Search results for ""author marion"

Das Habitogramm® ist eine praktische Methode für die Beratungspraxis, um Problemstellungen, Stolperfallen, Lernfelder sowie habituelle Begrenzungen und Ressourcen für Beratende und Klient:innen aufzudecken. Mit seinen verschiedenen Varianten und Methodenbausteinen richtet das Habitogramm den Blick auf typische menschliche Einstellungen und Verhaltensmuster. Indem es Ressourcen und Lernfelder freilegt, stellt es ein wesentliches Element zur eigenen Weiterentwicklung und der von anderen dar. Als systemisches Instrument strukturiert es Prozesse, fördert Verständnis, unterstützt Entscheidungen und begünstigt Integration. Mögliche Hürden in Arbeitsbeziehungen können mit ihm aufgedeckt und angemessen bewältigt werden. Das so ausgeschöpfte Potenzial erhöht die Chancen, erfolgreich zu beraten, zu begleiten und zu betreuen. Wie mit dem Habitogramm gearbeitet wird, zeigt Marion Schenk anschaulich an zahlreichen Fallbeispielen aus der Praxis. Wer als Fachkraft präzise auf Diversität, internationale Migration und innerdeutsche Differenzen reagieren, dem Ziel einer Annäherung und Veränderung in Unterstützungsprozessen näher- und sich selbst auf die Spur kommen möchte, kann sich mit dem Habitogramm auf den Weg begeben.

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Don''t miss the next instalment in the Solanki and McQueen Crime Series, perfect for fans of Stuart MacBride, Val McDermid and Marion Todd.Two Deaths. Two Rivals. One Unforgiveable Betrayal.Available for pre-order now!When the turf war between the gangs of Glasgow and Edinburgh begins to escalate, Detectives Jazzy Solanki and Annie McQueen must uncover who is the one person with the kind of vendetta to make it all happen before the murders get out of control.Praise for Liz MistryNorthern Noir doesn''t get much better than this! Gripping from start to finish, this is a superb story.' NetGalley Reviewer, ?????Wow, wow, wow Liz Mistry certainly knows how to engage and entertain her readers through her writing. I absolutely loved this book and devoured it in less than two days' NetGalley Reviewer, ?????Liz Mistry has done it again. This latest book in her series has it all, mystery, suspense, and thriller. Captivating from the start.' NetGalley Reviewer, ?????This was a perfect police proc

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We Shot the War: Overseas Weekly in Vietnam examines the legacy of one of the most popular and eccentric newspapers to cover the Vietnam War. With its mix of hard-hitting military exposés, pinups, and comic strips, Overseas Weekly earned a reputation as a muckraking truth teller. Time magazine called it “the least popular publication at the Pentagon.” From 1966 to 1972, the paper’s reporters and photographers tackled controversial topics, including courts-martial, racial discrimination, drug use, and opposition to command. And they published some of the most intimate portraits of American GIs and Vietnamese civilians, taken with the specific purpose of documenting the daily life of individuals caught in the world’s most grueling and disputed conflict. Through striking photographs and personal essays, We Shot the War brings viewers behind the viewfinders of photojournalists who covered the conflict and introduces readers to two extraordinary women: founder Marion von Rospach and Saigon office bureau chief Ann Bryan. Together, they fought for the right of women to report in combat zones and argued against media censorship.

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Despite widespread agreement that the District of Columbia's political system has collapsed, there is a serious lack of thoughtful proposals addressing the political future of the nation's capital. In this book, Edward M. Meyers examines the opinions of average Americans about Washington, D.C., in order to understand how many Americans are likely to approach the question of what reforms are needed. Meyers first explores the political, economic, and social conditions of the District, providing an informed context for understanding and evaluating its political options. Presenting the results of in-depth qualitative research with focus groups held across the country, Meyers reveals that regardless of the participants' knowledge about the District, their beliefs in six basic concepts or schemata - such as respect for democratic rights, attitudes about race, and aversion to an intrusive federal government - molded their opinions about various options for District self-governance. The book concludes with insights into the District by local and national political leaders, including OMB Director Alice Rivlin, Jesse Jackson, Representatives Eleanor Holmes Norton, Thomas Davis, and James Walsh, and Marion Barry.

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We are hardwired to connect with one another, and we connect through our emotions. Our brains, bodies, and minds are inseparable from the emotions that animate them. Normal human development relies on the cultivation of relationships with others to form and nurture the self-regulatory circuits that enable emotion to enrich, rather than enslave, our lives. And just as emotionally traumatic events can tear apart the fabric of family and psyche, the emotions can become powerful catalysts for the transformations that are at the heart of the healing process. In this book, the latest addition to the Norton Series on Interpersonal Neurobiology, leading neuroscientists, developmental psychologists, therapy researchers, and clinicians illuminate how to regulate emotion in a healthy way. A variety of emotions, both positive and negative, are examined in detail, drawing on both research and clinical observations. The role of emotion in bodily regulation, dyadic connection, marital communication, play, well-being, health, creativity, and social engagement is explored. The Healing Power of Emotion offers fresh, exciting, original, and groundbreaking work from the leading figures studying and working with emotion today. Contributors include: Jaak Panksepp, Stephen W. Porges, Colwyn Trevarthen, Ed Tronick, Allan N. Schore, Daniel J. Siegel, Diana Fosha, Pat Ogden, Marion F. Solomon, Susan Johnson, and Dan Hughes.

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DI Eve Hunter is back in the edge-of-your-seat new detective thriller from Deborah Masson, winning author of the Bloody Scotland Crime Debut of the Year 2020.A young man, the son of an influential businessman, is discovered dead in his central Aberdeen apartment.Hours later, a teenaged girl with no identification is found hanged in a suspected suicide.As DI Eve Hunter and her team investigate the two cases, they find themselves in a tug-of-war between privilege and poverty; between the elite and those on the fringes of society.Then an unexpected breakthrough leads them to the shocking conclusion: that those in power have been at the top for too long - and now, someone is going to desperate lengths to bring them down...Can they stop someone who is dead set on revenge, no matter the cost?*****READERS ARE OBSESSED WITH THE DI EVE HUNTER SERIES'One of the best books I've ever read!''I loved DI Eve Hunter and her team''Without a doubt the best police procedural I have read in a long time''I cannot wait to see what else is to come in the DI Eve Hunter series''You won't want to stop reading this addictive crime novel''Fantastic characters that you'll fall in love with - I really couldn't put this book down!''Can't wait for the next one . . . and the next one . . . and the next one!''Out For Blood has everything you need in a crime thriller and more' Rebecca Bradley'DI Eve Hunter is truly a force to be reckoned with' David Jackson'This is first-class crime fiction' Marion Todd'Not to be missed, edge-of-the-seat stuff from a genuine rising star' Denzil Meyrick

