Search results for ""author ming"

In this annotated translation and study of an early fourteenth-century Japanese devotional picture scroll set, Royall Tyler illuminates the complex relationships between medieval Japanese religion and politics, text, and art. The Kasuga Gongen genki ("The Miracles of the Kasuga Deity") mingles text and painting on silk to tell the tale of miraculous events at the Kasuga shrine in Nara, a site favored by the dominant Fujiwara clan for centuries. The work's values are aristocratic, but the text sheds light on the syncretic nature of the era's religious practices, allowing Tyler to collapse the distinction between high and low forms of medieval Japanese religion. Tyler provides a detailed examination of the scrolls, the shrine, and their history and political role. He also elucidates the scrolls' relationship to literary genre and religious practice, including the interaction between Shintoism and Buddhism. His copious annotations describe the work's historical context, as well as its religious and cultural influences. This study is essential for scholars of religion, art historians, and cultural historians alike.

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Provocative and tender, passionate yet wary, the highly charged poems in Helen Farish's first collection testify to the complex nature of relationships with lovers, with family and with the self. The love poems explore moments of intense exposure, and within the erotic relation seek to carve out a voice adequate to the expression of female sexuality and desire. Within this framework, the body itself becomes a rich and compelling site of inquiry. Posted throughout the collection like sentinels, poems on the death of the father draw the poet back home where grief mingles with surprising moments of grace or redemption. But whether the encounter concerns sudden loss or sudden blessing, constant throughout is a warm and boldly embodied lyric 'I' voice generously inviting the reader in. Poised at life's mid-point, these haunting, haunted poems negotiate their emotional freight in carefully crafted forms which mediate between exposure and guardedness. Expertly charting the geographies of sex and love, the histories of childhood and grief, Intimates introduces a new poet of originality, honesty and singular power.

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Find your "Way" with 33 oracle cards with guidebook based on principles of the ancient traditions of Taoism and nature-based spirituality. Organized around basic archetypal situations of life and shown with Way-pointing Arrows on each card, varied themes—Child, Nest, Hero, Crossroads, Threshold, Betrayal, Earth, Air, Fire, and Water—reflect your journey, the elemental forces of life, and the fundamental situations you may find yourself encountering along the Way. With this deck, first see what lies outside you with clarity, and then explore what lies inside. Places and encounters along your life path can identify hidden knowledge, challenges, and opportunities and the passage to the interior mingles both negative and positive emotional experiences—each illuminating the Way. There are no wrong turnings on the life path. Everything that happens—every decision, accident, error, victory—is the path. With WayCards to direct you, now travel more lightly along your own personal road.Includes cards and book.Card dimensions: 3" x 5"

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This book is a graphic introduction to how chemistry developed, from ancient times to now. Led by cartoon host, Ben Zene — with occasional interjections by eccentric Greek philosopher Democritus — readers learn about ancient Greek and Chinese elements, alchemists, and the development of chemistry as we know it today, from Robert Boyle and Antoine Lavoisier, from Elizabeth Fulhame and John Dalton, to Jöns Jakob Berzelius and Friedrich Wöhler, to Rosalind Franklin, Linus Pauling, and Mario Molina. The book delves into topics like nanochemistry, environmental chemistry, and how the structure of atoms and molecules was uncovered, all with good humor, bright colors, and lively drawings. There are occasional sidebars on chemical-related history and the arts, and factoids such as how President of the USA Herbert Hoover and President of Israel Chaim Weizmann influenced chemistry, how personal politics may have denied Gilbert Lewis the Nobel Prize, a Japanese tale of intrigue mingling with chemistry, and which chemist was the first living person to have an element named for him.Related Link(s)

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The story of Alfred Barr and Philip Johnson, two young men, now acknowledged as giants in the history of modernism, who changed the course of design in the United States. The 1920s and 1930s saw the birth of modernism in the United States, a new aesthetic, based on the principles of the Bauhaus in Germany: its merging of architecture with fine and applied arts; and rational, functional design devoid of ornament and without reference to historical styles. Alfred H. Barr Jr., the then 27-year-old founding director of the Museum of Modern Art, and 23-year-old Philip Johnson, director of its architecture department, were the visionary young proponents of the modern approach. Shortly after meeting at Wellesley College, where Barr taught art history, and as Johnson finished his studies in philosophy at Harvard, they set out on a path that would transform the museum world and change the course of design in America. The Museum of Modern Art opened just over a week after the stock market crash of 1929. In the depths of the Depression, using as their laboratories both MoMA and their own apartments in New York City, Barr and Johnson experimented with new ideas in museum ideology, extending the scope beyond painting and sculpture to include architecture, photography, graphic design, furniture, industrial design, and film; with exhibitions of ordinary, machine-made objects (including ball bearings and kitchenware) elevated to art by their elegant design; and with installations in dramatically lit galleries with smooth, white walls. Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York - 1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany - and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Plentifully illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments - domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe - this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.

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Over 100 color photographs vividly portray the people and places of the southeastern Adirondacks as seen by a Glens Falls family physician who has spent over twenty years practicing rural medicine in such places as Bolton Landing, Warrensburg, North Greek, Indian Lake, Long Lake, Wells, and Speculator. The book is a breathtaking collection of Adirondack landscapes taken along Dr. Daniel Way's travels, mingled with portraits of his patients taken in their homes and the many stories that reveal the full spectrum of humor, sorrow, wonder and stress that constitutes the doctor-patient relationship. The book's patient population includes trappers, war heroes, matriarchs, lumbermen, Great Camp residents, and transplanted ""flatlanders,"" and their stories will leave the reader enriched while enjoying views of Adirondack rivers, mountains, lakes, and forests.

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Despite the strong influence of just war theory in military law and practice, warfare is commonly considered devoid of morality. Yet even in the most horrific of human activities, there is frequent communication and cooperation between enemies. One remarkable example is the Christmas truce—unofficial ceasefires between German and English trenches in December 1914 in which soldiers even mingled in No Man’s Land.In Conspiring with the Enemy, Yvonne Chiu offers a new understanding of why and how enemies work together to constrain violence in warfare. Chiu argues that what she calls an ethic of cooperation is found in modern warfare to such an extent that it is often taken for granted. The importance of cooperation becomes especially clear when wartime ethics reach a gray area: To whom should the laws of war apply? Who qualifies as a combatant? Should guerrillas or terrorists receive protections? Fundamentally, Chiu shows, the norms of war rely on consensus on the existence and content of the laws of war. In a wide-ranging consideration of pivotal instances of cooperation, Chiu examines weapons bans, treatment of prisoners of war, and the Geneva Conventions, as well as the tensions between the ethic of cooperation and the pillars of just war theory. An original exploration of a crucial but overlooked phenomenon, Conspiring with the Enemy is a significant contribution to military ethics and political philosophy.

