Search results for ""author art, culture"

Volume 4 of The Complete Works of Friedrich Nietzsche contains two works, Mixed Opinions and Maxims (1879) and The Wanderer and His Shadow (1880), originally published separately, then republished together in the 1886 edition of Nietzsche's works. They mingle aphorisms drawn from notebooks of 1875-79, years when worsening health forced Nietzsche toward an increasingly solitary existence. Like its predecessor, Human, All Too Human II is above all an act of resistance not only to the intellectual influences that Nietzsche felt called upon to critique, but to the basic physical facts of his daily life. It turns an increasingly sharply formulated genealogical method of analysis toward Nietzsche's persistent concerns—metaphysics, morality, religion, art, style, society, politics and culture. The notebook entries included here offer a window into the intellectual sources behind Nietzsche's evolution as a philosopher, the reading and self-reflection that nourished his lines of thought. The linking of notebook entries to specific published aphorisms, included in the notes, allows readers of Nietzsche in English to trace for the first time the intensive process of revision through which he transformed raw notebook material into the finely crafted sequences of aphoristic reflection that signal his distinctiveness as a philosophical stylist.

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The Irish struck out across America’s frontiers, built its railroads, fought on both sides of the civil war, captured its major historic moments in print, paint and bronze, led many of its religious denominations, policed its streets, set up its banks, educated its masses, entertained America on its stages and screens and in its sporting arenas, and made ground-breaking contributions in science and engineering. This collection documents fifty Irish people who made an indelible mark on American society, politics and culture. People like the pirate Anne Bonney and Gertrude Brice Kelly, one of New York City's first surgeons, feature alongside more familiar names such as Maureen O'Hara, Maeve Brennan, Rex Ingram and the architect of the White House James Hoban. About the Dictionary of Irish Biography: The Dictionary of Irish Biography, a research project of the Royal Irish Academy, is the most comprehensive and authoritative biographical dictionary yet published for Ireland. It comprises over 10,000 lives, which describe and assess the careers of subjects in all fields of endeavour, including politics, law, religion, literature, journalism, architecture, music and the arts, the sciences, medicine, entertainment and sport.

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Death and dying were not in the main focus of the denominational conflicts of the 16th century. However, pious literature covered these topics again and again, not only before the Reformation, but after it as well. Here, certain denominational differences are clearly visible. Partly, these differences consist in the use of genres: For example, funeral sermons are an often used genre among Lutherans, while they are much rarer in the Reformed tradition. Similar differences can be observed concerning epitaphs. In Roman Catholic areas, funeral sermons and epitaphs are common in the 16th century, too; but their religious function is often a different from the one in Lutheranism. Beyond such interdenominational differences, there are also interesting continuities and connections which the contributors of the volume analyze. For example, there is a certain continuity between 16th century Lutheran funeral sermons and the late medieval tradition of ars moriendi.The volume contains papers presented at the Second RefoRC Conference in Oslo in 2012, and is characterized by a multiconfessional and multidisciplinary approach, with contributions from Church History, Art History, Archaeology, History of Literature and Cultural History. Within a field of research dominated by specialized contributions (e.g. on ars moriendi traditions or on specific traditions of funeral monuments and funeral sermons), the broad approach of this volume may further stimulate to comparative and cross-confessional reflection.

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From her early rarely seen Riot Grrrl-influenced fanzines and performances to a career that has produced seminal films, fiction, sculptures, public art, and even a smartphone app, Miranda July has proven adept at articulating the poignancy and humour of the human plight while also achieving enormous acclaim along the way. This chronological retrospective includes July’s performance and video projects, award- winning films, digital multimedia, and written pieces which make clear the multidimensionality of her work. The book includes photography, stills, and archival ephemera and is narrated by friends, collaborators, curators, assistants, and audience members including David Byrne, Spike Jonze, Lena Dunham, Carrie Brownstein, and Hans Ulrich Obrist, as well as July herself. This behind-the-scenes commentary reveals an intimate perspective on the process, struggles, and grit involved in forging one’s own path. What emerges is just how singular her voice is—from a movie narrated by an injured cat to a performance that builds an intentional community; from sculpture that engages the public to an interfaith charity shop in a London department store. July may be impossible to categorise, but the importance of her work and her status as an essential cultural icon with wide-ranging appeal is irrefutable.

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The fabled land of Nubia, whose very name means 'gold,' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art-marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning.Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.

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Published to accompany a show at PAC in Milan, which explores other continents through collective shows of contemporary art: this summer Brazil will be in the spotlight. Knife in the Flesh (Navalha na Carne) is the title of a play by Brazilian writer Plínio Marcos, particularly active during the years of the Brazilian military regime. Thus, from its very title, this project declares itself to be in conflict. By means of installations, photographs, videos and performances, several of the artists invited to the PAC make reference to this conflict - which has no beginning, much less an end, is hard to sum up in words and rarely translates into physical fights or battles. A social - and above all symbolic - conflict, then, rather than a military one. Gathering together a series of works created in Brazil over the past forty years, this book shatters conventions and stereotypes without, however, setting out to draw a portrait of the country or its artistic scene, reflecting instead on their inherent conflict: the fights and violence, the political, social, racial, ecological and cultural abuse. A direct language that appears naïve, whilst actually pregnant with meaning as it tells of broken dreams and disappointed hopes, but also of a people capable of keeping their incredible optimism and trust in the future.

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London, 1966. Pop music has transformed England's cultural landscape, and rock'n'roll has propelled The Beatles to the very top of the music charts.One day, lead singer and founder of the band John Lennon, met the artist Yoko Ono and their lives changed forever. They fell madly in love, becoming the centre of each other's universes and beginning one of history's most iconic partnerships.John and Yoko's work together on art and music produced projects that made headlines and have stood the test of time, as well as their commitment to world peace and campaigning to make the world a better place.A brand new series, Creative Partners/Team Up, celebrating the most iconic and important collaborations in history.From painters to singers, musicians, activists, athletes and trend setters, these books will show you how magic can happen when two talents meet, with accessible, easy-to-read text telling the stories of these partnerships and the brilliant creations they produced.This series pays tribute to sharing your talent with others, to achieving excellent together, and working as a team to create something special: behind every shining star, hides another one with potential to shine even brighter.