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‘Belsham and Higgins have painted a fascinating world in such vivid detail that you can feel the heat of the desert off the page! I thoroughly enjoyed it’ James Oswald, Sunday Times bestselling author of the Inspector McLean seriesOne man murdered, another missing. A race against time…Helmand, 2004: Afghanistan’s most lawless province, where nearly 90 per cent of the world’s opium is grown. Pink and lilac poppies flutter innocently in the breeze in fields that stretch for miles and miles along the Helmand River south of the provincial capital, Lashkar Gah. Gangsters and warlords battle for supremacy in the lucrative trade, territories well-known, and fiercely contested.Well Diggers, an Anglo-Dutch NGO helping the farming community, comes under attack. One man is dead and another man is missing – suspected kidnapped, so head of security Ginger Jameson calls in his old friend Alasdair ‘Mac’ MacKenzie to help.But when the expected ransom demand fails to materialise, rumours blossom, creating a web of deceit and a multitude of false leads. Embarking on a rescue mission into the no-go reaches of southern Helmand might look like a major scoop to Mac’s girlfriend, investigative reporter Baz Khan, but it puts the whole team in danger. And if they don’t find him soon, they won’t find him at all…From Helmand’s shimmering poppy fields to the blistering Desert of Death and the opium bazaars of Bahram Char, where nothing is as cheap as a man’s life, this is the gripping sequel to Death in Kabul.Praise for Death in Helmand ‘Belsham and Higgins have painted a fascinating world in such vivid detail that you can feel the heat of the desert off the page! The central characters are a wonderful mix who bring extra depth to the reality of just trying to exist in a country as broken as Afghanistan. The chapters rattle along at a great pace, pages pretty much turning themselves as you rush, heart in mouth, to find out what happens next’ James Oswald, Sunday Times bestselling author of the Inspector McLean series‘A book so atmospheric you can feel the grit between your teeth and the sand in your shoes, Death in Helmand is a thrill-ride race-to-the-finish that had me gripped until the end. A superb read!’ Louisa Scarr, author of Blink of an Eye‘Mac and Baz are back in this awesome, edge-of-the-seat thriller. Death in Helmand is an escape to an opium-fuelled world which makes Mad Max look sedate. Afghan warlords, kidnap, murder, daring escapes with an edge of humanity that give us a real glimpse into the world behind the headlines. A brilliant white-knuckle ride’ Suzy Aspley, author of Crow Moon‘Noisy, dusty, chaotic and tense - Helmand is brilliantly drawn in this powerful novel. I could not put it down’ Marion Todd, author of What They Knew‘Belsham and Higgins give us another all-guns-blazing, white-knuckle ride through lawless Afghanistan, with a cast of characters you can’t help but root for’ Heleen Kist, author of What I Hid From You‘As gritty and realistic as a thriller gets. You’re going to feel the zip of every bullet and every bump in the road. What an amazingly immersive read!’ Rob Parker, author of Far from the TreePraise for Death in Kabul ‘A tense, taut and totally authentic thriller that grips from the first page and doesn’t let go. Death in Kabul immerses you in 2003 Kabul, riven by corruption where danger lurks in every alley’ D. V. Bishop, author of City of Vengeance‘A vividly portrayed murder mystery in a fresh and fascinating setting. With wonderful characters and a great plot, I hope this is the first of many from this duo’ Susi Holliday, author of The Last Resort

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Economists and Societies is the first book to systematically compare the profession of economics in the United States, Britain, and France, and to explain why economics, far from being a uniform science, differs in important ways among these three countries. Drawing on in-depth interviews with economists, institutional analysis, and a wealth of scholarly evidence, Marion Fourcade traces the history of economics in each country from the late nineteenth century to the present, demonstrating how each political, cultural, and institutional context gave rise to a distinct professional and disciplinary configuration. She argues that because the substance of political life varied from country to country, people's experience and understanding of the economy, and their political and intellectual battles over it, crystallized in different ways--through scientific and mercantile professionalism in the United States, public-minded elitism in Britain, and statist divisions in France. Fourcade moves past old debates about the relationship between culture and institutions in the production of expert knowledge to show that scientific and practical claims over the economy in these three societies arose from different elites with different intellectual orientations, institutional entanglements, and social purposes. Much more than a history of the economics profession, Economists and Societies is a revealing exploration of American, French, and British society and culture as seen through the lens of their respective economic institutions and the distinctive character of their economic experts.

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A child’s life is at stake. Which of the residents of St Andrews is hiding something – and why?When a baby girl is snatched from the crowd of spectators at a fun run, the local police have a major investigation on their hands. DI Clare Mackay and her team are in a race against the clock when they learn that the child has a potentially fatal medical condition.As Clare investigates she realises this victim wasn’t selected at random. Someone knows who took the baby girl, and why. But will they reveal their secrets before it's too late?The second instalment from an exciting new Scottish detective series. Perfect for fans of Alex Gray, Rachel Amphlett and D. K. Hood.Readers are loving In Plain Sight ‘One of Scotland's top up-and-coming crime writers’ The Scottish Sun‘In Plain Sight, second in the DI Clare Mackay series, echoes the themes of See Them Run, Marion Todd’s debut crime novel: vivid sense of place, strong female lead, authentic police procedure. The protagonists’s love interest whets the appetite for more. I look forward to Book 3 in the series.’ Claire MacLeary, author of Cross Purpose‘This is becoming one of my favorite police procedural series.’ Reader review ⭐⭐⭐⭐⭐‘A truly gripping and thoroughly entertaining read. I’m already looking forward to the next in the series….’ Reader review ⭐⭐⭐⭐⭐‘This book was one of those unpredictable, chilling and downright scary reads that had me gripped and on the edge of my seat throughout. In Plain Sight certainly kept me guessing and then some.’ Reader review ⭐⭐⭐⭐⭐‘The plot is tight and intricately constructed and you’ll find it hard to put this book down. As with any good book, though, it is the characters who stay with you.’ Reader review ⭐⭐⭐⭐⭐‘A fast moving gripping novel that once you've started reading you'd best set aside the day as you won’t want to put it down until the last page is read!’ Reader review ⭐⭐⭐⭐⭐

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This major work provides an assessment of Adolf Lowe's work and explores areas for future research in relation to his important contribution to economics, in particular his belief that economics is inseparable from social inquiry.The book opens with an overall evaluation of Lowe as a perceptive historical, political and sociological observer, presented through a number of personal recollections by Robert Heilbroner, Claus-Dieter Krohn and Marion Countess Donhoff. They analyse Lowe's intellectual and socio-political development during the Weimar Republic and how this period influenced some of his later works. The second part assesses Lowe's major contribution to the development of business cycle theory, and the roots of his analysis of structural and economic change. The book also examines Lowe's pioneering work in the field of traverse analysis. It concludes with a discussion of Lowe as 'economic philosopher' and his concern with the extent to which contemporary Western societies can balance the conflict between freedom and order.

