Search results for ""author ming"

Harold Nicolson called her 'the greatest Queen since Cleopatra', while Cecil Beaton called her 'a marshmallow made on a welding machine'. Stephen Tennant said: 'She looked everything that she was not: gentle, gullible, tenderness mingled with dispassionate serenity, cool, well-bred, remote. Behind this veil she schemed and vacillated, hard as nails.' Who was she? The Queen Mother's story has not yet been properly told. This was partly due to her long life, and the difficulty that always exists when a biography of a living person is attempted, partly because she was a queen - and the real person gets hidden behind the perceived image - and partly because she is hard to pin down. From her privileged aristocratic childhood, to the Abdication and the problems with Diana - this book questions how she faced her challenges and crises, assesses her role, how powerful she was, and how she coped. This is a candid, personal portrait of one of Britain's most loved national treasures. Hugo Vickers, an acknowledged expert on the House of Windsor, has spent seventeen years researching this book, and observed the Queen Mother in public and private over a period of forty years.

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Labor and Love in Guatemala re-envisions the histories of labor and ethnic formation in Spanish America. Taking cues from gender studies and the "new" cultural history, the book transforms perspectives on the major social trends that emerged across Spain's American colonies: populations from three continents mingled; native people and Africans became increasingly hispanized; slavery and other forms of labor coercion receded. Komisaruk's analysis shows how these developments were rooted in gendered structures of work, migration, family, and reproduction. The engrossing narrative reconstructs Afro-Guatemalan family histories through slavery and freedom, and tells stories of native working women and men based on their own words. The book takes us into the heart of sweeping historical processes as it depicts the migrations that linked countryside to city, the sweat and filth of domestic labor, the rise of female-headed households, and love as it was actually practiced—amidst remarkable permissiveness by both individuals and the state.

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Here is the story of arguably America''s finest hour; of the time when the twentieth century dawned, Queen Victoria died, and America, basking deliciously in excess wealth, rather thought it might snap up an empire of its own. Yet while politicians muse over the potential of China or the Philippines - even Russia - empires are being built at home; railway empires; industrial empires; newspaper empires. Into this arena float the delectable Caroline Sanford, putative heiress and definite catch. Caroline is an oddity; she has been raised in France where they teach rich girls to talk and think. American society women, required only to think of themselves as the most interesting beings on earth, are rather alarmed. American men are amused - until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity - a powerful woman. Mingling with the movers and shakers of the day - with President McKinley, Theodore Roosevelt, William Randolf Hearst,

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Refiguring in Black is a meditation on black life, and a meditation on the questions and concerns with which black life is confronted. It takes the form of a critical engagement with the thought of Frederick Douglass, Toni Morrison, Hortense Spillers, and Charles Mingus – key figures in the black radical tradition. Sithole does not reduce these thinkers to biographical subjects but examines them as figures of black thought in ways that are creative and generative. Erudite and passionate, this book is a statement of and testimony to refiguring as a form of critical practice by those who are engaged in a radical refusal, and thus part of the long arc of the black radical tradition. As a way of understanding the contemporary moment and unmasking antiblackness in all its forms and guises, Sithole’s work brings the annals of black thought into being in order to think differently and necessitate rupture, refusing to concede to the order of things and refusing to be complicit in the dehumanization that has marked the black condition.

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“Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.

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Ernie O’Malley was a revolutionary republican and writer. One of the leading figures in the Irish independence and civil wars, he survived wounds, imprisonment and hunger strike, before going to the USA in 1928 to fundraise on de Valera’s behalf. Broken Landscapes tells of his subsequent journeys, through Europe and the Americas, where O’Malley moved in wide social circles that included Paul Strand, Edward Weston, Hart Crane and Jack B. Yeats. Back in Mayo he took up farming. In 1935 he married Helen Hooker, an American heiress, with whom he had three children, Cathal, Etain and Cormac, before a bitter separation. His literary reputation was established with a magnificent memoir, On Another Man’s Wound (1936). In later years he was close to John Ford, and worked on The Quiet Man (1952). This vibrant new collection of letters, diaries and fragments opens up the broad panorama of his life to readers. It enriches the history of Ireland’s troubled independence with reflections on loss and reconciliation. It links the old world to the new – O’Malley perched on the edge of the Atlantic, a folklore collector, art critic and radio broadcaster; autodidact, modernist and intellectual. It conducts a unique conversation with the past. In Broken Landscapes, we travel with O’Malley through Italy, the American Southwest, Mexico and points inbetween. In Taos, he mingled wiht the artistic set around D. H. Lawrence. In Ireland, he drank with Patrick Kavanagh, Liam O’Flaherty and Louis MacNiece. The young painter Louis le Brocquy was his guest on his farm in Burrishoole, Co. Mayo. These places and people remained with O’Malley in his private writing, assembled for the first time from family and institutional archives. Reading these letters, dairies and fragments is to see Ireland in the tumultuous world of the twentieth century, as if for the first time, allowing us to view the intellectual foundations of the State through the eyes of its leading chronicler.

