Search results for ""yale university press""

This handsome book examines the remarkable new addition to the Art Institute of Chicago, designed by Renzo Piano and scheduled to open in May 2009. This expansion to the Art Institute of Chicago, already one of the largest museums in the country, will provide new galleries for modern and contemporary painting and sculpture, as well as for photography, film and video, and architecture and design. The structure is Piano’s largest art museum building to date. The museum’s director, James Cuno, discusses the history of the commission, and Paul Goldberger writes on how this building fits into the larger context of Piano's work—especially his many museum designs—as well as considers its positioning in a city celebrated for its architecture. Judith Turner provides exquisite architectural photographs, showing many nuanced details and views of the structure, while Joseph Rosa comments on her images and how they convey the beauty and sophistication of the building. Photographs by New York-based architectural photographer Paul Warchol complete the bookDistributed for the Art Institute of Chicago

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A New Testament scholar compares ancient and modern stories about angels, and examines their relationship to Christology In this provocative, intelligent, and highly original addition to the Anchor Yale Bible Reference Library, Susan R. Garrett argues that angel talk has never been merely about angels. Rather, from ancient times until the present, talk about angels has served as a vehicle for reflection on other fundamental life questions, including the nature of God’s presence and intervention in the world, the existence and meaning of evil, and the fate of humans after death. In No Ordinary Angel, Garrett examines how biblical and other ancient authors addressed such questions through their portrayals of angels. She compares the ancient angel talk to popular depictions of angels today and considers how the ancient and modern portraits of angels relate to Christian claims about Jesus.No Ordinary Angel offers important insights into the development of angelology, the origins of Christology, and popular Western spirituality ranging from fundamentalist to New Age. In doing so, it provokes stimulating theological reflection on key existential questions.

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A groundbreaking look at art made in China during the Cultural Revolution Although numerous books on the Cultural Revolution have been published, they do not analyze the profound shift in aesthetic values that occurred in China after the Communists took power. This fascinating book is the first to focus on artwork produced from the 1950s to the 1970s, when Mao Zedong was in leadership, and argues that important contributions were made during this period that require fuller consideration in Chinese art history, especially with relevance to the contemporary world. Previously, historians have tended to dismiss the art of the Cultural Revolution as pure propaganda. The authors of this volume (historians, art historians, and artists) argue that while much art produced during this time was infused with politics, and individual creativity and displays of free thought were sometimes stifled and even punished, it is short sighted to overlook the aesthetic sophistication, diversity, and accessibility of much of the imagery. Bringing together more than 200 extraordinary artworks, including oil paintings, ink scroll paintings, artist sketchbooks, posters, and objects from daily life, as well as primary documentation that has not been published outside of China or seen since the mid-20th century, this invaluable volume sheds new light on one of the most controversial and critical periods in history.Published in association with the Asia Society MuseumExhibition Schedule:Asia Society Museum (September 5, 2008 – January 4, 2009)

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Every year thousands of enthusiasts, amateur and professional, spend the summer months digging in the sands of Israel hoping to find items that in some way relate to the places and events depicted in the Bible. This work looks at the history and archaeology of the Bible lands.

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The significance of the First Letter of Peter for the formation of Christianity stands in sharp contrast to its brevity. John H. Elliott, a leading authority on this letter, brings its significance to life in this magnificent addition to the renowned Anchor Bible Commentaries. Elliott sets the letter into context, covering its literary, historical, theological, and linguistic elements. In detailed, accessible discussions, he draws on the latest research to illuminate the social and cultural influences on the Church in its initial years. Treating such important Petrine concerns as living honorably in a hostile society, finding meaning in suffering, and resisting social assimilation as the elect and holy family of God, the translation, notes, and commentary in this volume will help readers appreciate the powerful and enduring message of this fascinating letter.

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In A.D. 49, Paul traveled to Thessalonica, a major city in northern Greece, to preach the gospel. A small group of manual laborers responded positively to his message, resulting in the formation of a church. After spending less than three months with his converts, Paul left the city for southern Greece, ending up in Corinth, from where he wrote two letters to the Thessalonians four months or so after he had left them. These epistles are particularly valuable because they reveal the concerns of Christians new to the faith and Paul’s pastoral care as he guides them.Abraham J. Malherbe vividly describes the social, cultural, religious, and philosophical contexts in which the Thessalonians lived, enabling us to better understand Paul’s missives. Detailed introductions to the letters, a new translation, and a lively, enlightening commentary make this an indispensable volume for scholar and layperson alike.