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The 19 papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators and a practising marble sculptor to discuss varying approaches to restoration of ancient stone sculptures. Contributors and their subjects include: Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage's case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues and questions raised by the symposium.

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* A WATERSTONES SCOTTISH BOOK OF THE MONTH * * SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD * 'As moving as it is gripping... I loved it' CHRIS BROOKMYRE 'Utterly compelling' MARION TODD 'Extraordinary' JAMES OSWALD 'Excellent' HERALD SCOTLAND There were good people in The Homes. But there were also some very, very bad ones... A thousand unwanted children live in The Homes, a village of orphans in the Scottish Lowlands on the outskirts of Glasgow. Lesley was six before she learned that most children live with their parents. Now Lesley is twelve, and she and her best friend Jonesy live in Cottage 5, Jonesy the irrepressible spirit to Lesley's quiet thoughtfulness. Life is often cruel at The Homes, and suddenly it becomes much crueller. A child is found murdered. Then another. With the police unable to catch the killer, Lesley and Jonesy decide to take the matter into their own hands. But unwanted children are easy victims, and they are both in terrible danger... Inspired by a true story, and introducing readers to the unforgettable voice of young orphan Lesley, The Homes is a moving and lyrical thriller, perfect for readers of Val McDermid, Chris Whitaker, Jane Casey and Denise Mina.

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Marion Moser befasst sich mit einem klassischen Thema der Johannesinterpretation, den Schriftbezügen im Johannesevangelium. Indem sie intertextuelle und narrative Methoden für die Fragestellung fruchtbar macht, rückt ein zentraler, bisher kaum beachteter Aspekt des Schriftgebrauchs des vierten Evangeliums in den Fokus: Zitate und Verweise aus der Schrift werden meistens in Figurenreden eingebettet. Mit dieser Beobachtung verbunden ist eine Reihe von neuen Fragen: Welche Figuren benutzen die Schrift und welche Interpretationen vertreten sie? Welche Folgen hat dies für die Exegese des johanneischen Textes? Steht hinter diesem Schriftgebrauch eine narrative Strategie des Evangelisten und wenn ja, kann sie durch die historische Situation plausibel erklärt werden? In der paradigmatischen Untersuchung von Joh 4,1-42 und Joh 7,1-52 geht die Autorin diesen und weiteren Fragen nach, um daraus anschließend Ergebnisse im Hinblick auf das Evangelium insgesamt zu gewinnen.

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The third and final book of The Janitors of the Post-Apocalypse follows a group of unlikely heroes trying to save the galaxy from a zombie plague. Marion “Mops” Adamopoulos and her team were trained to clean spaceships. They were not prepared to fight an interplanetary war with the xenocidal Prodryans or to make first contact with the Jynx, a race that might not be as primitive as they seem. But if there’s one lesson Mops and her crew have learned, things like “training” and “being remotely qualified” are overrated. The war is escalating. (This might be Mops’ fault.) The survival of humanity—those few who weren’t turned to feral, shambling monsters by an alien plague—as well as the fate of all other non-Prodryans, will depend on what Captain Mops and the crew of the EDFS Pufferfish discover on the ringed planet of Tuxatl. But the Jynx on Tuxatl are fighting a war of their own, and their world’s long-buried secrets could be more dangerous than the Prodryans. To make matters worse, Mops is starting to feel a little feral herself!

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“Generation after generation, Joy has been a warm, encouraging presence in American kitchens, teaching us to cook with grace and humor. This luminous new edition continues on that important tradition while seamlessly weaving in modern touches, making it all the more indispensable for generations to come.” —Samin Nosrat, author of Salt, Fat, Acid, Heat “Cooking shouldn’t just be about making a delicious dish—owning the process and enjoying the experience ought to be just as important as the meal itself. The new Joy of Cooking is a reminder that nothing can compare to gathering around the table for a home cooked meal with the people who matter most.” —Joanna Gaines, author of Magnolia Table In the nearly ninety years since Irma S. Rombauer self-published the first three thousand copies of Joy of Cooking in 1931, it has become the kitchen bible, with more than 20 million copies in print. This new edition of Joy has been thoroughly revised and expanded by Irma’s great-grandson John Becker and his wife, Megan Scott.John and Megan developed more than six hundred new recipes for this edition, tested and tweaked thousands of classic recipes, and updated every section of every chapter to reflect the latest ingredients and techniques available to today’s home cooks. Their strategy for revising this edition was the same one Irma and Marion employed: Vet, research, and improve Joy’s coverage of legacy recipes while introducing new dishes, modern cooking techniques, and comprehensive information on ingredients now available at farmers’ markets and grocery stores. You will find tried-and-true favorites like Banana Bread Cockaigne, Chocolate Chip Cookies, and Southern Corn Bread—all retested and faithfully improved—as well as new favorites like Chana Masala, Beef Rendang, Megan’s Seeded Olive Oil Granola, and Smoked Pork Shoulder. In addition to a thoroughly modernized vegetable chapter, there are many more vegan and vegetarian recipes, including Caramelized Tamarind Tempeh, Crispy Pan-Fried Tofu, Spicy Chickpea Soup, and Roasted Mushroom Burgers. Joy’s baking chapters now include gram weights for accuracy, along with a refreshed lineup of baked goods like Cannelés de Bordeaux, Rustic No-Knead Sourdough, Ciabatta, Chocolate-Walnut Babka, and Chicago-Style Deep-Dish Pizza, as well as gluten-free recipes for pizza dough and yeast breads. A new chapter on streamlined cooking explains how to economize time, money, and ingredients and avoid waste. You will learn how to use a diverse array of ingredients, from amaranth to za’atar. New techniques include low-temperature and sous vide cooking, fermentation, and cooking with both traditional and electric pressure cookers. Barbecuing, smoking, and other outdoor cooking methods are covered in even greater detail. This new edition of Joy is the perfect combination of classic recipes, new dishes, and indispensable reference information for today’s home cooks. Whether it is the only cookbook on your shelf or one of many, Joy is and has been the essential and trusted guide for home cooks for almost a century. This new edition continues that legacy.

