Search results for ""author joyce"

The Sixth Doctor and new companion Constance Clarke encounter the Doctor's old enemy the Rani - who has some problems of her own: Miasimia Goria was a quiet planet, an ancient world of bucolic tranquillity...until the Rani arrived with ideas of her own. She planned to create a race of new gods...gods that she could keep on her leash, but those plans went horribly wrong. Now, she languishes in the high security of Teccaurora Penitentiary, consigned there by her arch enemy and old student colleague, the Doctor. But the Rani, always resourceful, ever calculating, knows things about the Doctor's past that he would rather forget. She wants revenge, even if it takes a hundred years...and then she has other unfinished business. The ruins of Miasimia Goria await...This is the first of a new run of stories with Colin Baker as the Doctor, a role he's been playing for Big Finish since 1999. New companion Constance Clarke is played by Miranda Raison, a familiar face from British stage and screen including Spooks, Poirot, Merlin, Doctor Who and 24: Live Another Day...Arch nemesis the Rani - a conscience-less Time Lord - is played by Siobhan Redmond, from BBC's Between the Lines, Taggart, Holby City and cult hit The High Life. CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Siobhan Redmond (The Rani), James Joyce (Raj Kahnu/Guard), Olivia Poulet (Pazmi), Dominic Thorburn (Brejesh/Security Leader), Tim Bentinck (Chowdras/Governor), Chris Porter (Degoor/Montain).

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed away and he impulsively retired from his job in anticipation of an inheritance cheque that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his takeway leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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Long overdue, this first comprehensive survey spans three decades of Simmons’ richly layered, socially engaged art Covering 30 years of sculptures, paintings, works on paper, large-scale wall drawings, installations and site-specific works, this book presents the art of Gary Simmons, one of the most respected artists of his generation. Since the late 1980s, Simmons has played a key role in situating questions of race, class and gender identity within art discourse. He is notable for combining pop-cultural imagery with conceptual artistic strategies to expose and analyze histories of racism inscribed in US visual culture. Over the course of his career, Simmons has revealed traces of these histories in the fields of sports, cinema, literature, music, and architecture and urbanism while drawing on popular genres such as hip-hop, horror and science fiction. His approach is cool and unflinching in its interrogation of historical and cultural narratives, yet the results consistently deliver a strong emotional charge. This publication offers readers the opportunity to gain a holistic understanding of the complex, profoundly moving work of this influential artist. Gary Simmons was born in 1964 in New York City, where he was raised. Today he lives and works in Los Angeles. He received a BFA in 1988 from the School of Visual Arts, New York, and an MFA in 1990 from the California Institute of the Arts, Valencia; he also studied at Hunter College, New York. He has received numerous awards, including the Studio Museum in Harlem Joyce Alexander Wein Prize (2013), the George Gund Foundation USA Gund Fellowship (2007) and the National Endowment for the Arts Interarts Grant (1990).

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Seamus Heaney & the End of Catholic Ireland takes off from the poet’s growing awareness in the new millennium of “something far more important in my mental formation than cultural nationalism or the British presence or any of that stuff—namely, my early religious education.” It then pursues an examination of the full trajectory of Heaney’s religious beliefs as represented in his poetry, prose, and interviews, with a briefer account of the interactive religious histories of the Irish and international contexts in which he lived. Thus, in the 1940s and 50s, Heaney was inducted into the narrow, punitive, but also enabling Catholicism of the era. In the early 1960s he was witness to the lively religious debates from the Anglican Bishop of Woolwich’s Honest to God to the seismic disruptions of Vatican II. When the conflict in Northern Ireland between Catholics and Protestants broke out, Heaney was forced to dig deep for an imaginative understanding of its religious roots. From the 1980s on, Heaney more and more proclaimed his own religious loss while also recognizing the institution’s residual value in an Irish society of rising prosperity, weariness with the atrocities of a partly religion-inspired IRA, and beset by the scandals of sex abuse among the clergy. Kieran Quinlan sees Heaney as an exemplar of this period of major change in Ireland as he engaged the religious issue not only in major writers such as James Joyce, W. B. Yeats, T. S. Eliot, Wallace Stevens, Philip Larkin, and Czeslaw Mi?osz, but also in a diverse array of less familiar commentators lay and clerical, creative and academic, believers and unbelievers, Irish and international. Breaking new ground by expanding the scope of Heaney’s religious preoccupations and writing in an accessible, reflective, and sometimes provocative manner, Quinlan’s study places Heaney in his universe, and that universe in turn in its wider intellectual setting.

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Winner: AAIS First Book Prize Old Schools marks out a modernist countertradition. The book makes sense of an apparent anachronism in twentieth-century literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in progressive pedagogical theories. Advocates of progressive education turned against Latin in particular. The dead language—taught through time-tested means including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. Yet McGlazer’s remarkable book reminds us that progressive education was championed not only by political progressives, but also by Fascists in Italy, where it was an object of Gramsci’s critique. Building on Gramsci’s pages on the Latin class, McGlazer shows how figures in various cultural vanguards, from Victorian Britain to 1970s Brazil, returned to and reimagined the old school. Strikingly, the works that McGlazer considers valorize this school’s outmoded techniques even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for critique in the very practices that progressive reformers sought to clear away. Registering the past’s persistence even while they respond to the mounting pressures of modernization, writers and filmmakers from Pater to Joyce to Pasolini retain what might look like retrograde attachments—to tradition, transmission, scholastic rites, and repetitive forms. But the counter-progressive pedagogies that they devise repeat the past to increasingly radical effect. Old Schools teaches us that this kind of repetition can enable the change that it might seem to impede.

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'Stunningly good' Michael Burleigh, Evening Standard, Books of the Year 2017 A Financial Times Best Book of 2017'A shrewd and knowing book.' Robert D. Kaplan, The Wall Street Journal'A compelling and impressive read.' The Economist'Skillfully crafted and well-argued.' Jeffrey Wasserstrom, Financial Times'An excellent modern history. . . . provides the context needed to make sense of the region's present and future.' Joyce Lau, South China Morning PostThe dramatic story of the relationship between the world's three largest economies, one that is shaping the future of us all, by one of the foremost experts on east AsiaFor more than half a century, American power in the Pacific has successfully kept the peace. But it has also cemented the tensions in the toxic rivalry between China and Japan, consumed with endless history wars and entrenched political dynasties. Now, the combination of these forces with Donald Trump's unpredictable impulses and disdain for America's old alliances threatens to upend the region, and accelerate the unravelling of the postwar order. If the United States helped lay the postwar foundations for modern Asia, now the anchor of the global economy, Asia's Reckoning will reveal how that structure is now crumbling.With unrivalled access to archives in the US and Asia, as well as many of the major players in all three countries, Richard McGregor has written a tale which blends the tectonic shifts in diplomacy with the domestic political trends and personalities driving them. It is a story not only of an overstretched America, but also of the rise and fall and rise of the great powers of Asia. The confrontational course on which China and Japan have increasingly set themselves is no simple spat between neighbors. And the fallout would be a political and economic tsunami, affecting manufacturing centers, trade routes, and political capitals on every continent.

