Search results for ""author joyce"

In 2014, Big Finish started a new range of Doctor Who stories, bringing back original cast members from the 1960s eras in order to tell new stories: they're audio tales in black and white! The Doctor, Ian, Barbara, Vicki and Jospa land the TARDIS on the homeworld of the Arunde. Emerging into the jungle that covers the planet and encountering the strange wildlife dwelling within, the travellers are unaware that the true rulers live high above them in the trees. The ape-like members of the tribe are in trouble. The last Matriar's nest has been lost to the surface, and the people are hungry...Maybe these strangers may be responsible. And some believe they may be salvation. The TARDIS crew are about to find themselves in the middle of somebody else's battle. But there's more at stake than even they can know. This range of era-authentic new stories has been hugely popular with fans, with a further two series already commissioned! William Russell returns to play his character from the very first Doctor Who story in 1963 - the Doctor's companion Ian Chesterton. Actor Jemma Powell is familiar to Doctor Who fans for her role as Jacqueline Hill in 2013's drama-mentary about the origins of Doctor Who - An Adventure in Space and Time. Jacqueline Hill played the original companion Barbara, a role Jemma now takes on. CAST: William Russell (Ian/The Doctor), Maureen O'Brien (Vicki/Narrator), Jemma Powell, (Barbara/Fula), James Joyce (Jospa), Kate Byers (Sharna), Elliot Cowan (Gark) and Orlando James (Krube).

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'Outstanding... An elegant masterpiece... Wry but also warm and generous' Roxane Gay'Funny, exciting, vulnerable - truly visionary' Alexander CheeTen days after calling off her wedding, CJ Hauser went on an expedition to study the whooping crane. After a week wading through the gulf, she realised she had almost signed up to live somebody else's life.In this intimate, frank and funny memoir in essays, CJ Hauser lets go of 'how life was supposed to be' and goes looking for more honest ways of living. She kisses internet strangers, officiates a wedding, visits a fertility clinic. She reads Rebecca in the house her new boyfriend shared with his ex-wife and rewinds Katharine Hepburn in The Philadelphia Story to learn how not to lose yourself in a relationship. She writes about friends and lovers, ghosts and robots, grief and heartbreak, blood family and chosen family, and asks what more expansive definitions of love might offer us all.The Crane Wife is a book for anyone whose life doesn't look the way they thought it would; for anyone trying, if sometimes failing, to find joy in the unexpected.'What a fantastic, original, funny and touching voice! C J Hauser is a wondrous writer. This book will give so much happiness.' CRESSIDA CONNOLLY, author of AFTER THE PARTY'Brilliant and beautiful... An absolute must-read' FRANCES CHA, author of IF I HAD YOUR FACE'Compassionate and funny and brave. CJ is a master story weaver. I was left wanting more, in the best way possible.' CHARLIE GILMOUR, author of FEATHERHOOD'A thrillingly original deconstruction of desire and its many configurations' Publishers Weekly'Bold and brilliant and psychologically exquisite, CJ Hauser is a deeply gifted and generous writer. THE CRANE WIFE is enthralling.' CHARLOTTE FOX WEBER, author of WHAT WE WANT'Intimate, witty and beautifully crafted' Elle

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Despite the ease with which scholars have used the term ""memory"" in re­cent decades, its definition remains enigmatic. Does cultural memory rely on the memories of individuals, or does it take shape beyond the borders of the individual mind? Cultural memory has garnered particular atten­tion within Irish studies. With its trauma-filled history and sizable global diaspora, Ireland presents an ideal subject for work in this vein. What do stereotypes of Irish memory—as extensive, unforgiving, begrudging, but also blank on particular, usually traumatic, subjects—reveal about the ways in which cultural remembrance works in contemporary Irish culture and in Irish diasporic culture? How do icons of Irishness—from the harp to the cottage, from the Celtic cross to a figure like James Joyce—function in cultural memory? This collection seeks to address these questions as it maps a landscape of cultural memory in Ireland through theoretical, historical, literary, and cultural explorations by top scholars in the field of Irish studies. In a series that will ultimately include four volumes, the sixteen es­says in this first volume explore remembrance and forgetting throughout history, from early modern Ireland to contemporary multicultural Ireland. Among the many subjects address, Guy Beiner disentangles ""collective"" from ""folk"" memory in ""Remembering and Forgetting the Irish Rebellion of 1798,"" and Anne Dolan looks at local memory of the Civil war in ""Embodying the Memory of War and Civil War."" The volume concludes with Alan Titley’s ""The Great Forgetting,"" a compelling argu­ment for viewing modern Irish culture as an artifact of the Europeaniza­tion of Ireland and for bringing into focus the urgent need for further, wide-ranging Irish-language scholarship.

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Health starts in the gut, your second brainIf you have digestive issues such as bloating, indigestion or heartburn after meals, or tend towards constipation or IBS - or you simply don't feel energised by your food - Improve Your Digestion will show you how to tune up your gut. It offers an easy-to-follow road map that will help you achieve perfect digestion, absorption and elimination, which means you'll experience better health and disease resilience, and a new level of vitality. Improve Your Digestion unravels the complex workings of the digestive system, explaining why it is now being called the second brain, and why having healthy gut microbes is so vital.Fascinating and practical, this comprehensive guide to our most underrated organ explains how to:· Banish bloating and constipation· End indigestion and heartburn without drugs· Identify and reverse hidden food intolerances· Solve IBS and inflammatory bowel disease· Conquer candidiasis and other gut infections· Restore healthy digestion with foods that heal· Balance your gut bacteria and make your own probiotics· Build your resilience to stress - a crucial factor in achieving good digestionImprove Your Digestion also includes an action plan for a healthy gut, as well as tips for self-diagnosing which digestive supplements you may need and when. You'll learn which foods are digestion-friendly and discover the art of Gutstronomy - how to prepare delicious, gut-friendly breakfasts, main meals and snacks, guided by kitchen wizard Fiona McDonald Joyce.Make your gut your friend and it will reward you with better health.

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The bloody history of Britain through the stories of its most notorious traitorsA History of Treason details British history from 1351 to 1945, covering major historical moments in a fascinating and innovative way, using the history of high treason and deception as its theme.Appealing to a range of audiences, it covers over 750 years of momentous history through the use of both famous and lesser known events which shaped Britain. Using original documents and detailed research undertaken by TNA's record specialists, it will cover moments in history which led to fundamental changes in eras. It will also include unique discoveries from TNA's archives, uncovering mysteries and stories of how dealing with treason have brought about the changes which have influenced and shaped Britain throughout the centuries. Among these are:the trial and execution of Anne Boleyn on the orders of her husband, Henry VIIIseveral major acts of sedition, including the Popish Gunpowder Plot and the revolution plotted in the Cato Street conspiracythe evidence brought against the Irish patriot Sir Roger Casement, executed at Pentonville and his remains later exhumed and given a state funeral in Irelandthe trial and execution of the William Joyce who, as 'Lord Haw-Haw', broadcast Nazi propaganda from Berlin during the Second World WarThe book covers many stories that explore the nature of treason and how the crown and state reacted to it - from the introduction of the Treason Act in 1352 right through to the twentieth century.Written by experts from among the historians at the National Archives, the book is copiously copiously illustrated with images from TNA's unrivalled collections.

