Search results for ""author dick"

The Gothic is flourishing not just in Stephen King's novels and Quentin Tarantino's films, but also in the media renderings of phenomena like the O. J. Simpson case, and in characterizations of terrorism, in our political and popular discourses, in modes of therapy, on TV news, on talk shows like Oprah, in our discussions of AIDS, and of the environment. This collection of essays critically interrogates contemporary visualizations of the Gothic and the monstrous in film and media. The ongoing fascination with evil, as simultaneously repellant and irresistibly attractive in the Hollywood film, criminological case studies, popular culture, and even public policy, points to the emergence of 'Gothic criminology,' with its focus on themes such as blood lust, compulsion, godlike vengeance, and power and determination. What prompts this anthology is an explosion of books and films that link violence, images of 'monstrosity,' and Gothic modes of narration and visualization in American popular culture, academia, and even public policy. As Mark Edmundson notes, 'Gothic conventions have slipped over into ostensibly nonfictional realms. Gothic is alive not just in Stephen King's novels and Quentin Tarantino's films, but in the media and renderings of our political discourse, in modes of therapy, on TV news, on talk shows like Oprah, in our discussions of AIDS and of the environment. American culture at large has become suffused with Gothic assumptions, with Gothic characters and plots.' Nevertheless, there have been few critical anthologies aimed at an interdisciplinary approach focusing specifically on the complex continuum of fact and fiction, involving a dialogue that moves across the humanities (film criticism, cultural studies, rhetoric) and the social services communication, criminology, sociology) in exploring this phenomenon.

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This book is the first comprehensive chronological study of the works of a significant but little-known figure in early American history. A confidant of Thomas Jefferson, John Taylor of Caroline County, Virginia (1735-1824) represented the anti-Federalist position during the Constitutional debates and wrote extensively on government, economics, slavery, and liberty in each republic. Taylor's ideology blends Lockean liberal and Classical Republican ideas. This study fills an important gap in our understanding of early American political thought. This results in a surprising discovery that redefines the current scholarly debate on early American political thought. It finds that John Taylor reconciles Lockean liberalism and Classical Republicanism in ways that challenge the belief that liberalism's basis in natural rights, individualism, limited, impartial government, and laissez fair economics is incompatible with republican concern for civic virtue, corruption, patronage, public credit, stock companies, centralized government, and standing armies. Taylor's writings provide a revealing perspective on American government that clears away much of the confusion of recent scholarship and offers a view of the Constitution that will be startling to many twentieth-century minds. Ironically, the Classical Republican paradigm which resurrects John Taylor, is seriously challenged by his theories, and yet is responsible for rescuing him from the opprobrium of being the premier "states' rights" philosopher. Taylor's conception of government is based on the Lockean view that people are free, equal, and independent individuals who possess natural rights and should have the moral liberty to choose any form of government that suits them, without obligation to hereditary rulers or established social classes. Taylor acknowledges distinctions based only on individual merit: talents, education, and industry. Progress would occur as human reason improved and, therefore, government should be kept in close touch with its consti

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An epic biography filled with drama, conflict, and surmounted challenges.The Real RFK Jr. is an intimate biographical portrait examining the controversial activist's journey from anguish and addiction to becoming the country's leading environmental champion fighting government corruption, corporate greed, and a captured media. Written by his longtime colleague Dick Russell, the biography also exposes the misconceptions and explains the rationale behind Kennedy's campaign to protect public health. Provided exclusive source material, including access to Kennedy’s unpublished writings and personal journals, the author conducted dozens of interviews with him as well as numerous friends and associates. Russell delves into everything from Kennedy’s sometimes death-defying river rafting adventures to his pioneering legal cases against polluters such as Smithfield Foods and Monsanto, while founding the world’s largest water protection group. The Real RFK Jr. also examines Kennedy’s pursuit of the truth about the assassinations of his father and uncle, the wrongful murder conviction of his cousin, and the false narratives around the COVID-19 pandemic.