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'A gloriously good read' Sunday Independent LIFESURROUNDED BY WEALTH, GLAMOUR AND EXCITEMENTLady Honor Guinness is a reluctant wallflower. But that all changes when she marries Henry 'Chips' Channon, a charming and ambitious American. On his arm, she finds herself at the heart of 1930s London's most elite social circles, mingling with aristocrats, politicians and royalty. But it's not too long before Chips begins toprioritise his aspirations over all else, and Honor begins to wonder who exactly she has married.By her side is her best friend Doris, a young woman eager to establish her place in society. A social butterfly who keeps the details of her family background to herself, Doris is hopeful her beauty and charm will win her a suitable husband, but she has no interest in a romantic attachment. Until she is introduced to 'the most devastating man in London'.Inspired by true-life events, The Other Guinness Girl: A Question of Honor is an elegant, captivating story of two young women navigating friendship, loneliness, love and desire as they try to find their places in a society where the rules seem to change every moment.PRAISE FOR THE GUINNESS GIRLS NOVELS'Utterly captivating ... an absolute page-turner' IRISH INDEPENDENT'Masterfully and glamorously told' SUNDAY BUSINESS POST'Fans of Downton Abbey will adore this' SUNDAY TIMES

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Harold Nicolson called her 'the greatest Queen since Cleopatra', while Cecil Beaton called her 'a marshmallow made on a welding machine'. Stephen Tennant said: 'She looked everything that she was not: gentle, gullible, tenderness mingled with dispassionate serenity, cool, well-bred, remote. Behind this veil she schemed and vacillated, hard as nails.' Who was she? The Queen Mother's story has not yet been properly told. This was partly due to her long life, and the difficulty that always exists when a biography of a living person is attempted, partly because she was a queen - and the real person gets hidden behind the perceived image - and partly because she is hard to pin down. From her privileged aristocratic childhood, to the Abdication and the problems with Diana - this book questions how she faced her challenges and crises, assesses her role, how powerful she was, and how she coped. This is a candid, personal portrait of one of Britain's most loved national treasures. Hugo Vickers, an acknowledged expert on the House of Windsor, has spent seventeen years researching this book, and observed the Queen Mother in public and private over a period of forty years.

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The ups and downs of silk, cotton, and stocks syncopated with serialized novels in the late-nineteenth-century Arabic press: Time itself was changing. Novels of debt, dissimulation, and risk begin to appear in Arabic at a moment when France and Britain were unseating the Ottoman legacy in Beirut, Cairo, and beyond. Amid booms and crashes, serialized Arabic fiction and finance at once tell the other’s story. While scholars of Arabic often write of a Nahdah, a sense of renaissance, Fictitious Capital argues instead that we read the trope of Nahdah as Walter Benjamin might have, as “one of the monuments of the bourgeoisie that [are] already in ruins.” Financial speculation engendered an anxious mixture of hope and fear formally expressed in the mingling of financial news and serialized novels in such Arabic journals as Al-Jinān, Al-Muqtataf, and Al-Hilāl. Holt recasts the historiography of the Nahdah, showing its sense of rise and renaissance to be a utopian, imperially mediated narrative of capital that encrypted its inevitable counterpart, capital flight.

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An ex-convict struggles with his addictive yearning for prison. A law-abiding citizen broods over his pleasure in violent, illegal acts. A prison warden loses his job because he is so successful in rehabilitating criminals. These are but a few of the intriguing stories Martha Grace Duncan examines in her bold, interdisciplinary book Romantic Outlaws, Beloved Prisons. Duncan writes: "This is a book about paradoxes and mingled yarns - about the bright sides of dark events, the silver linings of sable clouds." She portrays upright citizens who harbor a strange liking for criminal deeds, and criminals who conceive of prison in positive terms: as a nurturing mother, an academy, a matrix of spiritual rebirth, or a refuge from life's trivia. In developing her unique vision, Duncan draws on literature, history, psychoanalysis, and law. Her work reveals a nonutopian world in which criminals and non-criminals--while injuring each other in obvious ways--nonetheless live together in a symbiotic as well as an adversarial relationship, needing each other, serving each other, enriching each other's lives in profound and surprising fashion.

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'A very cool and intelligent writer' TLS Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************Christine Hall, a mother in her late thirties, is on holiday on the south coast of England when she bumps into an old friend: Celia Baird, staying with her parents at the Moray hotel. Celia - eccentric, impulsive - is one of tangled group of friends who have Christine at their core. There's architect Eric Aveling (who happens to be having an affair with Celia); his wife, terminally ill Lois; and Junius Evans, Eric's business partner. When death affects a shift in the dynamics of the group, none of them expect the final outcome. Duty, guilt, secrecy, loneliness: the hidden side of marriage is uncovered as choices are thrust upon the characters.******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

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By the time she was 14, Chrissie Hynde knew she had to get out of Akron, Ohio. Her perfect ’50s American childhood upturned by a newly acquired taste for rock ’n’ roll, motorbikes and the ‘get down boys’ seen at gigs in and around Cleveland – Mitch Ryder, the Jeff Beck Group, the Velvet Underground and David Bowie among the many.Wrapped up in the Kent State University riots and getting dangerously involved in the local biker and drug scenes, she escaped - to Mexico, Canada, Paris and finally London where she caught the embryonic punk scene just in time not only to witness it first-hand, but more importantly to seize the opportunity to form her own band, the Pretenders.Iggy Pop, the Sex Pistols, the Clash, Vivienne & Malcolm, Ray Davies … on every page household names mingle with small town heroes as we shift from bedroom to biker HQ; from squat to practice room; from pub gig to Top Of The Pops – the long and crooked path to stardom, and for the Pretenders, ultimately, tragedy.That Chrissie Hynde is alive to tell the tale is, by her own admission, something of a miracle. Throughout she is brutally honest, wryly humorous and always highly entertaining. She has written one of the most evocative and colourful music memoirs to be published in recent years.

