Search results for ""author joyce"

Tracking how design has changed in previous book Design Transitions has inevitably led the authors to explore how organisations are changing using design. Design is now the key driver of innovation and change within organisations across the globe. It is therefore important to learn how, when and why to use design to drive change in your organisation. Transformations documents how design is being used to support change across different organisations, countries and sectors, sharing the stories of experts in their fields at varying stages of their transformative journeys. The authors present seven roles for change that are used to influence the development of products and services, the shape of the organisation itself and, most importantly, their ability to embrace change. These seven roles can transform organisations to be more innovative, human-centred and resilient: Cultural Catalyst; Framework Maker; Humaniser; Power Broker; Friendly Challenger; Technology Enabler and Community Builder. Well-documented case studies offer readers insight into how design strategies can be successfully activated in different types of organisation. The seven roles offer both designers and non-designers a common language and framework to support design-driven transformation. Transformations, in the right hands, is a potent tool to understand, shape and implement design-driven change.

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**WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021****A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR**'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020)'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' - The Sunday Times'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*)'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*)'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*)'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan'His stories are always a joy.' - Ian Rankin'I'm a card-carrying admirer of Peter Ross.' - Robert Macfarlane'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner'A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand.' - The Big Issue (*Best Books 2020*)'A celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving.' - The Herald'Beautifully written and strangely life affirming.' - Norman Blake, Teenage Fanclub For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.So push open the rusting gate, push back the ivy, and take a look inside...

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Volume 8 of Advances in Global Leadership includes timely and impactful chapters on various concepts and processes associated with leading across cultures and other boundaries. In these times of accelerating complexity and global inter-connectedness, a deeper understanding of the multiple contextual, organizational, and individual variables and processes associated with effective international leadership is ever more important. This volume, drawing on authors from many different cultures and contexts, contributes to bridging and integrating conceptual and practitioner perspectives in pursuing this deeper understanding.

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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This innovative introductory textbook explores the central practices and beliefs of Hinduism through contemporary, everyday practice. Introduces and contextualizes the rituals, festivals and everyday lived experiences of Hinduism in text and images Includes data from the author’s own extensive ethnographic fieldwork in central India (Chhattisgarh), the Deccan Plateau (Hyderabad), and South India (Tirupati) Features coverage of Hindu diasporas, including a study of the Hindu community in Atlanta, Georgia Each chapter includes case study examples of specific topics related to the practice of Hinduism framed by introductory and contextual material

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This innovative introductory textbook explores the central practices and beliefs of Hinduism through contemporary, everyday practice. Introduces and contextualizes the rituals, festivals and everyday lived experiences of Hinduism in text and images Includes data from the author’s own extensive ethnographic fieldwork in central India (Chhattisgarh), the Deccan Plateau (Hyderabad), and South India (Tirupati) Features coverage of Hindu diasporas, including a study of the Hindu community in Atlanta, Georgia Each chapter includes case study examples of specific topics related to the practice of Hinduism framed by introductory and contextual material

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When he was seventeen, Sam Kelly met Paul Robeson, who asked him, “What are you doing for the race?” That question became a challenge to the young Kelly and inspired him to devote his life to helping others. Sam Kelly’s story intersects with major developments in twentieth-century African American history, from the rich culture of the Harlem Renaissance and the integration of the U.S. Army to the civil rights movement and the political turmoil of the 1960s. Kelly recounts his childhood in Greenwich, Connecticut, and his visits to Harlem. He describes his rise from army private to second lieutenant between 1944 and 1945, his bitter encounters with racism while wearing his army uniform in the South, his participation in the U.S. occupation of Japan, and his role in the desegregation of the army in 1948. In his rise to colonel, Kelly was a training and operations officer who helped create the post–Korean War rapid-response deployment army that would later fight in Vietnam and Iraq. As an educator, Dr. Sam earned the respect of the Black Panthers who took his African American history courses. In 1970, he became the first vice president for the Office of Minority Affairs and the first major African American administrator at the University of Washington. For six years, he led one of the strongest programs in the nation dedicated to integrating students of color at a major university. After retiring from the University of Washington at the age of sixty-five, Dr. Sam continued his work for black Americans by beginning a new career as a teacher and administrator at an alternative high school in Portland, Oregon. This remarkable book shares the difficulties in his personal life, including the birth of his special needs son, Billy; the unsuccessful struggle of his wife, Joyce, against breast cancer; and the challenges facing an interracial family. Before he died in 2009, he was proud to witness the election of Barack Obama as the first African American president, a fulfillment of his lifelong dream that the nation would recognize the rights and dignity of all citizens. Watch the book trailer: https://www.youtube.com/watch?v=udknuKbOmnE

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Donna Noble has come home. But she's about to be whisked away by aliens - and they're not as friendly as the Doctor! After the trauma of the Library, Donna wants a break, to see old friends and family, to remind herself of normality. Only Donna's new normal involves trips through time and space and visiting alien worlds. So when she and BFF Nat start looking into strange abductions, they are dragged into a whole new universe of trouble... 1. Out of this World by Jacqueline Rayner. Donna's home, but she's not quite herself. Sylvia has some ideas to bring her out of herself - involving an old friend, and speed-dating... As schoolgirl BFFs Donna and Natalie get reacquainted, a mysterious stranger dogs their steps. Is the Doctor keeping tabs on her, or is the truth far more sinister? 2. Spinvision by John Dorney. Donna and Nat have been stolen - along with the TARDIS - and they find themselves crashlanding on an alien world. On the planet Valdacki a very successful invasion is already underway. And it's one that has the very best PR. 3. The Sorcerer of Albion by James Goss. Trying to get home, Donna and Nat end up in the right place at the wrong time - the Middle Ages! A monastery is under siege from the Burning Knights, and the great Sorcerer Parval calls on the assistance of another great mage. He has summoned Merlin herself - or as Nat knows her, Donna Noble! 4. The Chiswick Cuckoos by Matt Fitton. Donna's home, but she's not quite herself. Sylvia couldn't be more pleased to see her daughter finally getting on with her life. But an alien plot is nearing completion, and the world needs saving. The Doctor is nowhere to be found, so it's all up to Donna - and Nat! CAST: Catherine Tate (Donna Noble), Jacqueline King (Sylvia Noble), Niky Wardley (Natalie), Sebastian Armesto (Garrison), Timothy Bentinck (Ganthak), Isla Blair (Marge), Phil Cornwell (Parsnip), Anthony Howell (Adrian), James Joyce (Josh Carter), Nisha Nayar (Coleridge), David Schofield (Parval), Dan Starkey (Dennis), Lydia West (Vivien). Other parts played by members of the cast.

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art’s social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality—not only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an “Ethnology of the White Man” together with the excavation of the deep time of humanity—into the “Neolithic Childhood” mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein’s own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindřich Štyrský, Raoul Ubac, Paule Vézelay and others.

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As if the alien Vulpreen weren’t enough, what remains of UNIT faces another formidable adversary. The mercurial Time Lord Missy is on the side of the Vulpreen, helping and encouraging them in their ambition to become the rulers not just of Earth, but of all Space and Time. Contains four new adventures: One Way or Another by John Dorney. Kate leads an attack on a Vulpreen prison camp, unaware that UNIT friends are being held there. As paths converge, Kate and Osgood have different perspectives on the attack, and specific dangers to overcome. Traitors’ Gate by Sarah Grochala. Osgood is a prisoner in the Tower of London, which is now a Vulpreen base. To rescue her friend, Kate must devise a plan to raid her former headquarters. Inside the Tower, the Vulpreen are determined to access the Black Archive and the hugely dangerous alien technology it contains. How long can Osgood keep them out? The Destiny Labyrinth by Alison Winter. The UNIT team find themselves traveling through various epochs in Earth’s history. The only guide they have is working for the enemy, and the Vulpreen are hot on their heels. Help comes from a new friend, a young healer who already has a curious relationship with time. True Nemesis by Andrew Smith. Under Missy’s guiding hand, the Vulpreen are ready to strike out, to establish themselves as the new Masters of Time. UNIT’s confrontation with Missy in the depths of Portugal’s Douro Valley will decide the fate of not just the Earth but the whole Universe. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Michelle Gomez (Missy), Eleanor Crooks (Naomi Cross), Chris Lew Kum Hoi (Lieutenant Jimmy Tan), James Joyce (Josh Carter), Christopher Naylor (Harry Sullivan), Alisdair Simpson (Lord Varliss), Glen McCready (Bert Hockley / Jesden / Vulpreen Commander), Harriet Kershaw (Sorgan), Stewart Scudamore (Ashley Bassett), Donna Berlin (Lorraine Forrester), Oscar Batterham (Michel), Fiona Hampton (Kini), Harry Myers (Hugo da Costa / Crastor). Other parts played by members of the cast.