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"A smorgasbord for those who are sick and tired of it." —Seattle Book Review The 2021 edition of the premiere journal of contemporary dada writing and art considers humankind past and present with a collection of contemporary dada art and writing driven by the theme “HUMANITY: THE REBOOT.” More than 242 creators from 31 countries establish that social protest can be creatively achieved via risk-taking art. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, MAINTENANT 15 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by renowned Cuban American artist Edel Rodriguez, whose provocative work has been featured on the covers of TIME, The New Yorker, Der Spiegel, and more. Past issues of MAINTENANT include work by artists Mark Kostabi, Walter Robinson, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, and Kazunori Murakami; writers include Gerard Malanga, Charles Plymell, Andrei Codrescu, and more, with a strong contingent of artist-writers from the world of punk rock. MAINTENANT 15 contributors include: Derek Adams • Alexey Adonin • Jamika Ajalon • Youssef Alaoui • Linda J. Albertano • Austin Alexis • Joel Allegretti • Santiago Amaya • Elizabeth Ashe • Gaëlle Audic • Liz Axelrod • Mahnaz Badihian • Amy Barone • Vittore Baroni • Amy Bassin • Regina Lafay Bellamy • John M. Bennett • C. Mehrl Bennett • Volodymyr Bilyk • József Bíró • Mark Blickley • Karen Boissonneault-Gauthier • Clemente Botelho • John Bowman • Jeff Boynton • Gedley Belchior Braga • Bob Branaman • philipkevinbrehse • Kathy Bruce • Imanol Buisan • Fork Burke • Irene Caesar • Billy Cancel • Peter Carlaftes • Virginia Carroll • Mona Jean Cedar • Robert Cenedella • Mutes César • Leanne Chabalko • Sarah M. Chen • Ross Cisneros • Lynette Clennell • Andrei Codrescu • Chuck Connelly • Roger Conover • Anthony Cox • Lars Crosby • Tchello d’Barros • Steve Dalachinsky • Zoë Darling • Allison Davis • Holly Day • Avelino de Araujo • Quỳnh Iris de Prelle • Laylah DeLautréamont • Bart Dewolf • Peter Dizozza • Sam Dodson • Bruce Louis Dodson • Carol Dorf • Robert Duncan • Jeff Farr • Amoye Favour • Rich Ferguson • Kathleen Florence • Gioivanni Fontana • Texas Fontanella • Robert C. Ford • Kofi Fosu Forson • Abigail A. Frankfurt • Barbara Friedman • Thomas Fucaloro • Joanna Fuhrman • Ignacio Galilea • Sandra Gea • Kat Georges • Christian Georgescu • Robert Gibbons • Gordon Gilbert • Mark Glista • Benjamin Goluboff • S. A. Griffin • Fausto Grossi • Meghan Grupposo • Egon Guenther • Genco Gulan • Elancharan Gunasekaran • John S. Hall • Janet Hamill • Bibbe Hansen • David Hargreaves • Nour Hassan • Heide Hatry • Aimee Herman • Karen Hildebrand • Jack Hirschman • Mark Hoefer • Lawrence Holzworth • Mane Hovhannisyan • Joël Hubaut • Heikki Huotari • Matthew Hupert • Ayushi Jain • Annaliese Jakimides • Marta Janik • Ruud Janssen • Mathias Jansson • Debra Jenks • Jerry Johnson • Boni Joi • Milana Juventa • Jerry Kamstra • Allan Kausch • Marina Kazakova • Donna Joy Kerness • Rose Knapp • Doug Knott • Ron Kolm • Mark Kostabi • Eleni Kourti • Paweł Kuczyński • Anatoly Kudryavitsky • Béné Kusendila • David Lawton • Serge Lecomte • Jane LeCroy • Patricia Leonard • Linda Lerner • Adam Li • Alexander Limarev • Laurinda Lind • Goran Lišnjić • Yvonne Litschel • Richard Loranger • Sarah Maino • Jaan Malin • Sophie Malleret • Bibiana Padilla Maltos • Giovanni Mangiante • Mary Manspeaker • Phil Marcade • Fred Marchant • Eliette Markhbein • Sara Cahill Marron • Malak Mattar • Bronwyn Mauldin • Ellyn Maybe • John Mazzei • Jesse McCloskey • Philip Meersman • R. S. Mengert • Lawrence Miles • Lois Kagan Mingus • Charles Mingus III • Richard Modiano • Mike M. Mollett • Thurston Moore • Tim Murphy • Alexander Nderitu • Gerald Nicosia • Anna O’Meara • Valery Oisteanu • Ruth Oisteanu • Marc Olmsted • Suzi Kaplan Olmsted • Jane Ormerod • Yuko Otomo • Csaba Pál • Lisa Panepinto • Gay Pasley • John S. Paul • Paulo • Giorgia Pavlidou • Ernst Perdriel • Puma Perl • Raymond Pettibon • Alex Andy Phuong • Charles Plymell • Leslie Prosterman • Lauren Purje • Renaat Ramon • Nicca Ray • C. R. Resetarits • Mado Reznik • Wes Rickert • Benjamin Robinson • Bruce Robinson • Aliah Rosenthal • Alison Ross • Bradley Rubenstein • Mashaal Sajid • Ralph Salisbury • Martina Salisbury • Aram Saroyan • Phil Scalia • Jack Seiei • Silvio Severino • Craig Shannon • Susan Shup • Bertholdus Sibum • Denise Silk-Martelli • Angela Sloan • Valerie Sofranko • Orchid Spangiafora • Dd. Spungin • Laurie Steelink • Samantha Steiner • J. J. Steinfeld • Christine Sloan Stoddard • Rich Stone • W. K. Stratton • Lucien Suel • Neal Skooter Taylor • Michael Thompson • Fred Tomaselli • Zev Torres • John J. Trause • Ann Firestone Ungar • Yrik-Max Valentonis • Luca Vallino • Anoek van Praag • Lynnea Villanova • Barbara Vos • Silvia Wagensberg • Tom Walker • George Wallace • Scott Wannberg • Mike Watt • Jennifer Weigel • Poul R. Weile • Ingrid Wendt • Syporca Whandal • A Whittenberg • Maw Shein Win • Yaryan • Gerald Yelle • Logan K. Young • Lorene Zarou-Zouzounis • Larry Zdeb • Leonard Zinovyev • Nina Zivancevic • Joanie HF Zosike

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'A very cool and intelligent writer' TLS Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************Christine Hall, a mother in her late thirties, is on holiday on the south coast of England when she bumps into an old friend: Celia Baird, staying with her parents at the Moray hotel. Celia - eccentric, impulsive - is one of tangled group of friends who have Christine at their core. There's architect Eric Aveling (who happens to be having an affair with Celia); his wife, terminally ill Lois; and Junius Evans, Eric's business partner. When death affects a shift in the dynamics of the group, none of them expect the final outcome. Duty, guilt, secrecy, loneliness: the hidden side of marriage is uncovered as choices are thrust upon the characters.******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

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'Epic . . . Rambunctious . . . Highly entertaining' New York Times'All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death.'In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life.Across two bittersweet days in their San Diego neighbourhood, the revellers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home.Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank.