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'An utterly delightful book to read, Dreyer's English will stand among the classics on how to use the English language properly.' ELIZABETH STROUT'A complete joy. For those who care about words - and for those who don't - Dreyer's English is the book we have all been waiting for. Wise, funny, no-nonsense, stylish and brilliantly practical.' RACHEL JOYCE_____________An indispensable, New York Times-bestselling guide to the craft of writing from Random House's long-time copy chief and one of Twitter's leading language gurus.We all write, all the time: books, blogs, tweets, emails, emails, emails - and we all want to write better. Benjamin Dreyer is here to help.As copy chief of Random House, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike - not to mention his followers on social media - for playfully, brilliantly deconstructing the English language. Dreyer's English is the distillation of everything he has learned from copyediting thousands of books, the perfect guide not just for writers but for everyone who wants to put their best prose foot forward.Both authoritative and amusing, Dreyer's English offers lessons on punctuation, from the underloved semicolon to the enigmatic en-dash; the rules and non-rules of grammar, including why it's OK to begin a sentence with 'And' or 'But' and to confidently split an infinitive; and why it's best to avoid the doldrums of the Wan Intensifiers and Throat Clearers, including 'very', 'rather', 'of course', and the dreaded 'actually'. And yes: 'Only godless savages eschew the Oxford comma.'Stuffed with advice, insider wisdom, and fun facts, this book will prove to be invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and - perhaps best of all - an utter treat for anyone who simply revels in language._____________This book is written in British English._____________'Benjamin Dreyer's brilliant, pithy, incandescently intelligent book is to contemporary writing what Geoffrey Chaucer's poetry was to medieval English: a gift that broadens and deepens the art and the science of literature' JON MEACHAM'A fascinating guide to grammatical 'rights' and 'wrongs' - practical and useful' SEBASTIAN FAULKS, SUNDAY TIMES'A pleasing read for anyone who has an appreciation for the written word.' TIME MAGAZINE, BEST 10 NON-FICTION BOOKS OF 2019'Witty and piquant [...] full of jokes - and equally full of deliciously deprecating footnotes.' JEWISH CHRONICLE'Playful, smart, self-conscious, and personal . . . One encounters wisdom and good sense on nearly every page of Dreyer's English.' WALL STREET JOURNAL'A mind-blower--sure to jumpstart any writing project, just by exposing you, the writer, to Dreyer's astonishing level of sentence-awareness.' GEORGE SAUNDERS, author of Lincoln in the Bardo'Benjamin Dreyer is wise and bitterly experienced and fantastically good company. You should buy his book and read it.' TIMES LITERARY SUPPLEMENT'Boisterously well written ... I recommend it highly.' INDEPENDENT'Dreyer promises to reveal "some of the fancy little tricks I've come across or devised that can make even skilled writing better", and does so with accuracy, style, and humour' GUARDIAN'This work is that rare writing handbook that writers might actually want to read straight through, rather than simply consult.' PUBLISHERS WEEKLY

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One of the greatest, most entertaining reading experiences in any language, Marcel Proust's In Search of Lost Time Vol. 1: The Way by Swann's is published in a new translation from the French by Lydia Davis in Penguin Classics.The Way by Swann's is one of the great novels of childhood, depicting the impressions of a sensitive boy of his family and neighbours, brought dazzlingly back to life by the famous taste of a madeleine. It contains the separate short novel, A Love of Swann's, a study of sexual jealousy that forms a crucial part of the vast, unfolding structure of In Search of Lost Time. This book established Proust as one of the greatest voices of the modern age - satirical, sceptical, confiding and endlessly varied in his responses to the human condition.Since the original pre-war translation Remembrance of Things Past by C. K. Scott Moncrieff and Terence Kilmartin, there has been no completely new rendering of Proust's French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. As the great story unfolds from its magical opening scenes to its devastating end, it is this Penguin Classics edition of In Search of Lost Time that makes Proust accessible to a new generation.Marcel Proust (1871-1922) is generally viewed as the greatest French novelist and perhaps the greatest European novelist of the 20th century. He lived much of his later life as a reclusive semi-invalid in a sound-proofed flat in Paris, giving himself over entirely to writing his masterpiece In Search of Lost Time (À la recherche du temps perdu).If you enjoyed In Search Of Lost Time, you might like James Joyce's Ulysses, also available in Penguin Modern Classics.'The latest Penguin Proust is a triumph, and will bring this inexhaustible artwork to new audiences throughout the English-speaking world'Sunday Telegraph

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'My literary hero is John Dos Passos' - Adam Curtis (filmmaker) 'A modernist masterpiece, capturing ... the fragmented lives it sketches, in a dazzling kaleidoscope of New York City in the 1920s' Christopher Hudson, Evening Standard'Dos Passos has invented only one thing, an art of story-telling. But that is enough to create a universe' Jean-Paul Sartre'The best modern book about New York'D.H. LawrenceA modernist masterwork that has more in common with films than traditional novels, John Dos Passos' Manhattan Transfer includes an introduction by Jay McInerney in Penguin Modern Classics.A colourful, multi-faceted chronicle of New York in the early 1920s, Manhattan Transfer ranks with James Joyce's Ulysses as a powerful and often lyrical meditation on the modern city. Using experimental montage techniques borrowed from the cinema, vivid descriptions and bursts of overheard conversation, and the jumbled case histories of a picaresque cast of characters from dockside crapshooters to high-society flappers, Dos Passos constructs a brilliant impressionistic portrait of New York City as a great futuristic machine filled with motion, drama and human tragedy. John Dos Passos (1896-1970) was born in Chicago, the son of an eminent lawyer. After graduating from Harvard he served in the US Army Medical Corps during the First World War, and dabbled in journalism before embarking on life as a writer. In 1925 he published Manhattan Transfer, his first experimental novel in what was to become his peculiar style - a mixture of fact and fiction. His began a series of panoramic epics of American life with the USA trilogy, using the same technique and tracing, through interwoven biographies, the story of America from the early twentieth century to the onset of the Great Depression in 1929.

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Examines Gabriele D'Annunzio to re-evaluate cultural exchange and the political dimensions of global decadence and modernism First book to examine Gabriele D'Annunzio's work from a global perspective and within World Literature paradigms Transnational and cross-disciplinary focus: unveils D'Annunzio's investment in multilingualism, including dialect and translingual writing, as well as the influence of issues of mobility and migration, colonialism and politics on the global reception of his works Introduces a polycentric view of D'Annunzio by bringing together chapters written by scholars from 12 countries (Italy, France, Belgium, Austria, Spain, UK, US, Canada, Russia, Egypt, Argentina, Japan), whose work in many cases appears in English for the first time Unveils the crucial role of D'Annunzio's translators as cultural mediators and examines translations and adaptations as politically charged practices Redefines D'Annunzio scholarship through a transnational lens, while also making a crucial contribution to studies of global decadence by demonstrating the role of Italian decadence in international networks of literary and artistic exchange Gabriele D'Annunzio was an internationally renowned artist and one of the most prominent public figures in Italy in the late nineteenth and early twentieth centuries. His novels and poetry stirred the enthusiasm of James Joyce and Henry James in the English-speaking world and his repute stretched far beyond in France, Austria-Hungary, Russia, Japan and South America, D'Annunzio became a pivotal node in the broad networks of decadent exchange. This volume offers an overview of the global dynamics of D'Annunzio's work, from his engagement with multilingualism and translingual writing to the international circulation and reception of his production. Featuring chapters by international scholars, it re-evaluates D'Annunzio with a critical eye and a transnational scope and offers a global assessment of the place that Dannunzian decadence holds in the constitution of a conflicted movement one that is profoundly cosmopolitan and yet also problematically nationalistic.

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NOW A NETFLIX LIMITED SERIES, COMING VALENTINE'S DAY 2022 'An absolute scorcher' Evening Standard'The book about infidelity that has shaken up Italy'The Times'Intimate and ultimately moving... completely absorbing'Daily Mail'A gripping novel exploring the tensions in an apparently idyllic marriage' Financial Times 'A must-read'Sydney Morning Herald'Devotion thrilled me, made me think and moved me deeply... Irresistible'Jonathan Safran FoerCarlo, a part-time professor of creative writing, and Margherita, an architect-turned-real estate-agent: a happily married couple in their mid-thirties, perfectly attuned to each other's restlessness. They are in love, but they also harbour desires that stray beyond the confines of their bedroom: Carlo longs for the quiet beauty of one of his students, Sofia; Margherita fantasises about the strong hands of her physiotherapist, Andrea.But it is love, with its unassuming power, which ultimately pulls them from the brink, aided by Margherita's mother Anna, the couple's anchor and lighthouse - a wise, proud seamstress hiding her own disappointments.But after eight years of repressed desires and the birth of a son, when the past resurfaces in the form of books sent anonymously, will love be enough to save them? A no. 1 international bestsellerWinner of the Premio Strega GiovaniShortlisted for the Premio Strega'Powerful, delicate, exquisite' Claudio Magris 'Masterful... The ending is just as good as that of Joyce's The Dead' Corriere della Sera'You'll feel like taking refuge in this book and never leaving its confines' La Stampa'With all-encompassing writing, Marco Missiroli opens the rooms of his characters and the streets of Milan, the thoughts and the concealed desires, makes dialogue and silences reverberate with the spontaneity of great narrators' Il Foglio

