Search results for ""author dick"

Shedding new light on both classic and lesser-known works in the Melville canon with particular attention to the author's literary use of the Bible, Neither Believer Nor Infidel examines the debate between religious skepticism and Christian faith that infused Herman Melville's writings following Moby-Dick. Jonathan A. Cook's study is the first to focus on the decisive role of faith and doubt in Melville's writings following his mid-career turn to shorter fiction, and still later to poetry, as a result of the commercial failures of Moby-Dick and Pierre. Nathaniel Hawthorne claimed that Melville "can neither believe nor be comfortable in his unbelief," a remark that encapsulates an essential truth about Melville's attitude to Christianity. Like many of his Victorian contemporaries, Melville spent his literary career poised between an intellectual rejection of Christian dogma and an emotional attachment to the consolations of non-dogmatic Christian faith. Accompanying this ambivalence was a lifelong devotion to the text of the King James Bible as both moral sourcebook and literary template. Following a biographical overview of skeptical influences and manifestations in Melville's early life and career, Cook examines the evidence of religious doubt and belief in "Bartleby, the Scrivener," "Cock-a-Doodle-Doo!," "The Encantadas," Israel Potter, Battle-Pieces, Timoleon, and Billy Budd. Accessible for both the general reader and the scholar, Neither Believer Nor Infidel clarifies the ambiguities of Melville's pervasive use of religion in his fiction and poetry. In analyzing Melville's persistent oscillation between metaphysical rebellion and attenuated belief, Cook elucidates both well-known and under-appreciated works.

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This noir fantasy thriller from a debut author introduces the gritty town of Titanshade, where danger lurks around every corner."Take a little Mickey Spillane, some Dashiell Hammet, a bit of Raymond Chandler, and mix it with Phillip K. Dick's Blade Runner; add a taste of CJ Box, and Craig Johnson, and you've got a masterpiece of a first novel." —W. Michael Gear, New York Times bestselling authorCarter's a homicide cop in Titanshade, an oil boomtown where 8-tracks are state of the art, disco rules the radio, and all the best sorcerers wear designer labels. It's also a metropolis teetering on the edge of disaster. As its oil reserves run dry, the city's future hangs on a possible investment from the reclusive amphibians known as Squibs.But now negotiations have been derailed by the horrific murder of a Squib diplomat. The pressure's never been higher to make a quick arrest, even as Carter's investigation leads him into conflict with the city's elite. Undermined by corrupt coworkers and falsified evidence, and with a suspect list that includes power-hungry politicians, oil magnates, and mad scientists, Carter must find the killer before the investigation turns into a witch-hunt and those closest to him pay the ultimate price on the filthy streets of Titanshade.

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In his latest thrilling book, much published crime author Dick Kirby draws on his fast moving policing service, much of which was with Scotland Yard's Serious Crime Squad and the Flying Squad. As if that was not enough he brings in accounts of fellow coppers during the final decades of the 20th century to add a fresh dimension. It quickly becomes clear to the reader that Kirby and his colleagues practised their art in a markedly different style than that prevailing today. Corners were cut, regulations ignored and pettifogging rules trampled on in the wider public interest of bringing criminals to justice and preserving law and order. Above all the best senior detectives led fearlessly. Kirby describes front line policing where the public came first and the criminals a poor second. There are great stories of arrests, ambushes, fights and meeting informants in unlikely places. Eyebrows may be raised at the book's contents but many will feel that there is no place in the fight against serious crime for woke-ness' and political correctness and regret the passing of no-nonsense law enforcement.