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By the time she was 14, Chrissie Hynde knew she had to get out of Akron, Ohio. Her perfect ’50s American childhood upturned by a newly acquired taste for rock ’n’ roll, motorbikes and the ‘get down boys’ seen at gigs in and around Cleveland – Mitch Ryder, the Jeff Beck Group, the Velvet Underground and David Bowie among the many.Wrapped up in the Kent State University riots and getting dangerously involved in the local biker and drug scenes, she escaped - to Mexico, Canada, Paris and finally London where she caught the embryonic punk scene just in time not only to witness it first-hand, but more importantly to seize the opportunity to form her own band, the Pretenders.Iggy Pop, the Sex Pistols, the Clash, Vivienne & Malcolm, Ray Davies … on every page household names mingle with small town heroes as we shift from bedroom to biker HQ; from squat to practice room; from pub gig to Top Of The Pops – the long and crooked path to stardom, and for the Pretenders, ultimately, tragedy.That Chrissie Hynde is alive to tell the tale is, by her own admission, something of a miracle. Throughout she is brutally honest, wryly humorous and always highly entertaining. She has written one of the most evocative and colourful music memoirs to be published in recent years.

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Everybody’s Doin’ It is the eye-opening story of popular music’s seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York’s spirited dives, where men and women, often black and white, mingled freely—to the horror of the elite. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit “Alexander’s Ragtime Band,” and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places. Everybody’s Doin’ It illuminates the how, why, and where of America’s popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.

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Despite the strong influence of just war theory in military law and practice, warfare is commonly considered devoid of morality. Yet even in the most horrific of human activities, there is frequent communication and cooperation between enemies. One remarkable example is the Christmas truce—unofficial ceasefires between German and English trenches in December 1914 in which soldiers even mingled in No Man’s Land.In Conspiring with the Enemy, Yvonne Chiu offers a new understanding of why and how enemies work together to constrain violence in warfare. Chiu argues that what she calls an ethic of cooperation is found in modern warfare to such an extent that it is often taken for granted. The importance of cooperation becomes especially clear when wartime ethics reach a gray area: To whom should the laws of war apply? Who qualifies as a combatant? Should guerrillas or terrorists receive protections? Fundamentally, Chiu shows, the norms of war rely on consensus on the existence and content of the laws of war. In a wide-ranging consideration of pivotal instances of cooperation, Chiu examines weapons bans, treatment of prisoners of war, and the Geneva Conventions, as well as the tensions between the ethic of cooperation and the pillars of just war theory. An original exploration of a crucial but overlooked phenomenon, Conspiring with the Enemy is a significant contribution to military ethics and political philosophy.

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This description is for the Inuktitut edition.Nunatsiavut, tânna Inuit nunakKatigengituk Canada-mit pitâlauttut namminik kavamamik 2005-imi, sanaKattajut sananguatausimajunik adjiKangitunik nunatsualimâmit Canadamiungutlutik ammalu ukkiuttatop KikKanganettuk Inuit sananguataumajut. Silatsualimâmi siKinganeluattuk inigijautluni Inutuinnanut, tamakkua satjugiamit inuit Nunatsiavummi iniKainnatut napattop killingani, ammalu Inuit allanguattingit ammalu sananguatingit Nunatsiavummit pitâsongunginnatut adjigengitunik ukiuttattumi ammalu ukiuttattoKattangimmijuk pigutsianginnik, taikkunangat atuKattasimajut takuminattunik sanagalagiamik suliagijanginnit.Allanguattet nunanganit piusituKanginnit atuKattasimavut ukkusitsajannik ammalu Kijunik sananguagiamut; amilinnik, tuttujannik, ammalu Kisinik atuttausonik sanaKattajut; ammalu tagiulinnit ivinik sanaKattamijut, ammalugiallak allasajannik, kikiatsajak, Kallunâttajak, sapangak, ammalu alakkasâjannik. MânnaKammik, sanagalasimavut sanajaunginnatunik takugatsausongutlutik, ilautillugit minguattausimajut, allanguattausimajut, nenittausimajut, adjiliuttausimajut, taggajâliuttausimajut, ammalu maggalinnit, atautsikut atutlutik piusituKannik atunginnatamminik nutângutlutik ammalu nigiugijausimangitunut piusitKatlutik.SakKijâjuk: Allanguattausimajut ammalu sananguatausimajut Nunatsiavummit sivulligijauvuk angijotluni nuititausimajuk allanguattausimajunit Labrador Inunginnit. Sanajauluasimajuk angijummagimmik apvitattitaulluni takugatsauniattilugit âkKisuttausimajuk taikkununga taijaujunut The Rooms Prâvinsikkut Allanguattausimajunik Takujapvinganut St. John's-imit, atuagak pitaKalangavuk ungatâni 80-nik sanajaugesimajunut 45-init adjigengitunit sananguatinut, kinakkoningit iluanemmijut sananguatet, ammalu angijummagik allataumajuk sananguatet pitjutigillugit Nunatsiavummit allasimajuk Heather Igloliorte.SakKijâjuk pivitsaKattisijuk atuatsiKattajunut, katitsuiKattajunut, allanguattinut piusituKaujunut, ammalu katitsuiKattajunut sunatuinnanik sananguatausimajunit siKinittini ammalu taggatinni takujagiattulâkKut taikkununga adjiKangitunut, sanajautsiasimajunut, ammalu takuminattusiavannik suliagijausimajunut Inuit sananguatinginnut ammalu allanguattinginnut Nunatsiavummit.

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The Inheritance of Loss is Kiran Desai's extraordinary Man Booker Prize winning novel.High in the Himalayas sits a dilapidated mansion, home to three people, each dreaming of another time. The judge, broken by a world too messy for justice, is haunted by his past. His orphan granddaughter has fallen in love with her handsome tutor, despite their different backgrounds and ideals. The cook's heart is with his son, who is working in a New York restaurant, mingling with an underclass from all over the globe as he seeks somewhere to call home. Around the house swirl the forces of revolution and change. Civil unrest is making itself felt, stirring up inner conflicts as powerful as those dividing the community, pitting the past against the present, nationalism against love, a small place against the troubles of a big world. 'A Magnificent novel of humane breadth and wisdom, comic tenderness and political acuteness' Hermione Lee, chair of the Man Booker Prize judges'Poised, elegant and assured . . . breaks out into extraordinary beauty' The Times'Desai's bold, original voice, and her ability to deal in a grand narratives with a deft comic touch that affectionately recalls some of the masters of Indian fiction, makes hers a novel to reread and remembered' Independent