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From a leading figure in comparative literature, a major new survey of the field that points the way forward for a discipline undergoing rapid changesLiterary studies are being transformed today by the expansive and disruptive forces of globalization. More works than ever circulate worldwide in English and in translation, and even national traditions are increasingly seen in transnational terms. To encompass this expanding literary universe, scholars and teachers need to increase their linguistic and cultural resources, rethink their methods and training, and reconceive the place of literature and criticism in the world. In Comparing the Literatures, David Damrosch integrates comparative, postcolonial, and world-literary perspectives to offer a comprehensive overview of comparative studies and its prospects in a time of great upheaval and great opportunity.Comparing the Literatures looks both at institutional forces and at key episodes in the life and work of comparatists who have struggled to define and redefine the terms of literary analysis over the past two centuries, from Johann Gottfried Herder and Germaine de Staël to Edward Said, Gayatri Spivak, Franco Moretti, and Emily Apter. With literary examples ranging from Ovid and Kalidasa to James Joyce, Yoko Tawada, and the internet artists Young-Hae Chang Heavy Industries, Damrosch shows how the main strands of comparison—philology, literary theory, colonial and postcolonial studies, and the study of world literature—have long been intertwined. A deeper understanding of comparative literature's achievements, persistent contradictions, and even failures can help comparatists in literature and other fields develop creative responses to today's most important questions and debates.Amid a multitude of challenges and new possibilities for comparative literature, Comparing the Literatures provides an important road map for the discipline's revitalization.

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A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923–2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement’s feminist methods and values, including Miriam Schapiro’s “femmage” practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.Published in association with The Museum of Contemporary Art, Los AngelesExhibition Schedule:Museum of Contemporary Art, Los Angeles (October 27, 2019–May 11, 2020)Hessel Museum of Art, Bard College (June 26–November 28, 2021)

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'Inspiring' GUARDIAN 'Heartbreaking' INDEPENDENT 'I loved it' ADAM KAY 'Beautiful' MATT HAIG 'Luminous' NICCI GERRARD 'Essential reading' MADELEINE BUNTING 'A celebration' CHRISTIE WATSON ----- A Best Book for Summer 2021 in the Times, Guardian, and The i Independent Book of the Month ----- As our population ages, more and more of us find ourselves caring for parents and loved ones - some 8.8 million people in the UK. An invisible army of carers holding families together. Here, Kate Mosse tells her personal story of finding herself as a carer in middle age: first, helping her mother look after her beloved father through Parkinson's, then supporting her mother in widowhood, and finally as 'an extra pair of hands' for her 90-year-old mother-in-law. This is a story about the gentle heroism of our carers, about small everyday acts of tenderness, and finding joy in times of crisis. It's about juggling priorities, mind-numbing repetition, about guilt and powerlessness, about grief, and the solace of nature when we're exhausted or at a loss. It is also about celebrating older people, about learning to live differently - and think differently about ageing. But most of all, it's a story about love. ----- 'Lifts the spirits without pulling punches' IAN RANKIN 'Irresistible' RACHEL JOYCE 'Questions how and why we fetishise independence when the reality of human experience is always interdependence' GUARDIAN, BOOK OF THE DAY 'Heartfelt, funny and at times heartbreaking. 10/10' INDEPENDENT

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It’s a tennis story. It’s a family story. It’s a teamwork story. It’s the story of how I got to where and who I am today. I'm only in my mid-twenties, and some might think that's young to write a memoir. But it's important to reflect on every part of the journey, especially the end. The timing is perfect to share my story, from the first time I picked up a racquet as a five-year-old girl in Ipswich to the night I packed up my tennis bag at Melbourne Park after winning the 2022 Australian Open. Now I can look back at the 20 years in between and think carefully through the work and the play, the smiles and the tears, and all the people who helped along the way, be it my first ever coach, Jim Joyce, or my longtime one, Craig Tyzzer. My Dream Time follows me on my path to being the best I could be, not just as an athlete but as a person. How do you conquer nerves and anxiety? How do you deal with defeat, or pain? What drives you to succeed – and what happens when you do? The answers tell me so much, about bitter disappointments and also dreams realised – from injuries and obscurity and self-doubt to winning Wimbledon and ranking number 1 in the world. My story is about the power and joy of doing that thing you love and seeing where it can take you. It’s about the importance of purpose – and perspective – in our lives.

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Can we truly find peace and even blessing amid the chaos, the disappointments, and the messes that life brings our way?Life is often messy. We hear people say, 'My life is a mess', or, 'This situation is a mess'. What they mean is that life has become difficult and confusing. God never promises us a trouble-free life. In fact, His Word tells us to expect the opposite. Jesus says, 'In the world you will have tribulation; but be of good cheer, I have overcome the world' (John 16:33 NKJV).Thankfully, trouble is not continuous in our lives. We also go through seasons that are peaceful and pleasant. But life does not always go as we would like, and we need to be prepared for the times when it gets messy.In Blessed in the Mess, beloved Bible teacher Joyce Meyer shows us how to be blessed even amid life's most challenging circumstances. The Bible is filled with instructions on how to handle ourselves when difficulty comes our way, and Blessed in the Mess collects that wisdom into poignant and practical teaching that equips us to remain stable and hopeful in every situation. No matter what unpleasant circumstances we may face, we can remain joyful and patient, trusting God as He works on our problems. If you have not handled your problems well in the past, then with God's help, you can begin to handle them better, starting now.It is possible to allow our difficulties to make us better and to live in such a way that we will end up better off than we were before the trouble began. We should never waste our pain. Through the wisdom distilled in this book, we can learn how to gain something from our messes, use what we've learned to stay out of trouble in the future, and allow our newfound wisdom to help other people mind blessing in the mist of their messes.

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An in-depth analysis of the work of one of the twentieth century's most innovative writersKathy Acker's body of work is one of the most significant collections of experimental writing in English. In 'Kathy Acker: Writing the Impossible', Georgina Colby explores Acker's compositional processes and intricate experimental practices, from early poetic exercises written in the 1970s to her final writings in 1997. Through original archival research, Colby traces the stages in Acker's writing and draws on her knowledge of unpublished manuscripts, notebooks, essays, illustrations, and correspondence to produce new ways of reading Acker's works. Rather than treating Acker as a postmodern writer this book argues that Acker continued a radical modernist engagement with the crisis of language, and carried out a series of experiments in composition and writing that are comparable in scope and rigor to her modernist predecessors Stein and Joyce. Each chapter focuses on a particular compositional method and insists on the importance of avant-garde experiment to the process of making new non-conventional modes of meaning. Combining close attention to the form of Acker's experimental writings with a consideration of the literary cultures from which she emerged, Colby positions Acker as a key figure in the American avant-garde, and a pioneer of contemporary experimental women's writing.Key FeaturesExamines unpublished manuscripts, notebooks, lecture notes, letters and manuscripts from the Kathy Acker PapersFeatures eleven previously unpublished images of original manuscripts, correspondence, and colour illustrations from the Kathy Acker PapersUtilises major archival study of Acker's experimental compositional practicesSituates Acker as a late modernist writer and a key figure in the American Avant-Garde

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A PhD student uncovers dark secrets in this 'richly atmospheric and irresistibly readable' (Joyce Carol Oates) Gothic mystery set in Scotland, Italy, and France. For fans of The Secret History. Fleeing a disastrous affair with a colleague in Boston, Isabel Henley moves to Scotland to begin a PhD, only to learn upon arrival that her advisor has died mysteriously. Soon afterwards, Isabel is informed that another scholar is about to publish a book on her dissertation topic, leaving her disconcerted and in search of a new subject. After such a rocky start to life overseas, Isabel needs a good friend, and finds one when she reconnects with Rose Brewster, a charismatic former classmate. But when Rose reveals she is in trouble, then goes missing, Isabel's already unsteady life is sent into a tailspin. A suicide note surfaces, followed by a coded message: Rose is alive but captive, and unless Isabel can complete her friend's research, both women will be killed. Isabel follows Rose's paper trail through Genoa, Florence and Paris. She uncovers family secrets, the legend of an enormous cursed emerald, and a chain of betrayal and treason lasting centuries. If she can put the pieces together in time, Isabel may solve a 400-year-old mystery... and save her life and her friend's in the process. Combining epistolary elements, Gothic suspense, and an atmospheric dark academia setting, The Bequest is a gripping literary thriller that will appeal to fans of Alex Michaelides and Donna Tartt.

