Search results for ""author dick"

A thrilling standalone science fiction space adventure from Philip K. Dick award-winning author S.J. MordenStrange radio signals are coming from Jupiter''s largest moons. A natural phenomenon, or something else?Commander Mariucci and his hand-picked research team know they will have to muster all of their expertise, creativity and teamwork to survive the very harshest of conditions in orbit around the king of planets. But when they intercept a peculiar radio transmission, they have to investigate. Nothing should work in these impossible conditions, so what is sending the signal . . . and why? With a degrading ship and crew at breaking point, there''s every chance they will tear themselves apart before they ever find the answer to the ultimate question - are we alone in the universe?And more importantly - what do we do if we aren''t?

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Separating hype from fact, this text investigates the fate of embodiment in the information age. It relates three interwoven stories: how information lost its body, that is, how it came to be conceptualized as an entity separate from the material forms that carry it; the cultural and technological constuction of the cyborg; and the dismantling of the humanist "subject" in cybernetic discourse, along with the emergence of the "posthuman". Ranging across the history of technology, cultural studies and literary criticism, the text shows what had erased, forgotten, and elided to conceive of information as a disembodied entity. The author moves from the post-World War II Macy Conferences on cybernetics to the 1952 novel "Limbo" by Bernard Wolfe; from the concept of self-making to Philip K. Dick's literary explorations of hallucination and reality; and from artificial life to postmodern novels exploring the implications of seeing humans as cybernetic systems.

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Boy Wonder No More! Fired by Batman, Dick Grayson is adrift. Donning a brand-new uniform, he takes a new name and charts a course that makes the Boy Wonder a man.

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Dick Grayson has proven himself as a protege to one of the most critical mentors of all time, Batman.When Dick decides to step out of the shadows as Robin and into the spotlight with his new superhero identity, Nightwing, will he fly or fall? Add a new base of operations in the crime-ridden city Blüdhaven, the former boy wonder will have his work cut out for him.

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Mormon Women’s History: Beyond Biography demonstrates that the history and experience of Mormon women is central to the history of Mormonism and to histories of American religion, politics, and culture. Yet the study of Mormon women has mostly been confined to biographies, family histories, and women’s periodicals. The contributors to Mormon Women’s History engage the vast breadth of sources left by Mormon women—journals, diaries, letters, family histories, and periodicals as well as art, poetry, material culture, theological treatises, and genealogical records—to read between the lines, reconstruct connections, recover voices, reveal meanings, and recast stories.Mormon Women’s History presents women as incredibly inter-connected. Familial ties of kinship are multiplied and stretched through the practice and memory of polygamy, social ties of community are overlaid with ancestral ethnic connections and local congregational assignments, fictive ties are woven through shared interests and collective memories of violence and trauma. Conversion to a new faith community unites and exposes the differences among Native Americans, Yankees, and Scandinavians. Lived experiences of marriage, motherhood, death, mourning, and widowhood are played out within contexts of expulsion and exile, rape and violence, transnational immigration, establishing “civilization” in a wilderness, and missionizing both to new neighbors and far away peoples. Gender defines, limits, and opens opportunities for private expression, public discourse, and popular culture. Cultural prejudices collide with doctrinal imperatives against backdrops of changing social norms, emerging professional identities, and developing ritualization and sacralization of lived religion.The stories, experiences, and examples explored in Mormon Women’s History are neither comprehensive nor conclusive, but rather suggestive of the ways that Mormon women’s history can move beyond individual lives to enhance and inform larger historical narratives.

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This collection by some of the leading scholars of Strauss' work is the first devoted to Strauss' thought regarding education. It seeks to address his conception of education as it applies to a range of his most important concepts, such as his views on the importance of revelation, his critique of modern democracy, and the importance of modern classical education. This book attempts to maintain traditional scholarly standards in the hope of approaching both Strauss and his work in a dispassionate and objective manner. It contains both biographical as well as scholarly chapters aimed first and foremost at understanding the corpus of Strauss' work and also his significance as an educational thinker.

