self, Katherine Faul and Pia Schmid study the educational uses of autobiographies and pastoral listening, while Gisela Mettele analyzes the Moravian practice of autobiographical writing as a collective ritual. The section on Art examines a central component of the varied Moravian educational experience. Sarah Eyerly's and Laurence Libin's essays investigate the role of music and instruments as medium and form of Moravian communal life. Paul Peucker's study shows the varied uses of images in Moravian communities. In conclusion, Heikki Lempa sets the educational practices of the Moravians in the larger context of the eighteenth-century world.

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