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The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation." Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Black artists’ work and emphasizes the need to understand Black art as a distinctive category of cultural production. She launches an important intervention into European histories of modern and contemporary art and visual culture as well as into debates within African American studies, African diasporic studies, and Black British studies.Artists featured: Larry Achiampong Hurvin Anderson Benny Andrews Rasheed Araeen Jean-Michel Basquiat Zarina Bhimji Sutapa Biswas Frank Bowling Sonia Boyce Vanley Burke Chila Kumari Burman Eddie Chambers Thornton Dial Godfried Donkor Kimathi Donkor Sokari Douglas Camp Melvin Edwards Mary Evans Nicola Frimpong Joy Gregory Bessiey Harvey Mona Hatoum Lubaina Himid Lonnie Holley Gavin Jantjes Claudette Johnson Tam Joseph Roshini Kempadoo Juginder Lamba Hew Locke Steve McQueen Chris Ofili Keith Piper Ingrid Pollard Thomas J. Price Noah Purifoy Faith Ringgold Donald Rodney Betye Saar Joyce J. Scott Yinka Shonibare Gurminder Sikand Marlene Smith Maud Sulter Barbara Walker Kara Walker Carrie Mae Weems Deborah Willis Hank Willis Thomas Lynette Yiadom-Boakye

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Has the passing of the old God paved the way for a new kind of religious project, a more responsible way to seek, sound, and love the things we call divine? Has the suspension of dogmatic certainties and presumptions opened a space in which we can encounter religious wonder anew? Situated at the split between theism and atheism, we now have the opportunity to respond in deeper, freer ways to things we cannot fathom or prove. Distinguished philosopher Richard Kearney calls this condition ana-theos, or God after God-a moment of creative "not knowing" that signifies a break with former sureties and invites us to forge new meanings from the most ancient of wisdoms. Anatheism refers to an inaugural event that lies at the heart of every great religion, a wager between hospitality and hostility to the stranger, the other--the sense of something "more." By analyzing the roots of our own anatheistic moment, Kearney shows not only how a return to God is possible for those who seek it but also how a more liberating faith can be born. Kearney begins by locating a turn toward sacred secularity in contemporary philosophy, focusing on Maurice Merleau-Ponty and Paul Ricoeur. He then marks "epiphanies" in the modernist masterpieces of James Joyce, Marcel Proust, and Virginia Woolf. Kearney concludes with a discussion of the role of theism and atheism in conflict and peace, confronting the distinction between sacramental and sacrificial belief or the God who gives life and the God who takes it away. Accepting that we can never be sure about God, he argues, is the only way to rediscover a hidden holiness in life and to reclaim an everyday divinity.

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'Raw, elemental and beautiful.' Telegraph'This is quite simply the best book about motherhood I have ever read.' - Eleanor Mills in the Sunday Times Mother to five children, Clover Stroud has navigated family life across two decades, both losing and finding herself. In her touching, provocative and profoundly insightful book, she captures a sense of what motherhood really feels like - how intense, sensuous, joyful, boring, profound and dark it can be.My Wild and Sleepless Nights examines what it means to be a mother, and reveals with unflinching honesty the many conflicting emotions that this entails: the joy and the wonder, the loneliness and despair. MORE PRAISE FOR CLOVER STROUD:'Clover's expertise is writing about family life in a way that feels both new and entirely familiar' - Pandora Sykes'As tender, blazing, funny and unflinching as the love it describes. I want to give this triumphant book to every mother I know' - Rachel Joyce'Stroud is always willing to rip open her very soul in order to reveal the truth about her life - and every time a woman tells the truth like this, it sets another woman free' - Elizabeth Gilbert'I read in one greedy gulp and am still slightly reeling. Extraordinary writing... For mothers and those even vaguely interested in family dynamics it is fascinating' - Alexandra HeminsleyCharting the course of one year, the first in her youngest child's life, Clover searches for answers to questions that many of us would be too afraid to admit to - not only about motherhood, but also about female sexuality and identity. Her story will speak to all mothers, and anyone about to embark on that journey.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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Originally published in 1989. In this companion volume to the acclaimed Pure Lives, Reed Whittemore probes the often-complex motives behind the relationships of modern biographers to their subjects. Whittemore's description of biography's uneven path toward comprehensive character study begins with Thomas Carlyle, whose biography of Frederick the Great broke with tradition by tracing the roots of its subject's character to childhood trauma. (A strict disciplinarian, Frederick's father once considered having his rebellious teenage son executed.) Whittemore examines the work of Leslie Stephen, the Dictionary of National Biography's first editor, who admired Carlyle but disliked his style—and was convinced that Carlyle disliked him. And in a chapter on Sigmund Freud, Whittemore traces the revolution in writing biography that began with Freud's speculations on the nature and origin of Leonardo da Vinci's homosexuality. Few have escaped Freud's influence. While Leon Edel argues that biographers should not psychoanalyze their subjects, his biography of Henry James does precisely that. Richard Ellman tempers his impulse for Freudian probing of Joyce, Yeats, and Oscar Wilde with the explication of their often difficult works. Kenneth Lynn's recent biography of Hemingway takes the opposite approach. "The Hemingway industry," Whittemore explains, "is like Marilyn Monroe's in having much of the sensational in it, including suicide, so that the problems of having to deal with Hemingway as a writer, good or bad, can always be put on the back burner for a few chapters while Hemingway the braggart and liar performs." Thomas Parton and Benjamin Franklin, Virginia Woolf and Elizabeth Barrett Browning, Erik Erikson and Martin Luther, biographers and their subjects continue to engage our attention. Whole Lives offers an informative—and refreshingly informal—look at one of the most enduringly popular genres.

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Jeffrey Dahmer. Ted Bundy. John Wayne Gacy. Over the past thirty years, serial killers have become iconic figures in America, the subject of made-for-TV movies and mass-market paperbacks alike. But why do we find such luridly transgressive and horrific individuals so fascinating? What compels us to look more closely at these figures when we really want to look away? Natural Born Celebrities considers how serial killers have become lionized in American culture and explores the consequences of their fame.David Schmid provides a historical account of how serial killers became famous and how that fame has been used in popular media and the corridors of the FBI alike. Ranging from H. H. Holmes, whose killing spree during the 1893 Chicago World's Fair inspired The Devil in the White City, right up to Aileen Wuornos, the lesbian prostitute whose vicious murder of seven men would serve as the basis for the hit film Monster, Schmid unveils a new understanding of serial killers by emphasizing both the social dimensions of their crimes and their susceptibility to multiple interpretations and uses. He also explores why serial killers have become endemic in popular culture, from their depiction in The Silence of the Lambs and The X-Files to their becoming the stuff of trading cards and even Web sites where you can buy their hair and nail clippings.Bringing his fascinating history right up to the present, Schmid ultimately argues that America needs the perversely familiar figure of the serial killer now more than ever to manage the fear posed by Osama bin Laden since September 11. "This is a persuasively argued, meticulously researched, and compelling examination of the media phenomenon of the 'celebrity criminal' in American culture. It is highly readable as well."—Joyce Carol Oates

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Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works. The work of the late-Romantic Swiss composer Othmar Schoeck (1886-1957) has in recent years enjoyed a surge of interest. His 300 songs with piano accompaniment are now all on CD, as are his orchestral song cycles and five of his eight stage works. Yet despite an impressive discography featuring names such as Dietrich Fischer-Dieskau, Lucia Popp and Ian Bostridge, no biographical study of Schoeck has ever been available in English. Chris Walton, authorof Richard Wagner in Zurich: The Muse of Place, charts the turbulent course of Schoeck's life and career with care and candor, from a rampant youth to midlife monogamy and an old age ravaged by fears of neglect. He tracesSchoeck's relationships to musicians such as Max Reger, Ferruccio Busoni, Wilhelm Furtwängler, Paul Hindemith, and Igor Stravinsky, and to writers Thomas Mann, Hermann Hesse, and James Joyce. New light is also shed on Schoeck's uneasy relationship with Nazi Germany and its culmination, for him, in public humiliation and private catastrophe. As an accompanist, Schoeck was an arch-Romantic master of rubato; as a conductor, he was a fervent champion of the new; and in his compositions, he moved from late-Romanticism through a modernist vortex to emerge in full mastery of an individual musical language both sensuous and stringent. In this thorough new biography, Waltonplaces Schoeck the man and the artist squarely in the context of his time. Chris Walton is Extraordinary Professor at the University of Stellenbosch in South Africa and Managing Director of the Orchestre Symphonique Bienne in Switzerland. He is the recipient of the 2010 Max Geilinger Prize honoring exemplary contributions to the literary and cultural relationship between Switzerland and the English-speaking world.

