Search results for ""author art, culture"

No story is more central to Western culture than the crucifixion of Jesus Christ in the New Testament, and none better demonstrates the power of representation in shaping religious faith and practice. The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ’s suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The provocative essays collected here, written by eminent scholars with an eye toward the nonspecialist reader, broadly survey the depiction and dramatization of the Passion and consider the significance of this representational focus for both Christians and Jews. This anthology provides a unique, multifaceted overview of a subject of enduring importance in today’s religiously pluralistic societies.Contributors include Robin Blaetz, Stephen Campbell, Jody Enders, Christopher Fuller, James Marrow, Walter Melion, David Morgan, David Nirenberg, Adele Reinhartz, Miri Rubin, Lisa Saltzman, and Marc Saperstein.

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Podcasts have become an essential part of popular culture for millions of listeners. They provide a new way to absorb information that once might have been read in newspapers, books, or magazines or heard over the radio. Podcasting is hailed for its intimacy and authenticity in an age of mistrust and disinformation. But while it is relatively easy to make a podcast, it is much harder to make a great one.In The Power of Podcasting, award-winning podcast producer and leading international audio scholar Siobhán McHugh dissects what makes a good podcast and outlines how you can create one yourself. She blends practical insights into and critical analysis of the art of audio storytelling. Packed with case studies, history, tips, and techniques from McHugh’s decades of experience, this book brings together a wealth of knowledge to introduce readers to the possibilities of the world of sound.If you’ve ever said you want to start a podcast, this is the book you need to understand the craft, the history, and the power of creating meaningful stories through sound.

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From the pencil to the puppet to the drone-the humanities continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? In Other Things, Bill Brown explores this question by considering an assortment of objects-from beach glass to cell phones, sneakers to skyscrapers-that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo. Brown ranges across the literary, visual, and plastic arts to depict the curious lives of things. Beginning with Achilles's Shield, then tracking the object/thing distinction as it appears in the work of Martin Heidegger and Jacques Lacan, he ultimately focuses on the thingness disclosed by specific literary and artistic works. Combining history and literature, criticism and theory, Brown provides a new way of understanding the inanimate object world and the place of the human within it, encouraging us to think anew about what we mean by materiality itself.

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The third book in the wildly romantic Gabriel's Inferno series by Sylvain Reynard, following on from Gabriel's Inferno and Gabriel's Rapture.Professor Gabriel Emerson has left his position at the University of Toronto to embark on a new life with his beloved Julianne. Together, he's confident that they can face any challenge.But Julianne's graduate program threatens Gabriel's plans for their life together, as the pressures of being a student become all consuming. When she is given the honour of presenting an academic lecture at Oxford, several individuals from their past appear, including an old nemesis intent on humiliating Julia and exposing one of Gabriel's darkest secrets.In an effort to confront his remaining demons, Gabriel begins a quest to discover more about his biological parents - a search that has startling repercussions for himself and for Julianne.Sylvain Reynard is a Canadian writer with an interest in Renaissance art and culture and an inordinate attachment to the city of Florence. Sylvain's previous novels in this series, Gabriel's Inferno and Gabriel's Rapture, are also published by Penguin.

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'Absorbing, intelligent and atmospheric... Genius' Elizabeth Haynes_________________________Fortune favours the fraud...When she was thirteen years old, Ada Howell lost not just her father, but the life she felt she was destined to lead. Now, at eighteen, Ada is given a second chance when her wealthy godmother gifts her with an extravagant art history trip to Italy.In the palazzos of Venice, the cathedrals of Florence and the villas of Rome, she finally finds herself among the kind of people she aspires to be: sophisticated, cultured, privileged. Ada does everything in her power to prove she is one of them. And when a member of the group dies in suspicious circumstances, she seizes the opportunity to permanently bind herself to this gilded set.But everything hidden must eventually surface, and when it does, Ada discovers she's been keeping a far darker secret than she could ever have imagined...'Intelligent, elegant and immersive' Claire Kendal'A compulsive story, written with steely intelligence and wicked prose' Elizabeth Buchan

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Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

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Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other.Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

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Kat has no responsibilities and nothing to tie her down. She'd graduated university with no plans. She was an artist, but hadn't drawn in five years. She was lost. And she'd been avoiding admitting to herself something that all of those around her knew: that her boyfriend, Richard, has some serious problems with alcohol. Looking for a fresh start, the two of them quit their jobs and embark on a journey to Mexico for what what they expected to be the adventure of a lifetime. Their experiences changed both of their lives, and Kat rediscovered a love of art, grew a lifelong attachment to Mexico, and uncovered the strength to move on. The debut graphic novel from Katriona Chapman is a beautifully illustrated recounting of a trip she made around Mexico back in 2003, interspersed with pages of her sketchbook from that time and explorations of the culture, history, and bio-diversity of Mexico. Follow Me In is part memoir, part coming-of-age story, part love letter to Mexico, and is a major work from one of the best comics makers in the UK.

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In a wide variety of pagan paths, many forms of modern magic and mystery hold an expectation that all parties are heterosexual, cisgender, and, in many cases, white. In Queer Magic: Power Beyond Boundaries, Lee Harrington and Tai Fenix Kulystin bring together a diverse and passionate collection of authors and artists who break out beyond that belief and explore how being LGBT+ is not just acceptable when exploring magic, but powerful. Using the diverse tools of queer activism, education, and storytelling, through academic essays and first-person narratives to comics and poster-style art, this intersectional group exposes a world beyond what so many magical practitioners have presumed is "normal." The reality is that magic, whether in Wicca or Vodou, Heathenry or Polytheism, has been fueled by people and systems beyond the binary for millennia. For many within, magic and queerness are not separate, but deeply entwined pieces of identity, worldview, and culture experienced together, always. Drag queen magic, Inclusive witchcraft, and magic for healing and survival. Gender transition in Rome, possession practices, and DIY divination. Social justice, queer black tantra, and polarity beyond gender. Honoring ancestors, fluidity of consciousness, and reimagining the Great Rite. Queer sex magic, power sigils, deities that reflect diversity... and more. Whether you identify as lesbian, gay, bisexual, asexual, transgender, agender, genderqueer, or some other queer orientation, or you are curious about tools to access magic beyond what is often discussed, this book is for you. Each piece is a unique and passionate chance to look into your own relationship with magic, break out of the tales of what your practice "should" look like, and expand your awareness into the queer magic as well as your own power beyond boundaries.