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Embodying Difference: Scripting Social Images of the Female Body in Latina Theatre explores contemporary theatrical productions by Latina dramatists in the United States and focuses on the effects that neoliberal politics, global market strategies, gender formation, and racial and ethnic marginalization have had on Latinas. Through the analysis of select plays by dramatists Nao Bustamante, Coco Fusco, Anne García-Romero, Josefina López, Cherríe Moraga, Linda Nieves-Powell, Dolores Prida, and Milcha Sánchez-Scott, Embodying Difference shows how the bodies of Latinas are represented on stage in order to create an image of Latina consolidation. The performances of a dynamic female body challenge assumptions about ethno-racial expressions, exoticized “otherness,” and political correctness as this book explores often uneasy sites of representations of the body including phenotype, sexuality, obesity, and the body as a political marker. Drawing on the theoretical framework of difference, including differing gender voices, performances, and performative acts, Embodying Difference examines social images of the Latina body as a means of understanding and rearticulating Latina subjectivity through an expression of difference. By means of a gradual realization and self-acclamation of their own images, Latinas can learn to embody notions of self that endorse their curvaceous, sexualized, and oversized bodies that have historically been marked and marketed by their “brownness.”

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This book discusses the relationship between the archive and the novel from Early Modernity to the digital age. The encounter between archival and novelistic discourses results in the archival novel, a fictional genre where the archive frames the readers' apprehension of the text. Archival fictions are self-reflexive texts that foreground the twofold role the archive plays in the composition of novels; providing novelists with reliable knowledge and organizing the written materials (notes, records, plans) that make writing possible. While the nineteenth century archival novels rely on the archive to guarantee their claims to truth, in the twentieth century they tend to expose the archive as a practice tied to social and political power. When the digital database started to replace the paper archive in the 1970s, the epistemic and technological foundation of the novel began to erode - a process that ultimately will render the novel an outdated cognitive tool.

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Italian bourgeoisie appears to have lived through a period of intense rethinking of its own role in society. This collection of essays examines what has been, and will remain, essentially Italian in the development of the Italian bourgeoisie from 1870 onward. The starting point of the liberal-bourgeois cycles full emergence and making in the peninsula is traditionally marked by the accomplishment of the Italian national unification, an event that took place in the heart of the nineteenth century. Starting with the role of the individual facing major changes and choices in post-Unification Italy each essay analyzes a particular aspect of bourgeoisie to be intended as the ruling classwhile Italy undergoes rather drastic political, economic, and social transformations to arrive at the issues concerning contemporary Italian society and its heterodox social heritage, marked by historical events of great importance, particularly the two World Wars, the Fascist ventennio, the colonial enterprises of Mussolinis regime, the Jewish persecution, the aftermath of World War II, and domestic terrorism in the so-called lead years. The role of Italian bourgeoisie as an indicator, inspiration, and conscience in current pop and high culture, what this means to today's intellectuals, while also tracing the origins of this Italian identity in the past century is at the core of these essays.

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Eccentric Nation examines four performance events in nineteenth-century New York City in which Irish cultural nationalism was constructed and reinforced by musicians, actors, playwrights, speakers, parades, and athletes, and disseminated among diverse crowds that included both Irish and Anglo-Americans. Their contemporaries and more recent analysts alike have often taken these performance conventions as representations of a common Irish voice or a monolithic national identity. Close examination reveals a much more conflicted Irish community. What appeared as shared symbolism was contested among both Irish and Anglo-Americans. Masculine nationalist heroes, visions of a romanticized peasant class, evocations of collective memories, and the repetition of performance traditions all served to reinforce the idea of a single community bound together. Those symbols often gave rise to diverse meanings that were circulated in the urban populace. Each chapter examines the staging of these four events that produced dissension in the Irish community, providing insight into the ways that a nation is imagined in different ways by a broad array of people who have a stake in its existence, even if they often disagree about its core identity.

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This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway’s National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural-agenda in the 1840s and 1850s; Bjørnson’s and Ibsen’s rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s; and Bjørnson’s ambitious attempt to reform the theater in the mid-1860s.

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The accommodation of popular icons on stage and the results this framing yields constitute this work’s primary interests and aims. Plays studied include Sam Shepard’s True West and Marsha Norman’s The Holdup.