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Show-business legend Dick Van Dyke is living proof that life does get better the longer you live it. Who better to offer instruction, advice, and humour than someone who's entering his ninth decade with a jaunty two-step? Van Dyke isn't just a born song-and-dance man his irrepressible belief in embracing the moment and unleashing his inner child has proved to be the ultimate elixir of youth. When he was injured during the filming of Chitty Chitty Bang Bang , his doctor warned him he'd be using a walker within seven years, but Dick performed a soft shoe right there and never looked back.In Keep Moving , Dick Van Dyke offers his own playful anecdotes and advice, as well as insights from his brother, actor Jerry Van Dyke his friend and creator of The Dick Van Dyke Show , Carl Reiner and other spirited friends and family. Whether he's describing the pleasure he takes in his habitual visits to the grocery store how he met his late-in-life-love Arlene or how he sprung back, livelier than ever, from a near-death experience, Dick's optimistic outlook is an invigorating tonic for anyone who needs a reminder that life should be lived with enthusiasm despite what the calendar says. You don't have to act your age. You don't even have to feel it. And if it does attempt to elbow its way into your life, you do not have to pay attention. If I am out shopping and hear music playing in a store, I start to dance. If I want to sing, I sing. I read books and get excited about new ideas. I enjoy myself. I don't think about the way I am supposed to act at my age - or at any age. As far as I know, there is no manual for old age. There is no test you have to pass. There is no way you have to behave. There is no such thing as'age appropriate.'When people ask my secret to staying youthful at an age when getting up and down from your chair on your own is considered an accomplishment, you know what I tell them?'Keep moving.'"- Dick Van Dyke

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This book intends to prove that Lucrezia Marinella should be included in the Italian and European literary canons as a most remarkable contributor, as she excelled in several literary genres: epic, hagiography, poetry, and treatise writing. It also examines the place that Marinella holds within the dominant literary tradition of seventeenth-century Italy as a writer, as well as a woman who lived within a predominantly patriarchal culture. Integrating its values and expectations into her own view of reality, Marinella interprets literary tradition through her perspective by presenting female 'heroines' engaged within the pastoral and epic traditions, the allegorical mode, and the spiritual quest. The purpose of most of her work is to show the 'nobility and excellence' of women and to defend the reputation of women from the slander directed at them by men. Although several articles have been written on various aspects of Marinellas work, a thorough and critical analysis of her most important works,and especially of her last one, together with an assessment of her place in Venetian, Italian, and European womens literary histories, are still missing. This book fills that void.

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Theatre Neapolitan Style introduces five one-act plays by Eduardo De Filippo to English-speaking readers and audiences for the first time. Both individually and collectively, these works bring into clear focus the atmosphere and environment of pre- and post-World War II Naples. At the same time they offer the reader/spectator startling glimpses into unforgettable lives and situations glimpses that record De Filippos favorite emblems with marvelous clarity: a Neapolitan setting; a Neapolitan family; a Neapolitan commedia figure. We witness the playwrights uncanny ability to mix comic and tragic elements simultaneously as romantic courtship prevails despite poverty and infirmity in Philosophically Speaking; a tired marriage and the temptation of youthful flirtation oppose each other in Gennareniello; a government clerk happens upon the demolition of his childhood home in So Long, Fifth Floor; an old actor fantasizes about performing a major role once again in The Part of Hamlet; and a tired salesman learns that his room has been used for the laying out of his deceased landlord in Dead People Aren't Scary. De Filippos one-acts are a gift to theater scholars and practitioners alike. There are hidden blueprints to be discovered in these plays of character, of plot, and of theme that anticipate his longer and more celebrated works. The reaction of one American actor after performing in a staged reading of Gennareniello applies to the others as well: 'The play reveals itself through many layers. It is an actors dream; the deeper meanings and suggestions flow out with each new encounter with the work.'

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The Cultures of Italian Migration allows the adjective "Italian" to qualify people's movements along diverse trajectories and temporal dimensions. Discussions on migrations to and from Italy meet in that discursive space where critical concepts like "home," "identity," "subjectivity," and "otherness" eschew stereotyping. This volume demonstrates that interpretations of old migrations are necessary in order to talk about contemporary Italy. New migrations trace new non linear paths in the definition of a multicultural Italy whose roots are unmistakably present throughout the centuries. Some of these essays concentrate on topics that are historically long-term, such as emigration from Italy to the Americas and southern Pacific Ocean. Others focus on the more contemporary phenomena of immigration to Italy from other parts of the world, including Africa. This collection ultimately offers an invitation to seek out new and different modes of analyzing the migratory act.

