Search results for ""author marion"

Doll artist, Helen Cohen, has created a cat fancy in Whimsical Elegance like no other! A self-taught doll maker and passionate costume and fashion aficionada for over forty years, she has made and sold numerous dolls, many of them during her twenty-two years as owner of The Doll Lady, a shop in Bucks County, Pennsylvania. Bringing fresh approaches to the creation of each figure, 20 of her miniature dolls were displayed in a custom-made dollhouse at the White House in 1981. Sophisticated and adult dolls in human proportions are shown in this collection, but with a twist – CAT faces grace the pages along with a primary emphasis on historical fashion, representative of the 1500s through 1920. Each figure is unique, reflecting 31 variations on a theme. She focuses on her skill and experience in working with a wide variety of fabrics and generously imparts and shares helpful tips. The artistic color photographs by David Gehosky bring to life and into sharp focus her dazzling details, exuberant adornments, and embellishments, in concert with amazing fabrics on beautiful cat dolls. This exciting Cohen collection displays theatrical qualities, designed to offer a treasure trove of ideas and inspiration for anyone who enjoys costuming for dolls, puppets, marionettes, stuffed animals, or people.

Read more less

Tres novelas cortas que D. H. Lawrence escribió entre 1920 y 1921. En la primera de ellas, La mariquita, un conde y oficial alemán se encuentra hospitalizado en Inglaterra al borde de la muerte por su participación en la Primera Guerra Mundial. De carácter siniestro y misterioso, pronto empieza a recibir las visitas de una joven que, aunque repelida por su oscuridad, no puede dejar de verle. En la segunda, El muñeco del capitán, una pintora y marionetista crea un títere de su amante tan fiel que, cuando la mujer de este lo descubre en su tienda, trata por todos los medios de conseguirlo. Por último, en El zorro, historia en la que se basó la primera película de Mark Rydell, dos mujeres que viven aisladas en una pequeña granja abren un día la puerta para toparse con un joven soldado británico que resulta ser tan astuto como un zorro. A partir de ese momento, la relación entre ambas da un vuelco que culminará en un final inesperado.

Read more less

When I was younger I didn't know a thing about death. I thought it meant stillness, a body gone limp. A marionette with its strings cut. Death was like a long vacation - a going away. Storms and flooding are worsening around the world, and a mysterious immune disorder has begun to afflict the young. Sophie Perella is about to begin her senior year of high school in Toronto when her little sister, Kira, is diagnosed. Their parents' marriage falters under the strain, and Sophie's mother takes the girls to Oxford, England, to live with their Aunt Irene. An Oxford University professor and historical epidemiologist obsessed with relics of the Black Death, Irene works with a centre that specializes in treating people with the illness. She is a friend to Sophie, and offers a window into a strange and ancient history of human plague and recovery. Sophie just wants to understand what's happening now; but as mortality rates climb, and reports emerge of bodily tremors in the deceased, it becomes clear there is nothing normal about this condition - and that the dead aren't staying dead. When Kira succumbs, Sophie faces an unimaginable choice: let go of the sister she knows, or take action to embrace something terrifying and new. Tender and chilling, unsettling and hopeful, The Migration is a story of a young woman's dawning awareness of mortality and the power of the human heart to thrive in cataclysmic circumstances.

Read more less

If, as a child, you conducted conversations with beloved dolls, or if, as an adult, you have entered virtual worlds inhabited by digital humans who inspire devotion in real people, you have participated in one of humanity's most potent yet least explored traditions. Falling in love (and out of love) with statues, George L. Hersey reveals, has helped us since antiquity to understand, improve, and empower ourselves.Hersey's history of statue love begins in Cyprus, home of the legendary sculptor Pygmalion, who famously grew enamored of his own creation. Examining the island's prehistoric images of Aphrodite - the love goddess who brought Pygmalion's sculpture to life - Hersey traces the origins of statue love back to the Cypriot followers who adored her terra-cotta likenesses. He goes on to explore ideas about human replicas in the works of Empedocles, Aristotle, Lucretius, and Ovid, whose definitive account of the Pygmalion myth introduced the notion that statues have the potential to induce physical responses in their viewers. Finding avatars of Ovid's living image in everything from pagan idols and early Christian statuary to eighteenth-century painting to modern action figures and marionettes, Hersey concludes by investigating the concern that these automata will eventually replace humans.In the process, he narrates a powerful history of artificial life at a moment when - with the development of robot soldiers, ever-more-sophisticated genetic engineering, and a continually expanding digital universe - it seems more real than ever.