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In this first of two volumes on the Gospel According to Luke, Joseph A. Fitzmyer provides an exhaustive introduction, a definitive new translation, and extensive notes and commentary on Luke’s Gospel. Fitzmyer brings to the task his mastery of ancient and modern languages, his encyclopedic knowledge of the sources, and his intimate acquaintance with the questions and issues occasioned by the third Synoptic Gospel.Luke’s unique literary and linguistic features, its relation to the other Gospels and the book of Acts, and its distinctive theological slant are discussed in detail by the author. The Jesus of Luke’s Gospel speaks to the Greco-Roman world of first-century Christians, giving the followers of Jesus a reason for remaining faithful. Fitzmyer’s exposition of this Gospel helps modern-day Christians hear the Good News afresh.

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Good advice that stands the test of time-those things we all know are true, tips that help us live the good life-we call wisdom. But, one life time is not enough to master the fine art of living. Distilled over centuries, the biblical book of Ecclesiastes offers us the time-tested advice of Israel's sages. This is the best of wisdom, with echoes of East and West-from Zen and Tao to Merton and Moore--all rolled into one.In Ecclesiastes, Bible scholar Choon-Leong Seow creatively translates and carefully interprets one of the world's most profound, most enduring collections of ancient wisdom. Sometimes joyful and exultant, other times cynical and fatalistic, the ancient author Qohelet ("Teacher") wrestles with the ups and downs of real life. Even today, we recognize and repeat the sayings of this treasure-trove of apt advice. The book begins and ends with the infamous claim, "Vanity of vanities, says Qohelet, vanity of vanities! All is vanity!" In between, the sage leaves no stone unturned in the search for meaning. As the wisdom of biblical Ecclesiastes has stood the test of time, so shall Dr. Seow's Ecclesiastes become a classic in the venerated tradition of the Anchor Bible series.

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The print repertoire of the 16th and 17th centuries in England has been neglected historically, and this remarkable book rectifies a major oversight in the history of English visual art. It provides an iconographic survey of the single-sheet prints produced during the early modern era and brings to light significant recent discoveries from this visual storehouse. It publishes many works for the first time, as well as placing them and those relatively few others known to specialists in their cultural context. This large body of material is treated broadly thematically, and within each theme, chronologically. Portents and prodigies, the formal moralities and doctrines of Christianity, the sects of Christianity, visual satire of foreigners and “others,” domestic political issues, social criticism and gender roles, marriage and sex, as well as numerical series and miscellaneous visual tricks, puzzles, and jokes, are all examined. The book concludes by considering the significance of this wealth of visual material for the cultural history of England in the early modern era.Published for the Paul Mellon Centre for Studies in British Art

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A brand new look at the extremely beautiful, if underappreciated, later works of one of the most inventive artists of the 20th century Between 1935 and his death at midcentury, Henri Matisse (1869–1954) undertook many decorative projects and commissions. These include mural paintings, stained glass, ceramic tiles, lead crystal pieces, carpets, tapestries, fashion fabrics, and accessories—work that has received no significant treatment until now. By presenting a wealth of new insights and unpublished material, including from the artist’s own correspondence, John Klein, an internationally acclaimed specialist in the art of Matisse, offers a richer and more balanced view of Matisse’s ambitions and achievements in the often-neglected later phases of his career. Matisse designed many of these decorations in the innovative—and widely admired—medium of the paper cut-out, whose function and significance Klein reevaluates. Matisse and Decoration also opens a window onto the revival and promotion, following World War II, of traditional French decorative arts as part of France’s renewed sense of cultural preeminence. For the first time, the idea of the decorative in Matisse’s work and the actual decorations he designed for specific settings are integrated in one account, amounting to an understanding of this modern master’s work that is simultaneously more nuanced and more comprehensive.

