Search results for ""yale university press""

Drawing is at the heart of human creativity. The most democratic form of art-making, it requires nothing more than a plain surface and a stub of pencil, a piece of chalk or an inky brush. Our prehistoric ancestors drew with natural pigments on the walls of caves, and every subsequent culture has practised drawingwhether on papyrus, parchment, or paper. Artists throughout history have used drawing as part of the creative process. While painting and sculpture have been shaped heavily by money and influence, drawing has always offered extraordinary creative latitude. Here we see the artist at his or her most unguarded. Susan Owens offers a glimpse over artists' shouldersfrom Michelangelo, Rembrandt, and Hokusai to Van Gogh, Käthe Kollwitz, and Yayoi Kusamaas they work, think, and innovate, as they scrutinise the world around them or escape into imagination. The Story of Drawing loops around the established history of art, sometimes staying close, at other times diving into exhilara

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An authoritative selection of the writings of one of the most important early American writers “A brilliant collection that reveals the extraordinary range of Cotton Mather’s interests and contributions—by far the best introduction to the mind of the Puritan divine.”—Francis J. Bremer, author of Lay Empowerment and the Development of Puritanism Cotton Mather (1663–1728) has a wide presence in American culture, and longtime scholarly interest in him is increasing as more of his previously unpublished writings are made available. This reader serves as an introduction to the man and to his huge body of published and unpublished works.

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An important reassessment of the later career and life of a beloved baroque artist Hailed as one of the most influential and expressive painters of the seventeenth century, Artemisia Gentileschi (1593–ca. 1656) has figured prominently in the art historical discourse of the past two decades. This attention to Artemisia, after many years of scholarly neglect, is partially due to interest in the dramatic details of her early life, including the widely publicized rape trial of her painting tutor, Agostino Tassi, and her admission to Florence’s esteemed Accademia del Disegno. While the artist’s early paintings have been extensively discussed, her later work has been largely dismissed. This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia’s later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia’s paintings, Locker argues for her important place in the cultural dialogue of the seventeenth century.

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WINNER OF THE 2023 RALPH GOMORY BOOK PRIZE “A superb book.”—Jerry Brotton “Wonderfully wide-ranging and deeply-researched.”—William Dalrymple “Sharply observed, innovatively analysed, and always accessible.”—Nandini Das A new history of English trade and empire—revealing how a tightly woven community of merchants was the true origin of globalized Britain In the century following Elizabeth I’s rise to the throne, English trade blossomed as thousands of merchants launched ventures across the globe. Through the efforts of these "mere merchants," England developed from a peripheral power on the fringes of Europe to a country at the center of a global commercial web, with interests stretching from Virginia to Ahmadabad and Arkhangelsk to Benin. Edmond Smith traces the lives of English merchants from their earliest steps into business to the heights of their successes. Smith unpicks their behavior, relationships, and experiences, from exporting wool to Russia, importing exotic luxuries from India, and building plantations in America. He reveals that the origins of "global" Britain are found in the stories of these men whose livelihoods depended on their skills, entrepreneurship, and ability to work together to compete in cutthroat international markets. As a community, their efforts would come to revolutionize Britain’s relationship with the world.

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The extraordinary sculptures of Belgian artist Jean-Michel Folon The first half of Belgian artist Jean-Michel Folon’s (1934–2005) career was devoted to posters, illustrations, and television animations that brought him international acclaim for their diversity and virtuosity; his illustrations appeared in magazines including The New Yorker, Fortune, and Esquire. In the 1990s, he pivoted to sculpture, focusing on statuary and working with both direct carving and modeling, which he then translated to bronze or stone. This is the first publication to explore the entirety of Folon’s sculptural work. Drawing inspiration from the Cyclades, the Etruscans, from African masks and Indian totems, Folon’s sculptures are characterized by their frontality and corporality. Distributed for MercatorfondsExhibition Schedule:Villers-la-Ville, Brussels (October 24, 2020–February 21, 2021)

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This innovative book introduces a vivid new reading of French art and society at a crucial period of history The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical is the predominant theme, punctuated by other stylistic currents, notably the Rubensian and the Botticellian. It asks, how did these styles—all three derived from foreign art—come to be adapted into French visual culture? How did the Republic customise classicism to its ideological ends? How was classicism manipulated by progressive painters for radical and reactionary readings? The Presence of the Past in French Art 1870–1905​ considers artists of very different character and type—from Degas to Henner, Cézanne to Besnard, Roty to Seurat, Dalou to Maillol—as well as a variety of media, including painting, sculpture, medals and celebrity photographs, to open up new vistas of interpretation in this fascinating field.

