Search results for ""yale university press""

A landmark retrospective on the Art Deco painter exploring her intersectional identities

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The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States. Published in association with the Dixon Gallery and GardensExhibition Schedule:Dixon Gallery and Gardens, Memphis (October 22, 2023–January 14, 2024) Crocker Art Museum, Sacramento (February 4–May 19, 2024)

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A tour through the Yale University Art Gallery’s holdings of American art, one of the most exceptional museum collections of its kind This volume presents an engaging selection of highlights and introduces readers to the richness and diversity of the Yale University Art Gallery’s holdings of American art. An introductory essay outlines pivotal moments in the three-hundred-year history of collecting, exhibiting, and teaching with American art at Yale and commemorates the fiftieth anniversary of the founding of the Friends of American Arts at Yale, whose support continues to ensure the excellence of the collection. The more than one hundred object entries that follow create a narrative that charts the multiplicity of experiences and accomplishments of artists and artisans living and working in North America—from the earliest days of European settlement to the present. Among the catalogued objects are works by some of the best-known names in American art as well as recent acquisitions and masterpieces that represent diverse American identities. A dazzling range of media is displayed, including paintings and sculpture, medals, prints and drawings, photographs, jewelry, furniture, and decorative arts. Each object is illustrated with a full-page image and is accompanied by a one-page discussion that focuses on its contribution to the history of American art. Distributed for the Yale University Art Gallery

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A new understanding of the slow drift to extremes in American politics that shows how the anti-abortion movement remade the Republican Party “A timely and expert guide to one of today’s most hot-button political issues.”—Publishers Weekly (starred review) “A sober, knowledgeable scholarly analysis of a timely issue.”—Kirkus Reviews “[Ziegler’s] argument [is] that, over the course of decades, the anti-abortion movement laid the groundwork for an insurgent candidate like Trump.”—Jennifer Szalai, New York Times The modern Republican Party is the party of conservative Christianity and big business—two things so closely identified with the contemporary GOP that we hardly notice the strangeness of the pairing. Legal historian Mary Ziegler traces how the anti-abortion movement helped to forge and later upend this alliance. Beginning with the Supreme Court’s landmark decision in Buckley v. Valeo, right-to-lifers fought to gain power in the GOP by changing how campaign spending—and the First Amendment—work. The anti-abortion movement helped to revolutionize the rules of money in U.S. politics and persuaded conservative voters to fixate on the federal courts. Ultimately, the campaign finance landscape that abortion foes created fueled the GOP’s embrace of populism and the rise of Donald Trump. Ziegler offers a surprising new view of the slow drift to extremes in American politics—and explains how it had everything to do with the strange intersection of right-to-life politics and campaign spending.

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Exploring the career and legacy of the artist Nancy Elizabeth Prophet, whose sculptural figures embody her uncompromising sovereignty over her work and life

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Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work—the Had Gadya (a playful song traditionally sung at the end of the Passover Seder), Italian Folktales, compiled by Italo Calvino, Moby-Dick by Herman Melville, and The Dictionary of Imaginary Places by Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella’s dynamic engagement with literature paralleled the artist’s experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum (05/19/18–09/23/18)Museum of Contemporary Art Jacksonville (10/06/18–01/13/19)

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A devastating story of the struggle of civilians caught up in the conflict in eastern Ukraine Chosen as one of “Six Books to Read for Context on Ukraine” by the New York Times Selected by Publishers Weekly as one of the “20 Best Books of 2021” “Powerful . . . For those who want a glimpse of what life will be like in Ukraine for years to come, The Orphanage offers a frightening glimpse.”—Bill Marx, Arts Fuse If every war needs its master chronicler, Ukraine has Serhiy Zhadan, one of Europe’s most promising novelists. Recalling the brutal landscape of The Road and the wartime storytelling of A Farewell to Arms, The Orphanage is a searing novel that excavates the human collateral damage wrought by the ongoing conflict in eastern Ukraine. When hostile soldiers invade a neighboring city, Pasha, a thirty-five-year-old Ukrainian language teacher, sets out for the orphanage where his nephew Sasha lives, now in occupied territory. Venturing into combat zones, traversing shifting borders, and forging uneasy alliances along the way, Pasha realizes where his true loyalties lie in an increasingly desperate fight to rescue Sasha and bring him home. Written with a raw intensity, this is a deeply personal account of violence that will be remembered as the definitive novel of the war in Ukraine.