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Set off on the eternal trail of the Beat experience in the city that inspired many of Jack Kerouac's best-loved novels including On the Road, Vanity of Duluoz, The Town and the City, and Desolation Angels. This is the ultimate guide to Kerouac's New York, packed with photos of the Beat Generation and filled with undercover information and little-known anecdotes. Eight easy-to-follow walking tours guide you to: Greenwich Village bars and cafes where Kerouac and his friends Allen Ginsberg, Neal Cassady, William Burroughs, Diane di Prima, Gregory Corso, Hettie and LeRoi Jones, John Clellon Holmes, Joyce Johnson, and others read poetry, drank, turned-on, and talked all night long. The Chelsea-district apartment where Jack wrote On the Road. Midtown clubs where Beat poets mingled with artists Jackson Pollock and Willem de Kooning and listened to jazz and blues greats Charlie Parker, Miles Davis, and Billie Holiday. Times Square, a magnet for Kerouac and the Beats. Columbia University, where the original Beats first met and began a revolution in American literature and culture. Each tour includes a map of the neighborhood, subway and bus information, and an insider's angle on Jack Kerouac's life in New York. A must for Beat enthusiasts and critics. Bill Morgan is a painter and archival consultant working in New York City. His previous publications include The Works of Allen Ginsberg 1941-1994: A Descriptive Bibliography and Lawrence Ferlinghetti: A Comprehensive Bibliography. He has worked as an archivist for Allen Ginsberg, Abbie Hoffman, and Timothy Leary.

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Making No Compromise is the first book-length account of the lives and editorial careers of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal the Little Review in Chicago in 1914. Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians, and advocating causes from anarchy to feminism and free love. Their lives and work shattered cultural, social, and sexual norms. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. Imagism, Dada, surrealism, and Machine Age aesthetics were among the radical trends the Little Review promoted and introduced to US audiences. Anderson and Heap published the early work of the "men of 1914"—Ezra Pound, James Joyce, William Butler Yeats, and T. S. Eliot—and promoted women writers such as Djuna Barnes, May Sinclair, Dorothy Richardson, Mina Loy, Mary Butts, and the inimitable Baroness Elsa von Freytag-Loringhoven. In the mid-1920s Anderson and Heap became adherents of George I. Gurdjieff, a Russian mystic, and in 1929 ceased publication of the Little Review. Holly A. Baggett examines the roles of radical politics, sexuality, modernism, and spirituality and suggests that Anderson and Heap's interest in esoteric questions was evident from the early days of the Little Review. Making No Compromise tells the story of two women who played an important role in shaping modernism.

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This is a bold and original original history of the novel from ancient Greece to the vibrant world of contemporary fiction. In this wide-ranging survey, Thomas Pavel argues that the driving force behind the novel's evolution has been a rivalry between stories that idealize human behavior and those that ridicule and condemn it. Impelled by this conflict, the novel moved from depicting strong souls to sensitive hearts and, finally, to enigmatic psyches. Pavel analyzes more than a hundred novels from Europe, North and South America, Asia, and beyond, resulting in a provocative reinterpretation of its development. According to Pavel, the earliest novels were implausible because their characters were either perfect or villainous. In the eighteenth and nineteenth centuries, novelists strove for greater credibility by describing the inner lives of ideal characters in minute detail (as in Samuel Richardson's case), or by closely examining the historical and social environment (as Walter Scott and Balzac did). Yet the earlier rivalry continued: Henry Fielding held the line against idealism, defending the comic tradition with its flawed characters, while Charlotte Bronte and George Eliot offered a rejoinder to social realism with their idealized vision of strong, generous, and sensitive women. In the twentieth century, modernists like Proust and Joyce sought to move beyond this conflict and capture the enigmatic workings of the psyche. Pavel concludes his compelling account by showing how the old tensions persist even within today's pluralism, as popular novels about heroes coexist with a wealth of other kinds of works, from satire to social and psychological realism.

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This is a bold and original original history of the novel from ancient Greece to the vibrant world of contemporary fiction. In this wide-ranging survey, Thomas Pavel argues that the driving force behind the novel's evolution has been a rivalry between stories that idealize human behavior and those that ridicule and condemn it. Impelled by this conflict, the novel moved from depicting strong souls to sensitive hearts and, finally, to enigmatic psyches. Pavel analyzes more than a hundred novels from Europe, North and South America, Asia, and beyond, resulting in a provocative reinterpretation of its development. According to Pavel, the earliest novels were implausible because their characters were either perfect or villainous. In the eighteenth and nineteenth centuries, novelists strove for greater credibility by describing the inner lives of ideal characters in minute detail (as in Samuel Richardson's case), or by closely examining the historical and social environment (as Walter Scott and Balzac did). Yet the earlier rivalry continued: Henry Fielding held the line against idealism, defending the comic tradition with its flawed characters, while Charlotte Bronte and George Eliot offered a rejoinder to social realism with their idealized vision of strong, generous, and sensitive women. In the twentieth century, modernists like Proust and Joyce sought to move beyond this conflict and capture the enigmatic workings of the psyche. Pavel concludes his compelling account by showing how the old tensions persist even within today's pluralism, as popular novels about heroes coexist with a wealth of other kinds of works, from satire to social and psychological realism.

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Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization.Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.

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Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.

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Marcel Proust’s À la recherche du temps perdu—In Search of Lost Time—is one of the most important and influential novels of the modern era. In recent decades, Proust has enjoyed a new surge of critical attention, as well as a sustained growth in readership—well beyond that of other prose masters of twentieth century modernism such as Joyce, Woolf, Kafka, and Beckett. The MLA Bibliography presently lists over 3,000 citations to scholarly works devoted to Proust’s novel, and if one Googles “Proust,” the number of hits exceeds 2,000,000. The temporal nature of human existence and consciousness is one of the many themes explored in In Search of Lost Time, and it is this dimension of Proust’s work that unifies this collection of essays that grew from a roundtable discussion entitled “The Timelessness of Proust” conducted at the 31st annual meeting of the Eric Voegelin Society. The collection includes the following essays: “In Search of Lost Time: Biographies of Consciousness,” Charles R. Embry “Proust, Transcendence, and Metaxic Existence,” Glenn Hughes “The Normative Flow of Consciousness and the Self: A Philosophical Meditation on Proust’s In Search of Lost Time,” Thomas J. McPartland; “Imprisonment and Freedom: Resisting and Embracing the Tension of Existence in Marcel Proust’s In Search of Lost Time,” Paulette Kidder; “Proust’s Luminous Memory and L’Homme Éternel: The Quest for Limitless Meaning,” Michael Henry “Unsought Revelations of Eternal Reality in Eliot’s Four Quartets and Proust’s In Search of Lost Time,” Glenn Hughes Persons who are interested not only in the philosophical importance of literary masterworks and in how the philosophical thought of Eric Voegelin may illuminate them, but also in letting Proust serve as a guide in the exploration and understanding of their own lives, will find these essays to be of lasting interest and value.