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While the dissolution of the monasteries in the 1530s resulted in the destruction of much of England’s built fabric, it was also a time in which many new initiatives emerged. In the following century, former monasteries were eventually adapted to a variety of uses: royal palaces and country houses, town halls and schools, almshouses and re-fashioned parish churches. In this beautiful and elegantly argued book, Maurice Howard reveals that changes of style in architecture emerged from the practical needs of construction and the self-image of major patrons in the revolutionary century between Reformation and Civil War. Published for the Paul Mellon Centre for Studies in British Art

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This illuminating and original book is the first to examine eighteenth-century British funeral monuments in their social, as well as their artistic, context, looking not only at the sculptors who created the monuments, but also the people who commissioned them and the people they commemorated. Matthew Craske begins by analyzing the relationship of tomb designs to the changing and diverse culture of death in eighteenth-century England, and then explains conditions of production and the shifting dynamics of the market. He concludes with a masterly analysis of the motivations of the people who commissioned monuments, from aristocrats to merchants and professional people. Published for the Paul Mellon Centre for Studies in British Art

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Tracing the extraordinary trajectory of the great Roman emperor’s life, Goldsworthy covers not only the great Roman emperor’s accomplishments as charismatic orator, conquering general, and powerful dictator but also lesser-known chapters during which he was high priest of an exotic cult, captive of pirates, seducer not only of Cleopatra but also of the wives of his two main political rivals, and rebel condemned by his own country. Ultimately, Goldsworthy realizes the full complexity of Caesar’s character and shows why his political and military leadership continues to resonate some two thousand years later.In the introduction to his biography of the great Roman emperor, Adrian Goldsworthy writes, “Caesar was at times many things, including a fugitive, prisoner, rising politician, army leader, legal advocate, rebel, dictator . . . as well as husband, father, lover and adulterer.” In this landmark biography, Goldsworthy examines Caesar as military leader, all of these roles and places his subject firmly within the context of Roman society in the first century B.C.

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The West Riding of Yorkshire was the largest of England’s historic counties. This volume, the first of two for the area, covers the northern half of the territory from the outskirts of York to the edge of the Lake District. It is full of contrasts, from the urbanised landscape of the cities of Leeds, with its proud civic buildings by Cuthbert Brodrick, and Bradford, possessor of one of the finest collections of commercial warehouses in the country, to their hinterland of tight-knit mill-towns and villages pushing into the Pennines. There can be found the highly distinctive houses of the seventeenth-century minor gentry, and the substantial yeoman farmers and clothiers. To the north-west are the still sparsely populated Yorkshire Dales – Ruskin’s ‘truly wonderful country’, its beauties and curiosities admired by tourists since the eighteenth century. On the gentler eastern edge of the Pennines are the major survivals of the Cistercian Order: Fountains Abbey and Studley Royal, the nearby cathedral town of Ripon and spa town of Harrogate, and the opulently agricultural ‘broad acres’ beyond, forming part of the Vale of York, counting among its monuments the magnificent designed landscape of Bramham Park.

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This authoritative and now classic work of reference on the history of British architecture contains biographical information on some 2,000 architects who practiced in England, Scotland, and Wales from the time of Inigo Jones (1573-1652) to that of William Burn (1789-1870) and Sir Charles Barry (1795-1860). This new edition is the fourth of what began in 1954 as A Biographical Dictionary of English Architects 1600-1840. It now includes 62 newly identified architects and about 700 additional building entries.The dictionary lists every building of importance whose architect can be identified, together with such details as dates of erection and demolition, style, and references to illustrations and published descriptions. Besides a concise biography of each architect, the book gives, whenever possible, a brief assessment of the quality of the architect's work. All architectural books published by British architects of the period are listed by author name.Published for the Paul Mellon Centre for Studies in British Art

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Deutsche Wiederholungsgrammatik provides a comprehensive grammatical review for students of German. Each specific topic is explained in a simple and straightforward style and reinforced through a variety of exercises. These activities guide the student's progress from basic theory review and structured practice through open-ended, communicative applications. Experienced students can refine their accuracy, while those unfamiliar with grammatical concepts and terminology can use the various exercises designed to assist them as they advance through the book. Helpful insights on how to learn the material efficiently are included for each topic. Deutsche Wiederholungsgrammatik is designed to accommodate the needs of English-speaking learners. By highlighting differences and similarities between German and English, the book allows students to build on existing grammatical knowledge. Example sentences are used to put abstract principles in context, making it easier for students to learn and apply them effectively.