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Boxing Day 1920, and 53,000 men, women and children pack inside Goodison Park. The extraordinary crowds have come to watch two local rivals play a match for charity. But this is no ordinary charity fixture. Eleven of the players are international celebrities and their team is the biggest draw in British - and world - football. Yet they are all full-time factory workers - and they are women. They are the ladies of Dick Kerr electrical works. And the male football establishment is terrified by them. With the men away fighting from 1914-1918, most of the workers in the factories of northern England were women. And many factories had a ladies' football team. In December 1917, the team from the Dick Kerr factory challenged the ladies of the nearby Arundel Coulthard Foundry to a charity match. It was the first of 828 games for Dick Kerr Ladies as over the decades they scored more than 3,500 goals and raised the equivalent of GBP1 million for an array of charities. By 1920, ladies football was a major spectator sport. But away from the cheering terraces are bastions of professional men's football viewed the mass popularity of women's soccer with increasing alarm.On 5 December 1921 the Football Association met in London. After a brief debate behind closed doors it unanimously passed an urgent resolution: women's football was banned from all professional football grounds. Dick Kerr Ladies did not give in, playing their matches on parkland with thousands of spectators turning up to watch. But constant pressure from the FA meant that one by one, teams began to fold,. It would take until 1971 for the FA to life its ban. Today, women's football has once again claimed a place in the global games. But it came too late for the pioneers of the sport: Preston Ladies - nee Dick Kerr Ladies - played their last match in 1969.

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From her childhood explorations with vivisection through her adult sense that human life was characterized by cyclical encounters with death and disaster, Willa Cather was devoted to making art in the face of violence. Twenty-three critics contribute to the fullest explication to date of Cather, violence, and the arts, exploring thematic representations of violence in war, suicide, sexual trauma, shame, and rage as well as aesthetic responses to violence through literary choreographies and encounters with kind and unkind things.

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The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres. Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban. In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de

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Like its 1997 predecessor, Francophone Women Film Directors: A Guide is both a teaching tool and a directory for use by scholars and students of film and literature. Unique among guides dealing with film, both for its breadth and for the very fact that it is devoted exclusively to francophone women throughout the world, most of whom are omitted from other directories and studies, this guide contains listings of some three hundred francophone women filmmakers and their films. Whenever possible, dates, brief biographies, descriptions, and brief critical analyses are included. Themes studied include such subjects as abortion, pornography, prostitution, and mother-daughter relationships. A list of film sources and an extensive bibliography, and an index of geographical subdivisions, maximize the directory's usefulness.

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This book seeks to assess the emphases and complexities of Albert Camus' lifelong preoccupation with justice within the sociopolitical sphere, against a background of changing personal and historical circumstances. It provides a chronological account of Camus' developing ideas on the concept, as expressed in his non-fiction.

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This book discusses issues of broad cultural consequence by examining the work of three of ItalyOs most prominent living novelists_Umberto Eco, Vincenzo Consolo, and Antonio Tabucchi. It uses an approach that is both historicist and psychoanalytic to address topics in cultural studies and Italian studies

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Edith Wharton enjoyed a complex relationship with earlymodernism. On the one hand, as a writer committed to the seriousness of novel writing as an art, her love of French literature and her close relationship with Henry James made her open to experiment. Other elements in her circumstances made her resistant to change. She enjoyed enormous success with The House of Mirth, and the public clearly demanded more from her in this style. That novel's naturalism and didactic purpose, Peel argues, conformed to her own belief in the moral purpose of literature, and ultimately Wharton's reading of politics, culture, and society led her to abandon modernistic experiment for ethical, rather than aesthetic reasons. Apart from Modernism explores the political and cultural influences that helped shape Edith Wharton. Peel examines such subjects as her politics, her relationship to bohemianism and modernist experiment, and her idea of the good society through a discussion of her fiction 1900 - 1915, starting with a survey of the early novellas and novels such as The Valley of Decision, The House of Mirth, and The Fruit of the Tree, before concentrating in detail on the years which saw the publication of The Reef, Ethan Frome, and The Custom of the Country. Important issues such as Wharton's reading of gender, empire, and class form a central part of this discussion. The study emphasizes the crucial role that Wharton's contact with Europe had on her writing, and the significance intellectually and politically of her relationship with Morton Fullerton and her reading of his books on politics. It locates Wharton in her period, surrounded as she was by discourses which called for political and social change, change which an outlook that Peel calls 'American Toryism' made her reluctant to embrace. Her love of motorcars and her excitement about other technological developments such as aeroplanes was inspired by a feeling of exclusivity and not the democratization of culture, whic