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Everybody’s Doin’ It is the eye-opening story of popular music’s seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York’s spirited dives, where men and women, often black and white, mingled freely—to the horror of the elite. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit “Alexander’s Ragtime Band,” and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places. Everybody’s Doin’ It illuminates the how, why, and where of America’s popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.

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Despite the strong influence of just war theory in military law and practice, warfare is commonly considered devoid of morality. Yet even in the most horrific of human activities, there is frequent communication and cooperation between enemies. One remarkable example is the Christmas truce—unofficial ceasefires between German and English trenches in December 1914 in which soldiers even mingled in No Man’s Land.In Conspiring with the Enemy, Yvonne Chiu offers a new understanding of why and how enemies work together to constrain violence in warfare. Chiu argues that what she calls an ethic of cooperation is found in modern warfare to such an extent that it is often taken for granted. The importance of cooperation becomes especially clear when wartime ethics reach a gray area: To whom should the laws of war apply? Who qualifies as a combatant? Should guerrillas or terrorists receive protections? Fundamentally, Chiu shows, the norms of war rely on consensus on the existence and content of the laws of war. In a wide-ranging consideration of pivotal instances of cooperation, Chiu examines weapons bans, treatment of prisoners of war, and the Geneva Conventions, as well as the tensions between the ethic of cooperation and the pillars of just war theory. An original exploration of a crucial but overlooked phenomenon, Conspiring with the Enemy is a significant contribution to military ethics and political philosophy.

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This description is for the Inuktitut edition.Nunatsiavut, tânna Inuit nunakKatigengituk Canada-mit pitâlauttut namminik kavamamik 2005-imi, sanaKattajut sananguatausimajunik adjiKangitunik nunatsualimâmit Canadamiungutlutik ammalu ukkiuttatop KikKanganettuk Inuit sananguataumajut. Silatsualimâmi siKinganeluattuk inigijautluni Inutuinnanut, tamakkua satjugiamit inuit Nunatsiavummi iniKainnatut napattop killingani, ammalu Inuit allanguattingit ammalu sananguatingit Nunatsiavummit pitâsongunginnatut adjigengitunik ukiuttattumi ammalu ukiuttattoKattangimmijuk pigutsianginnik, taikkunangat atuKattasimajut takuminattunik sanagalagiamik suliagijanginnit.Allanguattet nunanganit piusituKanginnit atuKattasimavut ukkusitsajannik ammalu Kijunik sananguagiamut; amilinnik, tuttujannik, ammalu Kisinik atuttausonik sanaKattajut; ammalu tagiulinnit ivinik sanaKattamijut, ammalugiallak allasajannik, kikiatsajak, Kallunâttajak, sapangak, ammalu alakkasâjannik. MânnaKammik, sanagalasimavut sanajaunginnatunik takugatsausongutlutik, ilautillugit minguattausimajut, allanguattausimajut, nenittausimajut, adjiliuttausimajut, taggajâliuttausimajut, ammalu maggalinnit, atautsikut atutlutik piusituKannik atunginnatamminik nutângutlutik ammalu nigiugijausimangitunut piusitKatlutik.SakKijâjuk: Allanguattausimajut ammalu sananguatausimajut Nunatsiavummit sivulligijauvuk angijotluni nuititausimajuk allanguattausimajunit Labrador Inunginnit. Sanajauluasimajuk angijummagimmik apvitattitaulluni takugatsauniattilugit âkKisuttausimajuk taikkununga taijaujunut The Rooms Prâvinsikkut Allanguattausimajunik Takujapvinganut St. John's-imit, atuagak pitaKalangavuk ungatâni 80-nik sanajaugesimajunut 45-init adjigengitunit sananguatinut, kinakkoningit iluanemmijut sananguatet, ammalu angijummagik allataumajuk sananguatet pitjutigillugit Nunatsiavummit allasimajuk Heather Igloliorte.SakKijâjuk pivitsaKattisijuk atuatsiKattajunut, katitsuiKattajunut, allanguattinut piusituKaujunut, ammalu katitsuiKattajunut sunatuinnanik sananguatausimajunit siKinittini ammalu taggatinni takujagiattulâkKut taikkununga adjiKangitunut, sanajautsiasimajunut, ammalu takuminattusiavannik suliagijausimajunut Inuit sananguatinginnut ammalu allanguattinginnut Nunatsiavummit.

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The Inheritance of Loss is Kiran Desai's extraordinary Man Booker Prize winning novel.High in the Himalayas sits a dilapidated mansion, home to three people, each dreaming of another time. The judge, broken by a world too messy for justice, is haunted by his past. His orphan granddaughter has fallen in love with her handsome tutor, despite their different backgrounds and ideals. The cook's heart is with his son, who is working in a New York restaurant, mingling with an underclass from all over the globe as he seeks somewhere to call home. Around the house swirl the forces of revolution and change. Civil unrest is making itself felt, stirring up inner conflicts as powerful as those dividing the community, pitting the past against the present, nationalism against love, a small place against the troubles of a big world. 'A Magnificent novel of humane breadth and wisdom, comic tenderness and political acuteness' Hermione Lee, chair of the Man Booker Prize judges'Poised, elegant and assured . . . breaks out into extraordinary beauty' The Times'Desai's bold, original voice, and her ability to deal in a grand narratives with a deft comic touch that affectionately recalls some of the masters of Indian fiction, makes hers a novel to reread and remembered' Independent

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“Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.

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It is no surprise that one of Muriel Spark’s most lively and entertaining works would be her own memoir, Curriculum Vitae. Born to a Scottish Jewish father and an English Presbyterian mother, Spark describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes. In one she recalls a cherished schoolteacher, Christina Kay, who would later be used as the prototype for Miss Jean Brodie. Spark boldly details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) — himself thirty-two, she just nineteen — whom she followed to Rhodesia (now Zimbabwe) and left behind to return to England. In the midst of WWII, Spark took a bizarre position working in the disinformation campaign of the British Secret Service, eliciting information from German POWs to combat Nazi propaganda. She later moved to the Poetry Society of London, where she mingled with literati and other intellectuals, befriended by some (such as Graham Greene, an early supporter of her work) and sparring with others. We experience Spark’s joy with the publication of her first novel, The Comforters, her trials with other writers’ envy, and her emergence as the most brilliant femme fatale of 20th-century English literature.