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This leading practitioner reference and text--now in a revised and expanded fourth edition--provides the knowledge needed to use state-of-the-art cognitive tests with individuals of all ages, from preschoolers to adults. The volume examines major theories and tests of intelligence (in chapters written by the theorists and test developers themselves) and presents research-based approaches to test interpretation. Contributors address critical issues in evaluating culturally and linguistically diverse students, gifted students, and those with intellectual disability, sensory–motor impairments, traumatic brain injuries, and learning difficulties and disabilities. The fourth edition highlights the use of cognitive test results in planning school-based interventions. New to This Edition *Complete coverage of new or updated tests: WPPSI-IV, WISC-V, WISC-V Integrated, WJ IV, ECAD, CAS2, RIAS-2, KABC-II Normative Update, and UNIT2. *Chapters on cutting-edge approaches to identifying specific learning disabilities and reading disorders. *Chapters on brain imaging, neuropsychological intervention in schools, adult intellectual development, and DSM-5 criteria for learning disorders. *Updated chapters on theories of intelligence, their research base, and their clinical utility in guiding cognitive and neuropsychological assessment practice.

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A masterful history of the great dynasty of the Netherlands' Middle Ages. 'A sumptuous feast of a book' The Times, Books of the Year 'Thrillingly colourful and entertaining' Sunday Times 'A thrilling narrative of the brutal dazzlingly rich wildly ambitious duchy' Simon Sebag Montefiore 5 stars! Daily Telegraph 'A masterpiece' De Morgen 'A history book that reads like a thriller' Le Soir At the end of the fifteenth century, Burgundy was extinguished as an independent state. It had been a fabulously wealthy, turbulent region situated between France and Germany, with close links to the English kingdom. Torn apart by the dynastic struggles of early modern Europe, this extraordinary realm vanished from the map. But it became the cradle of what we now know as the Low Countries, modern Belgium and the Netherlands. This is the story of a thousand years, a compulsively readable narrative history of ambitious aristocrats, family dysfunction, treachery, savage battles, luxury and madness. It is about the decline of knightly ideals and the awakening of individualism and of cities, the struggle for dominance in the heart of northern Europe, bloody military campaigns and fatally bad marriages. It is also a remarkable cultural history, of great art and architecture and music emerging despite the violence and the chaos of the tension between rival dynasties.

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New York City's borough of the Bronx draws millions of people annually to visit the largest zoological park in the United States, or to catch a baseball game at Yankee Stadium. Beyond the animal cages (and batting cages) is a section of the city filled with art, food, music, and unusual sites that can only be found in one place: Da Bronx. The Bronx offers some of the most amazing experiences for visitors to New York City because it is so unexplored. You can take a canoe down a river, or take a course in pole dancing school. The Bronx has a rich history, which includes the American Revolution, that has given way to today's rebels in street fashion. Sit down and feast on dishes from Ghana and Italy. Learn to roll cigars. Pay homage to the founders of rap music and hip hop culture. And explore quiet cemeteries' stunning architecture. The borough is home the largest park in New York City, waterfront vistas that are unparalleled, and access to riverfronts and bays. Whether you are a first time visitor, longtime resident, or a native, you will find 111 hidden gems in the Bronx. The most unexplored borough of New York City is yours to discover with 111 Places in the Bronx That You Must Not Miss.

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This volume is the first to offer an in-depth look at historical archaeology, public history, and reconstruction in Williamsburg through a comprehensive range of sites, topics, and analyses. Uniquely combining a historical landscape and a large town museum complex, Colonial Williamsburg has deeply influenced the discipline for 100 years through one of the nation's longest continuously running archaeological conservation programs.Historical Archaeology in the Twenty-First Century illuminates the town's history as an early capital of the Virginia Colony and home to the College of William & Mary. In the 1700s, Williamsburg was a center of political, cultural, and commercial life where people of African, European, and Native American descent interacted regularly. The case studies in this volume cover topics including animal husbandry, the oyster industry, architectural reconstruction, window leads, and an apothecary's display skeleton. Contributors draw attention to the interactions between enslaved and free communities as well as African American burial practices.Using exemplary approaches and methodologies, this volume addresses key concerns in the field such as amplifying voices of the African diaspora, the development of ethically sound inclusive archaeologies, the value of environmental analyses, and the advantages of virtual models. The research highlighted here provides state-of-the-art examples of how historical archaeology can be used to inform, engage, and educate.

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Through Buddhist Eyes continues Sangharakshita's five volumes of memoirs. Covering journeys across five continents and two decades, this volume is made up of nineteen travel letters and one talk. They are Sangharakshita's heartfelt communications to the growing membership of the new Buddhist movement he founded: the Triratna Buddhist Order. The journey begins with Sangharakshita's return to India in 1979 after an absence of twelve years. There, the vision of Buddhism he longed to see in the land of the Buddha's birth was already coming to fruition in the movement initiated by Dr Ambedkar. It was to remain a constant theme throughout his subsequent thought and writing. The growing network of friendships, teams and communities that make up this pioneering Buddhist movement then come alive in a late twentieth-century world of airports and motorways, of Beat poets, vegetarian pizzas, counter-culture and visionary social activism. But the travel letters also have a deeper significance; these are, above all, spiritual communications. Whether awed by works of artistic brilliance or enveloped in moods of contemplation, Sangharakshita responds with a combination of keen observation and an ever-present imaginative engagement. Sangharakshita delights in culture, in art and particularly in literature in his letters. This volume supplements the accounts of his adventures with over 800 endnotes detailing the lives and achievements of artists, poets, writers, musicians, philosophers and members of the Triratna Buddhist Order that he references, plus twenty maps and illustrations. Part reflection, part travelogue, part chronicle of a vibrant new spiritual movement, Through Buddhist Eyes opens a window on the inner life and the outer world of Urgyen Sangharakshita, one of the greatest Buddhist teachers of the twentieth century.

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Finalist, Pegasus Award for Poetry Criticism Ezra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the “inventor of Chinese poetry for our time.” Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word “cribs” left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange. This fully annotated critical edition focuses on Pound’s astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound’s poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature. The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa’s notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound’s creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound’s translation process as a kind of “clairvoyance,” displaying instead the impressive amount of sinological learning preserved in Fenollosa’s hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound’s poems and making the process of translation visible even for readers with no knowledge of Chinese. Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound’s unique version of “The Seafarer,” which is fully annotated alongside its Anglo-Saxon source. Also included are Pound’s fifteen additional Chinese translations from Lustra and other contemporary publications, his essay “Chinese Poetry” (1919), a substantial textual Introduction, and original essays by Christopher Bush and Haun Saussy on international modernism, the mediation of Japan, and translation. The meticulous treatment and analysis of the texts for this landmark edition will forever change how readers view Pound’s “Chinese” poems. In addition to discoveries that permanently alter the scholarly record and force us to revise a number of critical commonplaces, the critical apparatus allows readers to make fresh discoveries by making available the specific networks through which poetic expression moved among hands, languages, and media. Ultimately, this edition not only enables us more fully to appreciate a canonical work of Modernism but also resituates the art of Pound’s translations by recovering the historical circulations that went into the making of a multiply authored and intrinsically hybrid masterpiece.