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Ludwig Wittgenstein famously declared that philosophy "ought really to be written only as a form of poetry," and he even described the Tractatus as "philosophical and, at the same time, literary." But few books have really followed up on these claims, and fewer still have focused on their relation to the special literary and artistic period in which Wittgenstein worked. This book offers the first collection to address the rich, vexed, and often contradictory relationship between modernism the twentieth century's predominant cultural and artistic movement and Wittgenstein, one of its preeminent and most enduring philosophers. In doing so it offers rich new understandings of both. Michael LeMahieu Karen Zumhagen-Yekpl bring together scholars in both twentieth-century philosophy and modern literary studies to put Wittgenstein into dialogue with some of modernism's most iconic figures, including Samuel Beckett, Saul Bellow, Walter Benjamin, Henry James, James Joyce, Franz Kafka, Adolf Loos, Robert Musil, Wallace Stevens, and Virginia Woolf. The contributors touch on two important aspects of Wittgenstein's work and modernism itself: form and medium. They discuss issues ranging from Wittgenstein and poetics to his use of numbered propositions in the Tractatus as a virtuoso performance of modernist form; from Wittgenstein's persistence metaphoric use of religion, music, and photography to an exploration of how he and Henry James both negotiated the relationship between the aesthetic and the ethical. Covering many other fascinating intersections of the philosopher and the arts, this book offers an important bridge across the disciplinary divides that have kept us from a fuller picture of both Wittgenstein and the larger intellectual and cultural movement of which he was a part.

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______________ 'An epic novel' - Telegraph 'A worldly wise delight' - Observer 'Another brilliant accomplishment from one of the country’s most indispensable writers' - Texas Observer ______________ From legendary writer Edmund White, a bold and sweeping new novel that traces the extraordinary fates of twin sisters, one destined for Parisian nobility and the other for Catholic sainthood Yvette and Yvonne Crawford are twin sisters, born on a humble patch of East Texas prairie but bound for far grander fates. Just as an untold fortune of oil lies beneath their daddy’s land, both girls harbour their own secrets and dreams – ones that will carry them far from Texas and from each other. As the decades unfold, Yvonne will ascend the highest ranks of Parisian society as Yvette gives herself to a lifetime of worship and service in the streets of Jericó, Colombia. And yet, even as they remake themselves in their radically different lives, the twins find that the bonds of family and the past are unbreakable. Spanning the 1950s to the recent past, Edmund White’s marvellous novel serves up an immensely pleasurable epic of two Texas women as their lives traverse varied worlds: the swaggering opulence of the Dallas nouveau riche, the airless pretention of the Paris gratin and the strict piety of a Colombian convent. ______________ 'Like a waltz that goes out of control, this is a wild, dizzying, joyful romp ... I loved it' - Ann Beattie 'White’s deeply satisfying character study demonstrates his profound abilities' - Publishers Weekly 'One of the three or four most virtuosic living writers of sentences in the English language' - Dave Eggers '... sacred as well as secular, and always sensuously alive' - Joyce Carol Oates

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An illuminating study of an award-winning writer who captured the complex challenges twentieth-century women faced in their struggle for independence.In Understanding Alice Adams, Bryant Mangum examines the thematic intricacies and astute social commentary of Adams’s eleven novels and five short story collections. Throughout her career Adams was known for creating and re-creating the “Alice Adams woman,” who is bright, honest, attractive, thoughtful—and sometimes a bit offbeat. As Mangum notes, Adams’s central characters—her heroes—are most often women struggling toward self-sufficiency and independence as they strive to fulfill their responsibilities, including child rearing and other societal commitments.After an overview of Adams’s life (1926– 1999), Mangum groups the novels and stories by the decades in which they were published, since shifts in the thematic arc of Adams’s fiction break conveniently along those lines. He explains how Adams used the novel as an extended workshop for her short fiction. Her novels cover wide swaths of the American experience, and from these sweeping narratives she distilled her sharp, lyrical, vibrant short stories, which earned her 23 O. Henry Awards—including six first-place recognitions and a lifetime achievement award—an honor shared with only Joyce Carol Oates, John Updike, and Alice Munro.In this study Mangum explores how Adams treats love, family, work, friendship, and nostalgia. He identifies hope as a thread that links all her main characters, despite how accurately she had anticipated the complexities and challenges that accompanied increased freedom for women in the later twentieth century.

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A gripping page-turner set in occupied France from international multi-million copy seller Joanne Harris. With the sensuous writing we come to expect from her, this book has a darker core. Perfect for fans of Victoria Hislop, Fiona Valpy, Maggie O'Farrell and Rachel Joyce, this fascinating and vivid journey through human cruelty and kindness is a gripping and compelling read.'Her strongest writing yet: as tangy and sometimes bitter as Chocolat was smooth' -- Independent'Harris indulges her love of rich and mouthwatering descriptive passages, appealing to the senses... Thoroughly enjoyable' -- Observer'Outstanding...beautifully written' -- Daily Mail'Very thought provoking. I read the book in two days and am still thinking about it a few days down the line' -- ***** Reader review'Absolutely gripping from the very first page' -- ***** Reader review'Joanne Harris at her very best!'-- ***** Reader review'Superb' -- ***** Reader review'I just couldn't put this one down'-- ***** Reader review 2*********************************************************THE PAST WILL ALWAYS CATCH UP WITH YOU...Beyond the main street of Les Laveuses runs the Loire: smooth and brown as a sunning snake - but hiding a deadly undertow beneath its moving surface. This is where Framboise, a secretive widow, plies her culinary trade at the crêperie - and lets her memory play strange games.As her nephew attempts to exploit the growing success of the country recipes Framboise has inherited from her mother - a woman remembered with contempt by the villagers - memories of a disturbed childhood during the German Occupation flood back, and expose a past full of betrayal, blackmail and lies...

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Contributions by Simone A. Alexander, José Felipe Alvergue, Valerie Babb, Pamela Bordelon, Taylor Hagood, Joyce Marie Jackson, Delia Malia Konzett, Jane Landers, John Wharton Lowe, Gary Monroe, Noelle Morrissette, Paul Ortiz, Lyrae Van Clef-Stefanon, Genevieve West, and Belinda Wheeler The state of Florida has a rich literary and cultural history, which has been greatly shaped by many different ethnicities, races, and cultures that call the Sunshine State home. Little attention has been paid, however, to the key role of African Americans in Floridian history and culture. The state’s early population boom came from immigrants from the US South, and many of them were African Americans. Interaction between the state’s ethnic communities has created a unique and vibrant culture, which has had, and continues to have, a significant impact on southern, national, and hemispheric life and history. Black Hibiscus: African Americans and the Florida Imaginary begins by exploring Florida’s colonial past, focusing particularly on interactions between maroons who escaped enslavement, and on Albery Whitman’s The Rape of Florida, which also links Black people and Native Americans. Contributors consider film, folklore, and music, as well as such key Black writers as Zora Neale Hurston, James Weldon Johnson, Gwendolyn Bennett, Colson Whitehead, and Edwidge Danticat. The volume features Black Floridians’ role in the civil rights movement and Black contributions to the celebrated Florida Writers’ Project. Contributors include literary scholars, historians, film critics, art historians, anthropologists, musicologists, political scientists, artists, and poets.