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The best wine and food pairings create harmony among unexpected flavors. Chardonnay, Riesling, and Merlot are classic pairing choices, but less conventional grape varieties like Albarino, Grenache, Gruner Veltliner, Malbec, and Tempranillo are becoming increasingly popular, coveted by those with curious palates and a taste for good value. In "Daring Pairings", the adventurous companion to the acclaimed "Perfect Pairings", Master Sommelier Evan Goldstein shows how anyone can bring these emerging, exciting varieties to the table. He ventures into wine's new frontiers, exploring the flavors and pairing potential of thirty-six distinctive grapes from around the world, including Argentina, Spain, Italy, Greece, and France. In his entertaining and approachable style, Goldstein offers advice on crafting unforgettable wine and food pairings, suggests wines for everyday and special occasions, and recommends producers and importers. Thirty-six star chefs present recipes specially tailored to Goldstein's wine selections, and full-color photographs display these dishes in delectable splendor. This authoritative, down-to-earth guide reveals that pairing food and wine is no great mystery - anyone willing to explore or experiment can create bold and memorable combinations. It comes with recipes and commentary from: Nate Appleman, Dan Barber, Ben Barker, Paul Bartolotta, Michelle Bernstein, Floyd Cardoz, Robert Del Grande, Tom Douglas, Suzanne Goin, Joyce Goldstein, Christopher Gross, Fergus Henderson, Gerald Hirigoyen, Philippe Jeanty, Douglas Keane, Hubert Keller, Loretta Keller, David Kinch, Evan Kleiman, Mourad Lahlou, Michael Leviton, Emily Luchetti, Laurent Manrique, Lachlan M. Patterson, Cindy Pawlcyn, Anne S. Quatrano, Michael Romano, Susan Spicer, Frank Stitt, Craig Stoll, Ethan Stowell, Charlie Trotter, Larry Tse, Richard Vellante, Vikram Vij, and, Kate Zuckerman.

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Modernist literature at the end of the British empire challenges conventional notions of homeland, heritage, and community.Finalist of the MSA First Book Prize by The Modernist Studies AssociationThe waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished. In The Obsolete Empire, Philip Tsang brings together an unusual constellation of writers—Henry James, James Joyce, Doris Lessing, and V. S. Naipaul—to trace an aesthetics of frustrated attachment that emerged in the wake of imperial decline. Caught between an expansive Britishness and an exclusive Englishness, these writers explored what it meant to belong to an empire that did not belong to them.Thanks to their voracious reading of English fiction and poetry in their formative years, all of these writers experienced a richly textured world with which they deeply identified but from which they felt excluded. The literary England they imagined, frozen in time and out of place with the realities of imperial decline, in turn figures in their writings as a repository of unconsummated attachments, contradictory desires, and belated exchanges. Their works arrest the linear progression from colonial to postcolonial, from empire to nation, and from subject to citizen. Drawing on a rich body of scholarship on affect and temporality, Tsang demonstrates how the British empire endures as a structure of desire that outlived its political lifespan. By showing how literary reading sets in motion a tense interplay of intimacy and exclusion, Tsang investigates a unique mode of belonging arising from the predicament of being conscripted into a global empire but not desired as its proper citizen. Ultimately, The Obsolete Empire asks: What does it mean to be inside or outside any given culture? How do large-scale geopolitical changes play out at the level of cultural attachment and political belonging? How does literary reading establish or unsettle narratives of who we are? These questions preoccupied writers across Britain's former empire and continue to resonate today.

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'Quirky, compelling and thoroughly enjoyable' Kate Ellis'A super start to the series' Frances Brody'An entertaining murder mystery . . . witty' L C Tyler'This quirky, fast-paced crime mystery is magically entertaining' - Dundee Courier A dazzling dawn breaks over the Stonehenge midwinter solstice, where the assembled new-age revellers are horrified to discover a green-painted human hand dangling from beneath a mound of snow, high on one of the stone lintels.Leading the investigation into this peculiar death is DI Shanti Joyce and her partner, Vincent Caine. To Shanti's chagrin the pair have become known as 'the go-to team for weird stuff in the West Country' and this festive fatality is the mother and Father Christmas of odd and ritualistic crimes.Amidst the swirling flurries of Salisbury Plain, the unlikely duo discover that the deceased is none other than Hector Lovell-Finch, the eccentric Earl of Lovell Court, known to all as 'Finch' - and who also happens to be the father of the notoriously right-wing MP, Quentin Lovell-Finch.It is no secret that relations between father and son have become decidedly frosty since Finch's acrimonious divorce from Quentin's mother, his conversion to environmentalism, and second marriage to an indigenous Brazilian environmentalist half his age. Now there is the icy issue of who will inherit the ancient Lovell-Finch Estate.To make things more complicated, single mum Shanti has faithfully promised her son, Paul a magical Christmas with all the trimmings. Can this most knotty of English murders be untwined in just five days? And will the unlikely detective duo celebrate the season with merriment, mindfulness and mistletoe?Praise for Laurence Anholt'... A quirky, surprising read... it transports you to the heart of Glastonbury festival... 5*' UK Crime Book Club'...Startlingly original and funny' Sidmouth Herald

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The Pale King is David Foster Wallace's final novel - a testament to his enduring brillianceThe Internal Revenue Service Regional Examination Centre in Peoria, Illinois, 1985. Here the minutaie of a million daily lives are totted up, audited and accounted for. Here the workers fight a never-ending war against the urgency of their own boredom. Here then, squeezed between the trivial and the quotidian, lies all human life. And this is David Foster Wallace's towering, brilliant, hilarious and deeply moving final novel.'Breathtakingly brilliant, funny, maddening and elegiac' New York Times'A bravura performance worthy of Woolf or Joyce. Wallace's finest work as a novelist' Time'Light-years beyond Infinite Jest. Wallace's reputation will only grow, and like one of the broken columns beloved of Romantic painters, The Pale King will stand, complete in its incompleteness, as his most substantial fictional achievement' Hari Kunzru, Financial Times'A paradise of language and intelligence' The Times'Archly brilliant' Metro'Teems with erudition and ideas, with passages of stylistic audacity, with great cheerful thrown-out gags, goofy puns and moments of truly arresting clarity. Innovative, penetrating, forcefully intelligent fiction like Wallace's arrives once in a generation, if that' Daily Telegraph'In a different dimension to the tepid vapidities that pass as novels these days. Sentence for sentence, almost word for word, Wallace could out-write any of his peers' Scotland on SundayDavid Foster Wallace wrote the novels Infinite Jest and The Broom of the System, and the short-story collections Oblivion, Brief Interviews with Hideous Men and Girl with Curious Hair. His non-fiction includes Consider the Lobster, A Supposedly Fun Thing I'll Never Do Again, Everything and More, This is Water and Both Flesh and Not. He died in 2008.

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"Riveting ...vibrant and unsparing." --Publishers Weekly (starred and boxed review) "Superb...Startlingly original." --Library Journal (starred review) "Once I started reading these stories, I couldn't stop. They absorbed me thoroughly, with their taut narratives and evocative language--the language of a poet." --JAY PARINI, author of Jesus: The Human Face of God and The Last Station "Sherwood Anderson would recognize this world of lonely, longing characters, whose surface lives Coffey tenderly plumbs. These beautiful stories--spare, rich, wise and compelling--go to the heart." --FREDERIC TUTEN, author of Self Portraits: Fictions and Tintin in the New World "Whether [Coffey is] writing about a sinning priest or a man who's made a career out of branding or about himself, we can smell Coffey's protagonists and feel their breath on our cheek. Like Chekhov, he must be a notebook writer; how else to explain the strange quirks and the perfect but unaccountable details that animate these intimate portraits?" --EDMUND WHITE, author of Inside a Pearl and A Boy's Own Story Among these eight stories, a fan of writer (and fellow adoptee) Harold Brodkey gains an audience with him at his life's end, two pals take a Joycean sojourn, a man whose business is naming things meets a woman who may not be what she seems, and a father discovers his son is a suspect in an assassination attempt on the president. In each tale, Michael Coffey's exquisite attention to character underlies the brutally honest perspectives of his disenchanted fathers, damaged sons, and orphans left feeling perpetually disconnected. Michael Coffey is the author of three books of poems and 27 Men Out, a book about baseball's perfect games. He also co-edited The Irish in America, a book about Irish immigration to America, which was a companion volume to a PBS documentary series. He divides his time between Manhattan and Bolton Landing, New York. The Business of Naming Things is his first work of fiction.