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True to its initial aims, the latest volume of the Journal of Greek Archaeology runs the whole chronological range of Greek Archaeology, while including every kind of material culture. Papers include an overview of a major project investigating Palaeolithic environments, human settlement and other activities in the Ionian Islands. Neolithic industries in large stone artefacts link two papers on the human palaeobiology of populations in the Mycenaean and then Iron Age eras. Two papers on Greeks abroad enlighten us on the nature of Greek presence and impact on indigenous society (and vice versa) in Archaic and Classical Egypt and Southern France. In a totally contrasted fashion, a long article on the fate of Southern Greek cities under Rome offers a very negative but definitively researched analysis on their radical decline. Architecture makes two appearances for the periods that follow, firstly for the towns of Crete under Venetian then Ottoman rule, secondly in the form of Landscape Architecture – the physical infrastructure of rural land use in the unusual landscape of the Mani. Finally, to show that Greek Archaeology knows no boundaries when it comes to material culture, there is a piece on a 21st century fashion designer who has used ancient art to enrich his designs. Alongside these papers, there are articles challenging the accepted view of the Late Bronze ‘Sea Peoples’, shedding welcome light on the neglected later prehistory and protohistory of Epiros, on Greek terracotta figurines and their links to sacrificial offerings, and finally providing a long-term study of the walls of Athens over almost two-and-a-half millennia. The full complement of reviews for almost every period of the Greek Past are also full of fascinating insights and updates.

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Comics have conquered America. From our cinemas, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize-winning titles and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s, before turning finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels and more.

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Founded by Alexander the Great in 332 BC, Alexandria was for a long time the largest city in the ancient world. Flattened by a tsunami in 365 AD, it was little more than a fishing village when captured by Napoleon in 1798. The 19th century saw it become the centre of the Egyptian cotton trade, bringing prosperity and an influx of European merchants. Then came the bombardment by the English in 1882, which almost flattened the city a second time, and the revolution of 1952, which in effect condemned many of its residential buildings to slow but picturesque decay. The ebbs and flows of history and different cultures (especially Arabic, Muslim, Greek, Italian, English, and, not least, Jewish) have all left their marks on Alexandria’s architecture. There are classical ruins; Ottoman fortifications; Egyptian okelles (medieval merchants’ buildings); a colourful fishing port; mosques, shrines, churches, and synagogues; mansions and apartment buildings in the neo-Renaissance, art deco, and international styles; brutalist post-revolutionary institutions. And then are oddities such as the Cotton Palace Tower, a skyscraper intended for use as the headquarters of the country’s cotton industry but inexplicably abandoned before completion. This book, the first systematic guide to the architecture of Alexandria, is the work of many enthusiastic hands. The texts and photographs were produced by students and staff at the Architecture Faculty of Alexandria University.

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THE REESE WITHERSPOON BOOK CLUB PICKTHE PANDORA BOOK CLUB PICKA NEW YORK TIMES BESTSELLERA hottest book for THE TIMES, DAILY MAIL, THE INDEPENDENT, VOGUE, STYLIST, TIME MAGAZINE, EVENING STANDARD, THE I and THE IRISH MAIL ON SUNDAY.'It's impossible not to be moved' Stephen King, New York Times 'Thought-provoking, heart-wrenching...I was so invested in the future of this mother and son, and I can't wait to hear what you think of this deeply suspenseful story!' Reese Witherspoon (Reese's Book Club October '22 Pick)From the #1 bestselling author of Little Fires Everywhere, comes one of the most anticipated books of the year - the inspiring new novel about a mother's unbreakable love in a world consumed by fear.Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in Harvard's library. He knows not to ask too many questions, stand out too much, stray too far. For a decade, their lives have been governed by laws written to preserve 'American culture' in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic - including the work of Bird's mother, Margaret, a Chinese American poet who left the family when he was nine years old.Bird has grown up disavowing his mother and her poems; he doesn't know her work or what happened to her, and he knows he shouldn't wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is drawn into a quest to find her. His journey will take him through the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York, where a new act of defiance may be the beginning of much-needed change.Our Missing Hearts is an old story made new, of the ways supposedly civilized communities can turn a blind eye to the most searing injustice. It's a story about the power - and limitations - of art to create change in the world, the lessons and legacies we pass onto our children, and how any of us can survive a broken world with our hearts intact.

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From creature features to indie horror flicks, find out what happens when sex, horror, and the religious imagination come together Throughout history, religion has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed—or, more commonly, how they must be hidden. Yet, we remain fascinated, obsessed even, by bodies that have left, or been forced out of, their “proper” place. The Forbidden Body examines how horror culture treats these bodies, exploring the dark spaces where sex and the sexual body come together with religious belief and tales of terror. Taking a broad approach not limited to horror cinema or popular fiction, but embracing also literary horror, weird fiction, graphic storytelling, visual arts, and participative culture, Douglas E. Cowan explores how fears of bodies that are tainted, impure, or sexually deviant are made visible and reinforced through popular horror tropes. The volume challenges the reader to move beyond preconceived notions of religion in order to decipher the “religious imagination” at play in the scary stories we tell over and over again. Cowan argues that stories of religious bodies “out of place” are so compelling because they force us to consider questions that religious belief cannot comfortably answer: Who are we? Where do we come from? Why do we suffer? And above all, do we matter? As illuminating as it is unsettling, The Forbidden Body offers a fascinating look at how and why we imagine bodies in all the wrong places.

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A timely and splendidly illustrated global exploration of the complex intersections of fashion and politics from the mid-19th century to the present day Taking a multifaceted look at a topic of widespread fascination, this pioneering book presents new research on the intersection of fashion and politics through incisive essays by the field’s leading voices, including both renowned and emerging fashion scholars. The texts unpack fashion between the mid-19th century and today as expressions of nationalism, terrorism, surveillance, and individualism, as well as a symbol of capitalism. The first section explores the political potential of fashion despite its immutable status as a commodity. The second section offers a historical account of the political nature of dress, such as the fashion of dissent within Mao’s Cultural Revolution and the Black Panther movement. The ways bodies are defined by dress—the entanglement of oppression and expression—is the theme of the third section. A fourth and final section explores contemporary issues in the practice and theory of dress, from the processes of decolonizing museum collections to the recent sartorial styles of Europe’s political Left. The book’s incisive and beautifully illustrated essays provide a timely investigation of an underdeveloped topic through a variety of historical and current formats, including public and personal archives, fashion magazines, political newspapers, museum displays, art, and social media.