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The liturgical drama arose in a period of rapidly integrating feudalism. Christians experienced contradiction between a Church that offered salvation and a Church that, through its large landholdings, exploited a large number of peasants. This study examines the attempts made by clergy to revitalize faith by creating new theology, new music, new prayers, tropes, new rituals, and the drama.

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This book offers the American immigrant writer, editor, and social criticOs insights about democracy and diversity in the ongoing Oculture wars.O

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This book explores how Head's writing is her idiosyncratic response to her personal life. Her desire to portray and yet subvert oppression that she encountered in South Africa and Botswana led to a romanticism born of her need to create an antithesis to what she perceived to be the reality around her.

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This book argues that tradition is not dissociable from processes of self-consciousness involving our capacity to situate ourselves in a world that includes a rich legacy of predecessors and precedents. It explores how language, the body, experience, imagination, desire, and affect are not dissociable from tradition as transference in the Freudian sense. This argument draws support from several major thinkers and offers new interpretations of them.

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There is no detailed account of any of Elizabeth IOs progresses and none of the many references in biographies mention more than the major occasions, such as the spectacular visit to Kenilworth. In this pioneering work Dovey uses contemporary documents to study in detail a single, long progress, covering the court servantsO preparations, the stops en route, and the work of the Council, who had to go along.

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This book is an account of the impact of Tibetan Buddhism upon the Western imagination. Topics such as The Tibetan Book of the Dead, spiritual science and sacred technology, and the New Monasticism are discussed.

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This book supports the claim that David Mamet is possibly the first true verse dramatist by examining in detail his celebrated use of language as dramatic action. Five of Mamet’s best known plays are studied in detail: Sexual Perversity in Chicago, American Buffalo, A Life in the Theatre, Edmond, and Glengarry Glen Ross.

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Modern literary scholarship has traced the ways in which a distinctly modern sense of selfhood and subjectivity, and of the individualist liberal society in which such a self takes shape, emerges from the drama and poetry of the early seventeenth century. John Milton, writer of the greatest long poem in English, Paradise Lost, takes up the challenge of modern character and social formation from Shakespeare and Donne and their contemporaries. He begins this task in his own early maturity, some thirty years before the publication of his great epic, with A Maske Presented at Ludlow Castle,I>, more commonly known as Comus. There has not been a major book-length study of Milton's Maske in the past twenty years, so Lady in the Labyrinth fills a major gap in Milton and Renaissance criticism. It comprehensively surveys, evaluates, and integrates recent and traditional criticism of Comus in the context of Milton's other work, while developing new directions for study, focusing anthropological and psychological analysis on the poem's characters and mythological dimensions. Parallels between the ritual elements of the Maske and the rites of passage of non-European cultures will widen the horizons of both canonically based and multiculturally engaged scholars and writers. The book's study of Milton's identification with his female hero, and his advocacy of womens ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism. The first of Milton's heroes of Christian Liberty, the fifteen-year-old Lady who performs in his Maske, is also the first of his characters to act out this transformation of human identity. Lady in the Labyrinth treats Comus, first performed in 1634, as a rite of passage for its Lady, and for the emerging culture whose hopes are invested in her. Displaying in song, argument and dance such character qualities as inferiority, self-consciousness, flexibility, and independence, the Lady gives vital form to

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This book sets out to reconstruct and analyze the rationality of Phineas Fletchers use of figurality in The Purple Island (1633) a poetic allegory of human anatomy. To this end, textual analyses of The Purple Island lead via bibliographical, biographical, conceptual, formal, and linguistic connections to other works of literature, natural philosophy and theology, and to anatomical demonstrations.