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‘Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.’ Simon SchamaSir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world’s foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging – from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama’s tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world’s most respected publications - the Times, the Guardian, the New Yorker, Harper’s Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world’s foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

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Grounded equally in discussions of theater history, literary genre, and theory, Martin Puchner's Stage Fright: Modernism, Anti-Theatricality, and Drama explores the conflict between avant-garde theater and modernism. While the avant-garde celebrated all things theatrical, a dominant strain of modernism tended to define itself against the theater, valuing lyric poetry and the novel instead. Defenders of the theater dismiss modernism's aversion to the stage and its mimicking actors as one more form of the old "anti-theatrical" prejudice. But Puchner shows that modernism's ambivalence about the theater was shared even by playwrights and directors and thus was a productive force responsible for some of the greatest achievements in dramatic literature and theater. A reaction to the aggressive theatricality of Wagner and his followers, the modernist backlash against the theater led to the peculiar genre of the closet drama-a theatrical piece intended to be read rather than staged-whose long-overlooked significance Puchner traces from the theatrical texts of Mallarme and Stein to the dramatic "Circe" chapter of Joyce's Ulysses. At times, then, the anti-theatrical impulse leads to a withdrawal from the theater. At other times, however, it returns to the stage, when Yeats blends lyric poetry with Japanese Noh dancers, when Brecht controls the stage with novelistic techniques, and when Beckett buries his actors in barrels and behind obsessive stage directions. The modernist theater thus owes much to the closet drama whose literary strategies it blends with a new mise en scene. While offering an alternative history of modernist theater and literature, Puchner also provides a new account of the contradictory forces within modernism.

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An unforgettable novel of mothers and daughters, wives and muses, secrets and outright lies ‘Freud is a modern literary rarity: a born storyteller’ THE TIMES 'Such a powerful book' RICHARD CURTIS 'Delivers an emotional punch that left me in tears' RACHEL JOYCE 'Utterly compelling' HANNAH ROTHSCHILD 'I couldn't love it more' POLLY SAMSON 'I loved this book' AMANDA CRAIG 'Completely, inspiringly wonderful' BARBARA TRAPIDO 'Breathtakingly beautiful' JULIET NICOLSON AN EVENING STANDARD BOOK OF 2021 Rosaleen is still a teenager, in the early Sixties, when she meets the famous sculptor Felix Lichtman. Felix is dangerous, bohemian, everything she dreamed of in the cold nights at her Catholic boarding school. And at first their life together is glitteringly romantic – drinking in Soho, journeying to Marseilles. But it’s not long before Rosaleen finds herself fearfully, unexpectedly alone. Desperate, she seeks help from the only source she knows, the local priest, and is directed across the sea to Ireland on a journey that will seal her fate. Kate lives in Nineties London, stumbling through her unhappy marriage. But something has begun to stir in her. Close to breaking point, she sets off on a journey of her own, not knowing what she hopes to find. Aoife sits at her husband’s bedside as he lies dying, and tells him the story of their marriage. But there is a crucial part of the story missing and time is running out. Aoife needs to know: what became of Rosaleen? Spanning three generations of women, I Couldn’t Love You More is an unforgettable novel about love, motherhood, secrets and betrayal – and how only the truth can set us free.

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‘Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.’ Simon SchamaSir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world’s foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging – from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama’s tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world’s most respected publications - the Times, the Guardian, the New Yorker, Harper’s Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world’s foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

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From a leading figure in comparative literature, a major new survey of the field that points the way forward for a discipline undergoing rapid changesLiterary studies are being transformed today by the expansive and disruptive forces of globalization. More works than ever circulate worldwide in English and in translation, and even national traditions are increasingly seen in transnational terms. To encompass this expanding literary universe, scholars and teachers need to increase their linguistic and cultural resources, rethink their methods and training, and reconceive the place of literature and criticism in the world. In Comparing the Literatures, David Damrosch integrates comparative, postcolonial, and world-literary perspectives to offer a comprehensive overview of comparative studies and its prospects in a time of great upheaval and great opportunity.Comparing the Literatures looks both at institutional forces and at key episodes in the life and work of comparatists who have struggled to define and redefine the terms of literary analysis over the past two centuries, from Johann Gottfried Herder and Germaine de Staël to Edward Said, Gayatri Spivak, Franco Moretti, and Emily Apter. With literary examples ranging from Ovid and Kalidasa to James Joyce, Yoko Tawada, and the internet artists Young-Hae Chang Heavy Industries, Damrosch shows how the main strands of comparison—philology, literary theory, colonial and postcolonial studies, and the study of world literature—have long been intertwined. A deeper understanding of comparative literature's achievements, persistent contradictions, and even failures can help comparatists in literature and other fields develop creative responses to today's most important questions and debates.Amid a multitude of challenges and new possibilities for comparative literature, Comparing the Literatures provides an important road map for the discipline's revitalization.

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In Public Works: Infrastructure, Irish Modernism, and the Postcolonial, Michael Rubenstein documents the relationship between Irish modernism and a restricted segment of the material culture of the modern state known colloquially as “public utilities” or “water, gas, and electricity.” The water tap, the toilet, the gas jet, and the electrical light switch: these are all sites, in Irish modernism, of unexpected literary and linguistic intensities that burst through the routines of everyday life, defamiliarizing and reconceptualizing that which we might not normally consider worthy of literary attention. Such public utilities—material networks of power and provision, submission and entitlement—are taken up in Irish modernism not only as a nexus of anxieties about modern life, but also as a focal point for the hopes held out for the postcolonial Irish Free State. Public utilities figure a normative and utopian standard of modernity and modernization; they embody in Irish modernism and in other postcolonial literatures an ideal for the postcolonial state; and they figure a continuity between the material networks of the modern state and the abstract ideals of revolutionary republicanism (liberty, equality, and brotherhood). They define a new territory of contestation within the discourses of civil and human rights. Moreover, public utilities influence the formal qualities of both Irish modernist and postcolonial literature. In analyses of literary works by James Joyce, Flann O’Brien, Elizabeth Bowen, Denis Johnston, Samuel Beckett, and Patrick Chamoiseau, Rubenstein asks us to think about the industrial networks of the twentieth century alongside self-consciously “national” literary works and to understand them as different but inherently related forms of public works. In doing so his book maps thematic and formal relationships between national infrastructure and national literature, revealing an intimate dialogue between the nation’s literary arts and the state’s engineering cultures.

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In the wake of Brown v. Board of Education, racial equality in American public education appeared to have a bright future. But, for many, that brightness dimmed considerably following the Supreme Court’s landmark decision in Milliken v. Bradley (1974). While the literature on Brown is voluminous, Joyce Baugh’s measured and insightful study offers the only available book-length analysis of Milliken, the first major desegregation case to originate outside the South. As Baugh chronicles, when the city of Detroit sought to address school segregation by busing white students to black schools, a Michigan statute signed by Gov. William Milliken overruled the plan. In response, the NAACP sued the state on behalf of Ronald Bradley and other affected parents. The federal district court sided with the plaintiffs and ordered the city and state to devise a “metropolitan” plan that crossed city lines into the suburbs and encompassed a total of fifty-four school districts. The state, however, appealed that decision all the way to the Supreme Court. In its controversial 5-4 decision, the Court’s new conservative majority ruled that, since there was no evidence that the suburban school districts had deliberately engaged in a policy of segregation, the lower court’s remedy was “wholly impermissible” and not justified by Brown—which the Court said could only address de jure, not de facto segregation. While the Court’s majority expressed concern that the district court’s remedy threatened the sanctity of local control over schools, the minority contended that the decision would allow residential segregation to be used as a valid excuse for school segregation. To reconstruct the proceedings and give all claims a fair hearing, Baugh interviewed lawyers representing both sides in the case, as well as the federal district judge who eventually closed the litigation; plumbed the papers of Justices Blackmun, Brennan, Douglas, and Marshall; talked with the main reporter who covered the case; and researched the NAACP files on Milliken. What emerges is a detailed account of how and why Milliken came about, as well as its impact on the Court’s school-desegregation jurisprudence and on public education in American cities.