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An elegant consideration of the Surrealist movement as a global phenomenon and why the movement continues to resonate

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Finalist for the 2021 National Book Award for Poetry, this Yale Series of Younger Poets volume is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.”—Carl Phillips, from the Foreword “Desiree C. Bailey sings true in her debut. Wherever this voice goes a Caribbean sun travels with it transfiguring what a maroon might overhear—a call awaiting response.”—Yusef Komunyakaa The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”

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A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here—ranging from historical subjects to portraits and still lifes—offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media—from paintings to prints—the fascinating stories of early modern Italian women artists are revealed.Distributed for the Detroit Institute of ArtsExhibition Schedule:Wadsworth Atheneum, Hartford, CT (September 30, 2021–January 9, 2022)Detroit Institute of Arts (February 6–May 29, 2022)

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A group history of the Austrian School of Economics, from the coffeehouses of imperial Vienna to the modern-day Tea Party The Austrian School of Economics—a movement that has had a vast impact on economics, politics, and society, especially among the American right—is poorly understood by supporters and detractors alike. Defining themselves in opposition to the mainstream, economists such as Ludwig von Mises, Friedrich Hayek, and Joseph Schumpeter built the School's international reputation with their work on business cycles and monetary theory. Their focus on individualism—and deep antipathy toward socialism—ultimately won them a devoted audience among the upper echelons of business and government. In this collective biography, Janek Wasserman brings these figures to life, showing that in order to make sense of the Austrians and their continued influence, one must understand the backdrop against which their philosophy was formed—notably, the collapse of the Austro‑Hungarian Empire and a half‑century of war and exile.

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An animated account of the launching of Yale’s Elizabethan Club, and the life of its founder and his intriguing wife A millionaire carpet manufacturer, noted philanthropist, and avid yachtsman, Alexander Smith Cochran, Yale Class of 1896, gathered a superb collection of original editions of plays and related works from the reign of Queen Elizabeth. In 1911, with the help of William Lyon Phelps, Cochran launched Yale’s Elizabethan Club as a place to house his collection and offer a congenial environment for social and intellectual interaction between Yale undergraduates, graduates, and faculty concerned with literature and the arts. Cochran’s creation “changed the tone and atmosphere of modern Yale” until the colleges arrived. Drawing on extensive sources, Walter Goffart surveys Cochran’s life and many occupations, notably his founding of the “Lizzie.” He also takes a close look at Cochran’s intriguing wife of two years, Ganna Walska—the aspiring opera singer celebrated for developing the Lotusland gardens in Montecito, California.Distributed for the Elizabethan Club, Yale University

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“In art and words, a book lover honors the characters he can’t forget.”—New York Times Book Review An original look at how literary characters can transcend their books to guide our lives, by one of the world's most eminent bibliophiles Alberto Manguel, in a style both charming and erudite, examines how literary characters live with us from childhood on. Throughout the years, they change their identities and emerge from behind their stories to teach us about the complexities of love, loss, and the world itself. Manguel’s favorite characters include Jim from Huckleberry Finn, Phoebe from The Catcher in the Rye, Job and Jonah from the Bible, Little Red Riding Hood and Captain Nemo, Hamlet’s mother, and Dr. Frankenstein’s maligned Monster. Sharing his unique powers as a reader, Manguel encourages us to establish our own literary relationships. An intimate preface and Manguel’s own “doodles” complete this delightful and magical book.

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A practical, bipartisan call to action from the world’s leading thinkers on the environment and sustainability Sustainability has emerged as a global priority in the past decade. The 2015 Paris Agreement on climate change and the adoption of the seventeen Sustainable Development Goals through the United Nations have highlighted the need to address critical challenges such as the buildup of greenhouse gases in the atmosphere, water shortages, and air pollution. But in the United States, partisan divides, regional disputes, and deep disagreements over core principles have made it nearly impossible to chart a course toward a sustainable future. This timely new book, edited by celebrated scholar Daniel C. Esty, offers fresh thinking and forward-looking solutions from environmental thought leaders across the political spectrum. The book’s forty essays cover such subjects as ecology, environmental justice, Big Data, public health, and climate change, all with an emphasis on sustainability. The book focuses on moving toward sustainability through actionable, bipartisan approaches based on rigorous analytical research.

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An examination of how Western visions of endless future growth have contributed to the global environmental crisis “This book does something that is worth doing and that no other scholarly book I know of comes close to doing: tracing the history of imagined environmental futures in the Western world.”—William Meyer, Colgate University For centuries, the West has produced stories about the future in which humans use advanced science and technology to transform the earth. Michael Rawson uses a wide range of works that include Francis Bacon’s New Atlantis, the science fiction novels of Jules Verne, and even the speculations of think tanks like the RAND Corporation to reveal the environmental paradox at the heart of these narratives: the single-minded expectation of unlimited growth on a finite planet. Rawson shows how these stories, which have long pervaded Western dreams about the future, have helped to enable an unprecedentedly abundant and technology-driven lifestyle for some while bringing the threat of environmental disaster to all. Adapting to ecological realities, he argues, hinges on the ability to create new visions of tomorrow that decouple growth from the idea of progress.