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Damien Hirst enters into creative conversation with the many masterpieces of the Galleria Borghese In an extraordinary cultural undertaking, British artist Damien Hirst (born 1965) has launched an intense and unfiltered interaction with the works of Caravaggio, Raphael, Titian, Bernini, Canova and others in Italy’s Galleria Borghese. An unparalleled and controversial celebrity of the contemporary art world, Hirst’s work is perfectly suited to be displayed in relation to the colors and materials found in the Galleria Borghese. His sculptures, made of fine materials such as bronze, Carrara marble or seductive malachite, have been put on display in rooms of the museum that house masterpieces of the modern era such as the statuary groups of Gian Lorenzo Bernini and Antonio Canova’s Paolina Borghese. The resulting effect is one of surprising harmony: the Five Grecian Nudes appear natural next to Canova’s sculpture and the primitive appearance of the Lion Women of Asit Mayor is in perfect chromatic accord with the floors of the Galleria. Hirst’s new series of Colour Space paintings offers the same sense of continuity as the flow of the works hanging in the museum’s picture gallery. This comprehensive vision of the past and the present is fostered by the proximity of antique painting and contemporary painting, without frames to separate them, and without elements of signage to interrupt this immersion.

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The novels of Iain M. Banks have forever changed the face of modern science fiction. With breathtaking imagination and extraordinary storytelling, they have secured his reputation as one of the most extraordinary and influential writers in the genre.'Banks is a phenomenon' William Gibson Count Sessine is about to die for the very last time . . .Chief Scientist Gad­fium is about to receive the mysterious message she has been awaiting from the Plain of Sliding Stones . . .Bascule the Teller, in search of an ant, is about to enter the chaos of the crypt . . .This is the time of the encroachment and everything is about to change. Although the dimming sun still shines on the vast, towering walls of Serehfa Fastness, the end is close at hand. The King knows it, his closest advisers know it, and the crypt knows it too; so an emissary has been sent - an emissary who holds the key to all their futures.Praise for the novels of Iain M. Banks:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading' Sunday Telegraph Books by Iain M. Banks:Consider PhlebasThe Player of GamesUse of WeaponsExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataThe State of the ArtAgainst a Dark BackgroundFeersum EndjinnThe AlgebraistAlso now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail.

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Is this the right book for me?Marx: A Complete Introduction will familiarize you with the revolutionary thinking of this significant man. It will take you through all the essential concepts - from class struggle to dialectical materialism. Expressing Marx's sometimes complex ideas in simple terms, and backed up with references to his own texts, this book gives you everything you need to know. Marx: A Complete Introduction includes:Chapter 1: Marx's early lifeEurope at the time of MarxThe early life of MarxUniversity lifeLife as a journalistThe Communist ManifestoExileChapter 2: Marx's later lifeThe move to LondonFamily life in LondonMarx and EngelsWork in LondonDas KapitalThe InternationalThe later yearsChapter 3: Marx and philosophyA brief history of philosophyWhich philosophers influenced Marx?Ancient Greek philosophersEuropean philosophyUtopian SocialistsRevolutionaries and anarchistsThe importance of Hegel and FeuerbachHow did Marx differ from those who went before?Political economyWhat part did Engels play?Chapter 4: Economic theoryDialectical materialism, historical materialism and economyThe capitalist economyCommoditiesTheory of surplus valueProfit and the division of labourCapitalism in crisisFalling wages and profitsSocial labourAccumulation and crisisCentralization of the economyWas Marx right about the economy?Chapter 5: Economy and societyImperialism and colonialismFetishismExploitationChapter 6: Class, class struggle and revolutionIntroductionThe development of capitalist societyDialectical materialism and class structureClass in the capitalist societyIdeologyClass struggleWorkers' power and educationThe Communist League and class struggleThe International Working Men's AssociationIs revolution inevitable?Chapter 7: Further Marxist thoughtAfter the revolutionCommunist societyReligionWomen's rights and the familyArt and cultureFreedom and the individualChapter 8: Marxism after Marx - ideas that changed the worldThe spread of Marxist thoughtThe development of socialismRussian communismChinese communismThe Cold WarThe decline of communismHas Marxism failed?Chapter 9: Marxism after Marx - the development of Marxist thoughtTypes of MarxismWhere does Marx fit in?Is Marxism relevant in the twenty-first century?The futureLearn effortlessly with a new easy-to-read page design and interactive features: Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material. Yet, as the studies collected here show, the immaterial is not easily separated from the material. Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms. The essays in Materiality explore varied manifestations of materiality from ancient times to the present. In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material. Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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Although much has been written lately on the links between painting and writing, little or no attention has been paid to those moments in literature when the narrative stops to allow for the description of those objects we associate with still life. Rosemary Lloyd's book shows how fascinating this overlooked area is; how rich in suggestions of class, race, and gender; how much it indicates about human pleasures and about the experience of space and time. Lloyd focuses on the last two centuries, particularly at points marked by the irruption of images of contingency and rapid change into the fields of art: for example, the year of the Terror in French history; the decade in which Haussman's politically driven transformation of Paris led Baudelaire to write his great modernist poem "Le Cygne"; and "on or about December 1910," the date to which Virginia Woolf attributes a revolution in the definition of literary character. Lloyd's central concern lies with the ways in which the still life, written or painted, both evokes and attempts to deal with the sense of contingency. While she makes frequent reference to paintings, she focuses above all on written still lifes, particularly those moments when novels pause to address the subject matter of still life—a bowl of fruit, a hat rack, a desk cluttered with pens and papers—in ways that invite contemplation of other and broader cultural domains. She draws on literary and art works from Australia, England, France, Germany, Ireland, Italy, and the United States.