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On March 4, 1789, New York City’s church bells pealed, cannons fired, and flags snapped in the wind to celebrate the date set for the opening of the First Federal Congress. In many ways the establishment of Congress marked the culmination of the American Revolution as the ship of state was launched from the foundation of the legislative system outlined in Article I of the Constitution. Inventing Congress presents the latest scholarship on the interrelated intellectual, institutional, cultural, and political antecedents of the formation of the First Federal Congress. The first section covers the origins of the body, ranging in discussion from the question of how the founders’ understanding of classical Greek and Roman republican precedent shaped their thinking, to the political lessons learned during the Continental and Confederation Congresses. The second section concerns itself with the establishment of the First Federal Congress, examining several heretofore little-treated aspects of the most important Congress in history, including its relationship to the press, morality, the arts and sciences, and economic philosophy. Inventing Congress represents the papers from the first two conferences sponsored by the United States Capitol Historical Society in its series, “Perspectives on the History of Congress, 1789-1801.”

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This colorfully illustrated multicultural children's book presents a classic Balinese fairy tale—providing an entertaining look into a rich oral tradition.Featured as a "Top Pick" on TravelForKids.com, Gecko's Complaint tells the story of a Gecko who once lived on the island we now call Bali, in a jungle dense with flowers and vines.After hundreds of fireflies disturb Gecko's sleep, he complains to kindly Raden, the jungle's lion leader. In his efforts to get to the bottom of Gecko's troubles, Raden discovers all too much complaining and far too many irritable animals. Can Raden help the animals with their troubles? Can peace and happiness return to the jungles of Bali?A simple yet absolutely delightful Balinese folktale for kids, this bilingual edition, which features both English and Indonesian text, is a perfect introduction to the true spirit of Bali. The Indonesian island of Bali has a strong art and storytelling tradition—folktales that have been passed down from generation to generation. As a nation with over 18,000 islands, Indonesia has hundreds of traditional languages and cultures, each with myths and legends to tell. With its backdrop of volcanoes, earthquakes, dense jungles, diverse wildlife and people, it is not surprising that Indonesia is rich with fabulous, imaginative tales.

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A stunning visual journey through Cambodian culture, history, art, struggle, and modernization.Cambodia has two parallel histories. One is the constant stream of adventurers and diplomats, kings and rebels, archaeologists and artists drawn to the magnificent ruins at Angkor. Another is the formation of a nation through the Cambodian people's fierce struggles with colonialism, war, revolution, famine, and finally, the long road to recovery. This book captures these parallel stories through the eyes of talented photographers who were present to record such events. The images, which include many rare and never-before-published photos, are drawn from archives, national collections, libraries, and private collections. This treasure trove of nearly 500 photographs showcases the work of over 100 photographers—including pioneering female photographers, Cambodian and international photographers, and some who died soon after the rise of the Khmer Rouge. Within these pages, readers will find a fresh perspective on Cambodia. From the early days of French colonialism through the struggle for independence, and emergence into an uneasy peace in the 21st century.

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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

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Katherine Singer Kovács Book Award, Society for Cinema and Media Studies, 2011 With a cast ranging from Pancho Villa to Dolores del Río and Tina Modotti, Constructing the Image of the Mexican Revolution demonstrates the crucial role played by Mexican and foreign visual artists in revolutionizing Mexico's twentieth-century national iconography. Investigating the convergence of cinema, photography, painting, and other graphic arts in this process, Zuzana Pick illuminates how the Mexican Revolution's timeline (1910–1917) corresponds with the emergence of media culture and modernity. Drawing on twelve foundational films from Que Viva Mexico! (1931–1932) to And Starring Pancho Villa as Himself (2003), Pick proposes that cinematic images reflect the image repertoire produced during the revolution, often playing on existing nationalist themes or on folkloric motifs designed for export. Ultimately illustrating the ways in which modernism reinvented existing signifiers of national identity, Constructing the Image of the Mexican Revolution unites historicity, aesthetics, and narrative to enrich our understanding of Mexicanidad.

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Archipelago is one of the most important and influential literary magazines of the last twenty years. Running to twelve editions, it was edited by scholar-poet Andrew McNeillie, with the assistance later of James McDonald Lockhart, and began as an attempt to reimagine the relationships between the islands of Ireland and Britain. Archipelago has brought together established and emerging artists in creative conversations that have transformed the study of islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from the Aran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through some of the best in contemporary writing about place and people. This collection gathers poetry, prose and visual art in clusters grouped around the Irish and British archipelago, with contributions from an array of significant artists. With fifty contributors, Archipelago: A Reader includes: Moya Cannon is an Irish poet with seven published collections, the most recent being Collected Poems (2021). Deirdre Ni Chonghaile is a graduate of the University of Oxford and University College Cork. She is associated with NUI, Galway, and the University of Notre Dame, and is known for her work in music studies. Tim Dee is a naturalist, BBC radio producer and author of The Running Sky (2018). Seamus Heaney (1939-2013) was born in Northern Ireland. His career included teaching at Harvard and Oxford. He received many awards including the Nobel Prize in Literature, 1995. Kathleen Jamie is a Scottish writer whose work has appeared internationally. She has taught poetry at the University of Stirling since 2010. Michael Longley is a Northern Irish poet, and winner of the Whitbread Poetry Prize, the Hawthornden Prize, and the PEN Pinter Prize in 2017. Robert Macfarlane is a Writing Fellow of Emmanuel College, Cambridge. He has won the EM Forster Award for Literature. Derek Mahon (1941-2020) was a Northern Irish poet. He won the David Cohen Prize for Literature and the Poetry Now Award. Andrew McNeillie is a Welsh poet and current Literature Editor at Oxford University Press. His memoir An Aran Keening was published by The Lilliput Press, and he is founder of the Clutag Press and publisher of the Archipelago series. Sinead Morrisey is a Northern Irish winner of the T.S. Eliot Prize and the Forward Poetry Prize. She has taught in Belfast and Newcastle. 'Archipelago met and extended my own strong sense that there was a need to turn the compass-rose of some storytelling and art in Britain and Ireland away from the south and east and towards the north and west; away from the metropolis and towards the margins.' -Robert Macfarlane