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Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677–1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman’s acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman’s collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

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“Crows and people share similar traits and social strategies. To a surprising extent, to know the crow is to know ourselves.”—from the Preface “If corvids could read—and it seems they can do damn near everything else—they would surely find this book as entertaining and instructive as this human does."—Laurence A. Marschall, Natural History From the cave walls at Lascaux to the last painting by Van Gogh, from the works of Shakespeare to those of Mark Twain, there is clear evidence that crows and ravens influence human culture. Yet this influence is not unidirectional, say the authors of this fascinating book: people profoundly influence crow culture, ecology, and evolution as well. Examining the often surprising ways that crows and humans interact, John Marzluff and Tony Angell contend that those interactions reflect a process of “cultural coevolution.” They offer a challenging new view of the human-crow dynamic—a view that may change our thinking not only about crows but also about ourselves. Featuring more than 100 original drawings, the book takes a close look at the influences people have had on the lives of crows throughout history and at the significant ways crows have altered human lives. In the Company of Crows and Ravens illuminates the entwined histories of crows and people and concludes with an intriguing discussion of the crow-human relationship and how our attitudes toward crows may affect our cultural trajectory.

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Toward the end of the eighteenth century, a radical change occurred in notions of self and personal identity. This was a sudden transformation, says Dror Wahrman, and nothing short of a revolution in the understanding of selfhood and of identity categories including race, gender, and class. In this pathbreaking book, he offers a fundamentally new interpretation of this critical turning point in Western history.Wahrman demonstrates this transformation with a fascinating variety of cultural evidence from eighteenth-century England, from theater to beekeeping, fashion to philosophy, art to travel and translations of the classics. He discusses notions of self in the earlier 1700s—what he terms the ancien regime of identity—that seem bizarre, even incomprehensible, to present-day readers. He then examines how this peculiar world came to an abrupt end, and the far-reaching consequences of that change. This unrecognized cultural revolution, the author argues, set the scene for the array of new departures that signaled the onset of Western modernity.

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Saint James Freeing Hermogenes, an important painting by one of the world’s most beloved Renaissance artists, was privately owned and rarely seen until two decades ago, when it was acquired by the Kimbell Art Museum. Now an eminent authority reviews previous studies on this beautiful Fra Angelico painting and draws on new technical and archival research to provide a more precise reconstruction of its original format and context. In analyzing this painting, Laurence Kanter reexamines and confirms Fra Angelico’s status as a pioneer of the new representational style championed in Florence in the early fifteenth century by Brunelleschi, Masaccio, and Donatello, and he shows why he was one of the great artistic minds of his age. Kanter presents both detailed information for students and an introduction for the general reader to the methods and procedures of reconstructing and interpreting history when little contemporary written testimony survives. Distributed for the Kimbell Art Museum

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Three decades ago, federal policymakers—Republicans and Democrats—embarked on a general strategy of deregulation. In the electricity, gas delivery, and telecommunications industries, the strategy called for restructuring to separate production from transmission and distribution, followed by elimination of price controls. The expected results were lower prices and increased quality, reliability, and scope of services. Paul W. MacAvoy, an economist with forty years of experience in the regulatory field, here assesses the results and concludes that deregulation has failed to achieve any of these goals in any of these industries.MacAvoy shows that we now have only partial deregulation, a mixture of oligopoly structure with direct price control. He explores why this system leads to volatile and high prices, reduced investment, and low profitability, and what policy actions can be implemented to address these problems.

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This book examines the emergence and evolution of the discipline of urban design as articulated through the work of Josep Lluís Sert (1902–1983), one of its most influential practitioners. Sert was noted for his city planning and urban development projects in Europe, South America, and the United States, and the master plans of his later career were significant for their integration of natural landscape features into the urban building scheme. With essays by leading scholars and a wide selection of archival materials, illustrations, plans, and maps, this book provides a timely look at the man who advocated the idea of “urban consciousness” and an architecture that dealt with the total environment--well before these concepts became commonplace. Published in association with the Harvard University Graduate School of Design

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Announcing A+D (Architecture and Design), a new series from the Art Institute of Chicago, which highlights the work of important architects and designers from around the world. Innovatively designed by the New York firm 2x4, the titles are either historical in nature or investigate current critical thinking and practice in architecture and design.This handsome book presents the oeuvre of Douglas Garofalo, principal of Garofalo Architects, internationally renowned for its innovative residential, commercial, institutional, and public building projects. With an impressive list of clients that includes the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, the Hyde Park Art Center, and the Smart Museum of Art at the University of Chicago, the firm has also designed a number of private residences and played a significant role in Chicago’s urban design and public planning.Douglas Garofalo looks at the architect’s work to date, drawing from the full spectrum of his built work, theoretical and visionary projects (including the Camouflage House outside Chicago­­), and competition entries (including those for the Chicago Housing Authority and the Chicago Public Schools). Illustrations of and informative entries on the drawings, models, and digital media that showcase this work are featured.Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (June 15 – October 8, 2006)