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Eugene O’Neill was the first American playwright to win the Nobel Prize in Literature. He completed The Iceman Cometh in 1939, but he delayed production until after the war, when it enjoyed a long run of performances in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to O’Neill’s darkest and most nihilistic play. In the half century since, The Iceman Cometh has gained enormously in stature, and many critics now recognize it as one of the greatest plays in American drama. The Iceman Cometh focuses on a group of alcoholics and misfits who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.

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In this poignant book, a renowned historian tells of his youth as an assimilated, anti-religious Jew in Nazi Germany from 1933 to 1939—“the story,” says Peter Gay, “of a poisoning and how I dealt with it.” With his customary eloquence and analytic acumen, Gay describes his family, the life they led, and the reasons they did not emigrate sooner, and he explores his own ambivalent feelings—then and now—toward Germany and the Germans.Gay relates that the early years of the Nazi regime were relatively benign for his family: as a schoolboy at the Goethe Gymnasium he experienced no ridicule or attacks, his father’s business prospered, and most of the family’s non-Jewish friends remained supportive. He devised survival strategies—stamp collecting, watching soccer, and the like—that served as screens to block out the increasingly oppressive world around him. Even before the events of 1938–39, culminating in Kristallnacht, the family was convinced that they must leave the country. Gay describes the bravery and ingenuity of his father in working out this difficult emigration process, the courage of the non-Jewish friends who helped his family during their last bitter months in Germany, and the family’s mounting panic as they witnessed the indifference of other countries to their plight and that of others like themselves. Gay’s account—marked by candor, modesty, and insight—adds an important and curiously neglected perspective to the history of German Jewry.

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A chilling wartime diary of the destruction of the Lithuanian/Polish Jews, recorded by a non-Jew About sixty thousand Jews from Wilno (Vilnius, Jewish Vilna) and surrounding townships in present-day Lithuania were murdered by the Nazis and their Lithuanian collaborators in huge pits on the outskirts of Ponary. Over a period of several years, Kazimierz Sakowicz, a Polish journalist who lived in the village of Ponary, was an eyewitness to the murder of these Jews as well as to the murders of thousands of non-Jews on an almost daily basis. He chronicled these events in a diary that he kept at great personal risk.Written as a simple account of what Sakowicz witnessed, the diary is devoid of personal involvement or identification with the victims. It is thus a unique document: testimony from a bystander, an “objective” observer without an emotional or a political agenda, to the extermination of the Jews of the city known as “the Jerusalem of Lithuania.”Sakowicz did not survive the war, but much of his diary did. Painstakingly pieced together by Rahel Margolis from scraps of paper hidden in various locations, the diary was published in Polish in 1999. It is here published in English for the first time, extensively annotated by Yitzhak Arad to guide readers through the events at Ponary.

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The “Wu Family Shrines,” one of the most important cultural monuments of early China, comprise approximately fifty stone slabs from the so-called Wu cemetery in Shandong province. Depicting emperors and kings, heroic women, filial sons, and mythological subjects, these famous carved and engraved reliefs may have been intended to reflect such basic themes as loyalty to the emperor, filial piety, and wifely devotion; centuries later, they vividly bring to life the art, social conditions, and Confucian ideology of the Eastern Han.This generously illustrated book examines the stone slabs and their rubbings as artifacts with a complex cultural history from the second century to the present, and addresses questions about the traditional identification of the structures as Han dynasty shrines of the Wu family. Written by a team of distinguished scholars in the fields of Chinese art and history, the book includes a novel examination of Han burial items in relation to burial belief, pictorial carvings, and funerary architecture.Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum, March 5 – June 26, 2005

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The ultimate gift edition of Walden for bibliophiles, aficionados, and scholars “Replaces all other available editions of Walden as the most attractive and reliable way to approach this great American book.”—Joel Porte, author of Consciousness and Culture: Emerson and Thoreau Reviewed This is the authoritative edition of an American literary classic: Henry David Thoreau’s Walden, an elegantly written record of his experiment in simple living. With this edition, Thoreau scholar Jeffrey S. Cramer has meticulously corrected errors and omissions from previous editions of Walden and provided illuminating notes on the biographical, historical, and geographical contexts of the great nineteenth-century writer and thinker’s life. Cramer’s newly edited text is based on the original 1854 edition of Walden, with emendations taken from Thoreau’s draft manuscripts, his own markings on the page proofs, and notes in his personal copy of the book. In the editor’s notes to the volume, Cramer quotes from sources Thoreau actually read, showing how he used, interpreted, and altered these sources. Cramer also glosses Walden with references to Thoreau’s essays, journals, and correspondence. With the wealth of material in this edition, readers will find an unprecedented opportunity to immerse themselves in the unique and fascinating world of Thoreau. Anyone who has read and loved Walden will want to own and treasure this gift edition. Those wishing to read Walden for the first time will not find a better guide than Jeffrey S. Cramer.