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A wide-ranging exploration of the story of Ruth, a foreigner who became the founding mother of the Davidic dynasty “[A]n insightful exploration of the book’s themes of otherness, kindness, and loyalty. This is a valuable contribution to the literature on Ruth.”—Publishers Weekly “A virtuoso exploration of the Book of Ruth as an admirable touchstone in the realms of literature, art, and human values. Ilana Pardes foregrounds the timeless emergency of migrants and refugees with compassion and depth.”—Galit Hasan-Rokem, author of Web of Life The biblical Ruth has inspired numerous readers from diverse cultural backgrounds across many centuries. In this insightful volume, Ilana Pardes invites us to marvel at the ever-changing perspectives on Ruth’s foreignness. She explores the rabbis’ lauding of Ruth as an exemplary convert, and the Zohar’s insistence that Ruth’s Moabite background is vital to her redemptive powers. In moving to early modern French art, she looks at pastoral paintings in which Ruth becomes a local gleaner, holding sheaves in her hands. Pardes concludes with contemporary adaptations in literature, photography, and film in which Ruth is admired for being a paradigmatic migrant woman. Ruth’s afterlives not only reveal much about their own times but also shine new light on this remarkable ancient tale and point to its enduring significance. In our own era of widespread migration and dislocation, Ruth remains as relevant as ever.

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An approach to reinvigorating economic competition that doesn’t break up corporate giants, but compels them to share their technology, data, and knowledge “Bessen is a master of unpacking the nuances of a complex array of interrelated trends to build a coherent story of how the promise of the democratized Internet ended up under the control of just a few. Read The New Goliaths to see how the forest came to have only room for a few tall trees with the rest of us in the undergrowth.”—Joshua Gans, coauthor of Prediction Machines: The Simple Economics of Artificial Intelligence Historically, competition has powered progress under capitalism. Companies with productive new products rise to the top, but sooner or later, competitors come along with better innovations and disrupt the threat of monopoly. Dominant firms like Walmart, Amazon, and Google argue that this process of “creative destruction” prevents them from becoming too powerful or entrenched. But the threat of competition has sharply decreased over the past twenty years, and today’s corporate giants have come to power by using proprietary information technologies to create a tilted playing field. This development has increased economic inequality and social division, slowed innovation, and allowed dominant firms to evade government regulation. In the face of increasing calls to break up the largest companies, James Bessen argues that a better way to restore competitive balance and dynamism is to encourage or compel these companies to share technology, data, and knowledge.

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On fire for God—a sweeping history of puritanism in England and America Begun in the mid-sixteenth century by Protestant nonconformists keen to reform England’s church and society while saving their own souls, the puritan movement was a major catalyst in the great cultural changes that transformed the early modern world. Providing a uniquely broad transatlantic perspective, this groundbreaking volume traces puritanism’s tumultuous history from its initial attempts to reshape the Church of England to its establishment of godly republics in both England and America and its demise at the end of the seventeenth century. Shedding new light on puritans whose impact was far-reaching as well as on those who left only limited traces behind them, Michael Winship delineates puritanism’s triumphs and tribulations and shows how the puritan project of creating reformed churches working closely with intolerant godly governments evolved and broke down over time in response to changing geographical, political, and religious exigencies.

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A "highly readable" (Wall Street Journal) account of the role Britain played in Einstein's life—first by inspiring his teenage passion for physics, then by providing refuge from the Nazis“A vivid look at how the U.K. affected the German-born physicist’s life and thinking.” —Publishers Weekly“Robinson has that rare knack for presenting a near-encyclopedic volume of historical information, anecdotes and contemporaneous accounts in a thoroughly delightful fashion.”—Ian Randall, Physics World In autumn 1933, Albert Einstein found himself living alone in an isolated holiday hut in rural England. There, he toiled peacefully at mathematics while occasionally stepping out for walks or to play his violin. But how had Einstein come to abandon his Berlin home and go ‘"on the run"? In this lively account, Andrew Robinson tells the story of the world’s greatest scientist and Britain for the first time, showing why Britain was the perfect refuge for Einstein from rumored assassination by Nazi agents. Young Einstein’s passion for British physics, epitomized by Newton, had sparked his scientific development around 1900. British astronomers had confirmed his general theory of relativity, making him internationally famous in 1919. Welcomed by the British people, who helped him campaign against Nazi anti-Semitism, he even intended to become a British citizen. So why did Einstein then leave Britain, never to return to Europe?