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Working toward an analysis of the influence of photography on the construction of an Italian "type" to serve the mandates of the new nation in the 1860s, this book engages the work of writers and photographers who have addressed or participated in this venture. From Giovanni Verga and Italo Calvino's writings to the conceptual visual philosophy of Tommaso Campanella and Luigi Ghirri's photography. From the Arcadic gaze of Baron von Gloeden to Tina Modotti's revolutionary vision, the works analyzed in this book have all contributed in shaping our contemporary visual vocabulary. And, while Italy is at the center of my considerations, the ideas that populate this work are in many ways globally applicable and relevant. Looters, Photographers, and Thieves seeks to contribute to the fascinating discourse on the photographic image and its specific uses in the representation of racial, ethnic and gender difference, and suggest how the isolation of images according to the dictates of power relations might influence and condition ways of seeing. Finally, this book is meant as a locus where the images produced in the shaping of notions of citizenship and cultural relevance in nineteenth and twentieth century Italy might reveal the processes of the imaginary. As such, the arguments and images in each chapter thread through each other to propose ways by which to approach disparate subjects and forms in order to envision photographers themselves as seers rather than gazers.

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Deledda, the Nobel Prize winner of 1926, a century ago identified a psychosociological pathology: the arrested maturation of her male characters. Throughout her prose, truncated maturity functions as a psychological undertow, sucking down its suffers and the women who love them into the depths of fictive drama. Concomittantly she dissects male-female relationships within the framing leitmotiv of prolonged male adolescence, undergirded by a woman's boundless tolerance for male narcissitic despair. Deledda's literary strategy subverts conventional expectations in surprising ways, as she exposes the inner workings of a patronistic wolrd where her women can finally wield a fragment of power.

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The lives of suffragist-communist-socialite Anita Whitney and Supreme Court Justice Louis Brandeis converged in the first quarter of the twentieth century when her 1920 conviction for violating the state's Criminal Syndicalism Act led to Brandeis's now classic Whitney v. California concurring opinion. It was during the Red Scare of 1919-20 that Whitney was arrested, tried, and convicted for her participation in the founding of the Communist Labor Party in California; seven years later, the U.S. Supreme Court upheld her conviction, with Brandeis writing a concurring opinion (which read like a dissent) in which he warned against the politics of fear, declaring 'fear breeds repression; repression breeds hate' and finally reminding us that 'men feared witches and burnt women.' Brandeis eloquently argued that the citizen's participation in public discussion is a 'political duty.' Before and after the High Court decided against her, Whitney had actively participated in the public debates, arguing for woman suffrage, for racial equality, and anti-lynching laws, for workers' free speech and assembly rights. Eventually, Whitney was vindicated when she was pardoned by California's Governor C.C. Young and when in 1969 the Supreme Court declared in Brandenburg v. Ohio that 'Whitney has been thoroughly discredited' and 'overruled.'

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This volume is a collection of ideas stated over a lifetime of service as administrator, diplomat, president, and Chief Justice. It singles out, from the total of Taft's writings and addresses, the essence of his convictions regarding government, diplomacy, and the law. Readers will find the ideas and beliefs of Taft as he dealt with a plethora of issues, principles, and judgments; a treasure of public wisdom satisfying in itself and yet stimulating to the point of prompting further investigation of Taft's public mind and personal convictions. In this undertaking there are three separate categories: political analyses, diplomatic explorations, and judicial deliberations woven into a pattern of a philosophy of government.

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Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.

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Long studied for historical, biographical, or sociological purposes, George Herbert's The Country Parson has not received the literary appreciation it deserves. Through a literary analysis exploring genre, themes, topics, emphasis, context, and models, this study finds The Country Parson to be a carefully conceived and executed piece of literary prose. Herbert wrote this work after the popular Renaissance courtesy book rather than in the more common homiletic style of contemporary clerical manuals. While his techniques for artful self-fashioning might have been borrowed from the pages of Castiglione or Della Casa, his purposes could not. Herbert believed in the mimetic effects of outer behavior in shaping the inner man. In The Country Parson Herbert used 'all possible art' to both describe and inspire the 'Form and Character of a true Pastour', that he and his fellow clergy may have a 'Mark to aim at'. The Country Parson should be seen as a carefully crafted piece of literary prose working within, but also transforming, the popular genres of clerical manual and courtesy book, using "all possible art" to please and instruct both pastor and church member and ultimately (as Herbert hoped) to serve God. Literary historians, Herbert students, and cultural historians will all find this study worth their examination.