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A newly expanded edition of the defining book on one of French Romanticism’s most influential and elusive paintersEugène Delacroix (1798–1863) was a solitary genius who produced stormy Romantic works like The Death of Sardanapalus as well as more classically inspired paintings such as Liberty Leading the People. Over the long span of his career, he responded to the literary fascination with Orientalism, the politics of French imperialism, and the popular interest in travel, painting everything from sweeping, epic tales to intimate interiors. In this beautifully illustrated book, Barthélémy Jobert delves into all facets of Delacroix’s life and art, providing an unforgettable portrait of perhaps the greatest and most elusive painter of the French Romantic movement.Bringing together large canvases, decorative cycles, watercolors, and engravings, Jobert explores the inner tensions and contradictions that drove the artist, re-creating the political and cultural arenas in which Delacroix thrived and enabling readers to fully appreciate the extraordinary range of his artistic production. He reveals how Delacroix successfully navigated the Salons of Paris and the halls of government, socialized with George Sand and Victor Hugo, engaged in intense philosophical discussions about art with Baudelaire, and maintained a lively repartee with the press. He vividly describes Delacroix’s journey to Morocco, which unexpectedly led him to rediscover his classical roots, and shows how Delacroix profoundly influenced later painters such as Cézanne and Picasso.This new and expanded edition of Jobert’s acclaimed book includes a thoroughly updated introduction and conclusion, and a wealth of new information and illustrations throughout.

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*Named a Most Anticipated Title of 2022 by TIME magazine, New York Times, Bustle, and more*In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander-one of the great literary voices of our time-turned a mother's eye to her sons' and students' generation and wrote a celebrated and moving reflection on the challenges facing young Black America. Originally published in the New Yorker, the essay incisively and lovingly observed the experiences, attitudes, and cultural expressions of what she referred to as the Trayvon Generation, who even as children could not be shielded from the brutality that has affected the lives of so many Black people. The Trayvon Generation expands the viral essay that spoke so resonantly to the persistence of race as an ongoing issue at the center of the American experience. Alexander looks both to our past and our future with profound insight, brilliant analysis, and mighty heart, interweaving her voice with groundbreaking works of art by some of our most extraordinary artists. At this crucial time in American history when we reckon with who we are as a nation and how we move forward, Alexander's lyrical prose gives us perspective informed by historical understanding, her lifelong devotion to education, and an intimate grasp of the visioning power of art.This breathtaking book is essential reading and an expression of both the tragedies and hopes for the young people of this era that is sure to be embraced by those who are leading the movement for change and anyone rising to meet the moment.

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Francis Bacon described revenge as a ‘kind of wild justice’. Then as now, early modern playwrights and their theatre-going public were fascinated by the anarchic energies that a desire for retribution unleashes. Rather than rehearsing familiar conventions, each of these plays presents a unique social and cultural milieu where dark fantasies of revenge are variously played out. In Kyd’s The Spanish Tragedy a grieving father seeks public justice for the murder of his son by envious princelings. When his attempts are thwarted he turns a court spectacle of murder into the ‘real’ thing. Blackly comic in its tone and style, The Revenger’s Tragedy (anon.) presents vengeance as mimetic art, witty and cruel. Ford’s ’Tis Pity She’s a Whore represents an innovative re-working of the genre as a brother’s love for his sister leads to his spectacular revenge on his rival, her husband, in a society in which brutal retaliation for perceived wrong is the norm. In Webster’s The White Devil crimes of passion ignite revenge in the courts of the Italian city states. This student edition contains fully annotated, modernized texts of each play together with an introduction discussing the dramatic and poetic style of each play, focusing on its action and play of ideas.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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This book is a love letter to women longing to break free of the boxes their postcode, skin colour, gender and bank balance put them in. Its title is a rebel yell to ambitious women and girls hungry for more. Growing up on the whitewashed Central Coast in the 1980s and attending an elite school as a scholarship student from the wrong side of the tracks, Lebanese-Cypriot Simone Amelia Jordan felt like an outcast among her peers for years. Her lifeline was hip-hop, then in its golden age. From girlhood, Simone recognised the art form's pro-Black consciousness, and the rappers' resonant words inspired her to embrace her own identity and back herself. From founding Australia's most successful hip-hop and R&B publication to moving to New York City and interviewing the biggest stars of the time as the editor of the world's most beloved rap magazine; falling in love and getting her heart broken; grappling with her family ties to culture; and struggling through illness and sexual grooming, Simone's inspiring story is about defying the odds to reach for your dreams. But it is also about figuring out those dreams can change as you do.Tell Her She's Dreamin' is a deeply personal story of family, culture and music that disrupts the long-held view that women, and racially diverse women especially, are limited in their power as bold, playful explorers. It is a timely manual for those hellbent on going places and an inspiration for anyone who has ever been told they can't. (Spoiler alert: you can!)'Read this if you long to break free of the boundaries that have been placed on you by others' WHO WEEKLY

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"AS ICONIC PHOTOGRAPHER, ADVENTUROUS FAN AND INSIDEREYE-WITNESS, KEVIN CUMMINS HAS ALWAYS BEEN WHERE THE CULTURALACTION IS. MIXING MEMORY & DESIRE WILL MAKE YOU SEE DAVID BOWIE INA SURPRISING AND STIMULATING NEW WAY." -PAUL MORLEY"DAVID BOWIE WAS ON A CREATIVE JOURNEY THROUGH MUSIC,FASHION AND ART. A JOURNEY UNPARALLELED IN POPULAR CULTURE.WHAT A PRIVILEGE IT IS FOR US THAT KEVIN CUMMINS WAS THERE TOCAPTURE THIS JOURNEY. HIS WONDERFUL BOOK SHOWS US EXACTLYWHY BOWIE WAS SO UNIQUE." -NOEL GALLAGHER"KEVIN BRILLIANTLY CAPTURES THE ESSENCE OF THE GREAT MAN INTHESE REMARKABLE PHOTOGRAPHS. CUMMINS IS SO ADEPT AT BREAKINGDOWN THE BARRIER OF THE CAMERA, YOU SENSE BOWIE IS COMPLETELYAT EASE WHEN THEY WORKED TOGETHER" -GOLDIE'Whether you know him as Ziggy Stardust, Major Tom, or just David Jones, there is a David Bowie for everyone. Through Cummins's photos, each of these iconic personas is brought before our eyes.' DAILY MAILThe career of celebrated photographer Kevin Cummins began on 29th June 1973 when, as a nineteen-year-old photography student, he photographed David Bowie. That image is now in the renowned photography collection of the V&A Museum and marked the beginning of Kevin Cummins' four-decade-long visual chronicle of David Bowie's remarkable career. David Bowie: Mixing Memory & Desire includes some of the best portraits of Bowie ever taken, the majority of which have never been published until now. From those legendary Bowie gigs in the early 1970s, through to a poignant image taken outside his apartment in New York in 2016, Cummins has captured the many faces of Bowie and created a book that is essential for Bowie fans everywhere.