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Interior designer Mark D. Sikes burst onto the publishing scene with his NewYork Times best-selling first book, Beautiful. His new book, aptly titled More Beautiful, picks up where the first left off, in a celebration of classic, all-American decorating. The rooms featured in More Beautiful are divided into five distinct styles, all of which exude the happiness that comes with surrounding oneself with things you love. Traditional is chockablock with vibrant color, antique furniture, and heady doses of trim and pattern. Country is a new take on the style, where distressed finishes and modern silhouettes mingle for a warm welcome. Coastal is streamlined, with natural woven fibers, sun-faded linen and neutrals, and blues and whites galore. Mediterranean evokes faraway lands, with a saturated palette, ornate tiles and ikats, and iron details. Finally, there's Beautiful: a peek inside Mark's own Hollywood Hills home, which nods to all of his favorite design signatures--including Italian wicker, blue and white, Anglo-Indian antiques, and more. With all-new photography by Amy Neunsinger, the book will inspire with rooms that are light-filled and crisply patterned, chic yet comfortable, and just the way people want to live today.

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Murder, dark family secrets, and the unwavering bond of sisterhood-regardless of the cost Beth Ralston, a paralegal in Portland, Oregon, would rather be racking up billable hours than mingling at an office party-especially when her sister Lindsay, aka her plus one, is a no-show. After making her obligatory rounds, Beth returns to her office to find that her boss, who she'd talked with moments before, has been murdered. She sees a woman fleeing the scene. Wait-was that Lindsay? Unable to catch up to her in time, Beth waits for the police to arrive and notices that Lindsay has left her phone behind with an unsent text message to Beth displayed on the screen: Don't ask. Don't follow. Lindsay is unreachable for days, and when Beth starts to come under suspicion for the crime, she decides that waiting is impossible. While retracing Lindsay's steps, determined to bring her home, Beth uncovers what her sister, an investigative reporter bent on changing the world, was trying to expose-corru

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Winner of the 2021 Julian Minghi Distinguished Book Award from the American Association of Geographers​2021 Foreword Indies Finalist - Politics and Social SciencesIntimate Geopolitics begins with a love story set in the Himalayan region of Ladakh, in India’s Jammu and Kashmir State, but this is also a story about territory, and the ways that love, marriage, and young people are caught up in contemporary global processes. In Ladakh, children grow up to adopt a religious identity in part to be counted in the census, and to vote in elections. Religion, population, and voting blocs are implicitly tied to territorial sovereignty and marriage across religious boundaries becomes a geopolitical problem in an area that seeks to define insiders and outsiders in relation to borders and national identity. This book populates territory, a conventionally abstract rendering of space, with the stories of those who live through territorial struggle at marriage and birth ceremonies, in the kitchen and in the bazaar, in heartbreak and in joy. Intimate Geopolitics argues for the incorporation of the role of time–temporality–into our understanding of territory.

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Shortlisted for The 2019 Forward Prize for Best Collection. City of Departures is Helen Tookey’s second Carcanet collection, following her 2014 Missel-Child, an `exceptional volume … from a powerful and intelligent imagination’ (Jeffrey Wainwright). City of Departures is a collection of uncanny spaces and fleeting encounters, an urban patchwork of glimpsed moments and chance affiliations. Through them, Tookey explores the ways in which we create meaning and connection in these kinds of spaces, and how the nature of those connections—often temporary and provisional—affects who we are, and who we are becoming. Tookey’s work has a new formal inventiveness and experimental temperament. The collection mixes prose and verse, and a multitude of voices and structures mingle on its pages. The poems connect through repeated images, themes and tones, which echo and re-echo. Their loci are neglected houses and gardens, canals, wrecked boats… liminal worlds where absence has a presence of its own, fertile ground for ghosts, fantasies, memories, and dreams.

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Traditional medicine enjoys widespread appeal in today’s Russia, an appeal that has often been framed either as a holdover from pre-Soviet times or as the symptom of capitalist growing pains and vanishing Soviet modes of life. Mixing Medicines seeks to reconsider these logics of emptiness and replenishment. Set in Buryatia, a semi-autonomous indigenous republic in Southeastern Siberia, the book offers an ethnography of the institutionalization of Tibetan medicine, a botanically-based therapeutic practice framed as at once foreign, international, and local to Russia’s Buddhist regions. By highlighting the cosmopolitan nature of Tibetan medicine and the culturally specific origins of biomedicine, the book shows how people in Buryatia trouble entrenched center-periphery models, complicating narratives about isolation and political marginality. Chudakova argues that a therapeutic life mediated through the practices of traditional medicines is not a last-resort response to sociopolitical abandonment but depends on a densely collective mingling of human and non-human worlds that produces new senses of rootedness, while reshaping regional and national conversations about care, history, and belonging.

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Extraordinary and diverse people inhabit this rich, ripe, occasionally raucous collection of short stories. Some are based on real people - Jeanne Duval, Baudelaire's handsome and reluctant muse who never asked to be called the Black Venus, trapped in the terminal ennui of the poet's passion, snatching at a little lifesaving respectability against all odds...Edgar Allen Poe, with his face of a actor, demonstrating in every thought and deed how right his friends were when they said 'No man is safe who drinks before breakfast.'And some of these people are totally imaginary. Such as the seventeenth century whore, transported to Virginia for thieving, who turns into a good woman in spite of herself among the Indians, who have nothing worth stealing. And a girl, suckled by wolves, strange and indifferent as nature, who will not tolerate returning to humanity. Angela Carter wonderfully mingles history, fiction, invention, literary criticism, high drama and low comedy in a glorious collection of stories as full of contradictions and surprises as life itself.

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The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.

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The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access.The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

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Aristotle's Eudemian Ethics was until recently treated as a poor cousin of the better-known Nicomachean Ethics - poor enough even to have to borrow its three central books (IV-VI) from the latter. The work has now emerged from its relative obscurity; many scholars, indeed, now claim - on the basis of what appear to be sound statistical arguments - that it is the Nicomachean Ethics that has to borrow its Books V-VII from the Eudemian. This critical edition of Aristotle's Eudemian Ethics treats this particular issue as unresolved, including as it does only five books (I-III, VII-VIII), but without prejudice, the three disputed books being treated as already available in the edition of the Nicomachean Ethics in the same series. The new edition of the Eudemian Ethics completes the task, begun by Walzer and Mingay's 1991 Oxford Classical Text edition, of restoring the corrupted text on the basis of a new understanding of the relationships between the extant Greek manuscripts. The three primary manuscripts identified by Harlfinger, along with a fourth identified by the present editor, Christopher Rowe, have been freshly and fully collated, a more extensive apparatus criticus has been provided, and substantial new progress has been made in the restoration of the text. A separate companion volume (Aristotelica: Studies on the text of Aristotle's Eudemian Ethics) contains the arguments for every important editorial choice made in the restoration of the text.