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Bishop John Medley was associated with a revolutionary group, the Oxford Movement (also called the Tractarians), in the Church of England that sought to return the church to its primitive and Catholic heritage. Part of this revolution was a rejection of the comfortable relationship between Church and State that had existed since the end of the seventeenth century. Equally suspect because of their perceived Roman Catholic leanings and the potential for disloyalty to the English Establishment, the Tractarians aroused strong feelings throughout Victorian English society. Medley was associated with the key figures of the movement and involved in many of the religious controversies of this turbulent time. In addition, he had the responsibility of maintaining the unity of an ideologically divided church in a colonial diocese. This book illuminates one part of the great societal change that occurred in thenineteenth century as the British Empire both reached its apex and began to be transformed into diverse independent political entities. The role of the church and religion in this imperial enterprise and in subsequent movements toward independence is central to an understanding of this process. As an experiment, W. E. Gladstone, sometime Prime MInister of England and keen churchman, arranged to appoint a member of the controversial Tractarian party to the Episcopal bench. Because such a move was politically and ecclesiastically dangerous in England, Medley was sent to the colonies. Intended to be a planter of British High Churchmanship in the soil of the new world, Medley became convincd over the course of his forty-seven-year episcopate that the American model of the church was more practical than the British. He eventually forged an identity for his diocese that was, in many ways, to be the pattern for the modern worldwide Anglican Church. He played a major role in developing a modern, pluralistic, Canadian civil society. By examining previously unpublished original source materials and by subjecting Medley's

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This innovative study locates Joyce’s work in the context of politics and philosophy. This text examines Joyce’s response to the dominant linguistic and philosophical systems that, because of their inner logics of exclusion, inevitably produce economic, religious, and sexual victims.

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This book studies the folk-taxonomy for English, and to some extent for the Germanic and Indo- European language families. The semantic fields studied are basic color terms, seasons of the year, geometric shapes, the five senses, the folk-psychology of mind and soul, and basic plant and animal life-forms. AndersonOs emphasis is on folk-taxonomies in Old and Middle English, and also on the implications of semantic analysis for our reading of early English literary texts.

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This book explores how and why the influential Norwegian artist Edvard Munch exploited late nineteenth-century physiology as a means to express the Symbolist soul. Munch’s series of paintings through the 1890s, known collectively as the Frieze of Life, looked to the physiologically functioning (and malfunctioning) living organism for both its visual and organized metaphors.

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This study uses the lives of four Tudor officials who were personal servants of the monarch_Sir Thomas Heneage, Sir Anthony Denny, Sir John Gates, and Sir William Herbert_to demonstrate the inertia of personal monarchy in spite of Thomas CromwellOs reform and reorganization of government. It also investigates the link between a courtier and a councilor, between a kingOs or queenOs man and a statesman.

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Volume 1 covers the Early Years, Italy, and the Parisian Triumphs (1827-39). A register of names, maps, illustrations, musical examples, and annotations complete the critical apparatus.

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For more information on similar titles, please visit www.lexingtonbooks.com

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Although supporters and critics of conductor Leopold Stokowski have disagreed over his contribution to symphonic music, a consensus developed that he was a man of paradox and mystery, an extrovert showman reclusively shy about who he was and what he was trying to do in music. This volume attempts to solve the mysteries. Includes an annotated discography.

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Waiting for the End examines two dozen contemporary novels as demonstrations of the continuing concern with the gender of ending in narrative. Traditional concepts of the role of ending came under question in the later twentieth century, as feminists began to argue that the structure of "rising action" and "climax" was patently masculinist. The effort to theorize alternatives to that structure was echoed by contemporary novelists, male as well as female, who sought to complicate conventional notions of ending. Often those complications of ending(s) have spoken to a growing awareness that ending in narrative is artificial and that plot structure and ending need to make gestures toward the reader's sense that while narrative may end, what narrative attempts to represent will always evade the artifice of fiction.