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With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures. Sacred to the Touch examines the spiritual and intellectual projects of six twentieth- and twenty-first-century artists who have adapted and revitalized this tradition. Through interviews and analyses, folklorist Thomas A. DuBois explores the notions of continuity with the past that these artists seek to express through their art, examining the forest church of late Finnish artist Eva Ryynänen, the carvings of Norwegian Americans Phillip Odden and Else Bigton that decorate a planned replica of a stave church in Southern California, the medieval Catholic-rooted work of Lutheran Sister Lydia Mariadotter (Swedish), the grave markers and roadside figures of Algimantas Sakalauskas (Lithuanian), and the merging of Lutheran and pre-Christian traditions by Lars Levi Sunna (Sámi). With color photographs and detailed descriptions, Sacred to the Touch reveals the interplay of tradition with personal and communal identity that characterize modern religious carving in Northern Europe.

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'A mind-expanding tour of the world without leaving your paintbox. Every colour has a story, and here are some of the most alluring, alarming, and thought-provoking. Very hard painting the hallway magnolia after this inspiring primer.' Simon GarfieldThe Secret Lives of Colour tells the unusual stories of the 75 most fascinating shades, dyes and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green, and from scarlet women to imperial purple, these surprising stories run like a bright thread throughout history. In this book Kassia St Clair has turned her lifelong obsession with colours and where they come from (whether Van Gogh's chrome yellow sunflowers or punk's fluorescent pink) into a unique study of human civilisation. Across fashion and politics, art and war, The Secret Lives of Colour tell the vivid story of our culture.

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'War is the most important thing in the world', writes Martin van Creveld, one of the world's best-known experts on military history and strategy. The survival of every country, government, and individual is ultimately dependent on war - or the ability to wage it in self-defence. That is why, though it may come but once in a hundred years, it must be prepared for every day. When it is too late-when the bodies lie stiff and people weep over them-those in charge have failed in their duty. Nevertheless, in spite of the centrality of war to human history and culture, there has for long been no modern attempt to provide a replacement for the classics on war and strategy, Sun Tzu's The Art of War, dating from the 5th or 6th century BC, and Carl von Clausewitz's On War, written in the aftermath of the Napoleonic Wars. What is needed is a modern, comprehensive, easy to read and understand theory of war for the 21st century that could serve as a replacement for these classic texts. The purpose of the present book is to provide just such a theory.

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More than one hundred Indian tribes in fifteen language groups inhabited the area of Washington, Oregon, Idaho, and Western Montana in the nineteenth century. This important work, the first composite history of the region's native inhabitants, covers the period roughly from 1750 to 1900, from the first white contacts to the aftermath of the Dawes Act. It is a valuable resource both for the serious scholars and general readers.The cultures of the Pacific Northwest tribes were as diverse as their lands. Coastal peoples, such as the Makahs, hunted whales in huge wooden canoes thirty-five feet long. Near Puget Sound they developed an advanced technology and a stylized art in carved wood. Whites were shocked by the head flattening practiced by some coastal peoples and by the potlatch ceremony, in which they gave away their possessions. Farther inland, along the Columbia River, tribal economies centered around the salmon. The smoked fish was traded all over the region. On the east the horse transformed the way of life of the Shoshonis, Nez Percés, Kalispels, and Blackfeet. Each spring they crossed the Rockies to hunt the buffalo and fight for control of the hunting territory.The first whites to enter the Pacific Northwest were Spanish mariners from the south and British and American traders stopping for furs on their way to China. Later the British North West Company and Hudson's Bay Company established trading posts. The whites brought gimcracks, guns, molasses, tobacco, alcohol, and disease. They took the pelts of the sea otter, seal, beaver, and buffalo in return.Missionaries and settlers followed the traders. Catholic black robes and Protestants in buckskins competed with mixed success for the Indian's souls, while at the same time native religions held sway. Indian religious leaders, such as Spokane Garry and the Dreamer prophet Smohalla, were almost as important as the fighting chiefs.By the 1840s epidemics had cut the Indians' numbers by two-thirds,. The few who survived were too weak to drive out the white settlers. Only truly extraordinary individuals could resist the changes introduced by the whites: the appropriation of traditional food-gathering and hunting grounds formerly held in common, the introduction of a cash economy, the demands of Christianity, confinement on reservations and farms and in schools, and allotment.Many extraordinary individuals are portrayed in this history. The authors have written their account colorfully and movingly from the Indian point of view, and they effectively present the special identity of Pacific Northwest Indians.

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Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book--architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers--map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Munster), Lilija Duobliene (University of Vilnius), Lucia D'Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmoe), jan jagodzinski (University of Alberta), Oleg Lebedev (Universite Catholique de Louvain), Gustavo Penha (University of Sao Paulo), Katie Pleming (King's College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan OEstersjoe (Orpheus Institute), Simon O'Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Defense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audrone Zukauskaite (Lithuanian Culture Research Institute). In collaboration with Orpheus Institute

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Blythe House in London, originally built in 1903 for the Post Office Savings Bank, has for more than 40 years been the store for three national museums, the Science Museum, the Victoria and Albert Museum and the British Museum, holding millions of historical objects. The collections have now been moved to purpose-built sites, and Blythe House’s closure has been marked by specially commissioned photographs of its architecture, collections and occupants, along with personal testimonies. Memory Bank takes you behind the scenes to reveal one building’s hidden history and its unique place in British cultural and social life.