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An engrossing guide to fraudulent elections around the worldfully updated to mark the biggest election year in history in 2024, as over four billion people cast their votes

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A landmark study of how the famed Bloomsbury Group developed their distinct aesthetic

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Now back in print, a revealing look at the visionary French furniture designer and architect, highlighting his virtuoso designs and versatile creativity

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A prominent historian provides an engaging on-the-ground account of the everyday authoritarianism that produced the Arab Spring in Egypt

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A moving meditation on recent geopolitical crises, viewed through the lens of ancient and modern tragedy

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A rich, wide-ranging history of ignorance in all its forms, from antiquity to the present day

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What remains of Horta's Art Nouveau, apart from his style and typical plant-related vocabulary?

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A vivid new history of the criminal underworld in the medieval Holy Land

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A compelling history of the Ptolemies, the decline of Egypt, and the rising power of the Roman Empire

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A portrait of one of the ancient world’s first political celebrities, who veered from failure to success and back again “This colorful biography of Demetrius . . . explores his rich inner life and reveals an ancient world of violence and intrigue.”—New York Times Book Review The life of Demetrius (337–283 BCE) serves as a through-line to the forty years following the death of Alexander the Great (323–282 BCE), a time of unparalleled turbulence and instability in the ancient world. With no monarch able to take Alexander’s place, his empire fragmented into five pieces. Capitalizing on good looks, youth, and sexual prowess, Demetrius sought to weld those pieces together and recover the dream of a single world state, with a new Alexander—himself—at its head. He succeeded temporarily, but in crucial, colossal engagements—a massive invasion of Egypt, a siege of Rhodes that went on for a full year, and the Battle of Ipsus—he came up just short. He ended his career in a rash invasion of Asia and became the target of a desperate manhunt, only to be captured and destroyed by his own son-in-law. James Romm tells the story of Demetrius the Besieger’s rise and spectacular fall but also explores his vibrant inner life and family relationships to depict a real, complex, and recognizable figure.

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An eminent engineer and historian tackles one of the most elemental aspects of life: how we experience and utilize physical force “Another gem from a master of technology writing.”—Kirkus Reviews Force explores how humans interact with the material world in the course of their everyday activities. This book for the general reader also considers the significance of force in shaping societies and cultures. Celebrated author Henry Petroski delves into the ongoing physical interaction between people and things that enables them to stay put or causes them to move. He explores the range of daily human experience whereby we feel the sensations of push and pull, resistance and assistance. The book is also about metaphorical force, which manifests itself as pressure and relief, achievement and defeat. Petroski draws from a variety of disciplines to make the case that force—represented especially by our sense of touch—is a unifying principle that pervades our lives. In the wake of a prolonged global pandemic that increasingly cautioned us about contact with the physical world, Petroski offers a new perspective on the importance of the sensation and power of touch.

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A feminist reinterpretation of the myths surrounding Cleopatra casts new light on the Egyptian queen and her legacy “A lucid and persuasive reinterpretation. Readers won’t see Cleopatra the same way again.”—Publishers Weekly “Where Prose really sparkles: her critiques of the cultural depictions of Cleopatra.”—Allison Arieff, San Francisco Chronicle The siren passionately in love with Mark Antony, the seductress who allegedly rolled out of a carpet she had herself smuggled in to see Caesar, Cleopatra is a figure shrouded in myth. Beyond the legends immortalized by Plutarch, Shakespeare, George Bernard Shaw, and others, there are no journals or letters written by Cleopatra herself. All we have to tell her story are words written by others. What has it meant for our understanding of Cleopatra to have had her story told by writers who had a political agenda, authors who distrusted her motives, and historians who believed she was a liar? Francine Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film, to challenge narratives driven by orientalism and misogyny and offer a new interpretation of Cleopatra’s history through the lens of our current era.