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This book argues that within Germanic paganism, considered not as mere cult but as a system of beliefs, it is possible to identify a conceptually coherent understanding of fate which detaches that idea from time, and connects it instead with an implicit theses about the nature of truth as written. Germanic cosmogony, as represented in such precise images as a world-tree, provides a context for an analysis of specific metaphors for the workings of fate as woven or spun by such figures as the Nornsthe Norse goddesses of destiny. Employing both philosophical and mythic-linguistic considerations, this book also offers new insights into the persistence of a residual paganism in the understanding of fate following the Christian conversion.

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his volume studies representations of seduction by two nineteenth-century writers whose works paint intersecting pictures of French society during the Restoration and July Monarchy, highlighting both continuities and discontinuities between Ancien Regime and postrevolutionary literature and society. The realm of seduction - where forces of desire, power, and sex converge - provides a focal point for Schocket's analysis of gender stereotypes and their subversions, the ties between the sexual drive and the desire for self-affirmation and power over another, and the factors such as class and sex that shape one's identity and ability to influence others. Through its examination of Balzac's and Sand's representations of seduction from the perspectives of feminism, psychoanalysis, and cultural studies, this book sheds light on erotic relations and the ways in which they are embedded in wider issues of subjectivity and political and social structures.

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This is the first book-length study of the six travel narratives published by the 1989 winner of the Nobel Prize for Literature.

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Converse in the Spirit is a comparative study of the writings of William Blake and the German visionary philosopher Jacob Boehme. It argues that the relationship between Blake and Boehme was a meeting of like minds that transcended place and time, that each regarded himself as part of a community of vision, and aspiration, and believed that any predominant form ofthought and understanding was only partial.

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This is a critical study of French and British art and written texts (poetry, literature, travel accounts, art criticism)—orientalist works about the harem produced in the period from 1800-1875. Original readings are provided for over 150 harem pictures, from well-known salon paintings to rarely published erotic popular prints and book illustrations. Multiple Wives, Multiple Pleasures examines these works closely, often establishing fresh contexts for many of the more well-known nineteenth century harem pictures, and often providing a consideration of lesser-known harem pictures that have been rarely published until now.

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This is the first book-length study of James Pierrepont Greaves, the mystic, idealist, and sacred socialist. It explores the effects of his teaching on his very disparate followers and particularly on the community, Alcott House, he established. The bookOs chapters on Sophia Chichester, the ultraradical supporter of Greaves, will be of particular interest to feminists.

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This work contributes to the current debate between traditional humanist approaches to Shakespeare and newer modes of analysis informed by Marxism, poststructuralism, and feminism. The book offers an accessible introduction to the main critical positions now represented in Shakespeare studies, enabling readers unfamiliar with critical theory to gain a purchase on the ideas.

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This study presents material from the Talmud and Midrash which have one characteristic in common: they reflect an anthropocentric, rather than a theocentric, view of the world.

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Despite critical interest in the role of women in the French Revolution, there is no single, comprehensive study of the works of the two most prolific women writers of the period—Olympe de Gouges and Manon Roland. At a time when politicians were molding public policy concerning life, liberty, the pursuit of happiness, and constituting criteria for citizenship, increasing numbers of women in Paris were clamoring for rights. New medical and philosophical theories redefining female nature were trotted out to justify women's continued exclusion from full political participation. Such theories focused on the female body as the locus of women's intellectual inadequacies and promulgated the idea that women who acted outside of the confines of their physiological nature were considered desensitized and unfeminine. Deviant Women of the French Revolution and the Rise of Feminism aims to uncover the work of those women who challenged prevailing views of female nature, sought social reforms, and were deemed "deviant" for their writing and/or activism during the French Revolution.