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Growing up in a small fishing village in 1980s Iran, 11-year-old Saba Hafezi and her twin sister Mahtab are fascinated by America. They keep lists of English vocabulary words and collect contraband copies of Life magazine and Bob Dylan cassettes. So when Saba suddenly finds herself abandoned, alone with her father in Iran, she is certain that her mother and twin have moved to America without her. Bereft, she aches for her lost mother and sister, and for the Western life she believes she is being denied. All her life Saba has been taught that 'fate is in the blood,' which must mean that twins will live the same life, even if separated by land and sea. Thus, as time passes and Saba falls in and out of love and struggles with the limited possibilities available to her as a woman in Iran, she imagines a simultaneous, parallel life - a Western version, for her sister. But where Saba's story has all the grit and brutality of real life in post-revolutionary Iran, her sister's life - as Saba envisions it - gives her a freedom and control that Saba can only dream of. Filled with a colourful cast of characters, A Teaspoon of Earth and Sea is told in a bewitching voice that mingles the rhythms of Eastern storytelling with straightforward Western prose to form a wholly original story about the importance of controlling your own fate.

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'full of wisdom and entertaining anecdotes' The Economist'fascinating' Financial Times Social Chemistry will utterly transform the way you think about 'networking.' Understanding the contours of your social network can dramatically enhance personal relationships, work life, and even your global impact. Are you an Expansionist, a Broker, or a Convener? The answer matters more than you think. . . . One of 2021's Most Highly Anticipated New Books--Newsweek One of The 20 New Leadership Books--Adam GrantOne The Best New Wellness Books Hitting Shelves In January--Shape.com A Next Big Idea Club Nominee__________Conventional wisdom would have us believe that it is the size of your network that matters: how many people do you know? We're told to mix, mingle, and connect.But social science research suggests otherwise. The quality and structure of our relationships have far greater impact on our personal and professional lives. our relationships with friends, family, co-workers, neighbours, and collaborators are by far our greatest asset. Yet, most people leave them to chance.In this ground-breaking study, Marissa King, Professor of Organizational Behavior at the Yale, argues that there are strategic ways in which we can alter our relationships for a happier and more fulfilling life. With new understanding, this book can help readers to see how they can harness the power of their networks in their personal relationships, at work, and to create a better world.

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Great Salt Lake is a celebrated, world-recognized natural landmark. It, and the broader region bound to it, is also a thoroughly cultural landscape; generations of peoples made their lives there. In an eminently readable narrative, Steven Simms, one of the foremost archaeologists of the region, traces the scope of human history dating from the Pleistocene, when First Peoples interacted with the lapping waters of Lake Bonneville, to nearly the present day. Through vivid descriptions of how people lived, migrated, and mingled, with persistence and resilience, Simms honors the long human presence on the landscape. First Peoples of Great Salt Lake takes a different approach to understanding the ancients than is typical of archaeology. Deemphasizing categories and labels, it traces changing environments, climates, and peoples through the notion of place. It challenges the Pristine Myth, the cultural bias that Indigenous peoples were timeless, changeless, primitive, and the landscapes they lived in sparsely populated. First Peoples and their descendants modified the forests and understory vegetation, shaped wildlife populations, and adapted to long-term climate change. Native Americans of Great Salt Lake were very much part of their world, and the story here is one of long continuity through dramatic cultural change.

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'As her work reappears, another missing jigsaw piece is replaced' Independent Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this coming-of-marriageable-age story, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************It's between the wars, and Christine - Christie, to her friends - is tired of London, her job in a travel agency, her friends, and the young men she's being set up with. So when, by chance, she meets the older Ned Skelton, who seems sophisticated and experienced, she quickly becomes besotted. Before Christie knows it, they are engaged. But will marriage to a man she doesn't know well truly offer this young woman an escape? Or is she walking into another prison of her own making? A classic coming-of-age story set in the 1930s, by one of Britain's best-loved and almost-forgotten novelists.'A story so vivid it might be the memoir of a real person' Britannia and Eve******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

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The story of Alfred Barr and Philip Johnson, two young men, now acknowledged as giants in the history of modernism, who changed the course of design in the United States. The 1920s and 1930s saw the birth of modernism in the United States, a new aesthetic, based on the principles of the Bauhaus in Germany: its merging of architecture with fine and applied arts; and rational, functional design devoid of ornament and without reference to historical styles. Alfred H. Barr Jr., the then 27-year-old founding director of the Museum of Modern Art, and 23-year-old Philip Johnson, director of its architecture department, were the visionary young proponents of the modern approach. Shortly after meeting at Wellesley College, where Barr taught art history, and as Johnson finished his studies in philosophy at Harvard, they set out on a path that would transform the museum world and change the course of design in America. The Museum of Modern Art opened just over a week after the stock market crash of 1929. In the depths of the Depression, using as their laboratories both MoMA and their own apartments in New York City, Barr and Johnson experimented with new ideas in museum ideology, extending the scope beyond painting and sculpture to include architecture, photography, graphic design, furniture, industrial design, and film; with exhibitions of ordinary, machine-made objects (including ball bearings and kitchenware) elevated to art by their elegant design; and with installations in dramatically lit galleries with smooth, white walls. Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York - 1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany - and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Plentifully illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments - domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe - this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.