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Claude Monet (1840–1926) is one of the best-known and most beloved painters in the history of art, with myriad publications and exhibitions devoted to his oeuvre. And yet there remains a previously undiscovered aspect of his career: his surprisingly significant role as a draftsman. This book is the first to focus on Monet’s pastels, drawings, and sketchbooks, offering a revolutionary new interpretation of the artist’s life and work.Monet has long been seen as an anti-draftsman, an artist who painted his subjects directly and whose rarely seen graphic works were marginal to his artistic process. In an effort to develop his public image, Monet denied the role of drawing in his working method. In actuality, Monet began his career as a caricaturist and as a teenager developed a passion for drawing that was never extinguished. He went on to master the medium of pastel and included seven in the first Impressionist exhibition in 1874.Citing recently discovered, unpublished documents that overturn the accepted image of the artist, The Unknown Monet reveals an extensive group of graphic works created over the course of the artist’s career, many of which are unknown to the general public and to scholars: beautiful pastels, stunning black chalk drawings, and fascinating sketchbooks, which include pencil studies that relate to many of his paintings. The book also shows how Monet exploited the print media to promote his art.The most important publication on Monet to appear in a generation, this illuminating volume is essential to anyone interested in his work, Impressionism, and nineteenth-century French culture.Distributed for the Sterling and Francine Clark Art Institute, Williamstown, MassachusettsExhibition Schedule:Royal Academy of Arts, London (March 17 – June 10, 2007)Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (June 24 – September 16, 2007)

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This new edition includes a fascinating account of how bricks, brick files and terracotta have been made and used from medieval times to the present day, along with an illustrated glossary, a chronological photo survey, appendices, and bibliography.

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Fascinating profiles of the leading architects of the 1930s during a crucial period in the evolution of modernism Architect, designer, and architectural critic, George Nelson (1908–1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings together for the first time. The subjects of Nelson’s essays include figures both major (Mies van Der Rohe and Le Corbusier) and minor (Helweg-Moeller and Ivar Tengbom). All of these architects would soon be affected by World War II—they would be put out of work or seek new careers abroad. Nelson’s essays spark fascinating questions about the canon of modernism: how would circumstances in the pre-war years cause some architects to rise and others to fall? Accompanied by a comprehensive introduction and a wide selection of archival photographs, many never before published, this unique study is a significant contribution to the history of modern architecture.Published in association with the Yale University School of Architecture

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An artist of pivotal importance to the generation of post-Impressionists from Seurat and Gauguin to Matisse and Picasso, Pierre Puvis de Chavannes (1824 - 1898) played a crucial role in the history of late-19th-century French art and the development of modernism. He was an artist of great range, originality, and idiosyncratic invention who executed mural complexes, compelling easel paintings, and numerous works on paper. These two companion volumes—a critical study of the artist's life and art, and a catalogue raisonné of his paintings—introduce many of Puvis’s works for the first time, assess his contribution, and restore him to the pantheon of modern masters. Volume I situates Puvis and his work in his time. With a wealth of new documentation, it addresses the theories, forces, and events that impinged on his art. Volume II is a complete compendium of Puvis's easel paintings and mural cycles for civic buildings throughout France as well as for the Boston Public Library.

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An anthology of the essential and enduring works of Samuel Johnson Samuel Johnson was eighteenth-century Britain’s preeminent man of letters—moral and literary critic, biographer, lexicographer, and poet—and his influence endures to this day. This anthology, designed to make Johnson’s essential works accessible to students and general readers, draws its texts from the definitive Yale Edition of the Works of Samuel Johnson. It includes many essays from The Rambler and other periodicals; Rasselas; the prefaces to Johnson’s Dictionary and his edition of Shakespeare; the complete Lives of Cowley, Milton, Pope, Savage, and Gray, as well as generous selections from A Journey to the Western Islands of Scotland. The anthology is organized so that readers can focus on such topics as religion, marriage, war, and literature, and most texts are included in their entirety. The authors provide a biographical introduction and ample annotation to update and enlarge the commentary in the Yale Edition.

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The story of the trumpet from prehistory to the present day, written by two of its outstanding performers and teachers In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age. The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today.Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts.