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Richard Demarco co-founded the Traverse Theatre in Edinburgh in 1963 and ran the vibrant Richard Demarco Gallery in Edinburgh for almost 30 years. He promotes crosscultural dialogues and was the first person to introduce Joseph Beuys in the UK. Joseph Beuys was a German sculptor and creator of action performances, political activist and teacher. This book explores the works, lectures and ‘Actions’ which resulted from the mutual hopes, inspirations and shared values of Richard Demarco and Joseph Beuys, the innovative and inspirational German postwar artist, from 1970 until Beuys’ death in 1986. Demarco, an avant-garde gallerist in Edinburgh, was an early proponent of Scotland taking its place within the European art world; Demarco recognised the visionary quality of Beuys’ work and visited him in Oberkassel in January 1970. In the hope of focusing Beuys’ attention on Scotland, he presented him with a set of postcards depicting typical Scottish scenes. Beuys responded with, ‘I see the land of Macbeth, so when shall we two meet again, in thunder, lightning or in rain?’ They reunited in thundery Edinburgh later that year and Demarco led him northwards along the ancient track he calls ‘The Road to Meikle Seggie’. This initial experience of the Scottish landscape inspired Beuys, who felt a strong connection with Celtic culture, and laid the foundation for a remarkable artistic friendship which enriched the work of both men. With photos from Demarco’s personal collection and essays spanning from 1970 to the present, this is an intimate and intellectually rigorous look at a friendship seminal to the development of art in Scotland over the last 40 years.

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Completed in 1931, New York’s Waldorf-Astoria towers over Park Avenue as an international landmark and a masterpiece of Art Deco architecture. A symbol of elegance and luxury, the hotel has hosted countless movie stars, business tycoons, and world leaders over the past ninety years. American Hotel takes us behind the glittering image to reveal the full extent of the Waldorf’s contribution toward shaping twentieth-century life and culture. Historian David Freeland examines the Waldorf from the opening of its first location in 1893 through its rise to a place of influence on the local, national, and international stage. Along the way, he explores how the hotel’s mission to provide hospitality to a diverse range of guests was put to the test by events such as Prohibition, the anticommunist Red Scare, and civil rights struggles. Alongside famous guests like Frank Sinatra, Martin Luther King, Richard Nixon, and Eleanor Roosevelt, readers will meet the lesser-known men and women who made the Waldorf a leader in the hotel industry and a key setting for international events. American Hotel chronicles how institutions such as the Waldorf-Astoria played an essential role in New York’s growth as a world capital.

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In Casting for Big Ideas, Andrew Jaffe, industry veteran and Director of the Clio Awards, details important lessons on the management and growth of advertising agencies. He shows how the forty-year-old agency business model is breaking down because the work is becoming marginalized, as clients cut back ad budgets and hire outside marketing services and strategy firms. If agencies are to survive, Jaffe says, they must become idea-focused again and, instead of just making ads, master the art of devising the kind of non-advertising-type promotions that more quickly move a brand into the culture. Based on his long experience in the advertising industry, Jaffe offers practical advice and important lessons for agency heads who want their businesses to stand the test of time. This one-of-a-kind resource covers a subject often ignored-the business side of running an ad agency. Andrew Jaffe (New Canaan, CT) is the founding Publishing Director of Wiley's Adweek and Brandweek books imprints. He is also the Executive Director of the Clio Awards, one of the largest and most famous advertising awards programs in the world, with over 18,000 pieces submitted from agencies and production facilities in fifty-nine countries.

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Uncovers the life and work of a key figure in British cinema, Adrian Brunel Offers an account of British film history through the prism of a unique creative voice within it Examines history through the interaction between archival research and textual analysis Explores the issues that beset British cinema in the late silent period, many of which pertained over subsequent decades British cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of 'art' into the medium was the way to do this, a view strongly opposed by the industry's commercial forces. Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their theory. Brunel was cultured yet financially insecure, caught between the creative Bohemianism of 1920s London and a conventional, conservative film industry. Tracing the ups and downs of Brunel's biography with detailed reference to his personal papers, Adrian Brunel and British Cinema of the 1920s exposes the various forces controlling the production, distribution and exhibition of films in Britain as Brunel tried to negotiate them and find a niche in the insecure and competitive arena of British film.

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On April 16, 2019, five days before the celebration of Easter, a blazing fire engulfed the world famous Notre-Dame de Paris. A marvel of Gothic architecture, construction on the Notre Dame Cathedral was begun in 1160 and completed in 1345. For almost nine centuries it has served as a house of worship and refuge; a stalwart soldier that has survived wars and revolutions, and hosted weddings, coronations, and funerals for kings and queens, presidents, and political dignitaries. The cathedral has also offered solace and sanctuary to tourists, locals, and one very famous fictional hunchback. It's this rich mixture of social history and human ingenuity that makes the Notre Dame, in the words of one art scholar, "one of the great monuments to the best of civilisation."Wounded but still standing, the world now watches as France rebuilds. Notre Dame de Paris: A Celebration of the Cathedral will detail the impressive architecture of the building, the priceless artefacts it contains, and the major historical events that have taken place in its presence. It will also show, through film stills and artwork reproductions, the ways in which the Notre Dame has permeated our popular culture. Coupled with informative text for each image, Notre Dame is the definitive book on the history of this landmark building.

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Is your message getting through? The right communication tactics can motivate your people—and fuel your business.Get more of the ideas you want, from the authors you trust, with HBR's 10 Must Reads on Communication (Vol. 2). We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you get your message across—whether you're speaking face-to-face or connecting with someone across the world.With insights from leading experts including Erin Meyer, Heidi Grant, and Douglas Stone, this book will inspire you to: Power your organization through conversation Unlock value in your organization by asking better questions Improve your ability to give—and receive—advice Achieve better outcomes in cross-cultural negotiations Create smart, effective data visualizations Spark collaboration, learning, and innovation using digital tools This collection of articles includes: "Leadership Is a Conversation," by Boris Groysberg and Michael Slind; "The Surprising Power of Questions," by Alison Wood Brooks and Leslie K. John; "A Second Chance to Make the Right Impression," by Heidi Grant; "The Art of Giving and Receiving Advice," by David A. Garvin and Joshua D. Margolis; "Find the Coaching in Criticism," by Sheila Heen and Douglas Stone; "Visualizations That Really Work," by Scott Berinato; "What Managers Need to Know About Social Tools," by Paul Leonardi and Tsedal Neeley; "Be Yourself, But Carefully," by Lisa Rosh and Lynn Offermann; "How to Preempt Team Conflict," by Ginka Toegel and Jean-Louis Barsoux; "Getting to Si, Ja, Oui, Hai, and Da," by Erin Meyer; and "Cultivating Everyday Courage," by James R. Detert.HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