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The Greek-American artist Kosta Alex (1925-2005) initially trained in figure sculpture in Manhattan. In 1947 he moved to Paris, where he mingled with and exhibited alongside the avant-garde artists of his day. His interest in the flattening of forms led him to create his first series of decoupage-collages in about 1950. Like many other artists of the time, he was drawn to using humble, utilitarian materials such as corrugated cardboard, packaging, newspapers, magazines, wallpaper, timetables, lists, maps, and other scraps culled from daily urban life. He integrated these elements into his art in an often poetic and humorous manner, using screws, nuts, staples, rope, string, and glue to connect them into a cohesive whole. Alex also drew inspiration from classical sculpture, primitive art, and Islamic art, and employed repetitive themes and rhythmic arrangements in his compositions. In the late 1960s and early 1970s he produced groundbreaking collage-reliefs in expanded polystyrene, which Man Ray praised for breaking "the two-dimensional barrier." Handsomely illustrated, Kosta Alex is the first monograph on this intriguing artist.Distributed for Editions Hazan, Paris

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In her long career, Canadian songstress Joni Mitchell has been hailed as everything from 1960s folk icon to 20th century cultural figure, artistic iconoclast to musical heroine, extreme romantic confessor to outspoken commentator and lyrical painter. While some criticised what they viewed as her seeming dismissal of commercial considerations, she simply viewed her trajectory as that of any artist serious about the integrity of their work. But whatever musical position she took, she was always one step ahead of the game, making eclectic and innovative music Albums like The Ladies Of The Canyon, Blue , Hejira and Mingus helped define each era of the 1970s, as she moved from exquisitely pitched singer songwriter material towards jazz. Her past influence was obvious in the 1980s when hoards of assuming successors (some highly respectable) gathered her exotic breadcrumbs with a view to distilling their illusive compounds, while Joni simultaneously forged ahead. This book revisits her studio albums in detail from 1968’s Song to a Seagull to 2007’s Shine, providing anecdote and insight into the recording sessions, an in depth analysis along with a complimentary level of lyrical and instrumental examination.

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Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception.This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalised.Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophise in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realising Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book addresses not only scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney and Marco Lori.

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This hot, two-in-one biography examines the complicated co-dependencies of the greatest but most dysfunctional mother-daughter act in showbiz, Debbie Reynolds and her talented, often traumatized daughter, Carrie Fisher. After years of feuds and separations, they reunited at the end of their lives. Today, their legions of fans like to think they're each doing fine, together in some galaxy far, far away. Debbie Reynolds and Carrie Fisher were the greatest mother-daughter act in show business. Frank Sinatra stole her virginity, but she married pop singer Eddie Fisher for the “official deflowering” (her words). Through storm and rain, Debbie battled on, hitting a high point when she starred as Tammy in 1957 and her most memorable role was in 1964, when she was cast in the rags-to riches saga of The Unsinkable Molly Brown. Each of her three marriages was a disaster, the second one to a millionaire shoe manufacturing mogul who bankrupted both of them. Impoverished after the divorce, she ended up sleeping in her car. Debbie mingled with the élite of Hollywood in the dying days of its Golden Age. Luminaries included Clark Gable (“if I were only twenty years younger….); Judy Garland (who propositioned her); Lana Turner; Bette Davis (“she was my daughter”) and Glenn Ford, who fell in love with her. A rebellious daughter, Carrie grew up to endure a life of living hell—pill popping, drug abuse, chronic anxiety, failed love affairs, bipolar disorder, and electroshock therapy. Carrie sometimes protested: “I don’t want to be the daughter of Debbie Reynolds. I battled demons that set my brain on fire.” International celebrity came in 1977, when she played Princess Leia in Star Wars as an elaborately coiffed intergalactic princess, spearheading “The Force,” and strong enough to oppose the villainy of Darth Vader.

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In a purgatory at the banks of the Hiwasee River in southeastern Tennessee, two teenagers -- the garrulous John Stone and the young Jenny Evenene -- barrel through an endless night in a Firebird Trans Am. Jenny wakes each morning, the same morning, and chronicles the events of her final day, her memory reaching back into the recesses of mythical time, recollecting cosmogonies, eschatologies, and metamorphoses that mingle with the details of her violent end. As the two heroes drive through the night, drinking cold American beer and listening to the soothing tunes of the country music station, the dramatis personae of the process of decomposition encroach upon them from the darkness beyond the headlights: the turkey vultures that soar above them, baited by decaying corpses, are at once the successors of the sacred buzzard whose talons first massaged the earth into being and the double of the screaming chicken emblazoned on the hood of the Firebird, which is itself at once the illustrious automobile of teenage dreams, vehicle of transmigrating souls, and ancient phoenix, millennial sigil of the sun, of biochemical resurrections, and Heraclitean thunderbolt who steers all things.

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This Silk Road guidebook is ideal for travellers seeking inspirational guides and planning a more extended trip. It provides interesting facts about the Silk Road''s people, history and culture and detailed coverage of the best places to see. This Silk Road travel book has the style of an illustrated magazine to inspire you and give a taste of the Silk Road. The book is printed on paper from responsible sources, and verified to meet FSC''s strict environmental and social standards. This Silk Road guidebook covers: China (Shaanxi, Ginsu, Xinjiang), Central Asia (Pakistan, Afghanistan, Kyrgyzstan, Kazakhstan, Tajikistan, Uzbekistan, Turkmenistan), Western Asia (Iran, Iraq, Syria, Lebanon, Turkey).In this Silk Road travel guidebook, you will find:- Unique essays - country history and culture, and modern-day life, people and politics- Silk Road highlights - Mingsha Shan and Crescent Moon Lake; Heavenly Lake Tia

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'Properly analytical ... always entertaining' TIME OUT'Should tempt both those generally familiar with Andy Warhol and, even more, young people who have trouble imagining how popular art can challenge the status quo' L A TIMESPainter, filmmaker, photographer, philosopher, all-round celebrity, Andy Warhol is an outstanding cultural icon. He revolutionised art by bringing to it images from popular culture - such as the Campbell's soup can and Marilyn Monroe's face - while his studio, the Factory, where his free-spirited cast of 'superstars' mingled with the rich and famous, became the place of origin for every groundswell shaping American culture.In many ways he can be seen as the precursor to today's 'celebrity artists' such as Tracey Emin and Damian Hirst. But what of the man behind the white wig and dark glasses? Koestenbaum gives a fascinating, revealing and thought-provoking picture of pop art's greatest icon.

