Search results for ""author art, culture"

The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

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Toronto, from its humble beginning as Muddy York, has emerged as an exemplary, world-class city. As the 4th largest urban area in North America, it is a treasure trove of obscure, trend-setting Canadian places. Ranked as one of the world's leading places to live, it represents home to almost 20% of Canada's population. Toronto has become the nation's capital of business, culture, sports and entertainment. A place where you can take in the best of all sports, especially hockey, live music, art, and an award-winning culinary scene, all in a weekend. The city's strength and roots come from its diverse population. Toronto takes from its indigenous and British past, a welcoming and collaborative twist on this dynamic multicultural city. Toronto has been described as a city within a green space. Hike inner city trails along the many ravines. Ride in a canoe or skate along the water's edges. Take the longest streetcar ride in North America through flourishing neighbourhoods, full of hidden gems to discover. Find the small artisanal ice creameries, wander the graffiti alleys, or make music at a karaoke cocktail lounge. Explore the allure of the 6ix, with 111 Places in Toronto That You Must Not Miss.

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The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge.Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page.In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.

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A collective project arising from a dynamic configuration of research concerned with systematic, critical and reflexive inquiry into the normative frames, institutional workings and lived realities of research, this dexterously-crafted Handbook acts as a working guide to the rapidly-evolving interdisciplinary field of meta-research.Bringing together cutting-edge multidisciplinary scholarship, the Handbook expertly outlines key domains including the public value, policy and governance of research, knowledge dynamics, and research cultures and careers. Engaging with diverse philosophical, theoretical and methodological approaches, it examines global dynamics in research and explores equality, diversity and inclusion across sectors, career stages and geographical regions. Taking on board multi-layered perspectives from beyond traditional and exclusionary epistemic boundaries, the Handbook offers unique insight into this broad landscape of knowledge.The Handbook of Meta-Research will appeal to researchers and students in a broad range of fields from the social sciences, arts and humanities and STEM who are concerned with the environments, institutions, policies, practices and evaluations that impact their work, and will be a useful starting point for researchers wanting to initiate meta-research studies to examine their own environments, actions and behaviours. Regulators, users and beneficiaries of research will similarly benefit from this authoritative reference work.

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Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, "Reconstructing the View". The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes, to well-known artworks by Edward Weston and Ansel Adams, and from souvenir postcards to contemporary digital images drawn from Flickr. The pair then employed digital postproduction methods to bring the original images into dialogue with their own. The result is this stunning volume, illustrated with a wealth of full-color illustrations that attest to the role photographers - both anonymous and great - have played in picturing American places. Rebecca Senf's compelling essay traces the photographers' process and methodology, conveying the complexity of their collaboration. Stephen J. Pyne provides a conceptual framework for understanding the history of the canyon, offering an overview of its discovery by Europeans and its subsequent treatment in writing, photography, and graphic arts.

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Guest-edited by Gretchen Wilkins The renowned Cranbrook Academy of Art near Detroit, Michigan, has been described as the epicentre of American Modernism. When it opened in 1932 it combined a stunning Eliel Saarinen-designed campus with a radically open educational philosophy to attract and produce some of the most influential artists, designers and architects in US history, including Charles and Ray Eames, Fumihiko Maki, Florence Knoll and Edmund Bacon. Often compared to other experimental schools such as the Bauhaus, Black Mountain College and Taliesin, Cranbrook’s sustained purpose has been advancing a wide, interdisciplinary latitude and self-directed design research to expand and diversify its approaches to architectural practice. There is a deep and persistent idea that open and experimental acts of making should define pedagogy, and by extension that education should shape practice, not the other way around. Cranbrook’s rigorous defiance of dogma and loose grip on the disciplines enables an educational model that combines the practices of art, design, making and urbanism. In this issue, alumni, faculty and scholars reflect on Cranbrook’s model in light of contemporary and challenging questions in architectural education, practice and the profession. Contributors: Kevin Adkisson, Emily Baker, Peggy Deamer, Pia Ednie-Brown, Ronit Eisenbach, Dan Hoffman, Yu-Chih Hsiao, Peter Lynch, Bill Massie, Hani Rashid, Jesse Reiser, Lois Weinthal, and Tod Williams. Featured architects: Asymptote Architecture, Building Culture PLA, Reiser+Umemoto (RUR), Studio Libeskind, and Tod Williams Billie Tsien.

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We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history's artifacts.

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A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde cultureWomen Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century.Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used printmaking as a vehicle for technical innovation and sociopolitical commentary. She looks at the dynamic relationship between Marianne Werefkin and Gabriele Münter, whose different paths in life led them to the Blaue Reiter, a group of Expressionist artists that included Wassily Kandinsky and Paul Klee. Behr examines Nell Walden’s role as an influential art dealer, collector, and artist, who promoted women Expressionists during the First World War, and discusses how Dutch artist Jacoba van Heemskerck’s spiritual abstraction earned her the status of an honorary German Expressionist. She demonstrates how figures such as Rosa Schapire and Johanna Ey contributed to the development of the movement as spectators, critics, and collectors of male avant-gardism.Richly illustrated, Women Artists in Expressionism is a women-centered history that reveals the importance of emancipative ideals to the shaping of modernity and the avant-garde.