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This original book explores the radical transformation of the heroic male body in late eighteenth-century British art. It ranges across a period in which a modern art world was established, taking into account the lives and careers of a succession of major figures—from Benjamin West and Gavin Hamilton to Henry Fuseli, John Flaxman and William Blake—and influential institutions, from the Royal Academy to the commercial galleries of the 1790s.Organized around the historical traumas of the Seven Years’ War (1756–63), the War of American Independence (1775–83) and the French Revolution and Revolutionary Wars (1789–1815), Bodybuilding places the visual representation of the hero at the heart of a series of narratives about social and economic change, gender identity, and the transformation of cultural value on the eve of modernity. The book offers a vivid image of a critical period in Britain’s cultural history and establishes a new framework for the study of late-eighteenth-century art and gender.

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In this uniquely comprehensive guide to the buildings of central Dublin, the city’s churches, public buildings, and streets are described for every district in lively detail. The entire area within the canals is covered as well, along with the Phoenix Park. Illustrations include numerous maps, plans, and new color photographs. Dublin’s grand eighteenth-century set-pieces—Custom House, Four Courts, Bank of Ireland—are offset by a graceful Georgian cityscape, much of which remains intact. Rich and varied house interiors are also treated in full, many for the first time. The book features civic and commercial Victorian architecture, post-war buildings, and the buildings of a new generation of Irish architects. Two fine Gothic cathedrals remain from the medieval city, the full history of which is traced in an introduction to the volume.For all who share an interest in the fabric of Dublin—architect or historian, tourist or armchair traveller—this is the essential work.

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Leeds has a rich commercial tradition and fine buildings to match. This absorbing book provides the first authoritative and detailed guide to that architecture. The city’s prosperity, founded on the wool trade, is reflected in the magnificent Jacobean church of St. John and elegant Georgian parades and squares with homes for wealthy merchants. Alongside them today stand proud warehouses and offices of the railway age in styles ranging from elegant neo-Grecian to Gothic and Moorish.The civic pride of Victorian Leeds has as its crowning glory the grand Town Hall, testament to the talent of Cuthbert Brodrick, and along the River Aire and the Leeds and Liverpool Canal are important industrial survivals including the Egyptian-style Temple Mills. Recent revivals include the city’s public spaces and famously ornate and opulent Edwardian shopping arcades. Beyond the city center lie the romantic ruins of Kirkstall Abbey and the mighty seventeenth-century mansion at Temple Newsam.

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This comprehensive and generously illustrated guide explores the beguiling buildings of the Isle of Wight. The island’s many towns, villages, and resorts are included in a detailed gazetteer, as are the charming villas and cottages ornes dotted around the spectacular coasts. Among the grand architecture found on the island are the powerful fortress of Carisbrooke Castle; the rich Baroque mansion of Appuldurcombe; Victoria and Albert’s Osborne House; and the extraordinary Quarr Abbey, a masterpiece of Expressionist brick. Other attractions include Roman villas, sturdy manor houses, powerful coastal defenses built for Henry VIII (and reinforced under Queen Victoria), and the retreats of Tennyson and other Victorian notables, not to mention a well-established tradition of innovative modern design.

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A classic guide to dramatic writing now revised and expanded for a new generation of playwrights and screenwriters This practical guide provides the principles of dramatic writing. Playwrights and screenwriters will discover these essential principles and acquire the tools to put them to use. Sam Smiley incorporates extensive new material in Playwriting: The Structure of Action, a revised edition of the book that dramatists in theatre and film have relied on for more than twenty-five years. No writer, director, critic, or teacher concerned with dramatic writing should be without this intelligent and inspiring guide. Sam Smiley offers insights derived from a lifetime of writing, teaching, and consulting. While preserving the best of the earlier edition of the book, he offers new discussion on contemporary playwrights (Tony Kushner and Tom Stoppard), on copyright law, on new writing approaches, and on nontraditional dramatic forms. Reaching far beyond simplistic how-to instructions, the book focuses on identifying and explaining principles essential to creating dramas: plot, character, thought, diction, melody, and spectacle. Smiley explains these classic topics and provides the modern keys for realizing each element in effective dramatic scripts.