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This selection of Times obituaries from 1872 to 2014 revisits the lives of 125 women who have all, in their own way, played an important part in women’s educational, professional, social, cultural and emotional journey over the best part of two centuries. The anthology starts with the obituary of 91-year-old pioneering mathematician and scientist Mary Somerville (d. 1872) and concludes with that of 110-year-old concert pianist and Holocaust survivor Alice Herz-Sommer (d. 2014). In between come a formidable trio of later scientists: the discoverer of radium Marie Curie; the unsung heroine of DNA, Rosalind Franklin; and the only British woman to win a Nobel Prize for science, Dorothy Hodgkin. Plus a further quintet of great pianists: Clara Schumann, Myra Hess, Eileen Joyce, Tatiana Nikolayeva and Moura Lympany. Among campaigners, there is nursing reformer Florence Nightingale (d. 1910), along with suffragists Emmeline, Christabel and Sylvia Pankhurst (d. 1928, 1958 and 1960), the 20th century’s best-known promoter of contraception (Marie Stopes, d. 1958), civil rights worker Rosa Parks (d. 2005), founder of the hospice movement Cicely Saunders (d. 2005), anti-apartheid campaigner Helen Suzman (d. 2009) and Nobel Prize-winning environmentalist Wangari Maathai (d. 2011). Interspersed are women prime ministers from Golda Meir of Israel (d. 1978) to Margaret Thatcher (d. 2013); actresses from Sarah Bernhardt (d. 1923) to Marilyn Monroe (d. 1962) and Elizabeth Taylor (d. 2011); novelists from George Eliot (d. 1880) to Doris Lessing (d. 2013); singers from Jenny Lind (d. 1887) to Joan Sutherland (d. 2010); plus aviators, a mountaineer, a Channel swimmer, war correspondents, ballerinas, sportswomen, botanists, US first ladies, iconic members of the British royal family, and more.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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***A RICHARD & JUDY BOOK CLUB book 2023***'Nora-Ephron-style wit...comforting, so funny, moving... one of my favourite books ever' MARIAN KEYES'Newman writes loss and laughter in equally brilliant amounts.' BONNIE GARMUS'Dazzling, heart-wrenching, snorty-hilarious... An utter joy to read' RACHEL JOYCE'An absolute masterpiece in characterisation... utterly beautiful.' JOANNA CANNON_______Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes, 'Edi's memory is like the back-up hard drive for mine.' So when Edi is diagnosed with cancer, Ash's world reshapes around the rhythms of Edi's care, from making watermelon ice cubes to music therapy; from snack smuggling to impromptu excursions into the frozen winter night. Because life is about squeezing the joy out of every moment, about building a powerhouse of memories, about learning when to hold on, and when to let go.For fans of Nora Ephron and Sorrow & Bliss, We All Want Impossible Things is a deeply moving, jubilant celebration of life and friendship at its imperfect, radiant, and irreverent best.***COMING SOON: SANDWICH, the new novel from CATHERINE NEWMAN***_____'You'll stay up late devouring every word' KATHERINE HEINY'One of the best novels on friendship I've ever read' AJ PEARCE'I absolutely adored this...what a beautiful, emotional novel' JILL MANSELL'Shot through with whip-smart humour and boundless compassion. It's one of the best debuts I've read in a long time.' HANNAH BECKERMAN

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The telephone marks the place of an absence. Affiliated with discontinuity, alarm, and silence, it raises fundamental questions about the constitution of self and other, the stability of location, systems of transfer, and the destination of speech. Profoundly changing our concept of long-distance, it is constantly transmitting effects of real and evocative power. To the extent that it always relates us to the absent other, the telephone, and the massive switchboard attending it, plugs into a hermeneutics of mourning. The Telephone Book, itself organized by a "telephonic logic," fields calls from philosophy, history, literature, and psychoanalysis. It installs a switchboard that hooks up diverse types of knowledge while rerouting and jamming the codes of the disciplines in daring ways. Avital Ronell has done nothing less than consider the impact of the telephone on modern thought. Her highly original, multifaceted inquiry into the nature of communication in a technological age will excite everyone who listens in. The book begins by calling close attention to the importance of the telephone in Nazi organization and propaganda, with special regard to the philosophy of Martin Heidegger. In the Third Reich the telephone became a weapon, a means of state surveillance, "an open accomplice to lies." Heidegger, in Being and Time and elsewhere, elaborates on the significance of "the call." In a tour de force response, Ronell mobilizes the history and terminology of the telephone to explicate his difficult philosophy.Ronell also speaks of the appearance of the telephone in the literary works of Duras, Joyce, Kafka, Rilke, and Strindberg. She examines its role in psychoanalysis—Freud said that the unconscious is structured like a telephone, and Jung and R. D. Laing saw it as a powerful new body part. She traces its historical development from Bell's famous first call: "Watson, come here!" Thomas A. Watson, his assistant, who used to communicate with spirits, was eager to get the telephone to talk, and thus to link technology with phantoms and phantasms. In many ways a meditation on the technologically constituted state, The Telephone Book opens a new field, becoming the first political deconstruction of technology, state terrorism, and schizophrenia. And it offers a fresh reading of the American and European addiction to technology in which the telephone emerges as the crucial figure of this age.

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BRITISH SPORTS BOOK AWARDS SPORTS BOOK OF THE YEAR. SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR PRIZE 2017. SHORTLISTED FOR THE JAMES TAIT BLACK BIOGRAPHY OF THE YEAR. WINNER OF THE PEN/ESPN AWARD FOR LITERARY SPORTS WRITING. THE TIMES SPORTS BOOK AWARDS BIOGRAPHY OF THE YEAR. The most comprehensive and definitive biography of Muhammad Ali that has ever been published, based on more than 500 interviews with those who knew him best, with many dramatic new discoveries about his life and career. When the frail, trembling figure of Muhammad Ali lit the Olympic flame in Atlanta in 1996, a TV audience of up to 3 billion people was once again gripped by the story of the world's most famous sporting icon. The man who had once been reviled for his refusal to fight for his country and for his fast-talking denunciation of his opponents was now almost universally adored, the true cost of his astonishing boxing career clear to see. In Jonathan Eig's ground-breaking biography, backed up with much detailed new research specially commissioned for this book, we get a stunning portrait of one of the most significant personalities of the second half of the twentieth century. We are not only taken inside the ring for some of the most famous bouts in boxing history, we also learn about his personal life, his finances, his faith and the moments when the first signs of his physical decline began to show. Ali was a symbol of freedom and courage, a hero to many, but this is also a very personal story of a warrior who vanquished every opponent but was finally brought down by his own stubborn refusal to quit. An epic tale of a fighter who became the world's most famous pacifist, Ali: A Life does full justice to an extraordinary man.‘Ali: A Life is the business – 640 pages of patient scholarship and intelligent reassessment written in crackly prose’ Giles Smith, The Times ‘[A] richly researched, sympathetic yet unsparing portrait ... Ali: A Life is an epic of a biography’ Joyce Carol Oates, New York Times

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Thomas Kinsella began writing in the early 1950s when Irish poets were struggling to emerge from what he identified as the ""double shadow of Yeats and English verse"". Throughout his career, Kinsella has sought to establish his identity as an Irish poet writing in English, and to determine his place within the dual Irish tradition, Gaelic and English. This comprehensive study explores the poet's development within both the Irish and the English contexts, and defines the nature of his poetic achievement. It also offers a new reading of Kinsella's evolving relationship to one of his major literary forebears, W.B. Yeats. What becomes clear is the formidable accomplishment of a poet, now writing at the height of his powers, whose substantial body of work warrants comparison with the grand masters of 20th-century literature in English, Yeats, Joyce and Beckett. Beginning with Kinsella's first volume of poetry in 1956 and concluding with his most recent work, ""From Centre City"" (1994), the book traces the evolution of the poet's style and vision from the formal lyricism of his early volumes, through the long narrative poems of his middle period, to his later sequences of spare, laconic poems that are increasingly rich in polyphony and intertextuality. It finds that the formal structure and mellifluous cadence of Kinsella's early poetry, indebted to the works of past masters, such as Auden, Eliot and Yeats, give way to experimentalism, to a dislocated poetry that is often lacking closure. In his later writing, diverse exemplars, ranging from the early Irish literature and myth and the 18th-century Irish poet Aogan O Rathaille to the psycholoanalysis of Carl Jung and the music of Gustav Mahler and Sean O Riada, aid Kinsella in tracing his personal and poetic inheritance. This book illuminates poetry often regarded as difficult, and offers a useful evaluation of a major poet who continues to contribute to contemporary Irish poetry.