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An engaging and original account of 1921, a pivotal year for Churchill that had a lasting impact on his political and personal legacy“Important . . . Its power lies in a vivid re-creation not only of Churchill’s public roles but also his private life—of good fortune but also family tragedy.”—Paul Bew, Wall Street Journal After the tragic consequences of his involvement in the catastrophic Dardanelles Campaign of World War I, Churchill’s political career seemed over. He was widely regarded as little more than a bombastic and unpredictable buccaneer until, in 1921, an unexpected inheritance heralded a series of events that laid the foundations for his future success. Renowned Churchill scholar David Stafford delves into the statesman’s life in 1921, the year in which his political career revived. From his political negotiations in the Anglo-Irish treaty that created the Irish Free State to his tumultuous relationship with his "wild cousin" Clare Sheridan, sculptor of Lenin and subject of an MI5 investigation, this broad account explores the nuances of Churchill’s private and public lives. This is an engaging portrait of this overlooked yet pivotal year in the great man’s life.

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A world-renowned philosopher's genre-defying exploration of the mystery of consciousness

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An authoritative and comprehensive celebration of the life and work of one of the most prominent artists of the Venetian Renaissance Meticulously researched and luxuriously illustrated, this volume offers a comprehensive view of Vittore Carpaccio (c. 1460/1466–1525/1526), whose work has been admired for centuries for its fantastical settings enriched with contemporary incident and detail. Capturing the sanctity and splendor of Venice at the turn of the sixteenth century, when the city controlled a vast maritime empire, Carpaccio combined careful observation of the urban environment with a taste for the poetic in his beloved narrative cycles and altarpieces. Providing a new lens through which to understand Carpaccio’s work, a team of distinguished scholars explores various aspects of his art, including his achievement as a draftsman. In addition to emphasizing the artist’s innovative techniques and contributions to the development of Venetian Renaissance painting, this study includes an in-depth consideration of the fluctuations in the reception of Carpaccio’s work in the five hundred years since the artist’s death. Published in association with the National Gallery of Art, Washington Exhibition Schedule:National Gallery of Art, Washington (November 20, 2022–February 12, 2023)Palazzo Ducale, Venice (March 18–June 18, 2023)

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An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting’s central role as both an expression of and a catalyst for innovations in modern and contemporary design.Published in association with the Museum of Fine Arts, HoustonExhibition Schedule:Museum of Fine Arts, Houston (February 21–May 16, 2021)High Museum of Art, Atlanta (July 2–September 26, 2021)

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A beautiful presentation of a new suite of works made for the Menil Collection by Allora & Calzadilla The Puerto Rico–based collaborative duo Allora & Calzadilla created Specters of Noon as a group of seven large-scale works specifically for the Menil Collection. The ensemble is orchestrated around the idea of solar noon, a notion derived from Surrealist texts by Caillois, Césaire, and others that probe the transcultural mythology of noon—a time when shadows vanish and delirious visions momentarily reign. The works include light projections, guano, ship engines, live vocal performance, and coal. Using the Menil’s Surrealist holdings as a point of departure, Specters of Noon is infused throughout with a Caribbean perspective that addresses the instability of environmental and colonial politics; one work is a power transformer damaged in Hurricane Maria that is half-sheathed in bronze. Filled with stunning installation photography and insightful texts both commissioned and reprinted, this volume captures the spirit of Jennifer Allora (b. 1974) and Guillermo Calzadilla’s (b. 1971) deeply researched and multifaceted work.Distributed for the Menil CollectionExhibition Schedule:Menil Collection, Houston (September 26, 2020–June 20, 2021)

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A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France “Reveals the fertile creative ground Americans discovered in Paris and beyond.”—Judith H. Dobrzynski, Wall Street Journal, exhibition review In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing—part of the association known as The Ten—found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists—styles ranging from conservative academic modes to Tonalism—and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.Published in association with the Denver Art MuseumExhibition Schedule:Denver Art Museum (November 14, 2021–March 13, 2022)Virginia Museum of Fine Arts (April 16–July 31, 2022)

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The rise and fall of one of America’s first Black sports celebrities “Deeply and impressively researched. . . . Ms. Mooney pieces together a narrative with an arc so tight and clean that it’s a wonder it actually happened. . . . It reads, in other words, like a novel, and that is because the author brought not just rigor, but craft.”—Max Watman, Wall Street Journal Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. They were internationally famous, the first African American superstar athletes—and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all. At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences. Katherine C. Mooney uncovers the history of Murphy’s troubled life, his death in 1896 at age thirty-five, and his afterlife. In recounting Murphy’s personal story, she also tells two of the great stories of change in nineteenth-century America: the debates over what a multiracial democracy might look like and the battles over who was to hold power in an economy that increasingly resembled the corporate, wealth-polarized world we know today.