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These memoirs are the reminiscences of Jack Matthews: his adventures in seeking out, collecting, and reading old and rare books, along with reflections upon time, memory, and other mysteries. In one piece, he measures the psychological distance from when he first saw Lake Erie at the age of four—the sight of which “took his breath away”—to many decades later, when, as he was flying from Detroit to Cleveland, Lake Erie revealed both shores and gave his breath back, depriving him of the first absolute he can remember. Elsewhere, he ponders upon how strangely our lifespans overlap others, telling about his father driving in his Model T and picking up an old Indian who said he’d been a scout for Custer, surviving Big Horn by hiding under corpses. Such purviews, Matthews believes, give a sense of mythic reach-much as do the old books and manuscripts he loves to collect. Other pieces in his Memoirs tell of a famous English poet’s last years in a tiny Ohio town; an old frontier medical book that prescribes such medicines as snake root, sawdust, and rye whiskey; an 1863 Unionist Kentucky newspaper advertising a slave auction; and 150 year old jest books, filled with such dreary specimens that one wonders how desperate people were to find mirth in them. In these reflections, old books and human realities are inextricably mingled, providing warm and thoughtful insights by a self-described “philosophical sentimentalist.”

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Pre-order the best Formula One romance of 2024 now! The stakes this season have never been higher... Josie Bancroft may be single, but she is definitely not ready to mingle. All she wants to do post-breakup is focus on herself. A simple task, but as a marketing manager for McAllister Racing, she spends every race weekend alongside the charismatic Formula 1 driver, Theo Walker. With his iceberg-melting smile and abs sharper than a cheese grater, he's a distraction she shouldn't entertain but can't seem to ignore. Theo has mastered two things in life: winning races and wooing women. But this season, both are being put to the test. His team's new owner is threatening his hard-earned seat, and the one woman he wants has placed him in the friend zone, despite the fact that their attraction is hotter than his car's engine. As Josie embraces her independence and Theo struggles to cement his place within the racing world, they'll have to decide if they want to fuel the flames of their frie

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BY CROM! Robert E. Howard's famous Cimmerian UNCENSORED! Discover the true Conan, unrestrained, violent, and sexual. Read the story as he intended! The Cimmerian Vol 2 includes two complete stories, The People of The Black Circle, and The Frost-Giant's Daughter, plus bonus material, including the original prose stories, in one hardcover collection! In The People of the Black Circle, the king has just died in the kingdom of Vendhya, struck down by the spells of the black prophets of Yimsha. The king’s sister, Yasmina, decides to avenge him…and contacts Conan, then chief of the Afghuli tribe. But several of Conan’s warriors have just been killed by the men of the kingdom of Vendhya, further complicating the matter. The princess thought she could use the Cimmerian, but rather it is she who will serve his interests... Sylvain Runberg and prodigious designer/illustrator Jae Kwang Park adapt one of the most ambitious and complex Conan stories of Robert E. Howard. An adventure where epic battles, witchcraft and plots mingle in a mystical and scary Orient. Where revenge is an art… In The Frost-Giant's Daughter, Conan, the only survivor of a ferocious battle, sits in the midst of a bloodstained snow field. When the fight is over, the Cimmerian suddenly finds himself overcome with deep weariness and disgust. Until the moment he meets a redheaded woman of supernatural beauty, blinding like the glow of the sun on the snow. Moved by a burning desire, Conan decides to follow her but finds himself caught in a trap, attacked by two titans. In his ardor, he was not suspicious…he did not imagine for a second that his bride was none other than Ymir's own daughter: the frost-giant! A mythical tale both in both form and substance, The Frost-Giant’s Daughter is masterfully adapted by Robin Recht, who manages to capture the essence of this whirlwind tale of violent desire…a true love trap in which the force of will of the Cimmerian is put to the test.

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The Burdur Archaeological Museum holds material from a mountainous area of southwest Turkey where Pisidians in antiquity mingled with Phrygians, Lycians and other ancient peoples, coming to terms first with Greek and then with Roman culture. This volume presents its rich holdings of ancient inscriptions, ranging from Hellenistic royal letters and Roman imperial regulations to the votive offerings and gravestones of rural people. Larger cities such as Sagalassos and Kibyra are close to or just beyond the boundaries of Burdur province. The Museum collection is particularly strong in votive reliefs related to local rural cults; the most prolific is that of a club-bearing rider variously named as Herakles or Kakasbos, to which an extensive and penetrating excursus is devoted. As well as inscribed texts relief iconography is presented and discussed - indeed several items never carried an inscription. The physical form of votives and gravestones is also fully described, with more than 360 plates illustrating the range of monuments produced by local masons. Of the 350 monuments collected here, over 150 have not previously been published, and many of the rest have never been illustrated, so that the volume presents a substantial body of new evidence relating to the history, religion and culture of the area. All texts are translated into English and Turkish.

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In his bestselling book The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that, contrary to the assumptions of many Americans, most lesbians appeared indistinguishable from other women. They could mingle “congenially in conventional society.” Some were popular sex symbols; some were married to unsuspecting husbands. Robert J. Corber contends that The Grapevine exemplified a homophobic Cold War discourse that portrayed the femme as an invisible threat to the nation. Underlying this panic was the widespread fear that college-educated women would reject marriage and motherhood as aspirations, weakening the American family and compromising the nation’s ability to defeat totalitarianism. Corber argues that Cold War homophobia transformed ideas about lesbianism in the United States. In the early twentieth century, homophobic discourse had focused on gender identity: the lesbian was a masculine woman. During the Cold War, the lesbian was reconceived as a woman attracted to other women. Corber develops his argument by analyzing representations of lesbianism in Hollywood movies of the 1950s and 1960s, and in the careers of some of the era’s biggest female stars. He examines treatments of the femme in All About Eve, The Children’s Hour, and Marnie, and he explores the impact of Cold War homophobia on the careers of Joan Crawford, Bette Davis, and Doris Day.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Malala Yousafzai, the incredible activist for girls’ education and the youngest Nobel Prize laureate​. When Malala was born in Mingora, Pakistan, her father was determined she would have every opportunity that a boy would have. She loved getting an education, but when a hateful regime came to power, girls were no longer allowed to go to school. Malala spoke out in public about this, which made her a target for violence. She was shot in the left side of her head and woke up in hospital in England. Finally after long months and many surgeries, Malala recovered, and resolved to become an activist for girls’ education. Now a recent Oxford graduate, Malala continues to fight for a world where all girls can learn and lead. This powerful book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the activist’s life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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What it is and what it isn't. This not a camera manual for the Leica M, nor is it a book that will teach you photography. Nevertheless, in Bertram Solcher's book you will learn a whole lot about your camera and how to use it, and about the art and craft of photography. This book contains a collection of illustrated essays that are meant to reveal the secrets of working with a rangefinder camera. To be more precise, with the best camera ever made. The book's ultimate goal is to ignite your passion for the kind of spontaneous, minimalist, and creative photography we admire in the works of Henri Cartier-Bresson, Joel Meyerowitz, and other great Leica photographers. All Leica M model cameras, both analog and digital, use rangefinder technology. Because of its design, working with a Leica M requires a more methodical style of photography where the photographer must slow down and exercise attention and purpose. Using these cameras is both challenging and rewarding. With a Leica M, you can mingle discretely within your environment to capture candid, exciting, insightful images.Bertram Solcher, a professional Leica M photographer for over 35 years, demonstrates how to use this unique camera in a practical and effective way. Solcher's enthusiasm, substantial experience, and technical expertise will help you learn the skills necessary for creating masterful photographs with any Leica M camera.