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'- What is your nation if I may ask, says the citizen. - Ireland, says Bloom. I was born here. Ireland.' Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable introduction, notes, and appendices, republishes without interference, the original 1922 text. Jeri Johnson's commentary guides the reader through this highly allusive novel in an edition acclaimed by scholars and general readers alike. This updated edition includes new explanatory notes, a revised introduction, and expanded bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock

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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock

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'A sensual feast of a novel, written with elegance, beauty, charm and skill in a voice that is both lyrical and unique. The Language of Food is an intriguing story with characters that leap off the page and live, but what sets it apart from it's contemporaries is Abbs' outstanding prose' Santa Montefiore Eliza Acton, despite having never before boiled an egg, became one of the world’s most successful cookery writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, uplifting and truly inspiring.Told in alternate voices by the award-winning author of The Joyce Girl, and with recipes that leap to life from the page, The Language of Food by Annabel Abbs is the most thought-provoking and page-turning historical novel you’ll read this year, exploring the enduring struggle for female freedom, the power of female friendship, the creativity and quiet joy of cooking and the poetry of food, all while bringing Eliza Action out of the archives and back into the public eye. ‘I love Abbs’s writing and the extraordinary, hidden stories she unearths. Eliza Acton is her best discovery yet’ Clare Pooley'A feast for the senses, rich with the flavours of Victorian England, I prepared every dish with Eliza and Ann and devoured every page. A literary - and culinary - triumph!' Hazel Gaynor ‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud’ Bridget Collins 'A sumptuous banquet of a book that nourished me and satisfied me just as Eliza Acton’s meals would have... I adored it' Polly Crosby ‘An effervescent novel, bursting with delectable language and elegant details about cookbook writer, Eliza Acton. Don’t miss this intimate glimpse into the early English kitchens and snapshot of food history’ Sara Dahmen ‘Wonderful... Abbs is such a good story teller. She catches period atmosphere and character so well’ Vanessa Nicolson 'Two of my favourite topics in one elegantly written novel - women’s lives and food history. I absolutely loved it' Polly Russell 'A story of courage, unlikely friendship and an exceptional character, told in vibrant and immersive prose' Caroline Scott ‘Richly imagined and emotionally tender’ Pen Vogler 'Characters that leap off the page, a fascinating story and so much atmosphere, you feel you're in the kitchen with Eliza - I loved it.' Frances Quinn 'I was inspired by Eliza's passion, her independence, her bravery and ambition. Like a cook's pantry, The Language of Food is full of wonderful ingredients, exciting possibilities and secrets. Full of warmth and as comforting as sitting by the kitchen range, I loved it' Jo Thomas 'A delightful read' Nina Pottell 'Clever, unsentimental, beautifully detailed and quietly riveting' Elizabeth Buchan, author of Two Women in Rome ‘A wonderful read’ John Torode 'A really charming historical fiction novel that's full of gorgeous recipies and descriptions of food. At its heart is the uplifting story of the friendship between Eliza and Ann Kirby, her kitchen help, which crosses the class divide.' Good HousekeepingEngland 1835. Eliza Acton is a poet who dreams of seeing her words in print. But when she takes her new manuscript to a publisher, she’s told that ‘poetry is not the business of a lady’. Instead, they want her to write a cookery book. That’s what readers really want from women. England is awash with exciting new ingredients, from spices to exotic fruits. But no one knows how to use them Eliza leaves the offices appalled. But when her father is forced to flee the country for bankruptcy, she has no choice but to consider the proposal. Never having cooked before, she is determined to learn and to discover, if she can, the poetry in recipe writing. To assist her, she hires seventeen-year-old Ann Kirby, the impoverished daughter of a war-crippled father and a mother with dementia. Over the course of ten years, Eliza and Ann developed an unusual friendship – one that crossed social classes and divides – and, together, they broke the mould of traditional cookbooks and changed the course of cookery writing forever.

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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An official Platinum Jubilee souvenir that explores the incredible life and legacy of Queen Elizabeth and how her historic reign has shaped the world.In honour of Queen Elizabeth's Platinum Jubilee 2022, this once in a lifetime history book for kids tells the story of a young princess who grew up to become our longest reigning monarch, and celebrates the achievements, people and places that have become part of her remarkable legacy.There is a treasure box hidden away in Great Granny Joyce's home, bursting with all kinds of things... A photo of a young woman wearing a crown, a map of the world, newspaper clippings, and so much more that reveal the great wonders of the last 70 years. There is so much to look at that little Isabella doesn't even know where to begin! Did you know that Princess Elizabeth was only 27 when she became Queen? Or that she made an appearance at the opening ceremony of the 2010 London Olympics alongside James Bond? And that the most astonishing inventions like the World Wide Web, as well as historic milestones like the first female Prime Minister of the UK happened under our Queen's watch?Delightfully playful illustrations, exciting facts, and information sidebars fill every page to tell the full story of the world's most beloved and inspiring monarch. Embark on this royal journey and show what you know with a surprise quiz at the end!Inside this beautifully illustrated history book for children, you will find everything from the Crown to the Corgis detailed here, including:- An exclusive quiz poster- An illustration mapping out the Royal Family tree- A timeline of the histories of the four UK nations- The story of the Queen's dedication to her country from wartime service during World War II to fundraising and commitments to the Commonwealth and wider world- A timeline of the extraordinary events in history, as well as the incredible achievements of people from the UK and Commonwealth countries that have taken place during The Queen's lifetime- Details of the 14 British Prime Ministers who have served alongside The Queen- A celebration of the amazing people The Queen has recognised

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A veteran Twin Cities journalist and raconteur summons the life of the city after reporting and recording its stories for more than thirty years Two or three times a week, as a columnist, hustling freelance writer, and genuinely curious reporter, Jim Walsh would hang out in a coffee shop or a bar, or wander in a club or on a side street, and invariably a story would unfold—one more chapter in the story of Minneapolis, the city that was his home and his beat for more than thirty years. Fear and Loving in South Minneapolis tells that story, collecting the encounters and adventures and lives that make a city hum—and make South Minneapolis what it is. Here is a man who drives around Minneapolis in a van that sports a neon sign and keeps a running tally of the soldiers killed in Iraq. Here is another, haunted by the woman he fell in love with, and lost, many years ago at the Minnesota Music Café on St. Paul’s East Side. Here are strangers on a cold night on the corner of Forty-sixth and Nicollet, finding comfort in each other’s company in the wake of the shootings in Paris. And here are Walsh’s own memories catching up with him: the woman who joined him in representing “junior royalty” for the Minneapolis Aquatennial when they were both seven years old; the lost friend, Soul Asylum’s Karl Mueller, recalled while sitting on his memorial bench at Walsh’s go-to refuge, the Rose Gardens near Lake Harriet. These everyday interactions, ordinary people, and quiet moments in Jim Walsh’s writing create an extraordinary picture of a city’s life. James Joyce famously bragged that if Dublin were ever destroyed, it could be rebuilt in its entirety from his written works. The Minneapolis that Jim Walsh maps is more a matter of heart, of urban life built on human connections, than of streets intersecting and literal landmarks: it is that lived city, documented in measures large and small, that his book brings so vividly to mind, drafting a blueprint of a community’s soul and inviting a reader into the boundless, enduring experience of Fear and Loving in South Minneapolis.