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A revelatory and informative presentation of the anti-apartheid posters created by Medu Art Ensemble Formed in the late 1970s, Medu Art Ensemble forcefully articulated a call to end the apartheid system’s racial segregation and violent injustice through posters that combined revolutionary imagery with bold slogans. Advocating for decolonization and majority (nonwhite) rule in South Africa and neighboring countries, Medu members were persecuted by the South African Defense Force and operated in exile across the border in Botswana.The People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985. These objects are exceedingly rare, as they were originally smuggled into South Africa and mounted in public places, where they were regularly confiscated or torn down on sight. Offering new insight into the conceptual framework of Medu’s working practice and featuring a beautiful silkscreened cover, this volume examines the continuing relevance and impact of its poster production.Distributed for the Art Institute of Chicago

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A timely reassessment of some of the most daring projects of abstraction from South America “Sullivan’s close reading, contextual sensitivity and sidestepping of grand simplifying narratives make this book an extremely valuable addition to the growing literature on art from regions outside the classic mainstream.”—Gabriel Pérez-Barreiro, Art Newspaper Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this important new volume focuses on the artistic practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America’s state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, the book makes it clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society.

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An illustrated survey of the work of contemporary Belgian artist Emmanuel Van der Auwera The work of Brussels-based Belgian artist Emmanuel Van der Auwera (b. 1982) provides cautionary tales and tools for navigating information in post-truth times, making use of emerging technologies, the architecture of mass media, and more traditional approaches to image making. This book is the first to document and explore his films, VideoSculptures, and “Memento” series.Distributed for MercatorfondsExhibition Schedule:Pinakothek der Moderne, Munich

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The life of a major figure in twentieth‑century economic history whose impact has long been clouded by dubious allegations “Harry Dexter White has always been the mystery man at the center of America’s international economic policy in the 1930s and 1940s. James Boughton helps demystify him in this rich, enlightening, and most interesting volume.”—Douglas Irwin, author of Clashing over Commerce: A History of U.S. Trade Policy Although Harry Dexter White (1892–1948) was arguably the most important U.S. government economist of the twentieth century, he is remembered more for having been accused of being a Soviet agent. During the Second World War, he became chief advisor on international financial policy to Secretary of the Treasury Henry Morgenthau, a role that would take him to Bretton Woods, where he would make a lasting impact on the architecture of postwar international finance. However, charges of espionage, followed by his dramatic testimony before the House Un-American Activities Committee and death from a heart attack a few days later, obscured his importance in setting the terms for the modern global economy. In this book, James Boughton rehabilitates White, delving into his life and work and returning him to a central role as the architect of the world’s financial system.

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A balanced biography of Golda Meir, who was both adored and abhorred, from award-winning author Deborah E. Lipstadt “Comprehensive. . . . Always thoughtful. . . . A nuanced account of a leader whose influence endures in the Middle East.”—Kirkus Review Golda Meir (1898–1978) was the first and only woman to serve as prime minister of Israel. She was born in Kiev into a childhood of poverty, hunger, and antisemitism. When she was five, her father left to find work in America, and a year later the family settled in Milwaukee, Wisconsin. As a teenager she became devoted to Labor Zionism, giving street-corner speeches, and her family’s home became a destination for Zionist emissaries. Her love for Labor Zionism was so fervent that her boyfriend, Morris Meyerson (her future husband), was often in competition with her dedication to the cause. Zionism prevailed. In 1921, Golda left America for Palestine with Morris and her sister Sheyna. Though the reality of living in Palestine was far from the dream of Zionism, Meir settled on the kibbutz Merhavia and was swiftly appointed to the Histadrut (the General Organization of Hebrew Workers in Palestine). As an ally of the Zionist David Ben-Gurion, Meir played an important role in the Yishuv, the pre-state Jewish community in Palestine; proved an almost singular ability to connect and fundraise with diaspora Jewry, particularly Americans; and served in three pivotal positions following Israel’s independence: labor secretary of the newly formed state, foreign minister, and Israel’s fourth prime minister. In tracing the life of Golda Meir, acclaimed author Deborah E. Lipstadt explores the history of the Yishuv and Jewish state from the 1920s through the 1973 Yom Kippur War, all while highlighting the contradictions and complexities of a person who was only the third woman to serve as a head of state in the twentieth century.

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A uniquely collaborative analysis of human adaptation to the Polynesian islands, told through oral histories, biophysical evidence, and historical records Humans began to settle the area we know as Polynesia between 3,000 and 800 years ago, bringing with them material culture, including plants and animals, and ideas about societal organization, and then adapting to the specific biophysical features of the islands they discovered. The authors of this book analyze the formation of their human-environment systems using oral histories, biophysical evidence, and historical records, arguing that the Polynesian islands can serve as useful models for how human societies in general interact with their environments. The islands’ clearly defined (and relatively isolated) environments, comparatively recent discovery by humans, and innovative and dynamic societies allow for insights not available when studying other cultures. Kamana Beamer, Te Maire Tau, and Peter Vitousek have collaborated with a dozen other scholars, many of them Polynesian, to show how these cultures adapted to novel environments in the past and how we can draw insights for global sustainability today.