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Transport buildings—railway stations, airport terminals, bus and coach stations, motorway service areas, filling stations, and garages—are such a part of everyday scenery they are easily overlooked. This book is the first to take a close look at the architecture of British transport buildings of the twentieth century, a period during which transportation systems, methods, and even purposes underwent enormous change.The contributors to the book consider transport buildings both well known and unfamiliar from a variety of intriguing viewpoints. They explore the design and promotion of the London Underground, the battle between road and rail, the intentions of architects—to glamorize travel, to calm fears, to accommodate huge numbers of travelers—and the political and cultural significance of the transport buildings that have become a major part of modern life. Published for the Paul Mellon Centre for Studies in British Art

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George Frederic Watts (1817–1904) was a titanic figure in nineteenth-century British art. The father of British Symbolism and portrait painter of his age, he forged a controversial career that spanned the reign of Queen Victoria. This book, the first in-depth biography of Watts, sheds new light on the pioneering spirit and breadth of mind of the artist.Drawing on Watts’s abundant personal correspondence and diaries and an array of other contemporary documents, the book chronicles the artist’s career and personal life, including his friendships with Edward Burne-Jones, Frederic Leighton, William Gladstone, and Alfred Tennyson and his relationships with a series of singular women. The book also examines Watts’s wide reforming zeal and political agenda as well as his role and dealings in the Victorian art world.Published for the Paul Mellon Centre for Studies in British Art

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Late nineteenth-century Britain experienced an explosion of interest in sculpture. Sculptors of the “New Sculpture” movement sought a new direction and a modern idiom for their art. This book analyzes for the first time the art-theoretical concerns of the late-Victorian sculptors, focusing on their attitudes toward representation of the human body. David J. Getsy uncovers a previously unrecognized sophistication in the New Sculpture through close study of works by key figures in the movement: Frederic Leighton, Alfred Gilbert, Hamo Thornycroft, Edward Onslow Ford, and James Havard Thomas.These artists sought to activate and animate the conventional format of the ideal statue so that it would convincingly stand in for both a living body and an ideal image. Getsy demonstrates the conceptual complexity of the New Sculptors and places their concerns within the larger framework of modern sculpture. Published for the Paul Mellon Centre for Studies in British Art

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The definitive short biography of the enigmatic Peter the Great Peter the Great (1672–1725), tsar of Russia for forty-three years, was a dramatic, appealing, and unconventional character. This book provides a vivid sense of the dynamics of his life—both public and private—and his reign. Drawing on his letters and papers, as well as on other contemporary accounts, the book provides new insights into Peter’s complex character, giving information on his actions, deliberations, possessions, and significant fantasy world--his many disguises and pseudonyms, his interest in dwarfs, his clowning and vandalism. It also sheds fresh light on his relationships with individuals such as his second wife Catherine and his favorite, Alexander Menshikov. The book includes discussions of Peter’s image in painting and sculpture, and there are two final chapters on his legacy and posthumous reputation up to the present.

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Previously announced Edouard Baldus (1813–1889) was the most important French architectural photographer of the mid-19th century. This book offers an in-depth exploration of one of his most intriguing projects—a remarkable series of views of the Château de La Faloise, in which his subject was not primarily the country house but the owner and his family at leisure on its grounds. James A. Ganz locates the photographs at a key moment in Baldus’s career and during one of the most eventful decades in the history of French photography, showing that they stand at a crossroad between the English “conversation piece” and the birth of Impressionist portraiture in the early paintings of Monet and Bazille.Distributed for the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

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The first biography of a composer who broke the gender barrier on Broadway Kay Swift (1897–1993) was one of the few women composers active on Broadway in the first half of the twentieth century. Best known as George Gershwin’s assistant, musical adviser, and intimate friend, Swift was in fact an accomplished musician herself, a pianist and composer whose Fine and Dandy (1930) was the first complete Broadway musical written by a woman. This fascinating book—the first biography of Swift—discusses her music and her extraordinary life. Vicki Ohl describes Swift’s work for musical theater, the ballet, Radio City Music Hall’s Rockettes, and commercial shows. She also tells how Swift served as director of light music for the 1939 World’s Fair, eloped with a cowboy from the rodeo at the fair, and abandoned her native New York for Oregon, later fashioning her experiences into an autobiographical novel, Who Could Ask for Anything More? Informed by rich material, including Swift’s unpublished memoirs and extensive interviews with her family members and friends, this book captures the essence and spirit of a remarkable woman.