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From Norman invaders, religious wars—and the struggle for independence—the fascinating, turbulent history of a tortured nation and its gifted people When Shakespeare referred to England as a "jewel set in a silver sea," he could just as well have been speaking of Ireland. Not only has its luminous green landscape been the backdrop for bloody Catholic/Protestant conflict and a devastating famine, Ireland's great voices—like Joyce and Yeats—are now indelibly part of world literature. In Irish History For Dummies, readers will not only get a bird's-eye view of key historical events (Ten Turning Points) but, also, a detailed, chapter-by-chapter timeline of Irish history beginning with the first Stone Age farmers to the recent rise and fall of the Celtic tiger economy. In the informal, friendly For Dummies style, the book details historic highs like building an Irish Free State in the 1920s—and devastating lows (including the Troubles in the '60s and '70s), as well as key figures (like MP Charles Parnell and President Eamon de Valera) central to the cause of Irish nationalism. The book also details historic artifacts, offbeat places, and little-known facts key to the life of Ireland past and present. Includes Ten Major Documents—including the Confession of St. Patrick, The Book of Kells, the Proclamation of the Irish Republic, and Ulysses Lists Ten Things the Irish Have Given the World—including Irish coffee, U.S. Presidents, the submarine, shorthand writing, and the hypodermic syringe Details Ten Great Irish Places to Visit—including Cobh, Irish National Stud and Museum, Giants Causeway, and Derry Includes an online cheat sheet that gives readers a robust and expanded quick reference guide to relevant dates and historical figures Includes a Who's Who in Irish History section on dummies.com With a light-hearted touch, this informative guide sheds light on how this ancient land has survived wars, invasions, uprisings, and emigration to forge a unique nation, renowned the world over for its superb literature, music, and indomitable spirit.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Globally, discussions about sex work focus on exploitation. The media regularly provides us with stories about teen girls coerced to perform sexual acts for money, frequently beaten and robbed by their pimps or traffickers. While one would have to be hard-pressed to deny that sex workers are victimized, the popular media and our political leaders emphasize sex work as exclusively exploitative. In Negotiating Sex Work, Carisa R. Showden and Samantha Majic present a series of essays that depict sex work as an issue far more complex than generally perceived. Positions on sex work are primarily divided between those who consider that selling sexual acts is legitimate work and those who consider it a form of exploitation. Organized into three parts, Negotiating Sex Work rejects this either/or framework and offers instead diverse and compelling contributions that aim to reframe these viewpoints. Part I addresses how knowledge about sex work and sex workers is generated. The next section explores how nations and political actors who claim to protect individuals in sex work often further marginalize them. Finally, part III examines sex workers’ own political-organizational efforts to combat laws and policies that deem them deviant, sinful, or total victims. A timely and necessary intervention into sex work debates, this volume challenges how policy makers and the broader public regard sex workers’ capacity to advocate for their own interests. Contributors: Cheryl Auger; Sarah Beer, Dawson College, Montreal; Michele Tracy Berger, U of North Carolina–Chapel Hill; Thaddeus Gregory Blanchette, Federal U of Rio de Janeiro; Raven Bowen; Gregg Bucken-Knapp, U of Gothenburg, Sweden; Ana Paula da Silva, Federal U of Viçosa; Valerie Feldman; Gregor Gall, U of Bradford; Kathleen Guidroz, Georgetown U; Annie Hill, U of Minnesota; Johan Karlsson Schaffer, U of Oslo; Edith Kinney, Mills College; Yasmin Lalani; Pia Levin; Alexandra Lutnick; Tamara O’Doherty, U of the Fraser Valley, British Columbia; Joyce Outshoorn, U of Leiden; Francine Tremblay, Concordia U, Montreal.

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A powerful, big-hearted debut of love, sisterhood and what it means to be home – warm, joyful and tender One of the biggest debuts for 2023 Number One Bestseller in Audio Picked by Stylist as a Big Fiction Debut for 2023 Included in the Ten Best New Novelists for 2023 (Observer)____________________________________ ‘Moore finds wry humour in her protagonists’ dilemmas, conjures a beguiling sense of place, and wrings emotional depth out of the women’s fractious relationships with each other’ The Times ‘An assured first novel… this immersive saga probes the traumas all families conceal. It is a novel of appetite… readers will down greedily’ The Sunday Times ‘With Moore’s evocative prose it’s easy to see why The Garnett Girls is being likened to works by… Penny Vincenzi and Maeve Binchy’ The Observer Forbidden, passionate and all-encompassing, Margo and Richard’s love affair was the stuff of legend– but, ultimately, doomed. When Richard walked out, Margo locked herself away, leaving her three daughters, Rachel, Imogen and Sasha, to run wild. Years later, charismatic Margo entertains lovers and friends in her cottage on the Isle of Wight, refusing to ever speak of Richard and her painful past. But her silence is keeping each of the Garnett girls from finding true happiness. Rachel is desperate to return to London, but is held hostage by responsibility for Sandcove, their beloved but crumbling family home. Dreamy Imogen feels the pressure to marry her kind, considerate fiancé, even when life is taking an unexpected turn. And wild, passionate Sasha, trapped between her fractured family and controlling husband, is weighed down by a secret that could shake the family to its core… The Garnett Girls, the captivating debut from Georgina Moore, asks whether children can ever be free of the mistakes of their parents. Praise for The Garnett Girls: 'A rare and wonderful delight’ Lucy Foley ‘I adored it’ Bryony Gordon ‘A delicious read’ Rachel Joyce ‘Richly drawn’ Patrick Gale ‘What a gem of a book!’ Erica James ‘A smashing debut exploring the secrets every family keeps’ Daisy Goodwin ‘Pure pleasure’ Emma Stonex ‘Beautifully written’ Jill Mansell ‘A wonderfully woven tale of love, friendship and family’ Catherine Alliott

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A compelling, intimate history of the Revolutionary period through a series of charismatic and ambitious families, revealing how the American Revolution was, in many ways, a civil war.“Posterity! You will never know, how much it cost the present Generation, to preserve your Freedom! —John Adams to Abigail Adams, 26 April 1777 All wars are tragic, but the "revolutionary generation" paid an exceptionally personal price. Foreign wars pull men from home to fight and die abroad leaving empty seats at the family table. But the ideological war that forms the foundation of a civil war also severs intimate family relationships and bonds of friendship in addition to the loss of life on the battle fields. In The Times That Try Men's Soul, Joyce Lee Malcolm masterfully traces the origins and experience of that division during the American Revolution—the growing political disagreements, the intransigence of colonial and government officials swelling into a flood of intolerance, intimidation and mob violence. In that tidal wave opportunities for reconciliation were lost. Those loyal to the royal government fled into exile and banishment, or stayed home to support British troops. Patriots risked everything in a fight they seemed destined to lose. Many people simply hoped against hope to get on with ordinary life in extraordinary times. The hidden cost of this war was families and dear friends split along party lines. Samuel Quincy, Josiah Quincy’s only surviving son, sailed to England, abandoning his father, wife, and three children. John Adam’s dearest friend, Jonathan Sewell, fled with his family to England after his home was stormed by a mob. Sewell’s sister-in-law was married to none other than John Hancock. James Otis’s beloved wife Ruth was a wealthy Tory. One daughter would marry a British Army captain and spend the rest of her life abroad while the other wed the son of a major general in the Continental Army. The pain of husbands divided from wives, fathers from children, sisters and brothers from each other and close friends caught on opposite sides in the throes of war has been explored in histories of other American wars, yet Malcolm reveals how this conflict reaches into the heart of our country's foundation. Loyalists who fled to England became strangers in a strange land who did not fit into British society. They were Americans longing for home, wondering whether there would—or could—be reconciliation. The grief of separated loyalties is an important and often ignored part of the revolutionary war story. Those who risked their lives battling the great British empire, and those who left home loyal to the government were all caught in a war without an enemy. In his rough draft of the Declaration of Independence Thomas Jefferson reflected sadly that “we might have been a free and a great people together.” The Times That Try Men's Souls is a poignant and vivid narrative that provides a fresh and timely perspective on a foundational part of our nation's history.