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Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907–1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi, they made Frida Kahlo an icon of 20th century art. After an accident in her early youth, Frida became a painter. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet André Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp. We access the intimacy of Frida’s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida’s home and the center of her universe. This large-format XXL book allows readers to admire Frida Kahlo’s paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo’s work and life to date.

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The intense bonds among the king and his family, friends, lovers, and entourage are the most enticing and intriguing aspects of Alexander the Great’s life. The affective ties of the protagonists of Alexander’s Empire nurtured the interest of the ancient authors, as well as the audience, in the personal life of the most famous men and women of the time. These relations echoed through time in art and literature, to become paradigm of positive or negative, human behavior.By rejecting the perception of the Macedonian monarchy as a positivist king-army based system, and by looking for other political and social structures Elizabeth Carney has played a crucial role in prompting the current re-appraisal of the Macedonian monarchy. Her volumes on Women and Monarchy in Ancient Macedonia (University of Oklahoma Press, 2000), Olympias: Mother of Alexander the Great (Routledge, 2006), Arsinoë of Egypt and Macedon: A Royal Life. (Oxford University Press, 2013) have been game-changers in the field and has offered the academic world a completely new perspective on the network of relationships surrounding the exercise of power. By examining Macedonian and Hellenistic dynastic behavior and relations, she has shown the political yet tragic, heroic thus human side, thus connecting Hellenistic political and social history.Building on the methodological approach and theoretical framework engendered by Elizabeth Carney’s research, this book explores the complex web of personal relations, inside and outside the oikos (family), governing Alexander’s world, which sits at the core of the inquiry into the human side of the events shedding light light on the personal dimension of history. Inspired by Carney’s seminal work on Ancient Macedonia, the volume moves beyond the traditionally rationalist and positivist approaches towards Hellenistic antiquity, into a new area of humanistic scholarship, by considering the dynastic bloodlines as well as the affective relations. The volume offers a discussion of the intra and extra familial network ruling the Mediterranean world at the time of Philip and Alexander. Building on present scholarship on relations and values in Hellenistic Monarchies, the book contributes to a deeper historical understanding of the mutual dialogue between the socio-cultural and political approaches to Hellenistic history.

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In 1976 the British band Throbbing Gristle emerged from the radical arts collective COUM Transmissions through core members Genesis P-Orridge and Cosey Fanni Tutti, joined by Hipgnosis photographer Peter Christopherson and electronics specialist Chris Carter. Though having performed previously in more low-key arts environments, their major launch coincided with the COUM retrospective exhibition Prostitution at London’s ICA gallery, showcasing and contextualising an array of challenging objects from COUM’s various actions in performance art and pornography. In a deliberately curated strategy inviting press, civic and arts dignitaries, extravagant followers of the nascent punk scene and music journalists, the band created an instant controversy and media panic that tapped into the restrictive climate and encroaching conservatism of late 1970s Britain. Any opportunities that were being explored by a formative punk ethos and movement around sex, censorship and transgression were amplified and exposed by Throbbing Gristle and Prostitution. An outraged Member of Parliament Nicholas Fairbairn took the bait and called the ensemble the ‘wreckers of civilisation’, providing the suitable newspaper headline that would be followed a month later by ‘the filth and the fury’ as the Sex Pistols uttered strong profanities on live television. The switch from COUM to Throbbing Gristle encompassed a primary mode of expression in making music as opposed to art, to further coincide with the energy of the nascent punk scene. The band quickly developed a radically deviant and challenging reputation through pushing the punk format past its strictures in terms of lyrical themes, amateurism, and considerations of what constitutes music. Through a handful or record releases on their own label Industrial Records, and a sporadic string of live performances, the band nurtured a strong and devoted following including key journalists and fanzine editors of the punk and post-punk scenes such as Jon Savage and Sandy Robertson. The band’s style of exploring harsh pre-recorded sounds, samples of disconcerting narrative and conversation, and feeding all sounds through messy electronic processing devices gave rise to the title industrial music. This was further buttressed by performing a strictly timed set of one hour, and adopting a non-rockstar mode by appearing disinterested and preoccupied with electronic devices. Having given a name and impetus to the industrial music scene, many of their followers and fans formed bands in later years. Drawing on works such as Andy Bennett’s When the Lights Went Out, this book looks at late 1970s Britain, before, during and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value, as Throbbing Gristle emerged with punk in late 1976, seemingly grappled with it through 1977, and then went on to create and eventually criticise a number of post-punk scenes that had flourished around 1979. Trowell narrates the story through a series of live performances, as this is a point where Throbbing Gristle interact with the various city-scenes around England during their original period of operation (1975-1981). The band reflected (and incorporated into their live music) key tropes form the time, both ‘mainstream’ and fringe (subcultural, avant-garde art, counter-culture, taboo subjects, extremes) such that Throbbing Gristle events had an impact and affect, and Trowell traces these as a series of impressions and reverberations amongst fans who went on to do their own music and projects.

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En el ambiente general de totalitarismo que rodeala Guerra Civil sobresalen cuatro escritores que,cada uno a su modo, contribuyeron a la políticacultural del momento y coincidían en el alto gradode intransigencia de sus posturas: Ernesto GiménezCaballero, José María Pemán, Ezra Pound yVirginia Woolf.Por mucho que sus filosofías políticas se contrapusieron,juntos representaron una de las muestrasmás influyentes de la intelligentsia modernista. Asu vez, también disfrutaron de un acceso privilegiadoa las más altas esferas del poder en la España,Italia e Inglaterra del momento.Este ensayo contrapone algunas obras de estos autores,que ocupan espacios liminares entre el artey la propaganda. Considerando el fascismo comouna hoja de ruta teórica y retórica, el libro realizaun estudio comparativo cuyo principal objetivo esexaminar espacios tradicionalmente descuidadospor el estudio literario del modernismo.