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Twenty years as an outsider scouring the underbelly of American culture has made Howard Hampton a uniquely hard-nosed guide to the heart of pop darkness. Bridging the fatalistic, intensely charged space between Apocalypse Now Redux and Nirvana’s “Smells Like Teen Spirit,” his writing breaks down barriers of ignorance and arrogance that have segregated art forms from each other and often from the world at large.In the freewheeling spirit of Pauline Kael, Lester Bangs, and Manny Farber, Hampton calls up the extremist, underground tendencies and archaic forces simmering beneath the surface of popular forms. Ranging from the kinetic poetry of Hong Kong cinema and the neo–New Wave energy of Irma Vep to the punk heroines of Sleater-Kinney and Ghost World, Born in Flames plays odd couples off one another: pitting Natural Born Killers against Forrest Gump, contrasting Jean-Luc Godard with Steven Spielberg, defending David Lynch against aesthetic ideologues, invoking The Curse of the Mekons against Fredric Jameson’s Postmodernism, and introducing D. H. Lawrence to Buffy the Vampire Slayer. “We are born in flames,” sang the incandescent Lora Logic, and here those flames are a source of illumination as well as destruction, warmth as well as consumption.From the scorched-earth works of action-movie provocateurs Seijun Suzuki and Sam Peckinpah to the cargo cult soundscapes of Pere Ubu and the Czech dissidents Plastic People of the Universe, Born in Flames is a headlong plunge into the passions and disruptive power of art.

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Contemporary fashion and beauty illustrations combine a wide range of exciting materials and techniques, so whether you're a budding fashion designer or illustrator, or simply want to learn more illustration techniques using Adobe Photoshop, Cutting-Edge Fashion Illustration will be your ultimate go-to resource. Each chapter covers a range of themes, from the fundamentals of Photoshop, to combining colour, texture and mixed media with your fashion illustrations. Within each chapter is a series of techniques, each of these demonstrated by a step-by-step tutorial followed by a gallery of inspirational images using that technique. If you're interested in learning ways to incorporate digital elements and style into your work, Cutting-Edge Fashion Illustration will explain the essential techniques and skills you need. It is suitable for beginners and intermediate level illustrators or designers and also a great resource for art students. The basics are covered - from converting original line artwork to digital format, to an overview of the Photoshop Tool palette and explanations of common Photoshop terminology. However, the main focus of Cutting-Edge Fashion Illustration is on how to play with compositions and add elements like inks and watercolours, how to use digital brushes and incorporate scanned texture, photos and hand-drawn patterns into your fashion illustrations. Erica Sharp is an expert fashion illustrator and designer heavily influenced by Japanese art and culture. Her beautiful illustrations will inspire you to expand your interest in fashion illustration, to be digitally creative and incorporate exciting techniques into your own illustration work.

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One native’s photographic survey of the long-stereotyped Appalachian region For the past 12 years, American photographer Stacy Kranitz has been making photographs in the Appalachian region of the United States in order to explore how photography can solidify or demystify stereotypes in a community where the medium has failed to provide an equitable depiction of its people. Born and raised in Appalachia, Kranitz approaches the region as a spectator, but not an outsider. Rather than reinforcing conventional views of Appalachia as a poverty-ridden region, or by selectively dwelling on positive aspects to offset problematic stereotypes, she insists that each of these options are equally damaging ways of looking at a place. In a foil-stamped clothbound hardcover with a design reminiscent of a topographical view of the region, this first monograph of Kranitz’s work features 225 four-color plates. The photos are accompanied by excerpts from the weekly column “Speak Your Piece” from the Mountain Eagle newspaper based in Whitesburg, Kentucky. As the story of As it Was Give(n) To Me unfolds, Kranitz begins a new kind of narrative: one that examines our understanding of culture and place in a manner that is poised between notions of right and wrong. Stacy Kranitz (born 1976) was born in Kentucky and currently resides in the Appalachian Mountains of Tennessee. She has been documenting the region since 2009, while also working as an assignment photographer for various publications including Time, National Geographic and Vanity Fair. She received a Guggenheim Fellowship in 2020. Her work is in the collections of the Museum of Fine Arts, Houston and the Harvard Art Museums.