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Show-business legend Dick Van Dyke is living proof that life does get better the longer you live it. Who better to offer instruction, advice, and humour than someone who's entering his ninth decade with a jaunty two-step? Van Dyke isn't just a born song-and-dance man his irrepressible belief in embracing the moment and unleashing his inner child has proved to be the ultimate elixir of youth. When he was injured during the filming of Chitty Chitty Bang Bang , his doctor warned him he'd be using a walker within seven years, but Dick performed a soft shoe right there and never looked back.In Keep Moving , Dick Van Dyke offers his own playful anecdotes and advice, as well as insights from his brother, actor Jerry Van Dyke his friend and creator of The Dick Van Dyke Show , Carl Reiner and other spirited friends and family. Whether he's describing the pleasure he takes in his habitual visits to the grocery store how he met his late-in-life-love Arlene or how he sprung back, livelier than ever, from a near-death experience, Dick's optimistic outlook is an invigorating tonic for anyone who needs a reminder that life should be lived with enthusiasm despite what the calendar says. You don't have to act your age. You don't even have to feel it. And if it does attempt to elbow its way into your life, you do not have to pay attention. If I am out shopping and hear music playing in a store, I start to dance. If I want to sing, I sing. I read books and get excited about new ideas. I enjoy myself. I don't think about the way I am supposed to act at my age - or at any age. As far as I know, there is no manual for old age. There is no test you have to pass. There is no way you have to behave. There is no such thing as'age appropriate.'When people ask my secret to staying youthful at an age when getting up and down from your chair on your own is considered an accomplishment, you know what I tell them?'Keep moving.'"- Dick Van Dyke

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Calls for the provision of group rights are a common part of politics in Canada. Many liberal theorists consider identity claims a necessary condition of equality, but do these claims do more harm than good?To answer this question, Caroline Dick engages in a critical analysis of liberal identity-driven theories and their application in cases such as Sawridge Band v. Canada, which sets a First Nation’s right to self-determination against indigenous women’s right to equality. She contrasts Charles Taylor’s theory of identity recognition, Will Kymlicka’s cultural theory of minority rights, and Avigail Eisenberg’s theory of identity-related interests with an alternative rights framework that account for both group and in-group differences. Dick concludes that the problem is not the concept of identity itself but the way in which prevailing conceptions of identity and group rights obscure intragroup differences. Instead, she proposes a politics of intragroup difference that has the power to transform rights discourse in Canada.

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Dick Grayson has proven himself as a protege to one of the most critical mentors of all time, Batman.When Dick decides to step out of the shadows as Robin and into the spotlight with his new superhero identity, Nightwing, will he fly or fall? Add a new base of operations in the crime-ridden city Blüdhaven, the former boy wonder will have his work cut out for him.

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Three classic adventure tales from the bestselling author of The No. 1 Ladies’ Detective Agency, now together in paperback for the first time. Imagine living in the heart of Africa. Imagine living in a place where the sun rises every morning over blue mountains. Akimbo and his parents live on the edge of an African game reserve. It's his father's task to protect the thousands of amazing animals who make it their home, and wildlife-loving Akimbo dreams of helping him. In these three adventures, Akimbo protects elephants from poachers, saves a lion cub from a trap, and rescues a man from a crocodile! This 3-in-1 collection contains Akimbo and the Elephants, Akimbo and the Lions and Akimbo and the Crocodile Man. Fans of The Jungle Book and the Just So Stories will love these stories of wild animals and thrilling adventures. Alexander McCall Smith grew up in Zimbabwe and then moved to Scotland. He was a professor of Medical Law and has written almost 100 books, including the well-loved and bestselling No. 1 Ladies Detective Agency series. He lives in Edinburgh. Illustrator Peter Bailey has worked with some of Britain's best-known authors and poets, including Allan Ahlberg, Dick King-Smith, Michael Morpurgo and Philip Pullman.

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The debate over sexual violence on campus is reaching fever pitch, from headlines about out–of-control fraternities, to the ”mattress protests” by female students at Columbia University and other colleges.The Hunting Ground, the new documentary by award-winning filmmakers Kirby Dick and Amy Ziering, has taken this debate to a new level, becoming a galvanizing catalyst for discussion at the hundreds of campuses where the documentary is being screened each month. The film has sparked calls for legislation by Governor Andrew M. Cuomo of New York and other prominent public figures and sparked a backlash from university administrators, fraternities, and conservative groups. Now, in a new companion volume to the film, all those concerned about the “rape culture” on campus will be offered an inside perspective on the controversy, as well as reactions to the film from a range of leading writers and guidance on how to learn more and get active. As in the film, it’s the gripping personal stories told by female students—and the obstinate refusal of college administrators and law enforcement authorities to recognize the severity of the problem—that will rivet readers.