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Innovation is a core issue for public services and is a key element of public services reform - particularly in this age of austerity where policymakers urge the need to 'innovate to do more with less'. This comprehensive and accessible Handbook explores the potential for creating efficient and effective public services.Leading researchers from across the globe review the state-of-the-art in research on innovation in public services, providing an overview of key issues from a multi-disciplinary perspective. Topics explored include: context for innovation in public services and public service reform; managerial change challenges; ICT and e-government; and collaboration and networks. The theory is underpinned by seven wide-ranging case studies of innovation in practice.Taking the field forward and providing a baseline for future research, this highly unique and original Handbook will prove essential reading for academics, researchers, students, policymakers and practitioners across the fields of innovation, public policy, social policy and public management.Contributors include: D. Alexander, R. Andrews, S. Baines, J. Barlow, C. Barton-Sweeney, V. Bekkers, G.A. Boyne, J.M. Bryson, K. Brown, M. Carter, C. Chew, B.C. Crosby, M. Considine, I. Cunningham, J. Edler, M. Farr, S. Goldfinch, T. Greenhalgh, J. Hartley, G. Harvey, B. Head, B. Jæger, A. Johnston, P. Joyce, R. Keast, T. Kinder, J.M Lewis, C. Longley, L.E. Lynn, Jr., F. Lyon, K. McLaughlin, M.P. Mandell, M. Macaulay, F. Macfarlane, M. Martin, V. Mele, I. Miles, D. Nickson, H. Noke, D. Norris, Z. Radnor, M.L. Rhodes, N.C. Roberts, K. Strokosch, J.M Svara, J. Torfing, E. Uyarra, R.M. Walker, J. Wallis, J. Waterhouse, R. Wilson, P. Windrum

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'I wonder what I have to do for people to recognise me as a threat. Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a mark?' Irina takes erotic photos of average-looking men. Always behind the lens, she watches, she moulds, and she stalks. These boys are putty in her hands, just the way she likes it. When the opportunity to show her photographs in a fashionable London gallery coincides with a new boy to obsess over, cracks begin to appear. How far can she push her new prey for the perfect shot, or has she already gone too far? Based on the critically acclaimed debut novel by Eliza Clark, which was a finalist for the Women's Prize Futures Award, Boy Parts is a pitch-black psychological thriller that subverts the erotic gaze and asks what happens when our need for connection gets twisted. This stage adaptation for one actor by Gillian Greer was premiered in 2023 at Soho Theatre, London, in a co-production between Metal Rabbit Productions and Soho Theatre, and directed by Sara Joyce. Praise for Eliza Clark's novel: 'Hilariously sardonic… Will make most readers howl with laughter and/or shut their eyes in horror' Guardian 'A carnival funhouse ride: terrifying, feverish, hilarious' Julia Armfield 'Boundaries are for breaking and if anyone can crash through and reinterpret the fear of our time, Eliza Clark can' Mslexia 'Hallucinogenic, electric and sharp' Jessica Andrews 'Delightfully and deviously rooted in the now with its delectable internet and culture references and evocative and real-feeling portrait of women' Dazed 'Smart, stylish, and very funny' Lara Williams 'Explores the darkest corners of artistic practice, sexuality and violence with bold wit and fearlessness. A dazzling, horrifying debut' Irish Times

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From the award-winning biographer of Chaucer, the story of his most popular and scandalous character, from the Middle Ages to #MeTooEver since her triumphant debut in Chaucer’s Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers—from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath, Marion Turner tells the fascinating story of where Chaucer’s favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison’s fictional story alongside the lives of real medieval women—from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison’s post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.Entertaining and enlightening, funny and provocative, The Wife of Bath is a one-of-a-kind history of a literary and feminist icon who continues to capture the imagination of readers.

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The book demonstrates the hopeful stance the young take in response to ordinary suffering and significant trauma when adults talk with them about their losses. Its underlying themes convey the truth that loss and recovery are normal in the process of growing to maturity. It examines the strength of the child’s capacity for resilience through partnerships with adults who allow children to focus on the loss and tell the story of its meaning to someone who really hears it. The authors agree that adults need to perceive their own losses so that their attentiveness to the young is informed by wisdom that comes through self-understanding, but also agree that many adults do not offer that help to children because they believe it will make matters worse.The book reveals this fear as a false notion by dealing with childhood traumas such as acquired disability, warfare, HIV/AIDS, death of one’s parents and cultural dislocation. The authors are experienced practitioners who provide practical and theoretical insight into the dynamics of loss and recovery. The book offers hope for those who live and work with children and youth through its studied approach to addressing loss by describing young people’s potential to work towards wholeness even in the face of fundamental losses to their security.This book was published as a special issue of the International Journal of Children's Spirituality.

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This is the thoroughly revised and updated edition of the best-selling guide for families of children who have been molested. First published in 1988, this new edition includes current research and information on the nature and effects of molestation on boys and girls, as well as proven techniques for therapy, healing, and recovery. Using everyday language, the authors provide information, comfort, and advice on how to put the pieces back together again after a child has been sexually molested.

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How can prenatal testing help your patients? In utero diagnosis has undergone an amazing revolution in recent years. More tests are available; the indications for prenatal diagnosis have expanded - you can now advise your patients about disorders you could not have previously detected. Medical training for obstetricians, medical geneticists, and genetic counselors has not kept pace with these developments. Clinical exposure to common and unusual problems in prenatal diagnosis is limited. Prenatal Diagnosis: Clinical Cases and Challenges, based on the authors’ several decades of experiences, fills this gap. Real cases portray diagnostic problems as a route to the underlying biology, the available testing options, and the results that might be obtained. The authors discuss the challenges of management, interpretation, and counseling. Cases used throughout emphasize three types of clinical problems: Chromosomal abnormalities Mendelian disorders Fetal structural abnormalities The decision to enter the world of prenatal diagnosis should be very carefully considered by any prospective mother. Prenatal Diagnosis: Clinical Cases and Challenges will help you discuss the issues in an informed manner with your patients.

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Human rights impact assessment (HRIA) has increasingly gained traction among state, business and civil society actors since the endorsement of the United Nations Guiding Principles on Business and Human Rights by the Human Rights Council in 2011. This timely and insightful Handbook addresses HRIA in the context of business and human rights. Employing state-of-the-art analysis of current practice, the contributors offer a dynamic overview of contemporary approaches to HRIA, looking ahead to its future trajectories. Chapters present key methodological concepts and new theoretical developments, comparing different approaches from project to sector and governance level. Collectively, these critical appraisals shed light on the role that HRIA can play in addressing the adverse human rights impacts of business activities and fostering sustainable development. Featuring extensive analysis of HRIA practice in a range of industrial contexts and global regions, this Handbook provides crucial insight for practitioners working with impact assessment, human rights, and sustainable development, as well as businesses, investors, government actors and multilateral institutions promoting responsible business conduct. Academics and others investigating human rights and impact assessments in business contexts will also benefit from this book's comprehensive analysis of theoretical developments in HRIA research. Contributors include: T. Bansal, S. Baumgartner, C. Brodeur, E. Buergi Bonanomi, R. Cleland, T.M. Collins, K.Y. Cordes, L.F. de Angulo, R. DeWinter-Schmitt, C. Doyle, G. Factor, B. Feiring, A. González Cavazos, N. Götzmann, J. Harrison, R.F. Jørgensen, S. Joyce, J. Loots, C. Lopez, S. McInerney-Lankford, B. Meyersfeld, I. Musselli, K. Salcito, C. Scheper, S. Szoke-Burke, I. Tamir, J.R. Tedaldi, N. ten Oever, D. Utlu, C.B. Veiberg, M. Wachenfeld, S. Walker, E. Wrzoncki, Y. Wyss, S. Zoen