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'American storytelling at its era-spanning best . . . An immersive, multi-layered portrait of a marriage, Nathan Hill’s follow-up to The Nix is a work of quiet genius.' – The Observer'The incredible scope of this dazzlingly detailed state-of-the-nation satire almost defies description . . . Brilliant doesn’t begin to describe it, but I’ll say it anyway.' – Daily Mail'I doubt I'll enjoy many books this year as much as Wellness.' – The TimesAn Oprah's Book Club Pick.A powerfully affecting novel about how we change, grow and age, Wellness is a story of marriage, middle age, our tech-obsessed health culture, and the bonds that keep people together.When Jack and Elizabeth meet as college students in the 90s, the two quickly join forces and hold on tight, each eager to claim a place in Chicago’s thriving underground art scene with an appreciative kindred spirit. Fast-forward twenty years to married life, and the no-longer-youthful dreamers are forced to face their demons, from unfulfilled career ambitions to painful childhood memories of their own dysfunctional families. In the process, Jack and Elizabeth must undertake separate, personal excavations, or risk losing the best thing in their lives: each other.Moving from the gritty 90s Chicago art scene to a suburbia of detox diets and home renovation hysteria, Wellness mines the absurdities of modern technology and modern love to reveal profound, startling truths about intimacy and connection. In this follow-up to Nathan Hill’s electric debut The Nix, Wellness reimagines the love story with healthy doses of insight, irony and heart.

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'American storytelling at its era-spanning best . . . An immersive, multi-layered portrait of a marriage, Nathan Hill’s follow-up to The Nix is a work of quiet genius.' – The Observer'The incredible scope of this dazzlingly detailed state-of-the-nation satire almost defies description . . . Brilliant doesn’t begin to describe it, but I’ll say it anyway.' – Daily Mail'I doubt I'll enjoy many books this year as much as Wellness.' – The TimesAn Oprah's Book Club Pick.A powerfully affecting novel about how we change, grow and age, Wellness is a story of marriage, middle age, our tech-obsessed health culture, and the bonds that keep people together.When Jack and Elizabeth meet as college students in the 90s, the two quickly join forces and hold on tight, each eager to claim a place in Chicago’s thriving underground art scene with an appreciative kindred spirit. Fast-forward twenty years to married life, and the no-longer-youthful dreamers are forced to face their demons, from unfulfilled career ambitions to painful childhood memories of their own dysfunctional families. In the process, Jack and Elizabeth must undertake separate, personal excavations, or risk losing the best thing in their lives: each other.Moving from the gritty 90s Chicago art scene to a suburbia of detox diets and home renovation hysteria, Wellness mines the absurdities of modern technology and modern love to reveal profound, startling truths about intimacy and connection. In this follow-up to Nathan Hill’s electric debut The Nix, Wellness reimagines the love story with healthy doses of insight, irony and heart.

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This book provides a clear and concise introduction to the philosophy of Gilles Deleuze. It analyses his key theoretical concepts, such as difference and the body without organs, and covers all the different areas of his thought, including metaphysics, the history of philosophy, psychoanalysis, political theory, the philosophy of the social sciences and aesthetics. As the first book to offer a comprehensive analysis of Deleuze's writings, it reveals both the internal coherence of his philosophy and its development through a series of distinct phases. Reidar Due offers an entirely new interpretation of Deleuze's philosophy, centred around the notion of thought as a capacity to form relations. These relations are embodied in nature, in language and in the unconscious; in art, science and social practice. With this concept of embodied thought, Deleuze challenges our most entrenched beliefs about the self and about signs whether linguistic or social. He develops an original theory of power and social systems and presents a method for understanding any signifying practice, from language and ritual to the unconscious, including cinema, literature and painting. Due analyses the different strands in this theoretical edifice and shows its implications for a wide range of human sciences, from history and psychology to political theory and cultural studies.

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Converging evidence suggests that pretend play in childhood has an important role in providing a foundation for adult creativity. Indeed, many of the processes central to creativity occur in pretend play. In this book, Sandra W. Russ reviews the theory and research on pretend play and creativity, including cognitive and affective processes involved in play and creativity, possible evolutionary purposes of play, and its cultural variations. In particular, she highlights the importance of pretend play in helping children to access emotional memories and fantasies. She explains how creative processes in play can be measured using the Affect in Play Scale, which she developed and is included in the volume. Additionally, she describes play interventions designed to encourage creativity in children, with transcripts of sessions from a pilot intervention. Brief case studies of creative adult scientists and artists are also presented, illustrating similarities in play processes and creative processes in adulthood. Given the need for highly developed creativity in science, engineering, and the arts, the link between pretend play and creativity is important to explore. This book explores what we know about the topic and how researchers might approach future studies in this area.

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Illustration and Heritage explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a ‘process’ that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field. Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be ‘found’ or reconstructed. Rachel Emily Taylor uses her own work and other illustrators’ projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage. What are the similar functions of heritage and illustration? How can an illustrator ‘give voice’ to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site? This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator’s role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.

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Let's get one thing straight: Small, Broke, and Kind of Dirty: Affirmations for the Real World is not a book of advice. You're not going to find a step-by-step guide to meditation here, or even reminders to drink lots of water and get enough sleep. Those things are all good for you, but that's not what Hana Shafi wants to talk about.Instead, Small, Broke, and Kind of Dirty—built around art from Shafi's popular online affirmation series—focuses on our common and never-ending journey of self-discovery. It explores the ways in which the world can all too often wear us down, and reminds us to remember our worth, even when it's hard to do so. Drawing on her experience as a millennial woman of colour, and writing with humour and a healthy dose of irreverence, Shafi delves into body politics and pop culture, racism and feminism, friendship, and allyship. Through it all, she remains positive without being saccharine, and hopeful without being naive.So no, this is not an advice book: it's a call to action, one that asks us to remember that we are valid as we are—flaws and all—and to not let the bastards grind us down.