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'Dick's best work, and the most memorable alternative world tale...ever written' SCIENCE FICTION: THE 100 BEST NOVELSIt is 1962 and the Second World War has been over for seventeen years: people have now had a chance to adjust to the new order. But it's not been easy. The Mediterranean has been drained to make farmland, the population of Africa has virtually been wiped out and America has been divided between the Nazis and the Japanese. In the neutral buffer zone that divides the two superpowers lives the man in the high castle, the author of an underground bestseller, a work of fiction that offers an alternative theory of world history in which the Axis powers didn't win the war. The novel is a rallying cry for all those who dream of overthrowing the occupiers. But could it be more than that?Subtle, complex and beautifully characterized, The Man in the High Castle remains the finest alternative world novel ever written, and a work of profundity and significance.

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The seventh in a fantastic series of animal stories for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon.Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself...Jasmine and Tom are amazed to spot a baby otter alone on the riverbank. When the little cub is swept downstream, they risk everything to rescue her. But where is her family? Can Jasmine and Tom find Pebble's home before it's too late?Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Perfect for readers aged seven and up.Check out Jasmine's other adventures: A Piglet Called Truffle, A Duckling Called Button, A Sheepdog Called Sky and many more!

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The fourth in a fantastic series of animal stories for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon.Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself...When Jasmine and Tom rescue an abandoned kitten, Jasmine is desperate to keep her. But her parents decide to sell Holly - and Jasmine is NOT happy with her new owner! Can Jasmine and Tom give Holly the best ever Christmas present - a good home?Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Perfect for readers aged seven and up.Check out Jasmine's other adventures: A Piglet Called Truffle, A Duckling Called Button, A Sheepdog Called Sky and many more!

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Además de novelista, Philip K. Dick fue un prolífico autor de cuentos y relatos, muchos de los cuales han sido llevados al cine en los últimos tiempos. Esta tercera entrega recoge 23 relatos que Philip K. Dick escribió en poco más de un año, antes de la publicación en 1956 de su primera novela, Lotería solar.Se trata de auténticas joyas literarias que destilan la magia propia de Dick y donde quedan patentes sus constantes obsesiones: la muerte, la alienación, la locura, la religión y la represión, y la naturaleza esquiva de la realidad.De lectura ágil y entretenida, este libro nos invita tanto a adentrarnos en el fascinante universo dickiano como a observar la evolución del luminoso talento de uno de los escritores más relevantes del siglo XX.

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This volume studies the impact of French thought on the American world of learning during the 1970s and the 1980s as well as the American response to the various discourses ranging from literary theory and philosophy to psychoanalysis and anthropology. The typical American reception of Derrida, Lacan, and Deleuze is discussed as well as the accommodation of French Ofeminists,O including Cixous, Wittig, and Irigaray. Contributors include Edward Said and Martin Jay.

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Erin Mackie explores the shared histories of the modern polite English gentleman and other less respectable but no less celebrated eighteenth-century masculine types: the rake, the highwayman, and the pirate. Mackie traces the emergence of these character types to the seventeenth and early eighteenth centuries, when traditional aristocratic authority was increasingly challenged. She argues that the development of the modern polite gentleman as a male archetype can only be fully comprehended when considered alongside figures of fallen nobility, which, although criminal, were also glamorous enough to reinforce the same ideological order. In Evelina's Lord Orville, Clarissa's Lovelace, Rookwood's Dick Turpin, and Caleb Williams' Falkland, Mackie reads the story of the ideal gentleman alongside that of the outlaw, revealing the parallel lives of these seemingly contradictory characters. Synthesizing the histories of masculinity, manners, and radicalism, Rakes, Highwaymen, and Pirates offers a fresh perspective on the eighteenth-century aristocratic male.