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The question of responsibility plays a critical role not only in our attempts to resolve social and political problems, but in our very conceptions of what those problems are. Who, for example, is to blame for apartheid in South Africa? Is the South African government responsible? What about multinational corporations that do business there? Will uncovering the "true facts of the matter" lead us to the right answer? In an argument both compelling and provocative, Marion Smiley demonstrates how attributions of blame—far from being based on an objective process of factual discovery—are instead judgments that we ourselves make on the basis of our own political and social points of view. She argues that our conception of responsibility is a singularly modern one that locates the source of blameworthiness in an individual's free will. After exploring the flaws inherent in this conception, she shows how our judgments of blame evolve out of our configuration of social roles, our conception of communal boundaries, and the distribution of power upon which both are based. The great strength of Smiley's study lies in the way in which it brings together both rigorous philosophical analysis and an appreciation of the dynamics of social and political practice. By developing a pragmatic conception of moral responsibility, this work illustrates both how moral philosophy can enhance our understanding of social and political practices and why reflection on these practices is necessary to the reconstruction of our moral concepts.

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It is widely held today that classical Islamic law frees wives from any obligation to do housework. Wives’ purported exemption from domestic labor became a talking point among Muslims responding to Orientalist stereotypes of the “oppressed Muslim woman” by the late nineteenth century, and it has been a prominent motif in writings by Muslim feminists in the United States since the 1980s.In Wives and Work, Marion Holmes Katz offers a new account of debates on wives’ domestic labor that recasts the historical relationship between Islamic law and ethics. She reconstructs a complex discussion among Sunni legal scholars of the ninth to fourteenth centuries CE and examines its wide-ranging implications. As early as the ninth century, the prevalent doctrine that wives had no legal duty to do housework stood in conflict with what most scholars understood to be morally and religiously right. Scholars’ efforts to resolve this tension ranged widely, from drawing a clear distinction between legal claims and ethical ideals to seeking a synthesis of the two. Katz positions legal discussion within a larger landscape of Islamic normative discourse, emphasizing how legal models diverge from, but can sometimes be informed by, philosophical ethics. Through the lens of wives’ domestic labor, this book sheds new light on notions of family, labor, and gendered personhood as well as the interplay between legal and ethical doctrines in Islamic thought.

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En menudo lío te has metido! No sólo has hecho caso a tu amiga Marion y habéis entrado en la misteriosa casa abandonada del acantilado, sino que ésta ha resultado ser la puerta a otros mundos. Ahora estáis atrapados entre un montón de peligros. Cada puerta te puede llevar a una dimensión más extraña que la anterior Seréis capaces de encontrar la salida??No sabes cómo, pero habéis llegado a un gran desierto Te enfrentarás a los escorpiones gigantes en la página 32 o pedirás ayuda a un auténtico genio en la página 11??El invernadero está lleno de plantas carnívoras! Te convertirás en su cena en la página 87 o en la de un dragón en la 61?En este libro tú decides!

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We inhabit a time of crisis—totalitarianism, environmental collapse, and the unquestioned rule of neoliberal capitalism. Philosopher Jean Vioulac is invested in and worried by all of this, but his main concern lies with how these phenomena all represent a crisis within—and a threat to—thinking itself. In his first book to be translated into English, Vioulac radicalizes Heidegger’s understanding of truth as disclosure through the notion of truth as apocalypse. This “apocalypse of truth” works as an unveiling that reveals both the finitude and mystery of truth, allowing a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Giorgio Agamben, Alain Badiou, and Slavoj Žižek, Vioulac’s book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of “the abyss of the deity.” Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god who has already passed by, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time.

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Beautiful, amazing, mesmerising' ALAN CUMMINGA MISSING PERSON MYSTERY LIKE NO OTHERI am not gone. Mum is not gone. We are here. We are hidden.A father who is trying to rescue his lost wife.Their child, desperately searching the wild forests and dangerous mountains of the Scottish Highlands, not knowing what's out there.An abandoned cottage in the remote wilderness, filled with thousands of confusing, terrifying handwritten notes.And a dark, looming voice who threatens to destroy everythingThis hallucinatory debut will grab you' DAMIAN BARRA dark and atmospheric masterpiece' VIKKI PATISMind-alteringly beautiful writing' KIRSTIN INNESChilling and very original I couldn''t put it down'' SIMON McCLEAVEEerie and ethereal, Fray is an unsettling quest in the unforgiving Scottish highlands utterly spellbinding' MARION TODDA totally original novel that throws up lots of surprises. The writing is awe-inspiring' ALEX PINE-*A FINANCIAL TIMES BEST NEW DEBUT FICTION' PICK**A SCOTS MAGAZINE BOOK OF

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Multiculturalism is one of the most controversial ideas in contemporary politics. In this new book George Crowder examines some of the leading responses to multiculturalism, both supportive and critical, found in the work of recent political theorists. The book provides a clear and accessible introduction to a diverse array of thinkers who have engaged with multiculturalism. These include Will Kymlicka, whose account of cultural rights is seminal, liberal critics of multiculturalism such as Brian Barry and Susan Okin, and multiculturalist critics of liberalism including Charles Taylor, Iris Marion Young, James Tully, and Bhikhu Parekh. In addition the discussion covers a wide range of other perspectives on multiculturalism - libertarian, feminist, democratic, nationalist, cosmopolitan - and rival accounts of Islamic and Confucian political culture. While offering a balanced assessment of these theories, Crowder also argues the case for a distinctive liberal-pluralist approach to multiculturalism, combining a liberal framework that emphasises the importance of personal autonomy with the value pluralism of thinkers such as Isaiah Berlin.This clear and comprehensive account will be an indispensable textbook for students in politics, sociology and political and social theory.

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What happens when something happens? In Thinking the Event, senior continental philosophy scholar François Raffoul undertakes a philosophical inquiry into what constitutes an event as event, its very eventfulness: not what happens or why it happens, but that it happens, and what "happening" means. If, as Leibniz posited, it is true that nothing happens without a reason, does this principle of reason have a reason? For Raffoul, the event always breaks the demands of rational thought. Bringing together philosophical insights from Heidegger, Derrida, Nancy, and Marion, Raffoul shows how the event, in its disruptive unpredictability, always exceeds causality, subjectivity, and reason. It is that "pure event," each time happening outside or without reason, which remains to be thought, and which is the focus of this work. In the final movement of the book, Raffoul takes on questions about the inappropriability of the event and the implications this carries for ethical and political considerations when thinking the event. In the wake of the exhaustion of traditional metaphysics, the notion of the event comes to the fore in an unprecedented way, with key implications for philosophy, ontology, ethics, and theories of selfhood.

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Until recently, fashion was considered the "F-word" in intellectual circles, dismissed as unworthy of serious attention. Yet no area of life, no individual moment, stands outside fashion's discourses. Intuitively, we all know that clothing is a language, incessantly communicating messages about its wearer. But who speaks this language, to whom is it addressed, what does it mean, and how are its meanings established and transformed? On Fashion explores the ways our material, political, psychological, sexual, even intellectual lives are woven into fashion's fabric. This stimulating collection of essays explores fashion's symbolic and figurative functions in photography, cinema, and video; in consumerism, postmodernism, and feminism; in political and material culture; and in self-definition and subjectivity. They demonstrate the pervasive reach of fashion and its expressions. This collection contains over sixty photographs and illustrations and includes essays by Barbara Brodman, Mary Ann Caws, Linda Benn DeLibero, Hlne Cixous, Diana Fuss, Cheryl Herr, Karla Jay, Deborah Jenson, Douglas Kellner, Ingeborg Majer O'Sickey, Leslie W. Rabine, Andrew Ross, Sonia Rykiel, Carol Shloss, Kaja Silverman, Maureen Turim, and Iris Marion Young.