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A deeply researched biography of the prominent and divisive writer Ayn Rand, whose pro-capitalist novels and nonfiction have influenced three generations of Americans

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The art and culture of Spain significantly influenced many of America’s most renowned 19th- and 20th-century artists. Mary Cassatt visited the country early in her career and first garnered the attention of the French Impressionists with her paintings of Spanish themes. William Merritt Chase, fascinated with Spanish art, traveled to Madrid and its environs to paint landscapes and study at the Prado. And Robert Henri not only drew on the country’s culture and traditions as a personal muse but repeatedly brought his art students to Spain as part of their training. Featuring works by all of these artists, as well as others such as John Singer Sargent and Thomas Eakins, this handsome volume reveals the important and varied ways that Spain inspired a century of American artists.Distributed for the Milwaukee Art Museum and the Chrysler Museum of ArtExhibition Schedule:Chrysler Museum of Art, Norfolk, VA (February 12–May 16, 2021) Milwaukee Art Museum (June 11–October 3, 2021)

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A vibrant portrait of one of the most accomplished and prolific American screenwriters, by an award-winning biographer and essayistHe was, according to Pauline Kael, “the greatest American screenwriter.” Jean-Luc Godard called him “a genius” who “invented 80 percent of what is used in Hollywood movies today.” Besides tossing off dozens of now-classic scripts—including Scarface,Twentieth Century, and Notorious—Ben Hecht was known in his day as ace reporter, celebrated playwright, taboo-busting novelist, and the most quick-witted of provocateurs. During World War II, he also emerged as an outspoken crusader for the imperiled Jews of Europe, and later he became a fierce propagandist for pre-1948 Palestine’s Jewish terrorist underground. Whatever the outrage he stirred, this self-declared “child of the century” came to embody much that defined America—especially Jewish America—in his time. Hecht's fame has dimmed with the decades, but Adina Hoffman’s vivid portrait brings this charismatic and contradictory figure back to life on the page. Hecht was a renaissance man of dazzling sorts, and Hoffman—critically acclaimed biographer, former film critic, and eloquent commentator on Middle Eastern culture and politics—is uniquely suited to capture him in all his modes.

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A compelling argument about the importance of using more than one language in today’s world In a world that has English as its global language and rapidly advancing translation technology, it’s easy to assume that the need to use more than one language will diminish—but Marek Kohn argues that plural language use is more important than ever. In a divided world, it helps us to understand ourselves and others better, to live together better, and to make the most of our various cultures. Kohn, whom the Guardian has called “one of the best science writers we have,” brings together perspectives from psychology, evolutionary thought, politics, literature, and everyday experience. He explores how people acquire languages; how they lose them; how they can regain them; how different languages may affect people’s perceptions, their senses of self, and their relationships with each other; and how to resolve the fundamental contradiction of languages, that they exist as much to prevent communication as to make it happen.

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A revelatory resituation of Van Gogh’s familiar works in the company of the surprising variety of nineteenth-century art and literature he most revered Vincent van Gogh’s (1853–1890) idiosyncratic style grew out of a deep admiration for and connection to the nineteenth-century art world. This fresh look at Van Gogh’s influences explores the artist’s relationship to the Barbizon School painters Jean-François Millet and Georges Michel—Van Gogh’s self-proclaimed mentors—as well as to Realists like Jean-François Raffaëlli and Léon Lhermitte. New scholarship offers insights into Van Gogh’s emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Israëls, and his keen interest in the work of the Impressionists. This copiously illustrated volume also discusses Van Gogh’s allegiance to the colorism of Eugène Delacroix, as well as his alliance with the Realist literature of Charles Dickens and George Eliot. Although Van Gogh has often been portrayed as an insular and tortured savant, Through Vincent’s Eyes provides a fascinating deep dive into the artist’s sources of inspiration that reveals his expansive interest in the artistic culture of his time.Published in association with the Santa Barbara Museum of ArtPublished in association with the Santa Barbara Museum of ArtExhibition Schedule:Columbus Museum of Art (November 12, 2021–February 6, 2022)Santa Barbara Museum of Art (February 27–May 22, 2022)

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A revelatory account of early Islam’s great diversity by the world’s leading scholar of early Qur’anic manuscripts “There is no one better placed than François Déroche to write the history—and tell the story—of how the Quran went from words uttered by Muhammad to inviolable canonical scripture. This is a meticulous, lucid, and fascinating book.”—Shawkat Toorawa, Yale University According to Muslim dogma, the recited and written text of the Qur’an as we know it today scrupulously reflects the divine word as it was originally sent down to Muhammad. An examination of early Islamic sources, including accounts of prophetic sayings, all of them compared with the oldest Qur’anic manuscripts, reveal that plurality was in fact the outstanding characteristic of the genesis and transmission of the Qur’an, both textually and orally. By piecing together information about alternative wordings eliminated from the canonical version that gradually came to be imposed during the first centuries of Islam, François Déroche shows that the Qur’an long remained open to textual diversity. Not only did the faithful initially adopt a flexible attitude toward the Qur’anic text, an attitude strikingly at odds with the absolute literalism later enforced by Muslim orthodoxy, but Muhammad himself turns out to have been more concerned with the meaning than the letter of the divine message.