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“Within these incendiary pages, Dick Morris, America’s reigning Dean of political strategy and tactics, completely unmasks the treasonous behavior of arguably the worst first family to ever darken the doors of the White House.” — From the Foreword by Peter Navarro WAKE UP AMERICA! Each day brings shocking new revelations of the depth and breadth of the corruption of the Biden family. From China to Ukraine to Moscow to Iraq to Kazakhstan to Costa Rica to Florida to Romania and stops in between the Biden family has been in enriching itself by trading off the public offices and power accumulated by its mastermind: Joe Biden. The corruption of our own, elected leaders is the crux of America’s difficulties. United States laws do not prevent politicians, and even Presidents(!), from using their families to take bribes and payoffs before, during, and after they serve us in public office. New York Times bestselling author Dick Morris is a winning presidential strategist and the man Time magazine dubbed “the most influential private citizen in America.” In his new book, CORRUPT: The Biden Family's Dark Money, Morris lays-out the case against the Biden family and years of corruption and grift at the expense of taxpayers and the security of the United States. Since 2016, Dick Morris has been a behind-the-scenes adviser to Donald Trump, playing a key role in Trump’s surprise 2016 win. And now, as the 2024 elections approaches, President Biden’s corruption — and that of his family — are emerging as key issues, and Morris argues President Trump MUST win in 2024 to clean-up the dangerous cancer that has taken-over the White House and is endangering the security of the United States and the world. Stronger ethics laws embracing all the opportunities for theft that a big family offers are a partial answer. But the real answer is to stop electing weak people who succumb to easy-money around the world and especially to Chinese entreaties to office. There is no room for corruption at the top of our government and according to Morris, there is NO excuse for not electing Donald J. Trump in 2024 to clean it up. “Within these pages, both Joe Biden and Communist China are revealed to be extreme dangers to an American nation now threatened from within by a variety of cultural, social, and economic crises largely of Biden’s making and threatened from without by an authoritarian and fascist regime now engaged in the most rapid military buildup of a fascist regime since World War II — even as this Communist Chinese regime aligns itself ever more closely with America’s other major existential threats in Russia, Iran, North Korea.” — Peter Navarro

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This volume investigates modes of the reception, rewriting, and appropriation of the gothic and the fantastic in Italy in the late nineteenth century and the second half of the twentieth century. It articulates the ways in which Italian writers both undermined the narrative spaces created by realist narration and introduced agnoseological dimension centered on a disempowered and disjointed subjectivity. It argues that both in their breaking of nineteenth- and twentieth-century aesthetic and literary paradigms and in their radical questioning of personal, collective, ideological, and literary identities, the gothic and the fantastic become forces of subversion. The identity resulting from this hermeneutic engagement is defined not by coincidence, but by difference: both collective and subjective identities must activate a process of negotiation that has to assimilate the Other in the spaces between the real and the unreal. Meanwhile, by assimilating the Other into our own modes of representation of reality and imagination, twentieth century female writers of the fantastic show how alternative identities can be shaped and social constituencies can be challenged.

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Winston and the Marmalade Cat is the first in a brand-new series from award-winning author Megan Rix! Full of adventure, fascinating history and super-cute animals, this series is perfect for 6-8 year old readers and fans of Dick King-Smith and Michael Morpurgo.Nine-year-old Harry is desperate for a pet of his own but working at the local animal rescue centre is the next best thing. One day, he's asked to take a very special birthday present to Chartwell, home of the famous Prime-Minister and animal-lover Winston Churchill. During his visit, Harry learns all about Winston's past and his much-loved pets. Will Harry get to meet Winston Churchill and will he ever get a pet of his very own?

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Finalist for the National Book Critics Circle Award in BiographyA double portrait of two of America's most influential writers that reveals the surprising connections between themand their uncanny relevance to our age of crisisUp from the Depths tells the interconnected stories of two of the most important writers in American historythe novelist and poet Herman Melville (18191891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (18951990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled timesand their uncanny relevance in our own age of crisis. The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville's revival in the aftermath of World War I and the 19181919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford's career took off and he wrote books responding

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A woman’s childhood life in Scotland and a new life in Canada are explored by her daughter in this memoir-style poem that profoundly embodies the classic North American immigrant tale. The story opens with Tom, Dick, and Harry, three ancestors who emigrated to New York. It cycles back to the author’s father, a young soldier who catches the eye of his wife-to-be at the glove counter in Woolworth’s. In between we encounter the real, rare characters of everyday Glasgow life, including cousin John Lennon in a scheme to raise pigs, and a bicycle-riding Richard Nixon who arrives just after a factory blow-up. Framed by a prologue and epilogue, the story is told in a working-class vernacular—the characters all real, the voice gritty, witty, and distinct as it unfurls a beautiful tapestry by way of the music and language of Glaswegian storytelling.

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A Companion to Thomas More brings together many of the world's leading More scholars in order to offer the first comprehensive reassessment of the man and his works for a quarter of a century. The volume freshly examines the competing versions of More the man and presents a new overview of nearly every aspect of his canon.