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“Reader, my ‘library’ is not what it sounds”, says the columnist Raul Butler-Singh, writing a piece in the Trinidad Guardian in 2077 to argue that making heterosexuality illegal “may be attended with some inconvenience”. Like his character’s borrowing from J. Swift, Anton Nimblett raids his library and tampers artfully with its sound. In “Spouter Inn”, he reimagines the classic opening of Moby Dick (where Ishmael shares a bed with Queequeg and has the best night’s sleep ever) and imagines the tattoed harpoonist’s backstory that Melville never wrote. In “Something Promised”, Nimblett makes the ultimately odious Mr. Slime in George Lamming’s classic In the Castle of My Skin into quite a different kind of person, a gentle gay man who reflects, “Nobody never ask, What it is that make Mr Slime happy, eh?” In “Perseverence Village”, David Das shares much of the outward circumstance of V.S. Naipaul’s Mr Biswas – except that his most profound experience is a gay sexual encounter in his teens. But Nimblett does not only revisit the absences of past fiction; a wide range of characters are caught in the midst of their missions for self-knowledge, such as Anglican Joyce who wonders how much she has actually chosen her path away from her Spiritual Baptist roots, or Errol who discovers that “If a man pays close enough attention, he finds there is a place, one place, where he is most himself” – which for Errol is his taxi. These are stories that repay close attention. Nimblett is a writer who listens for the background notes, who knows “people not easy, not even the people who look like you”, who knows “you would get fool if you believe simple is easy, or simple not important”. Whether set in rural Trinidad or urban New York, these stories will enhance Anton Nimblett’s reputation as one of the most generous and humane of observers of human life, male or female, gay or straight.

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Calling culture lovers: sample music, films and books from 120 countries without leaving your armchair. Perfect preparation for travellers or simply a satisfying journey into the unknown, this book lists the five most interesting books and movies from each country, plus its top ten tunes. Be introduced to American jazz, French new wave cinema, Irish poetry and more. Discover a little of each countries’ life and soul through each recommendation by Lonely Planet’s experts.In-depth double page spread features examine iconic genres, artists and movements from a variety of countries: Belgium: Tintin England: The Beatles France: New Wave Cinema Germany: Love Parade Portugal: Fado Republic of Ireland: James Joyce Cuba: Cuban Son Mexico: New Mexican Cinema USA: Jazz New Zealand: Maori Renaissance Japan: Anime South Korea: K-Pop With coverage of countries that range from Argentina to Zimbabwe, this hardcover book is suited to travellers and culture enthusiasts, or as a great gift to a loved one to inspire them to dream of their next journey.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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A 2021 INDIE NEXT PickA Women's National Book Association 2021 Great Group Read "With this novel, Kim Hooper has created magic from the seemingly impossible. In her hands, the gossamer threads that tie three perfect strangers to each other following a shared tragedy, become nothing less than a transformative bond of human connection. Honest, brave, messy and unsparing, her characters are fearless pioneers in the darkness, and ultimately shed light for us on the most precious gift of all…life after loss." –Brad Silberling, Writer/Director of Moonlight Mile, Director of City of Angels When Angie is awakened by a midnight call from an officer with the Boise Police Department, she thinks there must be a misunderstanding. The officer tells her that her husband was involved in a shooting at a local bar, but how can that be possible when her husband is sleeping right next to her? Except when she turns to wake him, he isn’t there. Tessa is the twenty-three-year-old bartender who escapes to a backroom storage closet during the shooting. When it comes to light that five people were killed, she is burdened with the question of why she survived. Joyce wakes up to a knock at her front door, a knock she assumes is her wayward son, Jed, who must have lost his keys. It’s not Jed, though. Two police officers tell her that Jed is dead, shot at the bar. Then they deliver even worse news: “We have reason to believe your son was the shooter.” So begins the story of three women tied together by tragic fate—a wife trying to understand why her now-comatose husband was frequenting a bar in the middle of the night, the young woman who her husband was apparently pursuing, and a mother who is forced to confront the reality of who her son was and who she is.

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A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers. Alfred Döblin (1878-1957) was one of the great German-Jewish writers of the 20th century, a major figure in the German avant-garde before the First World War and a leading intellectual during the Weimar Republic. Döblin greatly influenced the history of the German novel: his best-known work, the best-selling 1929 novel Berlin Alexanderplatz, has frequently been compared in its use of internal monologue and literary montage to James Joyce's Ulysses and John Dos Passos's Manhattan Transfer . Döblin's oeuvre is by no means limited to novels, but in this genre, he offered a surprising variety of narrative techniques, themes, structures, and outlooks. Döblin's impact on German writers after the Second World War was considerable: Günter Grass, for example, acknowledged him as "my teacher." And yet, while Alexanderplatz continues to fascinate the reading public, it has overshadowed therest of Döblin's immense oeuvre. This volume of carefully focused essays seeks to do justice to such important texts as Döblin's early stories, his numerous other novels, his political, philosophical, medical, autobiographical, and religious essays, his experimental plays, and his writings on the new media of cinema and radio. Contributors: Heidi Thomann Tewarson, David Dollenmayer, Neil H. Donahue, Roland Dollinger, Veronika Fuechtner, Gabriele Sander, Erich Kleinschmidt, Wulf Koepke, Helmut F. Pfanner, Helmuth Kiesel, Klaus Müller-Salget, Christoph Bartscherer, Wolfgang Düsing. Roland Dollinger is Associate Professor of German at Sarah Lawrence College; Wulf Koepke is Professor Emeritus of German at Texas A&M University; Heidi Thomann Tewarson is Professor of German at Oberlin College.

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Innovation is a core issue for public services and is a key element of public services reform - particularly in this age of austerity where policymakers urge the need to 'innovate to do more with less'. This comprehensive and accessible Handbook explores the potential for creating efficient and effective public services.Leading researchers from across the globe review the state-of-the-art in research on innovation in public services, providing an overview of key issues from a multi-disciplinary perspective. Topics explored include: context for innovation in public services and public service reform; managerial change challenges; ICT and e-government; and collaboration and networks. The theory is underpinned by seven wide-ranging case studies of innovation in practice.Taking the field forward and providing a baseline for future research, this highly unique and original Handbook will prove essential reading for academics, researchers, students, policymakers and practitioners across the fields of innovation, public policy, social policy and public management.Contributors include: D. Alexander, R. Andrews, S. Baines, J. Barlow, C. Barton-Sweeney, V. Bekkers, G.A. Boyne, J.M. Bryson, K. Brown, M. Carter, C. Chew, B.C. Crosby, M. Considine, I. Cunningham, J. Edler, M. Farr, S. Goldfinch, T. Greenhalgh, J. Hartley, G. Harvey, B. Head, B. Jæger, A. Johnston, P. Joyce, R. Keast, T. Kinder, J.M Lewis, C. Longley, L.E. Lynn, Jr., F. Lyon, K. McLaughlin, M.P. Mandell, M. Macaulay, F. Macfarlane, M. Martin, V. Mele, I. Miles, D. Nickson, H. Noke, D. Norris, Z. Radnor, M.L. Rhodes, N.C. Roberts, K. Strokosch, J.M Svara, J. Torfing, E. Uyarra, R.M. Walker, J. Wallis, J. Waterhouse, R. Wilson, P. Windrum

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"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

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"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

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Prepare for practice with this essential text dedicated to Canadian legal and ethical issues! Focused solely on the ever-changing, and often complex health care landscape in Canada, Ethical & Legal Issues in Canadian Nursing, 5th Edition expertly covers the often intertwined ethical and legal issues that health care professionals face today. This edition includes discussions of Indigenous legal and ethical perspectives, the legal and ethical challenges related to SARS-CoV-2, case studies for the Next-Generation NCLEX®, and much more. Plus, the clear and straightforward writing style presents information just as you will encounter it in your day-to-day practice, ensuring you're even more prepared to make an impact from the start! Clear and straightforward writing style in a visually appealing design, presents information in the way that you will encounter ethical and legal issues in day-to-day practice. Comprehensive coverage of the latest legislation, nursing standards, guidelines, references, trends, principles, theories, and models. Case scenarios, tables, and figures help to illustrate complex topics and pertinent concepts. Case scenarios encourage critical thinking, discussion, and debate. Cross-country examples of regulatory and legal issues cover a large number of provinces and territories. Critical Thinking: Discussion Points at the end of every chapter test your comprehension. Key terms are indicated in bold type and are further defined and explained in the Glossary. UPDATED! Thoroughly revised and expanded coverage of top-of-mind ethical and legal topics concerning vulnerable populations; Indigenous (Joyce Echaquan Inquiry), refugees, and LGBTQ2 persons; advancing technologies and telemedicine; evolving scopes of practice of various categories of nurses; Medical Assistance in Dying (MAiD); and much more. NEW! Coverage of Indigenous legal and ethical perspectives and ways of knowing and understanding related to health, health care, and decision making. NEW! Up-to-date information on legal and ethical challenges in the time of SARS-CoV-2. NEW! Case studies for the Next-Generation NCLEX® on the companion Evolve website.