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We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact—a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the “narcissism” of the selfie may well reconnect us to the deepest sources of the human manufacture of faces—a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.

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'A gripping, tense and highly original thriller' Scots MagazineBus driver Dave Kellock is a pillar of the community in Portobello, Edinburgh. But he's got a terrible secret.His past is dragged into the present when an unexpected passenger steps onto his bus: the woman he killed almost twenty years earlier. Dave's still reeling from the shock of it when police turn up at his door, accusing him of an entirely different crime.As he battles to track down a dead woman and maintain his hard-won reputation, Dave makes a terrifying realisation.Wherever he goes, someone is watching.A pacy, twisting thriller about revenge and betrayal, set amongst the historic streets of Edinburgh. Perfect for fans of B.A. Paris and C.L. Taylor.'Chilling, dark and twisty' B P Walter'An emotional gut-puncher' Jonathan Whitelaw'Powerful and moving' Philippa East'Emma Christie is the queen of misdirection' Trevor Wood'A novel that delivers in mystery, heart, and tension' L.V. Matthews'An absolute gem of a book' Marion Todd'A beautifully written story of love, loss, guilt and redemption' Catherine Cooper

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** A WATERSTONES SCOTTISH BOOK OF THE MONTH ** ** SHORTLISTED FOR THE CWA HISTORICAL DAGGER AWARD ** 'One of the Scottish crime books of the year. I loved it' CHRIS BROOKMYRE 'Heart-warming, heart-breaking and utterly compelling' MARION TODD 'Excellent' HERALD THE GREATEST DANGERS LIE BEHIND CLOSED DOORS... Twelve-year-old Lesley has lived in the Homes since she was three weeks old, just one of a thousand unwanted children who occupy the village-like estate in the lowlands of Scotland in the 1960s. Life for her and her best friend Jonesy has been hard, and often cruel, but never dangerous. Until now. A girl is found dead at the Homes, soon followed by another. With the police unable to catch the killer, Lesley and Jonesy decide to take matters into their own hands. But unwanted children are easy victims, and the closer they get to the truth, the more they will put themselves in terrible danger... Inspired by a true story, and introducing readers to the unforgettable voice of young orphan Lesley, The Homes is a moving and lyrical thriller, perfect for readers of Val McDermid, Chris Whitaker, Jane Casey and Denise Mina.

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The global trend toward democratization of the last two decades has been accompanied by the resurgence of various politics of "identity/difference." From nationalist and ethnic revivals in the countries of east and central Europe to the former Soviet Union, to the politics of cultural separatism in Canada, and to social movement politics in liberal western-democracies, the negotiation of identity/difference has become a challenge to democracies everywhere. This volume brings together a group of distinguished thinkers who rearticulate and reconsider the foundations of democratic theory and practice in the light of the politics of identity/difference. In Part One Jurgen Habermas, Sheldon S. Wolin, Jane Mansbridge, Seyla Benhabib, Joshua Cohen, and Iris Marion Young write on democratic theory. Part Two--on equality, difference, and public representation--contains essays by Anne Phillips, Will Kymlicka, Carol C. Gould, Jean L. Cohen, and Nancy Fraser; and Part Three--on culture, identity, and democracy--by Chantal Mouffe, Bonnie Honig, Fred Dallmayr, Joan B. Landes, and Carlos A. Forment. In the last section Richard Rorty, Robert A. Dahl, Amy Gutmann, and Benjamin R. Barber write on whether democracy needs philosophical foundations.

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'As with all the best novelists, Husband's talent seems to draw its energy from the experience of writing from perspectives far removed from her own as she inhabits other genders, other sexualities, other eras' Patrick Gale Lieutenant Paul Harris returns from the trenches to his father's home after suffering from shell shock. Paul's lover Adam awaits, but so too does Margot, the pregnant fiancée of his dead brother, whom Paul feels an obligation to care for. Forced to hide his true desires, Paul must decide where his loyalty and his heart lie.Set in the aftermath of World War I, Marion Husband's moving novel illuminates the difficulties faced in the post-war period by former soldiers, and explores early twentieth-century taboos, love and betrayal. Through vivid flashbacks, effortless prose and realistic dialect, 'the love that dare not speak its name' is explored with true feeling and passion. Exploring the prejudice of only a few generations ago, The Boy I Love is a classic love story.Just some of the amazing GOODREADS REVIEWS:'A beautiful, melancholy book which feels terribly true to its time and to the characters.''A wonderful book. One of those that I just couldn't put down.''I absolutely loved this book. Found it utterly unputdownable.'

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‘Well, this is a belter of a book! A hugely entertaining and gripping read!’ NetGalley reviewer, ⭐⭐⭐⭐⭐ He’ll watch you.A lawyer is found dead at sunrise on a lonely clifftop at Dunnet Head on the northernmost tip of Scotland. It was supposed to be his honeymoon, but now his wife will never see him again. He’ll hunt you.The case is linked to several mysterious deaths, including the murder of the lawyer’s last client – Scotland’s most notorious criminal… who had just walked free. DS Max Craigie knows this can only mean one thing: they have a vigilante serial killer on their hands. He’ll leave you to die.But this time the killer isn’t on the run; he’s on the investigation team. And the rules are different when the murderer is this close to home. He knows their weaknesses, knows how to stay hidden, and he thinks he’s above the law… Max, Janie and Ross return in the latest gripping novel in this explosive Scottish crime series. Fans of Ian Rankin, Stuart MacBride and Marion Todd will love The Night Watch! Readers LOVE The Night Watch! ‘Wow! Max Craigie and his team are back in this amazing book and they bring with it a little bit of everything! A murder, a suicide, some suspense, intrigue, action, police, dead lawyers, twists, turns, a bit of corruption and serial killers!’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘This is the book that you are desperate to finish so you know ‘who did it’, but on the other hand you don’t want it to come to an end.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Once again Neil Lancaster has written an absolute blinder. It starts off at a furious pace and doesn't let up.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘A brilliant addition to the series and Neil is now an auto-buy author for me. Roll on the next one…’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘The pace doesn’t let up at all and Neil keeps you guessing with his clever dialogue and excellent plot. Loved it. You won’t be disappointed with The Night Watch.’ NetGalley reviewer, ⭐⭐⭐⭐⭐

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Juxtaposing Muslim scholars' debates over women's attendance in mosques with historical descriptions of women's activities within Middle Eastern and North African mosques, Marion Holmes Katz shows how over the centuries legal scholars' arguments have often reacted to rather than dictated Muslim women's behavior. Tracing Sunni legal positions on women in mosques from the second century of the Islamic calendar to the modern period, Katz connects shifts in scholarly terminology and argumentation to changing constructions of gender. Over time, assumptions about women's changing behavior through the lifecycle gave way to a global preoccupation with sexual temptation, which then became the central rationale for limits on women's mosque access. At the same time, travel narratives, biographical dictionaries, and religious polemics suggest that women's usage of mosque space often diverged in both timing and content from the ritual models constructed by scholars. Katz demonstrates both the concrete social and political implications of Islamic legal discourse and the autonomy of women's mosque-based activities. She also examines women's mosque access as a trope in Western travelers' narratives and the evolving significance of women's mosque attendance among different Islamic currents in the twentieth century.