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Challenging some of the established practices of public policy and administration, which have been called into question in recent years by the financial and banking crises of 2008, the authors specifically seek to investigate current public sector management and the public managers acting in the interests of civil society to get to the heart of best practice.

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Writers of the Black Chicago Renaissance comprehensively explores the contours and content of the Black Chicago Renaissance, a creative movement that emerged from the crucible of rigid segregation in Chicago's "Black Belt" from the 1930s through the 1960s. Heavily influenced by the Harlem Renaissance and the Chicago Renaissance of white writers, its participants were invested in political activism and social change as much as literature, art, and aesthetics. The revolutionary writing of this era produced some of the first great accolades for African American literature and set up much of the important writing that came to fruition in the Black Arts Movement. The volume covers a vast collection of subjects, including many important writers such as Richard Wright, Gwendolyn Brooks, and Lorraine Hansberry as well as cultural products such as black newspapers, music, and theater. The book includes individual entries by experts on each subject; a discography and filmography that highlight important writers, musicians, films, and cultural presentations; and an introduction that relates the Harlem Renaissance, the White Chicago Renaissance, the Black Chicago Renaissance, and the Black Arts Movement.Contributors are Robert Butler, Robert H. Cataliotti, Maryemma Graham, James C. Hall, James L. Hill, Michael Hill, Lovalerie King, Lawrence Jackson, Angelene Jamison-Hall, Keith Leonard, Lisbeth Lipari, Bill V. Mullen, Patrick Naick, William R. Nash, Charlene Regester, Kimberly Ruffin, Elizabeth Schultz, Joyce Hope Scott, James Smethurst, Kimberly M. Stanley, Kathryn Waddell Takara, Steven C. Tracy, Zoe Trodd, Alan Wald, Jamal Eric Watson, Donyel Hobbs Williams, Stephen Caldwell Wright, and Richard Yarborough.

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The inaugural volume in the Thai Archaeology Monograph Series describes in detail the human skeletal remains from Ban Chiang in northeast Thailand. The skeletal material spans a period from 2100 B.C. to A.D. 200 and includes premetal, Bronze Age, and Iron Age deposits from a series of prehistoric societies. The history of Homo sapiens in Asia has long been a topic of interest among scholars investigating human biology. This study, which is based on one of the larger, comprehensively analyzed skeletal series ever excavated in the region, makes fundamental contributions to understanding human settlement in eastern Asia. The volume includes detailed summaries of metric and nonmetric variation recorded in teeth, skulls, and the rest of the skeleton, and evidence of disease of the Ban Chiang people. These data are used to examine a number of questions: Where did the people of Ban Chiang come from? Did more intensified agriculture influence the health of the people? How do the people of Ban Chiang compare to the inhabitants of other ancient sites in Thailand and to the modern peoples of Thailand and neighboring regions? Contrary to other groups experiencing similar transitions elsewhere in the world, no clear evidence for a decline in health over time is noted in the Ban Chiang skeletal series, suggesting continuity in a broad-based subsistence strategy even in the face of intensifying agriculture. The skeletal evidence further suggests a rigorous physical lifestyle with little evidence for infectious disease or interpersonal violence. Content of this book's CD-ROM may be found online at this location: http://core.tdar.org/project/376534. Thai Archaeology Monograph Series Joyce C. White, Series Editor University Museum Monograph, 111

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Essays discussing the medieval book, its owners and its readers. Reading, writing, sharing texts, and book ownership in the fifteenth and sixteenth centuries, and how they fostered social and intellectual links and networks between individuals, particularly among women: these are subjects whichthe pioneering work of Mary C. Erler has done so much to illuminate. The essays here, in this volume in her honour, build on her scholarship, engaging with Professor Erler's characteristic use of bibliography in the service of biography by investigating how the physical object of the book can enlighten our understanding of medieval readers and writers. They analyze, for example, what "reading" means in terms of the act itself (and the accessories, such asbookmarks, that helped to set the stage for reading), whether done aloud or silently, in such different venues as an aristocratic court, bourgeois household, village community, and monastic cloister. They also consider the culture of medieval reading practices, especially those of women, across social classes, and in terms of the transition between the pre- and post-Reformation periods; the fluidity of genre boundaries; and changes in devotional reading and writing in this liminal period. A wide variety of genres are covered, including secular romance, devotional texts, schoolbooks, and the illustrated Old Testament preface to the famous Queen Mary Psalter, which recasts the story and image of ancient Israelites to suit elite readerly taste. MARTIN CHASE is Professor of English and Medieval Studies at Fordham University; MARYANNE KOWALESKI is Joseph Fitzpatrick S.J. Distinguished Professor of History and Medieval Studies at Fordham University. CONTRIBUTORS: Allison Alberts, Caroline M. Barron, Heather Blatt, Martin Chase, Joyce Coleman, Sheila Lindenbaum, Joel T. Rosenthal, Michael G. Sargent, Kathryn A. Smith.

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William Goyen was a writer of startling originality and deep artistic commitment whose work attracted an international audience and the praise of such luminaries as Northrop Frye, Truman Capote, Gaston Bachelard, and Joyce Carol Oates. His subject was the land and language of his native East Texas; his desire, to preserve the narrative music through which he came to know his world. Goyen sought to transform the cherished details of his lost boyhood landscape into lasting, mythic forms. Cut off from his native soil and considering himself an “orphan,” Goyen brought modernist alienation and experimentation to Texas materials. The result was a body of work both sophisticated and handmade—and a voice at once inimitable and unmistakable.It Starts with Trouble is the first complete account of Goyen’s life and work. It uncovers the sources of his personal and artistic development, from his early years in Trinity, Texas, through his adolescence and college experience in Houston; his Navy service during World War II; and the subsequent growth of his writing career, which saw the publication of five novels, including The House of Breath, nonfiction works such as A Book of Jesus, several short story collections and plays, and a book of poetry. It explores Goyen’s relationships with such legendary figures as Frieda Lawrence, Katherine Anne Porter, Stephen Spender, Anaïs Nin, and Carson McCullers. No other twentieth-century writer attempted so intimate a connection with his readers, and no other writer of his era worked so passionately to recover the spiritual in an age of disabling irony. Goyen’s life and work are a testament to the redemptive power of storytelling and the absolute necessity of narrative art.

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Has the passing of the old God paved the way for a new kind of religious project, a more responsible way to seek, sound, and love the things we call divine? Has the suspension of dogmatic certainties and presumptions opened a space in which we can encounter religious wonder anew? Situated at the split between theism and atheism, we now have the opportunity to respond in deeper, freer ways to things we cannot fathom or prove. Distinguished philosopher Richard Kearney calls this condition ana-theos, or God after God-a moment of creative "not knowing" that signifies a break with former sureties and invites us to forge new meanings from the most ancient of wisdoms. Anatheism refers to an inaugural event that lies at the heart of every great religion, a wager between hospitality and hostility to the stranger, the other--the sense of something "more." By analyzing the roots of our own anatheistic moment, Kearney shows not only how a return to God is possible for those who seek it but also how a more liberating faith can be born. Kearney begins by locating a turn toward sacred secularity in contemporary philosophy, focusing on Maurice Merleau-Ponty and Paul Ricoeur. He then marks "epiphanies" in the modernist masterpieces of James Joyce, Marcel Proust, and Virginia Woolf. Kearney concludes with a discussion of the role of theism and atheism in conflict and peace, confronting the distinction between sacramental and sacrificial belief or the God who gives life and the God who takes it away. Accepting that we can never be sure about God, he argues, is the only way to rediscover a hidden holiness in life and to reclaim an everyday divinity.