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On September 11th, 1893, the Columbian Liberty Bell at the World's Columbian Exposition in Chicago sounded ten times - symbolising what were then considered the ten great religious traditions: Hinduism, Buddhism, Jainism, Zoroastrianism, Taoism, Confucianism, Shintoism, Judaism, Christianity, and Islam. As the bell tolled, more than 60 religious leaders from around the globe proceded into the Hall of Columbus to gather in solemn assembly. The ochre robes of Buddhist ascetics, the vermilion cloaks and turbans of Hindu swamis, the silk vestments of Confucians, Taoists, and Shinto priests, the sombre garb of Protestant ministers, all gathered together in the platform around a Catholic cardinal dressed in scarlet and seated in a high chair of state. The near-ecstatic crowd repeatedly burst into tumultuous applause, waving handkerchiefs and mingling tears with smiles. The World's Parliament of Religions was the first event of its kind in the history of the world: a gathering of representatives of numerous world religions for an exchange of views. It was also a turning point in American religious and cultural life, presaging the multiculturalism of a century later. This volume contains a selection of 60 representative and revealing addresses given to the Parliament, with introductions and notes by Professor Seager. The addresses include contributions by Protestant mainstream ministers, African Americans, Jews, Muslims, Buddhists, Hindus, and other Asian religions. Also included are various "points of contact and contention", in which religious leaders attempted to analyse or reach out to their counterparts in other traditions.

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"This is a beautiful book, a masterpiece of brevity and depth" New European"This tense novella builds to a final reckoning" The TimesIn October 1944, a thirteen-year-old girl arrives in a tiny farming community in Lower Austria, at some distance from the main theatre of war. She remembers very little about how she got there, it seems she has suffered trauma from bombardment. One night a few months later, a young, emaciated Russian appears, a deserter from forced labour in the east. He has nothing with him but a canvas roll, which he guards like a hawk. Their burgeoning friendship is abruptly interrupted by the arrival of a group of Wehrmacht soldiers in retreat, who commandeer the farm.Paulus Hochgatterer's intensely atmospheric, resonant novel is like a painting in itself, a beautiful observation of small shifts from apathy in a community not directly affected by the war, but exhausted by it nonetheless; individual acts of moral bravery which to some extent have the power to change the course of history.Longlisted for the Austrian Book Prize 2017, this subtle, evocative novella will appeal to readers of Hubert Mingarelli's A MEAL IN WINTER and Jenny Erpenbeck's THE END OF DAYS. Translated from the German by Jamie BullochJamie Bulloch is the translator of novels by Timur Vermes, Steven Uhly, F. C. Delius, Daniela Krien, Jörg Fauser, Martin Suter, Roland Schimmelpfennig and Oliver Bottini. For his translation of Birgit Vanderbeke's The Mussel Feast he was the winner of the Schlegel-Tieck Prize.With the support of the Creative Europe Programme of the European Union

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From the last decades of the nineteenth century through the late 1930s, the West Bohemian spa towns of Carlsbad, Franzensbad, and Marienbad were fashionable destinations for visitors wishing to "take a cure"—to drink the waters, bathe in the mud, be treated by the latest X-ray, light, or gas therapies, or simply enjoy the respite afforded by elegant parks and comfortable lodgings. These were sociable and urbane places, settings for celebrity sightings, match-making, and stylish promenading. Originally the haunt of aristocrats, the spa towns came to be the favored summer resorts for the emerging bourgeoisie. Among the many who traveled there, a very high proportion were Jewish. In Next Year in Marienbad, Mirjam Zadoff writes the social and cultural history of Carlsbad, Franzensbad, and Marienbad as Jewish spaces. Secular and religious Jews from diverse national, cultural, and social backgrounds mingled in idyllic and often apolitical-seeming surroundings. During the season, shops sold Yiddish and Hebrew newspapers, kosher kitchens were opened, and theatrical presentations, concerts, and public readings catered to the Jewish clientele. Yet these same resorts were situated in a region of growing hostile nationalisms, and they were towns that might turn virulently anti-Semitic in the off season. Next Year in Marienbad draws from memoirs and letters, newspapers and maps, novels and postcards to create a compelling and engaging portrait of Jewish presence and cultural production in the years between the fin de siècle and the Second World War.

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Today’s war is for the survival of the planet. In Maintenant 14: A Journal of Contemporary Dada Writing and Art, the weapon of choice is Dada. Today, everyone in the world is affected by the growing impact of climate change, pollution, plastics, and lack of sustainability. The 2020 edition of the premiere journal of contemporary dada writing and art confronts the situation with a bold and rebellious collection of work that shows the absurdity of continuing the practices that have taken earth to the precipice of extinction. Using the theme “UN-SUSTAIN-A-BULL-SH*T” Maintenant 14 creators turn poetry and art into weapons that expose, confront, and lambast policies that have taken the planet to tipping points in the climate system, biodiversity loss, and the risk of social and ecological collapse. The premier journal gathering the work of internationally-renowned contemporary Dada artists and writers, Maintenant 14 offers compelling proof that Dada continue to serve as a catalyst to creators more than a century later. The annual MAINTENANT series, established in 2008, gathers work of contemporary Dada artists and writers from around the world. The new issue features cover art by neo-pop artist/provocateur Walter Robinson. Past issues include art by Mark Kostabi, Raymond Pettibon, Nicole Eisenmann, Jean-Jacques Lebel, Charles Mingus III, and Kazunori Murakami; writing by Gerard Malanga, Charles Plymell, Andrei Codrescu, Anne Waldman, and more, with a strong contingent of artist-writers from the world of punk rock.