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This study demonstrates that jazz as it appeared in narrative fiction was often used as a forum to address the nation's anxieties in the turbulent years during which the United States gradually changed from a nation dedicated to an isolationist policy to a superpower likely to intervene in foreign conflicts. The jazz narrative became one of the means through which this paradigm shift was justified to an American audience. Jazz might strike many readers as a subject only for aficionados, but this book is accessible to a broad audience. It is aimed at casual fans of jazz music curious about the music's broader role in the cultural development of the United States and the interplay between jazz and American fiction.

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This volume is a review of both ideas and practice concerning federalism in Britain and Ireland, the Empire, and Europe, furnishing an unusual perspective on BritainOs changing political and constitutional relations from 1870 to the present day.

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Written by younger as well as by well-established scholars, the essays move quietly away from theoretically dominated criticism, and emphasize the importance of historical criticism, both breaking new ground and recuperating neglected insights and approaches.

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This is the biography of a man who, by virtue of his excellent Civil War record, became President GrantOs Secretary of War only to fall willingly into the corruption of Washington society and of two wives who demanded social prominence.

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This work is intended both as a teaching tool and as a reference for film and literature courses. It contains a list of three hundred francophone women directors from all over the world, and the titles of their films. Dates, descriptions, and critical comments on many of the films are included, as well as a glossary of film terms, questions for film analysis, sample syllabi, and an extensive bibliography.

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This book examines the contradiction between Chinese perception of the missionary role and the missionariesO own perception of their role. It offers a critical assessment of the role of the missionaries in the country and sheds light on the magnitude of the problems inherent in cross-cultural encounters.

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Investigating the growth of Indology (the study of East Indian texts, literature, and culture) and the diffusion of this knowledge about ancient India within nineteenth-century Germany, this work contextualizes approaches to contact by historically grounding them in a contemporary history of German culture, education, and science. It answers the historical anomaly of why Germany had more nineteenth-century experts in the academic discipline of Indology than all other European powers combined. German interest in ancient India developed because it was useful for widely varying German projects, including Romanticism and nationalism. German Indologists made successful arguments about the cultural and intellectual relevance of ancient India for modern Germany, leaving an ambiguous legacy including a deeper appreciation of South Asian culture as well as scholarly justifications for the warlike image of a Swastika-bearing Aryan master race.

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This book is about Theodore Roosevelt as a politician not as a statesman/politician, just a politician. The parties, persons, decisions, and mistakes that made up Roosevelts political experience are discussed, and the book seeks to isolate Roosevelt's political motivation and his moves to enhance an appreciation of his political savvy.

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This book discusses the life and career of German Jewish filmmaker Ewald Andre Dupont (1861-1956), as a journalist, screen writer, and director in Berlin, 1913-25, 1931-33, a director at British International Pictures, 1926-31, and a B-movie director in Hollywood, 1925-26, 1933-56. Having apprenticed with Alfred Hitchcock, F. W. Murnau, Ernst Lubitsch, and Fritz Lang in Berlin, where he distinguished himself with Das alte Gesetz (1923) and Variete (1925), Dupont launched his career at 'the British Hollywood' of British International Pictures, where he contributed to the studio's international style, experimented with emergent sound technologies, made the world's first multilingual sound pictures, and, in the most creative phase of his career, directed the feature films Moulin Rouge (1928), Piccadilly (1929), Atlantic (1930), Two Worlds (1931), and Cape Forlorn (1931), which along with Variete, provide the focus of this academic study.

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Zen Buddhism and the Chaos theory are used in this work as binocular lenses to examine the existential difficulties in Samuel Beckett’s plays in terms that circumvent traditional Western schools of thought. No-Thing Is Left to Tell examines Waiting for Godot, Endgame, Happy Days, Footfalls, and Ohio Impromptu, discovering both within them and throughout the larger scale of Beckett’s plays as a whole, a movement toward revisioning our world in terms of a nonclosed, unself-conscious state. Illustrated.

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This book addresses the question of the legacies of Nietzsche's theories of tragedy as literary genre and of the tragic as ontological concept. Although The Birth of Tragedy was the most seminal in this sense, Nietzsche's followers also read, misread, and appropriated ideas on the tragic in his later works. Taking seriously the call for the rebirth of the tragic spirit in culture generally, dramatists, poets, novelists, philosophers, film makers, and theorists not always acknowledging a debt to Nietzsche incorporated the Dionysian and the Apollinian, as well as other aspects of Nietzsche's thinking on tragedy, into their own works. This volume gives a sampling of the multifaceted and widespread impact of this aspect of Nietzsche's thought in Eastern as well as in Western Europe and in the United States.