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A delicious journey through Italy and a celebration of the relationship between family and food. Moving from the Italian Piedmont to the Maremma and then to Le Marche, chef Teresa Lust interweaves portraits of the people who served as her culinary guides with cultural and natural history in this charming exploration of authentic Italian cuisine. We learn how to prepare bagna cauda—a robust dipping sauce of anchovies, garlic, and olive oil—with Lust’s relatives outside Torino. We learn about making hand-stretched grissini, Italy’s iconic breadstick, the secrets of whipping up zabaione, a classic dessert of ethereal foam made with egg yolks, sugar, and marsala. Then there is acquacotta, a rustic soup that nourished generations of the area’s shepherds and cowhands. In the town of Camerano, an eighty-year-old woman reveals the art of hand-rolling pasta with a three-foot rolling pin. Underpinning Lust’s travels is our journey from chef to cook, mirroring the fact that Italians have been masters of home cooking for generations, so they are an obvious source of inspiration. Today, more and more people are rediscovering the pleasures of cooking at home, and Lust’s account—and wonderful recipes—will help readers bring an Italian sensibility to their home tables.

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The rich history of the Indian Ocean has been much explored, though its present-day manifestations remain less studied. This catalog for an exhibition at the McMullen Museum of Art, curated by Prasannan Parthasarathi and Salim Currimjee, brings together essays that contextualize the work of six contemporary artists from the region. Through a variety of mediums and forms—including watercolors, videos, collages, sculptures, and photographs—Shiraz Bayjoo, Shilpa Gupta, Nicholas Hlobo, Wangechi Mutu, Penny Siopis, and Hajra Waheed grapple with the past, present, and future of the Indian Ocean.Indian Ocean Current provides interdisciplinary perspectives on the work of these six artists, with essays drawn from environmental studies, postcolonial studies, literature, and history. Contributors trace the connections that spanned the Indian Ocean, the movement of peoples, and the evolution of plural societies. From the mid-twentieth century, decolonization led to the creation of new nation-states, and hastily erected borders divided many. Today, the rising waters of the Indian Ocean, a consequence of climate change, strip these borders of their power. Indian Ocean Current opens up an artistic, historical, cultural, and political conversation about an area of the world famed for its cosmopolitanism but threatened by nationalism and global warming.

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Ernst Lubitsch’s Trouble in Paradise (1932) was released at a critical moment in cinema history, just after the advent of synchronized sound technology and just before the full implementation of the production code. By the time of its release, Lubitsch had already directed more than 50 films, but it was unlike anything he had done before. Aside from being his first non-musical talking picture, the film introduced a level of sophistication and visual subtlety that established the benchmark for classic Hollywood cinema for years to come. In his study of the film, David Weir explores its significance within Lubitsch’s career, but also its larger cultural significance within the history of cinema, and the social context of its release during the Great Depression. Paying careful attention to the film itself, Weir discusses its source material, its mise-en-scène and art deco production design, and its inventive use of post-synchronized sound. Drawing on original archival research, Weir traces Trouble in Paradise's reception history, including its critical reception, and the effect of the Motion Picture Production Code, which led to the film being denied approval for re-release in 1935.

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In A Question of Tradition, Kathryn Hellerstein explores the roles that women poets played in forming a modern Yiddish literary tradition. Women who wrote in Yiddish go largely unrecognized outside a rapidly diminishing Yiddish readership. Even in the heyday of Yiddish literature, they were regarded as marginal. But for over four centuries, women wrote and published Yiddish poems that addressed the crises of Jewish history—from the plague to the Holocaust—as well as the challenges and pleasures of daily life: prayer, art, friendship, nature, family, and love. Through close readings and translations of poems of eighteen writers, Hellerstein argues for a new perspective on a tradition of women Yiddish poets. Framed by a consideration of Ezra Korman's 1928 anthology of women poets, Hellerstein develops a discussion of poetry that extends from the sixteenth century through the twentieth, from early modern Prague and Krakow to high modernist Warsaw, New York, and California. The poems range from early conventional devotions, such as a printer's preface and verse prayers, to experimental, transgressive lyrics that confront a modern ambivalence toward Judaism. In an integrated study of literary and cultural history, Hellerstein shows the immensely important contribution made by women poets to Jewish literary tradition.

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The festival of the Panathenaia, held in Athens every summer to celebrate the birthday of the city's goddess, Athena, was the setting for performances of the Homeric Iliad and Odyssey by professional reciters or "rhapsodes." The works of Plato are our main surviving source of information about these performances. Through his references, a crucial phase in the history of the Homeric tradition can be reconstructed. Through Plato's eyes, the "staging" of Homer in classical Athens can once again become a virtual reality. This book examines the overall testimony of Plato as an expert about the cultural legacy of these Homeric performances. Plato's fine ear for language—in this case the technical language of high-class artisans like rhapsodes—picks up on a variety of authentic expressions that echo the talk of rhapsodes as they once practiced their art. Highlighted among the works of Plato are the Ion, the Timaeus, and the Critias. Some experts who study the Timaeus have suggested that Plato must have intended this masterpiece, described by his characters as a humnos, to be a tribute to Athena. The metaphor of weaving, implicit in humnos and explicit in the peplos or robe that was offered to the goddess at the Panathenaia, applies also to Homeric poetry: it too was pictured as a humnos, destined for eternal re-weaving on the festive occasion of Athena's eternally self-renewing birthday.

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This beautifully illustrated, elegantly written textbook pairs the best research on the biochemical properties and physiological effects of medicinal plants with a fascinating history of their use throughout human civilization, revealing the influence of nature's pharmacopeia on art, war, conquest, and law. By chronicling the ways in which humans have cultivated plant species, extracted their active chemical ingredients, and investigated their effects on the body over time, Nature's Pharmacopeia also builds an unparalleled portrait of these special herbs as they transitioned from wild flora and botanical curiosities to commodities and potent drugs. The book opens with an overview of the use of medicinal plants in the traditional practices and indigenous belief systems of people in the Americas, Africa, Asia, and ancient Europe. It then connects medicinal plants to the growth of scientific medicine in the West. Subsequent chapters cover the regulation of drugs; the use of powerful plant chemicals-such as cocaine, nicotine, and caffeine-in various medical settings; and the application of biomedicine's intellectual frameworks to the manufacture of novel drugs from ancient treatments. Geared toward nonspecialists, this text fosters a deep appreciation of the complex chemistry and cultural resonance of herbal medicine, while suggesting how we may further tap the vast repositories of the world's herbal knowledge to create new pharmaceuticals.