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Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself... A perfect animal story for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon. Jasmine's mother is called to help a pregnant deer who has been hit by a car. She performs an emergency Caesarean and delivers tiny, helpless Dotty, before handing her over to Jasmine to raise... Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Look out for Jasmine's other adventures!A Piglet Called TruffleA Duckling Called ButtonA Sheepdog Called SkyA Kitten Called HollyA Lamb Called LuckyA Goat Called WillowAn Otter Called PebbleAn Owl Called Star

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The Exile in the Maghreb entails the first attempt at describing the historical reality of the legal and social condition of the Jews in the Muslim countries of North Africa (principally Algeria and Morocco) over a thousand year period from the Middle Ages (997 C.E.) to the French colonization (1830 Algeria/1912 Morocco.). The Exile is not a formal history but a chronological anthology of documents drawn from literary (section A) and archival sources (section B), many of which are published for the first time. In section A, Arabic and Hebrew chronicles, Muslim legal, and theological texts are followed by the accounts culled from European travelers—captives, diplomats, doctors, clerics, and adventurers. Each document is introduced and annotated in such a way as to bring out its importance. The second section (B) reflects the diplomatic activity deployed by humanitarian organizations in favour of North African Jewry. Spanning the 19th and early 20th centuries, these are mainly drawn from the archives of the Alliance Israélite Universelle (Paris) and the Anglo-Jewish Association (London). The documents are richly elucidated with illustrations taken from the international press. The book presents a new and illuminating insight into the status of Jews under the Crescent. The Jews of North Africa were the only minority under Islam, in this region and their history reflects Judaism's exclusive encounter with Islam.

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As the Communists advance, a small group of Americans trapped in a Chinese factory must learn to work together in this early novel from Philip K. DickThree American workers are left behind in China by their employer, biding their time in an abandoned factory as the communists approach. As they while away the days, both the young and naive Carl Fitter and the older, worldly Verne Tildon vie for the affections of Barbara Mahler, a woman who may not be as tough as she acts.But Carl's innocence and Verne's boorishness might drive Barbara away from both of them ...This early novel by Dick, unpublished in his lifetime, is a remarkable insight into his future works.

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When a spy and her mortal enemy crash-land on a dying planet, she must figure out how to survive long enough to uncover the deadly, galaxy-spanning conspiracy that landed them there. The Blighted Stars is the first book in an epic new space-opera trilogy from the author of the Philip K. Dick-nominated Velocity Weapon.She's a revolutionary. Humanity is running out of options. Habitable planets are being destroyed as quickly as they're found, and Naira Sharp thinks she knows the reason why. The all-powerful Mercator family has been controlling the exploration of the universe for decades, and exploiting any materials they find along the way under the guise of helping humanity's expansion. But Naira knows the truth, and she plans to bring the whole family down from the inside.He's the heir to the dynasty. Tarquin Mercator never wanted to run a galaxy-spanning business empire. He just wanted to study geology and read books. But Tarquin's father has tasked him with monitoring the settlement of a new planet, and he doesn't really have a choice in the matter. Disguised as Tarquin's new bodyguard, Naira plans to destroy the settlement ship before they land. But neither of them expects to end up stranded on a dead planet. To survive and keep her secret, Naira will have to join forces with the man she's sworn to hate. And together they will uncover a plot that's bigger than both of them.'Character-driven science fiction at its best - a taut novel with human questions at its heart'E. J. Beaton, author of The Councillor'Smart, incisive and utterly gripping. Megan E. O'Keefe's masterful storytelling will draw you into a complex, brutal, yet hope-charged world, break your heart, and leave you begging for more'Rowenna Miller, author of Torn'A delightfully twisty space opera filled with unique worldbuilding and deft explorations of humanity, family and power. Add in a dash of rebellion and a hint of romance, and I'm hooked - I can't wait for the next book!'Jessie Mihalik, author of Hunt the Stars'This is space opera for the ages, wrapped in complicated and delicious layers of family and loyalty and science and love and duty. I couldn't put it down!Karen Osborne, author of Architects of Memory

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This book follows the careers of three major poets of the European and North American periphery as they engage one of the master tropes of Western civilization. As colonial subjects, they inherited an Anglicized version of Hellenism whose borders might easily have excluded them as civilizational 'others.' The book describes the diverse strategies they used — from Bloomian kenosis to Afro-Caribbean 'signifyin(g)' — to make Hellenism their own.