Read more less

For nearly two decades, Preston Singletary has straddled two unique cultures, melding his Tlingit ancestry with the dynamism of the Studio Glass Movement. In the process, he has created an extraordinarily distinctive and powerful body of work that depicts cultural and historical images in richly detailed, beautifully hued glass. Singletary has translated the visual vocabulary of patterns, narratives, and systems of Native woodcarving and painted art into glass, a material historically associated with Native peoples through an extensive network of trading routes. Singletary entered the world of glassblowing as an assistant, mastering the techniques of the European tradition as he worked alongside Seattle-area artists such as Benjamin Moore and Dante Marioni. He also had opportunities to learn the secrets of the Venetian glass masters while working with Italian legends Lino Tagliapietra and Pino Signoretto. The Northwest Native icons, supernatural beings, transformative themes, animal spirits, shamanism, and basketry design of Singletary's Tlingit heritage are manifested in his work, creating a unique whole that resonates on many levels and reveals a new artistic direction. This mid-career retrospective of his work includes contributions by Melissa G. Post, Steven Clay Brown, and Walter Porter, as well as a DVD of Singletary working in his studio. Preston Singletary's works are in museum collections around the world, including the National Museum of the American Indian; Museum of Fine Arts, Boston; Seattle Art Museum; Corning Museum of Glass; Mint Museum of Art; the Heard Museum; and the Handelsbanken (Stockholm, Sweden).

Read more less

The enduring children’s tale The Adventures of Pinocchio, retold for a new generation in this spectacular full-color deluxe gift edition, packed with beautiful artwork and seven interactive features created by the award-winning design studio behind the graphics for the Harry Potter film franchise, MinaLima.Originally published in 1883, The Adventures of Pinocchio is one of the best known and beloved children’s classics. Written by Italian political satirist Carlo Collodi, it is the story of Geppetto, a poor puppeteer who uses an enchanted piece of wood to carve a marionette boy he calls Pinocchio. The impish Pinocchio does not want to be a puppet; he yearns to become a real boy. Soon, his curiosity, mischievousness, and naivete lead him away from his father’s shop and into a series of perilous encounters with vicious puppet masters, cunning animals, and other magical characters. Along this perilous journey, the magical puppet learns how much turmoil, heart, and hard work it takes to become a “real boy.” With a nose that grows larger with each lie he tells, Pinocchio has become an enduring icon in children’s literature, and now his story is brilliantly reimagined in this stunning gift edition. The Adventures of Pinocchio includes specially commissioned artwork and exclusive interactive features, including: A Pinocchio puppet with clothing Additional finger puppets A small theatre for a puppet show A court deck with Pinocchio behind sliding bars A fold out shark revealing Pinocchio and Geppetto inside This wondrous edition will enchant readers of every age an become a treasured keepsake passed down for generations.