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When The Heart Is a Lonely Hunter was published in 1940, Carson McCullers was instantly recognized as one of the most promising writers of her generation. The novels that followed established her as a master of Southern Gothic. This Library of America volume collects McCullers’s complete novels for the first time in a single-volume edition that reveals the power and breadth of her haunting vision.“McCullers’s gift,” writes Joyce Carol Oates, “was to evoke, through an accumulation of images and musically repeated phrases, the singularity of experience, not to pass judgment on it.” McCullers effortlessly conveyed the raw anguish of her characters and the weird beauty of their perceptions. Set in small Georgia towns that are at once precisely observed and mythically resonant, McCullers’s novels explore the strange, sometimes grotesque inner lives of characters who are often marginal and misunderstood. Above all, McCullers possessed an unmatched ability to capture the bewilderment and fragile wonder of adolescence.In The Heart Is a Lonely Hunter (1940), one of the most extraordinary debuts in modern American literature, an enigmatic deaf-mute draws out the haunted confessions of an itinerant worker, a young girl, a doctor, and a widowed owner of a small-town café. The disfiguring violence of desire is explored with shocking intensity in two shorter works, Reflections in a Golden Eye (1941) and The Ballad of the Sad Café (1943).The Member of the Wedding (1946), thought by many to be McCullers’s masterpiece, hauntingly depicts a young girl’s fascination with her brother’s wedding. In 13-year-old Frankie Addams, confused, easily wounded, yet determined to survive, McCullers created her most indelible protagonist. Clock Without Hands (1960), her final novel, was completed against great odds in the midst of tremendous physical suffering. Set against the background of court-ordered school integration, it contains some of McCullers’s most forceful social criticism.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Danilo Kis (1935–89) was a Yugoslav novelist, essayist, poet, and translator whose work generated storms of controversy in his homeland but today holds classic status. Kis was championed by prominent literary figures around the world, including Joseph Brodsky, Susan Sontag, Milan Kundera, Philip Roth, Nadine Gordimer, and Salman Rushdie. As more of his works become available in translation, they are prized by an international readership drawn to Kis's innovative brilliance as a storyteller and to his profound meditation on history, culture, and the human condition at the end of the twentieth century.A subtle analysis of a rich and varied body of writing, Birth Certificate is also a careful and sensitive telling of a life that experienced some of the last century's greatest cruelties. Kis's father was a Hungarian Jew, his mother a Montenegrin of Orthodox faith. The father disappeared into the Holocaust and the son—cosmopolitan, anticommunist, and passionately opposed to the myth-drenched nationalisms of his native lands—grew up chafing against the hypocrisies of Titoism. His writing broke with the epic mode, pioneered modernist techniques in his language, fulminated against literary kitsch, and sketched out a literary heritage "with no Sun as its Center and Tyrant." Joyce and Borges were influences on his writing, which nevertheless is stunningly original. The best known of his works are Garden, Ashes; The Encyclopedia of the Dead; Hourglass; The Anatomy Lesson; and A Tomb for Boris Davidovich. Over the course of nearly two decades, Mark Thompson studied Kis's papers and interviewed his family members, friends, and admirers. His intimate understanding of the writer's life and his sure grasp of the region's history inform his revelatory readings of Kis's individual works.More than an appreciation of an important literary and cultural figure, this book is also a compelling guide to the destructive policies which would, shortly after Kis’s death, generate the worst violence in Europe since World War II. Thompson’s book pays tribute to Kis’s experimentalism by being itself experimental in form. It is patterned as a series of commentaries on a short autobiographical text that Kis called "Birth Certificate." This unusual structure adds to the interest and intrigue of the book, and is appropriate for treating so autobiographical a writer who believed that literary meaning is always deeply shaped by other texts.

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This compact, pocket-sized Ireland travel guidebook is ideal for travellers on shorter trips, who want to make sure they experience the destination's highlights. The book includes highly practical, ready-made walks and tours that allow you to organise your short break in Ireland without losing time planning. This Ireland pocket guidebook covers: Dublin, Wicklow, Kilkenny, Waterford, Kilkenny, Cork city, West Cork, the Ring of Kerry, Dingle Peninsula, Limerick, the Shannon, The Cliffs of Moher, The Burren, Westport, Galway, Connemara, Mayo, Sligo and Donegal, Belfast.Inside this Ireland travel book, you will find:- 16 ready-made walks and tours - easy-to-follow walking and driving tour itineraries featuring the best places to visit, as well as what to do and where to eat along the way- Itinerary details - each walk or tour starts with pointers on the time taken, distance covered and how to connect with other itineraries in the book- Things not to miss in Ireland - Fota Wildlife Park, Donegal's Beaches and New Ross famine ship, Ross Castle and Glendalough, Powerscourt and Altamount, James Joyce Museum, the Cliffs of Moher, Lismore and Adare, Croagh Patrick, Slieve League - Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas- Insider recommendations - tips on how to beat the crowds, save time and money and find the best local spots- Historical and cultural insights - thematic articles highlight Ireland's unique life and culture - Unique hotel, restaurant and nightlife listings - curated details of where to stay, eat and go out, whatever your interest, for a range of budgets- Practical information - how to get there, how to get around and an A-Z of essential details- Meticulous mapping - practical full-colour maps, with clearly numbered sights relating to major points of interest and places to eat or drink in the main itinerary text- Free download of the eBook - available after purchase of the printed guidebook Ireland - Fully updated post-COVID-19The guide is a perfect companion both ahead of your trip and on the ground. It gives you a distinct taste of Ireland with a concise edit of all the information you'll need.

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The Death of Archaeological Theory? addresses the provocative subject of whether it is time to discount the burden of somewhat dogmatic theory and ideology that has defined archaeological debate and shaped archaeology over the last 25 years. Seven chapters meet this controversial subject head on, also assessing where archaeological theory is now, and future directions. John Bintliff questions what theory is and argues that archaeologists should be freed from 'Ideopraxists', or those who preach that a single approach or model is right to the exclusion of all others. Marc Pluciennik again questions what we mean by archaeological theory and argues that the role of intellectual fashion is underestimated. He predicts pressure from outside archaeology to redirect our dominant theories towards genetic and human impact theory. Kristian Kristiansen argues that theory cannot die, but it can change direction and sees signs of a retreat from the present post-modern and post-processual cycle towards a more science based, rationalistic cycle of revived modernity. To Mark Pearce the most striking thing about the present state of archaeological theory is that there is no emerging paradigm to be discerned; he proposes that Theory is not dead, but has instead become more eclectic and nuanced. Two papers offer a different perspective from other areas of the world; Alexander Gramsch examines the issue from the German tradition and shows that in Central and Eastern Europe not only has Anglo-American Theory had limited impact, but current discussions on the future of method and theory offer a broader view of the discipline in which older traditions are seen to form the foundation. Kent Flannery and Joyce Marcus demonstrate that American archaeologists do not foresee the death of a genuinely archaeological theory (which they believe has never existed) but fear the real catastrophe would be the death of anthropological theory, because some anthropology today has become decidedly anti-scientific, rejecting not only the controlled comparison and contrast of cultures, but also the use of generalisation, both of which are crucial to theories and models and without which the longue durée will always be invisible.

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A beautiful picture-book adaptation of Thomas Harding's Costa-shortlisted biography for adults, exquisitely illustrated by Britta Teckentrup.On the outskirts of Berlin, a wooden cottage stands on the shore of a lake. Over the course of a century, this little house played host to a loving Jewish family, a renowned Nazi composer, wartime refugees and a Stasi informant; in that time, a world war came and went, and the Berlin Wall was built a stone's throw from the cottage's back door. Thomas Harding first shared this remarkable story in his Costa-shortlisted biography The House by the Lake – now he has rendered it into a deeply moving picture-book for young readers. With words that read like a haunting fairy-tale, and magnificent artwork by Britta Teckentrup, this is the astonishing true story of the house by the lake.PRAISE FOR THE ORIGINAL BIOGRAPHY OF THE HOUSE BY THE LAKE: A Radio 4 Book of the WeekNamed a Best Book of the Year by: The Times >> New Statesman >> Daily Express >> Commonweal magazineShortlisted for the Costa Biography Award 2015Longlisted for the Orwell Prize 2016Over 50 five-star reviews on Amazon"A passionate memoir." – Neil MacGregor"A superb portrait of twentieth century Germany seen through the prism of a house which was lived in, and lost, by five different families. A remarkable book." – Tom Holland"A book that will stay with me for a very long time." – Rachel Joyce"A superb work of social history." – The Sunday Times "Diamond brilliant ... an extraordinary book." – Sunday Express"A deft history of a cabin containing many secrets." – Independent"A fascinating window on a tumultuous period" – Financial Times"Original, personal, moving and uplifting" – Literary Review"This is a history that is often poignant, sometimes heartening, and never other than intimate." – Spectator"An extraordinary book…. Harding has extracted the past from the dust that collects between floorboards and from layers of peeling wallpaper.” – Washington PostSEE ALSO THOMAS HARDING'S NEW BIOGRAPHY, LEGACY:"I was riveted: this is a fascinating social history." – Nigella Lawson"Written with love and imagination ... a masterclass in historical empathy." – TLS"Nobody quite stirs the soup of historical detail like Harding." – Express