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The letters in these volumes, written from both sides of the Atlantic, addressed by and to members of the Adams family, chronicle nearly five years of its history, They were years in which John Adams in successive missions to Europe, accompanied first by one son, then by two, initiated what would be a continuing role for Adamses in three generadons: representing their country and advancing its interests in the capitals of Europe.John Adams, a troubled but stouthearted Yankee lawyer on the vast new scene of Europe, though always circumspect in familial correspondence in referring to public matters, provides, in his revealing letters about his own health and state of mind, sufficient insight into the difficult relations among the American commissioners, the designs of America's allies, and the diplomatic failures and triumphs he experienced in Paris and the Netherlands to permit some reevaluations of purposes and tactics. With these high matters are mingled the rigors and rewards of travel, concern with his sons' education, books for their reading, Dutch cloth and ribbons for his wife.Whether Mrs. Adams' letters relate to the upbringing of children, the problems of wartime taxes and inflation, the inferior roles assigned to American women, or her wide historical reading, they bear the marks of distinction of mind and mastery of language that make them timeless.If the letters of these two are central, those written by others are hardly less interesting, relating as they do to the concerns of young John Quincy at school in Levden and his observations on his way to and during his stay in St. Petersburg at age fourteen: to the adventure-filled return voyage of Charles, aged eleven, to America; to the interests of the younger Abigail maturing in Braintree; to the reactions of sturdy patriots to the tides and rumors of war.

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"[P.D. Ouspensky's] yearning for a transcendent, timeless reality—one that cancels out physical disintegration and death—figures into science at some fundamental level. Einstein found solace in his theory of relativity, which suggested to him that events are ever-present in the space-time continuum. When his friend Michele Besso passed on shortly before his own death, he wrote: 'For us believing physicists the distinction between past, present, and future is only an illusion, even if a stubborn one.'" —from Magic, Mystery, and ScienceThe triumph of science would appear to have routed all other explanations of reality. No longer does astrology or alchemy or magic have the power to explain the world to us. Yet at one time each of these systems of belief, like religion, helped shed light on what was dark to our understanding. Nor have the occult arts disappeared. We humans have a need for mystery and a sense of the infinite.Magic, Mystery, and Science presents the occult as a "third stream" of belief, as important to the shaping of Western civilization as Greek rationalism or Judeo-Christianity. The occult seeks explanations in a world that is living and intelligent—quite unlike the one supposed by science. By taking these beliefs seriously, while keeping an eye on science, this book aims to capture some of the power of the occult. Readers will discover that the occult has a long history that reaches back to Babylonia and ancient Egypt. It proceeds alongside, and frequently mingles with, religion and science. From the Egyptian Book of the Dead to New Age beliefs, from Plato to Adolf Hitler, occult ways of knowing have been used—and hideously abused—to explain a world that still tempts us with the knowledge of its dark secrets.

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Great Salt Lake is a celebrated, world-recognized natural landmark. It, and the broader region bound to it, is also a thoroughly cultural landscape; generations of peoples made their lives there. In an eminently readable narrative, Steven Simms, one of the foremost archaeologists of the region, traces the scope of human history dating from the Pleistocene, when First Peoples interacted with the lapping waters of Lake Bonneville, to nearly the present day. Through vivid descriptions of how people lived, migrated, and mingled, with persistence and resilience, Simms honors the long human presence on the landscape. First Peoples of Great Salt Lake takes a different approach to understanding the ancients than is typical of archaeology. Deemphasizing categories and labels, it traces changing environments, climates, and peoples through the notion of place. It challenges the Pristine Myth, the cultural bias that Indigenous peoples were timeless, changeless, primitive, and the landscapes they lived in sparsely populated. First Peoples and their descendants modified the forests and understory vegetation, shaped wildlife populations, and adapted to long-term climate change. Native Americans of Great Salt Lake were very much part of their world, and the story here is one of long continuity through dramatic cultural change.

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'As her work reappears, another missing jigsaw piece is replaced' Independent Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this coming-of-marriageable-age story, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************It's between the wars, and Christine - Christie, to her friends - is tired of London, her job in a travel agency, her friends, and the young men she's being set up with. So when, by chance, she meets the older Ned Skelton, who seems sophisticated and experienced, she quickly becomes besotted. Before Christie knows it, they are engaged. But will marriage to a man she doesn't know well truly offer this young woman an escape? Or is she walking into another prison of her own making? A classic coming-of-age story set in the 1930s, by one of Britain's best-loved and almost-forgotten novelists.'A story so vivid it might be the memoir of a real person' Britannia and Eve******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

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These memoirs are the reminiscences of Jack Matthews: his adventures in seeking out, collecting, and reading old and rare books, along with reflections upon time, memory, and other mysteries. In one piece, he measures the psychological distance from when he first saw Lake Erie at the age of four—the sight of which “took his breath away”—to many decades later, when, as he was flying from Detroit to Cleveland, Lake Erie revealed both shores and gave his breath back, depriving him of the first absolute he can remember. Elsewhere, he ponders upon how strangely our lifespans overlap others, telling about his father driving in his Model T and picking up an old Indian who said he’d been a scout for Custer, surviving Big Horn by hiding under corpses. Such purviews, Matthews believes, give a sense of mythic reach-much as do the old books and manuscripts he loves to collect. Other pieces in his Memoirs tell of a famous English poet’s last years in a tiny Ohio town; an old frontier medical book that prescribes such medicines as snake root, sawdust, and rye whiskey; an 1863 Unionist Kentucky newspaper advertising a slave auction; and 150 year old jest books, filled with such dreary specimens that one wonders how desperate people were to find mirth in them. In these reflections, old books and human realities are inextricably mingled, providing warm and thoughtful insights by a self-described “philosophical sentimentalist.”

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Text edition. Der Bericht des ostsyrischen Patriarchen Timotheos uber eine Disputation mit dem Kalifen al-Mahdi (um 782/783 geschrieben) ist einer der ersten grossen Texte der christlich-muslimischen Kontroversliteratur. Zentralthemen der scharfsinnigen und doch fairen Diskussion sind die Trinitatslehre, die Christologie, die Stellung Mohammeds und die Frage nach einer Kontinuitat der Heilsgeschichte zwischen Christentum und Islam. Dabei werden Beispiele christlicher Koranexegese und muslimischer Bibelauslegung diskutiert. Erkennbar sind Bezuge zur islamischen Theologie der fruhen 'Abbasidenzeit wie auch zur beginnenden Rezeption der aristotelischen Philosophie in der islamischen Welt. In der sogenannten Perlenparabel uber die Unerkennbarkeit der wahren Religion wird Lessings Ringparabel vorausgenommen. Der syrische Text, bereits 1928 von Alphonse Mingana als Faksimile einer Handschrift publiziert, erscheint hier erstmals in kritischer Edition, die auch die alteste erhaltene Handschrift berucksichtigt. Die deutsche Ubersetzung mit Anmerkungen reflektiert Probleme in der Textuberlieferung.