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Tadeusz Kantor (1915–1990) was one of the twentieth century’s most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post–World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor’s most widely known productions—The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)—have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Further on, Nothing, Michal Kobialka explores Kantor’s theatre practice from the critical perspective of current debates about representation, memory, and history. He pursues the intriguing proposition that Kantor gave material form to a theatre practice that defined the very mode of postmodern operation and that many of its theoretical notions are still in circulation. According to Kobialka, Kantor’s theatre still offers an answer to reality rather than a portrayal of a utopian alternative. Further on, Nothing includes new translations of Kantor’s work, presented in conversation with Kobialka’s own theoretical analyses, to show us a Kantor who continues to offer—and deliver on—the promise of the avant-garde

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We all have that favourite pair of jeans or even lucky socks that we treasure, no matter how baggy or worn they might become. In the movement against throw-away culture and fast fashion, learn how to pick up a needle and rediscover the forgotten techniques and the joy of mending.In Visible Mending, Arounna Khounnoraj explores why we should mend, and how to mend a variety of different fabrics. Work through the book to discover how to repair forgotten pieces and give worn-out clothes a new life. Today, mending has become an extension to making. Mending is about returning value to something, an opportunity to decorate, emphasise details and express identity by repurposing and reusing.Illustrated step-by-step instructions will demystify mending techniques that can be easily applied to old items to give them a fresh, modern look. Each of the projects examine how to repair, reuse and renew the clothes you love, from patching jeans, embroidering over tears to dyeing to hide stains and using the Japanese art of Sashiko.Visible Mending is for those who want to learn how to make the most of their wardrobes, be less wasteful, more sustainable and add a personal touch to their garments.

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NEW in the fourth edition!Fully updated and revised based on the 2020 ASHA standards and recent AAA standards, the new edition of this bestseller is the core textbook for all students in clinical methods courses—and a reliable reference for practicing SLPs and audiologists. Leading authority Rhea Paul and newly minted research scholar Elizabeth Schoen Simmons bring together more than 20 academics and clinicians for a state-of-the-art guide to contemporary evidence-based practice. Covering a broad range of disorders and developmental levels, this text sets emerging professionals on the path toward mastering all the fundamentals of practice, from conducting effective assessment and intervention to ensuring that practices are family-centered and culturally inclusive. Tomorrow’s clinicians will use this foundational textbook to guide their professional decision-making and provide the best possible services for people with communication disorders. What's new: New chapter on using principles of observation to gather accurate, valid data in clinical settings and more deeply understand clinical processes and procedures Expanded information on intervention principles, with case studies highlighting practical applications and an emphasis on evidence-based practice More on counseling in communication disorders, clinical documentation, relationships with supervisors, and single-case experimental design Updated information on technology in clinical practice New emphasis on automated analysis of communication samples Chapters on clinical competence and family-centered practice by renowned experts New student-friendly text features, such as learning objectives, study questions, and problem-solving questions Case studies and clinical examples throughout Reflects most recent ASHA and AAA standards With new faculty materials, including a test bank for each chapter and suggested projects that professors can assign students to practice the principles outlined in each chapter.

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Let the family adventures begin! This interactive journal, full of engaging activities and reflection prompts, makes it easy for families with young kids to explore the world, connect with one another, and create lasting memories.Brimming with inspired ideas for cultural outings, kitchen projects, experiences in nature, and more fun things to do with kids, this journal makes it easy for families to explore the world through small adventures. Featuring 50 guided activities to encourage connection and promote curiosity, including:- Plant seeds in a garden to learn about nature and the seasons - Get a library card to open the door to a world of learning - Visit an art museum to discover colors, shapes, and artistic styles - Bake together to learn about measurements, kitchen tools, and flavors - Play music to explore sound and rhythm - and so much more! With engaging prompts, charming illustrations, and plenty of space to record precious memories, plus a poc

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Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.

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Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.

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Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.

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A literary cult figure on a par with Franz Kafka, Isaac Babel has remained an enigma ever since he disappeared, along with his archive, inside Stalin's secret police headquarters in May of 1939. Made famous by Red Cavalry, a book about the Russian civil war (he was the world's first "embedded" war reporter), another book about the Jewish gangsters of his native Odessa, and yet another about his own Russian Jewish childhood, Babel has been celebrated by generations of readers, all craving fuller knowledge of his works and days. Bringing together scholars of different countries and areas of specialization, the present volume is the first examination of Babel's life and art since the fall of communism and the opening of Soviet archives. Part biography, part history, part critical examination of the writer's legacy in Russian, European, and Jewish cultural contexts, The Enigma of Isaac Babel will be of interest to the general reader and specialist alike.