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One woman’s influential contribution to modernism, achieved through a fascinating revival of tapestry Marie Cuttoli (1879–1973) lived in Algeria and Paris in the 1920s and collected the work of avant-garde artists such as Georges Braque, Joan Miró, and Pablo Picasso. In the ensuing decades, she went on to revive the French tapestry tradition and to popularize it as a modernist medium. This catalogue traces Cuttoli’s career, beginning with her work in fashion and interiors under her label Myrbor. She subsequently commissioned artists including Braque, Le Corbusier, Fernand Léger, Man Ray, Miró, and Picasso to design cartoons to be woven at Aubusson, a center of tapestry production since the 17th century. Today these cartoons—paintings and collages by canonical artists—are often understood as autonomous works of art, but this catalogue uncovers their original purpose as textile designs. Beautifully illustrated with rarely exhibited works by giants of European modernism, Marie Cuttoli reveals the significant contributions of a shrewd and visionary woman as well as the role of the decorative arts in the development of the movement.Distributed for the Barnes FoundationExhibition Schedule:The Barnes Foundation, Philadelphia (February 23–August 23, 2020)

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A captivating biography of one of the world's greatest adventurers, the itinerant Mughal Princess Gulbadan, based on her long-forgotten memoir

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An accessible exploration of how diverse cultures have explained humanity’s origins through narratives about the natural environment Drawing from a vast array of creation myths—Babylonian, Greek, Aztec, Maya, Inca, Chinese, Hindu, Navajo, Polynesian, African, Norse, Inuit, and more—this concise illustrated book uncovers both the similarities and differences in our attempts to explain the universe. Anthony Aveni, an award-winning author and professor of astronomy and anthropology, examines the ways various cultures around the world have attempted to explain our origins, and what roles the natural environment plays in shaping these narratives. The book also celebrates the audacity of the human imagination. Whether the first humans emerged from a cave, as in the Inca myths, or from bamboo stems, as the Bantu people of Africa believed, or whether the universe is simply the result of Vishnu’s cyclical inhales and exhales, each of these fascinating stories reflects a deeper understanding of the culture it arose from as well as its place in the larger human narrative.

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A visual history of the first quarter century of Bard Graduate Center This handsome publication celebrates the first 25 years of the institution founded by Dr. Susan Weber in 1993. Located on the Upper West Side of Manhattan, Bard Graduate Center (BGC) has become the leading research center in the United States dedicated to the study of decorative arts, design history, and material culture. Its fully integrated academic and exhibition programs have pioneered the study of objects as a means to better understand the cultural history of the material world. This book, richly illustrated with installation views, exhibition objects, and archival photography, is enlivened by interviews with Susan Weber, Luke Syson, Arnold Lehman, and Kevin Stayton, as well as essays by scholars, curators, and collaborators who highlight the character and evolution of BGC’s unique approach to the research and display of material culture over the past 25 years. Through an array of exhibitions, publications, research, and academic programs, BGC has united diverse fields to highlight the importance of subjects and materials that had been previously ignored, and this book commemorates its achievement.Distributed for Bard Graduate Center

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An exploration of the relationship between possession and legalization across Indonesia, and how people navigate dispossession ​The old aphorism “possession is nine-tenths of the law” is particularly relevant in Indonesia, which has seen a string of regime changes and a shifting legal landscape for property claims. Ordinary people struggle to legalize their possessions and claim rights in competition with different branches of government, as well as police, army, and private gangs. This book explores the relationship between possession and legalization across Indonesia, examining the imaginative and improvisational interpretations of law by which Indonesians navigate dispossession.

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The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.Distributed for Bard Graduate CenterExhibition Schedule:Bard Graduate Center Gallery, New York (September 24, 2021–January 2, 2022)Walters Art Museum, Baltimore (February 26–July 31, 2022)Potteries Museum and Art Gallery, Stoke-on-Trent (October 15, 2022–February 26, 2023)