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A powerful, big-hearted debut of love, sisterhood and what it means to be home – warm, joyful and tender One of the biggest debuts for 2023 Number One Bestseller in Audio Picked by Stylist as a Big Fiction Debut for 2023 Included in the Ten Best New Novelists for 2023 (Observer)____________________________________ ‘Moore finds wry humour in her protagonists’ dilemmas, conjures a beguiling sense of place, and wrings emotional depth out of the women’s fractious relationships with each other’ The Times ‘An assured first novel… this immersive saga probes the traumas all families conceal. It is a novel of appetite… readers will down greedily’ The Sunday Times ‘With Moore’s evocative prose it’s easy to see why The Garnett Girls is being likened to works by… Penny Vincenzi and Maeve Binchy’ The Observer Forbidden, passionate and all-encompassing, Margo and Richard’s love affair was the stuff of legend– but, ultimately, doomed. When Richard walked out, Margo locked herself away, leaving her three daughters, Rachel, Imogen and Sasha, to run wild. Years later, charismatic Margo entertains lovers and friends in her cottage on the Isle of Wight, refusing to ever speak of Richard and her painful past. But her silence is keeping each of the Garnett girls from finding true happiness. Rachel is desperate to return to London, but is held hostage by responsibility for Sandcove, their beloved but crumbling family home. Dreamy Imogen feels the pressure to marry her kind, considerate fiancé, even when life is taking an unexpected turn. And wild, passionate Sasha, trapped between her fractured family and controlling husband, is weighed down by a secret that could shake the family to its core… The Garnett Girls, the captivating debut from Georgina Moore, asks whether children can ever be free of the mistakes of their parents. Praise for The Garnett Girls: 'A rare and wonderful delight’ Lucy Foley ‘I adored it’ Bryony Gordon ‘A delicious read’ Rachel Joyce ‘Richly drawn’ Patrick Gale ‘What a gem of a book!’ Erica James ‘A smashing debut exploring the secrets every family keeps’ Daisy Goodwin ‘Pure pleasure’ Emma Stonex ‘Beautifully written’ Jill Mansell ‘A wonderfully woven tale of love, friendship and family’ Catherine Alliott

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__________'Essential reading' Rolling Stone'A must read. The best bit of literature currently out there on Kendrick Lamar' VICE __________Kendrick Lamar is at the top of his game.He has been described as perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin.He is a visionary who will go down as history as one of the most important artists of all time.But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America.The Butterfly Effect not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. This is the extraordinary, triumphant story of a modern lyrical prophet and an American icon who has given hope to those buckling under the weight of systemic oppression, reminding everyone that through it all, "we gon' be alright".__________'By the end of listening to his first full album, I felt like I knew everything about him. He brings you into his world with his lyrics in a way that really paints a clear picture' Eminem'I love everything about his music. I can literally listen to his music and become a kid growing up with all the struggles in the inner city, but at the same time [learn] all the lessons it taught that we use as men today.' Lebron James'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian

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A major historical phenomenon of our century, exile has been a focal point for reflections about individual and cultural identity and problems of nationalism, racism, and war. Whether emigrés, exiles, expatriates, refugees, or nomads, these people all experience a distance from their homes and often their native languages. Exile and Creativity brings together the widely varied perspectives of nineteen distinguished European and American scholars and cultural critics to ask: Is exile a falling away from a source of creativity associated with the wholeness of home and one’s own language, or is it a spur to creativity?In essays that range chronologically from the Renaissance to the 1990s, geographically from the Danube to the Andes, and historically from the Inquisition to the Holocaust, the complexities and tensions of exile and the diversity of its experiences are examined. Recognizing exile as an interior experience as much as a physical displacement, this collection discusses such varied topics as intellectual exile and seventeenth-century French literature; different versions of home and of the novel in the writings of Bakhtin and Lukács; the displacement of James Joyce and Clarice Lispector; a young journalist’s meeting with James Baldwin in the south of France; Jean Renoir’s Hollywood years; and reflections by the descendents of European emigrés. Strikingly, many of the essays are themselves the work of exiles, bearing out once more the power of the personal voice in scholarship.With the exception of the contribution by Henry Louis Gates Jr., these essays were originally published in a special double issue of Poetics Today in 1996. Exile and Creativity will engage a range of readers from those whose specific interests include the problems of displacement and diaspora and the European Holocaust to those whose broad interests include art, literary and cultural studies, history, film, and the nature of human creativity.Contributors. Zygmunt Bauman, Janet Bergstrom, Christine Brooke-Rose, Hélène Cixous, Tibor Dessewffy, Marianne Hirsch, Denis Hollier, Henry Louis Gates Jr., Linda Nochlin, Leo Spitzer, Susan Rubin Suleiman, Thomas Pavel, Doris Sommer, Nancy Huston, John Neubauer, Ernst van Alphen, Alicia Borinsky, Svetlana Boym, Jacqueline Chénieux-Gendron

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A career-spanning collection of writings by the Nobel laureate Elias Canetti, edited and introduced by Pulitzer Prize winner Joshua Cohen. He embarked on no adventures, he was in no war. He was never in prison, he never killed anyone. He neither won nor lost a fortune. All he ever did was live in this century. But that alone was enough to give his life dimension, both of feeling and of thought. Here, in his own words, is one of the twentieth century's foremost chroniclers: a dizzyingly inventive, formally unplaceable, unstoppably peripatetic writer named Elias Canetti, who was awarded the Nobel Prize in Literature in 1981. I Want to Keep Smashing Myself Until I Am Whole is a summa of Canetti's life and thought, and the definitive introduction to a writer whose genius for interpreting world-historical changes was matched by a keen sense of wonder and an abiding skepticism about the knowability of the self. Born into a Sephardi Jewish family in Bulgaria, Canetti later lived in Austria, England, and Switzerland while traversing, in writing, the great thematic provinces of his time: politics, identity, mortality, and more. Sourced from Canetti's landmark texts, including Crowds and Power, an analysis of authoritarianism and mobs; Auto-da-Fe, a darkly comic, daringly modernist novel about the fate of European literature; the famous sequence of sensory-titled memoirs, including The Tongue Set Free and The Torch in My Ear; and never-before-translated writings such as the posthumous The Book Against Death, this collection assembles its luminous shards into the fullest portrait yet of Canetti's remarkable achievement. Edited and introduced by Joshua Cohen (Book of Numbers, The Netanyahus), I Want to Keep Smashing Myself Until I Am Whole leads us from Canetti's polyglot childhood to his mature preoccupations, and his friendships and rivalries with Hermann Broch, James Joyce, Karl Kraus, Thomas Mann, Robert Musil, and others. This collection is also interspersed with aphorisms and diary entries, revealing Canetti's formal range and stylistic versatility in flashes of erudition and introspective humor. Throughout, we come to see Canetti's restless fascination with the instability of identity as one of the keys to his thought--as he reminds us, It all depends on this: with whom we confuse ourselves.