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A superb standalone novel from the awesome imagination of Iain M. Banks, a master of modern science fiction. Sharrow was once the leader of a personality-attuned combat team in one of the sporadic little commercial wars in the civilisation based around the planet Golter. Now she is hunted by the Huhsz, a religious cult which believes that she is the last obstacle before the faith's apotheosis, and her only hope of escape is to find the last of the apocalyptically powerful Lazy Guns before the Huhsz find her.Her journey through the exotic Golterian system is a destructive and savage odyssey into her past, and that of her family and of the system itself.Praise for Iain M. Banks:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading' Sunday Telegraph The Culture series:Consider PhlebasThe Player of GamesUse of WeaponsThe State of the ArtExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataOther books by Iain M. Banks:Against a Dark BackgroundFeersum EndjinnThe Algebraist

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#1 WALL STREET JOURNAL BESTSELLER & WINNER OF 20 INTERNATIONAL BOOK AWARDS! The highly anticipated 10th edition of the groundbreaking innovation book Non-Obvious – featuring ten all new trend predictions for winning the future. Introducing a book about what it really takes to predict the future, by getting better at understanding the accelerating present. What can the quirky rules of Icelandic hot tub etiquette and the unexpected celebrity of a Michelin-ranked food stall in Singapore teach you about the future of business and culture? The answer may not be all that obvious, and that’s exactly the point. For the past decade, innovation expert and marketing professor Rohit Bhargava and his intrepid team of trend curators have produced one of the most widely read annual trend forecasts in the world: the Non-Obvious Trend Report. Whether you are among one of the more than 1 million readers of a previous edition of this report or not, this completely updated new edition features an unprecedented look behind the scenes at the author’s award-winning “Haystack Method” for identifying the ideas and insights others miss by learning to collect ideas the way most people collect frequent flier miles. You don’t need to be a futurist or innovation expert in order to learn to think like one. In this book you’ll not only learn how to use the Haystack Method yourself, but also read insights about how to leverage the ten forecasted megatrends to grow your own business or propel your career. The key to winning the future lies in better understanding the present. This book is an essential guide to becoming a non-obvious thinker and using the art of trend curation to get better at predicting what will be important tomorrow based on learning to better observe patterns in the world today. List of awards for previous editions: Winner: Eric Hoffer Business Book of the Year Winner: Axiom Award Silver Medal (Business Theory) Winner: INDIE Gold Medal (Business Business Book) Finalist: Leonard L. Berry Marketing Book Award Winner: IPPY Silver Medal (Best Business Book) Finalist: International Book Award (Best Business Book) Official Selection: Gary’s Book Club at CES Winner: Non-Fiction Book Award (Gold Medal) Winner: Pinnacle Best Business Book Award

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An authoritative, richly illustrated history, and affectionate celebration, of Siena, one of the best-loved and most-visited cities in Italy. Occupying a hilltop site in the midst of a vast, undulating landscape, Siena is as much a magnet for contemporary tourism as Florence. However, its proud republican past presents an intriguing contrast with its Medici-dominated northern Tuscan rival, with which it tussled for local supremacy for much of the High Middle Ages. From the twelfth century, profiting from its advantageous position on a major pilgrim route, the Republic of Siena developed into a major European power and remained an important commercial, financial and artistic centre for four centuries. Jane Stevenson charts the changing fortunes of a city that rose to an astonishingly productive cultural heyday in the thirteenth and fourteenth centuries, suffered a catastrophic late medieval decline in the aftermath of the Black Death, but transcended the loss of its wider political power to enjoy a prosperous civic afterlife. Siena today enjoys a cherished position as a uniquely well-preserved medieval city, crammed with world-class art and architecture, furnished with appealing and intriguing traditions, and set in a heavenly landscape.

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In the late nineteenth century and early twentieth, hundreds of amateur photographers took part in the photographic survey movement in England. They sought to record the material remains of the English past so that it might be preserved for future generations. In The Camera as Historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of nearly 55,000 photographs taken by 1,000 photographers, mostly unknown until now. She approaches the survey movement and its social and material practices ethnographically. Considering how the amateur photographers understood the value of their project, Edwards links the surveys to concepts of leisure, understandings of the local and the national, and the rise of popular photography. Her examination of how the photographers negotiated between scientific objectivity and aesthetic responses to the past leads her to argue that the survey movement was as concerned with the conditions of its own modernity and the creation of an archive for an anticipated future as it was nostalgic about the imagined past. Including more than 120 vibrant images, The Camera as Historian offers new perspectives on the forces that shaped Victorian and Edwardian Britain, as well as on contemporary debates about cultural identity, nationality, empire, material practices, and art.

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"A total delight, a brilliant vignette of 17th-century Rome, the Baroque and the Catholic church – warts and all – rolled into an erudite narrative.... with an ease of writing that is rare in art history." - Simon Jenkins By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome, celebrated both as the Eternal City and Caput Mundi (the head of the world) had lost its pre-eminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile and a mania for building, determined to restore the prestige of his church by making Rome the must-visit destination for Europe's intellectual, political and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist: no mean feat in the age of Rubens, Rembrandt and Velazquez. Together, Alexander VII and Bernini made the greatest artistic double act in history, inventing the concept of soft power and the bucket list destination. Bernini and Alexander's creation of Baroque Rome as a city more beautiful and grander than since the days of the Emperor Augustus continues to delight and attract.

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A fresh, concise, and accessible history of one of the medieval world’s greatest empires For more than a millennium, the Byzantine Empire presided over the juncture between East and West, as well as the transition from the classical to the modern world. Jonathan Harris, a leading scholar of Byzantium, eschews the usual run-through of emperors and battles and instead recounts the empire’s extraordinary history by focusing each chronological chapter on an archetypal figure, family, place, or event. Harris’s action-packed introduction presents a civilization rich in contrasts, combining orthodox Christianity with paganism, and classical Greek learning with Roman power. Frequently assailed by numerous armies—including those of Islam—Byzantium nonetheless survived and even flourished by dint of its somewhat unorthodox foreign policy and its sumptuous art and architecture, which helped to embed a deep sense of Byzantine identity in its people. Enormously engaging and utilizing a wealth of sources to cover all major aspects of the empire’s social, political, military, religious, cultural, and artistic history, Harris’s study illuminates the very heart of Byzantine civilization and explores its remarkable and lasting influence on its neighbors and on the modern world.