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Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz

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'Quirky, compelling and thoroughly enjoyable' Kate Ellis'A super start to the series' Frances Brody'An entertaining murder mystery . . . witty' L C Tyler 'This quirky, fast-paced crime mystery is magically entertaining' - Dundee Courier Live music... and explosive death in front of an adoring audience - welcome to the world of the Mindful Detective . . .When Ethan Flynn, charismatic vocalist of supergroup Stigma, is electrocuted by his own guitar in front of 175,000 witnesses on the Pyramid stage at the Glastonbury Festival, suspicion falls on his tyrannical twin, Tyrone.Leading the murder investigation is Buddhist detective, Vincent Caine, and his partner, DI Shanti Joyce. To Shanti's consternation the pair have become known as 'the go-to team for weird stuff in the West Country' and few crimes come weirder than this. Amidst the pulsating beats of the festival, the unlikely duo struggle to untangle the wildly conflicting statements of minders, lovers, drug-fuelled roadies, and dodgy divas.Against the mystical backdrop of Glastonbury Tor and the tiny Somerset village of Kilton, the terrifying trail leads Shanti and Caine from clairvoyant Tarot readings to the cryptic lyrics of a lost song, cunningly concealed by the tragic superstar.Can the unlikely mix of Shanti's down-to-earth pragmatism and Caine's intuitive sleuthing skills solve this most singular of murders? Is the future of the world's greatest festival in peril? And what happens when two consummate professionals are forced to share a tent in the steamy heat of summer?Praise for Festival of Death'... A quirky, surprising read... it transports you to the heart of Glastonbury festival... 5*' UK Crime Book Club '...Startlingly original and funny' Sidmouth Herald

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Carolyn Forché is one of America’s most important contemporary poets – renowned as a ‘poet of witness’ – as well as an indefatigable human rights activist. Over four decades, she has crafted visionary work that has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, enquiries and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. In the Lateness of the World is a dark book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The poems call to the reader from the end of the world where they are sifting through the aftermath of history. Forché imagines a place where 'you could see everything at once… every moment you have lived or place you have been'. The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and 'there is nothing that cannot be seen'. In the Lateness of the World is a revelation from one of the finest poets writing today. Her meditative poetry has a majestic sweep, with themes ranging from life on earth and human existence to history, war, genocide and the Holocaust. In the Lateness of the World is her first new collection in seventeen years, and follows three other collections published by Bloodaxe in Britain, The Country Between Us (1981/2018), The Angel of History (1994) and Blue Hour (2003). Jane Miller called Blue Hour ‘a masterwork for the 21st century’. According to Joyce Carol Oates (New York Times Book Review), Forché’s ability to wed the “political” with the “personal” places her in the company of such poets as Pablo Neruda, Philip Levine and Denise Levertov.

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"Ten times, an elderly grey-haired man gets up on the stage. Ten times puffing and sighing. Ten times slowly tracing out strange multi-coloured arabesques that interweave, curling with the meanders of his speech, by turns fluid and uneasy. A whole crowd looks on, transfixed by this enigma-made-man, absorbing the ipse dixit and anticipating some illumination that is taking its time to appear.Non lucet. It’s shady in here, and the Théodores go hunting for their matches. Still, they say, cuicumque in sua arte perito credendum est, whosoever is expert in his art is to be lent credence. At what point is a person mad? The master himself poses the question.That was back in the day. Those were the mysteries of Paris forty years hence.A Dante clasping Virgil’s hand to be led through the circles of the Inferno, Lacan took the hand of James Joyce, the unreadable Irishman, and, in the wake of this slender Commander of the Faithless, made with heavy and faltering step onto the incandescent zone where symptomatic women and ravaging men burn and writhe.An equivocal troupe was in the struggling audience: his son-in-law; a dishevelled writer, young and just as unreadable back then; two dialoguing mathematicians; and a professor from Lyon vouching for the seriousness of the whole affair. A discreet Pasiphaë was being put to work backstage.Smirk then, my good fellows! Be my guest. Make fun of it all! That’s what our comic illusion is for. That way, you shall know nothing of what is happening right before your very eyes: the most carefully considered, the most lucid, and the most intrepid calling into question of the art that Freud invented, better known under its pseudonym: psychoanalysis."—Jacques-Alain Miller

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"Ten times, an elderly grey-haired man gets up on the stage. Ten times puffing and sighing. Ten times slowly tracing out strange multi-coloured arabesques that interweave, curling with the meanders of his speech, by turns fluid and uneasy. A whole crowd looks on, transfixed by this enigma-made-man, absorbing the ipse dixit and anticipating some illumination that is taking its time to appear.Non lucet. It’s shady in here, and the Théodores go hunting for their matches. Still, they say, cuicumque in sua arte perito credendum est, whosoever is expert in his art is to be lent credence. At what point is a person mad? The master himself poses the question.That was back in the day. Those were the mysteries of Paris forty years hence.A Dante clasping Virgil’s hand to be led through the circles of the Inferno, Lacan took the hand of James Joyce, the unreadable Irishman, and, in the wake of this slender Commander of the Faithless, made with heavy and faltering step onto the incandescent zone where symptomatic women and ravaging men burn and writhe.An equivocal troupe was in the struggling audience: his son-in-law; a dishevelled writer, young and just as unreadable back then; two dialoguing mathematicians; and a professor from Lyon vouching for the seriousness of the whole affair. A discreet Pasiphaë was being put to work backstage.Smirk then, my good fellows! Be my guest. Make fun of it all! That’s what our comic illusion is for. That way, you shall know nothing of what is happening right before your very eyes: the most carefully considered, the most lucid, and the most intrepid calling into question of the art that Freud invented, better known under its pseudonym: psychoanalysis."—Jacques-Alain Miller

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____________________________ A moving celebration of what Bill Hayes calls 'the evanescent, the eavesdropped, the unexpected' of life in New York City, and an intimate glimpse of his relationship with the late Oliver Sacks. ____________________________ 'A beautiful memoir in which Oliver Sacks comes wonderfully to life ... Exquisitely wrought, heartrending and joyous' - Joyce Carol Oates 'A loving tribute to Sacks and to New York ... Read just 50 pages, and you’ll see easily enough how Hayes is Sacks’s logical complement' - Jennifer Senior, New York Times ____________________________ Bill Hayes came to New York in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city’s incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera. And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance is captured in funny and touching vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015). Insomniac City is both a meditation on grief and a celebration of life. Filled with Hayes’s distinctive street photos of everyday New Yorkers, the book is a love song to the city and to all who have felt the particular magic and solace it offers. ____________________________ 'A unique and exuberant celebration of life and love' - Kirkus Reviews

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The most up-to-date version of the best-selling guide to college admissions for over twenty years Newly revised and thoroughly updated, the fifth edition of Admission Matters continues to be the go-to guide for students and families seeking help with the college admissions process. Higher education experts Sally P. Springer, Ph.D., Joyce Vining Morgan, Ph.D., Nancy Griesemer, M.A., and Jon Reider, Ph.D., deliver a practical and accessible roadmap for a successful admissions outcome, whether the student is a high school freshman or a senior about to apply to college. Reassuring and easy to read, Admission Matters provides deep insight into a process that has become increasingly complex and unpredictable with each passing year. In the fifth edition, readers will learn how to build a balanced college list, when to apply, what goes into crafting a compelling application, how colleges make decisions, how financial aid works, and more. Admission Matters offers real-world expert advice for all students, whether they're aiming for an Ivy or a state school close to home. The book provides practical guidance for students and families whether they come from an under-resourced background or one that has provided abundant opportunities. Admission Matters also includes much-needed information for students with special circumstances, including students with disabilities, international students, transfers, and non-traditional students. Athletes, artists and performers, and homeschoolers will also have many of their questions answered as they plan for and apply to college. Admission Matters also provides the latest information on: The shift to test-optional or test-free admissions at many schools and what that means for you The transition to an adaptive, digital format for the SAT Changes to the federal process for financial aid What selective colleges are increasingly looking for when faced with growing numbers of applications Differences among colleges and how to choose the "best fit" schools Early decision and early action applications and when they make sense And much more... The latest edition of Admission Matters remains the gold standard in guides to the ever-changing and often intimidating process of college admissions.