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The Next Thing: Art in the Twenty-first Century is a highly visual collection of essays about the future of art and the art of the future. This anthology brings together writings by world-renown theorists, artists, critics, novelists and philosophers, all of them engaged in current discussions about new and emerging artistic trends and sensibilities. From “post-human” installations, to transgenic experimentations, from tele-presence performance, to nano design, digital-fiction, virtual urbanism or “guerilla art”, new tendencies, are redefining both the boundaries of Meaning and what it means to be Human. The essays comprising The Next Thing identify the impact of these new trends and anticipate possible zeitgeists that will define our century. This anthology counts with contributions by Stelarc, Liliana Porter, Ana Tiscornia, Mieke Bal, Polona Tratnik, Hagi Kenaan, Sue “Johnny” Golding, Pablo Baler, Mark Axelrod, Glenn Harper, Jan Garden Castro, Salima Hashmi, Rashid Rana, Huma Mulji, Ajesha Jatoi, Quddus Mirza, and Naazish Ata-Ullah. Like the artworks here discussed, the book itself is endowed with a transformative power and a subversive understanding of the limits of human identity. The Next Thing challenges perception, defies our imagination and pushes the boundaries of both ethics and aesthetics. For more information on The Next Thing and Pablo Baler, please visit: http://www.pablobaler.com/.

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This is the first time that a substantial and representative selection of Flint's poetry has been collected. The Introduction supplies important biographical information, and traces how Flint became involved, along with Ezra Pound, Richard Aldington, and H.D., in the Imagist project. There are sixty-three poems drawn from Flint's three published collections of poetry In the Net of the Stars (1909), Cadences (1915), and Otherworld (1920), and a further twenty-two uncollected or previously unpublished poems, making eighty-five poems in all. The Introduction also offers a sustained and illuminating discussion of the evolution of Flint's art through three volumes. In addition, there are five appendices, among them Flint's important essays, 'Imagisme' and 'The History of Imagism.' The book seeks to establish Flint as a significant contributor to early Modernist poetry, i.e., Imagism, and to reassess the qualities and achievement of an undeservedly overlooked poet.

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Eleven essays on Algren’s major work offer a diverse and lively range of theoretical and historical readings— including discussions of Algren’s place in Chicago’s left-wing literary tradition, the aesthetic of American and European naturalism, and his reaction to, and reception in, the Cold War milieu of the 1940s and 1950s. Consideration is also given to the ways in which paperback cover designs shaped the reception of Algren’s novels as pulp fiction.

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Loulou is a selection of extracts from the unpublished journals of Lewis Harcourt. Harcourt was the constant companion and confidential secretary of Sir William Harcourt, his father, who was home secretary and chancellor of the exchequer in the last three of Gladstone’s four Liberal governments. This journal extracts, written during the years 1880 to 1895, document the political, social, and personal thoughts of a young politician.

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This text looks at some of the ways in which the Ojust societyO has been conceived in a number of representative social systems. While the principal theme is that of justice, the underlying themes are those of political and religious ideology.

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This book offers the fullest critical account to date of the literary career of Mark Akenside (1721–1770). In the course of the discussion, Akenside's literary achievements and his contributions to the vibrant cultural scene of the mid-eighteenth century are amply demonstrated, as well as his intellectual originality, his inventive use of source material, and his influence on poets and philosophers in the late eighteenth century and the Romantic period.

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A Studio of One's Own: Fictional Women Painters and the Art of Fiction is a critical study of the portrayal of women artists in nineteenth- and twentieth-century novels in English, including British, American, Irish, and Canadian women writers. This book traces the gradual progression from amateur parlor painters in the novels of Jane Austen, Charlotte Bronte, and others, to the serious professional painters depicted by contemporary writers such as Margaret Atwood, Mary Gordon, and A. S. Byatt. In fiction as in history, the woman artist's working space enlarges through time - by uneven steps - from a portfolio in a cupboard to a studio or atelier where work may be completed and prepared for sale or exhibition. This working space is a measure of the claim that the artist makes upon the world. Unlike several previous critical studies, which interpret the term 'artist' broadly so as to include women writers and musicians, A Studio of One's Own restricts the subject to visual artists to allow a sharper focus on the many and varied transactions between the sister arts of painting and fiction. In particular, a writer's use of ekphrasis - verbal descriptions of works of visual art - serves to authenticate the fictional painter and to manifest the tensions between verbal and visual representation. The purpose of this book is, first, to interpret the implied dialogue of the writers with the artist figures they create so as to reveal the writer's view of creativity in both its aesthetic and political dimensions; and, second, to explore certain remarkable continuities in the imagery depicting women artists in the novels. Most notably, recurrent images present the artist as liminal and her work as suspended or unfinished, terms which reflect not only the woman painter's historic marginality, but also her creative potential. In eight of the novels under discussion, the painter lives or works at the edge of an ocean, a literally liminal position with a variety of symbolic implicati