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This multifaceted book reviews the vast range of types of printmaking that flourished in France during the 19th century. Studies of this period’s printmaking tend to be confined to histories of individual processes, such as lithography or steel engraving. This study surveys the field as a whole and discusses the relationships between the various media in the context of an overall “visual economy.”Lithography, etching, and engraving are all examined through new research on noteworthy artists of the period, including Hyacinthe Aubry-Lecomte, Léopold Flameng, Ferdinand Gaillard, Aimé de Lemud, Nadar, and Charles Waltner. Rather than simply tracing the rise of Modernism in the 19th century, Distinguished Images reconstitutes the period’s cultural milieu through a series of case studies written with an eye to overarching forces at play. The result is the most original analysis of printmaking to appear in many years—a striking new account of a system in which printmaking, printmakers, and art critics played heretofore unrecognized or misunderstood roles.

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Lonely Planet Italian Phrasebook & CDis your handy passport to culturally enriching travels with the most relevant and useful Italian phrases and vocabulary for all your travel needs. Shop at farmers'' markets, discuss art and life, and order wine with ease - all with your trusted travel companion. With language tools in your back pocket, you can truly get to the heart of wherever you go, so begin your journey now!Get More From Your Trip with Easy-to-Find Phrases for Every Travel Situation! Order with confidence, explain food allergies, and try new foods with the menu decoder Save time and hassles with vital phrases at your fingertips Never get stuck for words with the 3500-word two-way, quick-reference dictionary Be prepared for both common and emergency travel situations with practical phrases and terminology Meet friends with conversation starter phrases Get your m

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This title examines the institutions of the Church and explores the significance of the sacraments, with over 180 photographs. It offers an introduction to the traditions of Catholic ritual. It describes the administrative structure of the Church, and also examines the duties performed by different sorts of nuns and priests and the vows they take. It explains the seven sacraments. It features a guide to the festivals and holy days in the Catholic calendar and the customs associated with them. The Catholic religion has a spiritual, cultural and historical heritage that spans more than 2000 years. The first part of the book explains the hierarchy and structure of the Church, from the Pope who provides guidance to the bishops in their dioceses, to the priests in their parishes. The seven sacraments of Baptism, Confirmation, the Eucharist, penance and reconciliation, the anointing of the sick, holy orders and Holy Matrimony are all described. Finally, important days and festivals in the Catholic calendar are discussed, such as Lent, The Resurrection and Easter. This title is lavishly illustrated with more than 180 photographs and fine-art paintings.

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Erik Desmazières is acknowledged as a contemporary master of the art of etching. With breathtaking virtuosity, he recreates interiors, cityscapes, landscapes and fantastical compositions from a Piranesian world. Any new work Desmazières produces is a bibliophile’s delight; and this book, the first in which he uses colour, reimagines the arcane world of the cabinet of curiosities: antiquarian collections of the recondite, rare and bizarre, which reminded the viewer of the vanity of earthly life. Patrick Mauriès’s text is in three parts. The first locates Desmazières and his work in the long tradition of artist-printmakers; the second surveys the world of 17th-century antiquarianism and its intriguing cast of characters (John Evelyn, John Aubrey and, above all, Thomas Browne, plus many of their continental counterparts); and in the third Mauriès examines today’s reawakened interest in cabinets of rarities and curiosities, and considers how a phenomenon once considered the preserve of specialists has entered the cultural mainstream.

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This book explores the formative correlations and inventive transmissions of Anglophone Arab representations ranging from early 20th century Mahjar writings to contemporary transnational Palestinian resistance art. Tracing multiple beginnings and seminal intertexts, the comparative study of dissonant truth-making presents critical readings in which the notion of cross-cultural translation gets displaced and strategic unreliability, representational opacity, or matters of act advance to essential qualities of the discussed works' aesthetic devices and ethical concerns. Questioning conventional interpretive approaches, Markus Schmitz shows what Anglophone Arab studies are and what they can become from a radically decentered relational point of view. Among the writers and artists discussed are such diverse figures as Rabih Alameddine, William Blatty, Kahlil Gibran, Ihab Hassan, Jabra Ibrahim Jabra, Emily Jacir, Walid Raad, Ameen Rihani, Edward Said, Larissa Sansour, and Raja Shehadeh.

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Brooklyn-based interdisciplinary artist Jeanine Oleson (born 1974) created a 2017 exhibition at the Hammer Museum in Los Angeles, presenting her ongoing sharply absurdist response to research on the ways copper is produced and used in 21st-century capitalism.Through a video installation, objects and a performance including a copper-based instrument that reacted to human touch and a handwoven rug based on perspectives visible in three-dimensional modeling the exhibition focused on the confused entwinement of the human into contemporary material, as well as the relation with representation and art when these activities are now, more often than not, mediated through the digital for which copper is an essential material component. With humor, pathos and intellectual rigor, Oleson explores issues of labor, the environment, craft and performance.Conduct Matters features an introduction by Connie Butler, chief curator at the Hammer Museum, and texts by cultural historian Jaleh Mansoor and legal scholar K-Sue Park, along with the full script of Oleson's video.