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Juxtaposing Muslim scholars' debates over women's attendance in mosques with historical descriptions of women's activities within Middle Eastern and North African mosques, Marion Holmes Katz shows how over the centuries legal scholars' arguments have often reacted to rather than dictated Muslim women's behavior. Tracing Sunni legal positions on women in mosques from the second century of the Islamic calendar to the modern period, Katz connects shifts in scholarly terminology and argumentation to changing constructions of gender. Over time, assumptions about women's changing behavior through the lifecycle gave way to a global preoccupation with sexual temptation, which then became the central rationale for limits on women's mosque access. At the same time, travel narratives, biographical dictionaries, and religious polemics suggest that women's usage of mosque space often diverged in both timing and content from the ritual models constructed by scholars. Katz demonstrates both the concrete social and political implications of Islamic legal discourse and the autonomy of women's mosque-based activities. She also examines women's mosque access as a trope in Western travelers' narratives and the evolving significance of women's mosque attendance among different Islamic currents in the twentieth century.

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As the principles and practices of democracy continue to spread ever more widely, it is hard to imagine a corner of the globe into which they will not eventually penetrate. But the euphoria of democratic revolutions is typically short-lived, and usually followed by disgruntlement and even cynicism about the actual operation of democratic institutions. It is widely accepted that democracy is a good thing. However democrats have much work to do in improving the performance of democratic institutions. The essays in this volume focus on this difficult and vital challenge: how can we improve the design of democratic institutions? How can public deliberation in democracies be enhanced? How can elections be reformed so as to dampen the excessive influence of special interests, especially those with money? How can democratic institutions be reformed so they can deal with issues that transcend the boundaries of the nation-state? And finally, how can democratic practices better take account of the internal plurality of societies that are ethnically or otherwise divided? Contributors: Brooke Ackerly, Ian Ayres, Geoffrey Brennan, John Ferejohn, Alan Hamlin, Russell Hardin, Donald Horowitz, Stephen Macedo, Philip Petit, Philippe C. Schmitter, Ian Shapiro, Philippe Van Parjis, Iris Marion Young.

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Essays employing close scrutiny of texts to clarify gender issues in feminist literary criticism. One of the major problems in feminist literary criticism is the tendency to generalise when exploring language and gender. This volume clarifies the issues involved and tests generalisations by specific analysis, and in the process defines a "feminist stylistics" - a fresh, practical approach which will serve as a model for future work in this area. The seven essays in the collection analyse widely varying literary texts, using the framework of linguistic theory to address feminist issues. The texts range from Shakespeare's As You Like It to present-day pop songs, and also cover poetry and contemporary fiction. The feminist critics whose approach is under examination include Cixous, Irigaray, Kristeva, Showalter, Woolf and a number of British feminists; and the linguistic models employed cover discourse analysis, politeness theory, lexicalisation and transitivity. Contributors: Clara Calvo, Lesley Jeffries, Marion Lomax, Sara Mills, Louise Sylvester, Anne Varty, Shan Wareing

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You can’t run from the truth…Cassie McNamara was found guilty of the murder of her husband, Paul Cavellini, but she has always protested her innocence. Upon her release, she hires local journalist, Dee Doran, to prove she was wrongfully convicted.Cassie and Paul’s young daughter, Grace, was adopted by Paul’s family. When eighteen-year-old Grace goes missing and her body is found, all eyes turn to Cassie as the prime suspect in her daughter’s death. Then, Cassie, just like Grace, disappears.Left behind to investigate, Dee must work to find the truth behind Grace and Paul’s deaths, because someone is keeping secrets. They’ve killed before, they’ll do it again if they have to.A gripping crime thriller you won’t be able to put down, perfect for fans of Alex Marwood and Fiona Barton.Praise for You Were Always Mine ‘The plot is compelling and Dee Doran is an excellent character to carry the story. The twists and turns kept me turning the pages at record speed.’ Patricia Gibney, author of The Guilty Girl‘A beautifully crafted novel that had me guessing right up to the thrilling conclusion. Sheila Bugler’s best novel yet.’ Marion Todd, author of Old Bones Lie‘I was captivated by Bugler’s meticulous story-weaving and characterisation - especially Dee and Freya whom I particularly enjoyed. You Were Always Mine is a delicious slow-burn, who-done-it that hooked me from the first line. If you want fast-pace, tension and pithy prose, pick up a Sheila Bugler novel!’ Amanda Cassidy, author of Breaking‘You Were Always Mine moves at a great pace. I found myself flicking through the pages with gusto as past and present collide in this thrilling page turner filled with dark secrets and lies that will keep you guessing until the very end.’ Louise Phillips, author of They All Lied‘You Were Always Mine has captivating characters, plenty of thrills, an enthralling storyline and a wonderful sense of place… everything I look for in a great mystery.’ Chris Curran, author of When the Lights Go Out‘I loved this book. Its cleverly constructed plot was so twisty it tied my mind up in knots trying to work out who, what, why and when! A great addition to the Dee Doran series. Highly recommended.’ Lorraine Mace, author of Say Your Prayers‘A gripping thriller from the start. The book reads with great speed and it’s truly a page-turner.’ Reader review ⭐⭐⭐⭐⭐‘BAM! Full of high suspense, intrigue, action, a great who done it and great mystery! I thoroughly enjoyed reading this book!’ Reader review ⭐⭐⭐⭐⭐‘A fabulous read. It was so full of tension, I was on the edge of my seat. I grappled with who the murderer was, continually changing my mind.’ Reader review ⭐⭐⭐⭐⭐‘A riveting fast paced thriller that kept me on the edge of my seat until the last page. This thriller will bring you in from the first page.’ Reader review ⭐⭐⭐⭐⭐

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Following on from The Boy I Love, Marion Husband's highly acclaimed debut novel, Paper Moon explores the complexities of love and loyalty against a backdrop of a world transformed by war.'Husband's novels are compelling page turners with hidden secrets and complex love lives that vividly convey the aftermath of dreadful conflicts.' The Northern EchoIn 1938, Spitfire pilot Bobby Harris moves to London where he's picked up by Jason Hargreaves, a society photographer, and poses with model Nina Tate.The passionate love affair between Bobby and Nina lasts through the turmoil of World War Two but is tested when his plane is shot down. Disfigured and wanting to hide from the world, Bobby retreats from Bohemian Soho to the empty house his grandfather has left him, a house haunted by the secrets of Bobby's childhood, where the mysteries of his past are gradually unravelled and he discovers that love is more than skin deep.Just some of the amazing GOODREADS REVIEWS:'Absolutely marvellous!!! I was enthralled.''Fantastic. I couldn't put the book down.''What a whirlwind this book is, so evocative of its time and compelling. It has an unexpected - and understated - intensity that quite bowled me over.'