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This volume of Studies in Eighteenth-Century Culture explores the revolutions in culture, politics, and art that took place throughout the eighteenth century. The first section of the book focuses on the role that women played in both the formation and the expression of culture, whether as manufacturers or consumers. The second group of essays studies images of the body in popular drama, literature, and art, while the third is devoted to politics and religion, dealing specifically with the questions of ethnicity and loyalty brought up by rebellion and revolution. The book concludes with two essays about landscape art and its implications for legitimizing slavery and constructing the colonial fantasy. Contents:Franca Barricelli, "Imperial Mythologies: Ethnicity and Rebellion on the Eighteenth-Century Venetian Stage"Jennie Batchelor, "Fashion and Frugality: Eighteenth-Century Pocket Books for Women"William Chew, "Yankees Caught in the Crossfire: The Trials and Travails of Americans in Revolutionary and Napoleonic France"John Crowley, "Picturing the Caribbean in the Global British Landscape"Paola Giuli, "Women Poets and Improvisers: Cultural Assumptions and Literary Values in Arcadia"D. B. Haley, "Was Dryden a 'Cryptopapist' in 1681?" Joyce MacDonald, "Public Wounds: Sexual Bodies and the Origins of State in Nathaniel Lee's Lucius Junius Brutus"Rebecca Messbarger, "Re-membering a Body of Work: Master Anatomist Anna Morandi Manzolini"Johann Reusch, "Exotic Islands and the Stranded Traveler in the Works of Caspar David Friedrich and Gotthard Ludwig Kosegarten"Leslie Richardson, "'Who Shall Restore My Lost Credit': Rape, Reputation, and the Marriage Market"Betty Schellenberg, "Making Good Use of History: Sarah Robinson Scott in the Republic of Letters"Geraldine Sheridan, "Views of Women at Work by the Royal Academicians: The Collection Descriptions des arts et metiers"Joanna Stalnaker, "Painting Life, Describing Death: Epistemology and Poetics of Description in Buffon's Histoire Naturelle"Candace Ward, "'Cruel Disorder': Female Bodies, Eighteenth-Century Fever Narratives, and the Novel of Sensibility"

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Black Scholars on the Line: Race, Social Science, and American Thought in the Twentieth Century explores the development of American social science by highlighting the contributions of those scholars who were both students and objects of a segregated society. The book asks how segregation has influenced, and continues to influence, the development of American social thought and social science scholarship. Jonathan Scott Holloway and Ben Keppel present the work of thirty-one black social scientists whose work was published between the rise of the Tuskegee model of higher education and the end of the Black Power Era. Even though they had to fashion their careers outside of their respective fields' mainstream, the intellectuals featured here produced scholarship that helped define the contours of the social sciences as they evolved over the course of the twentieth century. Theirs was the work of pioneers, now for the first time gathered in one anthology. After a comprehensive introduction and survey of the selections to follow, Holloway and Keppel present the founding parents of African American social science, including excerpts from Alexander Crummell, Anna Julia Cooper, and others. They then examine contributions from the first real generation of professionally trained black scholars such as W. E. B. Du Bois. The interactions between cultural production and social scientific knowledge are examined through the work of various scholars, including Alain Locke and Zora Neale Hurston. The volume then explores the scholarship produced by the leading progressive social scientists of the day on issues of race and class and examines social scientific scholarship that put African American struggles in an international context. The book concludes by presenting the scholarship of, among others, Hylan Lewis, Joyce Ladner, and William Julius Wilson, which most effectively highlights the complex state of “raced” social science thought during the age of desegregation in academia.

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William Troy (1903-1961) was a highly regarded literary critic during the 1930s and 1940s. Among his contemporaries, he ranked with Edmund Wilson, Kenneth Burke, and F. O. Matthiessen. Indeed, in the preface to the posthumous, 1968 publication of his Selected Essays, which won a National Book Award, Allen Tate placed Troy among the handful of the best critics of this century. Troy's criticism was informed by an intelligence so balanced that, where many theoreticians took up positions in logical traps, he easily avoided them. At the very moment when scholars and critics were either treating literature like polemics or investigating ideas as if belles-lettres were a sub-category of history or philosophy, Troy acknowledged both the centrality of literary ideas and their distinction from ideas in other forms. When confronted with a text, he analysed it with a firm sense of its inherent meaning and of its cultural implications, in a style that expresses seriousness of commitment precisely and clearly. The Bookman presents a selection of Troy's remaining writings on such major literary figures as Henry James, e. e. cummings, Ernest Hemingway, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Andre Gide, William Faulkner, James Joyce, Albert Camus, Jean Cocteau, Willa Cather, W. H. Auden, Virginia Woolf, and Emile Zola. Troy produced a body of work that is timeless, permanent, and exemplary -- perhaps as much as, if not more so than, the work of such other critical contemporaries of his as the Anglo-Americans Yvor Winters, I. A. Richards, William Empson, George Jean Nathan, and R. P. Blackmur. Published in conjunction with Film Nation: William Troy on the Cinema, 1933-1935 (ISBN 978-1-78976-173-3), The Bookman is clear evidence of Troy's role as one of the foremost critics of his age. Inclusion of a substantive index makes the work an essential and accessible gateway to a wide range of literary criticism.

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THE THIRD NOVEL IN THE RECORD-BREAKING, MILLION-COPY BESTSELLING THURSDAY MURDER CLUB SERIES.YOU KNOW WHO WILL LOVE RECEIVING THIS FOR CHRISTMAS? EVERYONE!----------'Full of Osman's trademark charm, insight and intelligence' Lee Child'Tender, hopeful and funny' Marian Keyes'I adored this thrilling adventure. His best yet!' Claire Douglas'Infectious, charming and full of heart' Gillian McAllisterIt is an ordinary Thursday and things should finally be returning to normal.Except trouble is never far away where the Thursday Murder Club is concerned. A decade-old cold case leads them to a local news legend and a murder with no body and no answers.Then a new foe pays Elizabeth a visit. Her mission? Kill...or be killed.As the cold case turns white hot, Elizabeth wrestles with her conscience (and a gun), while Joyce, Ron and Ibrahim chase down clues with help from old friends and new. But can the gang solve the mystery and save Elizabeth before the murderer strikes again?----------WHAT PEOPLE ARE SAYING ABOUT THE THURSDAY MURDER CLUB SERIES'Infectious, charming and full of heart' GILLIAN MCALLISTER'I adored this thrilling adventure. His best yet!' CLAIRE DOUGLAS'Another witty, charming and hugely entertaining read ... his best yet' SUNDAY EXPRESS'A joy to be back...intrigue, red herrings and loads of charm' GOOD HOUSEKEEPING'I snickered so much reading this one' THE OBSERVER'Opening the new Osman is like sitting down to dinner with treasured friends you know are going to kill you - deliciously!' PETER JAMES'Full of humour and heart, Osman delivers another must-read. I loved it' HARLAN COBEN'A warm, wise and witty warning never to underestimate the elderly' VAL MCDERMID'So smart and funny. Deplorably good' IAN RANKIN'Thrilling, moving, laugh-out-loud funny' MARK BILLINGHAM