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The final chapter in the definitive, three-volume history of the world''s first known stateArchaeologist John Romer has spent a lifetime chronicling the history of Ancient Egypt, and here he tells the epic story of an era dominated by titans of the popular imagination: the radical iconoclast Akhenaten, the boy-king Tutankhamun and the all-conquering Ramesses II. But ''heroes'' do not forge history by themselves. This was also a time of international trade, cultural exchange and sophisticated art, even in the face of violent change.Alongside his visionary new history of this, the most famous period in the long history of Ancient Egypt, Romer turns a critical eye on Egyptology itself. Paying close attention to the evidence, he corrects prevailing narratives which cast the New Kingdom as an imperial state power in the European mould. Instead, he reveals - through broken artefacts in ruined workshops, or preserved letters between a tomb-builder and his son - a cul

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One of the greatest cities of the Himalaya, Kathmandu, Nepal, is a unique blend of thousand-year-old cultural practices and accelerated urban development. In this book, Thomas Bell recounts his experiences from his many years in the city--exploring in the process the rich history of Kathmandu and its many instances of self-reinvention. Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu is, as Bell argues, a jewel of the art world, a carnival of sexual license, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled western intervention, and an environmental catastrophe. In important ways, Kathmandu's rapid modernization can be seen as an extreme version of what is happening in other traditional societies. Bell also discusses the ramifications of the recent Nepal earthquake. A comprehensive look at a top global destination, Kathmandu is an entertaining and accessible chronicle for anyone eager to learn more about this fascinating city.

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Polar bears are truly majestic animals: the largest land-dwelling carnivore on earth, they can measure up to 3 metres in length, and weigh up to 700 kilograms. They are also iconic in other ways – a symbol of the climate change debate, with their survival now threatened by the loss of Arctic ice. Their images decorate fountains and the cornices of buildings across Europe. They sell cold drinks. They feature in children’s books, on merry-go-rounds, and under the arms of weary toddlers heading for bed. Their pelts were once highly prized by hunters and live captures became attractions in zoos and circuses. Stuffed bears still haunt museums and stately homes. This is a natural and cultural history of the polar bear, describing the evolution, species, habitat and behaviour of the animal, as well as its portrayal in art, literature, film and advertising. With many fine images throughout, this will appeal to the wide audience who love these outsize, beautiful, seemingly cuddly yet deadly carnivores.

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From Venetian Renaissance art to corner trattorias, dig into the city known as La Serrenissima ("Her Most Serene") with Moon Venice & Beyond.Explore In and Around the City: Get to know Venice's most interesting neighborhoods, like San Marco, Cannaregio, and Castello, and nearby areas, including Padua, Vicenza, Verona, the Dolomites, and moreGo at Your Own Pace: Choose from tons of itinerary options designed for foodies, history buffs, art lovers, and moreSee the Sights: Gaze at the golden mosaics lining the ceiling of St. Mark's Basilica, step inside the grand Doge's Palace, walk across the Rialto Bridge, and take a gondola ride through the city's winding canalsGet Outside the City: Linger in the colorful fishing village of Burano or the romantic city of Verona, and marvel at the Giotto frescoes in PaduaSavor the Flavors: Sample traditional seafood dishes, unbeatable sweet treats, and classic cicchetti (a delicious assortment of finger foods)Experience the Nightlife: Relax at a canal-side bar, chat with locals as the wine decants at a rustic enoteca, and sip locally-produced ProseccoGet to Know the Real Venice: Follow local suggestions from Italian transplant Alexei CohenFull-Color Photos and Detailed Maps Handy Tools: Background information on Venetian history and culture, plus tips on ethical travel, what to pack, where to stay, and how to get aroundDay trip itineraries, favorite local spots, and strategies to skip the crowds: Take your time withMoon Venice & Beyond.

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The first English-language anthology of contemporary Tibetan fiction available in the West, Old Demons, New Deities brings together the best Tibetan writers from both Tibet and the diaspora, who write in Tibetan, English and Chinese. Modern Tibetan literature is just under forty years old: its birth dates to 1980, when the first Tibetan language journal was published in Lhasa. Since then, short stories have become one of the primary modern Tibetan art forms. Through these sometimes absurd, sometimes strange, and always moving stories, the English-reading audience gets an authentic look at the lives of ordinary, secular, modern Tibetans navigating the space between tradition and modernity, occupation and exile, the personal and the national. The setting may be the Himalayas, an Indian railway, or a New York City brothel, but the insights into an ancient culture and the lives and concerns of a modern people are real, and powerful. For this anthology, editor and translator Tenzin Dickie has collected 21 short stories by 16 of the most respected and well known Tibetan writers working today, including Pema Bhum, Pema Tseden, Tsering Dondrup, Woeser, Tsering Wangmo Dhompa, Kyabchen Dedrol, and Jamyang Norbu.