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Hollywood Movie Songs is the fifth book in Marion Short's popular series about collectible sheet music, taking up where she left off in From Footlights to "The Flickers." This time she concentrates on movie music after sound took over. The golden years, from the dazzling Busby Berkeley movies of the 1930s to the present day, are presented in an exciting kaleidoscope of more than 700 colorful and dramatic sheet music covers from famous movies that feature photos of the world's most beloved film stars. The first section sets the stage for the new Hollywood that took on the challenge of adding sound to motion pictures, and follows significant trends from Al Jolson's first astounding declaration in The Jazz Singer, "You ain't heard nothing yet!" through each decade of increasingly sophisticated development. The second part features brief biographical sketches of 170 well-known film stars with a listing of their movies that yielded sheet music, and representative photos of each star on selected movie covers. This most requested book also includes extensive indexes of songs, stars, and movies, and a thoughtful price guide that will prove invaluable to movie buffs, nostalgia seekers, and dedicated sheet music collectors.

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This lively and thought-provoking collective biography uncovers the contributions of past women educators who promoted a distinctive vision of citizenship education. A distinguished group of scholars, including editors Margaret Smith Crocco and O. L. Davis, Jr., consider the lives and perspectives of eleven women educators and social activists—Jane Addams, Mary Sheldon Barnes, Mary Ritter Beard, Rachel Davis DuBois, Hazel Hertzberg, Alice Miel, Lucy Sprague Mitchell, Bessie Pierce, Lucy Maynard Salmon, Hilda Taba, and Marion Thompson Wright—concerned over the last century with issues of difference in schools and society. This volume's reconstruction of "hidden history" reveals the importance of these women to contemporary debate about gender, pluralism, and education in a democracy. Characterized by views of education that were constructivist, customized, and transformative, their lives and ideas present an alternative model to dominant conceptualizations of education—one sensitive to the demands of pluralism within civil education long before the present-day debates about multiculturalism.

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Now in paperback, the third and final book of the Janitors of the Post-Apocalypse follows a group of unlikely heroes trying to save the galaxy from a zombie plague. Marion Mops Adamopoulos and her team were trained to clean spaceships. They were absolutely not trained to fight an interplanetary war with the xenocidal Prodryans or to make first contact with the Jynx, a race who might not be as primitive as they seem. But if there's one lesson Mops and her crew have learned, it's that things like training and being remotely qualified are overrated. The war is escalating. (This might be Mops' fault.) The survival of humanity�those few who weren't turned to feral, shambling monsters by an alien plague�as well as the fate of all other non-Prodryans, will depend on what Captain Mops and the crew of the EDFS Pufferfish discover on the ringed planet of Tuxatl. But the Jynx on Tuxatl are fighting a war of their own, and their world's long-buried secrets could be more dangerous than the Prodryans. To make matters worse, Mops is starting to feel a little feral herself�

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High quality interactions are recognised as fundamental to the achievement of outstanding teaching and learning in the early years. If you are working with children from six months to six years this authoritative new book from leading author Julie Fisher encourages you to reflect deeply on the quality and impact of interactions in your setting.Drawing on research undertaken in baby rooms, nurseries and classrooms over four years the book challenges prevailing orthodoxies and offers specific practical guidance on how to improve the quality of interactions on a day-to-day basis. With its illuminating examples, the book shows how you can best tune into and respond effectively to young children’s conversations. It exemplifies how interactions are most effectively sustained and how developing high quality interactions can better scaffold and support children’s learning and development.'Interacting or Interfering?'• Identifies the key components of effective interactions and how implementing these can improve the quality of children’s learning • Contains transcripts of interactions from baby rooms through to Year 2 classes which exemplify key messages• Provides prompts you can use to analyse and improve your own practiceWritten in the author’s exceptionally clear and accessible style, this book is indispensable reading for all students and practitioners working and studying in the early years."There is a tendency for adult talk to dominate nurseries and schools in an attempt to manage, organise and interrogate children’s learning; this closes down children’s own investigation and capacity for thought. Fisher points out how ‘the very act of “being an educator” can sometimes distort the nature of an interaction so much that it inhibits the very learning it is trying to promote’. In this timely, thought-provoking and very readable book she prompts us to think more deeply about interactions and adapt new strategies to encourage all young children to engage in meaningful and enriching talk."TACTYC, March, 2016"The prompts and points for reflection encourage practitioners to critically consider their role and function, noting where their work is affirmed and where there is scope for further development ... This book is both relevant, though provoking and extremely useful for all involved in early childhood - an excellent tool for professional development."Marion Dowling, Early Education Journal, No 79/ Summer 2016

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‘His best novel yet … A Middlemarch-like triumph’ Telegraph ‘A pleasure bomb of a novel’ Vogue ‘A true modern master’ Independent It’s 23 December 1971, and the Hildebrandts are at a crossroads. Fifteen-year-old Perry has resolved to be a better person and quit dealing drugs to seventh graders. His sister Becky, the once straight-laced high school social queen, has veered into counterculture, while at college, Clem is wrestling with a decision that might tear his family apart. As their parents – Russ, a suburban pastor, and Marion, his restless wife – tug against the bonds of a joyless marriage, Crossroads finds a family, and a nation, struggling to do the right thing. ‘Funny, moving, crackling with life, it has what all great fiction should have’ Financial Times ‘Intoxicating – a luxuriant domestic drama’ Guardian THE INSTANT NEW YORK TIMES BESTSELLER • A GUARDIAN BEST FICTION BOOK OF 2021 • AN INDEPENDENT BOOK OF THE YEAR • A WHITE REVIEW BOOK OF THE YEAR • A LIT HUB BOOK OF THE YEAR

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Fashion designer Loris Azzaro embodied an era. His fashion house, founded in Paris in 1967, was known for visionary silhouettes, slinky silk jerseys, daring cut-outs, and ornate beading and embroidery. Starting with his wife and muse Michelle, Azzaro (b. Tunisia, 1933; d. Paris, 2003) created clothes for beautiful women— among them Sophia Loren, Raquel Welch, Marisa Berenson, Isabelle Adjani, Kate Winslet, Marion Cotillard, and Nicole Kidman. His style was seductive and modern, imbued with audacity and Parisian elegance. He created both mens’ and womens’ collections, and became well known for his perfumes. Filled with interviews with people who knew and worked with Azzaro, this sumptuous new book focuses on themes important to the designer: style, inspiration, contemporaneity, perfumes, and family. The stunning illustrations include photographs from the Azzaro archives by Helmut Newton, Guy Bourdin, and other well-known fashion photographers, as well as magazine covers from Vogue, Elle, and more.