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German translation. Der Bericht des ostsyrischen Patriarchen Timotheos uber eine Disputation mit dem Kalifen al-Mahdi (um 782/783 geschrieben) ist einer der ersten grossen Texte der christlich-muslimischen Kontroversliteratur. Zentralthemen der scharfsinnigen und doch fairen Diskussion sind die Trinitatslehre, die Christologie, die Stellung Mohammeds und die Frage nach einer Kontinuitat der Heilsgeschichte zwischen Christentum und Islam. Dabei werden Beispiele christlicher Koranexegese und muslimischer Bibelauslegung diskutiert. Erkennbar sind Bezuge zur islamischen Theologie der fruhen 'Abbasidenzeit wie auch zur beginnenden Rezeption der aristotelischen Philosophie in der islamischen Welt. In der sogenannten Perlenparabel uber die Unerkennbarkeit der wahren Religion wird Lessings Ringparabel vorausgenommen. Der syrische Text, bereits 1928 von Alphonse Mingana als Faksimile einer Handschrift publiziert, erscheint hier erstmals in kritischer Edition, die auch die alteste erhaltene Handschrift berucksichtigt. Die deutsche Ubersetzung mit Anmerkungen reflektiert Probleme in der Textuberlieferung.

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In this book from the critically acclaimed, multimillion-copy bestselling Little People, BIG DREAMS series, discover the life of Malala Yousafzai, the incredible activist for girls’ education and the youngest Nobel Prize laureate​. When Malala was born in Mingora, Pakistan, her father was determined she would have every opportunity that a boy would have. She loved getting an education, but when a hateful regime came to power, girls were no longer allowed to go to school. Malala spoke out in public about this, which made her a target for violence. She was shot in the left side of her head and woke up in hospital in England. Finally after long months and many surgeries, Malala recovered, and resolved to become an activist for girls’ education. Now a recent Oxford graduate, Malala continues to fight for a world where all girls can learn and lead. This powerful book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the activist’s life.Little People, BIG DREAMS is a bestselling biography series for kids that explores the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream. This empowering series of books offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardback and paperback versions present expanded stories for beginning readers. With rewritten text for older children, the treasuries each bring together a multitude of dreamers in a single volume. You can also collect a selection of the books by theme in boxed gift sets. Activity books and a journal provide even more ways to make the lives of these role models accessible to children.Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!

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What it is and what it isn't. This not a camera manual for the Leica M, nor is it a book that will teach you photography. Nevertheless, in Bertram Solcher's book you will learn a whole lot about your camera and how to use it, and about the art and craft of photography. This book contains a collection of illustrated essays that are meant to reveal the secrets of working with a rangefinder camera. To be more precise, with the best camera ever made. The book's ultimate goal is to ignite your passion for the kind of spontaneous, minimalist, and creative photography we admire in the works of Henri Cartier-Bresson, Joel Meyerowitz, and other great Leica photographers. All Leica M model cameras, both analog and digital, use rangefinder technology. Because of its design, working with a Leica M requires a more methodical style of photography where the photographer must slow down and exercise attention and purpose. Using these cameras is both challenging and rewarding. With a Leica M, you can mingle discretely within your environment to capture candid, exciting, insightful images.Bertram Solcher, a professional Leica M photographer for over 35 years, demonstrates how to use this unique camera in a practical and effective way. Solcher's enthusiasm, substantial experience, and technical expertise will help you learn the skills necessary for creating masterful photographs with any Leica M camera.

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Born in Mexico in 1935 and a resident of Washington State for nearly five decades, Alfredo Arreguín has long been recognized as a major force in pattern painting. His canvases are tapestries that mingle diverse and interpenetrating influences and images: the traditional crafts of his native Michoacán; the lush rainforests of his homeland and of the Pacific Northwest; Japanese ukiyo-e prints; sacred and endangered animals; gods and and totemic figures; icons like Frida Kahlo and César Chávez; and motifs including masks, eyes, and abstractly patterned tiles. But Arreguin’s paintings, for all the apparent flatness of their surfaces, conceal an astonishing depth of perspective. The basis of their composition is a grid of colorful patterns applied to superimposed planes, and below the surface of each completed painting are many others, transformed by the artist’s strategic occlusions and erasures. The result is an exuberant, phosphorescent visual interplay in which images combine to form other images, yielding a potent narrative power and pointing up the profound, ambiguous symbiosis between human beings and nature, fiction and reality, and the natural and supernatural worlds. Lauro Flores reveals Alfredo Arreguin as "a genuinely American painter, in the real, hemispheric sense of this term" - an artist of magic, mystery, and revelation whose place in the history of North American art has already been secured. Twenty-three new paintings are included in the second edition of this highly regarded book first published in 2002.

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In 1970s New York City, the abandoned piers of the Hudson River became a site for extraordinary works of art and a popular place for nude sunbathing and anonymous sex. Jonathan Weinberg’s provocative book—part art history, part memoir—weaves interviews, documentary photographs, literary texts, artworks, and film stills to show how avant-garde practices competed and mingled with queer identities along the Manhattan waterfront.Artists as varied as Vito Acconci, Alvin Baltrop, Shelley Seccombe, and David Wojnarowicz made work in and about the fire-ravaged structures that only twenty years before had been at the center of the world’s busiest shipping port. At the same time, the fight for the rights of gay, lesbian, and transgendered people, spurred by the 1969 Stonewall riots, was dramatically transforming the cultural and social landscape of New York City. Gay men suddenly felt free to sunbathe on the piers naked, cruise, and have sex in public. While artists collaborated to transform the buildings of Pier 34 into makeshift art studios and exhibition spaces, gay men were converting Pier 46 into what Delmas Howe calls an “arena for sexual theater.”Featuring one hundred exemplary works from the era and drawing from a rich variety of source material, interviews, and Weinberg’s personal experience, Pier Groups breaks new ground to look at the relationship of avant-garde art to resistant subcultures and radical sexuality.

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The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access.The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.