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A compelling introduction to the life and artistic output of a trailblazing Norwegian painter, printmaker, and horticulturist Nikolai Astrup (1880–1928) was a highly individual Norwegian Modernist artist known for intensely colored paintings and woodcuts of his native landscape. Astrup received a formal art education in Kristiania (now Oslo), Germany, and Paris, but he later rebelled against certain aspects of his training, such as the traditional conventions of optical perspective. He rejected metropolitan cultural centers in favor of his rural childhood home in western Norway, where he produced a remarkable body of work. This volume brings Astrup’s life and work to a North American audience, situating him within the history and culture of Norway and late 19th- and early 20th-century art. Astrup’s horticultural achievements in the service of his art on the farm where he lived are also explored. The book’s beautiful illustrations highlight the intensity of Astrup’s palette, the innovative nature of his prints, and the magical realism of his landscapes steeped in folklore and local customs. Distributed for the Clark Art Institute in cooperation with KODE Art Museums and Composer Homes, Bergen, Savings Bank Foundation DNB, and Prince Eugen’s WaldemarsuddeExhibition Schedule:Clark Art Institute, Williamstown, MA (June 19–September 19, 2021)KODE Art Museums and Composer Homes, Bergen (October 15, 2021–January 23, 2022)Prince Eugen’s Waldemarsudde, Stockholm (February 19–May 29, 2022)

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An insightful study of the progressive politics animating a great work of modernist mural painting In 1936 the Works Progress Administration’s Federal Art Project commissioned Stuart Davis (1892–1964) to paint a mural for the Williamsburg Houses, a New York City housing project. Though the mural, Swing Landscape, was never installed in its intended location, it survives as an impressive testament to Davis’s energetic, colorful brand of abstraction and the progressive politics that animated it. This study explores the painting, one of the greatest of twentieth-century America and arguably Davis’s most ambitious work. This book challenges the prevailing tendency to separate Davis’s leftist activism from his art and contextualizes Swing Landscape within 1930s abstract mural painting in New York, emphasizing the politics of abstraction. The book also offers the first comprehensive look at the Williamsburg mural commission, including works by Willem de Kooning, Ilya Bolotowsky, and others. The result is an indispensable resource on interwar modernism, mural painting, and urban development. Published in association with the Sidney and Lois Eskenazi Museum of Art, Indiana UniversityExhibition Schedule:Sidney and Lois Eskenazi Museum of Art, Indiana University (February 5–May 22, 2022)

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A beautifully designed and lavishly illustrated survey of 19th-century paintings in the Netherlands This comprehensive overview is the first book in more than 60 years on the underexplored history of painting in the Netherlands in the 19th century. Jenny Reynaerts, an acclaimed specialist in 19th-century Dutch art, takes a close look at works from famous canvases by Vincent van Gogh to lesser-known works and even recently discovered paintings. Offering a synthesis of numerous focused studies from the past 50 years, Reynaerts pays special attention to the stylistic developments, the contemporary art market, and the relationships that Dutch artists at the time had with the international art world. The book boasts 500 illustrations by artists including Van Gogh, Ary Scheffer, Lawrence Alma-Tadema, Barend Cornelis Koekkoek, Jacob and Matthijs Maris, and many more. Designed by renowned Dutch designer Irma Boom, this book will serve as the authoritative text on 19th-century painting in the Netherlands.Distributed for MercatorfondsExhibition Schedule:Museum Singer Laren (January 15–May 15, 2020)

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A new history of the abolition of the British slave trade “Easily the most scholarly, clear and persuasive analysis yet published of the rise to dominance of the British in the Atlantic slave trade—as well as the implementation of abolition when that dominance was its peak.”—David Eltis, coauthor of Atlas of the Transatlantic Slave Trade Parliament’s decision in 1807 to outlaw British slaving was a key moment in modern world history. In this magisterial work, historian David Richardson challenges claims that this event was largely due to the actions of particular individuals and emphasizes instead that abolition of the British slave trade relied on the power of ordinary people to change the world. British slaving and opposition to it grew in parallel through the 1760s and then increasingly came into conflict both in the public imagination and in political discourse. Looking at the ideological tensions between Britons’ sense of themselves as free people and their willingness to enslave Africans abroad, Richardson shows that from the 1770s those simmering tensions became politicized even as British slaving activities reached unprecedented levels, mobilizing public opinion to coerce Parliament to confront and begin to resolve the issue between 1788 and 1807.

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An intimate portrait illuminating the life and work of Amos Oz, the award-winning Israeli writer and activist “Concise and compelling.”—Benjamin Balint, Wall Street Journal Amos Oz (1939–2018) was one of Israel’s most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this first published biography of Oz, the celebrated translator, literary critic, and biblical scholar Robert Alter explores Oz’s relationship with his family, beginning with the suicide of his mother, Fania Klausner, when he was twelve years old, and goes on to review his time in Kibbutz Hulda, which he entered at fourteen following his separation from his father, Arieh Klausner; his family’s right-wing Zionism; his writing career; his activism in support of a pluralistic Israel; and his work as an international lecturer. In examining Oz’s life and work, Alter brings together testimony from Oz and his circle, as well as close readings of his central works, to present the inner world and public persona of Amos Oz.

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