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Reminiscent of her classic story 'The Lottery', Jackson's disturbing and darkly funny first novel exposes the underside of American suburban life.'Her books penetrate keenly to the terrible truths which sometimes hide behind comfortable fictions, to the treachery beneath cheery neighborhood faces and the plain manners of country folk; to the threat that sparkles at the rainbow's edge of the sprinkler spray on even the greenest lawns, on the sunniest of midsummer mornings' Donna TarttIn Pepper Street, an attractive suburban neighbourhood filled with bullies and egotistical bigots, the feelings of the inhabitants are shallow and selfish: what can a neighbour gain from another neighbour, what may be won from a friend? One child stands alone in her goodness: little Caroline Desmond, kind, sweet and gentle, and the pride of her family. But the malice and self-absorption of the people of Pepper Street lead to a terrible event that will destroy the community of which they are so proud. Exposing the murderous cruelty of children, and the blindness and selfishness of adults, Shirley Jackson reveals the ugly truth behind a 'perfect' world.Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48.'An amazing writer' Neil Gaiman'Shirley Jackson is one of those highly idiosyncratic, inimitable writers ... whose work exerts an enduring spell' Joyce Carol Oates'An unburnished exercise in the sinister' The New York Times

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'Tragically funny, with moments of clarity and wisdom, Newman writes loss and laughter in equally brilliant amounts.' BONNIE GARMUS'Nora-Ephron-style wit...comforting, so funny, moving... one of my favourite books ever' MARIAN KEYES'Dazzling, heart-wrenching, snorty-hilarious... An utter joy to read' RACHEL JOYCE'An absolute masterpiece in characterisation... utterly beautiful.' JOANNA CANNON_______Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes, 'Edi's memory is like the back-up hard drive for mine.'So when Edi is diagnosed with cancer, Ash's world reshapes around the rhythms of Edi's care, from making watermelon ice cubes to music therapy; from snack smuggling to impromptu excursions into the frozen winter night. Because life is about squeezing the joy out of every moment, about building a powerhouse of memories, about learning when to hold on, and when to let go.For fans of Nora Ephron and Sorrow & Bliss, We All Want Impossible Things is a deeply moving, jubilant celebration of life and friendship at its imperfect, radiant, and irreverent best._____'You'll stay up late devouring every word' KATHERINE HEINY'One of the best novels on friendship I've ever read' AJ PEARCE'I absolutely adored this...what a beautiful, emotional novel' JILL MANSELL'Shot through with whip-smart humour and boundless compassion. It's one of the best debuts I've read in a long time.' HANNAH BECKERMAN

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A dazzling dawn breaks over the Stonehenge midwinter solstice, where the assembled new-age revellers are horrified to discover a green-painted human hand dangling from beneath a mound of snow, high on one of the stone lintels.Leading the investigation into this peculiar death is DI Shanti Joyce and her partner, Vincent Caine. To Shanti's chagrin the pair have become known as 'the go-to team for weird stuff in the West Country' and this festive fatality is the mother and Father Christmas of odd and ritualistic crimes.Amidst the swirling flurries of Salisbury Plain, the unlikely duo discover that the deceased is none other than Hector Lovell-Finch, the eccentric Earl of Lovell Court, known to all as 'Finch' - and who also happens to be the father of the notoriously right-wing MP, Quentin Lovell-Finch.It is no secret that relations between father and son have become decidedly frosty since Finch's acrimonious divorce from Quentin's mother, his conversion to environmentalism, and second marriage to an indigenous Brazilian environmentalist half his age. Now there is the icy issue of who will inherit the ancient Lovell-Finch Estate.To make things more complicated, single mum Shanti has faithfully promised her son, Paul a magical Christmas with all the trimmings. Can this most knotty of English murders be untwined in just five days? And will the unlikely detective duo celebrate the season with merriment, mindfulness and mistletoe?Praise for Solstice of Death'Quirky, engrossing and can be devoured at any time' Devon LifePraise for Laurence Anholt'A super start to the series' Frances Brody'An entertaining murder mystery . . . witty' L C Tyler'This quirky, fast-paced crime mystery is magically entertaining' Dundee Courier 'Quirky, compelling and thoroughly enjoyable' Kate Ellis

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His first novel, Don DeLillo's Americana passionately articulates the neurotic landscape of contemporary American life through a disintegrating embodiment of the American dream.Prosperous, good-looking and empty inside, 28-year-old advertising executive David Bell appears on the surface to have everything. But he is a man on the brink of losing his sanity. Trapped in a Manhattan office with soulless sycophants as his only company, he makes an abrupt decision to leave New York for America's mid-west. His plan: to film the small-town lives of ordinary people and make contact with the true heart of his homeland. But as Bell puts his films together in his hotel room, he grows increasingly convinced that there is no heart to find. Modern America has become a land that has reached the end of its reel...Don DeLillo (b.1936) was born and raised in New York City. Americana (1971), his first novel, announced the arrival of a major literary talent, and the novels that followed confirmed his reputation as one of the most distinctive and compelling voices in late-twentieth-century American fiction. DeLillo's comic gifts come to the fore in White Noise (1985), which won the National Book Award, Underworld (1997), hailed by Martin Amis as 'the ascension of a great writer', Cosmopolis (2003), adapted into a film by David Cronenberg, due to be released later this year, and Falling Man (2007), a novel about the aftereffects of the 9/11 terrorist attacks in New York.If you enjoyed Americana, you might like DeLillo's Libra, also available in Penguin Modern Classics.'He's a writer who, once you read him, makes you want to read everything he's done'Martin Amis, Sunday Times'Witty, clever and incisive ... a marvellously realized plot'Time Out'Nearly every sentence of Americana rings true ... DeLillo is a man of frightening perception'Joyce Carol Oates

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Modernist literature at the end of the British empire challenges conventional notions of homeland, heritage, and community.Finalist of the MSA First Book Prize by The Modernist Studies AssociationThe waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished. In The Obsolete Empire, Philip Tsang brings together an unusual constellation of writers—Henry James, James Joyce, Doris Lessing, and V. S. Naipaul—to trace an aesthetics of frustrated attachment that emerged in the wake of imperial decline. Caught between an expansive Britishness and an exclusive Englishness, these writers explored what it meant to belong to an empire that did not belong to them.Thanks to their voracious reading of English fiction and poetry in their formative years, all of these writers experienced a richly textured world with which they deeply identified but from which they felt excluded. The literary England they imagined, frozen in time and out of place with the realities of imperial decline, in turn figures in their writings as a repository of unconsummated attachments, contradictory desires, and belated exchanges. Their works arrest the linear progression from colonial to postcolonial, from empire to nation, and from subject to citizen. Drawing on a rich body of scholarship on affect and temporality, Tsang demonstrates how the British empire endures as a structure of desire that outlived its political lifespan. By showing how literary reading sets in motion a tense interplay of intimacy and exclusion, Tsang investigates a unique mode of belonging arising from the predicament of being conscripted into a global empire but not desired as its proper citizen. Ultimately, The Obsolete Empire asks: What does it mean to be inside or outside any given culture? How do large-scale geopolitical changes play out at the level of cultural attachment and political belonging? How does literary reading establish or unsettle narratives of who we are? These questions preoccupied writers across Britain's former empire and continue to resonate today.

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Winner: AAIS First Book Prize Old Schools marks out a modernist countertradition. The book makes sense of an apparent anachronism in twentieth-century literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in progressive pedagogical theories. Advocates of progressive education turned against Latin in particular. The dead language—taught through time-tested means including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. Yet McGlazer’s remarkable book reminds us that progressive education was championed not only by political progressives, but also by Fascists in Italy, where it was an object of Gramsci’s critique. Building on Gramsci’s pages on the Latin class, McGlazer shows how figures in various cultural vanguards, from Victorian Britain to 1970s Brazil, returned to and reimagined the old school. Strikingly, the works that McGlazer considers valorize this school’s outmoded techniques even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for critique in the very practices that progressive reformers sought to clear away. Registering the past’s persistence even while they respond to the mounting pressures of modernization, writers and filmmakers from Pater to Joyce to Pasolini retain what might look like retrograde attachments—to tradition, transmission, scholastic rites, and repetitive forms. But the counter-progressive pedagogies that they devise repeat the past to increasingly radical effect. Old Schools teaches us that this kind of repetition can enable the change that it might seem to impede.

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