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With their weird combination of animal limbs, or distorted visions of human perception, beasts and creatures can be found in all myths and legends of the world, often used to demonstrate moral or fabulistic stories, and explain extreme natural phenomena. An ideal companion to Gods & Monsters Myths & Tales, this new collection includes more of the most famous and recognizable beasts, with some insight too into the rare and the little known: the Simurgh – the gigantic mythical bird of Persian mythology and literature – mingles with the monstrous Great Head of Iroquois folklore; the Kraken of originally Scandinvavian legend can be found alongside North America's Bigfoot, or Sasquatch if you prefer. Of course, from the Greek and Celtic mythologies come the Phoenix, Scylla and Charybdis, the Unicorn, Satyrs and Fauns, Centaurs and Minotaurs, the Basilisk and the Griffin. And let's not forget the goblins of the Norse, the ogreish monsters of Japanese mythology, the Oni, and the nymphs, fairies and sprites that appear in many different mythological traditions. This truly is a wonderful collection of tales. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

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full of wisdom and entertaining anecdotes' The Economist'fascinating' Financial TimesSocial Chemistry will utterly transform the way you think about 'networking.' Understanding the contours of your social network can dramatically enhance personal relationships, work life, and even your global impact. Are you an Expansionist, a Broker, or a Convener? The answer matters more than you think. . . .One of 2021's Most Highly Anticipated New Books--NewsweekOne of The 20 New Leadership Books--Adam GrantOne The Best New Wellness Books Hitting Shelves In January--Shape.comA Next Big Idea Club Nominee__________Conventional wisdom would have us believe that it is the size of your network that matters: how many people do you know? We're told to mix, mingle, and connect.But social science research suggests otherwise.The quality and structure of our relationships have far greater impact on our personal and professional lives. our relationships with friends, family, co-workers, neighbours, and collaborators are by far our greatest asset. Yet, most people leave them to chance.In this ground-breaking study, Marissa King, Professor of Organizational Behavior at the Yale, argues that there are strategic ways in which we can alter our relationships for a happier and more fulfilling life. With new understanding, this book can help readers to see how they can harness the power of their networks in their personal relationships, at work, and to create a better world.

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A TELEGRAPH BEST BOOK OF THE YEAR 2023'One of the most erudite and inventive poets of our time' GuardianShane McCrae, one of the most powerful voices in contemporary poetry, returns with The Many Hundreds of the Scent, an urgent new collection that brims with lyric force. He expands both the poetic and the personal mythologies that he has been constructing over the course of his career; in addition to introducing his readers to 'the thin king / who eats the world,' McCrae invites them to bear witness to his tangle of childhood memories. In brutal, sorrowful lines, he recounts being kidnapped by his white supremacist maternal grandparents from his Black father as a boy. 'O reader, listener, stay,' McCrae writes. 'You are now evidence.'In The Many Hundreds of the Scent, Homeric figures mingle with those that populate the poet's world. Helen weighs Paris's spear in her hand and bloodies a raging Achilles; Penelope burns her loom each night; Dido watches Aeneas's ship burn on the horizon. A strikingly original and engaging poet, McCrae continually surprises - the collection includes a series of poems about the advent of post-rock and Hex, the debut album of the band Bark Psychosis. With this collection, he has once more crafted an extraordinarily affecting book of poetry. As Kate Kellaway writes in the Guardian, 'In McCrae's hands, poetry is reclamation. It is also transport: writing a way out and through.'

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In his bestselling book The Grapevine: A Report on the Secret World of the Lesbian (1965), Jess Stearn announced that, contrary to the assumptions of many Americans, most lesbians appeared indistinguishable from other women. They could mingle “congenially in conventional society.” Some were popular sex symbols; some were married to unsuspecting husbands. Robert J. Corber contends that The Grapevine exemplified a homophobic Cold War discourse that portrayed the femme as an invisible threat to the nation. Underlying this panic was the widespread fear that college-educated women would reject marriage and motherhood as aspirations, weakening the American family and compromising the nation’s ability to defeat totalitarianism. Corber argues that Cold War homophobia transformed ideas about lesbianism in the United States. In the early twentieth century, homophobic discourse had focused on gender identity: the lesbian was a masculine woman. During the Cold War, the lesbian was reconceived as a woman attracted to other women. Corber develops his argument by analyzing representations of lesbianism in Hollywood movies of the 1950s and 1960s, and in the careers of some of the era’s biggest female stars. He examines treatments of the femme in All About Eve, The Children’s Hour, and Marnie, and he explores the impact of Cold War homophobia on the careers of Joan Crawford, Bette Davis, and Doris Day.

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Why would Hawthorne and Eliot grant their fallen women an anachronistic right to silence that could only worsen their punishment? Why did Bronte and Gaskell find gossip such a useful source of information when lawyers excluded it as hearsay? How did Trollope's work as an editor influence his preoccupation throughout his novels with libel? Drawing on a range of primary sources including novels, Victorian periodical literature, legislative debate, case law, and legal treatise, Cathrine O. Frank traces the ways conventions of literary characterisation mingled with character-centred legal developments to produce a jurisprudential theory of character that extends beyond the legal profession. She explores how key categories and representational strategies for imagining individual personhood also defined communities and mediated relations within them, in life and in fiction. This book offers new readings of works by Nathaniel Hawthorne, George Eliot, Anne Bronte, Elizabeth Gaskell, Anthony Trollope, Robert Louis Stevenson, Oscar Wilde and Arthur Conan Doyle. It analyses their literary constructions of character in relation to specific legal cases and doctrines, including the right to silence, libel and privacy.

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'A powerful tragedy' Independent Described by the New York Times upon her death as 'one of Britain's best-known novelists', plunge yourself into the wry world of Pamela Hansford Johnson in this story of seduction and marriage, perfect for fans of Elizabeth Jane Howard and Barbara Pym.******************Gavin and Hannah Eastwood are a happy couple, holidaying with their overprotected eleven-year-old son Giles in a beautiful village on the coast of Belgium. Melissa is a student of Gavin's, also in the village, having followed Gavin there. A hopeless romantic living in a fantasy, she obsessively follows the family, going out of her way to bump into the couple repeatedly - soon becoming inescapable. While Gavin pities her, Hannah finds her presence alarming; and while they're distracted by her appearances, they miss Giles secretly pursuing his own sinister friendship. . . 'Teases your curiosity and plays on your sympathy' Kirkus******************Praise for Pamela Hansford Johnson:'Witty, satirical and deftly malicious' Anthony Burgess'A remarkable craftswoman' A.S. Byatt'Hansford Johnson at her wittiest is Waugh mingled with Malcolm Bradbury Ruth Rendell'A writer whose memory fully deserves to be kept alive' Jonathan Coe

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