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In 2005, after four months in hospitals, Dick Rayburn returns home with a limp, a disfigured face, and pain. Around tense conversations between him and his wife, Valerie, concerning their absent son, Jamie, the narrative weaves memories triggered by objects in the house. An old self-portrait draws him back to his childhood and the studio of his father, who trained Dick to be an artist, while an article critical of the Iraq War, by the journalist to whom he was engaged when they were graduate students, resurrects the person he was and the woman he loved. Dick relives his evolution from a young artist and left-wing university student to the war profiteer Valerie blames for Jamie being in Iraq, and cannot stop reliving the horror that he witnessed the day he flew into Fallujah and was shot down as his helicopter left the city. To cope with the memories that haunt him, Dick returns to his passion for painting. He paints what he saw in Fallujah, the person he feels he has become, and the loved ones he has lost. The images emerge from a deep, dark background, the principal ingredient of which is ivory black.

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Enid Blyton's books are beloved the world over and The Famous Five have been the perennial favourite of her fans. Now, in this new series of Enid Blyton for Grown-Ups, George, Dick, Anne, Julian and Timmy confront a new challenge: is it possible to get a good gluten-free cream tea?Julian, Anne, Dick, George and Timmy are all feeling really rather rum, and it's been going on for days. Nothing seems to work, and with their doctors mystified, they're driven to trying out various expedients to cure themselves. Julian goes online to self-diagnose that he's got pancreatic cancer, bird flu and Creutzfeldt-Jakob Disease. Anne decides that the old methods are the best and decides to have herself exorcised - which proves to be an awful lot of bother for everyone, and such a mess. Dick goes to a witch-doctor who calls himself a 'homeopath' ('sounds only one short of sociopath, Dick!') but it's George who discovers they need to go on an exclusion diet, so they enter a world of hard-to-find, maddeningly expensive specialist foods . . .Just perfect for anyone who likes Deliciously Ella, Amelia Freer and the Naturalista - as well as any reluctant partners who are begrudgingly spiralising courgettes for dinner.

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Times change and not always for the better. Dick Kirby, a former experienced Met detective and now best-selling author, maintains that the current politically correct culture coupled with an inept Crown Prosecution Service and aided and abetted by the Police & Criminal Evidence Act, has slowed the pursuit of criminals and justice to a snail’s pace. As this gripping book clearly demonstrates it was not always so. During the 20th Century, uniformed officers were visibly part of the community, patrolling their beats and protecting the public’s property. Detectives detected, cultivated informants and, like their uniform counterparts, knew the characters on their manor. What’s more, they were backed by their senior officers, who had on-the-job experience. Drawing on both celebrated and lesser known cases, the author vividly describes crime fighting against merciless gangsters, desperate gunmen, inept kidnappers, vicious robbers, daring burglars and ruthless blackmailers. Using his first-hand knowledge he highlights the often unconventional methods used to frustrate and outwit hardened criminals and the satisfaction gained from successful operations. One chapter – “An Old Master” – accurately describes the theft of Goya’s portrait, The Duke of Wellington from the National Gallery in 1961. This audacious heist was recently adapted into film: “The Duke” starring Jim Broadbent as the thief and Helen Mirren as his long-suffering wife.

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The eighth in a fantastic series of animal stories for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon.Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself...When Jasmine and Tom discover an injured barn owl in the woods, they race to save his life. But as Star recovers, Jasmine realises that this beautiful bird is also a deadly hunter. Has Jasmine taken on more than she can handle?Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Perfect for readers aged seven and up.Check out Jasmine's other adventures: A Piglet Called Truffle, A Duckling Called Button, A Sheepdog Called Sky and many more!

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The second in a fantastic series of animal stories for younger readers by Waterstones Children's Book Prize-shortlisted author Helen Peters, with beautiful black-and-white illustrations by Ellie Snowdon.Jasmine's dad is a farmer, and her mum is a large-animal vet, so Jasmine spends a lot of time caring for animals and keeping them out of trouble. Unfortunately, this often means she gets into hot water herself...When a nesting duck is killed in a terrible accident, Jasmine and her best friend Tom rescue the eggs and try to hatch them in an incubator. It's a risky business but soon Button is running around, getting into scrapes. Until the day he gets into a scrape with no escape...Brilliant storytelling that will make you laugh and cry, this is Dick King-Smith for a new generation. Perfect for readers aged seven and up.Check out Jasmine's other adventures: A Piglet Called Truffle, A Duckling Called Button, A Sheepdog Called Sky and many more!