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Forthright and wryly humorous, philosopher Susan Haack deploys her penetrating analytic skills on some of the most highly charged cultural and social debates of recent years. Relativism, multiculturalism, feminism, affirmative action, pragmatisms old and new, science, literature, the future of the academy and of philosophy itself—all come under her keen scrutiny in Manifesto of a Passionate Moderate."The virtue of Haack's book, and I mean virtue in the ethical sense, is that it embodies the attitude that it exalts. . . Haack's voice is urbane, sensible, passionate—the voice of philosophy that matters. How good to hear it again."—Jonathan Rauch, Reason"A tough mind, confident of its power, making an art of logic . . . a cool mastery."—Paul R. Gross, Wilson Quarterly"Few people are better able to defend the notion of truth, and in strong, clear prose, than Susan Haack . . . a philosopher of great distinction."—Hugh Lloyd-Jones, National Review"If you relish acute observation and straight talk, this is a book to read."—Key Reporter (Phi Beta Kappa)"Everywhere in this book there is the refreshing breeze of common sense, patiently but inexorably blowing."—Roger Kimball, Times Literary Supplement"A refreshing alternative to the extremism that characterizes so much rhetoric today."—Kirkus Reviews

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Although we know him best as a visual artist and filmmaker, Andy Warhol was also a publisher. Distributing his own books and magazines, as well as contributing to those of others, Warhol found publishing to be one of his greatest pleasures, largely because of its cooperative and social nature. Journeying from the 1950s, when Warhol was starting to make his way through the New York advertising world, through the height of his career in the 1960s, to the last years of his life in the 1980s, Andy Warhol, Publisher unearths fresh archival material that reveals Warhol's publications as complex projects involving a tantalizing cast of collaborators, shifting technologies, and a wide array of fervent readers. Lucy Mulroney shows that whether Warhol was creating children's books, his infamous "boy book" for gay readers, writing works for established houses like Grove Press and Random House, helping found Interview magazine, or compiling a compendium of photography that he worked on to his death, he readily used the elements of publishing to further and disseminate his art. Warhol not only highlighted the impressive variety in our printed culture but also demonstrated how publishing can cement an artistic legacy.

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'A delightful storybook . . . a portrait of our whole world created from the contents of the ground' Literary Review'A real cabinet of curiosities' Sunday TimesFrom the hematite used in cave paintings to the moldavite that became a TikTok sensation; from the stolen sandstone of Scone to the unexpected acoustics of Stonehenge; from crystal balls to compasses, rocks and minerals have always been central to our story.3,000 years ago Babylonians constructed lapidaries - books that tried to pin down the magical secrets of rocks. In Lapidarium, renowned art critic Hettie Judah explores the unexpected stories behind sixty stones that have shaped and inspired human history, from Dorset fossil-hunters to Chinese philosophers, Catherine the Great to Michelangelo.Discover why alchemists sought cinnabar and sulphur. Unearth the mystery of the tuff statues of Rapa Nui, the lost amber room of Frederick of Prussia and the scandal of Flint Jack. Find out how a Greek monster created coral, moon rock explains the history of Earth's only satellite and obsidian inspired the world's favourite computer game. Stone by stone, story by fascinating story, Lapidarium builds into a dazzling, epoch-spanning adventure through human culture, and beyond.

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This distinctive reappraisal of humanism argues that humanist thought is a diverse tradition which cannot be reduced to current conceptions of it. By considering humanism via the categories of Romantic, Existential, Dialogic, Civic, Spiritual, Pagan, Pragmatic and Technological Humanisms, Halliwell and Mousley propose that the critical edge of humanist thought can be rescued from its popular view as intellectually redundant. They also argue that because these humanisms contain within them anti-humanist perspectives, it is possible to counter the charge that humanism is based upon an unquestioned image of human nature. The book focuses on the thought of twenty-four mainly European and North American thinkers, ranging historically from the Renaissance to postmodernism. It discusses foundational writers (some of whom have been claimed as anti-humanists) such as Marx, Nietzsche, Freud, Dewey and Sartre as well as the contemporary thinkers Habermas, Cixous, Rorty, Hall and Haraway, to construct a series of provocative dialogues which suggest the ongoing relevance of humanism to issues of ethics, art, science, selfhood, gender, citizenship and religion.Given the range and originality of the book's approach, Critical Humanisms will be an invaluable resource for students and researchers in the Humanities, particularly English, American studies, cultural studies, modern languages, philosophy and sociology.

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In the third decade of the 21st century, we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Guerrero grew up against a backdrop of sleek automobiles. As a child she would sit in the driver’s seat of her mother’s Mercedes and dream of one day being in control of such an elegant machine. Her father was a mechanical engineer whose hobby was fixing up cool cars, and she would watch him at work, taking in the details of fins and fenders. It sparked a fascination, which became an adult passion, which eventually inspired an entire body of work. Auto Erotica is Guerrero’s second monograph with Circa and follows Wicked Women down the same electrifying road.

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A multidisciplinary guide to classroom discussion of race in the European Renaissance. Teaching Race in the European Renaissance: A Classroom Guide provides both educators and students the tools they need to discuss race in the European Renaissance both in its unique historical contexts and as part of a broader continuum with racial thinking today. The volume gathers scholars of the English, French, Italian, and Iberian Renaissances to provide exercises, lesson plans, methodologies, readings, and other resources designed to bring discussions of race into a broad spectrum of classes on the early modern period, from literature to art history to the history of science. This book is designed to help educators create more diverse and inclusive syllabi and curricula that engage and address a diverse, twenty-first-century student body composed of students from a growing variety of cultural, national, ethnic, and racial backgrounds. By providing clear, concise, and diverse methodologies and analytical focuses, Teaching Race in the European Renaissance: A Classroom Guide will help educators in all areas of Renaissance Studies overcome the anxiety and fear that can come with stepping outside of their expertise to engage with the topic of race, while also providing expert scholars of race in the Renaissance with new techniques and pedagogies to enhance the classroom experience of their students.

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In Enlightenment Edinburgh, Allan Ramsay (c. 1684 1758) was a foundationally important poet, dramatist, song collector, theatre owner, cultural leader in art and music, and innovative entrepreneur in many spheres from language to libraries. This series, the result of an international research project, presents Ramsay's complete works in a dependable scholarly edition for the first time, thereby illuminating a body of work crucial in its own right and essential to both the Scottish Enlightenment and the Vernacular Revival associated with Fergusson, Burns and others. Ramsay's pastoral comedy The Gentle Shepherd (1725; 1729) went through over a hundred editions, was performed many hundreds of times and inspired a wide range of visual representations and critiques. Although it is one of the most important printed texts in Scots literature, there has never been a scholarly edition which does justice to its complicated genesis and to the music of its many songs. This groundbreaking and definitive edition will be welcomed by scholars, teachers and practitioners of literature, drama and music, and opens up new avenues for research and performance.

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