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This volume is a collection of essays by various academics looking at how identity is shaped, gendered, and contested throughout PynchonOs work. By exploring sociological, anthropological, literary, and political dimensions, the contributors revise important ideas in the debate over individualism using political and feminist theory and examine the different ways in which their writings embody, engage, and critique the official narratives generated by AmericaOs culture.

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Natalia Ginzburg (1916-91), whose writing career spanned nearly a sixty-year period of Italian history, has been acclaimed for her clear, realistic prose and for her ability to portray, through the microcosm of the family, a macrocosm of Italian culture. Yet little criticism concerns itself with the specific perspectives and voices of her narrating daughters and mothers, and the presence of oedipal and pre-oedipal narrative within the ideological boundaries of family and society. This volume focuses on the broad theme of the maternal by tracing the development of the voices of Ginzburgs narrating daughters, mothers, and sisters.

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This book analyzes Dacia MarainiOs works in the light of Italian feminist discourse on the family. It features works in prose, poetry, theater, and cinema in the context of the literary considerations of the family populating twentieth-century literature. In its investigation of MarainiOs revisionary narratives, the study uses the metaphor of space to analyze the relational sites in which MarainiOs heroines develop and the generic spaces through which they express themselves.

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This book examines how British Romantics such as Lamb, Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader.

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This work is an attempt to bring the latest findings of cognitive psychology to bear on the interpretation of Abstract Expressionism. The heuristic models developed by contemporary cognitive scientists to describe human perception and cognition_particularly the claim that our physical experience of the world both creates and is filtered by image schemata and that even our interpretive and intellectual constructs originate in metaphorical projections from such physical experiences_are used to articulate a new interpretive framework to address the interpretation of New York School abstraction.

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This collection presents twenty essays on twentieth-century plays by women, from Rachel Crothers to Meredith Monk, as well as overview essays on their predecessors. At least a dozen of the essays explicitly treat particular women’s texts as dramas of rejection and rebellion.

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This work focuses on reportorial writers in the French Eighteenth and earl Nineteenth Century who wrote in the Addisonian tradition—a tradition that had to do with dispassionate observation of individuals and society.

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Explains how an adherent to the so-called Christian interpretation of Shakespeare can be a Marxist critic. Shakespeare’s history plays, Siegel contends, were shaped by the Christian humanist ideology of the new Tudor aristocracy and are subtle works of art whose characters are complex creations, not mere spokesmen for social classes.

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Empiricism, one of Raymond Williams's keywords, circulates in much contemporary thought and criticism solely as a term of censure, a synonym for spurious objectivity or positivism. Yet rarely, if ever, has it had this philosophical implication. Dr. Johnson, it should be recalled, kicked the stone precisely to expose empiricism's baroque falsifications of common sense. In an effort to restore historical depth to this term, this book examines epistemology in the narrative prose of five writers, John Rushkin, Alexander Bain, G. H. Lewes, Herbert Spencer, and George Eliot, developing the view that the flourishing of nineteenth-century scientific culture occured at a time when empiricism itself was critically dismantling any such naive representationalism.

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This study analyzes British wartime cinema, offering extended examination of a wide selection of feature films and documentaries made in Britain between 1939 and 1946, and using textual analyses of these films to explore the historical, social, and cultural context of social class in Britain within the overall situation of `total war’ and its concomitant propaganda imperative of `The People’s War.’ Includes 20 photos.