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For the woodturner seeking projects that are a little more challenging, Dick Sing shares his techniques for creating awe-inspiring wooden ornaments and eggs. Step-by-step instructions and color photos guide you through the process of turning and hollowing out a globe for the incredibly light ornament, crafting a delicate "icicle" for the spindle -- even adding a captive ring for that special finishing touch. Dick provides helpful tips for selecting the appropriate woods, using your tools to their best advantage, and fashioning some new tools from surprisingly ordinary materials. Next he shows how to turn a wooden egg that will look like Mother Nature smiled upon it. One of nature's most perfect forms, the egg is also one of the most challenging, and Dick has spent many years perfecting his techniques for getting an egg to look like an egg. Here he outlines his methods for laying out the egg with a template, making a special chuck so you can finish both ends of the egg in the lathe, and using a homemade mandrel to create an egg that is also a kaleidoscope. Now you can attain eggs you are proud of! As a special bonus, Dick shows you how to recreate the jar he uses for his finish and how to use a wood burning pen to sign your completed projects.

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This noir fantasy thriller from a debut author introduces the gritty town of Titanshade, where danger lurks around every corner."Take a little Mickey Spillane, some Dashiell Hammet, a bit of Raymond Chandler, and mix it with Phillip K. Dick's Blade Runner; add a taste of CJ Box, and Craig Johnson, and you've got a masterpiece of a first novel." —W. Michael Gear, New York Times bestselling authorCarter's a homicide cop in Titanshade, an oil boomtown where 8-tracks are state of the art, disco rules the radio, and all the best sorcerers wear designer labels. It's also a metropolis teetering on the edge of disaster. As its oil reserves run dry, the city's future hangs on a possible investment from the reclusive amphibians known as Squibs.But now negotiations have been derailed by the horrific murder of a Squib diplomat. The pressure's never been higher to make a quick arrest, even as Carter's investigation leads him into conflict with the city's elite. Undermined by corrupt coworkers and falsified evidence, and with a suspect list that includes power-hungry politicians, oil magnates, and mad scientists, Carter must find the killer before the investigation turns into a witch-hunt and those closest to him pay the ultimate price on the filthy streets of Titanshade.

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Erin Mackie explores the shared histories of the modern polite English gentleman and other less respectable but no less celebrated eighteenth-century masculine types: the rake, the highwayman, and the pirate. Mackie traces the emergence of these character types to the seventeenth and early eighteenth centuries, when traditional aristocratic authority was increasingly challenged. She argues that the development of the modern polite gentleman as a male archetype can only be fully comprehended when considered alongside figures of fallen nobility, which, although criminal, were also glamorous enough to reinforce the same ideological order. In Evelina's Lord Orville, Clarissa's Lovelace, Rookwood's Dick Turpin, and Caleb Williams's Falkland, Mackie reads the story of the ideal gentleman alongside that of the outlaw, revealing the parallel lives of these seemingly contradictory characters. Synthesizing the histories of masculinity, manners, and radicalism, Rakes, Highwaymen, and Pirates offers a fresh perspective on the eighteenth-century aristocratic male.