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Acclaimed cultural critic Greil Marcus tells the story of Bob Dylan through the lens of seven penetrating songs “The most interesting writer on Dylan over the years has been the cultural critic Greil Marcus. . . . No one alive knows the music that fueled Dylan’s imagination better. . . . Folk Music . . . [is an] ingenious book of close listening.”—David Remnick, New Yorker Named a Best Music Book of 2022 by Rolling Stone “Further elevates Marcus to what he has always been: a supreme artist-critic.”—Hilton Als Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen. In Folk Music, Greil Marcus tells Dylan’s story through seven of his most transformative songs. Marcus’s point of departure is Dylan’s ability to “see myself in others.” Like Dylan’s songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan’s continuing presence and relevance through his empathy—his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own.

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A showcase of 500 highlights of the Farjam Collection, featuring painting, works on paper, photography, sculpture, installations, and videos

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An investigation of conceptual artist Hanne Darboven’s artistic practice and her highly personal mark-making as a form of marking time on paper Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction drawings—abstract works based in transversal and mirroring strategies—made during her two-year stay in New York in the late 1960s. The next section maps how Darboven adapted her drawing practice into formulas that calculate specific dates and durations into a single number, which the artist represented as anything from a series of calligraphic lines to a set of consecutively drawn boxes. The book concludes with a close look at Inventions that Have Changed Our World, an installation from 1996 that documents each day of the twentieth century according to Darboven’s formulas and assigns an inventor, ranging from Johannes Gutenberg to the Wright brothers, to represent each of the century’s ten decades. This engaging overview highlights how Darboven's work offers a deeply idiosyncratic accounting of art and life that challenges time as a linear and objective measure. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston (October 29, 2023–February 11, 2024)

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A compelling, authoritative account of the brilliant, conflicted, visionary world of Tudor England When Henry VII landed in a secluded bay in a far corner of Wales, it seemed inconceivable that this outsider could ever be king of England. Yet he and his descendants became some of England’s most unforgettable rulers, and gave their name to an age. The story of the Tudor monarchs is as astounding as it was unexpected, but it was not the only one unfolding between 1485 and 1603. In cities, towns, and villages, families and communities lived their lives through times of great upheaval. In this comprehensive new history, Lucy Wooding lets their voices speak, exploring not just how monarchs ruled but also how men and women thought, wrote, lived, and died. We see a monarchy under strain, religion in crisis, a population contending with war, rebellion, plague, and poverty. Remarkable in its range and depth, Tudor England explores the many tensions of these turbulent years and presents a markedly different picture from the one we thought we knew.

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A unique journey with James Ensor through the history of still life in Belgium in the nineteenth and twentieth centuries Still life played an important role within the work of Belgian expressionist and symbolist painter James Ensor (1860–1949). The quality and significance of his intriguingly complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930. The book offers an overview of the nineteenth-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans, and Henri De Braekeleer, as well as forgotten female artists such as Berthe Art and Alice Ronner. In the early twentieth century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, Léon Spilliaert, Marthe Donas, Walter Vaes, and Gustave Van de Woestyne created highly personal interpretations. This book is published on the first exhibition ever entirely devoted to James Ensor's still lifes at Mu.ZEE (Ostend). Distributed for Mercatorfonds Exhibition Schedule: Mu.ZEE, Ostend, Belgium (December 16, 2023–April 14, 2024)

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A collection of John Carey’s greatest, wisest, and wittiest reviews—amassed over a lifetime of writing In 1977, newly installed as a professor of English at Oxford, John Carey took the position of chief reviewer for the Sunday Times. In a career spanning over 40 years and upwards of 1,000 reviews, Carey has kept abreast of the brightest and best books of the day, distilling his thoughts each week for the entertainment of Sunday readers. Contained in this volume is the cream of that substantial crop: a choice selection of the books which Carey has most cherished. Covering subjects as diverse as the science of laughter, the art of Grayson Perry, the history of madness, and Sylvia Plath’s letters, this is a collection of treats and surprises, suffused with careful thought, wisdom, and enjoyment. The result is a compendium of titles that have stood the test of time, offered with Carey’s warmest recommendation.