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Philosophy is born in its history as pursuit of the wisdom we are never able fully to know. Mystery and Intelligibility: History of Philosophy as Pursuit of Wisdom both argues for that method and presents the results it can achieve.Editor Jeffrey Dirk Wilson has gathered essays from six philosophical luminaries. In “History, Philosophy, and the History of Philosophy,” Timothy B. Noone provides the volume’s discourse on method in which he distinguishes three tiers of history. History of philosophy as method occupies the third and highest tier. John Rist reckons with contemporary corruption of the method in “A Guide for the Perplexed or How to Present or Pervert the History of Philosophy.” Wilson’s own essay, “Wonder and the Discovery of Being: From Homeric Myth to the Natural Genera of Early Greek Philosophy,” shows the loss of wonder, so evident in mythology, by early Greek thinkers and its recovery by Plato and Aristotle. In “Metaphysics and the Origin of Culture,” Donald Phillip Verene demonstrates the wide cultural implications of philosophical discoveries even when the discovery is the boundary of what humans can know. William Desmond offers an essay, “Flux-Gibberish: For and Against Heraclitus,” that owes as much to the humor of James Joyce as to the philosophical insights of philosophers, ancient, medieval, and modern. Eric D. Perl’s essay turns to the apophatic character of pursuing wisdom, perhaps especially when asking what may be the most fundamental metaphysical question: “Into the Dark: How (Not) to Ask, ‘Why is There Anything at All.’” Philipp W. Rosemann concludes the volume with the question best asked at the end of this literary seminar, “What is Philosophy?”Although there are philosophers within the analytic and continental schools who are committed to the history of philosophy, Mystery and Intelligibility demonstrates that history of philosophy as a third and distinct philosophical method is revelatory of the nature and structure of reality.

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This Penguin Classics edition of Louisa May Alcott's inspiring tale of sisterhood, Little Women, is edited with an introduction by Elaine Showalter.The charming story of four 'little women' - Meg, Jo, Amy and Beth - and their wise and patient mother Marmee, was an instant success when first published in 1868. Enduring hardships and enjoying adventures in Civil War New England, the March sisters have been adored for generations. Readers have rooted for Laurie in his pursuit of Jo's hand, cried over little Beth's death, and dreamed of travelling through Europe with old Aunt March and Amy. Future writers have found inspiration in Jo's devotion to her writing. In this simple, enthralling tale, both parts of which are included here, Louisa May Alcott has created four of American literature's most beloved women. In her enlightening, thoughtful introduction, Elaine Showalter discusses Louisa May Alcott's influences, and her aspirations for Little Women, as well as the impact the novel has had on such women writers as Joyce Carol Oates and Cynthia Ozick. This edition also includes notes on the text by Siobhan Kilfeather and Vinca Showalter.Louisa May Alcott (1832-1888) grew up surrounded by American writers such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Drawing on her experience as a volunteer nurse in the Union Army during the American Civil War, she published Hospital Sketches in 1863, followed by gothic romances and lurid thrillers such as A Modern Mephistopheles and A Long Fatal Love Chase. In 1868, she published Little Women, which proved so popular that it was followed by two sequels.If you enjoyed Little Women you might like Elizabeth Gaskell's Wives and Daughters, also available in Penguin Classics.

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Andrei Bely's masterpiece, Petersburg is a vivid, striking story set at the heart of the 1905 Russian revolution. This Penguin Classics edition is translated from the Russian by David McDuff with an introduction by Adam Thirlwell.St Petersburg, 1905. An impressionable young university student, Nikolai, becomes involved with a revolutionary terror organization, which plans to assassinate a high government official with a time bomb. But the official is Nikolai's cold, unyielding father, Apollon, and in twenty-four hours the bomb will explode. Petersburg is a story of suspense, family dysfunction, patricide, conspiracy and revolution. It is also an impressionistic, exhilarating panorama of the city itself, watched over by the bronze statue of Peter the Great, as it tears itself apart. Considered by writers such as Vladimir Nabokov to be one of the greatest masterpieces of the twentieth century, Bely's richly textured, darkly comic and symbolic novel pulled apart the traditional techniques of storytelling and presaged the dawn of a new form of literature.This acclaimed translation captures all the idiosyncrasies and rhythms of Bely's extraordinary prose. It is accompanied by an introduction by Adam Thirwell discussing the novel's themes, extraordinary style and influence.Andrei Bely (1880-1934), born Boris Nikolaevich Bugaev, was educated at Moscow University where he studied science and philosophy, before turning his focus to literature. In 1904 he published his first collection of poems, Gold in Azure, which was followed in 1909 by his first novel, The Silver Dove. Bely's most famous novel, Petersburg, was published in 1916. His work is considered to have heavily influenced several literary schools, most notably Symbolism, and his impact on Russian writing has been compared to that of James Joyce on the English speaking world.If you enjoyed Petersburg, you might like Ivan Turgenev's Fathers and Sons, also available in Penguin Classics.'The one novel that sums up the whole of Russia'Anthony Burgess

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Psychoanalysis and Women, Volume 32 of The Annual of Psychoanalysis, is a stunning reprise on theoretical, developmental, and clinical issues that have engaged analysts from Freud on. It begins with clinical contributions by Joyce McDougall and Lynne Layton, two theorists at the forefront of clinical work with women; Jessica Benjamin, Julia Kristeva, and Ethel Spector Person, from their respective vantage points, all engage the issue of passivity, which Freud tended to equate with femininity. Employing a self-psychological framework, Christine Kieffer returns to the Oedipus complex and sheds new light on the typically Pyrrhic oedipal victory of little girls.Section III broadens the historical context of contemporary theorizing about women by offering the personal reminiscences of Nancy Chodorow, Carol Gilligan, Brenda Solomon, and Malkah Notman. A final section, dedicated to "women who shared psychoanalysis," features historical essays on Ida Bauer (Freud's "Dora"), Anna Freud, Dorothy Burlingham, Edith Jacobson, and Therese Benedek, along with Linda Hopkins's revealing interview of Marion Milner. Of special note is Marian Tolpin's examination of three women - Bauer, Helene Deutch, and Anna Freud - who helped shape Freud's notion of the "femail castration complex," and Elisabeth Young-Bruehl's exploration of how two women - Anna Freud and Dorothy Burlingham - developed parent-infant observation.Psychoanalysis and Women is an extraordinary chronicle of the distance traveled since Freud characterized women's sexual life as "the dark continent." The contributors vitalize a half century of theory with the lessons of biography, and they broaden clinical sensibilities by drawing on recent developmental, gender-related, and socio-psychological research. In doing so, they attest to the ongoing reconfiguration of Freud's dark continent and show the psychoanalytic psychology of women to be very much a revolution in progress.

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