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Crime author Dick Markham is in love again; his fiancée the mysterious newcomer to the village, Lesley Grant. When Grant accidentally shoots the fortune teller through the side of his tent at the local fair – following a very strange reaction to his predictions – Markham is reluctantly brought into a scheme to expose his betrothed as a suspected serial husband-poisoner. That night the enigmatic fortune teller – and chief accuser – is found dead in an impossible locked-room setup, casting suspicion onto Grant and striking doubt into the heart of her lover. Lured by the scent of the impossible case, Dr Gideon Fell arrives from London to examine the perplexing evidence and match wits with a meticulous killer at large. First published in 1944, Till Death Do Us Part remains a pacey and deeply satisfying impossible crime story, championed by Carr connoisseurs as one of the very best examples of his mystery writing talents.

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Published more than twenty years ago, Stephen Eric Bronner's bold defense of socialism remains a seminal text for our time. Treating socialism as an ethic, reinterpreting its core categories, and critically confronting its early foundations, Bronner's work offers a reinvigorated "class ideal" and a new perspective for progressive politics in the twentieth century. Socialism Unbound is an extraordinary work of political history that revisits the pivotal figures of the labor movement: Karl Marx, Friedrich Engels, Karl Kautsky, Vladimir Lenin, and Rosa Luxemburg. Examining their contributions as well as their flaws, Bronner shows how critical innovation gave way to dogma. New practical problems have arisen, and this volume engages with the relationship between class and social movements, institutional accountability and democratic participation, economic justice and market imperatives, and internationalism and identity. With a foreword by Dick Howard and a new introduction by the author, Bronner's classic study remains indispensable for scholars and activists alike.

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Shedding new light on both classic and lesser-known works in the Melville canon with particular attention to the author's literary use of the Bible, Neither Believer Nor Infidel examines the debate between religious skepticism and Christian faith that infused Herman Melville's writings following Moby-Dick. Jonathan A. Cook's study is the first to focus on the decisive role of faith and doubt in Melville's writings following his mid-career turn to shorter fiction, and still later to poetry, as a result of the commercial failures of Moby-Dick and Pierre. Nathaniel Hawthorne claimed that Melville "can neither believe nor be comfortable in his unbelief," a remark that encapsulates an essential truth about Melville's attitude to Christianity. Like many of his Victorian contemporaries, Melville spent his literary career poised between an intellectual rejection of Christian dogma and an emotional attachment to the consolations of non-dogmatic Christian faith. Accompanying this ambivalence was a lifelong devotion to the text of the King James Bible as both moral sourcebook and literary template. Following a biographical overview of skeptical influences and manifestations in Melville's early life and career, Cook examines the evidence of religious doubt and belief in "Bartleby, the Scrivener," "Cock-a-Doodle-Doo!," "The Encantadas," Israel Potter, Battle-Pieces, Timoleon, and Billy Budd. Accessible for both the general reader and the scholar, Neither Believer Nor Infidel clarifies the ambiguities of Melville's pervasive use of religion in his fiction and poetry. In analyzing Melville's persistent oscillation between metaphysical rebellion and attenuated belief, Cook elucidates both well-known and under-appreciated works.

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This noir fantasy thriller from a debut author introduces the gritty town of Titanshade, where danger lurks around every corner."Take a little Mickey Spillane, some Dashiell Hammet, a bit of Raymond Chandler, and mix it with Phillip K. Dick's Blade Runner; add a taste of CJ Box, and Craig Johnson, and you've got a masterpiece of a first novel." —W. Michael Gear, New York Times bestselling authorCarter's a homicide cop in Titanshade, an oil boomtown where 8-tracks are state of the art, disco rules the radio, and all the best sorcerers wear designer labels. It's also a metropolis teetering on the edge of disaster. As its oil reserves run dry, the city's future hangs on a possible investment from the reclusive amphibians known as Squibs.But now negotiations have been derailed by the horrific murder of a Squib diplomat. The pressure's never been higher to make a quick arrest, even as Carter's investigation leads him into conflict with the city's elite. Undermined by corrupt coworkers and falsified evidence, and with a suspect list that includes power-hungry politicians, oil magnates, and mad scientists, Carter must find the killer before the investigation turns into a witch-hunt and those closest to him pay the ultimate price on the filthy streets of Titanshade.