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Threats to our planet come in many forms. Some are alien visitations, some lay dormant in the Earth itself, and occasionally, danger arrives with a big gun and fantastic hair. Whatever the threat, whoever the enemy, UNIT is ready to defend the world. 8.1 This Sleep of Death by Jonathan Morris. Abbey Marston. UNIT’s dark secret. A place where the laws of space and time, life and death, can be suspended. Where remembering the departed has consequence. When UNIT faces a threat from a dead man, Kate has no choice but to return to Abbey Marston once more, to disturb the sleep of death. But the Static are waiting… 8.2 Tempest by Lisa McMullin. When the planet’s weather systems start behaving strangely, Osgood is worried. Soon, she and Sam Bishop are heading to a remote Scottish island where an eccentric old woman speaks to the wind itself. Meanwhile, Kate Stewart visits a deep-sea oil-rig where strange things are afoot. A tempest is coming, and it could be disaster for the entire world. 8.3. & 8.4 The Power of River Song by Guy Adams. Part 1: UNIT has been assigned to monitor the switch-on of a revolutionary new power system – they know from experience such things can be tricky. Nearby, Osgood and Lieutenant Bishop investigate mysterious disappearances - and appearances of trans-temporal phenomena. Kate would like to ask the Director some questions, but she’s proving strangely elusive… until there’s a murder. Part 2: There’s a dead body in the power station. River Song is the prime suspect. And Kate is most concerned by the identity of the victim. Meanwhile, Sam and Jacqui chase Vikings, while Osgood finds herself out of time. As deadly focus their attention on Earth, it seems activating the power of River Song could spell the end of everything... CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Alex Kingston (River Song /The Director), Warren Brown (Lieutenant Sam Bishop), James Joyce (Josh Carter), Andrew French (Sergeant Warren Calder), Ajjaz Awad (Private Meghan Coates), Hywel Morgan (Jeff / Barney), Alexandra Mathie (Mother McCracken), Chris Jarman (Joel Sanders), Tracy Wiles (Jacqui McGee), Enzo Squillino Jnr (Mr Chant), Leighton Pugh (Leif / Wampeerix).

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Based on the adventures of Steed and Tara King in the TV comic strips, this full-cast audio drama is brought to life with eerily engrossing sound design and a brand new cinematic score. Starring Julian Wadham, Emily Woodward and Christopher Benjamin. Contains four adventures; 3.1 It’s a Wild, Wild, Wild, Wild West by John Dorney Steed is quick on the draw, Tara gallops away. After reports suggest a series of robberies in the New Forest were committed by cowboys, Mother sends the Avengers into action.The trail leads to the Western style ranch known as The Lazy J. But will it be high noon for Steed and King? 3.2 Under the Weather by Phil Mulryne. Steed is put on ice, Tara is blown away.Steed, Tara and Mother visit an air show to see a demonstration of a new aircraft. But the plane is stolen from under their noses... and seemingly... by a storm! Something strange is in the air. And it needs the Avengers to sort it out. 3.3 Spycraft by Robert Khan and Tom Salinsky. Steed meets his equal, Tara gets the cream. When a visiting dignitary is kidnapped on British soil, Steed and King have to leap into action. But with questions of diplomatic immunity getting in the way, they may need help from an unusual pair. 3.4 ...Now You Don’t by John Dorney. Steed finds things get tricky, Tara takes the stage. A strange gift leads to Steed and Tara King spending a night in the theatre. But who brought them here? And why? An old enemy of the Avengers is on the scene. And he will stop at nothing to get his revenge! Starring Julian Wadham, Emily Woodward and Christopher Benjamin, this full-cast audio drama is brought to life with eerily engrossing sound design and a brand new cinematic music score. CAST: Julian Wadham (John Steed), Emily Woodward (Miss Tara King), Christopher Benjamin (Mother), Hywel Morgan (Cody/ Jim), Daniel Easton (Billy / Sam), Karina Fernandez (Jessie), Leighton Pugh (Flight Lieutenant Tudor / Volkov), James Joyce (Flying Office Halliwell / Melnyk), David Sibley (Doctor Weatherby), Edward Dede (Miles Yeboah), Natalie Simpson (Ruby Sesay), Jude Owusu (Charlie Okonjo / Kasim), Ewart James Walters (General Babatunde), Nicholas Asbury (Margrave the Magnificent / Sir Godfrey Thorpe), Maggie Service (Circe /Mina). Other parts played by members of the cast.

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"The incredible story of how a house was witness to German history" Telegraph"A touching picturebook which shows children that large events can have repercussions even in small and unheralded places" Wall Street JournalA beautiful picture-book adaptation of Thomas Harding's Costa-shortlisted biography for adults, exquisitely illustrated by Britta Teckentrup.On the outskirts of Berlin, a wooden cottage stands on the shore of a lake. Over the course of a century, this little house played host to a loving Jewish family, a renowned Nazi composer, wartime refugees and a Stasi informant; in that time, a world war came and went, and the Berlin Wall was built a stone's throw from the cottage's back door. Thomas Harding first shared this remarkable story in his Costa-shortlisted biography The House by the Lake – now he has rendered it into a deeply moving picture-book for young readers. With words that read like a haunting fairy-tale, and magnificent artwork by Britta Teckentrup, this is the astonishing true story of the house by the lake."An atmospheric and ultimately uplifting tale with delicate, ethereal images" The Financial TimesPRAISE FOR THE ORIGINAL BIOGRAPHY OF THE HOUSE BY THE LAKE: A Radio 4 Book of the WeekNamed a Best Book of the Year by: The Times >> New Statesman >> Daily Express >> Commonweal magazineShortlisted for the Costa Biography Award 2015Longlisted for the Orwell Prize 2016Over 50 five-star reviews on Amazon"A passionate memoir." – Neil MacGregor"A superb portrait of twentieth century Germany seen through the prism of a house which was lived in, and lost, by five different families. A remarkable book." – Tom Holland"A book that will stay with me for a very long time." – Rachel Joyce"A superb work of social history." – The Sunday Times "Diamond brilliant ... an extraordinary book." – Sunday Express"A deft history of a cabin containing many secrets." – Independent"A fascinating window on a tumultuous period" – Financial Times"Original, personal, moving and uplifting" – Literary Review"This is a history that is often poignant, sometimes heartening, and never other than intimate." – Spectator"An extraordinary book…. Harding has extracted the past from the dust that collects between floorboards and from layers of peeling wallpaper.” – Washington PostSEE ALSO THOMAS HARDING'S NEW BIOGRAPHY, LEGACY:"I was riveted: this is a fascinating social history." – Nigella Lawson"Written with love and imagination ... a masterclass in historical empathy." – TLS"Nobody quite stirs the soup of historical detail like Harding." – Express

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Nobel Laureate George Bernard Shaw remains one of the world's most important and popular writers. His plays are regularly performed around the world, from the boards of Broadway and the West End to regional, community, and college stages. The three plays selected here are widely considered to be three of the most important in the canon of modern British theatre: Man and Superman: a four-act comedy for serious people, staged in part at Royal court in 1905, it is one of the early works of Modernism to take an ancient myth and restage it in contemporary mode (and its influence extends across world literature, palpable in writings from Mann to Joyce). Its story of how a sensitive woman compels a superman-figure to adjust to her needs and those of the real world provides an updated commentary on Nietzsche's still-fashionable notions of ubermensch; and its famous third act introduces a persistent Shavian theme, which goes back as far as earliest religious literature-that the truly damned are those who are happy in hell. John Bull's Other Island takes up that idea: to the visionary, hell may be the ultimate modern dream of efficiency and rational administration, as manifested in a colonial Ireland run by liberal exploiters. Commissioned by WB Yeats to mark the opening of Ireland's National Theatre, the Abbey, the play was promptly refused by its Directors (who disliked its mechanical mockeries of mechanism but may have missed its visionary qualities). It was performed to huge acclaim in London in November 1904 and it made Shaw famous, the supreme example of the Playwright as Thinker and, ever afterwards, one of the most valued commentators on Anglo-Irish relations. Major Barbara: a three-act drama which in classic Shavian style unmasks the motivation of puritan idealists and dedicated industrialists, this work (like the previous two) pits a strong woman against a sardonic, practical man. Having exposed the mendacity of apostles of efficiency, Shaw seems then to submit to their doctrine, arguing that a pure private charity towards the destitute is no adequate substitute. Like the previous two works, this is a problem play, in the course of which the audience sympathy is aroused and then repelled in all directions. The suggestion that it may be acceptable to take money from tainted sources, such as arms manufacturers, caused much debate in 1905---and even more after the carnage wrought by mechanized guns in World War One.