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'An absolutely enthralling suspense right to the very end' 5***** Reader Review'Keeps you on the edge of your seat wondering what is going to happen next' 5***** Reader Review______Physics teacher (and crack shot) Jonathan Derry is given some tapes to look after by a friend. They're not your usual tapes: they hold a computer programme which functions as a bookie-breaking betting system. When Jonathan's friend is then killed in a suspicious explosion and two thugs with guns turn up at his house demanding the tapes, Jonathan realises that he's been handed a whole lot more trouble. Jonathan knows he won't be left alone unless he gives them what they want. However, he decides to play his own game. After all, he's a crack shot.He can look after himself . . . Can't he?Packed with intrigue and hair-raising suspense, Twice Shy is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'Riveting from start to finish' 5***** Reader Review'Nothing beats a good Francis, and this is as good as they come' 5***** Reader Review'An excellent thriller. Spellbinding up to the end' 5***** Reader Review______When inventor Stephen Scott abruptly fires his winning trainer Jody Leeds, the racing world is shocked and disgusted - though not quite as angry as Leeds, who swears revenge on his former friend. But Steven is convinced that Leeds has been stealing from him - and worse - and felt he had no choice. And when Leeds decides to enact his vengeance, Steven finds out just what a nasty piece of work he really is. Because now Steven is not only in fear of losing everything - but also his life.Somehow, he must prove to the world that Leeds is a vicious crook - or die trying . . .Packed with intrigue and hair-raising suspense, High Stakes is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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“Jeffrey Ford is one of the few writers who uses wonder instead of ink in his pen.” – Jonathan CarrollA bold and intriguing fabulist novel that reimagines two of the most legendary characters in American literature—Captain Ahab and Ishmael of Herman Melville’s Moby-Dick—from the critically acclaimed Edgar and World Fantasy award-winning author of The Girl in the Glass and The Shadow Year.At the end of a long journey, Captain Ahab returns to the mainland to confront the true author of the novel Moby-Dick, his former shipmate, Ishmael. For Ahab was not pulled into the ocean’s depths by a harpoon line, and the greatly exaggerated rumors of his untimely death have caused him grievous harm—after hearing about Ahab’s demise, his wife and child left Nantucket for New York, and now Ahab is on a desperate quest to find them.Ahab’s pursuit leads him to The Gorgon’s Mirror, the sensationalist tabloid newspaper that employed Ishmael as a copy editor while he wrote the harrowing story of the ill-fated Pequod. In the penny press’s office, Ahab meets George Harrow, who makes a deal with the captain: the newspaperman will help Ahab navigate the city in exchange for the exclusive story of his salvation from the mouth of the great white whale. But their investigation—like Ahab’s own story—will take unexpected, dangerous, and ultimately tragic turns.Told with wisdom, suspense, a modicum of dry humor and horror, and a vigorous stretching of the truth, Ahab’s Return charts an inventive and intriguing voyage involving one of the most memorable characters in classic literature, and pays homage to one of the greatest novels ever written.

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The dreaded Great Aunt has invited herself to stay with Nancy and Peggy just as their friends Dick and Dorothea arrive for the Summer holiday. Nancy and Peggy have to become Martyrs, wearing dresses and reading poetry (but breaking out at night), while Dick and Dorothea become Picts, secret inhabitants of the country who must never let themselves be seen. It's a desperate gamble to keep everyone out of trouble - but can it possibly work against the eagle eyes of the fearsome Great Aunt?

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The Tao of S is an engaging study of American racialization of Chinese and Asians, Asian American writing, and contemporary Chinese cultural production, stretching from the nineteenth century to the present. Sheng-mei Ma examines the work of nineteenth-century "Sinophobic" American writers, such as Bret Harte, Jack London, and Frank Norris, and twentieth-century "Sinophiliac" authors, such as John Steinbeck and Philip K. Dick, as well as the movies Crazy Rich Asians and Disney's Mulan and a host of contemporary Chinese authors, to illuminate how cultural stereotypes have swung from fearmongering to an overcompensating exultation of everything Asian. Within this framework Ma employs the Taoist principle of yin and yang to illuminate how roles of the once-dominant American hegemony—the yang—and the once-declining Asian civilization—the yin—are now, in the twenty-first century, turned upside down as China rises to write its side of the story, particularly through the soft power of television and media streamed worldwide.

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'No one writes better thrillers than this - a classic' 5***** Reader Review'Tight plot, excellent locations and explosions of tension! You don't get much better than that' 5***** Reader Review'So many twists and turns, the tension never lets' 5***** Reader Review______Charles Todd, a successful artist who paints horses, arrives at his cousin Donald's house and stumbles on a grisly scene:Police cars everywhere, his cousin arrested for murder and Donald's wife brutally slain. Believing - unlike the police - Donald's story of a burglary gone wrong, Charles follows clues which lead him from England to Australia, and to a diabolical scheme involving fraud and murder. But soon Charles realises that someone is on his trail.Someone who wants to make sure that Charles won't live long enough to save Donald . . .Packed with intrigue and hair-raising suspense, In the Frame is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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This paperback will feature two Christmas-themed stories: the much-loved classic, "The Gift of the Magi," and "Whistling Dick's Christmas Stocking."

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