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The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

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Interior design firm Cullman & Kravis infuses traditional interiors with a modern perspective, embracing historicism and referencing a wide range of cultures and contemporary design motifs. In From Classic to Contemporary: Decorating with Cullman & Kravis, Ellie Cullman and Tracey Pruzan explore the lessons from modernism that add a new and welcome dynamism to the firm’s most recent projects, both traditional and modern. “We believe in the alchemy of old and new,” observes Ellie Cullman, founder and principal of Cullman & Kravis. “We approach every project with the rigor of a jigsaw puzzle, but with the desire to create a magnificent tapestry.” Cullman and Pruzan share how the venerable interior design firm applies principles of modernism to add a new and welcome tension to their more classical work, while in their more modern schemes, the classic principles of design guide their process. The fourteen distinct projects in this book are collaborations between Ellie Cullman and her partners Lee Cavanaugh, Sarah Ramsey, Claire Ratliff, and Alyssa Urban. Running the gamut from modest revisions to ground-up construction and complete renovations, these interiors include a sumptuous New York City duplex that is a clever mix of traditional furnishings and an impressive contemporary art collection; a glass-clad modern Miami villa with vivid colors and bold prints; an oceanfront Palm Beach house with museum-quality art and antiques; an historic Westchester estate once owned by Brooke Astor; and Ellie Cullman’s own home, whose “refresh” illustrates how to renew, modernize, and reinvigorate any project.

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A practical guide to Sylvia Plath’s works for middle and secondary school students One of the most dynamic and admired poets of the 20th century, Sylvia Plath wrote work about war, motherhood, jealousy, rage, grief, death, and mental illness that challenged preconceptions about what poetry should be about. The enduring power of Plath’s poetry and prose continues to attract and fascinate a multitude of readers. Best known for her poems "Daddy" and "Lady Lazarus" and the novel The Bell Jar, Plath starkly expressed a sense of alienation closely linked to both her personal experiences and the to the wider situation of women throughout mid-twentieth-century America. With an eye towards demythologizing Plath and focusing on her achievements, Breaking Down Plath aims to contextualize Plath’s work in the larger scheme of Cold War-era gender politics, debates about mental health, and anxiety about global conflict. Breaking Down Plath informs readers of essential facts about Sylvia Plath’s life and explores the works of the influential and controversial American poet, novelist, and short-story writer. Author Patricia Grisafi contextualizes and clarifies important underlying themes in Plath’s works while providing insight into how interest in Plath’s work developed, how the story of Plath’s life has been told, what we still need to discover about her, and why her life and art matter. Breaking Down Plath: Presents a critical biography of Plath’s life Offers a thematic tour through Plath's, short fiction, journals, and letters Explores the recurrent themes in Plath’s poetry Features an overview of the reception of Plath’s work Discusses the role of Plath in contemporary popular culture This book is a primer for younger or new Plath readers and a welcome addition to the toolbox used by educators, parents, and anyone interested in or studying Plath’s life and work.

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Southwark is one of London’s oldest and most intriguing neighbourhoods; a hotbed of culture and commerce that has played a major part in the development of the capital. Its streets were familiar to Shakespeare and Dickens, both of whom surely drank, schemed and dreamed in the many inns and taverns that abounded. This is where Chaucer’s pilgrims began their long march to Canterbury, and many centuries later it was a major terminus for the many coaches that served the south of England. Four hundred years ago Londoners flocked to the area to watch the latest Shakespeare play at the Globe, or perhaps to visit one of the area’s numerous brothels. Bear-baiting and dogfighting were popular attractions, too. People still pour into the area, although these days in search of more innocent pleasures such as high art at the Tate Modern, the foodie haven that is Borough Market or to catch a performance at the recreated Globe on Bankside. The one thing that has remained the same across the centuries is the diversity and quality of the area’s many pubs. Southwark Pubs offers an historical guide to some of the borough’s most fascinating hostelries, from London’s last surviving galleried coaching inn to the Thameside tavern that waved the Pilgrim Fathers off on their first voyage to America. There is a drop of liquid London history for the lover of ale and anecdote alike.

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From the renowned naturalist Stephen Moss comes the must-have gift for bird lovers this Christmas. 'Wherever there is a stretch of water for them to find food and make their nest, you will come across swans' With beautiful illustrations throughout, this eye-opening biography reveals the hidden secrets of one of Britain's best-known birds. The Mute Swan is not so much a bird, as a national treasure: the avian equivalent of Sir David Attenborough or the Queen. These huge and stately creatures are part of our urban and rural landscapes, a constant presence on lakes, rivers and ponds throughout Britain. Yet despite their familiarity, they are often misunderstood; and while many people love swans, others fear them. Swans also feature in myths and legends, art and literature, dance and music, not just in Britain but all around the world. Stephen Moss delves into the facts and fiction about these charismatic birds, describes their seasonal life cycle and examines their central role in our history and culture. He also includes stories about 'wild swans' - Whooper and Bewicks - that visit us in winter; and the Black Swan of Australia. 'A superb naturalist and writer' Chris Packham 'Moss has carved out an enviable niche as a chronicler of the natural world' Daily Mail

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Virgin martyrs make up one of the largest categories of medieval saints. To judge by their frequent appearances in art and literature, they also figure among the most venerated. The legends of virgin martyrs, retold in various ways through the centuries, illuminate trends in popular piety, values, and literary tastes. Chaste Passions contains sixteen English virgin martyr legends, each of a different saint and each translated into colloquial, modern English prose. Faithful in tone and meaning to the originals, Karen Winstead's lively translations allow contemporary readers to appreciate why virgin martyr legends thrived for hundreds of years. Winstead presents the tales in chronological order, tracing the effects of the composition and tastes of the audience on the development of the genre. The virgin martyr, Winstead tells us, escapes the confining female stereotypes—demure maiden or disruptive shrew—prevalent in writings of the period. Because nearly all of the texts were written by men but addressed to women, they exhibit a fascinating interplay between male views of so-called women's literature and the demands of their intended audience. Familiarity with this widely read genre is essential to a full understanding of medieval culture, and Chaste Passions is an excellent introduction to these often racy, sometimes comic, tales