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From a celebrated critic, a heartfelt and adventurous reflection on the art of writing about art

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A new history of postwar painting that explores how the desire to look backward shaped some of the period's most radical artmaking

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The first major publication in more than thirty years on contemporary artist Chryssa, an innovator of light art Chryssa & New York offers a timely reassessment of Greek-born artist Chryssa (Chryssa Vardea-Mavromichali, 1933–2013). Chryssa was a leading figure in the postwar New York art world and in the use of signage, text, and neon, yet her work, which bridges Pop, Conceptual, and Minimalist approaches to art making, remains under-recognized. Focusing on the artist’s early career, in particular her time in New York from the 1950s to the 1970s, this book charts the emergence of her singular aesthetic, especially her formal innovations with neon, and culminates in the development of her monumental and rarely seen installation The Gates to Times Square (1964–66). Essays situate Chryssa’s art alongside that of other New York-based practitioners in the 1950s and 1960s, consider her work through the lenses of queer theory and the Greek diaspora, and uncover her crucial influence on light art today. Rounding out the volume, a conversation on the technical aspects of her practice and a comprehensive chronology make this the definitive publication on Chryssa for years to come. Distributed for Dia Art Foundation and the Menil Collection, Houston Exhibition Schedule: Dia Chelsea, New York (March 2–July 23, 2023) Menil Collection, Houston (September 29, 2023–March 10, 2024) Wrightwood 659, Chicago (May 1–August 15, 2024)

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A comprehensive history of the struggle to define womanhood in America, from the seventeenth to the twenty-first century“Exhaustively researched and finely written.”—Alexandra Jacobs, New York Times“An intelligently provocative, vital reading experience. . . . This highly readable, inclusive, and deeply researched book will appeal to scholars of women and gender studies as well as anyone seeking to understand the historical patterns that misogyny has etched across every era of American culture.”—Kirkus Reviews, starred review What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This wide-ranging 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has been met with resistance, Faderman also shows that successful challenges to the status quo are often short-lived. As she underlines, the idea of womanhood in America continues to be contested.

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A fast-paced narrative about the world-famous libertine Giacomo Casanova, from celebrated biographer Leo Damrosch “Fully succeeds in communicating that ‘vivid presentness,’ that ‘joyful eagerness’ for life, which is what keeps us reading Casanova—and reading about him.”—Gregory Dowling, Wall Street Journal “A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites. . . . Another top-notch work from Damrosch.”—Kirkus Reviews (starred review) The life of the iconic libertine Giacomo Casanova (1725–1798) has never been told in the depth it deserves. An alluring representative of the Enlightenment’s shadowy underside, Casanova was an aspiring priest, an army officer, a fortune teller, a con man, a magus, a violinist, a mathematician, a Masonic master, an entrepreneur, a diplomat, a gambler, a spy—and the first to tell his own story. In his vivid autobiography Histoire de Ma Vie, he recorded at least a hundred and twenty love affairs, as well as dramatic sagas of duels, swindles, arrests, and escapes. He knew kings and an empress, Catherine the Great, and most of the famous writers of the time, including Voltaire and Benjamin Franklin. Drawing on seldom used materials, including the original French and Italian primary sources, and probing deeply into the psychology, self-conceptions, and self-deceptions of one of the world’s most famous con men and seducers, Leo Damrosch offers a gripping, mature, and devastating account of an Enlightenment man, freed from the bounds of moral convictions.

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From Ukraine’s leading writer-activist comes an intimate account of resistance and survival in the earliest months of the Russian-Ukrainian war “A vivid, in-the-trenches report from a Ukrainian city and its ‘injured, yet unbreakable’ citizens.”—Kirkus Reviews When Russia invaded Ukraine on February 24, 2022, Serhiy Zhadan took to social media to coordinate a network of resistance workers and send messages of courage to his fellow Ukrainians. What began as a local organizing effort exploded onto the international stage as readers around the globe looked to Zhadan as a key eyewitness documenting Russian atrocities. In this powerful record of the war’s harrowing first four months, Zhadan works day and night in Kharkiv to evacuate children and the elderly from suburbs that have come under fire. He sends lists of life-saving medications to the West in the hopes of procuring them for civilians, coordinates food deliveries, collects money for military equipment, and organizes concerts. He shares photographs of the open sky—grateful for every pause in the shelling—and captures images of beloved institutions reduced to rubble. We’ll restore everything. We’ll rebuild everything, he writes. As the days pass, the city empties. Friends are killed. And when images of the Bucha massacre are released, Zhadan’s own voice falters: I’m speechless. Hang in there, my friends. Tomorrow, we’ll wake up one day closer to our victory. An intimate work of witness literature, this book is at once the testimony of one man entering a new reality and the story of a society fighting for the right to exist.

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