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Born in Mexico in 1935 and a resident of Washington State for nearly five decades, Alfredo Arreguín has long been recognized as a major force in pattern painting. His canvases are tapestries that mingle diverse and interpenetrating influences and images: the traditional crafts of his native Michoacán; the lush rainforests of his homeland and of the Pacific Northwest; Japanese ukiyo-e prints; sacred and endangered animals; gods and and totemic figures; icons like Frida Kahlo and César Chávez; and motifs including masks, eyes, and abstractly patterned tiles. But Arreguin’s paintings, for all the apparent flatness of their surfaces, conceal an astonishing depth of perspective. The basis of their composition is a grid of colorful patterns applied to superimposed planes, and below the surface of each completed painting are many others, transformed by the artist’s strategic occlusions and erasures. The result is an exuberant, phosphorescent visual interplay in which images combine to form other images, yielding a potent narrative power and pointing up the profound, ambiguous symbiosis between human beings and nature, fiction and reality, and the natural and supernatural worlds. Lauro Flores reveals Alfredo Arreguin as "a genuinely American painter, in the real, hemispheric sense of this term" - an artist of magic, mystery, and revelation whose place in the history of North American art has already been secured. Twenty-three new paintings are included in the second edition of this highly regarded book first published in 2002.

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In 1970s New York City, the abandoned piers of the Hudson River became a site for extraordinary works of art and a popular place for nude sunbathing and anonymous sex. Jonathan Weinberg’s provocative book—part art history, part memoir—weaves interviews, documentary photographs, literary texts, artworks, and film stills to show how avant-garde practices competed and mingled with queer identities along the Manhattan waterfront.Artists as varied as Vito Acconci, Alvin Baltrop, Shelley Seccombe, and David Wojnarowicz made work in and about the fire-ravaged structures that only twenty years before had been at the center of the world’s busiest shipping port. At the same time, the fight for the rights of gay, lesbian, and transgendered people, spurred by the 1969 Stonewall riots, was dramatically transforming the cultural and social landscape of New York City. Gay men suddenly felt free to sunbathe on the piers naked, cruise, and have sex in public. While artists collaborated to transform the buildings of Pier 34 into makeshift art studios and exhibition spaces, gay men were converting Pier 46 into what Delmas Howe calls an “arena for sexual theater.”Featuring one hundred exemplary works from the era and drawing from a rich variety of source material, interviews, and Weinberg’s personal experience, Pier Groups breaks new ground to look at the relationship of avant-garde art to resistant subcultures and radical sexuality.

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The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access.The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

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With their weird combination of animal limbs, or distorted visions of human perception, beasts and creatures can be found in all myths and legends of the world, often used to demonstrate moral or fabulistic stories, and explain extreme natural phenomena. An ideal companion to Gods & Monsters Myths & Tales, this new collection includes more of the most famous and recognizable beasts, with some insight too into the rare and the little known: the Simurgh – the gigantic mythical bird of Persian mythology and literature – mingles with the monstrous Great Head of Iroquois folklore; the Kraken of originally Scandinvavian legend can be found alongside North America's Bigfoot, or Sasquatch if you prefer. Of course, from the Greek and Celtic mythologies come the Phoenix, Scylla and Charybdis, the Unicorn, Satyrs and Fauns, Centaurs and Minotaurs, the Basilisk and the Griffin. And let's not forget the goblins of the Norse, the ogreish monsters of Japanese mythology, the Oni, and the nymphs, fairies and sprites that appear in many different mythological traditions. This truly is a wonderful collection of tales. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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full of wisdom and entertaining anecdotes' The Economist'fascinating' Financial TimesSocial Chemistry will utterly transform the way you think about 'networking.' Understanding the contours of your social network can dramatically enhance personal relationships, work life, and even your global impact. Are you an Expansionist, a Broker, or a Convener? The answer matters more than you think. . . .One of 2021's Most Highly Anticipated New Books--NewsweekOne of The 20 New Leadership Books--Adam GrantOne The Best New Wellness Books Hitting Shelves In January--Shape.comA Next Big Idea Club Nominee__________Conventional wisdom would have us believe that it is the size of your network that matters: how many people do you know? We're told to mix, mingle, and connect.But social science research suggests otherwise.The quality and structure of our relationships have far greater impact on our personal and professional lives. our relationships with friends, family, co-workers, neighbours, and collaborators are by far our greatest asset. Yet, most people leave them to chance.In this ground-breaking study, Marissa King, Professor of Organizational Behavior at the Yale, argues that there are strategic ways in which we can alter our relationships for a happier and more fulfilling life. With new understanding, this book can help readers to see how they can harness the power of their networks in their personal relationships, at work, and to create a better world.

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A TELEGRAPH BEST BOOK OF THE YEAR 2023'One of the most erudite and inventive poets of our time' GuardianShane McCrae, one of the most powerful voices in contemporary poetry, returns with The Many Hundreds of the Scent, an urgent new collection that brims with lyric force. He expands both the poetic and the personal mythologies that he has been constructing over the course of his career; in addition to introducing his readers to 'the thin king / who eats the world,' McCrae invites them to bear witness to his tangle of childhood memories. In brutal, sorrowful lines, he recounts being kidnapped by his white supremacist maternal grandparents from his Black father as a boy. 'O reader, listener, stay,' McCrae writes. 'You are now evidence.'In The Many Hundreds of the Scent, Homeric figures mingle with those that populate the poet's world. Helen weighs Paris's spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas's ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises - the collection includes a series of poems about the advent of post-rock and Hex, the debut album of the band Bark Psychosis. With this collection, he has once more crafted an extraordinarily affecting book of poetry. As Kate Kellaway writes in the Guardian, 'In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through.'