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This book is a celebration of the power of the smartphone camera combined with Thomas A. Kligerman's unique eye. Tom is a New York architect who adores travel and the different cultures of the world, recording vibrant details and evocative scenes on his device as he journeys from India to New Mexico, from Beaux-Arts monuments to rustic barns, from ocean to mountaintop. The images have been curated into dynamic pairs that spark a conversation about the world and the different ways of seeing it. They are accompanied by Tom's reflections, and those of his Instagram followers, in a series of captions, comments and mini essays. More inspiration from the digital world come in the form of QR codes, used throughout the book to transport readers from the printed page to sites in the online universe, in a magical mystery tour of stimulating experience. Readers will never know what to expect or what they will find. This book is a child of the pandemic, a time when people could only dream of traveling or relive past experiences, as Tom has done, from his camera roll. It rejoices in both the potential of new media and the physical pleasure given by a beautifully made and structured book, a new take on the notion of armchair travel - exuberant, witty and expert.

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'A riveting story of deception and corruption' Daily Mail'A must for all Italy lovers' David HewsonEven the most beautiful city on earth has a dark side . . .It is November 2nd, 2017. All Souls Day. On the Day of the Dead, the citizens of Venice make their way to the cemetery island of San Michele to pay their respects to the departed. When an empty coffin is unearthed in the English section of the graveyard, a day of quiet reflection for Nathan Sutherland becomes a journey into the dark past of a noble Venetian family.A British journalist, investigating the events of forty years previously, disappears. A young tourist - with an unhealthy interest in Venice's abandoned islands - is found drowned in the icy lagoon.A terrible secret is about to be brought to light, and a deadly reckoning awaits on Venice's Isle of the Dead.Praise for Philip Gwynne Jones'I devoured all Philip's novels and felt transported to Venice with a new intimacy' Val McDermid'An unputdownable thriller' Gregory Dowling'Pure pleasure' Literary Review'Clever and great fun' The Times'An irresistible concoction of crime and culture' Daily Mail'Superb - always gripping, beautifully constructed and vivid' Stephen Glover'Sinister and shimmering . . . as haunting and darkly elegant as Venice itself' L. S. Hilton, bestselling author of Maestra'Gwynne Jones' entertaining take on his beloved Venice is as delightful as a Spritz by the Rialto - a must for all Italy lovers' David Hewson'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail'The Venetian setting is vividly described' Literary Review'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go' Reader reviewer, 5 stars

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John Lennon was the world's biggest rock star in the late Sixties. With his new wife Yoko Ono, the duo were icons of the peace movement denouncing the Vietnam War. In 1969, at the height of their popularity, they headed to Canada. Canada was already a politically charged place. In 1968, Pierre Elliott Trudeau rode a wave of popularity dubbed Trudeaumania for its similarities to the Beatlemania of the era. The sexual revolution, hippie culture, the New Left and the peace movement were challenging norms, frightening the authorities and provoking backlash. Quebec nationalism was putting the power of the English-speaking minority running the province on the defensive, and threatening the breakup of the country. John Lennon and Yoko Ono staged a "bed-in for peace" at an upscale downtown Montreal hotel. The couple, aided by the CBC, saw a steady stream of journalists, musicians and activists arriving for interviews, political discussions, singing and art-making. The classic Give Peace A Chance was recorded there with the help of local Quebecois musicians. Three months later they were back in Canada with Eric Clapton and other friends to play a concert festival in Toronto arranged by local promoters. American acts like Little Richard, The Doors, Bo Diddley and Alice Cooper, along with many Canadian pop musicians of the time, played at the festival. At year's end, the duo met with Prime Minister Trudeau in Ottawa. By this time Trudeau was cracking down on dissent, mainly in Quebec, and falling out of favour with the counterculture crowd, John and Yoko included. Recounting the story of these events, historian Greg Marquis offers a unique portrayal of Canadian society in the late Sixties, recounting how politicians, activists, police, artists, musicians and businesses across Canada reacted to John and Yoko';s presence and message. John Lennon, Yoko Ono and the Year Canada Was Cool is an illuminating and entertaining read for anyone interested in this fascinating moment in Canadian history.

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Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age." --Dwight Garner, New York Times "As collections go, none brings...quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights." --Nicole Rudick, The Paris Review "What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction -- that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of "Lunch Poems": not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes "The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience--much like today's Twitter and Facebook feeds." --Micah Mattix, The Atlantic Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler, and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore's new single evidence our culture's continuing fascination with this innovative poet.

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As a life-giving but also potentially destructive substance, water occupies a prominent place in the imagination. At the same time, water issues are among the most troubling ecological and social concerns of our time. Water is often studied only as a "resource," a quantifiable and instrumentalized substance. Thinking with Water instead invites readers to consider how water - with its potent symbolic power, its familiarity, and its unique physical and chemical properties - is a lively collaborator in our ways of knowing and acting. What emerges is both a rich opportunity to encourage more thoughtful environmental engagement and a challenge to common oppositions between nature and culture. Drawing from a pool of contributors with diverse backgrounds, Thinking with Water presents the work of critics, scholars, artists, and poets in an invitation to pay more attention to the aqueous aspects of our lives. Contributors include: Aelab (Gisele Trudel, UQAM and Stephane Claude, Oboro), Stacy Alaimo (University of Texas at Arlington), Andrew Biro (Acadia University), Mielle Chandler (York University), Cecilia Chen (Concordia University), Dorothy Christian (University of British Columbia), Adam Dickinson (poet, Brock University), Max Haiven (Nova Scotia College of Art and Design), Janine MacLeod (York University), Daphne Marlatt (poet, British Columbia), Don McKay (poet, Newfoundland), Emily Rose Michaud (Artist, Wakefield, Qc.), Astrida Neimanis (Linkoping University), Sarah Renshaw (artist, Rhode Island), Shirley Roburn (Concordia University), Melanie Siebert (poet, University of Victoria), Jennifer B. Spiegel (Concordia University), Veronica Strang (Durham, UK), Rae Staseson (Concordia University), Rita Wong (Emily Carr University of Art and Design), and Peter C. van Wyck (Concordia University).