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'Enlightening and fascinating' John Banville, Wall Street JournalThrough the lives of major figures from the fifteenth to the seventeenth centuries, including Copernicus, Gutenberg, Luther, Catherine de Medici, Rabelais, van Eyck and Shakespeare, Paul Strathern tells the fascinating story of the northern European Renaissance, which rivalled its Italian counterpart.There is no denying that many of the first developments of the Renaissance took place in Italy. However, a revolution of similar magnitude was also occurring across northern Europe, which would forever alter European culture in its own unique fashion. Initially centred on the city of Bruges, its influence was soon felt in France, the German states, England and even in Italy itself.By vividly bringing to life the key players of the northern Renaissance, Paul Strathern explores some of the most significant advances of the whole era, revealing how they not only introduced new ways of thinking in art, literature, science, philosophy, mathematics and medicine, but also allowed for the evolution of an entirely different concept of life. In this compelling and original history, Strathern shows how the 'Other Renaissance' would play a role at least as significant as the Italian Renaissance in shattering the constraints of medieval life and bringing our modern world into being.

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This forward-looking Research Handbook makes an insightful contribution to the emerging field of studies on communication of, by and with AI. Bringing together state-of-the-art research from over 50 leading international scholars across various fields, it provides a comprehensive overview of the complex intersections between AI and communication. The team of expert contributors explore key conceptual, theoretical and methodological approaches and examine a variety of ethical considerations, legal issues and policy implications of AI across diverse contexts. The Handbook spans a wide range of topics related to AI-empowered, immersed, mediated and integrated communications. These range from the role of news media and digital communication platforms in constructing, representing and framing AI across different countries and cultures, to the public understanding of, attitude towards and interaction with AI and its related technologies. Offering foundational guidance on AI and communication, the Research Handbook will stimulate further intellectual inquiry for future scholarship in this rapidly evolving area. Cross-disciplinary in scope, this dynamic Research Handbook will prove an essential reference for students and scholars in multiple fields, including communication, computer science, data and information science, sociology, business, and education. Policymakers and practitioners will also find it a valuable resource to help inform AI-related regulations and policies.

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Titian's works are often seen as embodying the famous tradition of Venetian Renaissance painting. But how 'Venetian' was Titian, and can his unique works be taken as truly representative of his adoptive city? This comprehensive new study, covering Titian's long career and varied output, highlights the tensions between the individualism of his work and the conservative mores of Venice. Titian and the End of the Venetian Renaissance argues that Titian's works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice - a position that frequently caused disputes with local artists and patrons. This book charts Titian's early stylistic independence from his master Giovanni Bellini, his radical innovations to the classical altarpiece and his meteoric break from the normal confines of Venice's artistic culture. Titian competitively cultivated a professional identity and his dynamic career was epitomized by the development of his 'late style', which set him apart from all predecessors and was intended to defy emulation by any followers. It was through this final individualistic departure that Titian effectively brought the Renaissance tradition of painting to an end. This ground-breaking interpretation will be of interest to all scholars and students of Renaissance and Venetian art history.

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A rich and stimulating exploration of one of our most maligned emotions and how it might actually help us flourish In the first book to argue for the benefits of boredom, Peter Toohey dispels the myth that it's simply a childish emotion or an existential malaise like Jean-Paul Sartre's nausea. He shows how boredom is, in fact, one of our most common and constructive emotions and is an essential part of the human experience.This informative and entertaining investigation of boredom—what it is and what it isn't, its uses and its dangers—spans more than 3,000 years of history and takes readers through fascinating neurological and psychological theories of emotion, as well as recent scientific investigations, to illustrate its role in our lives. There are Australian aboriginals and bored Romans, Jeffrey Archer and caged cockatoos, Camus and the early Christians, Dürer and Degas. Toohey also explores the important role that boredom plays in popular and highbrow culture and how over the centuries it has proven to be a stimulus for art and literature.Toohey shows that boredom is a universal emotion experienced by humans throughout history and he explains its place, and value, in today's world. Boredom: A Lively History is vital reading for anyone interested in what goes on when supposedly nothing happens.

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A visual exploration of the Paris dining scene, with stories, guides, and recommendations from everyday patrons and famous aficionados alike Paris is a city like no other, beloved by travelers the world over for its incomparable architecture, atmosphere, arts, and, of course, food. The restaurants of Paris are rich with history, culture, and flavor. Whether you're a frequent visitor to the City of Light with memories of your favorite meals or an armchair traveler dreaming of the cuisine you could discover there, A Table in Paris will take you on a delicious visual journey through the arrondissements that you'll never forget. In his signature loose and evocative style, artist John Donohue has rendered an incredible sampling of the iconic institutions, hidden gems, and everything in between that make the Paris dining scene one of a kind. Guided by recommendations from a breadth of locals, visitors, and experts, you’ll discover the places one must visit and the dishes one must sample in pursuit of the perfect Parisian meal. The book also offers space for your Paris dining bucket list, food memories or dreams from each arrondissement, and notes on the establishments featured. Restaurants hold a powerful place in our hearts, and A Table in Paris is a must-have for anyone with epicurean visions of Paris in theirs.