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Im Mai 2008 fand im Rahmen des Graduiertenkollegs "Götterbilder - Gottesbilder - Weltbilder: Polytheismus und Monotheismus in der Welt der Antike" an der Theologischen Fakultät der Georg-August-Universität Göttingen ein internationales Kolloquium zu den Wechselbeziehungen von Religion und Herrschaft im syro-palästinischen Raum in hellenistisch-römischer Zeit statt. Der daraus entstandene Sammelband enthält den Großteil der gehaltenen Vorträge und wurde um einige Beiträge erweitert. Mithilfe eines interdisziplinären Ansatzes wird versucht, die Erträge verschiedener Forschungsdisziplinen zusammenzuführen und auf nachvollziehbare Weise eine Synthese herzustellen, um dadurch alternative Einblicke in die kulturell und religiös pluralistische Landschaft Syro-Palästinas in hellenistisch-römischer Zeit zu ermöglichen. Mit Beiträgen von: Per Bilde, Peter Arzt-Grabner, Konrad Huber, Hans-Peter Kuhnen, Achim Lichtenberger, Anne Lykke, Marion Meyer, Inge Nielsen, Markus Öhler, Simone Paganini, Friedrich Schipper, Robert Wenning

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Titled Masquerades: Drawn to Metamorphosis, the 18th edition of the MOMENTA Biennale de l’image presents 23 artists whose projects activate processes of transformation, mimicry, and mutation. Its goal is to shed light on the dynamics of visibility and invisibility defining the relationships between self and other, between humans and their environment, whether that environment is vegetal, animal, or technological. This publication assembles the descriptions of the exhibitions, an essay by Anne Anlin Cheng on the metamorphic potential of “skin consciousness,” an original portfolio of photographs by Chris Curreri, and an essay by the curator Ji-Yoon Han that reflects on the notion of the image through the prism of the Biennale’s theme. Artists: Bianca Shonee Arroyo-Kreimes, Bianca Baldi, Rémi Belliveau, Valérie Blass, Michèle Pearson Clarke, Chris Curreri, Lindsay Katsitsakatste Delaronde, Mara Eagle, Jeannette Ehlers, Séamus Gallagher, Lynn Hershman Leeson, siren eun young jung, Marion Lessard, Tuan Andrew Nguyen, Marianne Nicolson, Kristina Norman, Meky Ottawa, Émilie Pitoiset, Naomi Rincón Gallardo, Anette Rose, Hito Steyerl, Maya Watanabe, Carey Young.

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‘An incredible debut’ MEL SHERRATTShe is wanted by the FBI.She is a stone-cold killer.She remembers nothing.She is told her name is Reeta Doe, and that she’s been in an accident. That she’s in Florida. That the FBI have been following her since Mississippi. That she has brutally murdered two women. College girls, who look just like her. Two more are missing, and one survived.Reeta recalls nothing. She cannot answer their questions; all the things they want her to explain are no more familiar to her than the prison she is taken to.Her only hope is a journalist named Carol, who can follow the trail of devastation Reeta left in her wake.All the way back to Pine Ranch, and the only family she ever knew.An astonishing debut crime novel, exploring identity and nature versus nurture, with an unforgettable character at its heart. Perfect for fans of Girl A and The Girls.Praise for After Everything You Did‘What an incredible debut. A story with characters that really got under my skin, told with compassion and intrigue. I was outraged, fascinated and heartbroken at the same time.’ Mel Sherratt, author of The Life She Wants‘Richly detailed and atmospheric, the carefully woven strands quickly pulled me into Reeta’s story, towards an ending that was both chilling and heart-breaking. An exciting debut, I can’t wait to read what Stephanie Sowden does next.’ Louisa Scarr, author of Last Place You Look‘Absorbing and horrifying – I was gripped from the first page’ Marion Todd, author of Next in Line‘A powerful psychological thriller debut… Sowden pulls off a great twist towards the end of the book to tie all the diverse strands together, which does come as a major but welcome surprise. A most assured debut that grips like a vice and bodes well for Sowden’s future.’ Maxim Jakubowski, Crime Time‘This savage, harrowing read will keep you on the edge of your seat.’ Woman’s Own‘The perfect thriller. This book has an incredible story and the perfectly drawn main character makes it even better. I would highly recommend it, I really enjoyed the pacing and the ending.’ NetGalley Review ⭐⭐⭐⭐⭐‘A wonderful suspense debut novel! … I couldn’t put it down … Hugely gripping, shocking and incredibly tense! This book made me feel real chills! The twists are incredible, and it’s quite scary how realistic the book feels, how it could happen.’ NetGalley Review ⭐⭐⭐⭐⭐‘This was such a good read, it had me gripped right from the beginning and kept me compelled to read it the whole way through, I read it in one sitting. It was tense, fast and suspenseful and full of unpredictability and twists. I loved it.’ NetGalley Review ⭐⭐⭐⭐⭐‘After Everything You Did is a gripping, emotional, powerful thriller. It is a book that I will continue to think about long after having finished it.’ NetGalley Review ⭐⭐⭐⭐⭐‘Stephanie has done an incredible job in delivering not only a complex plot and well-rounded characters but presenting such an unexpected ending that it will be a strong after-effect that lingers long after you have finished the book. A 5 star read! I cannot wait to read more from this author.’ NetGalley Review ⭐⭐⭐⭐⭐‘After Everything You Did had me hooked on the very first page. I loved the premise and thought that the characters were well written… I am excited to see what she does next.’ NetGalley Review ⭐⭐⭐⭐⭐

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Reviews for Hardback Edition: “In order to produce this fine book, the author has conducted extensive interviews with participants and consulted archival and published materials. This gives the book an excellent balance between the events as witnessed by the participants and the broader historic, strategic and tactical issues. It also makes for a great reading experience. The text is full of excellent “war stories” and covers a wide variety of combat and non-combat scenarios... You’ll not be disappointed. Highly recommended.” Missing Lynx

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Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

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