Read more less

This book is the result of a long-term comparative research project on intellectual property, with topics ranging from patents to copyright, examined across 16 jurisdictions. It does not aim at commenting on current policy issues. The country reports unearth the culturally, morally and historically imprinted thought patterns across Europe which underpin current discussions on the appropriation of information, and which do not change quickly. The research results question the common narratives of the distinctiveness of private and public law, of contracts and property, and of morality and the law. The point of departure is the public good character of information, with the focus being on public interests pursued when assigning information as property. The 14 selected cases, based on recent, and in some cases futuristic when the project began in 2001, scenarios, aim to identify how boundaries to information property emerge, the areas of law that are applied and the principles that are followed in order to balance the conflicting interests at stake. The issues discussed revolve around well-known interfaces such as IP and competition law, monetary interests versus personal interests in human genome data, individual freedoms-to-operate versus collective action models as found in basic research or ‘creative commons’. The book shows how some national discussions appear similar on the surface, in terms of resorting to parallel principles, but subsequent domestic policy answers vary greatly. Even legislation which aims at harmonisation may result into more diversity. Inversely, we found legal institutions applied which install contrasting legal rules which however aim at exactly the same behavioural change. The national reports in Part III are complemented by comparative analyses by the editors, whilst the chapters in Part II are dedicated to an analysis of the submissions from a theoretical point of view, departing from the editors’ own research interests. The chapter in Part I describes the overall ‘Common Core’ research method, which splits the national reports into operative, descriptive and metalegal formants. Boundaries of Information Property is aimed at researchers in IP and practitioners interested in the foundational theory of their subject. It is an inspiring read for those interested in the deeper structures of regulating information. With a foreword by Sjef van Erp (em. University of Maastricht) and contributions by Christine Godt (Carl von Ossietzky University of Oldenburg), Geertrui Van Overwalle (University of Leuven), Lucie Guibault (Dalhousie University), Deryck Beyleveld (University of Durham), Mike Adcock (University of Durham), Ramūnas Birštonas (Vilnius University), Maja Bogataj Jančič (Intellectual Property Institute, Ljubljana), Konstantinos Christodoulou (University of Athens), Teresa Franquet Sugrañes (University Rovira i Virgili), Pablo Garrido Pérez (University of Barcelona), Christophe Geiger (Luiss Guido Carli University), Silvia Gómez Trinidad (University of Barcelona), Mariona Gual Dalmau (University of Barcelona), Aleksei Kelli (University of Tartu), Tomaž Keresteš (University of Maribor), Maja Lubarda (Lawyer, Ljubljana), Thomas Margoni (University of Leuven), Jan Mates (Attorney-at-Law, Prague), Maureen O’Sullivan (NUI Galway), Andrea Pradi (University of Trento), Martina Repas (University of Maribor), Giorgio Resta (University of Rome 3), Ole-Andreas Rognstad (University of Oslo), Cristina Roy Pérez (University of Barcelona), Jens Schovsbo (University of Copenhagen), Agnes Schreiner (University of Amsterdam), Simone Schroff (Plymouth University), Tobias Schulte in den Bäumen (Hapag-Llyod, Hamburg), Simona Štrancar (University of Maribor), Tomasz Targosz (Jagiellonian University), Elżbieta Traple (Jagiellonian University), and Gabriele Venskaityte (European Commission, Brussels).

Read more less

At a time in rock and pop history where most things in music have been done before, few artists have proved as restlessly innovative over the past two decades as Beck. Since bursting onto the scene in 1994 with 'Loser', he has zigzagged his way across the contemporary music landscape, consistently remaining one step ahead of expectations and doing things his own way: shape-shifting from indie icon to pop crooner, from folk hobo to Latino-rap hipster, and dabbling in country metal, blues and rock along the way, balancing big-budget chart highs with lower-key, introspective acoustic albums. Beck hails from a family tree rich in music and performance art, which has filtered into his music, videos, and live work. Early shows included spoken word sections, songs made up on the spot, and stage clearances using his leaf-blower. His enthusiasm for the experimental has not diminished with age. In the 21st century, he founded the Record Club, which brought together disparate artists to record cover versions of whole albums in a single day for release online. Then he took a troupe of doppelganger marionettes out on tour and made the brave decision to release Song Reader as a hardcover set of sheet music, challenging buyers to record and play their own versions of his new songs. Throwing Frisbees at the Sun is the first serious study of Beck's life and work for more than a decade. Drawing on new interviews with friends, family, collaborators, producers, and band-members, Rob Jovanovic has fashioned a carefully crafted, career-spanning retrospective befitting the many twists and turns of this intriguing performer's path through life and music.

Read more less