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In his latest thrilling book, much published crime author Dick Kirby draws on his fast moving policing service, much of which was with Scotland Yard's Serious Crime Squad and the Flying Squad. As if that was not enough he brings in accounts of fellow coppers during the final decades of the 20th century to add a fresh dimension. It quickly becomes clear to the reader that Kirby and his colleagues practised their art in a markedly different style than that prevailing today. Corners were cut, regulations ignored and pettifogging rules trampled on in the wider public interest of bringing criminals to justice and preserving law and order. Above all the best senior detectives led fearlessly. Kirby describes front line policing where the public came first and the criminals a poor second. There are great stories of arrests, ambushes, fights and meeting informants in unlikely places. Eyebrows may be raised at the book's contents but many will feel that there is no place in the fight against serious crime for woke-ness' and political correctness and regret the passing of no-nonsense law enforcement.

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The first in a fantastic series of animal stories for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon.Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself...When Jasmine sees a tiny, unloved piglet left to fend for itself, she knows it will die without her help. So she smuggles it home to her farm to nurse it back to health. But she can't keep Truffle forever, and then, one stormy night, disaster strikes...Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Perfect for readers aged seven and up.Check out Jasmine's other adventures: A Duckling Called Button, A Sheepdog Called Sky, A Kitten Called Holly and many more!

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Although William Faulkner's imagination is often considered solely tragic, it actually blended what Faulkner himself called the bizarre and the terrible. Not only did Faulkner's vision encompass both comedy and tragedy; it perceived a latent humor in tragedy and vice versa. As a result, Faulkner's fiction is seldom simply comic or simply tragic. Faulkner's comedy incorporates tragedy and despair, and the humor in his novels may serve as well to intensify as to relieve a tragic or horrific effect. This study examines Faulkner's first nine novels, from Soldiers' Pay to Absalom, Absalom!, showing how humor is used to express theme: how it appears in the action, characters, and discourse of each novel; and how it contributes to the overall effect of each novel. In each case, even in the most pained and angry novels, Faulkner's practice of humor expresses his view that humor is an inseparable element of human experience. Ryuichi Yamaguchi is Professor of English and American literature at the Aichi University in Japan.

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Winner of the Bram Stoker Award and Locus Awards, finalist for the Philip K. Dick Award, and named one of io9.com's "Top 10 Debut Science Fiction Novels That Took the World By Storm." With a new afterword by Maryse Meijer, author of Heartbreaker and Rag. "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." When a strange hole materializes in a storage room, would-be poet Nicholas and his feral lover Nakota allow their curiosity to lead them into the depths of terror. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says, "We're not." But no one is in control, and their experiments lead to obsession, violence, and a very final transformation for everyone who gets too close to the Funhole.

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A thrilling standalone science fiction space adventure from Philip K. Dick award-winning author S.J. MordenStrange radio signals are coming from Jupiter's largest moons. A natural phenomenon, or something else?Commander Mariucci and his hand-picked research team know they will have to muster all of their expertise, creativity and teamwork to survive the very harshest of conditions in orbit around the king of planets. But when they intercept a peculiar radio transmission, they have to investigate. Nothing should work in these impossible conditions, so what is sending the signal . . . and why? With a degrading ship and crew at breaking point, there's every chance they will tear themselves apart before they ever find the answer to the ultimate question - are we alone in the universe?And more importantly - what do we do if we aren't?

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This is the first volume in a three-volume illustrated history of the evolution of armoured manoeuvre warfare in the British army, covering the period from 1914 until 1939\. Author Dick Taylor's tour de force covers the evolution of the tank and armoured cars in response to the specific conditions created by trench warfare, the history of the use of tanks during the war, as well as the critical period between the wars in which the tank was both refined and neglected. He also looks in detail at the amalgamations and mechanization of the horsed cavalry which led to the formation of the Royal Armoured Corps in 1939. His detailed and absorbing narrative covers the social and human aspects of the story as well as the technology, and explains how the nation that invented and first fielded the tank in 1916 struggled to maintain the lead after the Armistice.

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