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Cecil Beaton (1904–1980) is one of the most celebrated British Portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers.Beaton used his camera, his ambition and his larger-than-life personality to mingle with a flamboyant and rebellious group of artists, writers, socialites and partygoers. These ‘Bright Young Things’ captured the spirit of the roaring twenties and thirties as they cut a dramatic swathe through the epoch. Beaton quickly developed a reputation for his beautiful, often striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. More than a photographer, Beaton became a society fixture in his own right. In a series of themed chapters, covering Beaton’s first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 60 leading figures who sat for him are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton’s socialite sisters Baba and Nancy Beaton, Stephen Tennant, the Mitfords, Siegfried Sassoon, Evelyn Waugh and Daphne Du Maurier. Beaton’s photographs are complemented by a wide range of letters, drawings and ephemera and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb.

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In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern

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Reorienting the East explores the Islamic world as it was encountered, envisioned, and elaborated by Jewish travelers from the Middle Ages to the early modern period. The first comprehensive investigation of Jewish travel writing from this era, this study engages with questions raised by postcolonial studies and contributes to the debate over the nature and history of Orientalism as defined by Edward Said. Examining two dozen Hebrew and Judeo-Arabic travel accounts from the mid-twelfth to the early sixteenth centuries, Martin Jacobs asks whether Jewish travelers shared Western perceptions of the Islamic world with their Christian counterparts. Most Jews who detailed their journeys during this period hailed from Christian lands and many sailed to the Eastern Mediterranean aboard Christian-owned vessels. Yet Jacobs finds that their descriptions of the Near East subvert or reorient a decidedly Christian vision of the region. The accounts from the crusader era, in particular, are often critical of the Christian church and present glowing portraits of Muslim-Jewish relations. By contrast, some of the later travelers discussed in the book express condescending attitudes toward Islam, Muslims, and Near Eastern Jews. Placing shifting perspectives on the Muslim world in their historical, social, and literary contexts, Jacobs interprets these texts as mirrors of changing Jewish self-perceptions. As he argues, the travel accounts echo the various ways in which premodern Jews negotiated their mingled identities, which were neither exclusively Western nor entirely Eastern.

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Called “the flour of Cities all,” London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London’s population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city’s history—the beheading of Charles I, the Great Fire, the Blitz—but the majority reflect the quieter routines and anxieties of everyday life through the centuries.Ford’s selections are arranged chronologically, thus preserving a sense of the strata of the capital’s history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself.

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The thrilling story of the Jews in Venice – and the truth behind one of Shakespeare's most famous characters. Millions of visitors flood to Venice every year. Yet many are unaware of its history – one of dramatic expansion but also of rapid decline. And essential to any history of Venice during its glory days is the story of its Jewish population. Venice gave the world the word ghetto. Astonishingly, the ghetto prison turned out to be as remarkable a place as the city of Venice itself. With sound scholarship and a narrator's skill, Harry Freedman tells the story of Venice’s Jews. From the founding of the ghetto in 1516, to the capture of Venice by Napoleon in 1797, he describes the remarkable cultural renaissance that took place in the Venice ghetto. Gates and walls notwithstanding, for the first time in European history Jews and Christians mingled intellectually, learned from each other, shared ideas and entered modernity together. When it came to culture, the ghetto walls were porous. Any history of Venice and its Jews also can’t avoid the story of Shakespeare’s Shylock. The cultural and political revival in the Venice ghetto is often obscured from history by this fictional character. Who, we wonder, was Shylock? Would the people of Venice have recognized him and what did Shakespeare really think of him? Shakespeare’s ambivalent anti-Semitism reflects attitudes to Jews in Elizabethan England – but as Freedman demonstrates, Shakespeare’s myth is wholly ignorant of the literary, cultural and interfaith revival that Shylock would have experienced.

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This newly revised book presents a factual discussion of the wide variety of colorful and popular plastics housewares made between 1945 and 1960. Wonderful advertisements that announced to the world what new designs were possible with this experimental material are shown. Many color photographs of today's highly collectible plastics objects demonstrate the variety of colors and useful forms that were manufactured. Vinyl, Lucite, Melamine and Formica, to name but a few, have become common household names since their introduction in this era. Here are chairs, tables, dishes, cups, radios, lampshades, draperies, cooking containers, car interiors, floors and more-all made of plastics. A very useful Collectors' Guide, providing information about all the major manufacturers and trade names, is organized by product types for easy reference. For 1950s families with small budgets and small homes, the "magic" of plastics chemistry promised unprecedented practical benefits mingled with the glamour and drama of sleek modern forms. At last, plastics had stepped out of the kitchen and bath to enter almost every area of home design. In a single decade, plastics had won favor among an astonishingly diverse group-from dimestore shoppers and young marrieds to gifted designers and prestigious proponents of affordable good design. In tracing plastic's whirlwind rise from wartime sham to postwar miracle, this book explores not only the history of an important segment of 1950s collectibles but also the history of a culture redefining its way of life.

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James Bond is possibly the most well known fictional characters in history. What most people don't know is that almost all of the characters, plots and gadgets come from the real life experiences of Bond's creator - Commander Ian Fleming. In this book, we go through the plots of Fleming's novels explaining the real life experiences that inspired them. The reader is taken on a journey through Fleming's direct involvement in World War II intelligence and how this translated through his typewriter into James Bond's world, as well as the many other factors of Fleming's life which were also taken as inspiration. Most notably, the friends who Fleming kept, among whom were Noel Coward and Randolph Churchill and the influential people he would mingle with, British Prime Ministers and American Presidents.Bond is known for his exotic travel, most notably to the island of Jamaica, where Fleming spent much of his life. The desk in his Caribbean house, Goldeneye, was also where his life experiences would be put onto paper in the guise of James Bond. As the island was highly influential for Fleming, it features heavily in this book, offering an element of escapism to the reader, with tales of a clear blue sea, Caribbean climate and island socialising. Ian Fleming might have died prematurely aged 53, but so much of him lives on to this day through the most famous spy in the world, James Bond.

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