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Blind seer, articulate dead, and mythic transsexual, the figure of Tiresias has always represented a liminal identity and forms of knowledge associated with the crossing of epistemological and ontological boundaries. In twentieth-century literature, the boundaries crossed and embodied by Tiresias are primarily sexual, and the liminal and usually prophetic knowledge associated with Tiresias is based in sexual difference and sexual pleasure. Indeed, in literature of the twentieth century, Tiresias has.com e to function as a cultural shorthand for queer sexualties. This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian and modernist writers re-imagined Ovid's tale of sex change and sexual judgment, they also created a poetics that grounded artistic or performance power in figures of sexual difference- most often a feminized, often homosexual male body, which this study links to the developing discourses of homosexuality and sexual identity. This study reconstructs the cultural history of this transsexual figure through readings of work by late Victorian and modernist writers Edith Cooper and Katharine Bradley, who collaborated using the pen name 'Michael Field', and whose work may inaugurate the shift in Tiresian mythographies; T.S. Eliot, whose poem The Waste Land includes arguably the most well-known uses of Tiresias in modern English Literature; Djuna Barnes, whose queer Irish-American Tiresias provides an insistent voice of sexual and social marginalization; and Irish poet Austin Clarke who set out to revise Eliot's use of Tiresias but ended up narrating a myth of sexual panic. The book also examines work by writers whose use of Tiresian figures consistently linked sexual differences, especially homosexuality, to forms of performative, poetic, and aesthetic power. If The Waste Land established Tiresias as a figure of modernist textual and sexual ambiguity, this book displaces that canonically central representation into a more complex tra

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While recent works of criticism on Frank O'Hara have focused on the technical similarities between his poetry and painting, or between his use of language and poststructuralism, Frank O'Hara and the Poetics of Saying 'I' argues that what is most significant in O'Hara's work is not such much his "borrowing" from painters or his proto-Derridean use of language, but his preoccupation with self exploration and the temporal effects of his work as artifacts. Following Pasternak's understanding of artistic inspiration as an act of love for the material world, O'Hara explores moments of experience in an effort to both complicate and enrich our experience of the material world. On the one hand, in poems such as Second Avenue, for example, O'Hara works to "muddy" language through which experience is, in part, mediated with the use of parataxis, allusions, and absurd metaphors and similes. On the other, in his "I do this I do that" poems, he names the events of his lunch hour in an effort, among other things, to experience time as a moment of fullness rather than as a moment of loss. The book argues, furthermore, that O'Hara's view of the self as both an expression of the creative force at work in the world and as the temporal aggregate of finite experiences, places him between so-called "Romantic" and "postmodern" theories of the lyric. While it is often argued that O'Hara is a forerunner of a new, critically informed, "materialist" poetics, this study concludes that O'Hara's work is somewhat less radical in its understanding of poetic meaning than is often claimed. Moreover, while O'Hara is preoccupied with his experience in his poems, the book argues that he espouses, in some respects, a rather traditional view of love. In addition to being a metaphor for the creative act, love, for O'Hara, is the chance coming together of two entities. Yet, one of the ironies of this is that while love is, for O'Hara, a feeling that is the result of movement, or the unexpected coming together of two otherwise separ

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The Carlyle Encyclopedia is the new standard, single-volume reference work on Thomas and Jane Welsh Carlyle. It offers concise, detailed accounts of central issues related to the Carlyles’ lives and writings, and provides bibliographic citations that direct the reader’s attention to a wide range of additional sources.

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New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.

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Shakespeare Adaptations from the Early Eighteenth Century provides an accessible, informative, and scholarly edition of five stage versions of Shakespearean plays of the early Eighteenth Century.

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This book documents the life and career of Marie Prescott (1850–93), an actress of great beauty and wit, who directed and starred in Oscar Wilde's first play, Vera, or the Nihilists. Like Wilde, Prescott struggled to reconcile her artistic aspirations with her financial goals and to assert her independence from the social restraints of her day; she also had a complicated love life. Her compelling story is marked by the sensational elements of opening nights, vengeful critics, bitter feuds, insanity, missing persons, lawsuits, divorces, and sexual obsession. In all of this, Marie Prescott remained a figure of impressive intellect and will. Her lively correspondence with Wilde, her erudite lectures, and the dramatic transcripts of a libel trial in which she was involved recorded her singular voice and forceful intelligence. Her story is tied not only to Wilde, but also to many of the major New York theatrical figures of her time, as well as to the social, journalistic, and political worlds of New York and Kentucky. Her ancestors were influential in the organization of the American Constitution and the founding of the state of Texas. Text is illustrated

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