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In this fast-paced coming-of-age novel we meet Fiona, an art student at a New Jersey college who is brilliant, beautiful, and struggling to find herself. Through her eyes we relive the turbulent culture of sex, drugs, and rock ’n roll, the first draft lottery since World War II, the Moratorium to End the War in Vietnam, the Kent State University shootings, and the harsh realities of war for Americans in their early twenties. Fiona’s best friend, Melissa, is in a dead-end relationship, pregnant, and going nowhere fast. After Melissa’s abortion, Fiona and Melissa spend a week in Florida, where they are introduced to tarot cards and the anti-war movement. Following this experience, Melissa becomes obsessed with the occult; Fiona, though intrigued, approaches the tarot cautiously, with the voice of her conservative Christian mother screaming in her head. After Fiona’s return from Florida, she begins dating Reuben—a journalism major and political activist. Reuben decides to move to Canada to avoid the draft and encourages Fiona to accompany him. But is that really what she wants? Caught between her feelings for Reuben and her own aspirations, Fiona struggles to define herself, her artistic career, and her future.

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Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss.“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations.Indeed, while John James begins with the biographical—the haunting loss of a father in childhood, the exhausted hours of early fatherhood—the questions that emerge from his poetic synthesis are both timely and universal: what is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom—or what—do we turn, when such boundaries so radically collapse?

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Arranged in three parts, Kant's Little Prussian Head and Other Reasons Why I Write opens with Claire's most personal essays - reflections on a childhood divided between cultures, and between dueling models of womanhood. It is here, in these early years, that we see the seeds of Messud's inquiry into the precarious nature of girlhood, the role narrative plays in giving shape to a life and the power of language. As the book progresses, we then see how these questions translate into Messud's rich body of criticism. In sections on literature and visual arts, Claire opens up the 'radical strangeness' of childhood in Kazuo Ishiguro's NEVER LET ME GO; the search for the self in Saul Friedlander; the fragility and danger of girlhood captured by Sally Mann; and the search for justice in Valeria Luiselli's THE LOST CHILDREN ARCHIVE. But it is the idea of the relationship between form and meaning to which this collection returns again and again. It is 'the tension between form and freedom - the paradox that fierce constraint, or restraint, [that] can allow for the greatest liberty'. As she writes, in a time 'in which our ideals appear shattered and abandoned', it is in the return to language and to stories that 'we return to the essentials that make us human. It is to find the past and the present restored, and with them, the possibility of the future'.

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The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.

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This collection of C. H. Spurgeon’s travel letters offer a rare insight into a different side of the famed preacher. Of the many telling phrases C. H. Spurgeon gave the world, one speaks to the way he, and his contemporaries, greatly valued letters, or what he called “gifts of the pen.” He lived in a golden age of letter–writing, and helped to make it so. The best letters, he knew, are written with caring reflection, love of the written word, wit, and a vivid sense of place. His travel letters model these gifts. His love of nature, history, culture, and art live—and breathe—in these pages. Rest and recreation, on holiday, when he could follow these interests, were meaningful, renewing gifts from God. He cherished them, and needed them. They lend a special, one–of–a–kind voice to this book. With a painter’s gifts, set amid the countryside of England, or places of Europe, Spurgeon’s Travel Letters are eloquent, and many times moving. His “gifts of the pen” shine in them. At long last, they have a place well–deserved, a place all their own. Now, we ourselves may travel with Spurgeon—discovering the world that he knew. And we may bless God for the privilege given in these letters.

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Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times—art, architecture, and household artifacts from Pompeii and elsewhere—belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis.Starting in the first century bce, ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 bce to 250 ce, the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites.

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This updated second edition of Molecular Typing in Bacterial Infections, presented in two volumes, covers both common and neglected bacterial pathogenic agents, highlighting the most effective methods for their identification and classification in the light of their specific epidemiology. New chapters have been included to add new species, as well as another view of how bacterial typing can be used. These books are valuable resources for the molecular typing of infectious disease agents encountered in both research and hospital clinical laboratory settings, as well as in culture collections and in the industry. Each of the 21 chapters provides an overview of specific molecular approaches to efficiently detect and type different bacterial pathogens. The chapters are grouped in five parts, covering respiratory and urogenital pathogens (Volume I), and gastrointestinal and healthcare-associated pathogens, as well as a new group of vector-borne and Biosafety level 3 pathogens including a description of typing methods used in the traditional microbiology laboratory in comparison to molecular methods of epidemiology (Volume II). Comprehensive and updated, Molecular Typing in Bacterial Infections provides state-of-the-art methods for accurate diagnosis and for the correct classification of different types which will prove to be critical in unravelling the transmission routes of human pathogens.

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