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The countdown to the millennium begins, New dangers face Brigadier Winifred Bambera, Sergeant Jean-Paul Savarin and Dr Louise Rix – some manmade, some uncanny, and some from beyond this world. To defeat them they must stand together… or there’ll be no tomorrow. 1. The Frequency by Tajinder Singh Hayer. UNIT has been invited to take part in the testing of a top-secret US Air Force project designed to make military groups function better as a team; the ‘Hoplite Frequency’. However, the implications of this powerful mind-altering technology make Sergeant Savarin uncomfortable. Will Bambera heed the misgivings of her loyal Number Two, or take the charismatic Colonel Hagen up on his offer and choose to embrace the Frequency? 2. Haunt by Lizzie Hopley. Bambera joins Rix on an excursion up north to investigate strange goings on at the abandoned Greensands Hotel. Are local legends true that the hotel is haunted by a murderous bogeyman known as Baghead, or is there a more down-to-earth explanation? The only way to uncover the truth is to stay in the hotel overnight, but their digging into the building’s past has awoken something that would have been better left alone. 3. The Last Line of Defence by Robert Valentine. With the civil war in Valge Maja threatening to spark an even greater conflict, Bambera is put in charge of security at a secret Millennium Eve peace conference to settle the matter. But as all of Earth’s leaders gather to debate the future of humanity, dark forces have conspired to ensure that this meeting will usher in a terrifying New World Order – and with the clock ticking, who can possibly stand in their way? CAST: Angela Bruce (Brigadier Winifred Bambera), Alex Jordan (Sergeant Jean-Paul Savarin), Yemisi Oyinloye (Dr Louise Rix), Ian Abeysekera (Colonel Birch), Timothy Blore (UNIT Trooper/Talbot/Zeta Hydran), Chandrika Chevil (Clare Yale/President Esperanza), Nathaniel Curtis (Dom McNeil/Zeta Hydan 1), Lesley Ewen (The Omniarch/Landau), Jason Forbes (Baghead/Zeta Hydan 2), Sarah Griffin (Captain Carmen McClean/Nurse Bannister), David Menkin (Colonel Alexander Hagen/Delegate), Liz Sutherland-Lim (Dame Lydia Kingsley/Joyce). Other parts played by members of the cast.

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Harold Frederic was for a long time known primarily as a writer of New York regional fiction and historical novels. His most outstanding and influential novel, The Damnation of Theron Ware (1896) represents the first extended narrative in US literature of Irish-Catholic entry into American life. In 1995, a year short of that novel’s centenary, Joyce Carol Oates wrote: “WHAT a wonderful novel is The Damnation of Theron Ware.” Though raised in a German-American, Methodist environment in the Mohawk Valley of New York state, Frederic became intrigued with Ireland’s people, politics, and history when post-Famine Irish began arriving in his hometown of Utica in the 1860s and 1870s.The Martyrdom of Mave and other Irish Stories gathers for the first time all of the Irish work Harold Frederic completed in his lifetime. He planned more, but died of a stroke in his early forties, in England, where he was employed as The New York Times London Correspondent. He had earlier written his publisher that he had been “toiling for years” on the archeology of the Iveagha (present Mizen) Peninsula in Cork, and that the projected book of historical fiction underway would be unique. The Martyrdom of Maev and Other Irish Stories brings together the four sixteenth-century stories that Frederic finished and published in magazines in 1895–96, and two of his stories set in the west of Ireland of the second-half of the nineteenth century.Taken together the stories track the ramifications of the Elizabethan invasions as they extend to the famine, evictions, and humiliations still plaguing the country just before the rise of Parnell. The dramatic title story involves young romance caught in the political unrest that begot the Land-League and portrays as well the adamant, menacing, sexual prohibitions prevailing in the rural Ireland of the late nineteenth century. Others portray life within the remote Gaelic clans of late medieval Ireland. All the stories reveal Frederic’s brilliant prose talent—“The Path of Murtogh,” for example, a starkly primitive revenge tale, is as dark and shocking as anything by Edgar Allen Poe.For those who like Harold Frederic’s fiction, or who love dramatic tales set in Ireland, this collection makes for compelling reading.

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Here is the story, told firsthand through electric, deeply engaged writing, of America’s living theater, high and low, mainstream and experimental. Drawing on history, criticism, memoir, fiction, poetry, and parody, editor Laurence Senelick presents writers with the special knack “to distill both the immediate experience and the recollected impression, to draw the reader into the charmed circle and conjure up what has already vanished.” Through the words of playwrights and critics, actors and directors, and others behind the footlights, the entertainments and high artistic strivings of successive eras come vividly, sometimes tumultuously, to life.Observers from Washington Irving and Fanny Trollope to Walt Whitman and Mark Twain evoke the world of the nineteenth-century playhouse in all its raucous vitality. Henry James confesses his early enthusiasm for playgoing; Willa Cather reviews provincial productions of Uncle Tom’s Cabin and Antony and Cleopatra. The increasing diversity and ambition of the American theater is reflected in Hutchins Hapgood’s account of New York’s Yiddish theaters at the turn of the century, Carl Van Vechten’s review of the Sicilian actress Mimi Aguglia, Alain Locke’s comments on the emerging African-American theater in the 1920s, and Ezra Pound’s response to James Joyce’s play Exiles and theatrical modernism. Enthusiasts for the New Stagecraft, such as Lee Simonson and Djuna Barnes, are matched by champions of pop culture such as Gilbert Seldes and Fred Allen. S. J. Perelman lampoons Clifford Odets; Edmund Wilson acclaims Minsky’s Burlesque; Harold Clurman explains Stanislavski’s Method; Gore Vidal dissects the compromises of commercial playwriting. A host of playwrights—among them Thornton Wilder, Arthur Miller, Tennessee Williams, Lorraine Hansberry, Edward Albee, Wendy Wasserstein, David Mamet, and Tony Kushner—are joined by such renowned critics as Stark Young, George Jean Nathan, Brooks Atkinson, and Eric Bentley.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Scholars and practitioners of public management have stressed the importance of such varied concepts as efficiency, process, systems, and capacity as key to running effective government programs. While acknowledging the usefulness of each of these criteria, the authors of Government Performance argue that one quality above all is crucial to the overall performance of government: effective management. Examining government performance at the federal, state, and local levels, the authors present analyses of public management systems in all fifty states, the thirty-five largest cities, forty large counties, and a number of federal agencies. They examine systems for financial management, human resources management, information technology management, capital management, and systems for managing results. While acknowledging the political context of all public administration systems, they argue that effective management of these systems nevertheless provides the key to good government performance.

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Despite its rough-and-tumble image, Chicago has long been identified as a city where books take center stage. In fact, a volume by A. J. Liebling gave the Second City its nickname. Upton Sinclair's The Jungle arose from the midwestern capital's most infamous industry. The great Chicago Fire led to the founding of the Chicago Public Library. The city has fostered writers such as Nelson Algren, Saul Bellow, and Gwendolyn Brooks. Chicago's literary magazines The Little Review and Poetry introduced the world to Eliot, Hemingway, Joyce, and Pound. The city's robust commercial printing industry supported a flourishing culture of the book. With this beautifully produced collection, Chicago's rich literary tradition finally gets its due. Chicago by the Book profiles 101 landmark publications about Chicago from the past 170 years that have helped define the city and its image. Each title-carefully selected by the Caxton Club, a venerable Chicago bibliophilic organization-is the focus of an illustrated essay by a leading scholar, writer, or bibliophile. Arranged chronologically to show the history of both the city and its books, the essays can be read in order from Mrs. John H. Kinzie's 1844 Narrative of the Massacre of Chicago to Sara Paretsky's 2015 crime novel Brush Back. Or one can dip in and out, savoring reflections on the arts, sports, crime, race relations, urban planning, politics, and even Mrs. O'Leary's legendary cow. The selections do not shy from the underside of the city, recognizing that its grit and graft have as much a place in the written imagination as soaring odes and boosterism. As Neil Harris observes in his introduction, "Even when Chicagoans celebrate their hearth and home, they do so while acknowledging deep-seated flaws." At the same time, this collection heartily reminds us all of what makes Chicago, as Norman Mailer called it, the "great American city." With essays from, among others, Ira Berkow, Thomas Dyja, Ann Durkin Keating, Alex Kotlowitz, Toni Preckwinkle, Frank Rich, Don Share, Carl Smith, Regina Taylor, Garry Wills, and William Julius Wilson; and featuring works by Saul Bellow, Gwendolyn Brooks, Sandra Cisneros, Clarence Darrow, Erik Larson, David Mamet, Studs Terkel, Ida B. Wells-Barnett, Frank Lloyd Wright, and many more.

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In this account of their research, the authors describe the anxiety, loneliness and despair of young children in hospital, foster homes and institutions in Britain in the 1950s and 1960s. This is a history of a couple in the field of child health, who pioneered research into the effects of separation from the mother when a child went into hospital.

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