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Shaped by its fascinating history and a cool and creative cultural scene, Berlin is a city like no other. Make the most of your trip to this one-of-a-kind city with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Berlin has to offer and ensuring that you don't miss a thing. Best of all, the pocket-friendly format is light and easily portable; the perfect companion while out and about.Inside DK Eyewitness Top 10 you will find: - Up-to-date information with insider tips and advice for staying safe.- Top 10 lists of Berlin's must-sees, including the Brandenburg Gate, Reichstag, Potsdamer Platz and Museum Island. - Berlin's most interesting areas, with the best places for sightseeing, food and drink, and shopping.- Themed lists, including the best art galleries, parks and gardens, lounges and clubs, places to eat and much more.- Easy-to-follow itineraries, perfect for a day trip, a weekend, or a week.- A laminated pull-out map of Berlin, plus 5 full-colour area maps.Looking for more on Berlin's's culture, history and attractions? Try our DK Eyewitness Berlin.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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Evergreen-the long-time home of the Garrett family in north Baltimore-offers a preeminent example of antebellum-American Italianate architecture. It also houses a remarkably diverse collection of over 50,000 objects, including paintings, furniture, sculpture, ceramics, and rare books. Acquired by two generations of the prominent Garrett family, self-described "collectors by instinct and by education," the assemblage of fine and decorative arts is remarkable in scope and inventiveness. Now part of the Johns Hopkins University, the mansion endures as a rare visual encyclopedia, representative of nearly all major architectural and design movements indicative of America's transition from a predominantly agrarian society to a world industrial power. This meticulously researched and handsomely illustrated volume honors the distinct and richly layered collections that characterize Evergreen. The book opens with a history of the philanthropic family itself, which helped run the Baltimore & Ohio Railroad and develop many of the Monument City's most important civic and cultural institutions. Tracing their evolution as collectors and philanthropists, the book charts the family's artistic tastes and aesthetic sensibilities from the Gilded Age to the World Wars while also describing the physical landscape and architecture of Evergreen. The Asian Art section explores the world renowned Garrett Collection of Chinese and Japanese art. As one of the earliest American collections of Japanese art assembled, it provides an important insight into collecting habits of the late nineteenth and early twentieth centuries. Among its highlights is one of only a half dozen examples of blue lacquer known to exist, as well as examples of Chinese Imperial porcelain. The Decorative Arts section highlights the furniture, textiles, and other applied arts largely commissioned or collected by the Garretts. Beginning with the Aesthetic Movement of the 1880s and the talents of renowned design firms such as Herter Brothers, Liberty & Company, and Louis C. Tiffany and Company, Evergreen's interiors have embraced each succeeding decorative trend-including the Bourbon, Colonial, Empire, and Renaissance revivals, the Arts and Crafts movement, and European modernism. The Fine Arts section showcases modernist art assembled by Alice Warder Garrett and her husband, Ambassador John Work Garrett. Credited as the first Baltimore "gallery" to exhibit a Picasso, Evergreen's collection of drawings, paintings, and sculpture document the couple's aesthetic appreciation and connoisseurship, which began at the threshold of World War I. Included are works by such artists as Pierre Bonnard, Jean-Edouard Vuillard, Leon Bakst, Miguel Covarrubias, Raoul Dufy, Herbert Haseltine, Amedeo Modigliani, and Ignacio Zuloaga. Evergreen's John Work Garrett Library, built between the years immediately following the American Civil War and World War II, ranks among the most extensive private American collections of its kind from that period. Highlights include a recently discovered and ambitious rare book desiderata manuscript from the headiest period of John Work Garrett's book collecting in 1929; an original John James Audubon engraved metal plate for his double-elephant folio Birds of America, a complete copy of which is also held by the library; the Garrett Zafarnama, a sumptuously illustrated fifteenth-century Persian illuminated manuscript by the renowned artist Bihzad; and all four seventeenth-century folios of Shakespeare's collected plays. A celebration of one of Baltimore's grandest nineteenth-century mansions, Evergreen reveals fascinating life stories through the richly preserved family archive and the historical context that remains through Evergreen's evolving architectural spaces and growing collections. This volume will appeal to art collectors and lovers of historic houses, museums, and libraries, as well as readers fascinated by the intersection of art and architecture, literature and history, and the history of ideas and collecting.

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This book provides a clear and concise introduction to the philosophy of Gilles Deleuze. It analyses his key theoretical concepts, such as difference and the body without organs, and covers all the different areas of his thought, including metaphysics, the history of philosophy, psychoanalysis, political theory, the philosophy of the social sciences and aesthetics. As the first book to offer a comprehensive analysis of Deleuze's writings, it reveals both the internal coherence of his philosophy and its development through a series of distinct phases. Reidar Due offers an entirely new interpretation of Deleuze's philosophy, centred around the notion of thought as a capacity to form relations. These relations are embodied in nature, in language and in the unconscious; in art, science and social practice. With this concept of embodied thought, Deleuze challenges our most entrenched beliefs about the self and about signs whether linguistic or social. He develops an original theory of power and social systems and presents a method for understanding any signifying practice, from language and ritual to the unconscious, including cinema, literature and painting. Due analyses the different strands in this theoretical edifice and shows its implications for a wide range of human sciences, from history and psychology to political theory and cultural studies.

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Converging evidence suggests that pretend play in childhood has an important role in providing a foundation for adult creativity. Indeed, many of the processes central to creativity occur in pretend play. In this book, Sandra W. Russ reviews the theory and research on pretend play and creativity, including cognitive and affective processes involved in play and creativity, possible evolutionary purposes of play, and its cultural variations. In particular, she highlights the importance of pretend play in helping children to access emotional memories and fantasies. She explains how creative processes in play can be measured using the Affect in Play Scale, which she developed and is included in the volume. Additionally, she describes play interventions designed to encourage creativity in children, with transcripts of sessions from a pilot intervention. Brief case studies of creative adult scientists and artists are also presented, illustrating similarities in play processes and creative processes in adulthood. Given the need for highly developed creativity in science, engineering, and the arts, the link between pretend play and creativity is important to explore. This book explores what we know about the topic and how researchers might approach future studies in this area.

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