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London’s modest eighteenth-century houses—those inhabited by artisans and laborers in the unseen parts of Georgian London—can tell us much about the culture of that period. This fascinating book examines largely forgotten small houses that survive from the eighteenth century and sheds new light on both the era’s urban architecture and the lives of a culturally distinctive metropolitan population.Peter Guillery discusses how and where, by and for whom the houses were built, stressing vernacular continuity and local variability. He investigates the effects of creeping industrialization (both on house building and on the occupants), and considers the nature of speculative suburban growth. Providing rich and evocative illustrations, he compares these houses to urban domestic architecture elsewhere, as in North America, and suggests that the eighteenth-century vernacular metropolis has enduring influence.Published for the Paul Mellon Centre for Studies in British Art and in association with English Heritage

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A profit-driven multinational corporation and an upstart group of environmentalists surprise the world and forge an astonishingly successful partnership Large and wealthy global companies too often fail to acknowledge environmental responsibility or workers’ rights. This book tells the dramatic story of one company—Chiquita Brands International—that decided to change the negative paradigm. Formerly the notorious United Fruit Company, a paternalistic organization that gave the name “Banana Republic” to tropical countries in Central America, Chiquita defied all expectations in the mid-1990s by forming an innovative pact with the Rainforest Alliance that transformed not only the corporation itself but also an important segment of the banana industry. Gary Taylor and Patricia Scharlin reveal the inside story of how corporate executives, banana workers, local leaders, and conservation advocates learned to work together and trust one another. Over the objections of skeptical critics, Chiquita and the Rainforest Alliance established a Better Banana “seal of approval” to certify genuine efforts to improve soil and water quality, ensure rainforest conservation, and enhance worker health and safety. This chronicle of their collaboration, told objectively and with extensive documentation, presents a promising new model of cooperative behavior--a model that shows how multinational companies can become motivated to solve critical global problems.

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This authoritative guide to the southwest corner of Wales by three local experts encompasses a wide sweep of history, from the rugged prehistoric remains that stud the distinctive windswept landscape overlooking the Atlantic to distinguished recent buildings that respond imaginatively to their natural setting. The comprehensive gazetteer encompasses the great cathedral of St David’s and its Bishop’s Palace, the numerous churches, and the magnificent Norman castles that reflect the turbulent medieval past. It gives attention also to the lesser-known delights of Welsh chapels—both simple rural and sophisticated Victorian examples—in all their wayward variety and provides detailed accounts of a rewarding range of towns, including the county town, Haverfordwest, the attractively unspoilt Regency resort of Tenby, and Milford Haven and Pembroke Dock, with their important naval history. An introduction with valuable specialist contributions sets the buildings in context.

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The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.

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Pomper explores the concept of 'democratic heroism', through accounts of eight individuals who, by 'just doing their jobs' have played crucial roles in resolving national problems in the United States.

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In the fifty years between 1530 and 1580, England moved from being one of the most lavishly Catholic countries in Europe to being a Protestant nation, a land of whitewashed churches and antipapal preaching. What was the impact of this religious change in the countryside? And how did country people feel about the revolutionary upheavals that transformed their mental and material worlds under Henry VIII and his three children?In this book a reformation historian takes us inside the mind and heart of Morebath, a remote and tiny sheep farming village on the southern edge of Exmoor. The bulk of Morebath’s conventional archives have long since vanished. But from 1520 to 1574, through nearly all the drama of the English Reformation, Morebath’s only priest, Sir Christopher Trychay, kept the parish accounts on behalf of the churchwardens. Opinionated, eccentric, and talkative, Sir Christopher filled these vivid scripts for parish meetings with the names and doings of his parishioners. Through his eyes we catch a rare glimpse of the life and pre-Reformation piety of a sixteenth-century English village.The book also offers a unique window into a rural world in crisis as the Reformation progressed. Sir Christopher Trychay’s accounts provide direct evidence of the motives which drove the hitherto law-abiding West-Country communities to participate in the doomed Prayer-Book Rebellion of 1549 culminating in the siege of Exeter that ended in bloody defeat and a wave of executions. Its church bells confiscated and silenced, Morebath shared in the punishment imposed on all the towns and villages of Devon and Cornwall. Sir Christopher documents the changes in the community, reluctantly Protestant and increasingly preoccupied with the secular demands of the Elizabethan state, the equipping of armies, and the payment of taxes. Morebath’s priest, garrulous to the end of his days, describes a rural world irrevocably altered and enables us to hear the voices of his villagers after four hundred years of silence.

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The remote, rugged, rough country of North West Ulster possesses buildings as varied as its landscape. Monuments of the Celtic church - sculptured cross-slabs, high crosses and round towers - and medieval tower houses survive from its earliest centuries. Fortified houses from the Plantation period are succeeded by Georgian mansions, and the richly varied urban and rural buildings of the Victorian period. In its churches both Protestant and Catholic, North West Ulster shows itself no less diverse.

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